{"nodes":[{"id":"NextResearch:64031be2e0291b001ccaa986","source":"NextResearch","title":"Base","excerpt":"Scrapboxへようこそ。このページは自由に編集して活用できます。","text":"Base \nScrapboxへようこそ。このページは自由に編集して活用できます。\n\nこのプロジェクトにメンバーを招待しましょう\n\t左上のメニューのProject Settingsから、他の人を招待できるリンクを取得できます。\n Scrapboxでは同一ページを複数人でリアルタイムに共同編集できます。\n\n基本的な使い方を試してみよう\n\t行頭にスペースまたはタブを入れて段落を作ることができます。\n `[ ]` で囲むと[別ページ]への[リンク]になります。\n `#` のあとに書いた文字は #ハッシュタグ になります。動作はリンクと同じです。\n `[`と` ]` の中に画像URLやYoutube/Vimeoの動画URLを書くと画像や動画を表示できます。\n \t例:\n  \t[https://gyazo.com/5f93e65a3b979ae5333aca4f32600611]\n\t個人のプロフィールを設定して自分のページを作りましょう（左上のメニューからEdit profile）。その後、\n \t`ctrl + i`を入力、または `[ユーザー名.icon]` を書くとアイコンを埋め込めます。\n  自分のページだけでなく、あらゆるページをアイコン化できます。例: [Scrapboxの使い方.icon]\n\tすべての記法は、[/help-jp/ブラケティング]をご覧ください\n\nリンクの効果的な使い方\n\t[Scrapbox]は、[リンク]から[つながり]を作ることで、関連するものを見つけ出し、整理できるのが特長です。\n \t[読んだ本]、[人物]、[タスク]など[自由]にリンクやハッシュタグを作っていきましょう！\n\nページをトップに固定する (ピン留め)\n 右上のメニューから`Pin at home`を選択すると、ページをリストの一番上に固定できます。\n 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ryuichi sakamoto","excerpt":"","text":"collapsed ryuichi sakamoto","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/collapsed%20ryuichi%20sakamoto","updated":1700390298,"position":[54.1877,-32.4786,2.0315],"cluster":"c10","subgroup":"c10.01","degree":6,"referenceDegree":0,"maxSimilarity":0.60128,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68ca72bdd91297c4c541e857","weight":0.60128,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a4b160ec1b002494ae3e","weight":0.60087,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559e69bd7be7b001c8a58d9","weight":0.50991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695bcd7c2db6383f70ff26b0","weight":0.26321,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:676d8f4fe53149d87f70757c","weight":0.12444,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4fb0971e6277d11f923","weight":0.10601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6559e69bd7be7b001c8a58d9","source":"NextResearch","title":"silence spins ryuichi sakamoto","excerpt":"","text":"silence spins ryuichi sakamoto","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/silence%20spins%20ryuichi%20sakamoto","updated":1700390558,"position":[54.2184,-32.4867,2.1763],"cluster":"c10","subgroup":"c10.01","degree":6,"referenceDegree":0,"maxSimilarity":0.50991,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6559e5973d53fc001be217cf","weight":0.50991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68ca72bdd91297c4c541e857","weight":0.48129,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a4b160ec1b002494ae3e","weight":0.48121,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695bcd7c2db6383f70ff26b0","weight":0.21353,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:676d8f4fe53149d87f70757c","weight":0.10177,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4fb0971e6277d11f923","weight":0.08518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6559eb97787791001c9ac4a9","source":"NextResearch","title":"Oxford 吉永小百合","excerpt":"２０１１年１０月、原爆詩の朗読を続ける女優、吉永小百合は、オックスフォード大学の招きを受けてイギリスに向かう。ヨーロッパで初めての朗読会、伴奏は、坂本龍一。百十年前のピアノが哀切なメロディーを奏で、偶然チャペルに迷い込んだ鳩が、長編詩「慟哭」のクライマックスで天井を飛翔した。彼女の朗読は、なぜイギリスの聴衆たちの胸を打ったのか。吉永小百合が原爆詩と関わった二十余年にわたる軌跡を紹介しつつ、当日の出来事をドラマティックに描くドキュメント。原爆詩が、国境を超えた瞬間が、いまここによみがえる。","text":"Oxford 吉永小百合\n２０１１年１０月、原爆詩の朗読を続ける女優、吉永小百合は、オックスフォード大学の招きを受けてイギリスに向かう。ヨーロッパで初めての朗読会、伴奏は、坂本龍一。百十年前のピアノが哀切なメロディーを奏で、偶然チャペルに迷い込んだ鳩が、長編詩「慟哭」のクライマックスで天井を飛翔した。彼女の朗読は、なぜイギリスの聴衆たちの胸を打ったのか。吉永小百合が原爆詩と関わった二十余年にわたる軌跡を紹介しつつ、当日の出来事をドラマティックに描くドキュメント。原爆詩が、国境を超えた瞬間が、いまここによみがえる。\n[https://www.youtube.com/watch?v=lEalWrdso8w&list=PL80D3D989947C03CE&index=11]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Oxford%20%E5%90%89%E6%B0%B8%E5%B0%8F%E7%99%BE%E5%90%88","updated":1758311114,"position":[-22.0938,-73.4523,12.5582],"cluster":"c27","subgroup":"c27.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10333,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6594f06d8f3c610023cd9ff4","weight":0.10333,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6559ee6fea7722001cba11af","source":"NextResearch","title":"神津島 黒曜石","excerpt":"伊豆諸島のひとつ神津島では、極めて硬度の高い黒曜石が採掘されます。","text":"神津島 黒曜石\n伊豆諸島のひとつ神津島では、極めて硬度の高い黒曜石が採掘されます。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E7%A5%9E%E6%B4%A5%E5%B3%B6%20%E9%BB%92%E6%9B%9C%E7%9F%B3","updated":1700392572,"position":[-26.2033,17.9627,-137.4814],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10111,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:67b441d9035d0348ef68b4e7","weight":0.10111,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6559f75a420a78001c45fe38","source":"NextResearch","title":"松本民之助","excerpt":"松本 民之助（まつもと たみのすけ、1914年7月11日 - 2004年3月15日）は、日本の作曲家、教育者。東京藝術大学名誉教授。","text":"松本民之助\n松本 民之助（まつもと たみのすけ、1914年7月11日 - 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imaging data","excerpt":"https://bids.neuroimaging.io","text":"brain imaging data\nhttps://bids.neuroimaging.io\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/brain%20imaging%20data","updated":1700396502,"position":[7.4053,60.493,48.9177],"cluster":"c08","subgroup":"c08.02","degree":18,"referenceDegree":0,"maxSimilarity":0.40287,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66d7201d7d7013001dcff89e","weight":0.40287,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669a70fbfa5abc001ca8ed31","weight":0.3767,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559fd7672a805001b4ad986","weight":0.36862,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6810cc2539b9f9295f5aef18","weight":0.26079,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64e3821da7822a001cf64077","weight":0.24302,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6454cb906cf1140a789079ee","weight":0.23363,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67fdb5331d14812d0a74bf31","weight":0.22475,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6501a1593613ec00211a1c7d","weight":0.21102,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6559fe25c7ba14001baf6b9e","source":"NextResearch","title":"湯川秀樹","excerpt":"京都府京都市出身。原子核内部において、陽子や中性子を互いに結合させる強い相互作用の媒介となる中間子の存在を1935年に理論的に予言した。1947年、イギリスの物理学者セシル・パウエルが宇宙線の中からパイ中間子を発見したことにより、湯川の理論の正しさが証明され、これにより1949年（昭和24年）、日本人として初めてノーベル賞を受賞した。","text":"湯川秀樹\n京都府京都市出身。原子核内部において、陽子や中性子を互いに結合させる強い相互作用の媒介となる中間子の存在を1935年に理論的に予言した。1947年、イギリスの物理学者セシル・パウエルが宇宙線の中からパイ中間子を発見したことにより、湯川の理論の正しさが証明され、これにより1949年（昭和24年）、日本人として初めてノーベル賞を受賞した。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E6%B9%AF%E5%B7%9D%E7%A7%80%E6%A8%B9","updated":1700396597,"position":[-22.8024,-74.2336,11.5438],"cluster":"c27","subgroup":"c27.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10804,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64e4451107558600205ef232","weight":0.10804,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:655a01d4ea7722001cbadf0c","source":"NextResearch","title":"2023 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センチュリー\nhttps://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcRivRtPt6Qa0q9tCAwKZ1zBThOogD91EhMt-quL2jE5vMm_eHSNDVICMKQ-&s=10\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/2023%20Toyota%20%E3%82%BB%E3%83%B3%E3%83%81%E3%83%A5%E3%83%AA%E3%83%BC","updated":1700397556,"position":[40.6591,-127.2387,-50.7116],"cluster":"c41","subgroup":"c41.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06486,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:655a023411a53d001ce25793","source":"NextResearch","title":"Upic","excerpt":"UPIC（ユーピック）は、作曲家ヤニス・クセナキスにより1970年代にフランスの電子音響研究施設のひとつCEMAMu（スマミュ、現在の名称はCCMIX）内に作られた、電子音響作成専用のコンピュータである。","text":"Upic\nUPIC（ユーピック）は、作曲家ヤニス・クセナキスにより1970年代にフランスの電子音響研究施設のひとつCEMAMu（スマミュ、現在の名称はCCMIX）内に作られた、電子音響作成専用のコンピュータである。\n\nペンタブレットを用いて線形を入力すると、縦軸を音高、横軸を時間と見做し、その線形が音響に変化する。線の種類を変えれば音色も変化する。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Upic","updated":1700397625,"position":[14.4558,-36.8582,20.8823],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08633,"lowEvidence":false,"neighbors":[{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.08633,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:655a02633d53fc001be347cc","source":"NextResearch","title":"日本アカデミー賞 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音学賞\nhttps://日本アカデミー賞歴代.com/music/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E6%97%A5%E6%9C%AC%E3%82%A2%E3%82%AB%E3%83%87%E3%83%9F%E3%83%BC%E8%B3%9E%20%E9%9F%B3%E5%AD%A6%E8%B3%9E","updated":1700397686,"position":[31.5727,-60.7649,-38.7948],"cluster":"c26","subgroup":"c26.01","degree":4,"referenceDegree":0,"maxSimilarity":0.41154,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659393f1cd595d002588f415","weight":0.41154,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d2aafe72a4fd0025276c66","weight":0.22602,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65564567d3e12b001c8ef1a0","weight":0.15016,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1138da42739b0bd3a86440","weight":0.09467,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:655a03c72a258a001cb5f0d5","source":"NextResearch","title":"日比谷野音","excerpt":"http://hibiya-kokaido.com","text":"日比谷野音\nhttp://hibiya-kokaido.com\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E6%97%A5%E6%AF%94%E8%B0%B7%E9%87%8E%E9%9F%B3","updated":1700398031,"position":[-70.5207,14.6689,-98.5014],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:655a043cc7ba14001baf98b8","source":"NextResearch","title":"zkm center for art and media","excerpt":"https://zkm.de/en","text":"zkm center for art and 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satie\n「音楽界の異端児」「音楽界の変わり者」の異名で知られる。ドビュッシーやラヴェルに影響を与えた。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/erik%20satie","updated":1701622533,"position":[13.5028,-52.1452,66.1666],"cluster":"c12","subgroup":"c12.01","degree":5,"referenceDegree":0,"maxSimilarity":0.89443,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66798761c0d349001d59b25e","weight":0.89443,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cdf1ef853faef61c4421","weight":0.37739,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986ce2c308539201b0bd26a","weight":0.32164,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cbe44b5a98d0024d45846","weight":0.17721,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a19957c81c3e7fb767a592d","weight":0.1081,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:656cbf3153df350023f6e54e","source":"NextResearch","title":"507 movements","excerpt":"https://507movements.com","text":"507 movements\nhttps://507movements.com\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/507%20movements","updated":1701625680,"position":[-68.6997,46.9261,-120.7984],"cluster":"c49","subgroup":"c49.01","degree":3,"referenceDegree":0,"maxSimilarity":0.75651,"lowEvidence":true,"neighbors":[{"id":"NextResearch:68660bd6a3f335aed7a7068b","weight":0.75651,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bc71acd4121b1a08ec806","weight":0.55293,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b48b52a1529d02154bf21","weight":0.11303,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:656cc577ef461900232637ef","source":"NextResearch","title":"高松次郎","excerpt":"石と数字","text":"高松次郎\n石と数字\nhttps://niigata-art226.hatenadiary.jp/entry/20140818/1408292650\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%AB%98%E6%9D%BE%E6%AC%A1%E9%83%8E","updated":1701627845,"position":[-54.4096,11.6578,-108.8045],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10312,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65cee3aa01baf80025e29777","weight":0.10312,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:656cc59f4517980025fdb058","source":"NextResearch","title":"毛利悠子","excerpt":"毛利悠子は1980年神奈川県生まれ。 2006年東京藝術大学大学院美術学部先端芸術表現科修了。 日用品やおもちゃ、楽器、機械の部品など様々なものを組み合わせ、磁力や重力、空気の動きといった目に見えない力を感じさせるインスタレーションを制作している。","text":"毛利悠子\n毛利悠子は1980年神奈川県生まれ。 2006年東京藝術大学大学院美術学部先端芸術表現科修了。 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というように、Cはほとんど使われておらず、C++とpythonをメインに扱うことになりそうです。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Blender%20python","updated":1708057594,"position":[-15.9761,-15.0538,-22.6007],"cluster":"c11","subgroup":"c11.01","degree":10,"referenceDegree":0,"maxSimilarity":0.23797,"lowEvidence":false,"neighbors":[{"id":"NextResearch:682c2159227944f4a38d7cbe","weight":0.23797,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c040b693fb0d0025f20be7","weight":0.20948,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6427c2ef0f309d001b707a21","weight":0.19855,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631da6e0173410025989a29","weight":0.18507,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64058a325b4ccb001c1eb165","weight":0.18224,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:690da554fb0341a661b2e5cd","weight":0.15376,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f1bbb40d98d7001c3f7f95","weight":0.11868,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683bf78664c634d2eab64206","weight":0.11299,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:65cee418e385ca00265c9cd6","source":"NextResearch","title":"Synthesizer 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リモートコントロール情報やシーケンサーデータをハードウェアのMIDI入力端子から受け、MADIデータパッケージとともに伝送します。MADI信号内の各チャンネル情報の中には、いくつかの追加情報用のビットがあり、ここには様々な情報が含まれています（Channel Status）。RMEはMADIストリームで使用されないユーザービットを利用してMIDIデータとシリアルデータをＭＡＤＩデータパッケージとともに伝送します。シリアルデータの伝送はADI-642、ADI-6432、DMC-842がサポートしています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/MADI%20%26%20MIDI","updated":1709089135,"position":[31.24,124.4114,76.9864],"cluster":"c31","subgroup":"c31.01","degree":6,"referenceDegree":0,"maxSimilarity":0.22193,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659e7020e0e5c0002427c6ee","weight":0.22193,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65828d223383e000232e832e","weight":0.167,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a0bd29bd1e63002358a12b","weight":0.14317,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662d4d637e31df00244ad43b","weight":0.12806,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d7226f0e7b54001da39258","weight":0.09259,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65f0387774a3e300259030dd","weight":0.08912,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:65deea5f406c3d002335d3a1","source":"NextResearch","title":"SFP トランシーバ","excerpt":"SFPトランシーバは、基板上の電気信号と光ファイバ上の光信号を相互に変換する光トランシーバモジュールの一つ。小型で活線挿抜が可能であり、光通信をサポートするネットワーク機器に搭載して使用される。同様の挿抜モジュールであるQSFP およびOSFP についても本項で記載する。","text":"SFP トランシーバ\nSFPトランシーバは、基板上の電気信号と光ファイバ上の光信号を相互に変換する光トランシーバモジュールの一つ。小型で活線挿抜が可能であり、光通信をサポートするネットワーク機器に搭載して使用される。同様の挿抜モジュールであるQSFP およびOSFP についても本項で記載する。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/SFP%20%E3%83%88%E3%83%A9%E3%83%B3%E3%82%B7%E3%83%BC%E3%83%90","updated":1709107818,"position":[69.1987,-90.4183,103.5645],"cluster":"c47","subgroup":"c47.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07672,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:65deea790c5cdb0024bced12","source":"NextResearch","title":"AES - Advanced Encryption Standard","excerpt":"AESはAdvanced Encryption Standardの略称で、高度暗号化技術という意味の言葉です。 AESは無線LANなどの通信内容の暗号化に用いられる暗号アルゴリズムであり、米国政府における暗号化の標準規格として採用されています。","text":"AES - Advanced Encryption Standard\nAESはAdvanced Encryption Standardの略称で、高度暗号化技術という意味の言葉です。 AESは無線LANなどの通信内容の暗号化に用いられる暗号アルゴリズムであり、米国政府における暗号化の標準規格として採用されています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/AES%20-%20Advanced%20Encryption%20Standard","updated":1709107846,"position":[-18.2143,-16.5381,-21.2082],"cluster":"c11","subgroup":"c11.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12213,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.12213,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033e3bdb393c001c8969de","weight":0.11557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033df0e9011b001cb456ca","weight":0.11058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:65deff2bfe97ca00241bd6e7","source":"NextResearch","title":"stem","excerpt":"パラデータはパート関係なく個別にトラックを書き出し、ステムデータは特定のパートを1つのトラックにまとめて書き出します。","text":"stem\nパラデータはパート関係なく個別にトラックを書き出し、ステムデータは特定のパートを1つのトラックにまとめて書き出します。\n[https://scrapbox.io/files/65deff41a04e7900240ff51b.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/stem","updated":1709113156,"position":[-28.9631,21.9208,-141.7884],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08266,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:65deff8efdf633002621c83b","source":"NextResearch","title":"CAT6 LAN cable","excerpt":"CAT5e ケーブルと CAT6 ケーブルの主な違いは、データ伝送時にサポートされる帯域幅にあります。 CAT5e ケーブルが最大 100MHz の動作周波数に対して設計されているのに対し、CAT6 ケーブルは、最大 250MHz の動作周波数に対して設計されています","text":"CAT6 LAN cable\nCAT5e ケーブルと CAT6 ケーブルの主な違いは、データ伝送時にサポートされる帯域幅にあります。 CAT5e ケーブルが最大 100MHz の動作周波数に対して設計されているのに対し、CAT6 ケーブルは、最大 250MHz の動作周波数に対して設計されています\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/CAT6%20LAN%20cable","updated":1709113246,"position":[-41.3074,31.8566,-149.2848],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06367,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:65df00330c5cdb0024be4b80","source":"NextResearch","title":"IGMP snooping","excerpt":"IGMPは、動画配信などの際に複数の端末が1つのIPアドレスを共有し、同じデータを受信できるようにする仕組みです。1回のデータ送信で複数の端末をカバーすることで、ネットワークの効率的な利用を可能にし、遅延などのトラブルを防ぎます。しかし、IGMPでは、データ配信を効率化できるものの、IPアドレスを共有している全端末（＝スイッチに接続されている全端末）にデータが送られてしまいます。","text":"IGMP snooping\nIGMPは、動画配信などの際に複数の端末が1つのIPアドレスを共有し、同じデータを受信できるようにする仕組みです。1回のデータ送信で複数の端末をカバーすることで、ネットワークの効率的な利用を可能にし、遅延などのトラブルを防ぎます。しかし、IGMPでは、データ配信を効率化できるものの、IPアドレスを共有している全端末（＝スイッチに接続されている全端末）にデータが送られてしまいます。\n\nIGMPスヌーピングとは、インテリジェントスイッチの各ポートを流れるデータをスヌーピング（のぞき見）し、データ配信を必要としていない端末にデータが送信されないようにすることをいいます。IGMPを使った動画配信などの大容量データを、さらに効率よく送信し、ネットワークを効率的に利用することを可能にします。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/IGMP%20snooping","updated":1709113406,"position":[12.9577,27.634,9.4232],"cluster":"c17","subgroup":"c17.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06635,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:65df0d9df75ef800242cbbcc","source":"NextResearch","title":"nature digest","excerpt":"https://www.natureasia.com/ja-jp/ndigest/v17/n1/新分野を拓いたNature+論文10選/101650","text":"nature 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ドラマーAI\ngroovyな演奏ではない、YCAM\nhttps://ontomo-mag.com/article/report/ishiwaka-ycam-ai-202205/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E7%9F%B3%E8%8B%A5%E9%A7%BF%20%E3%83%89%E3%83%A9%E3%83%9E%E3%83%BCAI","updated":1709306884,"position":[21.3801,86.6009,-1.3998],"cluster":"c22","subgroup":"c22.01","degree":7,"referenceDegree":0,"maxSimilarity":0.1621,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:657410c64879c50022fbfc27","weight":0.1621,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a0c1d3ccb3fd0024634447","weight":0.13098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:685139ed17dabf4ce423c137","weight":0.13098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a52b1c7259d4002447ecae","weight":0.12223,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6403345474d8fc001bab29a0","weight":0.11715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64037822e42771001b38b7ab","weight":0.11715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6468e12aef9760001c214d42","weight":0.11715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:65e5d30a23d1870026c7652b","source":"NextResearch","title":"Sonar 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call\n12月-1月\n[https://scrapbox.io/files/667971ff84684c001d89e249.png]\n\nhttps://sonar.es/en/news/open-call-exhibe-tu-proyecto-en-sonard-2024-convocatoria-abierta-hasta-el-22-de-diciembre\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Sonar%20%2BD%20open%20call","updated":1719235102,"position":[-11.7978,105.6089,3.4629],"cluster":"c13","subgroup":"c13.01","degree":16,"referenceDegree":0,"maxSimilarity":0.61414,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67bf27d38596cb325f01bf8b","weight":0.61414,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a7d5d618adb7495a517b9f4","weight":0.46055,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640aead834d2db001bfd9649","weight":0.41887,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64884c95f03c00001b90a06c","weight":0.41887,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c6689f04004d6d2b376e1","weight":0.37571,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67c09c825ae6b903b2e56aee","weight":0.31781,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64c65615304871001ced3837","weight":0.30961,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6532d70d32bdf9001b42080a","weight":0.30808,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:65e723f8177fbb0025cde3a1","source":"NextResearch","title":"ccrma neuro music lab","excerpt":"https://ccrma.stanford.edu/groups/neuromusiclab/index.html","text":"ccrma neuro music lab\n[https://scrapbox.io/files/66797337913bff001db89437.png]\n\nhttps://ccrma.stanford.edu/groups/neuromusiclab/index.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/ccrma%20neuro%20music%20lab","updated":1719235389,"position":[-34.4751,62.9254,25.9285],"cluster":"c06","subgroup":"c06.02","degree":7,"referenceDegree":0,"maxSimilarity":0.59813,"lowEvidence":false,"neighbors":[{"id":"NextResearch:649bca2f937f97001c6c22a9","weight":0.59813,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bc89af23a70001c93691d","weight":0.40816,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da19b0ebfc6f7cc0cae2c","weight":0.3851,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6425055a7a5350001b33b5f7","weight":0.31449,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afa8e0dbaab001c2a1cf3","weight":0.28078,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f2f5004f819b001c6a9fc4","weight":0.2604,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d71701eb8693001d32b771","weight":0.21448,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:65ec9e5b4886a300258f6f04","source":"NextResearch","title":"aleatora 音楽作成フレームワーク python","excerpt":"https://github.com/ijc8/aleatora","text":"aleatora 音楽作成フレームワーク python\nhttps://github.com/ijc8/aleatora\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/aleatora%20%E9%9F%B3%E6%A5%BD%E4%BD%9C%E6%88%90%E3%83%95%E3%83%AC%E3%83%BC%E3%83%A0%E3%83%AF%E3%83%BC%E3%82%AF%20python","updated":1710005898,"position":[-16.7387,-15.7262,-22.2707],"cluster":"c11","subgroup":"c11.01","degree":4,"referenceDegree":0,"maxSimilarity":0.14285,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6427c2ef0f309d001b707a21","weight":0.14285,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:690da554fb0341a661b2e5cd","weight":0.14105,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659218106c203200227310fc","weight":0.14031,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a140089e4ffadd545d6b11e","weight":0.098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:65ec9e9a530db70025a45206","source":"NextResearch","title":"CRNN 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は、C++用のオブジェクト指向保持モード（英語版）3次元グラフィックスAPIであり、SGIがOpenGLのより抽象化されたプログラミング層を提供するべく設計した。当初の名称は IRIS Inventor。プログラマにとってより便利で効率的であることを目標としている。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Open%20Inventor","updated":1710006099,"position":[-13.647,105.5092,1.7868],"cluster":"c13","subgroup":"c13.01","degree":9,"referenceDegree":0,"maxSimilarity":0.20507,"lowEvidence":false,"neighbors":[{"id":"NextResearch:682c2159227944f4a38d7cbe","weight":0.20507,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b0c8b8b327f001c48dbe2","weight":0.13659,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640aead834d2db001bfd9649","weight":0.13295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64884c95f03c00001b90a06c","weight":0.13295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65e5d30a23d1870026c7652b","weight":0.12466,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659244e9fc909000238dd65c","weight":0.1232,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64c65615304871001ced3837","weight":0.11958,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a9f96f7dcc2a0024c90bd9","weight":0.09979,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:65ec9f640aab5e002707fa17","source":"NextResearch","title":"オクルージョン","excerpt":"オクルージョンとは、塞ぐを意味する英単語「occlude」で、IT業界では手前にある物体が後ろにある物体を隠す状態のことをいいます。","text":"オクルージョン\nオクルージョンとは、塞ぐを意味する英単語「occlude」で、IT業界では手前にある物体が後ろにある物体を隠す状態のことをいいます。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AA%E3%82%AF%E3%83%AB%E3%83%BC%E3%82%B8%E3%83%A7%E3%83%B3","updated":1710006120,"position":[49.173,-49.8298,37.6657],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.09388,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f97264ba8bf90023e98a98","weight":0.09388,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:65eca01f42050d00275c8bc9","source":"NextResearch","title":"DIVE","excerpt":"DIVE 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D. ベンフォードらによって開発された共同作業 (CSCW) などのための仮想環境である．","text":"DIVE\nDIVE (分散インタラクティブ仮想環境, Distributed Interactive Virtual Environment) は S. D. ベンフォードらによって開発された共同作業 (CSCW) などのための仮想環境である．\n\nDIVE は、仮想空間上のオブジェクト (アバターとしての人間もふくむ) はその周囲にオーラ (aura) とよばれる領域をもち、それが他者のオーラとかさなると会話などの相互作用がうまれるというモデルにもとづいている。相互作用はあるかないかの 2 とおりであり、そのつよさはモデル化されていない。人間どうしの会話だけでなく、ホワイトボードなどの受動的な物体もあわせてモデル化しようとしている。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/DIVE","updated":1710006310,"position":[-0.8738,63.1839,52.7772],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.147,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6723013f48261e925c3b0330","weight":0.147,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b0c8b8b327f001c48dbe2","weight":0.10558,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:65eca0cfb4298e00250dd98c","source":"NextResearch","title":"X'tal vision","excerpt":"[https://youtu.be/-5nsB_6mD0A?si=BrtuLQa-CJRUmsQc]","text":"X'tal 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アーティストフェロー\nhttps://www.metro.tokyo.lg.jp/tosei/hodohappyo/press/2024/04/25/32.html\nhttps://ccbt.rekibun.or.jp/core-programs/art-incubation\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/CCBT%20%E3%82%A2%E3%83%BC%E3%83%86%E3%82%A3%E3%82%B9%E3%83%88%E3%83%95%E3%82%A7%E3%83%AD%E3%83%BC","updated":1721652221,"position":[15.9995,-34.9078,20.5618],"cluster":"c05","subgroup":"c05.02","degree":15,"referenceDegree":0,"maxSimilarity":0.57171,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6758ef55f5e2e5aef7095a76","weight":0.57171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a51b738dbd9001b704b40","weight":0.17302,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67711f2a3de2ec4d2e79fcd4","weight":0.14478,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67336656ca262583a5a0ff34","weight":0.13926,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67ab18295dace49c88a275ef","weight":0.12177,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e30e905e65be420e701e","weight":0.12042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1bdaa2083cc002353c730","weight":0.11477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c50a9ae80d4d0026de817c","weight":0.10963,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:669e54de543fde001c062acf","source":"NextResearch","title":"Live multi studio touch designer plug in","excerpt":"https://livemulti.jp/studio/","text":"Live multi studio touch designer plug in\nhttps://livemulti.jp/studio/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Live%20multi%20studio%20touch%20designer%20plug%20in","updated":1721652461,"position":[16.8753,42.8723,-34.1722],"cluster":"c15","subgroup":"c15.01","degree":8,"referenceDegree":0,"maxSimilarity":0.91837,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669a7192582c95001ce7c76d","weight":0.91837,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67b8444c6a9f312870b3c018","weight":0.39663,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648849f6e6ea1d001b435335","weight":0.35476,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:643d1c7793a227001bb108d3","weight":0.34664,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659e6f704a516c0024a2e43d","weight":0.3365,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:698d99e8f3e354378743493b","weight":0.3331,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c66bdb31bd80d4b053085","weight":0.3296,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af1de6fca707001df9a63e","weight":0.18449,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:669e55526b9c59001c97f91a","source":"NextResearch","title":"reaper midi mapping audio plugin","excerpt":"qosmoのandrewがneutoneの音をmidi controllerにmapping する時に使えるって言ってた","text":"reaper midi mapping audio plugin\n[https://scrapbox.io/files/669e557d7c49ef001c73e7c8.png]\nqosmoのandrewがneutoneの音をmidi controllerにmapping する時に使えるって言ってた\n\nhttps://www.reaper.fm/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/reaper%20midi%20mapping%20audio%20plugin","updated":1721652755,"position":[34.9167,124.9473,72.9089],"cluster":"c31","subgroup":"c31.01","degree":7,"referenceDegree":0,"maxSimilarity":0.38264,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af896816dec3001cbd6bc0","weight":0.38264,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d7226f0e7b54001da39258","weight":0.28627,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65828d223383e000232e832e","weight":0.23959,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a0bd29bd1e63002358a12b","weight":0.22568,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662d4d637e31df00244ad43b","weight":0.20186,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64906ec4ac31d3001cde8868","weight":0.1616,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af8b31cae7e0001cb383bb","weight":0.1501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af0e90201c41001dfd8515","source":"NextResearch","title":"カマリン・オンネス","excerpt":"カーメルリング・オンネス、カマリン・オンネス、カマリン・オネスなど様々にカナ表記されている。ヘリウムの液化に成功、超伝導の発見など、低温物理学の先駆者として知られている。1913年にノーベル物理学賞を受賞した。","text":"カマリン・オンネス\nカーメルリング・オンネス、カマリン・オンネス、カマリン・オネスなど様々にカナ表記されている。ヘリウムの液化に成功、超伝導の発見など、低温物理学の先駆者として知られている。1913年にノーベル物理学賞を受賞した。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AB%E3%83%9E%E3%83%AA%E3%83%B3%E3%83%BB%E3%82%AA%E3%83%B3%E3%83%8D%E3%82%B9","updated":1722748575,"position":[-23.1224,-94.8895,12.0456],"cluster":"c27","subgroup":"c27.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0633,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:66af0ecf01bb09001cbc8c75","source":"NextResearch","title":"subtle is the lord","excerpt":"Subtle is the Lord: The Science and the Life of Albert Einstein is a biography of Albert Einstein written by Abraham Pais. First published in 1982 by Oxford University Press, the book is one of the most acclaimed biographies of the scientist.[4] This was not the first popular biography of Einstein, but it was the first to focus on his scientific research as opposed to his life as a popular figure.[5] Pais, renowned for his work in theoretical particle physics, was a friend of Einstein's at the Institute for Advanced Study in his early career. Originally published in English in the United State","text":"subtle is the lord\nSubtle is the Lord: The Science and the Life of Albert Einstein is a biography of Albert Einstein written by Abraham Pais. First published in 1982 by Oxford University Press, the book is one of the most acclaimed biographies of the scientist.[4] This was not the first popular biography of Einstein, but it was the first to focus on his scientific research as opposed to his life as a popular figure.[5] Pais, renowned for his work in theoretical particle physics, was a friend of Einstein's at the Institute for Advanced Study in his early career. Originally published in English in the United States and the United Kingdom, the book has translations in over a dozen languages.[6] Pais later released a sequel to the book in 1994 titled Einstein Lived Here and, after his death in 2000, the University Press released a posthumous reprint of the biography in 2005, with a new foreword by Roger Penrose. Considered very popular for a science book, the biography sold tens of thousands of copies of both paperback and hardcover versions in its first year.[7] The book has received many reviews[7] and, the year after its initial publication, it won both the 1983 National Book Award for Nonfiction, in Science (Hardcover), and the 1983 Science Writing Award.\n","tags":[],"links":["4","5","6","7"],"url":"https://scrapbox.io/NextResearch/subtle%20is%20the%20lord","updated":1722748670,"position":[14.7596,84.7507,27.5271],"cluster":"c21","subgroup":"c21.01","degree":3,"referenceDegree":0,"maxSimilarity":0.16932,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648bd2ee8b327f001c51ec2b","weight":0.16932,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bb904270a60001ce2bc37","weight":0.09128,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a560ea9497120021570a35","weight":0.08709,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af0f961e4524001d172d1d","source":"NextResearch","title":"リアプノフ指数","excerpt":"リアプノフ指数（リアプノフしすう、英: Lyapunov exponent）とは、力学系においてごく接近した軌道が離れていく度合いを表す量である。リャプノフ指数とも表記される[1]。ロシア人科学者 Алекса́ндр Ляпуно́в（アレクサンドル・リプノーフ、Aleksandr Lyapunov）にその名をちなむ[2]。","text":"リアプノフ指数\nリアプノフ指数（リアプノフしすう、英: Lyapunov exponent）とは、力学系においてごく接近した軌道が離れていく度合いを表す量である。リャプノフ指数とも表記される[1]。ロシア人科学者 Алекса́ндр Ляпуно́в（アレクサンドル・リプノーフ、Aleksandr Lyapunov）にその名をちなむ[2]。\n[https://scrapbox.io/files/66af0fbbdae760001cbf1c31.png]\n","tags":[],"links":["1","2"],"url":"https://scrapbox.io/NextResearch/%E3%83%AA%E3%82%A2%E3%83%97%E3%83%8E%E3%83%95%E6%8C%87%E6%95%B0","updated":1722748862,"position":[19.1562,-69.1533,-0.1277],"cluster":"c03","subgroup":"c03.02","degree":3,"referenceDegree":0,"maxSimilarity":0.09423,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a5e94d42cb9f00259edbe4","weight":0.09423,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69105037331d77f44e6df83c","weight":0.09392,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a3ce8dae87001dfec835","weight":0.08588,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af100e37aaa3001cf6dbe6","source":"NextResearch","title":"エルデシュ数","excerpt":"number）またはエルデシュ番号とは、数学者同士、あるいはもっと広く科学者同士の、共著論文による結び付きにおいて、ハンガリー出身の数学者ポール・エルデシュとどれだけ近いかを表す概念である。エルデシュに共著論文が非常に多いことから、その友人たちによって、敬意とユーモアを込めて考え出された。今日では科学者のコミュニティにおいてよく知られており、エルデシュと近いことが名誉であるかのように半ば冗談めいて語られる。","text":"エルデシュ数\nnumber）またはエルデシュ番号とは、数学者同士、あるいはもっと広く科学者同士の、共著論文による結び付きにおいて、ハンガリー出身の数学者ポール・エルデシュとどれだけ近いかを表す概念である。エルデシュに共著論文が非常に多いことから、その友人たちによって、敬意とユーモアを込めて考え出された。今日では科学者のコミュニティにおいてよく知られており、エルデシュと近いことが名誉であるかのように半ば冗談めいて語られる。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A8%E3%83%AB%E3%83%87%E3%82%B7%E3%83%A5%E6%95%B0","updated":1722748958,"position":[11.3928,-53.9678,69.888],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.27324,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a5f2f4cfcdca002430a11e","weight":0.27324,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af1069c0f238001dd2def1","source":"NextResearch","title":"スティーブンスの冪乗則","excerpt":"https://ja.m.wikipedia.org/wiki/スティーヴンスのべき法則","text":"スティーブンスの冪乗則\nhttps://ja.m.wikipedia.org/wiki/スティーヴンスのべき法則\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B9%E3%83%86%E3%82%A3%E3%83%BC%E3%83%96%E3%83%B3%E3%82%B9%E3%81%AE%E5%86%AA%E4%B9%97%E5%89%87","updated":1722749048,"position":[23.0372,-40.8078,92.158],"cluster":"c14","subgroup":"c14.01","degree":5,"referenceDegree":0,"maxSimilarity":0.34534,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a2a7d23baf002577996a","weight":0.34534,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e36df1953e4b001c4162da","weight":0.17563,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658001a02028230024b9df7a","weight":0.14295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65e60539e9e001b567501","weight":0.11198,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d29c53403100024195449","weight":0.1085,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af10ad9fa6e3001c2b5b9a","source":"NextResearch","title":"small world phenomenon","excerpt":"スモール・ワールド現象（スモールワールドげんしょう、small world phenomenon, small world effect）は、知り合い関係を芋づる式にたどっていけば比較的簡単に世界中の誰にでも行き着くという仮説である。","text":"small world phenomenon\nスモール・ワールド現象（スモールワールドげんしょう、small world phenomenon, small world effect）は、知り合い関係を芋づる式にたどっていけば比較的簡単に世界中の誰にでも行き着くという仮説である。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/small%20world%20phenomenon","updated":1722749114,"position":[44.2735,30.2418,60.9439],"cluster":"c30","subgroup":"c30.01","degree":3,"referenceDegree":0,"maxSimilarity":0.2111,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a289e0c1aa0023c2833d","weight":0.2111,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ce0f74bcb61e001c646994","weight":0.18095,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a279bd605016001ba3ecdc","weight":0.12841,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af114f4afaab001d5260a1","source":"NextResearch","title":"プリューム コヒーレンス","excerpt":"https://www.jstage.jst.go.jp/article/seisankenkyu/74/1/74_17/_pdf","text":"プリューム コヒーレンス\nhttps://www.jstage.jst.go.jp/article/seisankenkyu/74/1/74_17/_pdf\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%97%E3%83%AA%E3%83%A5%E3%83%BC%E3%83%A0%20%E3%82%B3%E3%83%92%E3%83%BC%E3%83%AC%E3%83%B3%E3%82%B9","updated":1722749283,"position":[-38.3796,-83.5335,-55.0768],"cluster":"c44","subgroup":"c44.01","degree":3,"referenceDegree":0,"maxSimilarity":0.36165,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b2179a6a3b1001bf05d8e","weight":0.36165,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b2138eb1f46001cd17d70","weight":0.1023,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a211580692f00025af7274","weight":0.0901,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af13bfb8b160001c0fae37","source":"NextResearch","title":"ギャップ結合","excerpt":"ギャップ結合（ギャップけつごう、英: Gap junction）は、隣り合う上皮細胞をつなぎ、水溶性の小さいイオンや分子を通過させる細胞間結合のこと。","text":"ギャップ結合\nギャップ結合（ギャップけつごう、英: Gap junction）は、隣り合う上皮細胞をつなぎ、水溶性の小さいイオンや分子を通過させる細胞間結合のこと。\n[https://scrapbox.io/files/66af13e15a3f77001db0b73f.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AE%E3%83%A3%E3%83%83%E3%83%97%E7%B5%90%E5%90%88","updated":1722749924,"position":[-31.6885,9.3688,-123.6395],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06311,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:66af1de6fca707001df9a63e","source":"NextResearch","title":"Evo suite vj plug in","excerpt":"TURN ABLETON LIVE INTO","text":"Evo suite vj plug in\nTURN ABLETON LIVE INTO\nAN AUDIO-VISUAL INSTRUMENT\nhttps://www.ebosuite.com\n\n[https://youtu.be/8G5MNAD7-Ns?si=y6dyFN163UxRGaSr]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Evo%20suite%20vj%20plug%20in","updated":1730089924,"position":[15.7823,43.3012,-33.4215],"cluster":"c15","subgroup":"c15.01","degree":8,"referenceDegree":0,"maxSimilarity":0.25858,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af26291357ad001d1fb305","weight":0.25858,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:696d003b6bcef6ba6e30707e","weight":0.1896,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e54de543fde001c062acf","weight":0.18449,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67600418c1a196a56d3f0e85","weight":0.15812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499086bfd96e1001cf18d23","weight":0.13634,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:643d223b728e08001c19ca7b","weight":0.13086,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6851319a59f4f12493bc942e","weight":0.11972,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c8a952fdd4a99cd7906a94","weight":0.10398,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af1e92d4a03d001dad51db","source":"NextResearch","title":"クエン酸サイクル","excerpt":"食事で摂った栄養分（糖質や脂質）や、体内に溜まった乳酸を活動のエネルギーに変える「クエン酸サイクル」。 このサイクルがうまく回らないと、せっかく食事で栄養分を補給してもエネルギーが切れてしまいます。","text":"クエン酸サイクル\n食事で摂った栄養分（糖質や脂質）や、体内に溜まった乳酸を活動のエネルギーに変える「クエン酸サイクル」。 このサイクルがうまく回らないと、せっかく食事で栄養分を補給してもエネルギーが切れてしまいます。\n[https://scrapbox.io/files/66af1eb9985c8d001d7f00d6.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AF%E3%82%A8%E3%83%B3%E9%85%B8%E3%82%B5%E3%82%A4%E3%82%AF%E3%83%AB","updated":1722752700,"position":[-26.6888,-76.8486,67.789],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13776,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64d0b2021f2916001ba2f198","weight":0.13776,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c214cf4424e00024a3f0ba","weight":0.10188,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648afe99828df0001b38ee71","weight":0.08951,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af1ed4d3a4b9001c00636b","source":"NextResearch","title":"ベロウソフ・ジャボチンスキー反応","excerpt":"ベロウソフ・ジャボチンスキー反応とは、セリウム塩などの金属塩と臭化物イオンを触媒としてマロン酸などのカルボン酸を臭素酸塩によりブロモ化する化学反応のことである。系内に存在するいくつかの物質の濃度が周期的に変化する非線型的振動反応の代表的な例として知られている。","text":"ベロウソフ・ジャボチンスキー反応\nベロウソフ・ジャボチンスキー反応とは、セリウム塩などの金属塩と臭化物イオンを触媒としてマロン酸などのカルボン酸を臭素酸塩によりブロモ化する化学反応のことである。系内に存在するいくつかの物質の濃度が周期的に変化する非線型的振動反応の代表的な例として知られている。\n化学反応で物質の濃度が空間的に変動する現象は化学反応波として呼ばれ，自発的に時空間秩序構造を形成する。\n[https://youtu.be/BZxGpwNMzts?si=tZQiTpn3iRB8w-8B]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%99%E3%83%AD%E3%82%A6%E3%82%BD%E3%83%95%E3%83%BB%E3%82%B8%E3%83%A3%E3%83%9C%E3%83%81%E3%83%B3%E3%82%B9%E3%82%AD%E3%83%BC%E5%8F%8D%E5%BF%9C","updated":1722754243,"position":[27.4896,62.163,50.3002],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.61671,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64d0b11486c31a001b2111da","weight":0.61671,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649e49748f46c4001c71d397","weight":0.12026,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af26291357ad001d1fb305","source":"NextResearch","title":"ableton Nadia Struiwigh Live Audio Download","excerpt":"https://www.ableton.com/ja/blog/download-the-live-set-of-nadia-struiwighs-new-track-leelow-waters/?fbclid=PAZXh0bgNhZW0CMTEAAab6ckoYMbDJcoB1E-A51PtxA8fNxTLSxXA-HeYa4lOyYdRrDQ8Ns_0-2Q0_aem_fDSJJV5ze5hX0ZwkfbLnBw","text":"ableton Nadia Struiwigh Live Audio Download \nhttps://www.ableton.com/ja/blog/download-the-live-set-of-nadia-struiwighs-new-track-leelow-waters/?fbclid=PAZXh0bgNhZW0CMTEAAab6ckoYMbDJcoB1E-A51PtxA8fNxTLSxXA-HeYa4lOyYdRrDQ8Ns_0-2Q0_aem_fDSJJV5ze5hX0ZwkfbLnBw\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/ableton%20Nadia%20Struiwigh%20Live%20Audio%20Download","updated":1722754648,"position":[-7.533,127.2882,25.521],"cluster":"c29","subgroup":"c29.01","degree":11,"referenceDegree":0,"maxSimilarity":0.36606,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a61842831e01a921b822922","weight":0.36606,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69043f1e477788b7417cb6e1","weight":0.35561,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af1de6fca707001df9a63e","weight":0.25858,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6447769d51b9ce001bb6066d","weight":0.24988,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6aaac476c45860462e1221c1","weight":0.24528,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca395e31b474720507b5a2","weight":0.21556,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65078f3b92714e001c73d81c","weight":0.2068,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f3da2b4a6762001c4eadbd","weight":0.19289,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af2690d24048001cf526e8","source":"NextResearch","title":"Blender 非線形ストレンジアトラクター","excerpt":"https://qiita.com/oho-sugu/items/e16d3ea42f93d1f4d630","text":"Blender 非線形ストレンジアトラクター\nhttps://qiita.com/oho-sugu/items/e16d3ea42f93d1f4d630\n[https://scrapbox.io/files/66af26c6d24048001cf527a7.webp]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Blender%20%E9%9D%9E%E7%B7%9A%E5%BD%A2%E3%82%B9%E3%83%88%E3%83%AC%E3%83%B3%E3%82%B8%E3%82%A2%E3%83%88%E3%83%A9%E3%82%AF%E3%82%BF%E3%83%BC","updated":1722754760,"position":[17.4188,-68.8651,0.0104],"cluster":"c03","subgroup":"c03.01","degree":5,"referenceDegree":0,"maxSimilarity":0.47086,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a0bef525602001ce57c18","weight":0.47086,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64cb57003dd10d001c1caee8","weight":0.24405,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4cc943abdb6f0e8ffcc","weight":0.20843,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c040b693fb0d0025f20be7","weight":0.10743,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64058a325b4ccb001c1eb165","weight":0.10489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af27285059c9001cab86bb","source":"NextResearch","title":"可積分系","excerpt":"可積分系とは：明確な定義はない． 通常「解けない」「うまくいかない」ことが，背後の数理的からくりによって奇跡的に 解けたりうまくいったりする場合，その系を「可積分系」と呼ぶことが多い． 本来そう簡単にできないはずの「解けない」ことの証明ができてしまう．","text":"可積分系\n可積分系とは：明確な定義はない． 通常「解けない」「うまくいかない」ことが，背後の数理的からくりによって奇跡的に 解けたりうまくいったりする場合，その系を「可積分系」と呼ぶことが多い． 本来そう簡単にできないはずの「解けない」ことの証明ができてしまう．\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%8F%AF%E7%A9%8D%E5%88%86%E7%B3%BB","updated":1722754885,"position":[-54.3223,28.6694,-112.6419],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1352,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64a27bfbf354bf001bae1b81","weight":0.1352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499a11a8a0f88001bdf8b46","weight":0.08557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af2762d08d30001ce47a0e","source":"NextResearch","title":"ジョセフソン効果","excerpt":"薄い絶縁膜を挟んで二つの超伝導体を接合すると、トンネル効果によって絶縁膜を通して、まったく電気抵抗を受けない超伝導電流を生じる現象。","text":"ジョセフソン効果\n薄い絶縁膜を挟んで二つの超伝導体を接合すると、トンネル効果によって絶縁膜を通して、まったく電気抵抗を受けない超伝導電流を生じる現象。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B8%E3%83%A7%E3%82%BB%E3%83%95%E3%82%BD%E3%83%B3%E5%8A%B9%E6%9E%9C","updated":1722754922,"position":[-26.2371,-77.6649,69.0259],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09622,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c214cf4424e00024a3f0ba","weight":0.09622,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66825e151ac11e001c9872f3","weight":0.08622,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af27b48c30b1001dd5dd1a","source":"NextResearch","title":"ハイゼン ヘリコプター弦楽四重奏曲","excerpt":"ヘリコプター弦楽四重奏曲（Helikopter-Streichquartett）は、ドイツの作曲家、カールハインツ・シュトックハウゼンが作曲した弦楽四重奏曲。彼の長大なオペラ「光」の中の「水曜日」の第3場の曲として1993年に作曲された。","text":"ハイゼン ヘリコプター弦楽四重奏曲\nヘリコプター弦楽四重奏曲（Helikopter-Streichquartett）は、ドイツの作曲家、カールハインツ・シュトックハウゼンが作曲した弦楽四重奏曲。彼の長大なオペラ「光」の中の「水曜日」の第3場の曲として1993年に作曲された。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%8F%E3%82%A4%E3%82%BC%E3%83%B3%20%E3%83%98%E3%83%AA%E3%82%B3%E3%83%97%E3%82%BF%E3%83%BC%E5%BC%A6%E6%A5%BD%E5%9B%9B%E9%87%8D%E5%A5%8F%E6%9B%B2","updated":1722755017,"position":[49.609,-49.0528,32.6285],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.25652,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559f906c6bab9001c685918","weight":0.25652,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312744561af50023ac0100","weight":0.1585,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af28d6d9d4e1001c47c656","source":"NextResearch","title":"SQUID","excerpt":"SQUIDとは，Superconducting Quantum Interference Device（超電導量子干渉素子）の略称で， 極めて高い感度を持つ超電導磁気センサである。 地磁 気の1億〜10億分の1程度の極めて小さな磁束密度を 計測できる。 SQUIDは超電導応用技術の中で最も広 く使用されている。","text":"SQUID\nSQUIDとは，Superconducting Quantum Interference Device（超電導量子干渉素子）の略称で， 極めて高い感度を持つ超電導磁気センサである。 地磁 気の1億〜10億分の1程度の極めて小さな磁束密度を 計測できる。 SQUIDは超電導応用技術の中で最も広 く使用されている。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/SQUID","updated":1722755308,"position":[27.4232,101.3397,-28.5156],"cluster":"c24","subgroup":"c24.01","degree":1,"referenceDegree":0,"maxSimilarity":0.20835,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6434edb52021a6001ba57678","weight":0.20835,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af2af1bdf04b001d0a41a0","source":"NextResearch","title":"プランク定数","excerpt":"様々な学者がこの問題に関わり、 高温や低温の状態で、放射される光の波長と量 (エネルギー)の関係を調べ、実験 結果とよくあう公式を導き出そうとした。 最終的にプランクがその式を導き出し、 それはプランクの式と呼ばれ、 含まれる定数はプランク定数と名づけられた。","text":"プランク定数\n様々な学者がこの問題に関わり、 高温や低温の状態で、放射される光の波長と量 (エネルギー)の関係を調べ、実験 結果とよくあう公式を導き出そうとした。 最終的にプランクがその式を導き出し、 それはプランクの式と呼ばれ、 含まれる定数はプランク定数と名づけられた。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%97%E3%83%A9%E3%83%B3%E3%82%AF%E5%AE%9A%E6%95%B0","updated":1722755832,"position":[-49.2843,-69.1985,78.484],"cluster":"c04","subgroup":"c04.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04947,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:66af2b26e41c65001d971571","source":"NextResearch","title":"重水","excerpt":"重水とは、質量数の大きい同位体の水分子を多く含み、通常の水より比重の大きい水のことである。重水に対して通常の水 を軽水と呼ぶ。重水素と軽水素は電子状態が同じであるため、重水と軽水の化学的性質は似通っている。しかし質量が異なるので、物理的性質は異なる。","text":"重水\n重水とは、質量数の大きい同位体の水分子を多く含み、通常の水より比重の大きい水のことである。重水に対して通常の水 を軽水と呼ぶ。重水素と軽水素は電子状態が同じであるため、重水と軽水の化学的性質は似通っている。しかし質量が異なるので、物理的性質は異なる。 \n[https://scrapbox.io/files/66af2b4630705a001c9716f6.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%87%8D%E6%B0%B4","updated":1722755913,"position":[-37.8119,47.3405,-116.599],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05786,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:66af2b69f12dd2001db4df17","source":"NextResearch","title":"光電効果 アインシュタイン","excerpt":"金属原子に光を当てることで電子を放出させる現象は、アインシュタインの光電効果と呼ばれています。 この現象の解析により、アインシュタインは光が粒子と波の両方の性格があることを1905年に提唱しました。 さらに彼の書いた論文が、その後の量子物理学の基礎を作ったと考えられています。","text":"光電効果 アインシュタイン\n金属原子に光を当てることで電子を放出させる現象は、アインシュタインの光電効果と呼ばれています。 この現象の解析により、アインシュタインは光が粒子と波の両方の性格があることを1905年に提唱しました。 さらに彼の書いた論文が、その後の量子物理学の基礎を作ったと考えられています。\n[https://scrapbox.io/files/66af2be5177528001c72546a.jpeg]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%85%89%E9%9B%BB%E5%8A%B9%E6%9E%9C%20%E3%82%A2%E3%82%A4%E3%83%B3%E3%82%B7%E3%83%A5%E3%82%BF%E3%82%A4%E3%83%B3","updated":1722756072,"position":[-25.5733,-74.4849,65.8391],"cluster":"c04","subgroup":"c04.01","degree":7,"referenceDegree":0,"maxSimilarity":0.52282,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af8f18163b20001c67ca02","weight":0.52282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:654136c44c9563001c039c49","weight":0.47807,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.32185,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65caaf34daea0b0024cc77e4","weight":0.13233,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648afe99828df0001b38ee71","weight":0.1036,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6f1fa34a04a4da8c73aa35","weight":0.09963,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559fcb48dc7c9001c8ff6d5","weight":0.09041,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af2bf717b6e8001daa9452","source":"NextResearch","title":"MIT Media Lab Future sketches","excerpt":"https://www.media.mit.edu/groups/future-sketches/overview/","text":"MIT Media Lab Future sketches\nhttps://www.media.mit.edu/groups/future-sketches/overview/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/MIT%20Media%20Lab%20Future%20sketches","updated":1722756157,"position":[-13.6875,78.8327,34.3027],"cluster":"c16","subgroup":"c16.01","degree":10,"referenceDegree":0,"maxSimilarity":0.6728,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d71701eb8693001d32b771","weight":0.6728,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6821df0621c1e7d2d34ea344","weight":0.45902,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c045a878c0bd002454fbcc","weight":0.27053,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afa8e0dbaab001c2a1cf3","weight":0.23653,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d72115b83176001c77fc26","weight":0.19762,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6722f662354d64c5b2892e6a","weight":0.18617,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d71e30a9a636001c37098b","weight":0.17689,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649e67389cf89b001cd8affd","weight":0.15844,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af2d65da02a1001cd7e7c3","source":"NextResearch","title":"ゼネラル・エレクトリック","excerpt":"ゼネラル・エレクトリック（英語: General Electric Company、略称: GE）は、トーマス・エジソンが設立したアメリカ合衆国ニューヨークを主な拠点とした航空エンジンメーカーである。","text":"ゼネラル・エレクトリック\nゼネラル・エレクトリック（英語: General Electric Company、略称: GE）は、トーマス・エジソンが設立したアメリカ合衆国ニューヨークを主な拠点とした航空エンジンメーカーである。\n航空機エンジン、発電、水処理・セキュリティ技術から医療用画像診断装置、企業向け・個人向け金融、メディア、先端素材にわたるまで幅広い商品とサービスを、世界100カ国以上のお客さまに提供しており、約30万人の従業員を擁しています。 また、日本においても100年以上にわたって事業を行っており、社員は約8,000人を数えます。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%BC%E3%83%8D%E3%83%A9%E3%83%AB%E3%83%BB%E3%82%A8%E3%83%AC%E3%82%AF%E3%83%88%E3%83%AA%E3%83%83%E3%82%AF","updated":1722756487,"position":[51.8683,-31.8925,2.6186],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16648,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64f2f3a8378db8001bd9e1ea","weight":0.16648,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658b02c09f2c4f002494a648","weight":0.09154,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af310da5ccb3001df83023","source":"NextResearch","title":"エントレイメント現象","excerpt":"外から興奮間隙に刺激が入り込むことで、リエントリーがリセットされ、頻拍のレートが変化する現象。","text":"エントレイメント現象\n外から興奮間隙に刺激が入り込むことで、リエントリーがリセットされ、頻拍のレートが変化する現象。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A8%E3%83%B3%E3%83%88%E3%83%AC%E3%82%A4%E3%83%A1%E3%83%B3%E3%83%88%E7%8F%BE%E8%B1%A1","updated":1722757402,"position":[7.1201,-77.7866,35.9064],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.12306,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a213eaad2d1b002324e420","weight":0.12306,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af31315c6484001d1943d9","source":"NextResearch","title":"ペースメーカー細胞","excerpt":"体内で血液ポンプの役割を果たしている心臓は1日約10万回収縮しており、その動きは電気信号によって制御されています。 洞結節という5～10mm程度の組織（ペースメーカー細胞とも呼ばれます）から電気信号が発せられ刺激伝導系という心臓内の電線を伝わって心房から心室へと伝わります。","text":"ペースメーカー細胞\n体内で血液ポンプの役割を果たしている心臓は1日約10万回収縮しており、その動きは電気信号によって制御されています。 洞結節という5～10mm程度の組織（ペースメーカー細胞とも呼ばれます）から電気信号が発せられ刺激伝導系という心臓内の電線を伝わって心房から心室へと伝わります。\nペスキン 1975年\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%9A%E3%83%BC%E3%82%B9%E3%83%A1%E3%83%BC%E3%82%AB%E3%83%BC%E7%B4%B0%E8%83%9E","updated":1722781168,"position":[50.5937,-32.524,1.3304],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.59741,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af33b8e2cad1001dff2a85","weight":0.59741,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ce0d545058c8001cba4bec","weight":0.08753,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af33b8e2cad1001dff2a85","source":"NextResearch","title":"ランダウ 超流動ヘリウム","excerpt":"体内で血液ポンプの役割を果たしている心臓は1日約10万回収縮しており、その動きは電気信号によって制御されています。 洞結節という5～10mm程度の組織（ペースメーカー細胞とも呼ばれます）から電気信号が発せられ刺激伝導系という心臓内の電線を伝わって心房から心室へと伝わります。","text":"ランダウ 超流動ヘリウム\n体内で血液ポンプの役割を果たしている心臓は1日約10万回収縮しており、その動きは電気信号によって制御されています。 洞結節という5～10mm程度の組織（ペースメーカー細胞とも呼ばれます）から電気信号が発せられ刺激伝導系という心臓内の電線を伝わって心房から心室へと伝わります。\nhttps://academist-cf.com/journal/?p=13358\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%A9%E3%83%B3%E3%83%80%E3%82%A6%20%E8%B6%85%E6%B5%81%E5%8B%95%E3%83%98%E3%83%AA%E3%82%A6%E3%83%A0","updated":1722758108,"position":[50.3499,-32.3994,1.1426],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.59741,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af31315c6484001d1943d9","weight":0.59741,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3676dcfdc9001c38236a","weight":0.1211,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af3fa9024b38001c58f01f","source":"NextResearch","title":"CD Phillips sony","excerpt":"特に、規格や標準6に関する技術に関してこの流れを検証すると、例えば現在広く普 及している CD（Compact Disc）の技術は、1982 年に日本のソニーとオランダのフィ リップス社による共同開発の成果として世に出されたが、CD 技術に関するライセンス は、ソニーとフィリップスの共同ライセンスの形式","text":"CD Phillips sony\n特に、規格や標準6に関する技術に関してこの流れを検証すると、例えば現在広く普 及している CD（Compact Disc）の技術は、1982 年に日本のソニーとオランダのフィ リップス社による共同開発の成果として世に出されたが、CD 技術に関するライセンス は、ソニーとフィリップスの共同ライセンスの形式\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/CD%20Phillips%20sony","updated":1722761145,"position":[-42.0824,92.5352,74.8865],"cluster":"c20","subgroup":"c20.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0969,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64ce0e1f933aef001c45d4a4","weight":0.0969,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af3ff5584aa3001d4a4d2a","source":"NextResearch","title":"岡瑞起","excerpt":"https://websci.cs.tsukuba.ac.jp/member/mizuki-oka/","text":"岡瑞起\nhttps://websci.cs.tsukuba.ac.jp/member/mizuki-oka/\ncircus tokyoであった筑波の修士の人の教授\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%B2%A1%E7%91%9E%E8%B5%B7","updated":1722761249,"position":[47.2786,77.8846,26.2463],"cluster":"c21","subgroup":"c21.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10121,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69ce24e5fe32b13dabbd171f","weight":0.10121,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a2797dc978d1001c5c05ad","weight":0.09052,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69169da6ee3db9d4616c3d3a","weight":0.0866,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af403630705a001c9776f8","source":"NextResearch","title":"パラメトリックスピーカー","excerpt":"パラメトリック・スピーカーは、超音波を使うことで鋭い指向性を持たせることができる音響システムである。","text":"パラメトリックスピーカー\nパラメトリック・スピーカーは、超音波を使うことで鋭い指向性を持たせることができる音響システムである。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%91%E3%83%A9%E3%83%A1%E3%83%88%E3%83%AA%E3%83%83%E3%82%AF%E3%82%B9%E3%83%94%E3%83%BC%E3%82%AB%E3%83%BC","updated":1722761280,"position":[51.3936,-33.6066,2.0763],"cluster":"c10","subgroup":"c10.01","degree":8,"referenceDegree":0,"maxSimilarity":0.42992,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64ce0d545058c8001cba4bec","weight":0.42992,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811cad03b98e2ed99f127ec","weight":0.34182,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499475f165276001bd1b3aa","weight":0.33489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6425032a1536ae001cc27290","weight":0.19396,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbbcb607a00d463819ee9","weight":0.19218,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e7234ada047f0026479afe","weight":0.14162,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658b02c09f2c4f002494a648","weight":0.10318,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113bbfc0cfae9d0ae4b1b3","weight":0.09722,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af896816dec3001cbd6bc0","source":"NextResearch","title":"Nosaj Thing MIDI mapping","excerpt":"Lemur","text":"Nosaj Thing MIDI mapping\nLemur\n[https://scrapbox.io/files/66af8a7c99f944001d1d8ce1.jpeg]\nhttps://www.beatmakingentertainment.com/?p=1494\nhttps://www.ableton.com/ja/blog/lemur-ipad-arrives-liine-ableton-templates/\nTouchOSCでもいけるかも\nStudiomux\n[https://scrapbox.io/files/66af89ce29a748001dc14ae1.png]\n[https://scrapbox.io/files/66af8a30ac119a001d9721f7.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Nosaj%20Thing%20MIDI%20mapping","updated":1722780371,"position":[33.3236,123.92,70.6055],"cluster":"c31","subgroup":"c31.01","degree":7,"referenceDegree":0,"maxSimilarity":0.38264,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669e55526b9c59001c97f91a","weight":0.38264,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65828d223383e000232e832e","weight":0.32689,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66ee6ffbc2d259001d148691","weight":0.31501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a0bd29bd1e63002358a12b","weight":0.31163,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662d4d637e31df00244ad43b","weight":0.27873,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af8b31cae7e0001cb383bb","weight":0.19313,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659e703b1d546d0024a1e2f4","weight":0.18237,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af8ad7724792001c03ce18","source":"NextResearch","title":"CNC","excerpt":"コンピュータ数値制御またはCNCは、機械工作において工具の移動量や移動速度などをコンピュータによって数値制御することである。同一の加工手順の繰り返しや、複雑な形状の加工を得意としており、今日では多くの工作機械で採用されている。","text":"CNC\nコンピュータ数値制御またはCNCは、機械工作において工具の移動量や移動速度などをコンピュータによって数値制御することである。同一の加工手順の繰り返しや、複雑な形状の加工を得意としており、今日では多くの工作機械で採用されている。\n[https://scrapbox.io/files/66af8aec251251001dff8d4b.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/CNC","updated":1722780399,"position":[14.0803,-36.6204,20.8645],"cluster":"c05","subgroup":"c05.01","degree":3,"referenceDegree":0,"maxSimilarity":0.66853,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6591926bb98f250024cf8629","weight":0.66853,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65aa25510e3d9f002341cfd9","weight":0.40832,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.17908,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af8b31cae7e0001cb383bb","source":"NextResearch","title":"Mapping Festival","excerpt":"The Mapping Festival is an international festival dedicated to live visuals, installation art and VJing. Held annually in Geneva, Switzerland, it features audiovisual and VJ performances in nightclubs and installations in gallery spaces.","text":"Mapping Festival\nThe Mapping Festival is an international festival dedicated to live visuals, installation art and VJing. Held annually in Geneva, Switzerland, it features audiovisual and VJ performances in nightclubs and installations in gallery spaces.\n[https://scrapbox.io/files/66af8b87d649f2001ce93de5.webp]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Mapping%20Festival","updated":1722780553,"position":[-19.1363,103.9673,59.7604],"cluster":"c20","subgroup":"c20.01","degree":10,"referenceDegree":0,"maxSimilarity":0.33366,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659c6b1da23f9a0025370aeb","weight":0.33366,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c70b5aac1d90024b3cd94","weight":0.33366,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:691052e1d394c6d5bfe2e87c","weight":0.29859,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6f152b53bb002349f5b6","weight":0.23084,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69169da6ee3db9d4616c3d3a","weight":0.2043,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af896816dec3001cbd6bc0","weight":0.19313,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bb968270a60001ce2c668","weight":0.16885,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e55526b9c59001c97f91a","weight":0.1501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af8d2d584aa3001d4b8db0","source":"NextResearch","title":"ループゴールドバーグマシン","excerpt":"ルーブ・ゴールドバーグ・マシン（Rube Goldberg machine）とは、アメリカ合衆国の漫画家ルーブ・ゴールドバーグ（英語版） が発案した、普通にすれば簡単にできることをあえて手の込んだからくりを多数用い、それらが次々と連鎖していくことで実行する機械・装置のこと。","text":"ループゴールドバーグマシン\nルーブ・ゴールドバーグ・マシン（Rube Goldberg machine）とは、アメリカ合衆国の漫画家ルーブ・ゴールドバーグ（英語版） が発案した、普通にすれば簡単にできることをあえて手の込んだからくりを多数用い、それらが次々と連鎖していくことで実行する機械・装置のこと。\n[https://scrapbox.io/files/66af8d54a81f17001c52f133.gif]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%AB%E3%83%BC%E3%83%97%E3%82%B4%E3%83%BC%E3%83%AB%E3%83%89%E3%83%90%E3%83%BC%E3%82%B0%E3%83%9E%E3%82%B7%E3%83%B3","updated":1722781014,"position":[73.4321,-19.1085,42.1232],"cluster":"c23","subgroup":"c23.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08078,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:66af8d9bf84e8a001d618922","source":"NextResearch","title":"jiabao li","excerpt":"https://www.jiabaoli.org","text":"jiabao li\nhttps://www.jiabaoli.org\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/jiabao%20li","updated":1722781132,"position":[2.8205,76.0855,41.5248],"cluster":"c19","subgroup":"c19.01","degree":1,"referenceDegree":0,"maxSimilarity":0.143,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69b12aa6410e0b44e4213a69","weight":0.143,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66af90125d9242001db745a5","source":"NextResearch","title":"感潮河川","excerpt":"潮の干満の影響を受ける河川。 水位や流速の変化はかなり上流にまで及ぶ。 海嘯 かいしょう のみられることもある。","text":"感潮河川\n潮の干満の影響を受ける河川。 水位や流速の変化はかなり上流にまで及ぶ。 海嘯 かいしょう のみられることもある。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E6%84%9F%E6%BD%AE%E6%B2%B3%E5%B7%9D","updated":1722781786,"position":[19.0617,-58.8183,33.9251],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.13779,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656323a0d845cb001bd92160","weight":0.13779,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66bdf07228f7e5001d8bb1f8","source":"NextResearch","title":"RayTone","excerpt":"chuck audio visual","text":"RayTone\nchuck audio visual\nhttps://www.raytone.app/about\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/RayTone","updated":1723723923,"position":[-7.3832,127.0742,26.5513],"cluster":"c29","subgroup":"c29.01","degree":7,"referenceDegree":0,"maxSimilarity":0.26527,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f3dc04492bc6001db006ed","weight":0.26527,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a61842831e01a921b822922","weight":0.25212,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69043f1e477788b7417cb6e1","weight":0.25212,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10eb0981352467c0b8c39","weight":0.18072,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6427bf8498b9dc001bc3958a","weight":0.17717,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6aaac476c45860462e1221c1","weight":0.1698,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca395e31b474720507b5a2","weight":0.14729,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66c04939018ecf001c66bbd0","source":"NextResearch","title":"国立新美術館　公募","excerpt":"https://www.toram.info/yakudou-14","text":"国立新美術館　公募\n[https://scrapbox.io/files/66c0499cb91300001da4a01b.webp]\n\nhttps://www.toram.info/yakudou-14\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%9B%BD%E7%AB%8B%E6%96%B0%E7%BE%8E%E8%A1%93%E9%A4%A8%E3%80%80%E5%85%AC%E5%8B%9F","updated":1723877790,"position":[-70.083,-8.2455,39.4359],"cluster":"c35","subgroup":"c35.01","degree":6,"referenceDegree":0,"maxSimilarity":0.31974,"lowEvidence":false,"neighbors":[{"id":"NextResearch:658afe0781ec8800246e430a","weight":0.31974,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e8897a66acb001c19343c","weight":0.26361,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a1759dc20b0023c50fca","weight":0.22084,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a1533383e00023311a0f","weight":0.18765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d5c4579043e00249e7bd4","weight":0.13602,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683699d244e53d00e7c69c2e","weight":0.12081,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66d678fa1f293d001db4f3e0","source":"NextResearch","title":"Beyond 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一方、DPUは、特定のデータ中心のタスクを最適化して処理することに特化しています。","text":"DPU\nCPUは設計により、多くの異なるタスクを同時に扱う性能を有していますが、それぞれのタスクが非常に高速に処理できることを保証したものではありません。 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クローン\nオルツは、クローンの活動量に応じて、社員本人に給与を追加支給する給与システムを導入いたしました。\nhttps://alt.ai/news/news-2408/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AA%E3%83%AB%E3%83%84AI%20%E3%82%AF%E3%83%AD%E3%83%BC%E3%83%B3","updated":1725333091,"position":[23.2011,86.7757,-0.7635],"cluster":"c22","subgroup":"c22.01","degree":2,"referenceDegree":0,"maxSimilarity":0.08534,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65a0c1d3ccb3fd0024634447","weight":0.08534,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:685139ed17dabf4ce423c137","weight":0.08534,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66d67e74d7ca03001d9d0dcd","source":"NextResearch","title":"マサチューセッツAI規制","excerpt":"https://elblog.pl/ja/2024/04/16/マサチューセッツ州検事総長%E3%80%81aiプラクティスに対/","text":"マサチューセッツAI規制\nhttps://elblog.pl/ja/2024/04/16/マサチューセッツ州検事総長%E3%80%81aiプラクティスに対/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%9E%E3%82%B5%E3%83%81%E3%83%A5%E3%83%BC%E3%82%BB%E3%83%83%E3%83%84AI%E8%A6%8F%E5%88%B6","updated":1725333138,"position":[21.3558,86.1459,-1.6413],"cluster":"c22","subgroup":"c22.01","degree":8,"referenceDegree":0,"maxSimilarity":0.12502,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ff6b1d0fd00b001db59fbb","weight":0.12502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a0c1d3ccb3fd0024634447","weight":0.10679,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:685139ed17dabf4ce423c137","weight":0.10679,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a52b1c7259d4002447ecae","weight":0.10134,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6403345474d8fc001bab29a0","weight":0.09552,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64037822e42771001b38b7ab","weight":0.09552,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6468e12aef9760001c214d42","weight":0.09552,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0781e236ffb38f681c3f28","weight":0.09056,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66d67eb519edd3001d11d5e6","source":"NextResearch","title":"co-innovation 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OSC\nhttps://www.ableton.com/en/packs/connection-kit/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/ableton12%20Max%20for%20live%20with%20OSC","updated":1727257161,"position":[45.1608,29.664,63.0912],"cluster":"c30","subgroup":"c30.01","degree":10,"referenceDegree":0,"maxSimilarity":0.31396,"lowEvidence":false,"neighbors":[{"id":"NextResearch:681da502f67ef6aa723ee1a3","weight":0.31396,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6418095d076725001b2d1fef","weight":0.30658,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6487de7e49d50c001b2eadc7","weight":0.30658,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67ff29bf0758e336c87d93b1","weight":0.21286,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af26291357ad001d1fb305","weight":0.19289,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c161b387acce0024987d96","weight":0.18917,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671f12fc62834754d2cbde14","weight":0.17859,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986ce7fbdadfc54fe5931f3","weight":0.14485,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f3db0e577bbe001ce2c0b7","source":"NextResearch","title":"chunity 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web\nhttps://www.bing.com/search?pglt=2209&q=CHUCK+FOR+WEB&cvid=7f30b9c85c014ccd87364ebc641096ba&gs_lcrp=EgZjaHJvbWUyBggAEEUYOTIGCAEQABhAMgYIAhAAGEAyBggDEAAYQDIGCAQQABhAMgYIBRAAGEAyBggGEAAYQDIGCAcQABhAMgYICBAAGEDSAQg4MzQwajBqMagCALACAA&FORM=ANNTA1&adppc=EDGEESS&PC=DCTS\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/chuck%20for%20web","updated":1727257607,"position":[-6.6367,126.676,26.9798],"cluster":"c29","subgroup":"c29.01","degree":4,"referenceDegree":0,"maxSimilarity":0.33603,"lowEvidence":false,"neighbors":[{"id":"NextResearch:682c3a47ba0f45ff08bcb317","weight":0.33603,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4e49d9b5fb9f7f100ec5","weight":0.29273,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66bdf07228f7e5001d8bb1f8","weight":0.26527,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5531b155430bd516a2a","weight":0.19168,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f4e406011c82001c49636d","source":"NextResearch","title":"トラウトニウム","excerpt":"「トラウトニウム」は、1929年にベルリンで発明された電子楽器だ。","text":"トラウトニウム\n[https://scrapbox.io/files/66f4e4444901d0001d3c4dfd.jpeg]\n\n「トラウトニウム」は、1929年にベルリンで発明された電子楽器だ。\n\nいまのシンセサイザーと同じように、フィルターを調整するつまみと、指で弾いて音をだす部分があるんだけどね。\nその音をだす部分というのが、鍵盤ではなく横向きに張ってある細長い金属板とワイヤーになっているのが特徴的なのだ。\n今でいえば、オタマトーンとかに使われている「リボンコントローラ」というやつだ。\nオンド・マルトノやテルミンに見られるように、当時の電気楽器は同時発音数に非常に乏しく単音だけ何とか出せるといったことがほとんどであった。そこで、複音や部分音を豊かに出せる楽器として考案されたのがこの楽器である。テレフンケンが発売した。鍵盤はないものの、二段構えにしたクラビコードのように右手と左手用の「操作段」を持っていることがオンド・マルトノとの決定的な違いであり、発音した音を弛張型発振回路ほかで変調し様々な音色効果が発生できることが売りであった。三和音を同時に発音したままグリッサンドできる、などオンド・マルトノでは不可能な性能もある。\n開発元のドイツ本国ではヒンデミット、ゲンツマーなどにより協奏曲が書かれたものの、後発のハモンドオルガンに人気を奪われて衰退した。オスカル・ザラが出演したプロモーションの動画においてはパガニーニの奇想曲を編曲して演奏している。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%88%E3%83%A9%E3%82%A6%E3%83%88%E3%83%8B%E3%82%A6%E3%83%A0","updated":1727499962,"position":[100.1484,-45.5297,43.3252],"cluster":"c34","subgroup":"c34.01","degree":3,"referenceDegree":0,"maxSimilarity":0.21966,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658c562b657170002443bbfa","weight":0.21966,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f78f6ad6ba29001dff956f","weight":0.16051,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f78d56ceab8a001d0fdae4","weight":0.0878,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f78cb10f92d9001d513e08","source":"NextResearch","title":"未来主義音楽宣言","excerpt":"未来派の音楽的実践は1910年10月11日にフランチェスコ・バリッラ・プラテッラ（1880－1955）によってなされた「未来主義音楽家宣言」から始まる。プラテッラは当時のイタリアの音楽状況にうんざりし、アカデミズムを攻撃し、イタリア・オペラを否定した。プラテッラの音楽的立場は次のようなものである。","text":"未来主義音楽宣言\n未来派の音楽的実践は1910年10月11日にフランチェスコ・バリッラ・プラテッラ（1880－1955）によってなされた「未来主義音楽家宣言」から始まる。プラテッラは当時のイタリアの音楽状況にうんざりし、アカデミズムを攻撃し、イタリア・オペラを否定した。プラテッラの音楽的立場は次のようなものである。\n\n「未来に向かって開かれた精神で感じ、歌い、自然の中に存在するあらゆる人間的、超人間的現象を通じて、自然からインスピレーションと美を引き出しながら、あらゆる過去の模倣や影響から、個人の音楽的感性を解放すること。現代生活の諸相により、永久に革新される象徴としての人間と、それが自然と結ぶ新しい関係の永続性を称揚すること」","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E6%9C%AA%E6%9D%A5%E4%B8%BB%E7%BE%A9%E9%9F%B3%E6%A5%BD%E5%AE%A3%E8%A8%80","updated":1727499459,"position":[-27.3155,37.8867,16.6601],"cluster":"c06","subgroup":"c06.02","degree":2,"referenceDegree":0,"maxSimilarity":0.09941,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734d292c8ff819011bbab6f","weight":0.09941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734cc43fd1c410b0bec20a4","weight":0.08737,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f78cd800fb7f001d14ccc8","source":"NextResearch","title":"イントナルモーリ","excerpt":"イタリアの画家・作曲家ルイージ・ルッソロ（Luigi Russolo, 1885-1947）が1913年に発明した、騒音楽器です。 名称はイタリア語の「調律」（sintonia）と「騒音」（rumore）の合成語らしいです。","text":"イントナルモーリ\n[https://scrapbox.io/files/66f78d321b6f40001d38ee9e.jpeg]\n\nイタリアの画家・作曲家ルイージ・ルッソロ（Luigi Russolo, 1885-1947）が1913年に発明した、騒音楽器です。 名称はイタリア語の「調律」（sintonia）と「騒音」（rumore）の合成語らしいです。\nイタリア未来派。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A4%E3%83%B3%E3%83%88%E3%83%8A%E3%83%AB%E3%83%A2%E3%83%BC%E3%83%AA","updated":1727499574,"position":[-26.0575,39.8128,15.5292],"cluster":"c06","subgroup":"c06.02","degree":5,"referenceDegree":0,"maxSimilarity":0.20627,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f7a8197c7c31001db0fb5b","weight":0.20627,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d292c8ff819011bbab6f","weight":0.19857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4151bdc788b04929338","weight":0.10331,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d5b3930bbcbb2a7c2731","weight":0.1017,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a6cdc3e5ba0024a4d8ea","weight":0.08592,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f78d56ceab8a001d0fdae4","source":"NextResearch","title":"テルハーモニウム","excerpt":"テルハーモニウムは初期の電気オルガン。別名ダイナモフォン。サディウス・ケイヒルが1896年頃開発し、1897年に特許を取得した。テルハーモニウムから出る電気信号は電線を介して送られ、「ホーン」スピーカーにより受信側で聞くことができた。","text":"テルハーモニウム\n[https://scrapbox.io/files/66f78d8a0f7221001d9bde1e.jpeg]\n\nテルハーモニウムは初期の電気オルガン。別名ダイナモフォン。サディウス・ケイヒルが1896年頃開発し、1897年に特許を取得した。テルハーモニウムから出る電気信号は電線を介して送られ、「ホーン」スピーカーにより受信側で聞くことができた。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%86%E3%83%AB%E3%83%8F%E3%83%BC%E3%83%A2%E3%83%8B%E3%82%A6%E3%83%A0","updated":1727499661,"position":[98.7279,-46.1655,42.2746],"cluster":"c34","subgroup":"c34.01","degree":4,"referenceDegree":0,"maxSimilarity":0.14725,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68b32911aa872b37265c2ba8","weight":0.14725,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bb5b8f38e5c001c027f26","weight":0.12568,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ce0d545058c8001cba4bec","weight":0.11608,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f4e406011c82001c49636d","weight":0.0878,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f78db8e9d3c8001cc40103","source":"NextResearch","title":"グラモフォン","excerpt":"エミール・ベルリナー (1851-1929)　ドイツ、ハノーファー出身のアメリカ人発明家","text":"グラモフォン\nエミール・ベルリナー (1851-1929)　ドイツ、ハノーファー出身のアメリカ人発明家\n\n[https://scrapbox.io/files/66f78de600fb7f001d14d5ef.jpeg]\n\n[https://scrapbox.io/files/66f78e0dc7544f001c114068.jpeg]\n\nそもそもグラモフォンとは、ドイツ出身のアメリカの発明家、エミール・ベルリナーが発明した円盤式蓄音機のこと。 グラミー賞という名前は、このグラモフォンの愛称から名前が付いたそうです。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B0%E3%83%A9%E3%83%A2%E3%83%95%E3%82%A9%E3%83%B3","updated":1727499812,"position":[70.635,-12.799,22.9399],"cluster":"c23","subgroup":"c23.01","degree":1,"referenceDegree":0,"maxSimilarity":0.40385,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f7a5768dae87001dfed042","weight":0.40385,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f78f27c71063001df5eb64","source":"NextResearch","title":"アルス・ノヴァ","excerpt":"アルス・ノヴァ（新芸術）の音楽","text":"アルス・ノヴァ\nアルス・ノヴァ（新芸術）の音楽\n\n14世紀に入ってまもなく、フランスのヴィトリ（Ph. de Vitri, 1291-1361）が、14世紀初頭の新しい音楽について理論的にまとめ、それを《アルス・ノヴァ》と題して発表したことから、この時期の音楽をアルス・ノヴァとよぶようになりました。そして《アルス・ノヴァ》は後には、14世紀全体の音楽を意味する言葉として用いられるようになったのです。\n\nノートル・ダム楽派の活動は、13世紀半ば頃に終わりますが、その後、アルス・ノヴァまでの時期の音楽をアルス・アンティクワ（古芸術）と呼んでいます。そう呼んだからといって、けっしてその内容が古いというわけではなく、アルス・ノヴァの時代から見れば、前代の音楽であるという意味に過ぎません。このアルス・アンティクワの時代には、定量記譜法がさらに進歩し、モテトゥスと呼ばれる新形式の曲がその隆盛期を迎えることになります。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A2%E3%83%AB%E3%82%B9%E3%83%BB%E3%83%8E%E3%83%B4%E3%82%A1","updated":1727500084,"position":[14.0472,104.844,-55.8998],"cluster":"c24","subgroup":"c24.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09244,"lowEvidence":false,"neighbors":[{"id":"NextResearch:683bf73ebd11265adb4075d4","weight":0.09244,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559e395cd1ca9001b2c7271","weight":0.08791,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f78f6ad6ba29001dff956f","source":"NextResearch","title":"オンド・マルトノ","excerpt":"1920年にロシアの発明家、レフ・テルミンによって発明されたテルミンとよく似ているが、テルミンが楽器に触れることなく（まるで魔法のように）音程をコントロールするのに対して、オンド・マルトノは鍵盤もしくはその手前に設置されたワイヤーと指輪を用いて演奏を行う。","text":"オンド・マルトノ\n[https://scrapbox.io/files/66f78fc1fadb94001c239fc1.webp]\n\n1920年にロシアの発明家、レフ・テルミンによって発明されたテルミンとよく似ているが、テルミンが楽器に触れることなく（まるで魔法のように）音程をコントロールするのに対して、オンド・マルトノは鍵盤もしくはその手前に設置されたワイヤーと指輪を用いて演奏を行う。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AA%E3%83%B3%E3%83%89%E3%83%BB%E3%83%9E%E3%83%AB%E3%83%88%E3%83%8E","updated":1727500227,"position":[100.9741,-45.1697,43.9212],"cluster":"c34","subgroup":"c34.01","degree":5,"referenceDegree":0,"maxSimilarity":0.67536,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658c562b657170002443bbfa","weight":0.67536,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c5761faef12002336ca3c","weight":0.19337,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f4e406011c82001c49636d","weight":0.16051,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a3ce8dae87001dfec835","weight":0.15912,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64d4d8bd4f19ce001ba98213","weight":0.10335,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7902d2207f1001da4eb8e","source":"NextResearch","title":"tableau","excerpt":"タブロー（tableau）とは、板あるいは画布に絵の具で描かれた、持ち運び可能のイメージを意味するフランス語で、現在の絵画形式の主流となっている。 特定の場所に結びつかない独立性が特徴であり、その独立性を保つために枠（額縁）が用いられる。","text":"tableau\nタブロー（tableau）とは、板あるいは画布に絵の具で描かれた、持ち運び可能のイメージを意味するフランス語で、現在の絵画形式の主流となっている。 特定の場所に結びつかない独立性が特徴であり、その独立性を保つために枠（額縁）が用いられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/tableau","updated":1727500347,"position":[13.0924,-53.4182,67.8221],"cluster":"c12","subgroup":"c12.01","degree":2,"referenceDegree":0,"maxSimilarity":0.47015,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656cb1527e002000266d85ee","weight":0.47015,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.13247,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f79079ceab8a001d0ff5bd","source":"NextResearch","title":"多重録音","excerpt":"オーバー・ダビング、またはオーバー・ダブとは、多重録音のことである。マルチトラック・レコーダーなどを使用し、最初に録音した音声などに対して、再度同じ音声などを重ね録りするレコーディングの手法である。広い意味では「重ね録り」と呼ぶ場合もある。","text":"多重録音\nオーバー・ダビング、またはオーバー・ダブとは、多重録音のことである。マルチトラック・レコーダーなどを使用し、最初に録音した音声などに対して、再度同じ音声などを重ね録りするレコーディングの手法である。広い意味では「重ね録り」と呼ぶ場合もある。 \n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%A4%9A%E9%87%8D%E9%8C%B2%E9%9F%B3","updated":1727500417,"position":[28.9302,-1.7079,-16.9035],"cluster":"c18","subgroup":"c18.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10852,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65602fa0971d4e001b61e30c","weight":0.10852,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6527c5e38114d5001bc6fa62","weight":0.09326,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7a0a2ea7e2b001c281c79","source":"NextResearch","title":"Wergo lavel","excerpt":"1962年、ドイツで発足。ヴェルナー・ゴルトシュミット氏と、当時ドイツ・シャルプラッテン社で監修を務めていた音楽学者のヘルムート・キルヒマイヤー氏によって創立された現代音楽に特化したレーベル。1970年にショット・ミュージック社の傘下に入る","text":"Wergo lavel\n1962年、ドイツで発足。ヴェルナー・ゴルトシュミット氏と、当時ドイツ・シャルプラッテン社で監修を務めていた音楽学者のヘルムート・キルヒマイヤー氏によって創立された現代音楽に特化したレーベル。1970年にショット・ミュージック社の傘下に入る\n\n[https://scrapbox.io/files/66f7a0d5eb37b5002037a242.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Wergo%20lavel","updated":1727504604,"position":[46.9666,-52.5731,33.416],"cluster":"c02","subgroup":"c02.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13191,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bd564e384fa00025fa6ad1","weight":0.13191,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e324ff3f8c71001cae43f4","weight":0.11205,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:667e6d51f79fe9001c89aed4","weight":0.08567,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7a14fecf09c001d26d11f","source":"NextResearch","title":"セリー音楽　トータルセリエリズム","excerpt":"セリー音楽","text":"セリー音楽　トータルセリエリズム\nセリー音楽\nMusique sérielle（仏）, Serial Music（英）, Serielle Musik（独）\n更新日 2024年03月11日\n１オクターヴの12の半音すべてを含む音列の操作を12音技法というが、この音列操作を持続、強度、音色といった音響事象のすべてに適用したのがトータル・セリエリズムである。総音列主義とも呼ばれる。O・メシアンが《音価と強度のモード》（1949）で始めたトータル・セリエリズムは、50年代初めにダルムシュタット夏期現代音楽講習会に登場したＬ・ノーノ、Ｐ・ブーレーズ、Ｋ・シュトックハウゼン、Ｂ・マデルナらによって前衛音楽界に浸透した。アメリカではＭ・バビット、Ｅ・カーターらがヨーロッパの伝統の延長線上で12音技法やトータル・セリエリズムを受容し、実験音楽とは異なるアカデミックなアメリカ現代音楽シーンを築いた。こうしたある種のオートマティスムによる作曲技法が興った背景には、あらゆる芸術はそれ自体の内的な法則に従って進むというモダニズムの芸術観が反映されている。一方、音高以外のパラメータにセリーが適用された場合の可聴性に疑問を呈し、トータル・セリエリズムを批判する声もあった。無調と12音技法を音楽史の進歩主義的な発展の行く末ととらえるならば、トータル・セリエリズムはその発展の極致でもあり、また袋小路でもあった。70年代にはポスト・セリエリズムの作曲家としてＢ・ファーニホウらがセリーを踏襲した複雑なテクスチュアの曲を書き、トータル・セリエリズム以降の作曲技法を打ち出した。後にトータル・セリエリズムの考え方はアルゴリズム作曲法に応用されることになる。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%BB%E3%83%AA%E3%83%BC%E9%9F%B3%E6%A5%BD%E3%80%80%E3%83%88%E3%83%BC%E3%82%BF%E3%83%AB%E3%82%BB%E3%83%AA%E3%82%A8%E3%83%AA%E3%82%BA%E3%83%A0","updated":1727506128,"position":[50.6796,-53.0801,31.758],"cluster":"c02","subgroup":"c02.01","degree":2,"referenceDegree":0,"maxSimilarity":0.3717,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734daa1bb41a76cfc6a82ca","weight":0.3717,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658007227a6f7e0025df6c47","weight":0.10494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7a1b1b9d735001c770bed","source":"NextResearch","title":"サンザ","excerpt":"アフリカの体鳴楽器。 細長い金属などの舌を箱状あるいは板状の共鳴体の上に並べて一端を固定し、中間に横棒を入れて先端を浮かせ、指ではじいて奏する。 ムビラ。 ンビラ。","text":"サンザ\nアフリカの体鳴楽器。 細長い金属などの舌を箱状あるいは板状の共鳴体の上に並べて一端を固定し、中間に横棒を入れて先端を浮かせ、指ではじいて奏する。 ムビラ。 ンビラ。\n[https://scrapbox.io/files/66f7a1dc9295c6001cf15c8d.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B5%E3%83%B3%E3%82%B6","updated":1727504864,"position":[49.9703,-49.8228,36.6451],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.09867,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.09867,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ccac5b72b201002472a0be","weight":0.09468,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7a1ed1aeeed001de41546","source":"NextResearch","title":"グリッサンド","excerpt":"グリッサンド またはグリッサンド奏法 は、一音一音の音高を区切ることなく、隙間なく滑らせるように流れるように音高を上げ下げする演奏技法をいう。演奏音を指しグリッサンドという場合もあり、演奏音は滑奏音とも呼ばれる。 グリッサンド奏法を、主に旋律の表現のために使う場合はポルタメントと呼ばれる。","text":"グリッサンド\n[https://scrapbox.io/files/66f7a21766dd2b001d9d2e46.webp]\n\nグリッサンド またはグリッサンド奏法 は、一音一音の音高を区切ることなく、隙間なく滑らせるように流れるように音高を上げ下げする演奏技法をいう。演奏音を指しグリッサンドという場合もあり、演奏音は滑奏音とも呼ばれる。 グリッサンド奏法を、主に旋律の表現のために使う場合はポルタメントと呼ばれる。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B0%E3%83%AA%E3%83%83%E3%82%B5%E3%83%B3%E3%83%89","updated":1727504948,"position":[57.9677,105.1286,13.7888],"cluster":"c25","subgroup":"c25.01","degree":3,"referenceDegree":0,"maxSimilarity":0.14928,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6425081288b974001c71860a","weight":0.14928,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a859149d4ee00241e4bde","weight":0.0916,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c665c748e31e001c478d34","weight":0.08662,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7a26e001020001c6b9326","source":"NextResearch","title":"トーンクラスター","excerpt":"トーン・クラスターは、ある音名から別の音名までの全ての音を同時に発する房状和音のことを指す。「密集音塊」とも。アメリカの作曲家ヘンリー・カウエルが用いた概念で、カウエルは当時「クラスターは2度の和音の集合」と捉えていた。","text":"トーンクラスター\nトーン・クラスターは、ある音名から別の音名までの全ての音を同時に発する房状和音のことを指す。「密集音塊」とも。アメリカの作曲家ヘンリー・カウエルが用いた概念で、カウエルは当時「クラスターは2度の和音の集合」と捉えていた。\n[https://scrapbox.io/files/66f7a2a56ba7d1001c78b575.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%88%E3%83%BC%E3%83%B3%E3%82%AF%E3%83%A9%E3%82%B9%E3%82%BF%E3%83%BC","updated":1727505064,"position":[21.5726,-46.3194,102.0109],"cluster":"c14","subgroup":"c14.01","degree":3,"referenceDegree":0,"maxSimilarity":0.16467,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af30c438fbed001d0e287c","weight":0.16467,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657fffe38bc5c20023210f53","weight":0.1328,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657411df818ad7002275c3c5","weight":0.12145,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7a3ce8dae87001dfec835","source":"NextResearch","title":"テルミン","excerpt":"テルミン（ロシア語:Терменвоксチルミンヴォークス）は、1920年にロシアの発明家レフ・セルゲーエヴィチ・テルミンが発明した世界初の電子楽器である[1][2]。ロシア語や英語では「テルミンの声」という意味のテルミンヴォクス（Терменвокс；Thereminvox）とも呼ばれる。英語ではThereminあるいはTheraminとつづられる。これは発明者が用いたフランス語風の表記に由来しており、「テレミン」もしくは「セレミン」のように発音される。日本語においては、音楽書で「テレミン」の表記が長く用いられてきており[3]。2000年ごろから竹内正実などが独自に「テルミン」との表記を行うようになり、2001年公開の同名の映画によってもこの表記が広まった。","text":"テルミン\nテルミン（ロシア語:Терменвоксチルミンヴォークス）は、1920年にロシアの発明家レフ・セルゲーエヴィチ・テルミンが発明した世界初の電子楽器である[1][2]。ロシア語や英語では「テルミンの声」という意味のテルミンヴォクス（Терменвокс；Thereminvox）とも呼ばれる。英語ではThereminあるいはTheraminとつづられる。これは発明者が用いたフランス語風の表記に由来しており、「テレミン」もしくは「セレミン」のように発音される。日本語においては、音楽書で「テレミン」の表記が長く用いられてきており[3]。2000年ごろから竹内正実などが独自に「テルミン」との表記を行うようになり、2001年公開の同名の映画によってもこの表記が広まった。\n","tags":[],"links":["1","2","3"],"url":"https://scrapbox.io/NextResearch/%E3%83%86%E3%83%AB%E3%83%9F%E3%83%B3","updated":1727505384,"position":[101.5057,-44.802,44.4144],"cluster":"c34","subgroup":"c34.01","degree":5,"referenceDegree":0,"maxSimilarity":0.58088,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658c5761faef12002336ca3c","weight":0.58088,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f78f6ad6ba29001dff956f","weight":0.15912,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e9b78cb5e80022b09cdd","weight":0.09158,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cf2b4ebebe9bf41eb85d","weight":0.09091,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af0f961e4524001d172d1d","weight":0.08588,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7a4fbe9d3c8001cc4b83c","source":"NextResearch","title":"川上音二郎","excerpt":"川上 音二郎は、筑前黒田藩出身の「オッペケペー節」で一世を風靡した興行師・芸術家で、新派劇の創始者。川上の始めた書生芝居、壮士芝居はやがて新派となり、旧劇をしのぐ人気を博した。「新派劇の父」と称されている。 幼名は川上 音吉。上方噺家としての名跡は浮世亭 ◯◯。号は歎水。","text":"川上音二郎\n川上 音二郎は、筑前黒田藩出身の「オッペケペー節」で一世を風靡した興行師・芸術家で、新派劇の創始者。川上の始めた書生芝居、壮士芝居はやがて新派となり、旧劇をしのぐ人気を博した。「新派劇の父」と称されている。 幼名は川上 音吉。上方噺家としての名跡は浮世亭 ◯◯。号は歎水。\n1864年\n[https://scrapbox.io/files/66f7a5346d25e6001c4324f4.webp]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%B7%9D%E4%B8%8A%E9%9F%B3%E4%BA%8C%E9%83%8E","updated":1727505729,"position":[-38.9679,0.0395,-139.8353],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0563,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:66f7a5768dae87001dfed042","source":"NextResearch","title":"ドイツ・グラモフォン","excerpt":"ドイツ・グラモフォン（独: Deutsche Grammophon）は、1898年12月にドイツ・ハノーファーで創設された、世界でもっとも長い歴史を持つクラシック音楽のレコードレーベルである。「イエロー・レーベル」と俗称される。ドイツ国内で文学作品の朗読作品を制作して発売している（独: Deutsche Grammophon Literatur）。","text":"ドイツ・グラモフォン\nドイツ・グラモフォン（独: Deutsche Grammophon）は、1898年12月にドイツ・ハノーファーで創設された、世界でもっとも長い歴史を持つクラシック音楽のレコードレーベルである。「イエロー・レーベル」と俗称される。ドイツ国内で文学作品の朗読作品を制作して発売している（独: Deutsche Grammophon Literatur）。\n[https://scrapbox.io/files/66f7a5a4e89f16001c001ea3.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%89%E3%82%A4%E3%83%84%E3%83%BB%E3%82%B0%E3%83%A9%E3%83%A2%E3%83%95%E3%82%A9%E3%83%B3","updated":1727505833,"position":[70.68,-12.8916,22.6286],"cluster":"c23","subgroup":"c23.01","degree":5,"referenceDegree":0,"maxSimilarity":0.40385,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f78db8e9d3c8001cc40103","weight":0.40385,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d68a8f4e6f800241a8f98","weight":0.18245,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657fffe38bc5c20023210f53","weight":0.14134,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d71957b4c326001d0ff80a","weight":0.10646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64999f2b0938ea001ca17a88","weight":0.09431,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7a736ca0654001cba41c0","source":"NextResearch","title":"ティンパニ","excerpt":"ティンパニまたはティンパニーは、打楽器の一種。主に銅製であり、半球形の胴体に脚がついた大型の太鼓で、皮が張られた上面を、通常2本のマレットで叩く。太鼓の一種であるが、通常の太鼓は非整数倍音成分が多く特定の音程を聴き取ることは困難であるのに対し、ティンパニでははっきりと音高を聴き取ることができる。","text":"ティンパニ\nティンパニまたはティンパニーは、打楽器の一種。主に銅製であり、半球形の胴体に脚がついた大型の太鼓で、皮が張られた上面を、通常2本のマレットで叩く。太鼓の一種であるが、通常の太鼓は非整数倍音成分が多く特定の音程を聴き取ることは困難であるのに対し、ティンパニでははっきりと音高を聴き取ることができる。\n[https://scrapbox.io/files/66f7a74b4b8da4001d736ec9.webp]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%86%E3%82%A3%E3%83%B3%E3%83%91%E3%83%8B","updated":1727506253,"position":[9.0583,1.8973,-4.0177],"cluster":"c18","subgroup":"c18.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07482,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:66f7a8197c7c31001db0fb5b","source":"NextResearch","title":"騒音音楽","excerpt":"楽音以外の、日常的な機械などの騒音をモティーフとする音楽。 1913年、イタリアの作曲家ルイジ・ルッソロ（元は画家として未来派の運動に参加した人物だが）によって、「騒音芸術」と名付けられたものがコンサートホールへともち込まれた。","text":"騒音音楽\n楽音以外の、日常的な機械などの騒音をモティーフとする音楽。 1913年、イタリアの作曲家ルイジ・ルッソロ（元は画家として未来派の運動に参加した人物だが）によって、「騒音芸術」と名付けられたものがコンサートホールへともち込まれた。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%A8%92%E9%9F%B3%E9%9F%B3%E6%A5%BD","updated":1727506468,"position":[-26.7022,40.5005,16.3897],"cluster":"c06","subgroup":"c06.02","degree":2,"referenceDegree":0,"maxSimilarity":0.20627,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f78cd800fb7f001d14ccc8","weight":0.20627,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d292c8ff819011bbab6f","weight":0.12935,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7aad744310d001cd802fb","source":"NextResearch","title":"Thx1138","excerpt":"『THX 1138』は、1971年のアメリカ映画。ジョージ・ルーカスのデビュー作となったSF映画である。 THX 1138. THX 1138.","text":"Thx1138\n『THX 1138』は、1971年のアメリカ映画。ジョージ・ルーカスのデビュー作となったSF映画である。 THX 1138. THX 1138.\n[https://scrapbox.io/files/66f7ab22383d7b001cf76fc0.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Thx1138","updated":1727507237,"position":[-32.6771,-69.2782,64.2332],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16322,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f7ab3d5e2369001d857ec5","weight":0.16322,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d28fd7e08ca0024e140d0","weight":0.08968,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7ab3d5e2369001d857ec5","source":"NextResearch","title":"アメリカン・ゾエトロープ","excerpt":"アメリカン・ゾエトロープ はフランシス・フォード・コッポラとジョージ・ルーカスが設立した映画製作スタジオの名称。","text":"アメリカン・ゾエトロープ\nアメリカン・ゾエトロープ はフランシス・フォード・コッポラとジョージ・ルーカスが設立した映画製作スタジオの名称。\n1979年 - 1990年\n[https://scrapbox.io/files/66f7ab699295c6001cf1b044.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A2%E3%83%A1%E3%83%AA%E3%82%AB%E3%83%B3%E3%83%BB%E3%82%BE%E3%82%A8%E3%83%88%E3%83%AD%E3%83%BC%E3%83%97","updated":1727507335,"position":[-33.49,-68.7703,64.0333],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16322,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f7aad744310d001cd802fb","weight":0.16322,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1990163c10ef5a1687f08a","weight":0.12328,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66f7ac11b71f88001d883399","source":"NextResearch","title":"オーソンウェルズ ラジオドラマ","excerpt":"『宇宙戦争』（The War of the Worlds）は、1938年にアメリカ合衆国で放送されたラジオ番組で、俳優オーソン・ウェルズがH・G・ウェルズのSF小説『宇宙戦争』を脚色し朗読した。放送をきいた人々が火星人の襲来を事実と信じこんでパニックが起きたという説は[1]、現在では根拠のない都市伝説として否定されている","text":"オーソンウェルズ ラジオドラマ\n『宇宙戦争』（The War of the Worlds）は、1938年にアメリカ合衆国で放送されたラジオ番組で、俳優オーソン・ウェルズがH・G・ウェルズのSF小説『宇宙戦争』を脚色し朗読した。放送をきいた人々が火星人の襲来を事実と信じこんでパニックが起きたという説は[1]、現在では根拠のない都市伝説として否定されている\n","tags":[],"links":["1"],"url":"https://scrapbox.io/NextResearch/%E3%82%AA%E3%83%BC%E3%82%BD%E3%83%B3%E3%82%A6%E3%82%A7%E3%83%AB%E3%82%BA%20%E3%83%A9%E3%82%B8%E3%82%AA%E3%83%89%E3%83%A9%E3%83%9E","updated":1727507486,"position":[19.6387,-68.3607,-0.4674],"cluster":"c03","subgroup":"c03.02","degree":7,"referenceDegree":0,"maxSimilarity":0.32423,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:657410c64879c50022fbfc27","weight":0.32423,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.10721,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e15b62b8a983e8a4b7a9","weight":0.10274,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c8a7cbbc528b7c41945f8b","weight":0.09429,"type":"similarity","reason":"共通参照 1 / 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の授業を取り入れたところ","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/sfc%20computer%20music","updated":1728015261,"position":[-13.3549,80.8902,32.8567],"cluster":"c16","subgroup":"c16.01","degree":7,"referenceDegree":0,"maxSimilarity":0.36557,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669e486f9cbc6b001d7b2eb5","weight":0.36557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64883dcdf0b991001b7ede70","weight":0.32444,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d7227cfaa223001c48dc6f","weight":0.16282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.15187,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e47da8e86c9001d91ec93","weight":0.13113,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986caa0934beed525d4298b","weight":0.13012,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507723bfd2245001bb3d6a0","weight":0.1275,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:66ff6ca4fa4a46001d6934cd","source":"NextResearch","title":"RTcmix","excerpt":"https://rtcmix.org","text":"RTcmix\nhttps://rtcmix.org\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/RTcmix","updated":1728015538,"position":[-80.6844,15.3821,-111.6752],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:66ff6cbdae3c81001d77b8ec","source":"NextResearch","title":"csound","excerpt":"https://csound.com","text":"csound\nhttps://csound.com\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/csound","updated":1728015573,"position":[49.528,-51.8042,35.9808],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.44131,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65e9c1a3f0a4890024ab6a4b","weight":0.44131,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6702571f8cc7ab001d6dfd5c","source":"NextResearch","title":"真鍋大度 github","excerpt":"https://github.com/daitomanabe?page=2&tab=repositories","text":"真鍋大度 github\nhttps://github.com/daitomanabe?page=2&tab=repositories\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E7%9C%9F%E9%8D%8B%E5%A4%A7%E5%BA%A6%20github","updated":1728206651,"position":[50.1445,-32.4647,2.9507],"cluster":"c10","subgroup":"c10.01","degree":6,"referenceDegree":0,"maxSimilarity":0.5762,"lowEvidence":false,"neighbors":[{"id":"NextResearch:656ccb2053eef900232783ed","weight":0.5762,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6427c1101921e8001c333fa7","weight":0.18257,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6734c9dd9aa3aaf34e06684f","weight":0.15827,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c5e78de99a70022f697bf","weight":0.13319,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c5fad2d85d700266e3d9a","weight":0.10391,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2a1a00d24130026f0ebc4","weight":0.09604,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67026914c8b276001d07d3da","source":"NextResearch","title":"サンダーマシーン","excerpt":"サンダーマシーンとは、雷鳴の擬音を鳴らすために使用される楽器である。大太鼓の中に、木やフェルトなどでできた固い小玉を入れたもので、太鼓を回転させて小玉を羊皮に打たせるという演奏法を用いる。主にオーケストラの演奏会で用いられる。","text":"サンダーマシーン\nサンダーマシーンとは、雷鳴の擬音を鳴らすために使用される楽器である。大太鼓の中に、木やフェルトなどでできた固い小玉を入れたもので、太鼓を回転させて小玉を羊皮に打たせるという演奏法を用いる。主にオーケストラの演奏会で用いられる。\n[https://scrapbox.io/files/6702693f74fccb001d5aeeda.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B5%E3%83%B3%E3%83%80%E3%83%BC%E3%83%9E%E3%82%B7%E3%83%BC%E3%83%B3","updated":1728211266,"position":[52.1974,-47.7226,36.9622],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.11094,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d5f143f318f00230132b3","weight":0.11094,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","source":"NextResearch","title":"spresense","excerpt":"ボードコンピュータ","text":"spresense\nボードコンピュータ\n\nhttps://www.sony-semicon.com/ja/products/spresense/index.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/spresense","updated":1729931108,"position":[14.3593,-36.2801,20.5485],"cluster":"c05","subgroup":"c05.01","degree":22,"referenceDegree":0,"maxSimilarity":0.17908,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af8ad7724792001c03ce18","weight":0.17908,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65919307670ff6002da3bee2","weight":0.14576,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67ab18295dace49c88a275ef","weight":0.13905,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0ce79e7200025f1d876","weight":0.13641,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c477c0cfea16001bf49fa8","weight":0.1346,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f1bb7bc16c6a001b30249c","weight":0.12826,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0f1f691990024037e65","weight":0.12506,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6b1d0fd00b001db59fbb","weight":0.12322,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:671f12fc62834754d2cbde14","source":"NextResearch","title":"Mira Max patch ipad","excerpt":"https://cycling74.com/products/mira","text":"Mira Max patch ipad\nhttps://cycling74.com/products/mira\n[https://scrapbox.io/files/671f133ac7aa19d847124520.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Mira%20Max%20patch%20ipad","updated":1730089789,"position":[44.6568,29.6486,62.8281],"cluster":"c30","subgroup":"c30.01","degree":7,"referenceDegree":0,"maxSimilarity":0.33905,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64a279bd605016001ba3ecdc","weight":0.33905,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6418095d076725001b2d1fef","weight":0.33084,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6487de7e49d50c001b2eadc7","weight":0.33084,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67ff29bf0758e336c87d93b1","weight":0.22828,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f3da2b4a6762001c4eadbd","weight":0.17859,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986ce7fbdadfc54fe5931f3","weight":0.15187,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f86251d4d22b001b7fcbf1","weight":0.14171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6722f662354d64c5b2892e6a","source":"NextResearch","title":"media 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dumtype\nhttps://simokitazawa.hatenablog.com/entry/00001205/p1\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%B1%B1%E4%B8%AD%E9%80%8F%20dumtype","updated":1739265937,"position":[-67.5625,21.2158,-124.4179],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.01635,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:67ab17b2af8308776010c13e","source":"NextResearch","title":"suprematism","excerpt":"シュプレマティスムとは、ロシアにおいてカジミール・マレーヴィチが主張した、抽象性を徹底した絵画の一形態。","text":"suprematism\nシュプレマティスムとは、ロシアにおいてカジミール・マレーヴィチが主張した、抽象性を徹底した絵画の一形態。\n[https://scrapbox.io/files/67ab17ff10104d9fb85d4f07.jpeg]\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/suprematism","updated":1739266050,"position":[34.5871,-41.8886,93.7736],"cluster":"c14","subgroup":"c14.01","degree":1,"referenceDegree":0,"maxSimilarity":0.18001,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d2ec9dcca000243fde21","weight":0.18001,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67ab18295dace49c88a275ef","source":"NextResearch","title":"リリアン・シュワルツ","excerpt":"リリアン・フェルドマン・シュワルツ（1927年7月13日-2024年10月12日）は、コンピュータを介した芸術の先駆者と見なされているアメリカのアーティストでした。そして、彼女の作品のほぼ全体を計算メディアに基づいていることで注目すべき最初のアーティストの一人。彼女の画期的なプロジェクトの多くは、デスクトップコンピュータ革命がコンピューターのハードウェアとソフトウェアをアーティストに広く利用できるようにする前の1960年代と1970年代に行われました。","text":"リリアン・シュワルツ\nリリアン・フェルドマン・シュワルツ（1927年7月13日-2024年10月12日）は、コンピュータを介した芸術の先駆者と見なされているアメリカのアーティストでした。そして、彼女の作品のほぼ全体を計算メディアに基づいていることで注目すべき最初のアーティストの一人。彼女の画期的なプロジェクトの多くは、デスクトップコンピュータ革命がコンピューターのハードウェアとソフトウェアをアーティストに広く利用できるようにする前の1960年代と1970年代に行われました。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%AA%E3%83%AA%E3%82%A2%E3%83%B3%E3%83%BB%E3%82%B7%E3%83%A5%E3%83%AF%E3%83%AB%E3%83%84","updated":1739266124,"position":[14.9559,-35.5262,20.4562],"cluster":"c05","subgroup":"c05.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13905,"lowEvidence":false,"neighbors":[{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.13905,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e53ccf123a5001c88e942","weight":0.12177,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a5f3f57559050023cd63b1","weight":0.10317,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67ab1854587d79daa491c83e","source":"NextResearch","title":"dingansich 物自体","excerpt":"大陸の合理論とイギリスの経験論の哲学を綜合したといわれるカントが、その著書『純粋理性批判』の中で、経験そのものを吟味した際、経験の背後にあり、経験を成立させるために必要な条件として要請したものが、物自体である。","text":"dingansich 物自体\n大陸の合理論とイギリスの経験論の哲学を綜合したといわれるカントが、その著書『純粋理性批判』の中で、経験そのものを吟味した際、経験の背後にあり、経験を成立させるために必要な条件として要請したものが、物自体である。\n「感覚によって経験されたもの以外は、何も知ることはできない」というヒュームの主張を受けて、カントは「経験を生み出す何か」「物自体」は前提されなければならないが、そうした「物自体」は経験することができない、と考えた。物自体は認識できず、存在するにあたって、我々の主観に依存しない。因果律に従うこともない。\nカントに拠れば、物自体の世界が存在するといういかなる証拠もない。「物自体」のような知的な秩序があるかどうかわからないが、その後の経験によって正当化されるであろう。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/dingansich%20%E7%89%A9%E8%87%AA%E4%BD%93","updated":1739266220,"position":[4.0289,-73.597,39.4272],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09399,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658000f560c8b100232bf9d7","weight":0.09399,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67af0280f67ecbbe74f555fd","source":"NextResearch","title":"FIt-SNE 高速t-SNE","excerpt":"fourier 変換でやる高速t-SNE","text":"FIt-SNE 高速t-SNE\nfourier 変換でやる高速t-SNE\nhttps://github.com/KlugerLab/FIt-SNE?tab=readme-ov-file\n\n[https://scrapbox.io/files/67af02b72e311bb2199773f1.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/FIt-SNE%20%E9%AB%98%E9%80%9Ft-SNE","updated":1739522806,"position":[-17.4815,5.5951,16.5357],"cluster":"c07","subgroup":"c07.01","degree":2,"referenceDegree":0,"maxSimilarity":0.30184,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a20676029d00237e6e4e","weight":0.30184,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cca8529edcce00258668f6","weight":0.19608,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67b03f76123d87746d80c6fc","source":"NextResearch","title":"鷺巣詩郎","excerpt":"https://ja.m.wikipedia.org/wiki/鷺巣詩郎","text":"鷺巣詩郎\nhttps://ja.m.wikipedia.org/wiki/鷺巣詩郎\n[https://scrapbox.io/files/67b03fbbd0b636236b98c776.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%B7%BA%E5%B7%A3%E8%A9%A9%E9%83%8E","updated":1739603902,"position":[-75.8057,5.7489,-109.8522],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:67b438806a5cf0ae7833f694","source":"NextResearch","title":"art news","excerpt":"https://artnewsjapan.com/article/1930#25","text":"art news\nhttps://artnewsjapan.com/article/1930#25\n[https://scrapbox.io/files/67b438b0d330567ddd16af00.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/art%20news","updated":1739864246,"position":[-11.8133,82.4685,32.8849],"cluster":"c16","subgroup":"c16.01","degree":15,"referenceDegree":0,"maxSimilarity":0.28766,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659c6d85c551db002540b64d","weight":0.28766,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a472e906c9002354eaf3","weight":0.21937,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da321c13dc773f70f975f","weight":0.2021,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:698c23f18cfb9ddc65b321c6","weight":0.19736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986caa0934beed525d4298b","weight":0.18612,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6c9883df2700245c01b7","weight":0.18141,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:655a043cc7ba14001baf98b8","weight":0.17792,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66ef90079fa34b001c466bf5","weight":0.15676,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67b8444c6a9f312870b3c018","source":"NextResearch","title":"Pops touch designer","excerpt":"https://derivative.ca/community-post/pops-new-operator-family-touchdesigner/69468","text":"Pops touch designer\nhttps://derivative.ca/community-post/pops-new-operator-family-touchdesigner/69468\n[https://scrapbox.io/files/67b84467c433ab4869d4cb40.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Pops%20touch%20designer","updated":1740129386,"position":[17.5763,42.9661,-34.0711],"cluster":"c15","subgroup":"c15.01","degree":14,"referenceDegree":0,"maxSimilarity":0.70692,"lowEvidence":false,"neighbors":[{"id":"NextResearch:648849f6e6ea1d001b435335","weight":0.70692,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:698d99e8f3e354378743493b","weight":0.66074,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659e6f704a516c0024a2e43d","weight":0.66022,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c66bdb31bd80d4b053085","weight":0.6578,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6599494116b5920022d3630a","weight":0.59835,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6599495e6b77cc0024d5895b","weight":0.58319,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669a71373bf5d3001df29923","weight":0.57988,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6699ecf284fd75001cc473dc","weight":0.57216,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67bdc6102a17daa854e9ed30","source":"NextResearch","title":"大学院奨学金 一覧","excerpt":"https://kn1cht.github.io/doctor-funding-calendar/#ACT-X","text":"大学院奨学金 一覧\nhttps://kn1cht.github.io/doctor-funding-calendar/#ACT-X\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%A4%A7%E5%AD%A6%E9%99%A2%E5%A5%A8%E5%AD%A6%E9%87%91%20%E4%B8%80%E8%A6%A7","updated":1740490286,"position":[-27.763,3.3267,48.8158],"cluster":"c09","subgroup":"c09.02","degree":3,"referenceDegree":0,"maxSimilarity":0.21879,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67b43c96596605208609e2f6","weight":0.21879,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659433959dbf50002382d20c","weight":0.18131,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5ef9c421cae00236b4096","weight":0.13126,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67bed87debf45c67ccb618b7","source":"NextResearch","title":"Bandcamp free","excerpt":"https://bandcamp.com/discover/free","text":"Bandcamp free\nhttps://bandcamp.com/discover/free\n\n\nRARファイルでネットでdigると海賊版のcdとかいろいろでてくる\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Bandcamp%20free","updated":1740560586,"position":[39.648,85.3421,36.4241],"cluster":"c21","subgroup":"c21.01","degree":4,"referenceDegree":0,"maxSimilarity":0.32489,"lowEvidence":false,"neighbors":[{"id":"NextResearch:648bcbdf7c9d50001b9f332b","weight":0.32489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:643bcfd9ecf33f001cf555a8","weight":0.19838,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:667180e540752e001c55693c","weight":0.15471,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648afdcf70a87d001b7112cd","weight":0.13483,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67bed948e463b39a6c7630a1","source":"NextResearch","title":"ルーマニア ハウス","excerpt":"https://floormag.net/ルーマニアから発信されるミニマル・ミュージッ/","text":"ルーマニア ハウス\nhttps://floormag.net/ルーマニアから発信されるミニマル・ミュージッ/\n[https://scrapbox.io/files/67bedace42f53f99e101dcb1.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%AB%E3%83%BC%E3%83%9E%E3%83%8B%E3%82%A2%20%E3%83%8F%E3%82%A6%E3%82%B9","updated":1740561108,"position":[50.6561,-51.5057,33.8932],"cluster":"c02","subgroup":"c02.03","degree":7,"referenceDegree":0,"maxSimilarity":0.14664,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f9717592429e0023b41962","weight":0.14664,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658013d985a8330023438fed","weight":0.14524,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a34b9efee400244825fa","weight":0.12958,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c632a766428f001ca16b9f","weight":0.12888,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64b8ce3c1371c6001f0335a9","weight":0.12077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a64646a2d62ede30fb15b4b","weight":0.0937,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be5fa1fe800024f7c419","weight":0.09117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67bedb218596cb325fff7324","source":"NextResearch","title":"Quantum fluctuation","excerpt":"量子物理学では、量子変動（真空状態変動または真空変動とも呼ばれます）は、空間内の点におけるエネルギー量の一時的なランダムな変化です。ヴェルナー・ハイゼンベルクの不確実性原理で規定されているように。それらは、光子によって運ばれる電磁力を表す電場と磁場、弱い力によって運ばれるWとZフィールド、強い力を運ぶグルーオン場など、素粒子を表す場の値の微小なランダム変動です。","text":"Quantum fluctuation\n量子物理学では、量子変動（真空状態変動または真空変動とも呼ばれます）は、空間内の点におけるエネルギー量の一時的なランダムな変化です。ヴェルナー・ハイゼンベルクの不確実性原理で規定されているように。それらは、光子によって運ばれる電磁力を表す電場と磁場、弱い力によって運ばれるWとZフィールド、強い力を運ぶグルーオン場など、素粒子を表す場の値の微小なランダム変動です。\n\n[https://scrapbox.io/files/67bedb4518b0619e222cbacd.gif]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Quantum%20fluctuation","updated":1740561295,"position":[-14.5618,-15.1857,-23.8545],"cluster":"c11","subgroup":"c11.01","degree":2,"referenceDegree":0,"maxSimilarity":0.13151,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64d4d8bd4f19ce001ba98213","weight":0.13151,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6592458474c3150022d2d9a0","weight":0.09732,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67bedced22c0e47f7678b99b","source":"NextResearch","title":"エヴァ 全記録全集","excerpt":"「新劇場版エヴァンゲリオン 全記録全集」は、庵野秀明総監督率いる株式会社カラーが出版する、映像制作の軌跡を記録した公式資料集シリーズです。","text":"エヴァ 全記録全集\n「新劇場版エヴァンゲリオン 全記録全集」は、庵野秀明総監督率いる株式会社カラーが出版する、映像制作の軌跡を記録した公式資料集シリーズです。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A8%E3%83%B4%E3%82%A1%20%E5%85%A8%E8%A8%98%E9%8C%B2%E5%85%A8%E9%9B%86","updated":1740561667,"position":[-6.5572,85.759,34.0067],"cluster":"c16","subgroup":"c16.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10642,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6507914c0f7969001cc41986","weight":0.10642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67bedd2a4dc6b8a4f5f3ac07","source":"NextResearch","title":"defication","excerpt":"Deification（ディエフィケーション）には「神格化」「神聖視」という意味があります。","text":"defication\nDeification（ディエフィケーション）には「神格化」「神聖視」という意味があります。\n【意味】\n神のように扱われること\n神の特性の具体化\n人を高揚（神の状態のような）させること\n神の特性を具現化すること\n【言い換え】exaltation（エクサルテーション、apotheosis（アポテーオシス、theosis（テオシス、 divinization（ディヴィナイゼーション。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/defication","updated":1740561715,"position":[50.3652,-39.4894,2.9974],"cluster":"c10","subgroup":"c10.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09285,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6556409f6ea6bc001b90516c","weight":0.09285,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:67bedf4642f53f99e10227e0","source":"NextResearch","title":"ドイツ ポスドクフィローシップ","excerpt":"ドイツとブラジル以外から応募可能","text":"ドイツ 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Mind\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Antoine%20Caillon","updated":1746771200,"position":[-10.8968,82.2167,31.4228],"cluster":"c16","subgroup":"c16.01","degree":7,"referenceDegree":0,"maxSimilarity":0.21247,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6951278bd8a8cd93d0704855","weight":0.21247,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:643d1c1f322962001b9127e2","weight":0.19004,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b24e04971d9001c0bc9c0","weight":0.19004,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da57bee7a21340d1c2c46","weight":0.16777,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6d85c551db002540b64d","weight":0.16522,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b3012a2a41e4dd7058b4a","weight":0.15698,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c6689f04004d6d2b376e1","weight":0.13349,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:681d9d12a208f2966b96679b","source":"NextResearch","title":"NOVELDA UWB X7 センサー","excerpt":"人間の存在を正確に検知（最大10m）","text":"NOVELDA UWB X7 センサー\n[https://scrapbox.io/files/681d9d3a6557402bd5a6aa23.png]\n\n人間の存在を正確に検知（最大10m）\nサブミリの動きの認識、\nあらゆる素材（金属を除く）を透視します。\n超低消費電力 < 50 μW、\n超高空間解像度：複数の物体の同時追跡、\n拡散スペクトルのための送信パルスの二相符号化、\n工業用動作温度: -40/+85°C\n\nhttps://www.g-media.fr/produit/module-x7-monte-sur-carte-de-support/\nhttps://novelda.com/novelda-adds-seat-occupancy-detection-to-x7/\nhttps://novelda.com/ultra-wideband-child-presence-sensor/\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/NOVELDA%20UWB%20X7%20%E3%82%BB%E3%83%B3%E3%82%B5%E3%83%BC","updated":1746771451,"position":[-26.5196,-71.7029,65.2175],"cluster":"c04","subgroup":"c04.01","degree":8,"referenceDegree":0,"maxSimilarity":0.16967,"lowEvidence":false,"neighbors":[{"id":"NextResearch:656d5ee1df897100253e1938","weight":0.16967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a3e716f69000235f9df8","weight":0.15354,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6916e910132c688a6c3257ad","weight":0.1512,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a4d2597e3c0023d44918","weight":0.14541,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681d9e20ee140d1bacbfb2ab","weight":0.09552,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6572652aef8e7c00235ce4f1","weight":0.09208,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10a60c4487c8d76784141","weight":0.09015,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbc720776713b1716d142","weight":0.08759,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:681d9d760ebfc6f7cc0c4d64","source":"NextResearch","title":"IWR6843ISK","excerpt":"長距離アンテナ搭載、シングルチップ、60GHz、ミリ波センサの評価基板","text":"IWR6843ISK\n長距離アンテナ搭載、シングルチップ、60GHz、ミリ波センサの評価基板\nIWR6843ISK は、長距離アンテナを搭載した IWR6843 デバイスをベースとする、使いやすい 60GHz ミリ波センサ評価キットです。IWR6843ISK を使用して、IWR6843 と IWR6443 の各デバイスを評価することもできます。この基板では、USB インターフェイス経由でポイント クラウドのデータへのアクセスと受電が可能です。\n\nミリ波ツールやソフトウェアがこのキットをサポートしており、mmWave Studio (MMWAVE-STUDIO) やミリ波ソフトウェア開発キット (MMWAVE-SDK) がこれに該当します。\n\n付加的なボードを使用して、追加機能を実現することもできます。例えば、 DCA1000EVM はLVDSインターフェースを介してセンサーの生データへのアクセスを可能にします。MMWAVEICBOOST は、TIのCCSを介してソフトウェア開発とトレース機能を実現します。\n\nIWR6843ISK と MMWAVEICBOOST を組み合わせると、TI のマイコン (MCU) LaunchPad™ 開発キット エコシステムとのインターフェイスを実現できます。\n[https://scrapbox.io/files/681d9d937c65de2947cc1164.png]\n\nhttps://www.ti.com/tool/ja-jp/IWR6843ISK","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/IWR6843ISK","updated":1746772315,"position":[23.6073,55.5986,40.6107],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.19194,"lowEvidence":false,"neighbors":[{"id":"NextResearch:681da1161c915e6d1f87f067","weight":0.19194,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c0e477db498c5c1921c11","weight":0.10273,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:681d9e20ee140d1bacbfb2ab","source":"NextResearch","title":"TMRセンサアレイユニット 磁気センサアレイ","excerpt":"TMR (Tunnel Magnetoresistance) 磁気センサアレイは、高い感度と高精度で磁場を検知する技術です。TMR効果を利用し、2つの磁性体の間にトンネルで磁化方向が異なる場合に抵抗値が変化する特性を使い、磁場を検出します。TMRセンサアレイは、複数のTMR素子を並べて配置することで、より広範囲な磁場を検知したり、特定の方向や強さをより詳細に測定したりできます。","text":"TMRセンサアレイユニット 磁気センサアレイ\nTMR (Tunnel Magnetoresistance) 磁気センサアレイは、高い感度と高精度で磁場を検知する技術です。TMR効果を利用し、2つの磁性体の間にトンネルで磁化方向が異なる場合に抵抗値が変化する特性を使い、磁場を検出します。TMRセンサアレイは、複数のTMR素子を並べて配置することで、より広範囲な磁場を検知したり、特定の方向や強さをより詳細に測定したりできます。\n\nMR（Tunnel Magnetoresistance）センサアレイユニットとは、TMR効果を利用した磁気センサを配列して構成したユニットのことです。TMR効果とは、強磁性体トンネル接合における磁化の向きの差異によって電気抵抗が変化する現象です。この特性を利用して、磁場方向や強さを検知するセンサとして用いられます。\nTMRセンサアレイユニットは、360°の角度計測、高い角度精度、低消費電力、冗長性などが特徴です。特に、車載や産業アプリケーション向けに最適化された製品も存在します。\nTMRセンサは、AMR（Anisotropy Magnetoresistance）やGMR（Giant Magnetoresistance）と比較して、高いMR比（抵抗変化率）を持ちます。TMR素子では、MR比が100%にも達し、高感度な磁気検知が可能になります.\nTMRセンサアレイユニットは、高精度な角度計測や磁場検知が必要とされる分野で、その応用が進んでいます.","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/TMR%E3%82%BB%E3%83%B3%E3%82%B5%E3%82%A2%E3%83%AC%E3%82%A4%E3%83%A6%E3%83%8B%E3%83%83%E3%83%88%20%E7%A3%81%E6%B0%97%E3%82%BB%E3%83%B3%E3%82%B5%E3%82%A2%E3%83%AC%E3%82%A4","updated":1746771696,"position":[-27.0457,-70.5747,65.1885],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09552,"lowEvidence":false,"neighbors":[{"id":"NextResearch:681d9d12a208f2966b96679b","weight":0.09552,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:681d9e51d802aaff3b15d3db","source":"NextResearch","title":"NVE, Magentic sensor etc","excerpt":"https://github.com/nvecorporation?utm_source=chatgpt.com","text":"NVE, Magentic sensor etc\nhttps://github.com/nvecorporation?utm_source=chatgpt.com\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/NVE%2C%20Magentic%20sensor%20etc","updated":1746771566,"position":[7.5721,98.7971,-55.9774],"cluster":"c33","subgroup":"c33.01","degree":2,"referenceDegree":0,"maxSimilarity":0.37352,"lowEvidence":false,"neighbors":[{"id":"NextResearch:681da3b78d4c23e7ab58fdf7","weight":0.37352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681d9e7af67ef6aa723e5ea5","weight":0.2501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:681d9e7af67ef6aa723e5ea5","source":"NextResearch","title":"BMM350 Sensor API","excerpt":"The BMM350 is a 3-axis magnetic sensor which operates in automatic mode or triggered mode. The magnetic-to-digital conversion technology is based on TMR (tunnel magneto resistance) The BMM350 has an excellent temperature behaviour with an outstanding low temperature coefficient of the offset (TCO) and temperature coefficient of the sensitivity (TCS).","text":"BMM350 Sensor API\n[https://scrapbox.io/files/681d9e9f01c62953145fd5c6.png]\n\nThe BMM350 is a 3-axis magnetic sensor which operates in automatic mode or triggered mode. The magnetic-to-digital conversion technology is based on TMR (tunnel magneto resistance) The BMM350 has an excellent temperature behaviour with an outstanding low temperature coefficient of the offset (TCO) and temperature coefficient of the sensitivity (TCS).\nhttps://github.com/boschsensortec/BMM350_SensorAPI\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/BMM350%20Sensor%20API","updated":1746771619,"position":[7.7673,98.3387,-56.0964],"cluster":"c33","subgroup":"c33.01","degree":6,"referenceDegree":0,"maxSimilarity":0.2501,"lowEvidence":false,"neighbors":[{"id":"NextResearch:681d9e51d802aaff3b15d3db","weight":0.2501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da3b78d4c23e7ab58fdf7","weight":0.15022,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da27dd69a91ff9cdd78f3","weight":0.13069,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640fd7d3e85ec7001beb280c","weight":0.10859,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683bf7d582e1b0af52ee14cc","weight":0.09735,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66552e272f3ba4001d193199","weight":0.09735,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:681da0da226689f78aec7b33","source":"NextResearch","title":"FDC1004","excerpt":"4-channel 16-bit capacitance-to-digital converter with active shield driver for EMC protection","text":"FDC1004\n[https://scrapbox.io/files/681da0f6226689f78aec7cde.png]\n\n4-channel 16-bit capacitance-to-digital converter with active shield driver for EMC protection","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/FDC1004","updated":1746772224,"position":[-38.6041,55.6825,29.3124],"cluster":"c06","subgroup":"c06.02","degree":2,"referenceDegree":0,"maxSimilarity":0.16911,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64a27d3a116a19001bb7257d","weight":0.16911,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659e7084eda7f20023a1eced","weight":0.13653,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:681da1161c915e6d1f87f067","source":"NextResearch","title":"MMWAVEICBOOST","excerpt":"MMWAVEICBOOST キャリア カードは、選択された 60GHz ミリ波評価基板の機能を拡張します。このボードを使用すると、先進的なソフトウェア開発機能に加え、TI の Code Composers と互換性のある各種デバッガを使用する場合に、トレースやシングル ステップ実行などの各種デバッグ機能を実現できます。Launchpad のオンボード インターフェイスを使用すると、TI の BoosterPack™ と互換性のある各種ハードウェアと組み合わせ、追加のセンサやワイヤレス コネクティビティに対応することができます。TI の LaunchPad エコシステムを活用すると、MMWAVEICBOOST から、より多様な一連のペリフェラルやコネクティビティにアクセスできます。","text":"MMWAVEICBOOST\n[https://scrapbox.io/files/681da131858df195754bc32d.png]\n\nMMWAVEICBOOST キャリア カードは、選択された 60GHz ミリ波評価基板の機能を拡張します。このボードを使用すると、先進的なソフトウェア開発機能に加え、TI の Code Composers と互換性のある各種デバッガを使用する場合に、トレースやシングル ステップ実行などの各種デバッグ機能を実現できます。Launchpad のオンボード インターフェイスを使用すると、TI の BoosterPack™ と互換性のある各種ハードウェアと組み合わせ、追加のセンサやワイヤレス コネクティビティに対応することができます。TI の LaunchPad エコシステムを活用すると、MMWAVEICBOOST から、より多様な一連のペリフェラルやコネクティビティにアクセスできます。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/MMWAVEICBOOST","updated":1746772278,"position":[25.8278,54.4747,39.2188],"cluster":"c08","subgroup":"c08.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19194,"lowEvidence":false,"neighbors":[{"id":"NextResearch:681d9d760ebfc6f7cc0c4d64","weight":0.19194,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:681da19b0ebfc6f7cc0cae2c","source":"NextResearch","title":"Neuro rader","excerpt":"https://dl.acm.org/doi/pdf/10.1145/3625687.3625788","text":"Neuro rader\n[https://scrapbox.io/files/681da1b98f8c7f86b860391f.png]\n\n\nhttps://dl.acm.org/doi/pdf/10.1145/3625687.3625788\nhttps://dl.acm.org/doi/10.1145/3625687.3625788\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Neuro%20rader","updated":1746772443,"position":[22.3963,85.6783,0.4031],"cluster":"c22","subgroup":"c22.01","degree":2,"referenceDegree":0,"maxSimilarity":0.5917,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6425055a7a5350001b33b5f7","weight":0.5917,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65e723f8177fbb0025cde3a1","weight":0.3851,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:681da205a6758cf0b2f2088d","source":"NextResearch","title":"fNIRS","excerpt":"fNIRSとは","text":"fNIRS\nfNIRSとは\n脳の活動（脳機能）を計測し、可視化（イメージング）する技術の中で、近赤外光を用いたfNIRSは自然に近い環境下で脳機能イメージングが行えるため、脳機能の研究を支える手法のひとつとして注目されています。非侵襲で脳機能計測ができ、また、拘束が少ない特性を利用して、脳の機能と構造を結びつける“脳機能マッピング”等の基礎研究をはじめ、医療研究、リハビリテーション研究、スポーツ医学研究、心理学、教育学、工学分野や自動車、化粧品等の産業分野まで、幅広い研究でfNIRSは活用されています。また、fNIRSは他の計測法との親和性が高いため、同時計測が可能であることも大きな特長です。fNIRSは、近赤外分光法（NIRS）、光トポグラフィー（光トポ）などと呼ばれることもあります。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/fNIRS","updated":1746772523,"position":[58.6625,-39.0015,-21.0891],"cluster":"c10","subgroup":"c10.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0849,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:681da24471f417396afe9c3f","source":"NextResearch","title":"Thermal stress clasifying","excerpt":"https://www.mdpi.com/1424-8220/22/3/976?utm_source=chatgpt.com","text":"Thermal stress clasifying\n[https://scrapbox.io/files/681da25a2e3d8ed4e0b58e4a.png]\n\nhttps://www.mdpi.com/1424-8220/22/3/976?utm_source=chatgpt.com\n\nhttps://github.com/UCSB-VRL/StressVision?utm_source=chatgpt.com\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Thermal%20stress%20clasifying","updated":1746772767,"position":[-12.43,83.5949,33.2637],"cluster":"c16","subgroup":"c16.01","degree":1,"referenceDegree":0,"maxSimilarity":0.3745,"lowEvidence":false,"neighbors":[{"id":"NextResearch:681da321c13dc773f70f975f","weight":0.3745,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:681da27dd69a91ff9cdd78f3","source":"NextResearch","title":"Detecting changes in facial temperature induced by a sudden auditory stimulus based on deep learning-assisted face tracking","excerpt":"https://www.nature.com/articles/s41598-019-41172-7?utm_source=chatgpt.com","text":"Detecting changes in facial temperature induced by a sudden auditory stimulus based on deep learning-assisted face 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Development）。元になっている理論は生物の不思議な模様が作られる過程や、発生途中でのタンパク質の空間的パターン形成を再現する化学反応式です。例えば、ショウジョウバエの体節の配置は受精後のごくわずかな時間で決定しており、その要因である胚内での空間的なタンパク質勾配がガウス分布に伴った拡散反応で制御されていることが明らかとなっています。\nhttps://gri.jp/media/entry/7375\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/CPPN%3A%20Compositional%20Pattern%20Producing%20Network","updated":1748760339,"position":[33.8605,39.2613,15.5851],"cluster":"c17","subgroup":"c17.01","degree":4,"referenceDegree":0,"maxSimilarity":0.09877,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65d79f571b9001b5fbb6c","weight":0.09877,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a130b6aa34ff360afaaeed3","weight":0.09169,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d7238aabd8e80022e2eb17","weight":0.08668,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65079f819d61af001b221019","weight":0.08579,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:683bf73ebd11265adb4075d4","source":"NextResearch","title":"ブルス・ドゥ・コメルス","excerpt":"安藤忠雄","text":"ブルス・ドゥ・コメルス\n安藤忠雄\nhttps://casabrutus.com/_next/image?url=https%3A%2F%2Fwp2022.casabrutus.com%2Fwp-content%2Fuploads%2F2022%2F06%2F0601Bourse_22A7446_1104.jpg&w=3840&q=75\n\n[https://scrapbox.io/files/683bf75046f790b32fcca12f.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%96%E3%83%AB%E3%82%B9%E3%83%BB%E3%83%89%E3%82%A5%E3%83%BB%E3%82%B3%E3%83%A1%E3%83%AB%E3%82%B9","updated":1748760421,"position":[18.3503,102.4427,-50.8866],"cluster":"c24","subgroup":"c24.01","degree":3,"referenceDegree":0,"maxSimilarity":0.33445,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:683bf42746f790b32fcc9145","weight":0.33445,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf54446f1d4c9d8d7f6f1","weight":0.31892,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f78f27c71063001df5eb64","weight":0.09244,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:683bf78664c634d2eab64206","source":"NextResearch","title":"Elixir 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theatre\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Hermann%20Nitsch%27s%20demise%20leaves%20a%20legacy%20of%20works%20being%20shown%20at%20the%20Venice%20Biennale","updated":1751860946,"position":[26.0142,118.2272,61.6211],"cluster":"c31","subgroup":"c31.01","degree":4,"referenceDegree":0,"maxSimilarity":0.15279,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659e703b1d546d0024a1e2f4","weight":0.15279,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a07845cf8b8681dc304c2bd","weight":0.12396,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b78ab547e4070025eaf125","weight":0.12103,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:685eaea3e98c424524e6c814","weight":0.10048,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b473d1f8839319c00ab9f","source":"NextResearch","title":"2045 Daito Manabe, Nao Tokui, 2045 × LIFE PAINT Supported by VOLVO CAR JAPAN","excerpt":"https://wired.jp/2015/02/12/2045/","text":"2045 Daito Manabe, Nao Tokui, 2045 × LIFE PAINT Supported by VOLVO CAR JAPAN\n[https://scrapbox.io/files/686b47743dee55266a7f0144.png]\n\n[https://scrapbox.io/files/686b47873a6a421b9f87e9d5.png]\n\nhttps://wired.jp/2015/02/12/2045/\nhttps://rhizomatiks.com/en/work/lifepaint/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/2045%20Daito%20Manabe%2C%20Nao%20Tokui%2C%202045%20%C3%97%20LIFE%20PAINT%20Supported%20by%20VOLVO%20CAR%20JAPAN","updated":1751861138,"position":[31.2573,45.1775,15.3163],"cluster":"c17","subgroup":"c17.01","degree":9,"referenceDegree":0,"maxSimilarity":0.33312,"lowEvidence":false,"neighbors":[{"id":"NextResearch:640ae99f352155001c76a823","weight":0.33312,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c3682f91e4693c3b9644c","weight":0.29947,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c362e0aee7c5e9c95dae8","weight":0.24191,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bb968270a60001ce2c668","weight":0.2367,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6734c9dd9aa3aaf34e06684f","weight":0.22208,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b490e9aad5bcbbf2563ce","weight":0.20956,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:650770e1f564f8001c2396b7","weight":0.20287,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6594354e8308f20024a31e2a","weight":0.16307,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b47afe2cb48b59ed07553","source":"NextResearch","title":"フェナキストスコープ","excerpt":"フェナキストスコープまたはフェナキスティスコープは、回転のぞき絵に先駆けて登場した初期のアニメーション機器。1831年、ベルギーのジョゼフ・プラトーとオーストリアのジーモン・フォン・シュタンプフェルがほぼ同時に発明した。日本語では「おどろき盤」という呼称もある。","text":"フェナキストスコープ\n[https://scrapbox.io/files/686b47c97d35faecc5f9f24c.png]\n\nフェナキストスコープまたはフェナキスティスコープは、回転のぞき絵に先駆けて登場した初期のアニメーション機器。1831年、ベルギーのジョゼフ・プラトーとオーストリアのジーモン・フォン・シュタンプフェルがほぼ同時に発明した。日本語では「おどろき盤」という呼称もある。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%95%E3%82%A7%E3%83%8A%E3%82%AD%E3%82%B9%E3%83%88%E3%82%B9%E3%82%B3%E3%83%BC%E3%83%97","updated":1751861210,"position":[-11.254,0.4856,13.9669],"cluster":"c07","subgroup":"c07.01","degree":4,"referenceDegree":0,"maxSimilarity":0.24141,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:669bf22525fddc001d1b19a9","weight":0.24141,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640aeb3e942f76001c720bb8","weight":0.10668,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1990163c10ef5a1687f08a","weight":0.09885,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fc629358c79fc35d27069","weight":0.09461,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b48b52a1529d02154bf21","source":"NextResearch","title":"πTon/2, cod.act","excerpt":"https://codact.ch/works/πton2-2/","text":"πTon/2, cod.act\nhttps://codact.ch/works/πton2-2/\n[https://scrapbox.io/files/686b48d224a2a3e4a65e78b5.png]\n\n[https://scrapbox.io/files/686b48e07991043bb05ef8f2.png]\n\nπTon/2 is a sound installation that intervenes in the continuity of the researches of Cod.Act on mechanical and sound organicity. It results from an experience on the deformation of an elastic form and its incidence on the evolution of a musical work.\n\nThe object is a flexible ring closed on itself. It is set in motion by torsional engines located inside its body. πTon, by twisting and waving on itself, moves in a very natural and unpredictable way.\n\nThe origin of the music created by πTon is a deep sound of bass clarinet. It evolves according to its movements and is diffused by loudspeakers located inside its body. When πTon moves slowly, its contractions and dilatations produce deep sensual sounds that evolve like deep breathes. When the movements become fast, nervous and brutal, the creature develops acid and sharp sound along the tube, like a nervous flow.","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%CF%80Ton%2F2%2C%20cod.act","updated":1751861499,"position":[-70.6474,45.3866,-118.4181],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11303,"lowEvidence":true,"neighbors":[{"id":"NextResearch:656cbf3153df350023f6e54e","weight":0.11303,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68660bd6a3f335aed7a7068b","weight":0.11303,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b490e9aad5bcbbf2563ce","source":"NextResearch","title":"SONASPHERE (2003) — A Kinetically-driven Generative Sound Environment","excerpt":"Nao tokui","text":"SONASPHERE (2003) — A Kinetically-driven Generative Sound Environment\nNao tokui\n[https://scrapbox.io/files/686b492f21cba383a2e78907.png]\n\nhttps://naotokui.net/ja/works/sonasphere-2003/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/SONASPHERE%20%282003%29%20%E2%80%94%20A%20Kinetically-driven%20Generative%20Sound%20Environment","updated":1751861557,"position":[31.0717,44.992,15.4049],"cluster":"c17","subgroup":"c17.01","degree":10,"referenceDegree":0,"maxSimilarity":0.3126,"lowEvidence":false,"neighbors":[{"id":"NextResearch:689c362e0aee7c5e9c95dae8","weight":0.3126,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6734c9dd9aa3aaf34e06684f","weight":0.28697,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c3682f91e4693c3b9644c","weight":0.27047,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b473d1f8839319c00ab9f","weight":0.20956,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:680fbfd812636ba0efa4df9f","weight":0.19107,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6427c259c71c28001c79e5c4","weight":0.16807,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10d50c3f7cddd977cd69f","weight":0.15967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b444b4fdfe97cea9298f9","weight":0.14305,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b494b92a24e06269522dd","source":"NextResearch","title":"CCLab scrapbox","excerpt":"[/computational-creativity]","text":"CCLab scrapbox\n[/computational-creativity]\n[https://scrapbox.io/files/686b49697cf6e482bbcb9b24.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/CCLab%20scrapbox","updated":1751861614,"position":[32.6693,43.1235,16.6082],"cluster":"c17","subgroup":"c17.01","degree":1,"referenceDegree":0,"maxSimilarity":0.55902,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663128dab962180024599f25","weight":0.55902,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b49819aad5bcbbf256b81","source":"NextResearch","title":"大畑彩 Internal Sense","excerpt":"https://www.ntticc.or.jp/ja/archive/works/internal-sense/","text":"大畑彩 Internal Sense\n[https://scrapbox.io/files/686b49b121ab979df51f4c53.png]\n\nhttps://www.ntticc.or.jp/ja/archive/works/internal-sense/\nhttps://www.ntticc.or.jp/ja/archive/participants/ohata-sayaka/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%A4%A7%E7%95%91%E5%BD%A9%20Internal%20Sense","updated":1751861685,"position":[-75.959,41.2151,-129.0228],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03914,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:686b49c9729dcaa5371017a1","source":"NextResearch","title":"Massh!: a web-based collective music mashup system, 2008, Nao Tokui","excerpt":"Massh! is an online music software, which enables users to use any portions (i.e., loops) of sound data found on the Internet and mix them to make their own versions of songs (i.e., Mashup). Mashups made on this system can be also published as \"blueprints\" containing descriptions enough to reproduce the same result on other users' computers. Its distinctive visual user interface also provides highly interactive user experience, so that people with little music knowledge and experience can join the creative process of making music.","text":"Massh!: a web-based collective music mashup system, 2008, Nao Tokui\nMassh! is an online music software, which enables users to use any portions (i.e., loops) of sound data found on the Internet and mix them to make their own versions of songs (i.e., Mashup). Mashups made on this system can be also published as \"blueprints\" containing descriptions enough to reproduce the same result on other users' computers. Its distinctive visual user interface also provides highly interactive user experience, so that people with little music knowledge and experience can join the creative process of making music.\nhttps://dl.acm.org/doi/10.1145/1413634.1413738\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Massh%21%3A%20a%20web-based%20collective%20music%20mashup%20system%2C%202008%2C%20Nao%20Tokui","updated":1751861753,"position":[30.9699,45.5445,15.5014],"cluster":"c17","subgroup":"c17.01","degree":7,"referenceDegree":0,"maxSimilarity":0.20636,"lowEvidence":false,"neighbors":[{"id":"NextResearch:689c3682f91e4693c3b9644c","weight":0.20636,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.1514,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:694fc41c20a7714b1c00d4a9","weight":0.14497,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b473d1f8839319c00ab9f","weight":0.13924,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6734c9dd9aa3aaf34e06684f","weight":0.13426,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b490e9aad5bcbbf2563ce","weight":0.11496,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c362e0aee7c5e9c95dae8","weight":0.11053,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b4a347991043bb05f100a","source":"NextResearch","title":"一般財団法人メディア芸術振興財団","excerpt":"https://maf.or.jp/","text":"一般財団法人メディア芸術振興財団\nhttps://maf.or.jp/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E4%B8%80%E8%88%AC%E8%B2%A1%E5%9B%A3%E6%B3%95%E4%BA%BA%E3%83%A1%E3%83%87%E3%82%A3%E3%82%A2%E8%8A%B8%E8%A1%93%E6%8C%AF%E8%88%88%E8%B2%A1%E5%9B%A3","updated":1751861819,"position":[13.9539,-34.455,19.7625],"cluster":"c05","subgroup":"c05.01","degree":7,"referenceDegree":0,"maxSimilarity":0.28,"lowEvidence":false,"neighbors":[{"id":"NextResearch:648b25ed97fb3a001c72454d","weight":0.28,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69512993dfd438d027e7b482","weight":0.15835,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bc653417e18001c167682","weight":0.11334,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.10944,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c573f8798207002477cf5a","weight":0.10787,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6083c81972c1d3fd3e477b","weight":0.0983,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593940f8cf18d0024dc540c","weight":0.08982,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b4a488177431ba110eb9d","source":"NextResearch","title":"venice punta della dogana","excerpt":"プンタ デッラ ドガーナは、ヴェネツィアの古い税関の建物の 1 つ、ドガーナ ダ マールにある美術館です。また、大運河とジュデッカ運河が交わるヴェネツィアの三角形の地域と、そこにある建物群、つまりサンタ マリア デッラ教会のことも指します。敬礼、ヴェネツィア総主教神学校、そして三角形の先端にあるドガーナ・ダ・マル。 安藤忠雄。","text":"venice punta della dogana\nプンタ デッラ ドガーナは、ヴェネツィアの古い税関の建物の 1 つ、ドガーナ ダ マールにある美術館です。また、大運河とジュデッカ運河が交わるヴェネツィアの三角形の地域と、そこにある建物群、つまりサンタ マリア デッラ教会のことも指します。敬礼、ヴェネツィア総主教神学校、そして三角形の先端にあるドガーナ・ダ・マル。 安藤忠雄。\n\n[https://scrapbox.io/files/686b4aa2b72dc2faf5c2165c.png]\n\nhttps://en.wikipedia.org/wiki/Punta_della_Dogana\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/venice%20punta%20della%20dogana","updated":1751862624,"position":[19.3889,104.3589,-52.6064],"cluster":"c24","subgroup":"c24.01","degree":3,"referenceDegree":0,"maxSimilarity":0.11367,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6507880b07177e001b668fe2","weight":0.11367,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf42746f790b32fcc9145","weight":0.09703,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf54446f1d4c9d8d7f6f1","weight":0.09252,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b4d864afaf2881cdd7055","source":"NextResearch","title":"Centre Pompidou-Metz Shigeru Ban Architects","excerpt":"https://world-architects.com/ja/shigeru-ban-architects-tokyo/project/centre-pompidou-metz","text":"Centre Pompidou-Metz Shigeru Ban Architects\nhttps://world-architects.com/ja/shigeru-ban-architects-tokyo/project/centre-pompidou-metz\n[https://scrapbox.io/files/686b4d9bb688fbd2f9a7491f.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Centre%20Pompidou-Metz%20Shigeru%20Ban%20Architects","updated":1751862697,"position":[-14.9127,86.7732,31.1161],"cluster":"c16","subgroup":"c16.01","degree":4,"referenceDegree":0,"maxSimilarity":0.38437,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68726b73c5135e6d8b0006d1","weight":0.38437,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e17f34ad8878e3ed828d","weight":0.17704,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69104e9240254a85f4793de9","weight":0.11217,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69fc460f540052022c2b90cd","weight":0.09309,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b4dbf040d71b1503a6d9d","source":"NextResearch","title":"water 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bauder\n[https://scrapbox.io/files/686b4e4bc071c3346b7a3456.png]\n\n\nhttps://www.deepweb.art/about.html\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/deep%20web%20christopher%20bauder","updated":1751862900,"position":[-6.3,126.6319,27.0993],"cluster":"c29","subgroup":"c29.01","degree":9,"referenceDegree":0,"maxSimilarity":0.29273,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f3dc04492bc6001db006ed","weight":0.29273,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4e07f350fa737335cfcb","weight":0.27226,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c3a47ba0f45ff08bcb317","weight":0.26801,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66efb94651b4f5001d70224d","weight":0.2147,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:685816d7a0915fb3f27b9d28","weight":0.17884,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da52cf9e1e69690ffad4e","weight":0.16691,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5531b155430bd516a2a","weight":0.15242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da27dd69a91ff9cdd78f3","weight":0.13519,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b4e98d4f9e50198bba420","source":"NextResearch","title":"ulla 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\n\nルイ･ヴィトンは、新たなメンズ クリエイティブ･ディレクターにファレル･ウィリアムスを迎えることを嬉しく思います。ファレル･ウィリアムスが手掛ける初のコレクションは、今年6月にパリで開催されるメンズ ファッション･ウィークで発表される予定です。\n[https://scrapbox.io/files/686b7fe676dddaa525b06ac9.png]\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%95%E3%82%A1%E3%83%AC%E3%83%AB%E3%83%BB%E3%83%A9%E3%83%B3%E3%82%B7%E3%83%AD%E3%83%BB%E3%82%A6%E3%82%A3%E3%83%AA%E3%82%A2%E3%83%A0%E3%82%B9","updated":1751875562,"position":[42.2136,26.3818,65.0917],"cluster":"c30","subgroup":"c30.01","degree":3,"referenceDegree":0,"maxSimilarity":0.11145,"lowEvidence":false,"neighbors":[{"id":"NextResearch:695bcd95e53f94fe792e0240","weight":0.11145,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d6ea392850c0022ed5c92","weight":0.10427,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65079f15b7700f001cf67f7c","weight":0.09334,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b9dab1c3851a3d5fef126","source":"NextResearch","title":"Arts at CERN residency","excerpt":"Switzerland","text":"Arts at CERN residency\nSwitzerland\n\n[https://scrapbox.io/files/686b9ddc51893e62c3b8ef4a.png]\n\n\nhttps://arts.cern/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Arts%20at%20CERN%20residency","updated":1765204697,"position":[4.1411,89.1794,60.4717],"cluster":"c19","subgroup":"c19.01","degree":9,"referenceDegree":0,"maxSimilarity":0.60136,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69404584dd03d768e79ae911","weight":0.60136,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68431f73a249d6b90e15177f","weight":0.29501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b3069651b76001c4d5c91","weight":0.20371,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3b847f0325cf93447c53","weight":0.17195,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:650794275d0cec001c2a5db7","weight":0.16369,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:691052723b6aea90344ff4bc","weight":0.16205,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6ddfde99a70022f79541","weight":0.16175,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6979a2159efb2d6b3825824d","weight":0.11672,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686b9e14ae08e096cb4b8994","source":"NextResearch","title":"Stereolux / Scopitone","excerpt":"France, Nantes","text":"Stereolux / Scopitone\nFrance, Nantes\n[https://scrapbox.io/files/686b9edcd3490a9456608fe2.png]\n\nhttps://stereolux.org/\nhttps://www.instagram.com/stereolux_scopitone/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Stereolux%20%2F%20Scopitone","updated":1751883499,"position":[-24.0619,19.3142,54.5579],"cluster":"c09","subgroup":"c09.02","degree":8,"referenceDegree":0,"maxSimilarity":0.40384,"lowEvidence":false,"neighbors":[{"id":"NextResearch:690b0d6cffb51708b904e4bd","weight":0.40384,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6836995e2e629f324b306254","weight":0.31991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3b847f0325cf93447c53","weight":0.24157,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6984a9a8f060852370e08938","weight":0.15654,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683699d244e53d00e7c69c2e","weight":0.13861,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667948201426b4001cc4402c","weight":0.13197,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69104cbf4641a09c7b4fbd14","weight":0.12184,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a37c60605016001bb1aa9d","weight":0.12007,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686bb2e6e6b208aad3c72b34","source":"NextResearch","title":"Alexis André -Sony CSL Paris","excerpt":"日本人の奥さんがいる。2009-Now Sony CSL Researcher。アレクシ―・アンドレは最新のデジタルメディアを応用することで、これまでにない創作活動を探求しています。彼は、創造のプロセスそのものをアートとして捉え、クリエイターはこのプロセスとのインタラクションに焦点を当てているのだというアイデアに基づいています。彼の包括的なテーマは、デジタルネイティブにも関連する次世代のエンターテインメントを定義することです。彼の研究分野は、コンピュータ生成/支援アート、プロシージャルデザイン、コンピュータグラフィックス、HCI（ヒューマン・コンピュータ・インタラクション）、コンピュータビジョン、ゲーム心理学、ゲームデザインを含みます。彼の作品は山口情報芸術センター（YCAM）や国際学会SIGGRAPHで展示されており、オープンリール・アンサンブルから三宅一生プロデュースの青森大学男子新体操部に至るまで、数々のアーティストらとコラボを行っている。ソニーの体験型トイ・プラットフォームtoioの発案者でもある。","text":"Alexis André -Sony CSL Paris\n日本人の奥さんがいる。2009-Now Sony CSL Researcher。アレクシ―・アンドレは最新のデジタルメディアを応用することで、これまでにない創作活動を探求しています。彼は、創造のプロセスそのものをアートとして捉え、クリエイターはこのプロセスとのインタラクションに焦点を当てているのだというアイデアに基づいています。彼の包括的なテーマは、デジタルネイティブにも関連する次世代のエンターテインメントを定義することです。彼の研究分野は、コンピュータ生成/支援アート、プロシージャルデザイン、コンピュータグラフィックス、HCI（ヒューマン・コンピュータ・インタラクション）、コンピュータビジョン、ゲーム心理学、ゲームデザインを含みます。彼の作品は山口情報芸術センター（YCAM）や国際学会SIGGRAPHで展示されており、オープンリール・アンサンブルから三宅一生プロデュースの青森大学男子新体操部に至るまで、数々のアーティストらとコラボを行っている。ソニーの体験型トイ・プラットフォームtoioの発案者でもある。\nhttps://www.sonycsl.co.jp/people/alexis-andre/profile/\nhttps://ccbt.rekibun.or.jp/players/alexis-andre\n\n\n1982年生まれ。フランスを拠点に活動し、東京にも20年以上在住。幅広い芸術表現に取り組み、その一環として生成系（ジェネレーティブ）の手法 を用いてエンターテインメントの新たな地平を切り開く。その創作活動はジェネレーティブ・アートとインタラクティブアートに深く根ざしており、アートとテクノロジーの交錯点を模索する活動を展開している。 主な代表作に、ISSEY MIYAKEとのコラボレーションのほか、電子音楽家、ジャン・ミッシェル・ジャールとのコラボレーションによる生成音楽と生成イメージのアプリ「EōN」がある。東京でインタラクティブインスタレーションの展示を行うほか、世界各地のアートイベントなど、これまでに様々な環境で作品を発表している。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Alexis%20Andr%C3%A9%20-Sony%20CSL%20Paris","updated":1752322565,"position":[15.31,-34.0184,19.911],"cluster":"c05","subgroup":"c05.01","degree":6,"referenceDegree":0,"maxSimilarity":0.10486,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69ca3fbedab3e4354dfb4801","weight":0.10486,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4fb0971e6277d11f923","weight":0.10322,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5d90a9264fe5327f168","weight":0.10011,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1349af1e800988e55e8d58","weight":0.09314,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a078799d2551403bce5bf3d","weight":0.08929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e2a4785d2caf9787bf33","weight":0.08731,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:686bb530e6b208aad3c7390d","source":"NextResearch","title":"clever franke","excerpt":"data visualization","text":"clever franke\ndata 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For example, the known signal might consist of an unknown signal of interest that has been corrupted by additive noise. The Wiener filter can be used to filter out the noise from the corrupted signal to provide an estimate of the underlying signal of interest. The Wiener filter is based on a statistical approach, and a more statistical account of the theory is given in the minimum mean square error (MMSE) estimator article.","text":"Wiener filter\n[https://scrapbox.io/files/69104f38d9f7ff67ac125d76.png]\n\n[https://scrapbox.io/files/69104f4c96c14a4ca10a99e8.png]\n\nThe goal of the Wiener filter is to compute a statistical estimate of an unknown signal using a related signal as an input and filtering it to produce the estimate. For example, the known signal might consist of an unknown signal of interest that has been corrupted by additive noise. The Wiener filter can be used to filter out the noise from the corrupted signal to provide an estimate of the underlying signal of interest. The Wiener filter is based on a statistical approach, and a more statistical account of the theory is given in the minimum mean square error (MMSE) estimator article.\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Wiener%20filter","updated":1762676559,"position":[28.0859,-0.9937,-16.6466],"cluster":"c18","subgroup":"c18.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13103,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65db531de92001c5fa56c","weight":0.13103,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65dbff6ed72001b6056b2","weight":0.10149,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695126879429e9af437fa6aa","weight":0.08705,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69104f869ac508d9af8f40a5","source":"NextResearch","title":"Reciters","excerpt":"https://zonesound.github.io/reciters-v2/","text":"Reciters\n[https://scrapbox.io/files/69104ffc97dd13850d3bb179.png]\n\nhttps://zonesound.github.io/reciters-v2/\n\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Reciters","updated":1762676737,"position":[-69.8371,-2.1385,-113.4929],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:69105037331d77f44e6df83c","source":"NextResearch","title":"チューリッヒ大学","excerpt":"チューリッヒ大学（ちゅーりっひだいがく、英語: University of Zurich、公用語表記: Universität Zürich）は、スイスチューリヒに本部を置くスイスの総合大学。1525年創立、1833年大学設置。 教皇庁や王室の後援ではなく民主主義国家により設置されたヨーロッパでは最初の大学[1]。学生数は約25,000人とスイス最大規模の大学であり、これまでに12人のノーベル賞受賞者、[2]、24人の連邦大統領 (スイス)を輩出している。隣にはチューリッヒ工科大学があり、様々な分野で緊密な協力関係にある。","text":"チューリッヒ大学\nチューリッヒ大学（ちゅーりっひだいがく、英語: University of Zurich、公用語表記: Universität Zürich）は、スイスチューリヒに本部を置くスイスの総合大学。1525年創立、1833年大学設置。 教皇庁や王室の後援ではなく民主主義国家により設置されたヨーロッパでは最初の大学[1]。学生数は約25,000人とスイス最大規模の大学であり、これまでに12人のノーベル賞受賞者、[2]、24人の連邦大統領 (スイス)を輩出している。隣にはチューリッヒ工科大学があり、様々な分野で緊密な協力関係にある。\n","tags":[],"links":["1","2"],"url":"https://scrapbox.io/NextResearch/%E3%83%81%E3%83%A5%E3%83%BC%E3%83%AA%E3%83%83%E3%83%92%E5%A4%A7%E5%AD%A6","updated":1762676798,"position":[33.8534,41.3131,13.3287],"cluster":"c17","subgroup":"c17.01","degree":7,"referenceDegree":0,"maxSimilarity":0.11345,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6592168ab224b60023b3b8c3","weight":0.11345,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.11059,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c509c1e80d4d0026de7c91","weight":0.10093,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e94d42cb9f00259edbe4","weight":0.09586,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e9b78cb5e80022b09cdd","weight":0.09449,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af0f961e4524001d172d1d","weight":0.09392,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.09078,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6910504a0b69b347219cf1d4","source":"NextResearch","title":"institute of sonology","excerpt":"The Institute of Sonology at the Royal Conservatoire in The Hague has a 60-year tradition of education, research and production in the fields of electroacoustic music and computer music. Students can access well-equipped studios, workshops and concert halls, including a Wave Field Synthesis system and the most extensive voltage-controlled analogue studio currently in operation. The Institute of Sonology has partnerships with the Groupe de Recherches Musicales (GRM) and the Technische Universität Berlin.","text":"institute of sonology\nThe Institute of Sonology at the Royal Conservatoire in The Hague has a 60-year tradition of education, research and production in the fields of electroacoustic music and computer music. Students can access well-equipped studios, workshops and concert halls, including a Wave Field Synthesis system and the most extensive voltage-controlled analogue studio currently in operation. 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It further aims to strengthen the exchange with the artistic community in current research fields. In 2025, the programme features residencies in Spatial Synthesis (Studio Residency), Klavierautomat (Algorithmic Composition), Moving Loudspeakers, and Dance and Generative AI. The residencies include the use of infrastructure and facilities, professional support from ICST researchers, as well as meals and lodging. Musicians and artists working with sound and sound media, whose work reflects an in-depth interest in one of the mentioned research areas, are welcome to 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\n[https://scrapbox.io/files/6916e90485d825e18dcc35cf.png]\n\nhttps://co-berlin.org/en\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/C%2FO%20berlin","updated":1763109127,"position":[-9.2893,127.3704,26.1585],"cluster":"c29","subgroup":"c29.01","degree":10,"referenceDegree":0,"maxSimilarity":0.80903,"lowEvidence":false,"neighbors":[{"id":"NextResearch:685130bc22b2e5a8b43b0916","weight":0.80903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cdbae72f3e9867ab8a31","weight":0.80903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a05be7ad10e4231db334d1b","weight":0.76375,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:694fc2e3e1939d7e08daa541","weight":0.58601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6aaac476c45860462e1221c1","weight":0.58195,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f16d32ddebc88efbc1ccb","weight":0.56089,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686a92e288385deceb0d93fd","weight":0.485,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:687e6f7e58de1aa97ec00635","weight":0.39091,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6916e910132c688a6c3257ad","source":"NextResearch","title":"スペクトル学派 IRCAM","excerpt":"60s 70s","text":"スペクトル学派 IRCAM\n60s 70s\nhttps://composition.space/musique-spectrale#toc2\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B9%E3%83%9A%E3%82%AF%E3%83%88%E3%83%AB%E5%AD%A6%E6%B4%BE%20IRCAM","updated":1763109208,"position":[67.5474,-15.1528,21.7007],"cluster":"c23","subgroup":"c23.01","degree":11,"referenceDegree":0,"maxSimilarity":0.19743,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1bd4002fa7001c734cf2","weight":0.19743,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bfffe04b2001b62993c","weight":0.18962,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681d9d12a208f2966b96679b","weight":0.1512,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a60835ebd3723f62126378e","weight":0.14565,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683486b5903130f3f403b41a","weight":0.13419,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68431f73a249d6b90e15177f","weight":0.13315,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6084201900d0bc3abcd35e","weight":0.13019,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d53ee29e7001b39e789","weight":0.12991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:691afcfcc05c26d0ce5a2eba","source":"NextResearch","title":"Segmentation mask TD","excerpt":"http://www.magicandlove.com/blog/2022/04/15/segmentation-mask-with-mediapipe-in-touchdesigner/","text":"Segmentation mask TD\nhttp://www.magicandlove.com/blog/2022/04/15/segmentation-mask-with-mediapipe-in-touchdesigner/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Segmentation%20mask%20TD","updated":1763376414,"position":[7.1211,104.3655,-53.376],"cluster":"c33","subgroup":"c33.01","degree":2,"referenceDegree":0,"maxSimilarity":0.71007,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6904cf91810894a57b262957","weight":0.71007,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67c94e79b08d4f5145e013f4","weight":0.45548,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:692425018bd4755e3f33401b","source":"NextResearch","title":"松本敏夫　西陣","excerpt":"https://jfdb.jp/title/8126","text":"松本敏夫　西陣\nhttps://jfdb.jp/title/8126\n[https://scrapbox.io/files/6924252ab15e0240930858cb.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E6%9D%BE%E6%9C%AC%E6%95%8F%E5%A4%AB%E3%80%80%E8%A5%BF%E9%99%A3","updated":1763976520,"position":[16.0806,-33.2916,18.1722],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19018,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6559f75a420a78001c45fe38","weight":0.19018,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6924255dc37bf9514d751b2f","source":"NextResearch","title":"Sonogram","excerpt":"[https://scrapbox.io/files/6924258425830fd7991c0c7c.jpeg]","text":"Sonogram\n[https://scrapbox.io/files/6924258425830fd7991c0c7c.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Sonogram","updated":1763976583,"position":[-78.2717,4.8589,-118.8186],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6924262f0fb12f0ab749643f","source":"NextResearch","title":"Aiko Tezuka","excerpt":"手塚愛子は1976年東京都生まれ。99年武蔵野美術大学造形学部油絵学科卒業、2001年同大学大学院造形研究科油絵コース修了。絵画の不可逆な構造を解明する方法として、生成過程を巻き戻しできる織物や刺繍に着目し、糸を解くことでその構造を表出させる独自の手法で制作を行う。クラシック調の布から緑、赤、青、黒、黄の縦糸のみを引き抜いて束ねた初期の作品《縦糸を引き抜く－五色》（2004）では、複雑な模様がわずか5色の編み込みで形成されていることを表面化したと同時に、原色の重なりで様々な色調を生み出す絵画の基本構造をひも解くことを試みた。解体・再構築される作品は、たんに構造を示すだけでなく、糸を紡いだ人々の時間や織物に宿る歴史をあらわにする。","text":"Aiko Tezuka\n手塚愛子は1976年東京都生まれ。99年武蔵野美術大学造形学部油絵学科卒業、2001年同大学大学院造形研究科油絵コース修了。絵画の不可逆な構造を解明する方法として、生成過程を巻き戻しできる織物や刺繍に着目し、糸を解くことでその構造を表出させる独自の手法で制作を行う。クラシック調の布から緑、赤、青、黒、黄の縦糸のみを引き抜いて束ねた初期の作品《縦糸を引き抜く－五色》（2004）では、複雑な模様がわずか5色の編み込みで形成されていることを表面化したと同時に、原色の重なりで様々な色調を生み出す絵画の基本構造をひも解くことを試みた。解体・再構築される作品は、たんに構造を示すだけでなく、糸を紡いだ人々の時間や織物に宿る歴史をあらわにする。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Aiko%20Tezuka","updated":1763976960,"position":[-31.2111,33.6786,-126.2209],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.15364,"lowEvidence":true,"neighbors":[{"id":"NextResearch:659c5dc05d38bb00257a44ed","weight":0.15364,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:692e88d090fbe0126e4c7912","source":"NextResearch","title":"Influence of music liking on EEG based emotion recognition","excerpt":"Daimi Syed Naser, Goutam Saha","text":"Influence of music liking on EEG based emotion recognition\nDaimi Syed Naser, Goutam Saha\nhttps://www.sciencedirect.com/science/article/abs/pii/S1746809420303797\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Influence%20of%20music%20liking%20on%20EEG%20based%20emotion%20recognition","updated":1764657380,"position":[26.1199,86.2181,28.5411],"cluster":"c21","subgroup":"c21.01","degree":7,"referenceDegree":0,"maxSimilarity":0.28229,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65bf63f5469a2b0025a9a5e5","weight":0.28229,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.18118,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da48ba208f2966b96f62c","weight":0.1522,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da3b78d4c23e7ab58fdf7","weight":0.14634,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:685816d7a0915fb3f27b9d28","weight":0.13743,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64057c24ea64cb001b952f97","weight":0.13469,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6910509398fd36fd0e93a622","weight":0.12766,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6940023eba4bd3d96e762dea","source":"NextResearch","title":"ヒッグス粒子","excerpt":"ウィークボソンをはじめとするいくつかの粒子の質量の起源を説明するため、1964年にエディンバラ大学のピーター・ウェア・ヒッグスは、自発的対称性の破れの考えに基づいた理論を提唱した。この理論はヒッグス機構と呼ばれる。","text":"ヒッグス粒子\nウィークボソンをはじめとするいくつかの粒子の質量の起源を説明するため、1964年にエディンバラ大学のピーター・ウェア・ヒッグスは、自発的対称性の破れの考えに基づいた理論を提唱した。この理論はヒッグス機構と呼ばれる。\n\nヒッグス機構においては、ヒッグス場と呼ばれるスカラー場が導入され、それに対応するスカラー粒子も同時に導入される\n。これをヒッグス粒子と呼ぶ。ヒッグス粒子はスピン0・電荷0 のボース粒子である。\n\nヒッグス機構を含む理論模型が現実に即しているかどうかを判定する上で、その模型に対応するヒッグス粒子が存在するかどうかの実験的検証が鍵となる。ヒッグス粒子という言葉は、広い意味ではヒッグス機構において現れる粒子のことであるが、特に標準模型（ワインバーグ＝サラム理論）のヒッグス粒子を指して使われる場合が多い。標準模型においては、ウィークボソン（W±,Z）はヒッグス機構により質量を獲得しているとされており、クォークやレプトンもヒッグス場との相互作用を通して質量を得ているとされている。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%92%E3%83%83%E3%82%B0%E3%82%B9%E7%B2%92%E5%AD%90","updated":1765802574,"position":[-30.6841,-72.397,65.2455],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.60791,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c218fe0742f20026f095cf","weight":0.60791,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69400264361075f5fa53f40b","source":"NextResearch","title":"多線式比例計数管","excerpt":"素粒子や原子核実験に使われる検出器で、「ワイヤーチェンバー」や「多芯式比例計数管（MWPC）」とも呼ばれます。多数の細い金属ワイヤーが平行に張られており、荷電粒子がワイヤーを通過する際に発生するガス電離の情報を、ワイヤーに沿った軌跡として測定します","text":"多線式比例計数管\n素粒子や原子核実験に使われる検出器で、「ワイヤーチェンバー」や「多芯式比例計数管（MWPC）」とも呼ばれます。多数の細い金属ワイヤーが平行に張られており、荷電粒子がワイヤーを通過する際に発生するガス電離の情報を、ワイヤーに沿った軌跡として測定します\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%A4%9A%E7%B7%9A%E5%BC%8F%E6%AF%94%E4%BE%8B%E8%A8%88%E6%95%B0%E7%AE%A1","updated":1765802636,"position":[-29.8437,-73.1337,65.4138],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08821,"lowEvidence":false,"neighbors":[{"id":"NextResearch:694003374196c714ce46e097","weight":0.08821,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:694002e0508079f7521d8d0b","source":"NextResearch","title":"Wボソン、Zボソン","excerpt":"1983年、ルビア氏の研究チームは世紀の大発見を成し遂げる。「Wボソン、Zボソン」と呼ばれる2種類の新素粒子を見つけたのだ。人生最大の発見であり、自身のキャリアのみならず、科学全体に革命をもたらす快挙だった。しかしW、Zボソンが何かを知っている人はそう多くないかもしれない。","text":"Wボソン、Zボソン\n1983年、ルビア氏の研究チームは世紀の大発見を成し遂げる。「Wボソン、Zボソン」と呼ばれる2種類の新素粒子を見つけたのだ。人生最大の発見であり、自身のキャリアのみならず、科学全体に革命をもたらす快挙だった。しかしW、Zボソンが何かを知っている人はそう多くないかもしれない。\nこれらの素粒子は太陽などの恒星の内部プロセスを制御している。原子核内部の世界、つまり、物質を構成する最小要素の話で、1千兆分の1（10−15）メートルよりも小さい超微小スケールの世界だ。1千兆分の1は、地球から太陽までの距離を1とした場合、髪の毛の直径ほどの長さに相当する。\n\n理論物理学では、この宇宙の全てもの（人体も含まれる）は、4つの基本的な相互作用（2つ以上の物体の間に働く力）によって司られているとされる。\n\n1つ目は、おそらく最もよく知られている電磁気力で、光子（フォトン）と呼ばれる素粒子が介在して生じる力だ。2つ目は重力で、エネルギー・質量を持つ全ての物質間に働く引力だが、その詳細はまだ解明されていない。\n\n3つ目は強い相互作用で、グルーオンと呼ばれる素粒子が介在して生じる。電磁気力よりも強く、接着剤（glue = グルー）のように素粒子同士を結びつけて陽子、中性子、原子核などを作ることから、こう名付けられた。4つ目は弱い相互作用で、「なぜウランなどの元素は放射能を持つのか？」「太陽の熱や光が作られる一連の核反応はどのようにして始まるのか？」といった謎を解明する鍵だ。この弱い相互作用を介在する素粒子、それが WボソンとZボソンだ。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/W%E3%83%9C%E3%82%BD%E3%83%B3%E3%80%81Z%E3%83%9C%E3%82%BD%E3%83%B3","updated":1765802761,"position":[-47.1078,-135.1603,81.3208],"cluster":"c36","subgroup":"c36.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07805,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6940031bc15745a81805e1a1","source":"NextResearch","title":"Large Hadron Collider","excerpt":"大型ハドロン衝突型加速器 は、高エネルギー物理実験を目的としてCERNが建設した、世界最大の衝突型円形加速器である。スイス・ジュネーブ郊外にフランスとの国境をまたいで設置されている。2008年9月10日に稼動開始した。","text":"Large Hadron Collider\n大型ハドロン衝突型加速器 は、高エネルギー物理実験を目的としてCERNが建設した、世界最大の衝突型円形加速器である。スイス・ジュネーブ郊外にフランスとの国境をまたいで設置されている。2008年9月10日に稼動開始した。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Large%20Hadron%20Collider","updated":1765802790,"position":[4.5207,105.7156,1.0305],"cluster":"c13","subgroup":"c13.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10278,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66dd412412ec2e001d71f75a","weight":0.10278,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69512164d953ee01c09a42a5","weight":0.10099,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:694003374196c714ce46e097","source":"NextResearch","title":"素粒子検出","excerpt":"https://accel-kitchen.com/product/素粒子検出器組み立てキット/","text":"素粒子検出\n\nhttps://accel-kitchen.com/product/素粒子検出器組み立てキット/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E7%B4%A0%E7%B2%92%E5%AD%90%E6%A4%9C%E5%87%BA","updated":1765802843,"position":[-28.7122,-72.8477,65.3915],"cluster":"c04","subgroup":"c04.01","degree":4,"referenceDegree":0,"maxSimilarity":0.14453,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c218fe0742f20026f095cf","weight":0.14453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d5ee1df897100253e1938","weight":0.11087,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65079fef7aa600001c4e41ac","weight":0.09641,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69400264361075f5fa53f40b","weight":0.08821,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69400383be6d59758b0adbea","source":"NextResearch","title":"簡易霧箱 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Bökesoy","excerpt":"https://ars.electronica.art/starts-prize/en/sonicplanet/","text":"Sinan Bökesoy\nhttps://ars.electronica.art/starts-prize/en/sonicplanet/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Sinan%20B%C3%B6kesoy","updated":1766926288,"position":[-66.6961,18.3675,-103.1663],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:695127d7c5d9a0d877b0d66c","source":"NextResearch","title":"side chain","excerpt":"A \"side chain\" refers to a secondary pathway or component linked to a main system, with common meanings in chemistry (a functional group attached to a larger molecule), audio production (an effect on one track triggered by another","text":"side chain\nA \"side chain\" refers to a secondary pathway or component linked to a main system, with common meanings in chemistry (a functional group attached to a larger molecule), audio production (an effect on one track triggered by another\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/side%20chain","updated":1766926334,"position":[-6.8914,128.3301,26.6687],"cluster":"c29","subgroup":"c29.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11502,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a61842831e01a921b822922","weight":0.11502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69043f1e477788b7417cb6e1","weight":0.11502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695128449a0923ebde122a13","source":"NextResearch","title":"ableton フォローアクション","excerpt":"https://akim.fun/ableton-for-band/follow-action/","text":"ableton フォローアクション\nhttps://akim.fun/ableton-for-band/follow-action/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/ableton%20%E3%83%95%E3%82%A9%E3%83%AD%E3%83%BC%E3%82%A2%E3%82%AF%E3%82%B7%E3%83%A7%E3%83%B3","updated":1766926449,"position":[-6.8556,126.8683,23.8925],"cluster":"c29","subgroup":"c29.01","degree":6,"referenceDegree":0,"maxSimilarity":0.16194,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65741192282e290025e307c8","weight":0.16194,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af26291357ad001d1fb305","weight":0.14607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6447769d51b9ce001bb6066d","weight":0.13365,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d5bc7109398f09bf642f","weight":0.10774,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734e038ca082f606b780c36","weight":0.10008,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:688302f8ceca896cda7325b1","weight":0.08596,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695128919429e9af437fb073","source":"NextResearch","title":"EC-300","excerpt":"https://www.minet.jp/brand/mcdsp/ec-300-echo-collection/","text":"EC-300\nhttps://www.minet.jp/brand/mcdsp/ec-300-echo-collection/\nハードウェア、プラグインを問わず、エコー・エフェクトは、もっとも多彩かつ数多の製品がリリースされているエフェクトの一つです。EC-300は、20年以上に及ぶMcDSP独自のモデリングによって、エコー・エフェクトの代表的ハードウェア、マグネティック、アナログ、そしてデジタル・モデルを解析、再現しました。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/EC-300","updated":1766926507,"position":[49.2105,-52.7241,39.7753],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.09941,"lowEvidence":false,"neighbors":[{"id":"NextResearch:660fdcaebbd7330025d90ef4","weight":0.09941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454ec7afccc50824197dc","weight":0.09453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf5eaacff96a00247aa241","weight":0.09362,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695128c9ecb9d429b302b2c3","source":"NextResearch","title":"voice shimmer waver","excerpt":"Voice shimmer waver\" describes vocal instability, where shimmer is the cycle-to-cycle fluctuation in amplitude (loudness) and jitter is the cycle-to-cycle change in pitch, both causing an unsteady, \"shaky\" sound, often indicative of vocal issues like vocal fold lesions or neurological conditions (vocal tremor), though small amounts can be normal, especially with age or effort.","text":"voice shimmer waver\nVoice shimmer waver\" describes vocal instability, where shimmer is the cycle-to-cycle fluctuation in amplitude (loudness) and jitter is the cycle-to-cycle change in pitch, both causing an unsteady, \"shaky\" sound, often indicative of vocal issues like vocal fold lesions or neurological conditions (vocal tremor), though small amounts can be normal, especially with age or effort. \n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/voice%20shimmer%20waver","updated":1766926555,"position":[19.9977,87.959,-0.4113],"cluster":"c22","subgroup":"c22.01","degree":7,"referenceDegree":0,"maxSimilarity":0.20469,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a76c34f15588c9e1c75cfd9","weight":0.20469,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76c6017e17b63d700994da","weight":0.20469,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64493f98b402b6001c512a0c","weight":0.19699,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669575f90c23e7001dcbe609","weight":0.18626,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6488472a36625f001c819cc6","weight":0.1541,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6487d8d9b3c9cb001ba95566","weight":0.13547,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bf3a47448c002598d2f1","weight":0.08818,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695129165e061be8d21a0ca3","source":"NextResearch","title":"multimap maxforlive","excerpt":"https://maxforlive.com/library/device/1813/multimapper16","text":"multimap maxforlive\nhttps://maxforlive.com/library/device/1813/multimapper16\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/multimap%20maxforlive","updated":1766926626,"position":[-68.2041,5.8314,-144.1128],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6951294160ffbfb41e0380d6","source":"NextResearch","title":"post-neural architecture","excerpt":"[https://www.chantal-matar.com/singleworkshops?utm_medium=paid&utm_source=ig&utm_id=120235896309810413&utm_content=120235896312060413&utm_term=120235896311560413&utm_campaign=120235896309810413&fbclid=PAdGRleAOK5TBleHRuA2FlbQEwAGFkaWQBqynpJzL3PXNydGMGYXBwX2lkDzEyNDAyNDU3NDI4NzQxNAABp7Dk-Ntqwn2URfzBZbl4ADCrdVtHQXxMjkASfT9P32kVav4Lg-lhB-4T325g_aem_gszdesvpRfTmxy4loIfngg]","text":"post-neural architecture\n[https://www.chantal-matar.com/singleworkshops?utm_medium=paid&utm_source=ig&utm_id=120235896309810413&utm_content=120235896312060413&utm_term=120235896311560413&utm_campaign=120235896309810413&fbclid=PAdGRleAOK5TBleHRuA2FlbQEwAGFkaWQBqynpJzL3PXNydGMGYXBwX2lkDzEyNDAyNDU3NDI4NzQxNAABp7Dk-Ntqwn2URfzBZbl4ADCrdVtHQXxMjkASfT9P32kVav4Lg-lhB-4T325g_aem_gszdesvpRfTmxy4loIfngg]\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/post-neural%20architecture","updated":1769485750,"position":[11.3807,54.1721,54.9857],"cluster":"c08","subgroup":"c08.01","degree":9,"referenceDegree":0,"maxSimilarity":0.55722,"lowEvidence":false,"neighbors":[{"id":"NextResearch:681da65a6f8686beafd40036","weight":0.55722,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b112f7e2f3a15abaf9baf5","weight":0.27282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b2e3623fabde2d438930a","weight":0.18705,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10fa95b1d6c42556455df","weight":0.15434,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6081bc1f3d691b08c1d850","weight":0.11548,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a607ecebd0f8b8fa44c2c67","weight":0.1084,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695fe8dca37b004975473771","weight":0.10066,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a60820a04b272411f87912b","weight":0.09748,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69512993dfd438d027e7b482","source":"NextResearch","title":"カワイサウンド技術・音楽振興財団 | 研究助成（サウンド技術振興部門）","excerpt":"https://kakenhi.com/archives/grant/14800","text":"カワイサウンド技術・音楽振興財団 | 研究助成（サウンド技術振興部門）\nhttps://kakenhi.com/archives/grant/14800\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AB%E3%83%AF%E3%82%A4%E3%82%B5%E3%82%A6%E3%83%B3%E3%83%89%E6%8A%80%E8%A1%93%E3%83%BB%E9%9F%B3%E6%A5%BD%E6%8C%AF%E8%88%88%E8%B2%A1%E5%9B%A3%20%7C%20%E7%A0%94%E7%A9%B6%E5%8A%A9%E6%88%90%EF%BC%88%E3%82%B5%E3%82%A6%E3%83%B3%E3%83%89%E6%8A%80%E8%A1%93%E6%8C%AF%E8%88%88%E9%83%A8%E9%96%80%EF%BC%89","updated":1766926764,"position":[-31.1478,50.6851,23.9386],"cluster":"c06","subgroup":"c06.02","degree":8,"referenceDegree":0,"maxSimilarity":0.21751,"lowEvidence":false,"neighbors":[{"id":"NextResearch:648bc817d241df001cc0f7da","weight":0.21751,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68ebc1df3b09a5fd821d219c","weight":0.19732,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c573f8798207002477cf5a","weight":0.19235,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4a347991043bb05f100a","weight":0.15835,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65079f649d61af001b220e8a","weight":0.1517,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b143997fb3a001c71add4","weight":0.14729,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556400ced3156001ba804f1","weight":0.13902,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65800044f995ab0024cb1be6","weight":0.10566,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695b7d56e9f55224af2679d0","source":"NextResearch","title":"塩梅","excerpt":"「塩梅（あんばい・えんばい）」とは、料理の味の加減や物事の具合・状態を指し、元々は塩と梅酢で味付けしていたことに由来し、「ちょうど良い加減」という意味で使われますが、体調や物事の調子を表す「良い塩梅」","text":"塩梅\n「塩梅（あんばい・えんばい）」とは、料理の味の加減や物事の具合・状態を指し、元々は塩と梅酢で味付けしていたことに由来し、「ちょうど良い加減」という意味で使われますが、体調や物事の調子を表す「良い塩梅」\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%A1%A9%E6%A2%85","updated":1767603573,"position":[2.7055,-75.6604,37.3899],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.12357,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c7380056c7e90025f19eeb","weight":0.12357,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a559a40ca8a9001bf336fe","weight":0.10923,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68726bc3de354b229e207c21","weight":0.10187,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695bcd7c2db6383f70ff26b0","source":"NextResearch","title":"silent corridor ryuichi sakamoto","excerpt":"「サイレント・コリドー（Silent Corridor）」は、坂本龍一の楽曲名やアルバム名ではなく、彼のインスタレーション（現代美術作品）の一部として、または展示会場の空間演出として言及されている言葉です。","text":"silent corridor ryuichi sakamoto\n「サイレント・コリドー（Silent Corridor）」は、坂本龍一の楽曲名やアルバム名ではなく、彼のインスタレーション（現代美術作品）の一部として、または展示会場の空間演出として言及されている言葉です。 \n具体的には、坂本龍一の展覧会「坂本龍一｜音を視る 時を聴く（Ryuichi Sakamoto | seeing sound, hearing time）」において、鑑賞者が展示空間に入る前に外部の音を遮断し、心を無にするための「無音の廊下」として設計された空間を指します。 ","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/silent%20corridor%20ryuichi%20sakamoto","updated":1767624072,"position":[53.8259,-32.2282,2.0231],"cluster":"c10","subgroup":"c10.01","degree":10,"referenceDegree":0,"maxSimilarity":0.26717,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6582a4b160ec1b002494ae3e","weight":0.26717,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559e5973d53fc001be217cf","weight":0.26321,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68ca72bdd91297c4c541e857","weight":0.23459,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6872536612ae09d29cde1ea2","weight":0.21842,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559e69bd7be7b001c8a58d9","weight":0.21353,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a5f561607c001db2ee11","weight":0.13291,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582d7e318568700244595f8","weight":0.10378,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d6db23e64860025a24f80","weight":0.10082,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695bcd95e53f94fe792e0240","source":"NextResearch","title":"ウィリアム・バトラー・イェイツ","excerpt":"ウィリアム・バトラー・イェイツは、アイルランドの詩人・劇作家・思想家。散文、批評も書き、ジャーナリスト、オカルティストであり、独自の思想を展開した。現代詩の世界に新境地を切り拓き、20世紀の英語文学・現代詩において最も重要な詩人の一人とされ、20世紀の英語圏で「最も偉大な詩人」という評価も定着している。","text":"ウィリアム・バトラー・イェイツ\nウィリアム・バトラー・イェイツは、アイルランドの詩人・劇作家・思想家。散文、批評も書き、ジャーナリスト、オカルティストであり、独自の思想を展開した。現代詩の世界に新境地を切り拓き、20世紀の英語文学・現代詩において最も重要な詩人の一人とされ、20世紀の英語圏で「最も偉大な詩人」という評価も定着している。\n坂本龍一＋高谷史郎《LIFE–fluid, invisible, inaudible…》都現美のリファレンスクオートの一人\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A6%E3%82%A3%E3%83%AA%E3%82%A2%E3%83%A0%E3%83%BB%E3%83%90%E3%83%88%E3%83%A9%E3%83%BC%E3%83%BB%E3%82%A4%E3%82%A7%E3%82%A4%E3%83%84","updated":1767624205,"position":[41.9015,25.5187,65.5529],"cluster":"c30","subgroup":"c30.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16576,"lowEvidence":false,"neighbors":[{"id":"NextResearch:695bce3b7807890ed6b7e917","weight":0.16576,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b7fbcbc6c6fbed9928f3f","weight":0.11145,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695bce3b7807890ed6b7e917","source":"NextResearch","title":"パウル・ツェラン","excerpt":"パウル・ツェランまたはツェラーン（Paul Celan、1920年11月23日 - 1970年4月20日）は、ウクライナ出身のドイツ系ユダヤ人の詩人。","text":"パウル・ツェラン\nパウル・ツェランまたはツェラーン（Paul Celan、1920年11月23日 - 1970年4月20日）は、ウクライナ出身のドイツ系ユダヤ人の詩人。\n本名はパウル・アンチェル(Paul Antschel/ Paul Ancel)。パウル・ツェランの名前はユダヤ系の本名を隠すためアナグラム化したものである。戦後のドイツ語圏詩人の代表的存在で、20世紀を代表する詩人の一人とされる\n坂本龍一＋高谷史郎《LIFE–fluid, invisible, inaudible…》都現美のリファレンスクオートの一人\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%91%E3%82%A6%E3%83%AB%E3%83%BB%E3%83%84%E3%82%A7%E3%83%A9%E3%83%B3","updated":1767624288,"position":[41.695,24.9907,65.8311],"cluster":"c30","subgroup":"c30.01","degree":1,"referenceDegree":0,"maxSimilarity":0.16576,"lowEvidence":false,"neighbors":[{"id":"NextResearch:695bcd95e53f94fe792e0240","weight":0.16576,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695f16d32ddebc88efbc1ccb","source":"NextResearch","title":"C/O berlin talent award","excerpt":"https://co-berlin.org/en/press/repositioning-co-berlin-talent-award","text":"C/O berlin talent award\nhttps://co-berlin.org/en/press/repositioning-co-berlin-talent-award\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/C%2FO%20berlin%20talent%20award","updated":1767839512,"position":[-9.0917,127.1484,26.1246],"cluster":"c29","subgroup":"c29.01","degree":10,"referenceDegree":0,"maxSimilarity":0.56089,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6916e8c65b3ac140aa7452fa","weight":0.56089,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:685130bc22b2e5a8b43b0916","weight":0.48828,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cdbae72f3e9867ab8a31","weight":0.48828,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a05be7ad10e4231db334d1b","weight":0.47107,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a0c12859b3310024af0e80","weight":0.39726,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6aaac476c45860462e1221c1","weight":0.35482,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:694fc2e3e1939d7e08daa541","weight":0.33734,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507723bfd2245001bb3d6a0","weight":0.28109,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695f173927d4a67f7d9eb554","source":"NextResearch","title":"Berlin Calling","excerpt":"Berlin Calling is a 2008 German tragicomedy film directed by Hannes Stöhr. The film depicts the events following DJ and producer Ickarus's (Paul Kalkbrenner) institutionalization for drug abuse.","text":"Berlin Calling\nBerlin Calling is a 2008 German tragicomedy film directed by Hannes Stöhr. The film depicts the events following DJ and producer Ickarus's (Paul Kalkbrenner) institutionalization for drug abuse.\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Berlin%20Calling","updated":1767839579,"position":[-9.2197,127.3076,25.8674],"cluster":"c29","subgroup":"c29.01","degree":7,"referenceDegree":0,"maxSimilarity":0.38324,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6916e8c65b3ac140aa7452fa","weight":0.38324,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:685130bc22b2e5a8b43b0916","weight":0.28952,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cdbae72f3e9867ab8a31","weight":0.28952,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a05be7ad10e4231db334d1b","weight":0.2673,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:694fc2e3e1939d7e08daa541","weight":0.21944,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6aaac476c45860462e1221c1","weight":0.20612,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f16d32ddebc88efbc1ccb","weight":0.2033,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695f177dfb40930707821945","source":"NextResearch","title":"坂本龍一スタジオ機材","excerpt":"Reaktor digital modular","text":"坂本龍一スタジオ機材\nReaktor digital modular\nasync制作時に使用\n\nリングモジュレーター\nリングモジュレーター（Ring Modulator）は、2つの異なる周波数の信号（キャリア波とモジュレーター波）を入力し、それらの和の周波数と差の周波数成分を持つ新しい音（倍音）を生成するシンセサイザーやエフェクターの機能・装置です。これにより、金属的な音色、ベル、鐘のような響き、ロボットの声のような非整数次倍音を含む、通常では得られない独特で複雑なサウンドを作り出すことができ、エフェクターとしてギターやシンセサイザーに広く使われています。 \n\n木製 prophet synth\n\nA Prophet synth refers to a series of iconic analog synthesizers made by the American company Sequential (formerly Dave Smith Instruments), famous for the groundbreaking Prophet-5, the first fully programmable polyphonic synth with memory, and its successors like the Prophet-6, Prophet-10, Rev2, and Take 5, known for rich, warm, classic tones with deep sound-shaping capabilities and modern features.\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%9D%82%E6%9C%AC%E9%BE%8D%E4%B8%80%E3%82%B9%E3%82%BF%E3%82%B8%E3%82%AA%E6%A9%9F%E6%9D%90","updated":1767842746,"position":[96.6856,-46.7231,40.9251],"cluster":"c34","subgroup":"c34.01","degree":8,"referenceDegree":0,"maxSimilarity":0.15988,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65ead04da97001cc06d9c","weight":0.15988,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d718829db1ff001d533857","weight":0.15772,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a5f561607c001db2ee11","weight":0.15186,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68b32911aa872b37265c2ba8","weight":0.12941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658affe581ec8800246e5795","weight":0.12453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580042d50e9f60024bdc1b8","weight":0.11297,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6872536612ae09d29cde1ea2","weight":0.1125,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65ed71a7f20001b947db7","weight":0.11236,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695f186ea9be3584554330e1","source":"NextResearch","title":"Data moshing","excerpt":"Data moshing is a digital art technique that intentionally corrupts video compression data to create surreal, melting, or glitchy visual effects, often by removing or manipulating I-frames (complete images) or P-frames (difference data) to confuse the video encoder and merge footage in unexpected ways, used in art, music videos, and experimental film for its unique aesthetic.","text":"Data moshing\nData moshing is a digital art technique that intentionally corrupts video compression data to create surreal, melting, or glitchy visual effects, often by removing or manipulating I-frames (complete images) or P-frames (difference data) to confuse the video encoder and merge footage in unexpected ways, used in art, music videos, and experimental film for its unique aesthetic.\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Data%20moshing","updated":1767839889,"position":[12.0226,59.6048,49.2165],"cluster":"c08","subgroup":"c08.01","degree":9,"referenceDegree":0,"maxSimilarity":0.28831,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669a70fbfa5abc001ca8ed31","weight":0.28831,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6c9883df2700245c01b7","weight":0.20233,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64e3821da7822a001cf64077","weight":0.19742,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6501a1593613ec00211a1c7d","weight":0.17903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640fd7d3e85ec7001beb280c","weight":0.17714,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659246bebab36700247105dc","weight":0.17363,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b2e3623fabde2d438930a","weight":0.1686,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb9d495f5ff348283a759","weight":0.10446,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695f6ece192f7012a2de5e86","source":"NextResearch","title":"JAX, Pytorch","excerpt":"https://www.mattari-benkyo-note.com/2021/11/17/ssw-jax-vs-torch/","text":"JAX, Pytorch\nhttps://www.mattari-benkyo-note.com/2021/11/17/ssw-jax-vs-torch/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/JAX%2C%20Pytorch","updated":1767861987,"position":[-47.7511,-155.2227,-46.4222],"cluster":"c39","subgroup":"c39.01","degree":2,"referenceDegree":0,"maxSimilarity":0.35118,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68552e931730824abea37240","weight":0.35118,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f6fca2c4e9fde2d346357","weight":0.12973,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695f6fca2c4e9fde2d346357","source":"NextResearch","title":"JAX -TPU, 物理シュミレーションなど","excerpt":"https://jax-md.readthedocs.io/en/main/","text":"JAX -TPU, 物理シュミレーションなど\nhttps://jax-md.readthedocs.io/en/main/\nhttps://github.com/jax-ml/jax\nhttps://blogs.novita.ai/ja/jax-vs-pytorch-ultimate-deep-learning-framework-comparison/\nJAX-Pytorch\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/JAX%20-TPU%2C%20%E7%89%A9%E7%90%86%E3%82%B7%E3%83%A5%E3%83%9F%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3%E3%81%AA%E3%81%A9","updated":1769485724,"position":[50.8835,-36.3713,2.0326],"cluster":"c10","subgroup":"c10.01","degree":11,"referenceDegree":0,"maxSimilarity":0.6944,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e7796a14781cdf78f8ac96","weight":0.6944,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c555fe7dc7e7002570a3c5","weight":0.21143,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.19806,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64127d1725faad001ca50275","weight":0.17517,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cb898fbdf8400231d59d6","weight":0.13941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f6ece192f7012a2de5e86","weight":0.12973,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649be677baf9ab001c05da50","weight":0.10978,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65079c4a2165bf001c616fc7","weight":0.10666,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:695fe8dca37b004975473771","source":"NextResearch","title":"Düsseldorf","excerpt":"Düsseldorf (Dusseldorf) is the capital of Germany's North Rhine-Westphalia state, a vibrant city on the Rhine River known for fashion, art, modern architecture, and its contrasting Old Town (Altstadt) with contemporary areas like the Königsallee (Kö) shopping street. It's a major economic hub, boasting an international airport and a rich cultural scene with museums, theaters, and a significant Japanese community, featuring \"Little Tokyo\".","text":"Düsseldorf\nDüsseldorf (Dusseldorf) is the capital of Germany's North Rhine-Westphalia state, a vibrant city on the Rhine River known for fashion, art, modern architecture, and its contrasting Old Town (Altstadt) with contemporary areas like the Königsallee (Kö) shopping street. It's a major economic hub, boasting an international airport and a rich cultural scene with museums, theaters, and a significant Japanese community, featuring \"Little Tokyo\". \n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/D%C3%BCsseldorf","updated":1767893226,"position":[14.5759,51.4332,56.4808],"cluster":"c08","subgroup":"c08.01","degree":4,"referenceDegree":0,"maxSimilarity":0.10066,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6951294160ffbfb41e0380d6","weight":0.10066,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c69b71b6dd400221b1b8f","weight":0.08999,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:651711788bca53001c11f01f","weight":0.08576,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c50a36d5a30800255fd174","weight":0.08504,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6965d61f835d2da24752587a","source":"NextResearch","title":"シタール","excerpt":"シタールは、北インド発祥の代表的な弦楽器で、長いネックと瓢箪（ひょうたん）製の共鳴胴を持ち、20本以上の弦が特徴です。メインの旋律を奏でる弦の他に、絶えず鳴り響くドローン弦が豊かな倍音を生み出し、独特の響きと深い表現力を持ち、北インド古典音楽だけでなく、ヒーリング音楽や現代音楽にも用いられます。","text":"シタール\nシタールは、北インド発祥の代表的な弦楽器で、長いネックと瓢箪（ひょうたん）製の共鳴胴を持ち、20本以上の弦が特徴です。メインの旋律を奏でる弦の他に、絶えず鳴り響くドローン弦が豊かな倍音を生み出し、独特の響きと深い表現力を持ち、北インド古典音楽だけでなく、ヒーリング音楽や現代音楽にも用いられます。 \n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B7%E3%82%BF%E3%83%BC%E3%83%AB","updated":1768281640,"position":[32.3505,-49.5411,81.7106],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07127,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6965d639e79cfd65ddaadbca","source":"NextResearch","title":"動的バイノーラルビート DBB","excerpt":"ダイナミック・バイノーラルビート は、左耳と右耳の周波数の差を動的に変化させるバイノーラルビートです。","text":"動的バイノーラルビート DBB\nダイナミック・バイノーラルビート 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berlin\nhttps://singuhr.de/en/artists/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAdGRleAPzrP9leHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAafPgL4B2P4ZqASqUqrIDoiu-sUyZbZwyYzU2MC-z16FdqTClwkcUTvnwbp6kQ_aem_zaN7oRLkhZ16XbRWiwTpnQ\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/singuhr%20berlin","updated":1770442187,"position":[-9.2409,127.5002,26.2266],"cluster":"c29","subgroup":"c29.01","degree":10,"referenceDegree":0,"maxSimilarity":0.80903,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6916e8c65b3ac140aa7452fa","weight":0.80903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:685130bc22b2e5a8b43b0916","weight":0.71531,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a05be7ad10e4231db334d1b","weight":0.69309,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6aaac476c45860462e1221c1","weight":0.52086,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:694fc2e3e1939d7e08daa541","weight":0.48934,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f16d32ddebc88efbc1ccb","weight":0.48828,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686a92e288385deceb0d93fd","weight":0.40927,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:687e6f7e58de1aa97ec00635","weight":0.31518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6986cdf1ef853faef61c4421","source":"NextResearch","title":"vexations 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d'ameublement\n[https://youtu.be/QwvOxJ-4Saw?si=UzzJDHDqCkF_wMet]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/erik%20satie%20musique%20d%27ameublement","updated":1770442304,"position":[13.6325,-51.9665,65.8536],"cluster":"c12","subgroup":"c12.01","degree":4,"referenceDegree":0,"maxSimilarity":0.72134,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6986cdf1ef853faef61c4421","weight":0.72134,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656cb2c59ad4360024c714d0","weight":0.32164,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66798761c0d349001d59b25e","weight":0.28769,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd503ccfa9920028804591","weight":0.17727,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6986ce7fbdadfc54fe5931f3","source":"NextResearch","title":"Max Neuhaus","excerpt":"Max Neuhaus (August 9, 1939 – February 3, 2009) was an American musician, sound artist, and noted interpreter of contemporary and experimental percussion music in the 1960s. He created dozens of permanent and short-term sound installations during his career, which spanned four decades.","text":"Max Neuhaus\nMax Neuhaus (August 9, 1939 – February 3, 2009) was an American musician, sound artist, and noted interpreter of contemporary and experimental percussion music in the 1960s. He created dozens of permanent and short-term sound installations during his career, which spanned four decades.\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Max%20Neuhaus","updated":1770442412,"position":[44.9538,29.7567,63.4338],"cluster":"c30","subgroup":"c30.01","degree":8,"referenceDegree":0,"maxSimilarity":0.25734,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67ff29bf0758e336c87d93b1","weight":0.25734,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6418095d076725001b2d1fef","weight":0.24994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6487de7e49d50c001b2eadc7","weight":0.24994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671f12fc62834754d2cbde14","weight":0.15187,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f3da2b4a6762001c4eadbd","weight":0.14485,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f86251d4d22b001b7fcbf1","weight":0.12274,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b110ce8ebb714c4cc701e6","weight":0.11283,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b2f5f12e23cbd5617a625","weight":0.09638,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6986ceceef853faef61c48e8","source":"NextResearch","title":"blue suede shoes carlperkins","excerpt":"[https://youtu.be/_2u273F6oaE?si=0KRMe2KK7r3WcfKQ]","text":"blue suede shoes carlperkins\n[https://youtu.be/_2u273F6oaE?si=0KRMe2KK7r3WcfKQ]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/blue%20suede%20shoes%20carlperkins","updated":1770442523,"position":[3.2261,64.618,50.9288],"cluster":"c08","subgroup":"c08.01","degree":3,"referenceDegree":0,"maxSimilarity":0.69329,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69981a7d6b18293db45bf9da","weight":0.69329,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bc18b60ecd220725d4460","weight":0.46601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bd1271997e8001b106b06","weight":0.44307,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6986cf2b4ebebe9bf41eb85d","source":"NextResearch","title":"water yam robert","excerpt":"Water Yam is an artist's book[1] by the American artist George Brecht. Originally published in Germany, June 1963[2] in a box designed by George Maciunas and typeset by Tomas Schmit, it has been re-published in various countries several times since. It is now considered one of the most influential artworks released by Fluxus,[3] the internationalist avant-garde art movement active predominantly in the 1960s and '70s. The box, sometimes referred to as a Fluxbox or Fluxkit, contains a large number of small printed cards, containing instructions known as event-scores, or fluxscores. Typically ope","text":"water yam robert\nWater Yam is an artist's book[1] by the American artist George Brecht. Originally published in Germany, June 1963[2] in a box designed by George Maciunas and typeset by Tomas Schmit, it has been re-published in various countries several times since. It is now considered one of the most influential artworks released by Fluxus,[3] the internationalist avant-garde art movement active predominantly in the 1960s and '70s. The box, sometimes referred to as a Fluxbox or Fluxkit, contains a large number of small printed cards, containing instructions known as event-scores, or fluxscores. Typically open-ended, these scores, whether performed in public, private or left to the imagination, leave much space for chance and indeterminacy, forcing a large degree of interpretation upon the performers and audience.\n","tags":[],"links":["1","2","3"],"url":"https://scrapbox.io/NextResearch/water%20yam%20robert","updated":1770442567,"position":[2.1586,19.0291,10.2691],"cluster":"c07","subgroup":"c07.01","degree":11,"referenceDegree":0,"maxSimilarity":0.25443,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6986cf5fa35db6b34fac4a34","weight":0.25443,"type":"similarity","reason":"共通参照 2・3 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cfb46bc56871c00b36a2","weight":0.17796,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580063966acf0002ddcd739","weight":0.13591,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a76c586a206fa8485294724","weight":0.13449,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76c60943b135a19547376b","weight":0.13449,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e48e91b0ddb001d180009","weight":0.1204,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4dbf040d71b1503a6d9d","weight":0.11532,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66dd412412ec2e001d71f75a","weight":0.09211,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6986cf5fa35db6b34fac4a34","source":"NextResearch","title":"Robert Watts","excerpt":"Robert Marshall Watts (1923–1988) was an American artist best known for his work as a member of the international group of artists Fluxus. Born in Burlington, Iowa June 14, 1923,[2][3] he became Professor of Art at Douglass College, Rutgers University, New Jersey in 1953, a post he kept until 1984. In the 1950s, he was in close contact with other teachers at Rutgers including Allan Kaprow, Geoffrey Hendricks, and Roy Lichtenstein. This has led some critics to claim that pop art and conceptual art began at Rutgers.","text":"Robert Watts\nRobert Marshall Watts (1923–1988) was an American artist best known for his work as a member of the international group of artists Fluxus. Born in Burlington, Iowa June 14, 1923,[2][3] he became Professor of Art at Douglass College, Rutgers University, New Jersey in 1953, a post he kept until 1984. In the 1950s, he was in close contact with other teachers at Rutgers including Allan Kaprow, Geoffrey Hendricks, and Roy Lichtenstein. This has led some critics to claim that pop art and conceptual art began at Rutgers.","tags":[],"links":["2","3"],"url":"https://scrapbox.io/NextResearch/Robert%20Watts","updated":1770442658,"position":[5.2231,21.807,8.1441],"cluster":"c07","subgroup":"c07.01","degree":4,"referenceDegree":0,"maxSimilarity":0.25443,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6986cf2b4ebebe9bf41eb85d","weight":0.25443,"type":"similarity","reason":"共通参照 2・3 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cfb46bc56871c00b36a2","weight":0.16308,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:678202a0dd6cfbb77281a7dc","weight":0.10724,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:685eaea3e98c424524e6c814","weight":0.08637,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6986cfb46bc56871c00b36a2","source":"NextResearch","title":"brecht fluxus","excerpt":"George Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.","text":"brecht fluxus\nGeorge Brecht (August 27, 1926 – December 5, 2008), born George Ellis MacDiarmid, was an American conceptual artist and avant-garde composer, as well as a professional chemist who worked as a consultant for companies including Pfizer, Johnson & Johnson, and Mobil Oil. He was a key member of, and influence on, Fluxus, the international group of avant-garde artists centred on George Maciunas, having been involved with the group from the first performances in Wiesbaden 1962 until Maciunas' death in 1978.\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/brecht%20fluxus","updated":1770442990,"position":[6.0352,22.9883,8.5215],"cluster":"c07","subgroup":"c07.01","degree":3,"referenceDegree":0,"maxSimilarity":0.17796,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6986cf2b4ebebe9bf41eb85d","weight":0.17796,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cf5fa35db6b34fac4a34","weight":0.16308,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:678202a0dd6cfbb77281a7dc","weight":0.08777,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:698c23f18cfb9ddc65b321c6","source":"NextResearch","title":"Art Basel Paris","excerpt":"Grand Palais, mainly october","text":"Art 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Baecker\nhttps://rlfbckr.io/project/\n\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Ralf%20Baecker","updated":1771575962,"position":[-82.7632,25.0504,-115.5701],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:69981a7d6b18293db45bf9da","source":"NextResearch","title":"Blue banana","excerpt":"https://ja.wikipedia.org/wiki/ブルーバナナ","text":"Blue 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kempyangなど）を、大きなゴングがグループ化し、句読点のように構造を整理する。\nコロトミック楽器（区切りを刻む楽器）\n最も遅いパルス（最長サイクル）は低音のゴング、速いパルスは小型のゴングが担当する。\n主な楽器：Gong Ageng（巨大なゴング）、Kempul（吊るされたゴング）、Kenong（横に置かれた大型ゴング）、Ketuk/Kempyang（小さな金属打楽器）","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B3%E3%83%AD%E3%83%88%E3%83%9F%E3%83%83%E3%82%AF%EF%BC%88%E5%BE%8B%E5%8B%95%E7%9A%84%E6%A7%8B%E9%80%A0%EF%BC%89%E3%80%8D%E5%BD%A2%E5%BC%8F","updated":1771647931,"position":[14.0837,-155.3731,111.3358],"cluster":"c42","subgroup":"c42.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0714,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:699933c9ec193d94a2ac2f9e","source":"NextResearch","title":"ペロッグ（pelog）」音階","excerpt":"ペロッグ（Pelog）は、インドネシアのガムラン音楽で使われる主要な7音音階（実質はそこから5音を選ぶことが多い）で、「美しい」という意味を持つ。全音と半音が混在する独特の不等間隔な音程関係が特徴で、沖縄音階に似たエキゾチックな響きを生む、バリ島などで主流の音階である。","text":"ペロッグ（pelog）」音階\nペロッグ（Pelog）は、インドネシアのガムラン音楽で使われる主要な7音音階（実質はそこから5音を選ぶことが多い）で、「美しい」という意味を持つ。全音と半音が混在する独特の不等間隔な音程関係が特徴で、沖縄音階に似たエキゾチックな響きを生む、バリ島などで主流の音階である。 \n主な特徴：\n音列: 1オクターブを7つの音で構成（通常1, 2, 3, 4, 5, 6, 7）するが、1曲の中ではパテット（旋法）に基づき5音を選び出して演奏することが多い。\n音程: 西洋音楽の平均律とは異なり、小さい音程（100セント前後）と大きい音程（300セント前後）が混在し、100〜300セント間隔の不等間隔音階である。\n響き: 沖縄音階（琉球音階）に似た、少し切ない、あるいはエキゾチックな響きを持つ。\n地域差: 村落ごとに音程感覚が異なるため、固定的な音程ではない。\nスレンドロとの違い: ガムランのもう一つの代表的な音階「スレンドロ（5音の平均的な音階）」と対比され、ペロッグは主に7音（またはその中の5音）で構成される。 \nバリ島のガムラン・ゴング・クビヤルなど、観光地で耳にする多くのガムランは、このペロッグ音階を使用している。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%9A%E3%83%AD%E3%83%83%E3%82%B0%EF%BC%88pelog%EF%BC%89%E3%80%8D%E9%9F%B3%E9%9A%8E","updated":1771647964,"position":[34.7632,-57.5754,-43.0134],"cluster":"c26","subgroup":"c26.01","degree":2,"referenceDegree":0,"maxSimilarity":0.40539,"lowEvidence":false,"neighbors":[{"id":"NextResearch:699933e83b841a19d80a405a","weight":0.40539,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a27b8e43539a001c351457","weight":0.1473,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:699933e83b841a19d80a405a","source":"NextResearch","title":"ペロッグ・スリスィール（pelog selisir）","excerpt":"ペロッグ・スリスィール（pelog selisir）は、インドネシアのバリ島やジャワ島の伝統的なガムラン音楽で使われる、最も代表的かつ一般的な音階（音列）の一つです。","text":"ペロッグ・スリスィール（pelog selisir）\nペロッグ・スリスィール（pelog selisir）は、インドネシアのバリ島やジャワ島の伝統的なガムラン音楽で使われる、最も代表的かつ一般的な音階（音列）の一つです。 \n7音あるペロッグ音階の中から、主に5つの音（ペンタトニック）を抜き出して構成されたモード（旋法）であり、バリ・ガムランの代名詞ともいえる「ガムラン・ゴン・クビャール」などで多用されます。 \nペロッグ・スリスィールの特徴\n5音音階（ペンタトニック）: 7つの音を持つペロッグ・システムの中から、5つの音を選んで演奏します。\n構造（近似）: 西洋音楽の音階に近づけて表現すると、（主音, 短2度, 短3度, 完全5度, 短6度）の構成に近似されます。日本の沖縄音階（琉球音階）に少し似た雰囲気を感じさせる、哀愁漂うエキゾチックな響きが特徴です。\n代表的な楽器: ガムラン・ゴン・クビャール（Gamelan Gong Kebyar）で主に使用され、観光客がバリ島で耳にする音楽の大部分はこのスケールに基づいています。\n音の構成: 1オクターブ内に細かい音程（狭い間隔）と広い音程（広い間隔）が混在しており、それが独特の揺らぎを生み出します。 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It refers to situations or objects that are eerily precise, such as an \"uncanny resemblance\" or \"uncanny ability,\" causing a mix of fear and curiosity.","text":"uncanny\n\"Uncanny\" describes something strange, mysterious, or unsettlingly familiar, often seeming supernatural or beyond normal explanation. It refers to situations or objects that are eerily precise, such as an \"uncanny resemblance\" or \"uncanny ability,\" causing a mix of fear and curiosity.\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/uncanny","updated":1772101632,"position":[27.7271,107.1165,-33.5791],"cluster":"c24","subgroup":"c24.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08628,"lowEvidence":false,"neighbors":[{"id":"NextResearch:643bcfd9ecf33f001cf555a8","weight":0.08628,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69a0204b633dc6484b1c79ed","source":"NextResearch","title":"ryoji ikeda spectra london","excerpt":"[https://youtu.be/qtgvxElYA9k?si=AB5cevH4OjEFw1YO]","text":"ryoji ikeda spectra 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Huyghe Of Ideal","excerpt":"UUmwelt","text":"Pierre Huyghe Of Ideal\nUUmwelt\nhttps://www.hauserwirth.com/viewing-room/13107-pierre-huyghe-of-ideal/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Pierre%20Huyghe%20Of%20Ideal","updated":1773210433,"position":[7.8868,11.8905,15.8517],"cluster":"c07","subgroup":"c07.01","degree":2,"referenceDegree":0,"maxSimilarity":0.73326,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686a9852b5cb98d945707982","weight":0.73326,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76b8f0c32d576ce60412fa","weight":0.23246,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b10bad4e63a4d160402bce","source":"NextResearch","title":"design and computation, udk","excerpt":"https://www.udk-berlin.de/en/rundgang/udk-berlin-rundgang-design/competition-of-the-rundgang-design-of-the-udk-berlin/","text":"design and computation, udk\nhttps://www.udk-berlin.de/en/rundgang/udk-berlin-rundgang-design/competition-of-the-rundgang-design-of-the-udk-berlin/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/design%20and%20computation%2C%20udk","updated":1773210552,"position":[16.8312,-52.8333,69.6852],"cluster":"c12","subgroup":"c12.01","degree":5,"referenceDegree":0,"maxSimilarity":0.32934,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68b32859aa872b37265c2994","weight":0.32934,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65171387807c09001c31e90a","weight":0.29788,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65958fcca7a0950022007268","weight":0.24653,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6998198d8c05be1ae257272e","weight":0.17914,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695124b6101645365a9a4429","weight":0.12283,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b10d50c3f7cddd977cd69f","source":"NextResearch","title":"Sound vision 3D","excerpt":"https://www.l-acoustics.com/products/soundvision/","text":"Sound vision 3D\nhttps://www.l-acoustics.com/products/soundvision/\n[https://www.youtube.com/watch?v=4YVLwFrhPg8]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Sound%20vision%203D","updated":1773211113,"position":[16.0057,98.041,56.4031],"cluster":"c19","subgroup":"c19.01","degree":19,"referenceDegree":0,"maxSimilarity":0.60318,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65eca0cfb4298e00250dd98c","weight":0.60318,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bbc606788c0001bb26cd2","weight":0.5395,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6626169616a6ca00263b72de","weight":0.5395,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64884e12c83bdb001c826421","weight":0.31451,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68b32558d3053edde5f42c01","weight":0.29685,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695126ccb10762200c4d9b32","weight":0.27569,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6492f765e67c82001bfcac70","weight":0.27568,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67ff29bf0758e336c87d93b1","weight":0.25019,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b10e980d59f994240f8181","source":"NextResearch","title":"subdivided pavilions","excerpt":"AI 生成のpavilion","text":"subdivided pavilions\nAI 生成のpavilion\nhttps://michael-hansmeyer.com/subdivided-pavilions\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/subdivided%20pavilions","updated":1773211289,"position":[21.7159,86.9267,-0.6871],"cluster":"c22","subgroup":"c22.01","degree":7,"referenceDegree":0,"maxSimilarity":0.22737,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686b31d6b688fbd2f9a5bdb8","weight":0.22737,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a52b1c7259d4002447ecae","weight":0.20094,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cee46919c2470026960ed3","weight":0.20094,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a0c1d3ccb3fd0024634447","weight":0.20094,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:685139ed17dabf4ce423c137","weight":0.20094,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6836995e2e629f324b306254","weight":0.1916,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6403345474d8fc001bab29a0","weight":0.17972,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b10eb0981352467c0b8c39","source":"NextResearch","title":"der wirklichkeit schaum","excerpt":"visual","text":"der wirklichkeit schaum\nvisual\nhttp://enohenze.de/der-wirklichkeitsschaum/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/der%20wirklichkeit%20schaum","updated":1773211360,"position":[5.6935,100.8574,-55.6136],"cluster":"c33","subgroup":"c33.01","degree":4,"referenceDegree":0,"maxSimilarity":0.24493,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6427bf8498b9dc001bc3958a","weight":0.24493,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68d7315755599e99fb68dd24","weight":0.20117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66bdf07228f7e5001d8bb1f8","weight":0.18072,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da48ba208f2966b96f62c","weight":0.17839,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b10f1a3131fb7cbbc8a273","source":"NextResearch","title":"actelion imagery wizard","excerpt":"https://onformative.com/work/actelion-imagery-wizard/","text":"actelion imagery wizard\nhttps://onformative.com/work/actelion-imagery-wizard/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/actelion%20imagery%20wizard","updated":1773211428,"position":[-75.1568,20.5945,-112.467],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:69b10f411e77b92b1852d2d1","source":"NextResearch","title":"mesh distortion","excerpt":"https://www.ansys.com/blog/large-deformation-simulation-mesh","text":"mesh distortion\nhttps://www.ansys.com/blog/large-deformation-simulation-mesh\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/mesh%20distortion","updated":1773211496,"position":[2.7626,-80.6827,36.0228],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.22812,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a0779468e59f80564c1ddc9","weight":0.22812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b10fa95b1d6c42556455df","source":"NextResearch","title":"doubleNegatives Architecture","excerpt":"https://doublenegatives.jp/?lang=ja","text":"doubleNegatives Architecture\nhttps://doublenegatives.jp/?lang=ja\nhttps://www.ntticc.or.jp/ja/archive/participants/doublenegatives-architecture/\n\n山口情報芸術センターは、建築の新しい可能性を領域横断的に探求するグループdoubleNegatives Architecture (ダブルネガティヴス・アーキテクチャー) による新作インスタレーション「Corpora in Si(gh)te (コーポラ・イン・サイト）」(YCAM委嘱作品) を開催します。\n\n「Corpora in Si(gh)te」では、メディアテクノロジーを駆使した、新しいスタイルの建築展を提案します。従来の建築とは大きく異なる要素 環境に呼応して自律的に生成する・新しい空間表記法を構造に取り入れる・建築が環境に対して知覚性を持つ]に、さまざまな情報技術を駆使して取り組む斬新なプロジェクトです。\nhttps://special.ycam.jp/corpora/outline.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/doubleNegatives%20Architecture","updated":1773211640,"position":[11.6837,52.0947,54.7754],"cluster":"c08","subgroup":"c08.01","degree":3,"referenceDegree":0,"maxSimilarity":0.15434,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6951294160ffbfb41e0380d6","weight":0.15434,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da65a6f8686beafd40036","weight":0.14485,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a6577a47b800267506fa","weight":0.11488,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b110413bfa4b87ee46a064","source":"NextResearch","title":"cory arcangel drei op.11","excerpt":"cat video installation","text":"cory arcangel drei op.11\ncat video installation\n\nhttp://thisistomorrow.info/articles/cory-arcangel-the-sharper-image.-ceal-floyer-auto-focus\n[https://www.youtube.com/watch?v=aHrMlgKrons]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/cory%20arcangel%20drei%20op.11","updated":1773211772,"position":[40.223,81.8381,30.1833],"cluster":"c21","subgroup":"c21.01","degree":7,"referenceDegree":0,"maxSimilarity":0.25135,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:664aeeace0dc3b001c00cd6b","weight":0.25135,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640a0d7c4ab7f6001bd8881f","weight":0.24842,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68b32698d7e5bb0ee2b7ebce","weight":0.23951,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb9d495f5ff348283a759","weight":0.17439,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6427c259c71c28001c79e5c4","weight":0.15447,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b45166de2e47d4fb40959","weight":0.11189,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b2e3623fabde2d438930a","weight":0.09822,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b110ce8ebb714c4cc701e6","source":"NextResearch","title":"Christina Kubisch","excerpt":"Christina Kubisch is a German composer, sound artist, performance artist, professor and flautist. She composes both electronic and acoustic music for multimedia installations. She gained recognition in the mid-1970s from her early works including concerts, performances and installations.","text":"Christina Kubisch\nChristina Kubisch is a German composer, sound artist, performance artist, professor and flautist. She composes both electronic and acoustic music for multimedia installations. She gained recognition in the mid-1970s from her early works including concerts, performances and installations.\n[https://www.youtube.com/watch?v=gUYhwXteYP8]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Christina%20Kubisch","updated":1773211902,"position":[45.5213,30.4196,63.9683],"cluster":"c30","subgroup":"c30.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11283,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6986ce7fbdadfc54fe5931f3","weight":0.11283,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b11118c568e1a98a114020","source":"NextResearch","title":"anestis logothetis julia logothetis","excerpt":"http://anestislogothetis.musicportal.gr/home/?lang=en","text":"anestis logothetis julia logothetis\nhttp://anestislogothetis.musicportal.gr/home/?lang=en\n[https://www.youtube.com/watch?v=G5IWqcfcrzY&list=RDEMUFKelos3Ge8TbEhYNjI_Mw&start_radio=1&rv=EXR3QoMQqLY]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/anestis%20logothetis%20julia%20logothetis","updated":1773211998,"position":[8.1166,26.1358,14.3328],"cluster":"c07","subgroup":"c07.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11922,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68d7315755599e99fb68dd24","weight":0.11922,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b11182d198de1b57cb6357","source":"NextResearch","title":"aleksander macasev chromapost","excerpt":"https://art-bridge.org/page/chromapost-by-aleksandar-macasev/","text":"aleksander macasev chromapost\nhttps://art-bridge.org/page/chromapost-by-aleksandar-macasev/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/aleksander%20macasev%20chromapost","updated":1773212082,"position":[-83.0744,16.0669,-121.8912],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:69b111ceb5c708f25baee651","source":"NextResearch","title":"cooper smith new york jogger","excerpt":"visualization","text":"cooper smith new york jogger\nvisualization\nhttps://cargocollective.com/coopersmith/WIRED-Joggers-Logged-1\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/cooper%20smith%20new%20york%20jogger","updated":1773212149,"position":[-25.585,95.2144,51.5483],"cluster":"c20","subgroup":"c20.01","degree":9,"referenceDegree":0,"maxSimilarity":0.51111,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65171329e63aa7001b85ed88","weight":0.51111,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:651713e9dda027001b843dfa","weight":0.4703,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6507a125a96791001bf14ae6","weight":0.36432,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64883c37634db4001b8bcb1b","weight":0.32283,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb530e6b208aad3c7390d","weight":0.2336,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bd1ce002fa7001c7c4c52","weight":0.2135,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:664f196f17b36b001cded9e5","weight":0.16377,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a07845cf8b8681dc304c2bd","weight":0.11383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b112b2231c086faaa33df7","source":"NextResearch","title":"julius von bismarck and benjamin maus perceptual storytelling apparatus","excerpt":"paper autio printing","text":"julius von bismarck and benjamin maus perceptual storytelling apparatus\npaper autio printing\n\nThe “Perpetual Storytelling Apparatus” is a drawing machine illustrating a never-ending story by the use of patent drawings.\n\nThe machine translates words of a text into patent drawings. Seven million patents – linked by over 22 million references – form the vocabulary. By using references to earlier patents, it is possible to find paths between arbitrary patents. They form a kind of subtext.\n\nNew visual connections and narrative layers emerge through the interweaving of the story with the depiction of technical developments.\n\nThe “Perpetual Storytelling Apparatus” is a drawing machine illustrating a never-ending story by the use of patent drawings.\n\nThe machine translates words of a text into patent drawings. Seven million patents – linked by over 22 million references – form the vocabulary. By using references to earlier patents, it is possible to find paths between arbitrary patents. They form a kind of subtext. New visual connections and narrative layers emerge through the interweaving of the story with the depiction of technical developments.\n\n1983, born in Breisach am Rhein raised in Riad (Saudi Arabia), Freiburg and Berlin 2003; Abitur in Berlin from 2005; student of “visual communication” at the UdK Berlin from 2006; student at “Digitalen Klasse” by Prof. Joachim Sauter 2007; student at the MFA-Programm of Hunter Collage New York from 2009 student at Institut für Raumexperimente (Institute for Spatial Experiments) “Klasse Olafur Eliasson”.\nhttps://highlike.org/text/julius-von-bismarck-benjamin-maus/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/julius%20von%20bismarck%20and%20benjamin%20maus%20perceptual%20storytelling%20apparatus","updated":1773212386,"position":[-24.6969,106.4551,36.0899],"cluster":"c29","subgroup":"c29.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06077,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:69b112f7e2f3a15abaf9baf5","source":"NextResearch","title":"rafael lozano-hemmer amodal suspension relational architecture 8","excerpt":"[https://vimeo.com/56354903]","text":"rafael lozano-hemmer amodal suspension relational architecture 8\n[https://vimeo.com/56354903]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/rafael%20lozano-hemmer%20amodal%20suspension%20relational%20architecture%208","updated":1773212431,"position":[11.2056,53.0381,56.961],"cluster":"c08","subgroup":"c08.01","degree":6,"referenceDegree":0,"maxSimilarity":0.27282,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6951294160ffbfb41e0380d6","weight":0.27282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da65a6f8686beafd40036","weight":0.21252,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6081bc1f3d691b08c1d850","weight":0.14389,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a607ecebd0f8b8fa44c2c67","weight":0.13507,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a60820a04b272411f87912b","weight":0.12146,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6080cafdeca11bd570e9c8","weight":0.09755,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b1132338a554a22a43bf84","source":"NextResearch","title":"daniel palacios waves","excerpt":"[https://vimeo.com/12075151]","text":"daniel palacios waves\n[https://vimeo.com/12075151]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/daniel%20palacios%20waves","updated":1773212467,"position":[53.2526,99.1416,20.2034],"cluster":"c25","subgroup":"c25.01","degree":2,"referenceDegree":0,"maxSimilarity":0.54714,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6582a420185687002442036b","weight":0.54714,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b0e276788c0001babce79","weight":0.27804,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b113640d59f994240fb9ca","source":"NextResearch","title":"rain room random international","excerpt":"https://www.random-international.com/rain-room","text":"rain room random international\nhttps://www.random-international.com/rain-room\nRain Room can be seen as an amplified representation of our environment. Human presence prevents the rain from falling, creating a unique atmosphere and exploring how human relationships to each other and to nature are increasingly mediated through technology.\n\nUpon entering the installation, visitors are simultaneously exposed to and protected from the water falling all around. Although the sound and smell of the rain are intense, its touch remains absent leaving visitors dry within a continual downpour as they navigate the space.\n\nIn Rain Room a seemingly intuitive relationship develops between visitor and artwork, human and machine.\n[https://vimeo.com/51830893]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/rain%20room%20random%20international","updated":1773212579,"position":[-33.3851,71.9809,25.7799],"cluster":"c06","subgroup":"c06.02","degree":3,"referenceDegree":0,"maxSimilarity":0.14698,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a76b7c38edf98dc0e9d875a","weight":0.14698,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:651711788bca53001c11f01f","weight":0.10848,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6910522ce3c285547eff3f6f","weight":0.09103,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b113b10d59f994240fbe4d","source":"NextResearch","title":"wellenwanne lfo carsten","excerpt":"[https://vimeo.com/48454665]","text":"wellenwanne lfo carsten\n[https://vimeo.com/48454665]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/wellenwanne%20lfo%20carsten","updated":1773212615,"position":[-8.8131,83.4912,32.7903],"cluster":"c16","subgroup":"c16.01","degree":4,"referenceDegree":0,"maxSimilarity":0.47726,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a85e157ee02a2b1658cae8b","weight":0.47726,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a85e1a496bbc9e805756dd8","weight":0.27548,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:691045294e7e08b187c4ec2a","weight":0.13757,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:691046226affffbfb2406e89","weight":0.09005,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b113f43bfa4b87ee46d6ed","source":"NextResearch","title":"yuko mohri onibi fen fire","excerpt":"https://mohrizm.net/works/oni-bi-fen-fire/","text":"yuko mohri onibi fen fire\nhttps://mohrizm.net/works/oni-bi-fen-fire/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/yuko%20mohri%20onibi%20fen%20fire","updated":1773212686,"position":[-70.5295,32.3839,-134.8226],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03234,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:69b12aa6410e0b44e4213a69","source":"NextResearch","title":"Live LLM Data to SubD Geometry: A Biomimetic Workflow in Rhino 8","excerpt":"https://rhino3dzine.com/stories/emerging-voices/live-llm-data-to-subd-geometry-a-biomimetic-workflow-in-rhino-8/","text":"Live LLM Data to SubD Geometry: A Biomimetic Workflow in Rhino 8\nhttps://rhino3dzine.com/stories/emerging-voices/live-llm-data-to-subd-geometry-a-biomimetic-workflow-in-rhino-8/\nThe project began as an exploration of Li: Dynamic Form in Nature, a seminal text that defines organic patterns not as static shapes, but as “frozen markers of a flow.” Inspired by this idea, Malvina Stamatiadi set out to translate the high-performance venation logic of a dragonfly wing into a functional designer object.\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Live%20LLM%20Data%20to%20SubD%20Geometry%3A%20A%20Biomimetic%20Workflow%20in%20Rhino%208","updated":1773218495,"position":[3.4797,79.0206,44.9864],"cluster":"c19","subgroup":"c19.01","degree":10,"referenceDegree":0,"maxSimilarity":0.19327,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c2111374c9ea0024747368","weight":0.19327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c66bdb31bd80d4b053085","weight":0.15578,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af8d9bf84e8a001d618922","weight":0.143,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669a70fbfa5abc001ca8ed31","weight":0.14061,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69f05320ab773b09ffcbf7df","weight":0.1333,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bcaaca2b13a001c1cee27","weight":0.13259,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64250411eb497b001b192611","weight":0.12419,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65df0d9df75ef800242cbbcc","weight":0.12417,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b7d543664b062c9cd677ba","source":"NextResearch","title":"dissonant-imaginary","excerpt":"pompidou, neurons 2020展示で展示されてた","text":"dissonant-imaginary\npompidou, neurons 2020展示で展示されてた\nhttps://rhizomatiks.com/work/dissonant-imaginary/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/dissonant-imaginary","updated":1773655389,"position":[-15.3055,85.2848,32.3335],"cluster":"c16","subgroup":"c16.01","degree":4,"referenceDegree":0,"maxSimilarity":0.20856,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69b7d7b96207b51496d16bd2","weight":0.20856,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d56a9c444bc93ee6c9d3","weight":0.11762,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d714c65efd26cf9f8f30","weight":0.10154,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67fdb501a5997860624715d2","weight":0.08817,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b7d56a9c444bc93ee6c9d3","source":"NextResearch","title":"pompidou, neurons -Simulated intelligence","excerpt":"https://www.centrepompidou.fr/fr/pompidou-plus/videos/video/visite-de-lexposition-neurones-les-intelligences-simulees","text":"pompidou, neurons -Simulated intelligence\nhttps://www.centrepompidou.fr/fr/pompidou-plus/videos/video/visite-de-lexposition-neurones-les-intelligences-simulees\n26 Feb - 20 Apr 2020 Centre Pompidou, Paris\npompidouでのNeuronに焦点を当てた展示\nhttps://www.centrepompidou.fr/en/program/calendar/event/cbEr6Ko\nhttps://www.ircam.fr/agenda/neurones-les-intelligences-simulees/detail\nFrédéric Migayrou, Camille Langlois がcurator \n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/pompidou%2C%20neurons%20-Simulated%20intelligence","updated":1773656417,"position":[-14.5871,84.4868,32.0288],"cluster":"c16","subgroup":"c16.01","degree":12,"referenceDegree":0,"maxSimilarity":0.23758,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e17f34ad8878e3ed828d","weight":0.23758,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d7b96207b51496d16bd2","weight":0.17426,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67fdb501a5997860624715d2","weight":0.15985,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d8d317f4061c25a7a024","weight":0.14998,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b871e31c5323eaf3cf8b6d","weight":0.1288,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d906f388266c16dea662","weight":0.12791,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6951235843e804b5b57c8da9","weight":0.11855,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d543664b062c9cd677ba","weight":0.11762,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b7d5bc7109398f09bf642f","source":"NextResearch","title":"Nicolas-Xavier Ferrand","excerpt":"bourse de commerse research fellow","text":"Nicolas-Xavier Ferrand \nbourse de commerse research fellow\nピノーコレクションのトークセッションしてた人、博士在学時\nhttps://www.instagram.com/nxferrand/\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Nicolas-Xavier%20Ferrand","updated":1773655547,"position":[44.0013,28.0099,64.2536],"cluster":"c30","subgroup":"c30.01","degree":2,"referenceDegree":0,"maxSimilarity":0.13546,"lowEvidence":false,"neighbors":[{"id":"NextResearch:648b411197fb3a001c738496","weight":0.13546,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695128449a0923ebde122a13","weight":0.10774,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b7d714c65efd26cf9f8f30","source":"NextResearch","title":"Gérard Assayag","excerpt":"IRCAMのメンバー、pompidouのNeurons展示に出展してた。Somaxにも関係してる。","text":"Gérard Assayag\nIRCAMのメンバー、pompidouのNeurons展示に出展してた。Somaxにも関係してる。\nhttps://www.ircam.fr/person/gerard-assayag\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/G%C3%A9rard%20Assayag","updated":1773655867,"position":[-15.4325,85.4744,32.8946],"cluster":"c16","subgroup":"c16.01","degree":3,"referenceDegree":0,"maxSimilarity":0.30893,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67fdb501a5997860624715d2","weight":0.30893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d7b96207b51496d16bd2","weight":0.19358,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d543664b062c9cd677ba","weight":0.10154,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b7d78e8e4f9b0d0f45c1a8","source":"NextResearch","title":"Somax 2","excerpt":"Somax2 is an application for musical improvisation and composition using AI with machine listening, cognitive memory activation model, multi-agent architecture, full application interface to agent patching and control, and full Max library API. Somax2 is implemented in Max and Python and is based on a generative AI model to provide real-time machine improvisations coherent both with the internal selected corpus styles and with the unfolding external musical context. Somax2 handles both MIDI and audio input, corpus memory, and output. The model can be used with little configuration to let its a","text":"Somax 2\nSomax2 is an application for musical improvisation and composition using AI with machine listening, cognitive memory activation model, multi-agent architecture, full application interface to agent patching and control, and full Max library API. Somax2 is implemented in Max and Python and is based on a generative AI model to provide real-time machine improvisations coherent both with the internal selected corpus styles and with the unfolding external musical context. Somax2 handles both MIDI and audio input, corpus memory, and output. The model can be used with little configuration to let its agents autonomously interact with musicians (and one with another), but it also allows a variety of manual controls of its generative process and interaction strategies, effectively letting one use it as a fully flexible smart instrument.\nhttps://forum.ircam.fr/projects/detail/somax-2/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Somax%202","updated":1773655981,"position":[45.5548,29.1643,63.1017],"cluster":"c30","subgroup":"c30.01","degree":7,"referenceDegree":0,"maxSimilarity":0.55675,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69c8a952fdd4a99cd7906a94","weight":0.55675,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da65a6f8686beafd40036","weight":0.12642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6418095d076725001b2d1fef","weight":0.10213,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6487de7e49d50c001b2eadc7","weight":0.10213,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6427c259c71c28001c79e5c4","weight":0.10075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66dd412412ec2e001d71f75a","weight":0.09723,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64cb335ccb404c001b7052e7","weight":0.09591,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b7d7b96207b51496d16bd2","source":"NextResearch","title":"Jonas Lund","excerpt":"Neurones -pompidou での2020 Neurons での出展","text":"Jonas Lund\nNeurones -pompidou での2020 Neurons での出展\nhttps://jonaslund.com/exhibitions/neurones/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Jonas%20Lund","updated":1773656034,"position":[-14.6036,84.9326,32.4682],"cluster":"c16","subgroup":"c16.01","degree":7,"referenceDegree":0,"maxSimilarity":0.22709,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67fdb501a5997860624715d2","weight":0.22709,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d543664b062c9cd677ba","weight":0.20856,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d714c65efd26cf9f8f30","weight":0.19358,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d56a9c444bc93ee6c9d3","weight":0.17426,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d8d317f4061c25a7a024","weight":0.13974,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e17f34ad8878e3ed828d","weight":0.12799,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d906f388266c16dea662","weight":0.11754,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b7d7efb386101fb36e365a","source":"NextResearch","title":"Mutations/Creations pompidou","excerpt":"pompidou のシリーズ 2022で4回目","text":"Mutations/Creations pompidou\npompidou のシリーズ 2022で4回目\n2018,2019,2020,2022\n\nIn 2017, the Centre Pompidou initiated a new event entitled Mutations/Creations, focused on the prospect and interaction of digital technology with creation; a realm shared by art, innovation and science. At the crossroads between fields, combining research, art and engineering, this annual event is co-organised by the Musée national d’art moderne and IRCAM, and calls on art, architecture, design and music. \n\nThis platform for solo and themed exhibitions acts as a critical observer and analytical tool of the impacts of creation on our society. How do various fields of creation use digital technology to open new industrial perspectives? How do they examine the social, economic and political effects, or the ethical limits of such industrial developments? What form do the mutations in the fields of music, art, design and architecture take, relative to techno-scientific progress?  At the heart of Mutations/Creations, the artist encounters the engineer, the philosopher encounters the designer, scientific innovation and technology draw inspiration from new thought, design and production processes. \n\nIn close synergy with the exhibitions, IRCAM presents Vertigo, its annual forum supported by the European Commission’s STARTS programme. This event host meetings, performances and shows in a dialogue between music, the arts, engineering, scientific research and new technology. The multitude of exchanges between creation, research and teaching is embodied by numerous partnerships with universities, research laboratories, and schools of art, architecture or design.\n\nhttps://www.centrepompidou.fr/en/offer-to-professionals/scientific-research/mutations-creations#14800\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Mutations%2FCreations%20pompidou","updated":1773656137,"position":[-13.7696,84.7955,31.8618],"cluster":"c16","subgroup":"c16.01","degree":5,"referenceDegree":0,"maxSimilarity":0.15231,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e17f34ad8878e3ed828d","weight":0.15231,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d906f388266c16dea662","weight":0.14069,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d8d317f4061c25a7a024","weight":0.10906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d56a9c444bc93ee6c9d3","weight":0.0935,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6951294160ffbfb41e0380d6","weight":0.09019,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b7d85874ef6f249856872e","source":"NextResearch","title":"アルヴィン・ルシエ","excerpt":"アルヴィン・ルシエ（Alvin Lucier、1931年5月14日 - 2021年12月1日）は、アメリカ合衆国の作曲家、現代音楽家である。","text":"アルヴィン・ルシエ\nアルヴィン・ルシエ（Alvin Lucier、1931年5月14日 - 2021年12月1日）は、アメリカ合衆国の作曲家、現代音楽家である。\n脳波演奏してた人\nhttps://liv.paris/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A2%E3%83%AB%E3%83%B4%E3%82%A3%E3%83%B3%E3%83%BB%E3%83%AB%E3%82%B7%E3%82%A8","updated":1773656263,"position":[29.5588,-3.1069,-14.9059],"cluster":"c18","subgroup":"c18.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12847,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734d1dbb861b77165183433","weight":0.12847,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69b10b74c4487c8d76785249","weight":0.12171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee8293fa4f38001dbb9a18","weight":0.10244,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b7d8d317f4061c25a7a024","source":"NextResearch","title":"pompidou  neuroscience tag","excerpt":"https://www.centrepompidou.fr/en/recherche?terms=Neuroscience","text":"pompidou  neuroscience tag\nhttps://www.centrepompidou.fr/en/recherche?terms=Neuroscience\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/pompidou%20%20neuroscience%20tag","updated":1773656299,"position":[-13.7961,84.5177,32.2095],"cluster":"c16","subgroup":"c16.01","degree":6,"referenceDegree":0,"maxSimilarity":0.45932,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69b7d906f388266c16dea662","weight":0.45932,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e17f34ad8878e3ed828d","weight":0.21494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6984a9a8f060852370e08938","weight":0.16975,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d56a9c444bc93ee6c9d3","weight":0.14998,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d7b96207b51496d16bd2","weight":0.13974,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d7efb386101fb36e365a","weight":0.10906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b7d906f388266c16dea662","source":"NextResearch","title":"Pompidou 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tag\nhttps://www.centrepompidou.fr/en/recherche/personnes?terms=Art%20et%20science\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Pompidou%20Art%20%26%20Science%20tag","updated":1773656340,"position":[-13.1332,83.783,32.341],"cluster":"c16","subgroup":"c16.01","degree":9,"referenceDegree":0,"maxSimilarity":0.45932,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69b7d8d317f4061c25a7a024","weight":0.45932,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da321c13dc773f70f975f","weight":0.33359,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b871e31c5323eaf3cf8b6d","weight":0.19178,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e17f34ad8878e3ed828d","weight":0.18292,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6d85c551db002540b64d","weight":0.1744,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67b438806a5cf0ae7833f694","weight":0.15244,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d7efb386101fb36e365a","weight":0.14069,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d56a9c444bc93ee6c9d3","weight":0.12791,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b83ec7f80e6421a47b23f0","source":"NextResearch","title":"Bourse de commerce pinault collection","excerpt":"https://billetterie.pinaultcollection.com/content","text":"Bourse de commerce pinault collection\nhttps://billetterie.pinaultcollection.com/content\n\nhttps://www.pinaultcollection.com/fr/boursedecommerce/oeuvres-situ\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Bourse%20de%20commerce%20pinault%20collection","updated":1773689380,"position":[16.644,85.4332,38.8932],"cluster":"c21","subgroup":"c21.01","degree":2,"referenceDegree":0,"maxSimilarity":0.42155,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64a55b4d11d6fd001b99ca73","weight":0.42155,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a55aec71a58a001c4a7a1f","weight":0.24271,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b871e31c5323eaf3cf8b6d","source":"NextResearch","title":"The art and computer science group in Vincennes: a programmatic aesthetic","excerpt":"Camille Langlois","text":"The art and computer science group in Vincennes: a programmatic aesthetic\nCamille Langlois\nhttps://www.lestraversees.com/listeliv.php?base=paper&form_recherche_avancee=ok&auteurs=camille%20langlois\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/The%20art%20and%20computer%20science%20group%20in%20Vincennes%3A%20a%20programmatic%20aesthetic","updated":1773695468,"position":[-13.0729,82.7586,32.4782],"cluster":"c16","subgroup":"c16.01","degree":9,"referenceDegree":0,"maxSimilarity":0.29277,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669e47da8e86c9001d91ec93","weight":0.29277,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da321c13dc773f70f975f","weight":0.25391,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986caa0934beed525d4298b","weight":0.21928,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:678202a0dd6cfbb77281a7dc","weight":0.19561,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d906f388266c16dea662","weight":0.19178,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d7227cfaa223001c48dc6f","weight":0.15488,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6d85c551db002540b64d","weight":0.13289,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d56a9c444bc93ee6c9d3","weight":0.1288,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69b87254189413de95bc1da4","source":"NextResearch","title":"Les 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internationale.\n\nhttps://boutique.centrepompidou.fr/en/product/30021-les-cahiers-du-musee-national-art-moderne-164.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Les%20cahiers%20du%20mus%C3%A9e%20national%20d%27art%20moderne%20n%C2%B0164","updated":1773695598,"position":[-14.1484,86.4745,31.3927],"cluster":"c16","subgroup":"c16.01","degree":5,"referenceDegree":0,"maxSimilarity":0.18798,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e17f34ad8878e3ed828d","weight":0.18798,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a52ea0b90f0025b93c3b","weight":0.11477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:680fbfd812636ba0efa4df9f","weight":0.11135,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69104e9240254a85f4793de9","weight":0.10143,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76b8f0c32d576ce60412fa","weight":0.08951,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69bab9af7e152a46eb3ba80a","source":"NextResearch","title":"syter 1978 dsp","excerpt":"https://www.researchgate.net/figure/Jean-Fran-ois-Allouis-and-the-Syter-system-1986-copyright-GRM_fig5_231980818","text":"syter 1978 dsp\nhttps://www.researchgate.net/figure/Jean-Fran-ois-Allouis-and-the-Syter-system-1986-copyright-GRM_fig5_231980818\nhttps://www.researchgate.net/figure/The-interpolation-screen-on-Syter_fig6_231980818\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/syter%201978%20dsp","updated":1773844943,"position":[-49.387,1.748,-137.036],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03692,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:69c88c956ec6bccc1a0f253f","source":"NextResearch","title":"oobleck","excerpt":"https://github.com/Harmonai-org/oobleck","text":"oobleck\nhttps://github.com/Harmonai-org/oobleck\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/oobleck","updated":1774750873,"position":[-71.3124,36.6236,-119.1336],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:69c88cb84bbb638653c6683a","source":"NextResearch","title":"MATPAC++","excerpt":"Enhanced 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codec is a computer hardware or software component that encodes or decodes a data stream or signal.Codec is a portmanteau of coder/decoder.","text":"Codec\nA codec is a computer hardware or software component that encodes or decodes a data stream or signal.Codec is a portmanteau of coder/decoder.\n\nIn electronic communications, an endec is a device that acts as both an encoder and a decoder on a signal or data stream,  and hence is a type of codec. Endec is a portmanteau of encoder/decoder.\n\nA coder or encoder encodes a data stream or a signal for transmission or storage, possibly in encrypted form, and the decoder function reverses the encoding for playback or editing. Codecs are used in videoconferencing, streaming media, and video editing applications.\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Codec","updated":1774751070,"position":[14.2072,60.294,49.9332],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11623,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669a70fbfa5abc001ca8ed31","weight":0.11623,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f186ea9be3584554330e1","weight":0.09352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69c89b1bf5660380a68d8f53","source":"NextResearch","title":"Thomas Risse","excerpt":"Thomas Risse (formerly Risse-Kappen) is a Berlin-based international relations scholar. He currently acts as chair of the Center for Transnational Relations, Foreign and Security Policy at the Otto Suhr Institute for Political Science of Freie Universität Berlin. Furthermore, he has several engagements in German and international research networks, and heads the PhD program of the Hertie School of Governance in Berlin.","text":"Thomas Risse\nThomas Risse (formerly Risse-Kappen) is a Berlin-based international relations scholar. He currently acts as chair of the Center for Transnational Relations, Foreign and Security Policy at the Otto Suhr Institute for Political Science of Freie Universität Berlin. Furthermore, he has several engagements in German and international research networks, and heads the PhD program of the Hertie School of Governance in Berlin.\n\nEducation\nBorn in 1955, he received his PhD from the University of Frankfurt in 1987. From 1997 to 2001, he was joint chair of international relations at the European University Institute's Robert Schuman Centre for Advanced Studies and the Department of Social and Political Sciences in Florence, Italy.","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Thomas%20Risse","updated":1774758191,"position":[-9.8958,127.3342,26.7779],"cluster":"c29","subgroup":"c29.01","degree":9,"referenceDegree":0,"maxSimilarity":0.11921,"lowEvidence":false,"neighbors":[{"id":"NextResearch:651711788bca53001c11f01f","weight":0.11921,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:685130bc22b2e5a8b43b0916","weight":0.11055,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6916e8c65b3ac140aa7452fa","weight":0.11055,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cdbae72f3e9867ab8a31","weight":0.11055,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a05be7ad10e4231db334d1b","weight":0.11055,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d67eb519edd3001d11d5e6","weight":0.10663,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69104d5349bc437487670f84","weight":0.09981,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681314901f2c92f69cfd2171","weight":0.08947,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69c8a7cbbc528b7c41945f8b","source":"NextResearch","title":"renzo piano","excerpt":"https://www.instagram.com/rpbw_architects/","text":"renzo piano\nhttps://www.instagram.com/rpbw_architects/\nhttps://www.rpbw.com/\n\n1937年、ジェノヴァで建設業を営む家に生まれる。フィレンツェ大学への2年の在籍を経て、1964年、ミラノ工科大学卒業。フランコ・アルビーニの下で働いた後、1965年、スタジオ・ピアノ設立。1960年代後半は、オリベッティ・アンダーウッド工場の設計でルイス・I・カーンの共働した。 1970年から1977年にかけて、リチャード・ロジャースと共に建築設計事務所「ピアノ&ロジャース」を共同主宰。建築設計競技で勝ち取ったポンピドゥー・センターの設計を共同で進めた[1]。1977年から1980年にかけては、構造家のピーター・ライスと共同でピアノ&ライス&アソシエイツを主宰した。1981年、レンゾ・ピアノ・ビルディング・ワークショップを故郷のジェノヴァに設立。\n\n主要な作品としては、国際舞台に衝撃を与えたポンピドゥー・センター、20世紀の建築におけるエンジニアリング・構造設計の最大の成果である関西国際空港旅客ターミナルビル設計、ベルリン・ポツダム広場の再開発にあたってのダイムラー・シティのマスタープラン設計であろう。いずれも、巨大建築に求められる技術的課題に応え、国際空港の象徴性やベルリンの周囲の歴史的文脈などといったものにも配慮をしている。\n","tags":[],"links":["1"],"url":"https://scrapbox.io/NextResearch/renzo%20piano","updated":1774757952,"position":[19.9989,-68.2043,-0.2884],"cluster":"c03","subgroup":"c03.02","degree":9,"referenceDegree":0,"maxSimilarity":0.20037,"lowEvidence":false,"neighbors":[{"id":"NextResearch:683a68eabca9f6ef9e5cbcd0","weight":0.20037,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656cb1019ad4360024c703b8","weight":0.1287,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c040cb78c0bd0024547cb4","weight":0.12369,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.12055,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e15b62b8a983e8a4b7a9","weight":0.11548,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113da5848e89234962c31e","weight":0.1047,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65564567d3e12b001c8ef1a0","weight":0.10423,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:664aeeace0dc3b001c00cd6b","weight":0.09653,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69c8a952fdd4a99cd7906a94","source":"NextResearch","title":"Somax & Co.","excerpt":"https://forum.ircam.fr/article/detail/somax-co-by-the-reach-team/","text":"Somax & Co.\nhttps://forum.ircam.fr/article/detail/somax-co-by-the-reach-team/\n\nSomax for Live\nAs part of the REACH project in the Music Representation team at IRCAM, Somax for Live brings the real-time interactive capabilities of Somax2 directly into Ableton Live. \n\nDeveloped by Manuel Poletti in collaboration with Marco Fiorini and Gérard Assayag, this new integration bridges advanced symbolic AI improvisation with a widely used digital audio workstation, opening new creative workflows for composers, performers, and producers.\n\nImplemented as a collection of Max for Live devices, Somax for Live allows users to interactively co-create with the system within Live’s native environment, combining the temporal and stylistic modeling of Somax2 with the flexibility of Live’s clips, automations, and control interfaces. This tight coupling between musical intelligence and production tools encourages a fluid dialogue between human and machine musicianship, enabling adaptive accompaniment, generative composition, and exploratory performance practices within an accessible and modular setup.\n\nThis presentation will showcase the architecture, interaction paradigms, and artistic use cases of Somax for Live, illustrating how the REACH project advances hybrid human–AI co-creativity in contemporary 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paris open call","excerpt":"作曲、音楽家","text":"CNM paris open call\n作曲、音楽家\nhttps://cnm.fr/en/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/CNM%20paris%20open%20call","updated":1774758981,"position":[-13.0818,105.1897,2.598],"cluster":"c13","subgroup":"c13.01","degree":10,"referenceDegree":0,"maxSimilarity":0.28671,"lowEvidence":false,"neighbors":[{"id":"NextResearch:698c2aa1f21d22eebd5dae75","weight":0.28671,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640aead834d2db001bfd9649","weight":0.28305,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64884c95f03c00001b90a06c","weight":0.28305,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:698c23f18cfb9ddc65b321c6","weight":0.23732,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65e5d30a23d1870026c7652b","weight":0.22201,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67c09c825ae6b903b2e56aee","weight":0.21519,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64c65615304871001ced3837","weight":0.21106,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3cdfe3d6747b3689821f","weight":0.18991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69c8aa21ad5ceada55b22a0f","source":"NextResearch","title":"Angel's 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Panthéon-Sorbonne","excerpt":"https://ja.wikipedia.org/wiki/パンテオン・ソルボンヌ大学","text":"Université Panthéon-Sorbonne\nhttps://ja.wikipedia.org/wiki/パンテオン・ソルボンヌ大学\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Universit%C3%A9%20Panth%C3%A9on-Sorbonne","updated":1774759036,"position":[-7.2628,65.9291,50.7532],"cluster":"c08","subgroup":"c08.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08935,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6910504a0b69b347219cf1d4","weight":0.08935,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ca395e31b474720507b5a2","source":"NextResearch","title":"qqpa audio equipment supplier","excerpt":"https://www.qqpaaudio.com/","text":"qqpa audio equipment supplier\nhttps://www.qqpaaudio.com/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/qqpa%20audio%20equipment%20supplier","updated":1774860669,"position":[-7.5947,127.2888,26.117],"cluster":"c29","subgroup":"c29.01","degree":9,"referenceDegree":0,"maxSimilarity":0.41678,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a61842831e01a921b822922","weight":0.41678,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69043f1e477788b7417cb6e1","weight":0.40384,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6aaac476c45860462e1221c1","weight":0.27914,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65078f3b92714e001c73d81c","weight":0.23699,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6418015c8eab62001b3c65a0","weight":0.23003,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c3a47ba0f45ff08bcb317","weight":0.22877,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af26291357ad001d1fb305","weight":0.21556,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66bdf07228f7e5001d8bb1f8","weight":0.14729,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ca39ea3148894955360cb6","source":"NextResearch","title":"SCHAEFFER dataset","excerpt":"https://github.com/mauriziobrt/SCHAEFFER?tab=readme-ov-file","text":"SCHAEFFER dataset\nhttps://github.com/mauriziobrt/SCHAEFFER?tab=readme-ov-file\n\nAuthors: Maurizio Berta & Daniele Ghisi\n\nThe SCHAEFFER dataset (Spectro-morphogical Corpus of Human-annotated Audio with Electroacoustic Features For Experimental Research) is a compilation of 1000 raw audio files accompanied by human annotations and morphological acoustic features. The audio files adhere to the concept of Sound Objects introduced by Pierre Schaeffer, a framework for the analysis and creation of sound that focuses on its typological and morphological characteristics. Inside the dataset, the annotations are provided in the form of free text, while the labels are pre-chosen from a list of classes, making the sound description fit into a suitable framework for digital analysis.","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/SCHAEFFER%20dataset","updated":1774860798,"position":[-7.9933,128.3123,26.2176],"cluster":"c29","subgroup":"c29.01","degree":6,"referenceDegree":0,"maxSimilarity":0.14158,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67ff29bf0758e336c87d93b1","weight":0.14158,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a61842831e01a921b822922","weight":0.12646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69043f1e477788b7417cb6e1","weight":0.12646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c22bf12b641d0ca8b2cc5","weight":0.09631,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:643bcfd9ecf33f001cf555a8","weight":0.09298,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6aaac476c45860462e1221c1","weight":0.08517,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ca3a3785458f75a5ba0ca4","source":"NextResearch","title":"DICRéAM france 助成金","excerpt":"（Dispositif pour la Création Artistique Multimédia et Numérique）は、フランスの国立映画映像センター（CNC）が運営する、デジタル・メディア技術を用いたマルチメディアやデジタルアート制作を支援する助成金制度です。映像、演劇、音楽などとデジタル技術を組み合わせた革新的なプロジェクトが対象となります。","text":"DICRéAM france 助成金\n（Dispositif pour la Création Artistique Multimédia et Numérique）は、フランスの国立映画映像センター（CNC）が運営する、デジタル・メディア技術を用いたマルチメディアやデジタルアート制作を支援する助成金制度です。映像、演劇、音楽などとデジタル技術を組み合わせた革新的なプロジェクトが対象となります。 \nhttps://www.cnc.fr/web/en/about/directorates-and-departments/directorate-of-multimedia-and-technical-industries/video-game-and-digital-creation-department\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/DICR%C3%A9AM%20france%20%E5%8A%A9%E6%88%90%E9%87%91","updated":1774860914,"position":[-26.8148,16.3261,55.4809],"cluster":"c09","subgroup":"c09.02","degree":8,"referenceDegree":0,"maxSimilarity":0.33123,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68652a77aaf721bf7eafaa41","weight":0.33123,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3abca235171ef2a9ba71","weight":0.23765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:650793dfdb74eb001b22be69","weight":0.22631,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3c281761c2e72b822a09","weight":0.15678,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3b847f0325cf93447c53","weight":0.10848,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:698c2aa1f21d22eebd5dae75","weight":0.106,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6836995e2e629f324b306254","weight":0.10516,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1402098f8b47d5c01330c9","weight":0.09969,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ca3abca235171ef2a9ba71","source":"NextResearch","title":"Fonds 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brain institute","excerpt":"https://parisbraininstitute.org/","text":"Paris brain institute\nhttps://parisbraininstitute.org/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Paris%20brain%20institute","updated":1774861544,"position":[1.0386,61.4856,49.8215],"cluster":"c08","subgroup":"c08.02","degree":10,"referenceDegree":0,"maxSimilarity":0.27788,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6559fd7672a805001b4ad986","weight":0.27788,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:698c2aa1f21d22eebd5dae75","weight":0.26201,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:698c23f18cfb9ddc65b321c6","weight":0.21748,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6810cc2539b9f9295f5aef18","weight":0.20069,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c8a9bde66d05e304a25705","weight":0.18991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6454cb906cf1140a789079ee","weight":0.1795,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67fdb5331d14812d0a74bf31","weight":0.1765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6910504a0b69b347219cf1d4","weight":0.16872,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ca3d33b389f60806251a38","source":"NextResearch","title":"Stephen Whitmarsh","excerpt":"私はParis Brain Institute（ICM） のデータ解析コア施設の責任者を務めています。当施設では、マルチオミクスや空間トランスクリプトミクスから、顕微鏡観察や神経画像解析におけるAIまで、神経科学データの解析と管理に関するバイオインフォマティクスサポートを提供しています。オープンサイエンスの実践を推進・支援し、オープンサイエンスの原則に基づき、貴重な研究データがFAIR原則（Findable、Accessible、Interoperable、Reusable）に準拠して、検索可能、アクセス可能、相互運用可能、再利用可能であることを保証します。","text":"Stephen Whitmarsh\n私はParis Brain Institute（ICM） のデータ解析コア施設の責任者を務めています。当施設では、マルチオミクスや空間トランスクリプトミクスから、顕微鏡観察や神経画像解析におけるAIまで、神経科学データの解析と管理に関するバイオインフォマティクスサポートを提供しています。オープンサイエンスの実践を推進・支援し、オープンサイエンスの原則に基づき、貴重な研究データがFAIR原則（Findable、Accessible、Interoperable、Reusable）に準拠して、検索可能、アクセス可能、相互運用可能、再利用可能であることを保証します。\n\n私は、フランス国立研究機構（ANR）の資金提供を受けた、MSH Paris Nord、 パリ第8大学、  CICM/MUSIDANSE、  Soixante circuits、 ロンドン大学ゴールドスミス校との 共同プロジェクト「 Brain Body Digital Music Instrument」の科学コーディネーターを務めています 。このプロジェクトでは、神経電気信号（EEG、EMG）を用いた音響合成と作曲のためのオープンソースのソフトウェアとハ​​ードウェアを開発しています。 \n\nSince 2009, I am working on interdisciplinary art research, within the research collective OuUnPo, the art organization Vision Forum, the research collective 1+1=3, and the EEGsynth association, wherein we develop multisensory neurofeedback performances and produce contemporary sound experiments and workshops. We develop an open-source platform for brain-computer-interfaces, and organize art, science and sci-art events. \n\nhttps://stephenwhitmarsh.com/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Stephen%20Whitmarsh","updated":1774861807,"position":[-23.2973,-74.4436,12.1084],"cluster":"c27","subgroup":"c27.01","degree":3,"referenceDegree":0,"maxSimilarity":0.33958,"lowEvidence":false,"neighbors":[{"id":"NextResearch:690b0dec58e67f4a9190ca22","weight":0.33958,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64e4451107558600205ef232","weight":0.12527,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c087a921e8fb608883021","weight":0.10904,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ca3e693e106847269e23a9","source":"NextResearch","title":"vision forum","excerpt":"parisでの脳科学での作品など作ってる人たち","text":"vision forum\nparisでの脳科学での作品など作ってる人たち\nhttps://www.instagram.com/visionforum.eu/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/vision%20forum","updated":1774861951,"position":[13.7955,96.5609,55.6602],"cluster":"c19","subgroup":"c19.01","degree":7,"referenceDegree":0,"maxSimilarity":0.22414,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d678fa1f293d001db4f3e0","weight":0.22414,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65eca0cfb4298e00250dd98c","weight":0.21387,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10d50c3f7cddd977cd69f","weight":0.2006,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6851398d3970df4d950967e0","weight":0.19369,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bbc606788c0001bb26cd2","weight":0.19129,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6626169616a6ca00263b72de","weight":0.19129,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d7983f0c730024ad454d","weight":0.1715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ca3f06898524315e821bc1","source":"NextResearch","title":"ISMM IRCAM","excerpt":"IRCAM（フランス国立音響音楽研究所）のISMM（Interaction son musique mouvement）チームは、音、音楽、身体動作のインタラクションに特化した研究開発チームです。Frédéric Bevilacqua氏らが中心となり、ジェスチャー認識やリアルタイムの音響合成など、舞台芸術や音楽のための技術を開発しています。","text":"ISMM IRCAM\nIRCAM（フランス国立音響音楽研究所）のISMM（Interaction son musique mouvement）チームは、音、音楽、身体動作のインタラクションに特化した研究開発チームです。Frédéric Bevilacqua氏らが中心となり、ジェスチャー認識やリアルタイムの音響合成など、舞台芸術や音楽のための技術を開発しています。\nhttps://forum.ircam.fr/topics/detail/639-ISMM%20Team/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/ISMM%20IRCAM","updated":1774862109,"position":[2.1111,92.3249,57.4985],"cluster":"c19","subgroup":"c19.01","degree":7,"referenceDegree":0,"maxSimilarity":0.19227,"lowEvidence":false,"neighbors":[{"id":"NextResearch:682c22bf12b641d0ca8b2cc5","weight":0.19227,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683486b5903130f3f403b41a","weight":0.12191,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68431f73a249d6b90e15177f","weight":0.12152,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6084201900d0bc3abcd35e","weight":0.11933,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6843216e4139c1457020dc56","weight":0.11684,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c20f03eb7386f4df57967","weight":0.11616,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6b1d0fd00b001db59fbb","weight":0.11295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ca3f7d56b7829bee7edad8","source":"NextResearch","title":"wave field synthesis","excerpt":"IRCAM のstudioでやってた、ぎよむが紹介してくれた","text":"wave field synthesis\nIRCAM のstudioでやってた、ぎよむが紹介してくれた\nhttps://en.wikipedia.org/wiki/Wave_field_synthesis\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/wave%20field%20synthesis","updated":1774862233,"position":[21.0626,47.0047,-34.9377],"cluster":"c15","subgroup":"c15.01","degree":10,"referenceDegree":0,"maxSimilarity":0.38693,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e124c1d0b6f58fdc9f78","weight":0.38693,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb8e35d2f9603a77659e1","weight":0.21789,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c88d14b66b8416268e6464","weight":0.19338,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6910504a0b69b347219cf1d4","weight":0.13128,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:691046226affffbfb2406e89","weight":0.12714,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66339db6225bb3002665643d","weight":0.11557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6599494116b5920022d3630a","weight":0.11122,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68027ac4c1a5ee9879f6dd9d","weight":0.10733,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ca3fbedab3e4354dfb4801","source":"NextResearch","title":"Augustin Muller","excerpt":"オーガスティン・ミュラー(エレクトロニクス)","text":"Augustin Muller\nオーガスティン・ミュラー(エレクトロニクス)\nコンピューター音楽のサウンド・デザイナーであり、2011年からIrcamのために働いてきた。パリ高等音楽院(CNSMDP)で学び、ミックスされた音楽レパートリーの演奏と伝達という課題に直面した世代である。\n数多くの作曲家（ミカエル・レヴィナス、ロベルト・プラッツ、フアン・パブロ・カレーニョ、アンリ・フーレス、シヴァン・エルダー等）、音楽家、パフォーマーたちと、コンサートや研究調査、創造プロジェクトで協働している。ライブ・エレクトロニクス及びサウンド・クリエーションの多くのプロジェクトに参画しており、例えば08年からは室内オーケストラ「ル・バルコン」とオスマン・ルアティとのコラボレーションで、ピエール・アンリ《ドラキュラ》のミックス・アンサンブルのためのアレンジをプロデュースした。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Augustin%20Muller","updated":1774862280,"position":[52.3947,-32.2528,2.5124],"cluster":"c10","subgroup":"c10.01","degree":5,"referenceDegree":0,"maxSimilarity":0.10761,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658b02c09f2c4f002494a648","weight":0.10761,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2f3a8378db8001bd9e1ea","weight":0.10643,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb2e6e6b208aad3c72b34","weight":0.10486,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a173b901637a2644ff856ce","weight":0.0885,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a096773c450b46dc898048a","weight":0.08681,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ca403183d29da3b3a17ff5","source":"NextResearch","title":"greg beller ircam","excerpt":"IRCAM のphdチームとかまとめてくれた仲良くしてくれた人、ぎよむもすすめてた","text":"greg beller ircam\nIRCAM のphdチームとかまとめてくれた仲良くしてくれた人、ぎよむもすすめてた\nhttp://www.gregbeller.com/\nhttps://forum.ircam.fr/profile/beller/\nGreg Beller works as an artist, researcher, computer designer for contemporary arts, and a teacher. At the nexus of Arts and Sciences at IRCAM, he has been successively a PhD student researching generative models for expressivity and their applications for speech and music, a computer music designer, the director of Research/Creation Interfaces Department, and the product manager of the IRCAM Forum. As founder of the Synekine Project, he is currently completing a second PhD at the HfMT Hamburg on \"Natural Interfaces for Computer Music\" in the creation and the performance of artistic moments.\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/greg%20beller%20ircam","updated":1774862526,"position":[4.5206,95.1001,57.1011],"cluster":"c19","subgroup":"c19.01","degree":8,"referenceDegree":0,"maxSimilarity":0.21693,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6851398d3970df4d950967e0","weight":0.21693,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c22bf12b641d0ca8b2cc5","weight":0.17415,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683486b5903130f3f403b41a","weight":0.14898,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68431f73a249d6b90e15177f","weight":0.1481,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69104d5349bc437487670f84","weight":0.14594,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6084201900d0bc3abcd35e","weight":0.14505,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6843216e4139c1457020dc56","weight":0.14233,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69104cbf4641a09c7b4fbd14","weight":0.13009,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ce249a769c562204c390b9","source":"NextResearch","title":"光コンピューティング","excerpt":"光コンピューティングは、電子の代わりに光子（フォトン）を用いて高速・低消費電力で情報処理を行う技術です。AIの行列演算や量子計算に最適で、従来のGPUと比較して桁違いの電力効率と処理速度（低遅延）を実現します。NTTのIOWN構想など、データセンターや計算ノード内の「光電融合」デバイスによる実用化が急速に進んでいます。","text":"光コンピューティング\n光コンピューティングは、電子の代わりに光子（フォトン）を用いて高速・低消費電力で情報処理を行う技術です。AIの行列演算や量子計算に最適で、従来のGPUと比較して桁違いの電力効率と処理速度（低遅延）を実現します。NTTのIOWN構想など、データセンターや計算ノード内の「光電融合」デバイスによる実用化が急速に進んでいます。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%85%89%E3%82%B3%E3%83%B3%E3%83%94%E3%83%A5%E3%83%BC%E3%83%86%E3%82%A3%E3%83%B3%E3%82%B0","updated":1775117494,"position":[-22.7553,-73.2976,66.46],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14044,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","weight":0.14044,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.11276,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ce24ca34262b93e6913cd3","source":"NextResearch","title":"EUV","excerpt":"EUV（極端紫外線）は、波長13.5nmの短い光を用いて、7nm以下の微細な半導体回路を描く技術（EUVリソグラフィ）です。スマートフォンやAIチップなど高性能半導体になくてはならない技術であり、露光装置はオランダのASMLがほぼ独占、1台数百億円する最先端装置です。","text":"EUV\nEUV（極端紫外線）は、波長13.5nmの短い光を用いて、7nm以下の微細な半導体回路を描く技術（EUVリソグラフィ）です。スマートフォンやAIチップなど高性能半導体になくてはならない技術であり、露光装置はオランダのASMLがほぼ独占、1台数百億円する最先端装置です。 \n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/EUV","updated":1775117530,"position":[0.2808,86.1259,16.4797],"cluster":"c22","subgroup":"c22.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05681,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:69ce24e5fe32b13dabbd171f","source":"NextResearch","title":"sbi tokyo sphere","excerpt":"2030ごろか","text":"sbi tokyo sphere\n2030ごろか\n\nhttps://www.japantimes.co.jp/business/2026/04/01/companies/sbi-sphere-arena/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/sbi%20tokyo%20sphere","updated":1775117577,"position":[42.7024,80.379,27.5697],"cluster":"c21","subgroup":"c21.01","degree":7,"referenceDegree":0,"maxSimilarity":0.44393,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686bb9d495f5ff348283a759","weight":0.44393,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a2797dc978d1001c5c05ad","weight":0.30248,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69169da6ee3db9d4616c3d3a","weight":0.28426,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:650794275d0cec001c2a5db7","weight":0.26157,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:646497c124448e001c6c4a6f","weight":0.23528,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b3ff0417e18001c1092db","weight":0.23022,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af3ff5584aa3001d4a4d2a","weight":0.10121,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ce252ca2ee752c2ed2d2d7","source":"NextResearch","title":"otodasu 室内防音室","excerpt":"https://otodasu.jp/otodasu-dx145-g/?utm_source=google&utm_medium=cpc&utm_campaign=bouon&gad_source=1&gad_campaignid=17539635724&gbraid=0AAAAACIlOP33AwkbrXGvVHyhj6nNLWb_A&gclid=Cj0KCQjwp7jOBhDGARIsABe7C4fkHebWWvHu5HvuCGmSJJjeq20UOeEZZTerLE8ziEtBe-78M8ktkf4aAp1ZEALw_wcB","text":"otodasu 室内防音室\nhttps://otodasu.jp/otodasu-dx145-g/?utm_source=google&utm_medium=cpc&utm_campaign=bouon&gad_source=1&gad_campaignid=17539635724&gbraid=0AAAAACIlOP33AwkbrXGvVHyhj6nNLWb_A&gclid=Cj0KCQjwp7jOBhDGARIsABe7C4fkHebWWvHu5HvuCGmSJJjeq20UOeEZZTerLE8ziEtBe-78M8ktkf4aAp1ZEALw_wcB\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/otodasu%20%E5%AE%A4%E5%86%85%E9%98%B2%E9%9F%B3%E5%AE%A4","updated":1775117628,"position":[-66.7496,21.2,-150.1385],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06385,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:69e7212eb4bf049c404a37b7","source":"NextResearch","title":"Longitudinal Effects of Continuous Music Training on Cognitive Development: Evidence From the Adolescent Brain Cognitive Development (ABCD) Study","excerpt":"https://pubmed.ncbi.nlm.nih.gov/41043108/","text":"Longitudinal Effects of Continuous Music Training on Cognitive Development: Evidence From the Adolescent Brain Cognitive Development (ABCD) Study\nhttps://pubmed.ncbi.nlm.nih.gov/41043108/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Longitudinal%20Effects%20of%20Continuous%20Music%20Training%20on%20Cognitive%20Development%3A%20Evidence%20From%20the%20Adolescent%20Brain%20Cognitive%20Development%20%28ABCD%29%20Study","updated":1776754998,"position":[0.6608,60.7899,47.7123],"cluster":"c08","subgroup":"c08.02","degree":7,"referenceDegree":0,"maxSimilarity":0.30445,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67fdb5331d14812d0a74bf31","weight":0.30445,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559fd7672a805001b4ad986","weight":0.14349,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68932bcd7886d50690ba8d67","weight":0.14346,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bca18f23a70001c9398c3","weight":0.11198,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668e25a77c5da7001d3ea051","weight":0.11184,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.1089,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67fdb501a5997860624715d2","weight":0.10847,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e7796a14781cdf78f8ac96","source":"NextResearch","title":"人流シュミレーション","excerpt":"https://providence.spacedata.jp/techblogs/jzCkUf99","text":"人流シュミレーション\nhttps://providence.spacedata.jp/techblogs/jzCkUf99\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E4%BA%BA%E6%B5%81%E3%82%B7%E3%83%A5%E3%83%9F%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1776777585,"position":[50.9527,-36.1399,1.968],"cluster":"c10","subgroup":"c10.01","degree":12,"referenceDegree":0,"maxSimilarity":0.6944,"lowEvidence":false,"neighbors":[{"id":"NextResearch:695f6fca2c4e9fde2d346357","weight":0.6944,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c555fe7dc7e7002570a3c5","weight":0.26072,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.24601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cb898fbdf8400231d59d6","weight":0.17114,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.1347,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65921638fc909000238ceba5","weight":0.13179,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65079c4a2165bf001c616fc7","weight":0.13174,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648af81dabcedc001c17116d","weight":0.13012,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e89496e6aee9d8d8bda4f8","source":"NextResearch","title":"磯崎新 海市 icc 初年度","excerpt":"https://www.ntticc.or.jp/en/feature/1997/Utopia/preface_j.html","text":"磯崎新 海市 icc 初年度\nhttps://www.ntticc.or.jp/en/feature/1997/Utopia/preface_j.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E7%A3%AF%E5%B4%8E%E6%96%B0%20%E6%B5%B7%E5%B8%82%20icc%20%E5%88%9D%E5%B9%B4%E5%BA%A6","updated":1776850086,"position":[-55.7634,-3.466,-105.4285],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08202,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:69e9b58bc61d8cfa83f5357f","source":"NextResearch","title":"フィリップ・マヌリ（Philippe Manoury）","excerpt":"著書『魅了されたニューロン―脳と音楽をめぐる対話』","text":"フィリップ・マヌリ（Philippe Manoury）\n著書『魅了されたニューロン―脳と音楽をめぐる対話』\nフランスの現代音楽の作曲家フィリップ・マヌリが、作曲家・指揮者のピエール・ブーレーズ、神経生物学者のジャン＝ピエール・シャンジューと共に、音楽を創造する際の脳内の生物学的プロセスやニューロンの働きについて対話した書籍です。音楽と脳の関連性（音楽と快楽、頭脳的なものなど）について論じています。\nコンピュータ音楽と脳波の関連\nマヌリはIRCAM（フランス国立音響音楽研究所）での活動を通じて、電子音楽やコンピュータを用いた音楽制作を行ってきました。直接的に彼自身が「脳波で作曲する」研究の第一人者であるというよりは、現代音楽における神経生物学や技術（脳活動を含む）の応用に強い関心を持っている人物として位置づけられています。\n\nhttps://www.ntticc.or.jp/ja/exhibitions/1994/program-one-sound-music-artwork-at-ircam-institut-de-recherche-et-coordination-acoustique-musique/\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%95%E3%82%A3%E3%83%AA%E3%83%83%E3%83%97%E3%83%BB%E3%83%9E%E3%83%8C%E3%83%AA%EF%BC%88Philippe%20Manoury%EF%BC%89","updated":1776924093,"position":[14.3826,-36.9382,20.5096],"cluster":"c05","subgroup":"c05.01","degree":2,"referenceDegree":0,"maxSimilarity":0.08713,"lowEvidence":false,"neighbors":[{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.08713,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c477c0cfea16001bf49fa8","weight":0.08589,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e124c1d0b6f58fdc9f78","source":"NextResearch","title":"元SFC 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藤幡正樹研究室\n畠中さんが紹介してた。\nhttps://www.fujihata.jp/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGnmrul2ISyBfrW_-lL0uFXCGvApDCNRMQnKlfD3Yrk7zdLVCjlw_BVy9YnM0U_aem_VXC72Qx9D5OVFBhFAdi-Xw\n\nhttps://note.com/eto/n/n21cd00dc74f7\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%85%83SFC%20%E8%97%A4%E5%B9%A1%E6%AD%A3%E6%A8%B9%E7%A0%94%E7%A9%B6%E5%AE%A4","updated":1776935251,"position":[21.8731,48.4704,-35.1334],"cluster":"c15","subgroup":"c15.01","degree":3,"referenceDegree":0,"maxSimilarity":0.38693,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69ca3f7d56b7829bee7edad8","weight":0.38693,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67612a88025958f0e456d2df","weight":0.25651,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507723bfd2245001bb3d6a0","weight":0.12438,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e17f34ad8878e3ed828d","source":"NextResearch","title":"E.A.T 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Pompidou\nhttps://awarewomenartists.com/articles_japan/experiments-in-art-and-technology-e-a-t-女性アーティストの参画/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/E.A.T%20Aware%20Centre%20Pompidou","updated":1776935309,"position":[-14.1987,85.4572,31.8859],"cluster":"c16","subgroup":"c16.01","degree":9,"referenceDegree":0,"maxSimilarity":0.42427,"lowEvidence":false,"neighbors":[{"id":"NextResearch:695122d53c8a7c22146d537b","weight":0.42427,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d56a9c444bc93ee6c9d3","weight":0.23758,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d8d317f4061c25a7a024","weight":0.21494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b87254189413de95bc1da4","weight":0.18798,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d906f388266c16dea662","weight":0.18292,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4d864afaf2881cdd7055","weight":0.17704,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d7efb386101fb36e365a","weight":0.15231,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69104e9240254a85f4793de9","weight":0.131,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e19b79da8d001dac207b","source":"NextResearch","title":"サイバネティック セレンディピティ","excerpt":"https://bijutsutecho.com/artwiki/118","text":"サイバネティック セレンディピティ\nhttps://bijutsutecho.com/artwiki/118\n「サイバネティック・セレンディピティ」展は、1968年にロンドンのICA（Institute of Contemporary Arts）で学芸員ヤシャ・ライハートによって企画、開催された展覧会で、その後のコンピュータ・テクノロジーを用いたアートの先駆となった。\n\n　数学者ノーバート・ウィーナーが「サイバネティックス」理論として自動制御とフィードバックを工学、生理学、さらに文化的な意味を説いたことに影響を受け、展覧会のタイトルにそれが反映されている。また「セレンディピティ」の意味は、「思わぬものを偶然に発見すること」である。\n\n　ラインハートは同展について、「成果よりも可能性を扱ったものであり、その意味では時期尚早の楽観的なものである。なぜなら、コンピュータはこれまでのところ、科学に革命をもたらしたのと同じようには、音楽にも芸術にも詩にも革命をもたらしていない」と、技術とそれが切り拓く先駆性と芸術における技術受容の未成熟さを併せ持つと評している。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B5%E3%82%A4%E3%83%90%E3%83%8D%E3%83%86%E3%82%A3%E3%83%83%E3%82%AF%20%E3%82%BB%E3%83%AC%E3%83%B3%E3%83%87%E3%82%A3%E3%83%94%E3%83%86%E3%82%A3","updated":1776935355,"position":[3.4022,-78.4479,36.3201],"cluster":"c01","subgroup":"c01.01","degree":8,"referenceDegree":0,"maxSimilarity":0.44076,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1400e5af070ee9c3be2dad","weight":0.44076,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b18a86ddf7f001c1b8f16","weight":0.41327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6679b2c28c1705001c6611c0","weight":0.3235,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b786b921c7a90024b98189","weight":0.28682,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c5727635d0d0023383d05","weight":0.107,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678945246c6b2394574b48f3","weight":0.10505,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a8f60e128bf800248478bd","weight":0.09821,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b7869cfb9a970025f34725","weight":0.08866,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e1d9bdf592305d580e2f","source":"NextResearch","title":"ユク・ホイ 再帰性と偶然性","excerpt":"https://philosophyandtechnology.network/2910/cybernetics-for-the-twenty-first-century-an-interview-with-philosopher-yuk-hui-jp/","text":"ユク・ホイ 再帰性と偶然性\nhttps://philosophyandtechnology.network/2910/cybernetics-for-the-twenty-first-century-an-interview-with-philosopher-yuk-hui-jp/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%A6%E3%82%AF%E3%83%BB%E3%83%9B%E3%82%A4%20%E5%86%8D%E5%B8%B0%E6%80%A7%E3%81%A8%E5%81%B6%E7%84%B6%E6%80%A7","updated":1776935415,"position":[50.9363,-37.2516,0.3474],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14066,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734d353f6d0e599631f7481","weight":0.14066,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6591915d4cabe70025f201ea","weight":0.09224,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e2028fcc325bced02340","source":"NextResearch","title":"ジャンボードリアル オルタナティブな人生","excerpt":"ジャン・ボードリヤール（Jean Baudrillard）の思想は、現代社会における「現実」が記号やイメージ（シミュラークル）によって置き換えられたものであると指摘しました。彼の視点に基づく「オルタナティブ（代替的）な人生」や生き方について、以下の要素が挙げられます。","text":"ジャンボードリアル オルタナティブな人生\nジャン・ボードリヤール（Jean Baudrillard）の思想は、現代社会における「現実」が記号やイメージ（シミュラークル）によって置き換えられたものであると指摘しました。彼の視点に基づく「オルタナティブ（代替的）な人生」や生き方について、以下の要素が挙げられます。 \n1. シミュレーションからの脱出・抵抗\n現代社会は、消費社会やメディアによって作られた「本物らしい偽物（シミュラークル）」に囲まれています。 \n\nオルタナティブな生き方: すべてが消費・記号化された現実の中で、あえて「意味のないこと」「無駄なこと」に価値を見出す。メディアが提示する「欲望のモデル」に従わず、主体的に「物語」を剥ぎ取った生を生きる。\n\n2. 「消費」から「使用」への転換\nモノをそのブランド価値やステータス（記号）のために買うのではなく、実質的な機能や体験のために使う。\nオルタナティブな生き方: SNSや広告で「よく見られる自分」を演出するのをやめ、実空間での体験や、誰にも評価されない、ただ「ある」ための場所（アジール）を大事にする。 \n\n遅いインターネット\n3. バーチャル／デジタル技術への批判的視点\n生成AIやVR、SNSは、現実よりもリアルな「ハイパーリアル」を作り出します。 \n\nオルタナティブな生き方: デジタル空間に閉じこもるのではなく、物理的な身体性を伴うリアルな経験を重視する。情報やイメージの世界から離れ、身体的な痛みや感覚を取り戻す。\n4. 誘惑・策略・贈与\nボードリヤールは「消費」の対抗概念として、相手を支配しない、計算の及ばない「誘惑」や、一方的な「贈与」といった、記号的な交換ではない関係性を重視しました。\nオルタナティブな生き方: 計算高い人生（損得勘定）から離れ、予測不可能で、誘惑に満ちた、情熱的（エロス）な生き方を選択する。 \n\n5. 「死」の受容\n消費社会は「死」や「限界」を隠蔽し、永遠の若さや完璧さ（＝記号）を求めます。\nオルタナティブな生き方: 有限性を受け入れ、死や限界を人生のリアルな一部として引き受けることで、逆に「今、この瞬間」を本当の意味で生きる。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B8%E3%83%A3%E3%83%B3%E3%83%9C%E3%83%BC%E3%83%89%E3%83%AA%E3%82%A2%E3%83%AB%20%E3%82%AA%E3%83%AB%E3%82%BF%E3%83%8A%E3%83%86%E3%82%A3%E3%83%96%E3%81%AA%E4%BA%BA%E7%94%9F","updated":1776935486,"position":[50.88,-35.909,0.8906],"cluster":"c10","subgroup":"c10.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08651,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:683bf4a5d2889ef385d4b594","weight":0.08651,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e24e10e09d47b294cc81","source":"NextResearch","title":"《スーパーマリオ・スリーピング》 1997","excerpt":"ミルトス・マネタス","text":"《スーパーマリオ・スリーピング》 [1997]\nミルトス・マネタス\nhttps://www.ntticc.or.jp/ja/archive/works/supermario-sleeping/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%80%8A%E3%82%B9%E3%83%BC%E3%83%91%E3%83%BC%E3%83%9E%E3%83%AA%E3%82%AA%E3%83%BB%E3%82%B9%E3%83%AA%E3%83%BC%E3%83%94%E3%83%B3%E3%82%B0%E3%80%8B%201997","updated":1776935518,"position":[7.9909,-38.9106,76.4061],"cluster":"c14","subgroup":"c14.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09479,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c6427d31de92001c5e94b2","weight":0.09479,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e265ab08bc2d41ccc5de","source":"NextResearch","title":"マシニマ","excerpt":"https://ja.wikipedia.org/wiki/マシニマ","text":"マシニマ\nhttps://ja.wikipedia.org/wiki/マシニマ\nマシニマ (英: Machinima) とは、マシンとシネマ、あるいはマシンとアニメーションを組み合わせた造語であり、主にビデオゲームのジャンルの一つであるファーストパーソン・シューティングゲーム (First Person Shooter, FPS) のグラフィックエンジンを用いて作られるCGI映画である。\n\nマシニマは通常作られる大作CG映画と違い、あるPCゲームのグラフィックエンジン、ゲームエンジンを用いて作られ、そのゲームに備えられているリプレイ機能、スキン変更機能、カメラアングル変更機能などを用いて映像を撮影し、撮影後に音声をつけるという形を取るので、制作費が低く抑えられるという特徴がある。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%9E%E3%82%B7%E3%83%8B%E3%83%9E","updated":1776935554,"position":[21.6772,-56.9868,24.8973],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08021,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:69e9e2c5360853bedff092a4","source":"NextResearch","title":"《PLX》 2001","excerpt":"クワクボリョウタ","text":"《PLX》 [2001] \nクワクボリョウタ\n両サイドで別のゲームをしてる。\nhttps://www.ntticc.or.jp/ja/archive/works/plx/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%80%8APLX%E3%80%8B%202001","updated":1776935668,"position":[-3.5094,124.8197,28.9926],"cluster":"c29","subgroup":"c29.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10378,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6951243c8cd45d6327983a93","weight":0.10378,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659561daa9a416002569375d","weight":0.09352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e30e905e65be420e701e","source":"NextResearch","title":"ゲームアート","excerpt":"『美術手帖』8月号「ゲーム×アート」特集では、ゲームの技術を取り入れた美術作品から、ゲームにおける芸術性についての議論までを紹介。今回のトークイベントでは、特集の見取り図となる企画「ゲーム×アートを考えるためのキーワード解説」の構成を担当した、メディア・アーティストとしてゲームアートの制作・研究を行う谷口暁彦、ゲーム研究者・美学者として活動する松永伸司、ゲームの物語性を研究テーマのひとつとするアーティストの大岩雄典が登壇し、それぞれの視点で両領域の関わりを掘り下げた。","text":"ゲームアート\n『美術手帖』8月号「ゲーム×アート」特集では、ゲームの技術を取り入れた美術作品から、ゲームにおける芸術性についての議論までを紹介。今回のトークイベントでは、特集の見取り図となる企画「ゲーム×アートを考えるためのキーワード解説」の構成を担当した、メディア・アーティストとしてゲームアートの制作・研究を行う谷口暁彦、ゲーム研究者・美学者として活動する松永伸司、ゲームの物語性を研究テーマのひとつとするアーティストの大岩雄典が登壇し、それぞれの視点で両領域の関わりを掘り下げた。\nhttps://bijutsutecho.com/magazine/news/report/22690\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B2%E3%83%BC%E3%83%A0%E3%82%A2%E3%83%BC%E3%83%88","updated":1776935723,"position":[15.6317,-34.562,20.3571],"cluster":"c05","subgroup":"c05.01","degree":7,"referenceDegree":0,"maxSimilarity":0.12042,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669e53ccf123a5001c88e942","weight":0.12042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a51b738dbd9001b704b40","weight":0.11038,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65921a1774c3150022d1f8c2","weight":0.10501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6951243c8cd45d6327983a93","weight":0.10305,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a11387bc25f3da701b45c15","weight":0.09704,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5d90a9264fe5327f168","weight":0.09476,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4d840542fb8b138efbc","weight":0.0934,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e339360853bedff09694","source":"NextResearch","title":"メディア論―人間の拡張の諸相","excerpt":"マーシャル マクルーハン","text":"メディア論―人間の拡張の諸相\nマーシャル マクルーハン\nhttps://www.amazon.co.jp/メディア論―人間の拡張の諸相-マーシャル-マクルーハン/dp/4622018977\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%A1%E3%83%87%E3%82%A3%E3%82%A2%E8%AB%96%E2%80%95%E4%BA%BA%E9%96%93%E3%81%AE%E6%8B%A1%E5%BC%B5%E3%81%AE%E8%AB%B8%E7%9B%B8","updated":1776935763,"position":[13.8441,-34.8681,19.7227],"cluster":"c05","subgroup":"c05.01","degree":9,"referenceDegree":0,"maxSimilarity":0.5751,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6083c81972c1d3fd3e477b","weight":0.5751,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e527d09a200243dfd63","weight":0.33151,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6755968dbf002303e467","weight":0.25491,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593940f8cf18d0024dc540c","weight":0.13981,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a140089e4ffadd545d6b11e","weight":0.13278,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.12742,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a5f3f57559050023cd63b1","weight":0.09482,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cbf0f9b67ff0023804f2a","weight":0.08919,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e4151bdc788b04929338","source":"NextResearch","title":"イタリア未来派","excerpt":"イタリア未来派（Futurismo）は、20世紀初頭（1909年～）にイタリアで興った、スピード、機械、暴力、技術、戦争を賛美し、伝統的な芸術や社会制度を破壊しようとした前衛的な総合芸術運動。フィリッポ・トマゾ・マリネッティの「未来派宣言」に始まり、自動車や工業都市のダイナミズムを絵画、彫刻、建築、音楽へ表現した。","text":"イタリア未来派\nイタリア未来派（Futurismo）は、20世紀初頭（1909年～）にイタリアで興った、スピード、機械、暴力、技術、戦争を賛美し、伝統的な芸術や社会制度を破壊しようとした前衛的な総合芸術運動。フィリッポ・トマゾ・マリネッティの「未来派宣言」に始まり、自動車や工業都市のダイナミズムを絵画、彫刻、建築、音楽へ表現した。 \nイタリア未来派の主な特徴\nスピードと機械の賛美: 「疾走する自動車はサモトラケのニケよりも美しい」という名言に代表されるように、工業社会の速さや機械美を究極の美とみなした。\n伝統の破壊と反乱: 美術館、図書館、アカデミーなど、過去の文化遺産を徹底的に否定した。\nダイナミズム（力強い動き）: 静止した姿ではなく、時間的な連続性や運動、光をキャンバス上に表現しようとした。\n総合芸術: 絵画・彫刻だけでなく、文学、音楽、建築、写真、ファッション、演劇など、生活のあらゆる分野を変革しようとした。\n政治との同調: 戦争を「世界で唯一の衛生」として肯定し、後にファシズム運動へと傾斜した。\n歴史的背景と影響\n20世紀初頭、後進国であったイタリアが急速な工業化を遂げる中で、技術的な進化や大都市の出現が、既存の価値観に疑問を投げかけたことが背景にある。この運動はロシア構成主義やダダにも影響を与えたが、戦争賛美や政治的な極端さから、芸術運動としての評価は分かれている。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A4%E3%82%BF%E3%83%AA%E3%82%A2%E6%9C%AA%E6%9D%A5%E6%B4%BE","updated":1776936022,"position":[-25.4063,37.3473,12.9765],"cluster":"c06","subgroup":"c06.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10331,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f78cd800fb7f001d14ccc8","weight":0.10331,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e468ce51106867ac88ed","source":"NextResearch","title":"リチャードハミルトン","excerpt":"https://ja.wikipedia.org/wiki/リチャード・ハミルトン","text":"リチャードハミルトン\nhttps://ja.wikipedia.org/wiki/リチャード・ハミルトン\n\nリチャード・ハミルトン（Richard Hamilton CH、1922年2月24日 - 2011年9月13日）は、イギリスの画家。\n\n彼の作品『一体何が今日の家庭をこれほどに変え、魅力あるものにしているのか』は、発表当時は物議を醸したが、現在では最初のポップアート作品として高く評価されている。\nhttps://ja.wikipedia.org/wiki/一体何が今日の家庭をこれほどに変え、魅力あるものにしているのか\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%AA%E3%83%81%E3%83%A3%E3%83%BC%E3%83%89%E3%83%8F%E3%83%9F%E3%83%AB%E3%83%88%E3%83%B3","updated":1776936083,"position":[33.0713,40.4078,10.1189],"cluster":"c17","subgroup":"c17.01","degree":2,"referenceDegree":0,"maxSimilarity":0.13681,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663120b11b24430025c91e56","weight":0.13681,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d1dbb861b77165183433","weight":0.08824,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e4d840542fb8b138efbc","source":"NextResearch","title":"ビデオアート","excerpt":"https://ja.wikipedia.org/wiki/ビデオ・アート","text":"ビデオアート\nhttps://ja.wikipedia.org/wiki/ビデオ・アート\nビデオ・アート (video art) とは、映像と音声を扱う芸術ジャンルのひとつ。ディスプレイ（展示・上映）の媒体に映像機器、記録媒体にかつてはビデオテープ、現在はDVDなどの電磁的記録媒体を使うことがある。これによってスクリーンとフィルムを使う作品とは区別されている。1960年代に始まり、機材が低価格化した1980年代以降に制作者数が急増し、1990年代以降はメディア・アートの中に包含されつつ現在に至っている。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%93%E3%83%87%E3%82%AA%E3%82%A2%E3%83%BC%E3%83%88","updated":1776936175,"position":[15.051,-34.4854,19.9808],"cluster":"c05","subgroup":"c05.01","degree":4,"referenceDegree":0,"maxSimilarity":0.10766,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a11387bc25f3da701b45c15","weight":0.10766,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e2a4785d2caf9787bf33","weight":0.09689,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e30e905e65be420e701e","weight":0.0934,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.08545,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e4fb0971e6277d11f923","source":"NextResearch","title":"ic uc wc raster-noton ryuichci sakamoto","excerpt":"https://www.ntticc.or.jp/ja/feature/2005/Live_icucwc/index_j.html","text":"ic uc wc raster-noton ryuichci sakamoto\nhttps://www.ntticc.or.jp/ja/feature/2005/Live_icucwc/index_j.html\n\n「PLAYING THE PIANO／05」ツアーのために来日する坂本龍一氏と山口情報芸術センターでの新作インスタレーションのために来日するカールステン・ニコライ氏さらにニコライ氏が主宰するレーベル「raster-noton」所属のアーティスト達によるライブ・パフォーマンスが実現されることになりました．\n\n坂本＋ニコライのコラボレーションは，Alva Noto/Ryuichi Sakamoto名義でピアノとコンピュータによるデュオとしての2作目になる「insen」（raster-noton）を今年の3月に発表，この10月にはヨーロッパ・ツアーを行なったばかりです．\n\n今回のライブでは，ふたりに加えraster-notonのアーティストも参加しラップトップを使用した即興のセッションを行ないます．どうぞご期待ください．\n\n出演：\talva noto (Carsten NICOLAI)\nbyetone (olaf bender)\nkangding ray\nnibo\nRyuichi SAKAMOTO\n\n日時：2005年12月6日（火）[\n　　　午後6時30分開場，午後7時開演（午後8時終了予定）\n会場：ICC4F特設会場\n定員：450名\n入場料：1000円（税込）\n\n主催：NTT インターコミュニケーション・センター \n住所：〒163-1404　東京都新宿区西新宿3-20-2　東京オペラシティタワー4階\n京王新線初台駅東口から徒歩2分\nお問い合わせ：フリーダイヤル0120-144199\nE-mail：query@ntticc.or.jp\nURL：http://www.ntticc.or.jp/","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/ic%20uc%20wc%20raster-noton%20ryuichci%20sakamoto","updated":1776936254,"position":[53.6688,-32.7008,2.2289],"cluster":"c10","subgroup":"c10.01","degree":11,"referenceDegree":0,"maxSimilarity":0.11462,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a173b901637a2644ff856ce","weight":0.11462,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a076ba76e0054455ec57eb9","weight":0.11377,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559e5973d53fc001be217cf","weight":0.10601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb2e6e6b208aad3c72b34","weight":0.10322,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e603f6a2ec39d44c96ae","weight":0.10021,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a4b160ec1b002494ae3e","weight":0.09942,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68ca72bdd91297c4c541e857","weight":0.09913,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e56805f01d0e5db9bb34","weight":0.09633,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e5531b155430bd516a2a","source":"NextResearch","title":"モザイク webブラウザ","excerpt":"https://www.itmedia.co.jp/enterprise/articles/0809/06/news004.html","text":"モザイク webブラウザ\nhttps://www.itmedia.co.jp/enterprise/articles/0809/06/news004.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%A2%E3%82%B6%E3%82%A4%E3%82%AF%20web%E3%83%96%E3%83%A9%E3%82%A6%E3%82%B6","updated":1776936284,"position":[-5.9123,126.327,27.4],"cluster":"c29","subgroup":"c29.01","degree":7,"referenceDegree":0,"maxSimilarity":0.19168,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f3dc04492bc6001db006ed","weight":0.19168,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c3a47ba0f45ff08bcb317","weight":0.17472,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669a707dbb0f76001c7db9cc","weight":0.16196,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6951243c8cd45d6327983a93","weight":0.15348,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4e49d9b5fb9f7f100ec5","weight":0.15242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1567c82750001cb49c53","weight":0.12673,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658007454e89d6002372bf78","weight":0.10802,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e56805f01d0e5db9bb34","source":"NextResearch","title":"NTT インターコミュニケーション’95「on the Web —ネットワークの中のミュージアム—」","excerpt":"1991年の「電話網の中の見えないミュージアム」は，電話網を使って多様な文化情報を交流させ，美術館の「情報場」としての機能を拡張するイヴェントであったが，「on the Web」では，急速に拡大する「インターネット」のなかに「見える美術館」を構築したほか，ISDN回線を使ったパフォーマンスやインスタレーション展示などを複合的に行なった．「ネット・ギャラリー」には，Netscape Navigatorのほか，Hot Java，VRML Viewerなどの最新のブラウザ・ソフトを使用して，観客が作品とのリアルタイムのインタラクションを楽しめる作品が公開された．","text":"NTT インターコミュニケーション’95「on the Web —ネットワークの中のミュージアム—」\n1991年の「電話網の中の見えないミュージアム」は，電話網を使って多様な文化情報を交流させ，美術館の「情報場」としての機能を拡張するイヴェントであったが，「on the Web」では，急速に拡大する「インターネット」のなかに「見える美術館」を構築したほか，ISDN回線を使ったパフォーマンスやインスタレーション展示などを複合的に行なった．「ネット・ギャラリー」には，Netscape Navigatorのほか，Hot Java，VRML Viewerなどの最新のブラウザ・ソフトを使用して，観客が作品とのリアルタイムのインタラクションを楽しめる作品が公開された．\nネットワーク上で展覧会を開くということは，既存のメディアで展開されてきた作品やアーティストの行為をネット上に置き換えるということではない．また，それらが，これまでの「芸術」の枠のなかに収まるかどうかも定かではない．すべてはプロセスであり，まだ始まったばかりである．ユークリッド的時空間が適用できないネットワーク上でのアーティストの作品・行為を理解するには，まったく新しい「認識」が必要となる．「on the Web」では，観客自身の「ネットワークの読解力」も問われることになった．\nhttps://www.ntticc.or.jp/ja/exhibitions/1995/intercommunication-95-on-the-web-the-museum-inside-the-network/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/NTT%20%E3%82%A4%E3%83%B3%E3%82%BF%E3%83%BC%E3%82%B3%E3%83%9F%E3%83%A5%E3%83%8B%E3%82%B1%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3%E2%80%9995%E3%80%8Con%20the%20Web%20%E2%80%94%E3%83%8D%E3%83%83%E3%83%88%E3%83%AF%E3%83%BC%E3%82%AF%E3%81%AE%E4%B8%AD%E3%81%AE%E3%83%9F%E3%83%A5%E3%83%BC%E3%82%B8%E3%82%A2%E3%83%A0%E2%80%94%E3%80%8D","updated":1776936317,"position":[32.9268,38.8217,14.6517],"cluster":"c17","subgroup":"c17.01","degree":6,"referenceDegree":0,"maxSimilarity":0.40875,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e603f6a2ec39d44c96ae","weight":0.40875,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559a5dda0e111001ce3978a","weight":0.16035,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a8d29f50c09441d8069a511","weight":0.12797,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4fb0971e6277d11f923","weight":0.09633,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593911d13ab1e0024579828","weight":0.08937,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1349af1e800988e55e8d58","weight":0.08639,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e588d7902927564e31a5","source":"NextResearch","title":"Ray Gun 雑誌","excerpt":"https://prtimes.jp/main/html/rd/p/000000337.000002922.html","text":"Ray Gun 雑誌\nhttps://prtimes.jp/main/html/rd/p/000000337.000002922.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Ray%20Gun%20%E9%9B%91%E8%AA%8C","updated":1776936338,"position":[16.0053,-67.0904,2.3439],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1752,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e59a4105ba9c2a89a441","weight":0.1752,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e59a4105ba9c2a89a441","source":"NextResearch","title":"mondo 2000 雑誌","excerpt":"https://www.mondo2000.com/","text":"mondo 2000 雑誌\nhttps://www.mondo2000.com/\nモンド2000は、1980年代から1990年代にカリフォルニアで発行された光沢のあるサイバーカルチャー雑誌でした。バーチャルリアリティやスマートドラッグなどのサイバーパンクのトピックを取り上げました。それは、後に設立されたワイアード誌のより無秩序で破壊的なプロトタイプでした。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/mondo%202000%20%E9%9B%91%E8%AA%8C","updated":1776936366,"position":[16.2249,-67.2654,2.1651],"cluster":"c03","subgroup":"c03.01","degree":6,"referenceDegree":0,"maxSimilarity":0.1752,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e588d7902927564e31a5","weight":0.1752,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658288a9f5683400223ac992","weight":0.17349,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d67ef2278e36001d08cf5f","weight":0.1383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c879943f636001d8c4379","weight":0.12351,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:651a75f8dcab29001b9bfd21","weight":0.10077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678940fdc8084a826ca40bea","weight":0.08777,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e5b6a1686319c0ab258b","source":"NextResearch","title":"DAVID BLAIR WAX 蜜峰テレビの発見","excerpt":"https://ja.wikipedia.org/wiki/WAX/蜜蜂テレビの発見","text":"DAVID BLAIR WAX 蜜峰テレビの発見\nhttps://ja.wikipedia.org/wiki/WAX/蜜蜂テレビの発見\n『WAX/蜜蜂テレビの発見』（ワックス/みつばちテレビのはっけん、Wax or the Discovery of Television Among the Bees） は、アメリカ合衆国の映画作品である。本作は短編で活動してきたデイヴィッド・ブレア（英語版）が初めて監督した初めての長編作品であると同時に、初めてインターネットに配信された映画（英語版）でもある。\n\nまた、本作はデジタルシネマの手法や、ノンリニア編集など、様々なことを初めて採用した作品としても知られている。\n\n1993年にはハイパーメディア版である Waxwebが公開された。本稿では、Waxwebについても併せて解説する。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/DAVID%20BLAIR%20WAX%20%E8%9C%9C%E5%B3%B0%E3%83%86%E3%83%AC%E3%83%93%E3%81%AE%E7%99%BA%E8%A6%8B","updated":1776936394,"position":[-1.67,-49.7928,15.0298],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09764,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a5e8fd347a7d002624eff9","weight":0.09764,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e5d90a9264fe5327f168","source":"NextResearch","title":"アートラボ第1回企画展「ARTLAB」","excerpt":"アーティストの想像力とエンジニアの技術の融合により、新たなアートの領域の創造と実験を目指したアートラボ発足の最初の企画展として、タイトルをプロジェクト名の「ARTLAB」としている。デジタル・テクノロジーの使用は初めてながら、発想の豊かな展開が予感される20代の新進気鋭の現代美術アーティスト3組とのコラボレーションによるもの。アートラボ・エンジニアのデジタル画像処理技術をベースに、オリジナル・プログラミングによるデジタル・イメージの実験を中心とした。アーティストの選択した表現方法の中に、当時はまだ符丁化されていなかった「インタラクティヴ（双方向）」的要素が、アイデアとして随所に現れている。（阿部一直＋四方幸子）","text":"アートラボ第1回企画展「ARTLAB」\nアーティストの想像力とエンジニアの技術の融合により、新たなアートの領域の創造と実験を目指したアートラボ発足の最初の企画展として、タイトルをプロジェクト名の「ARTLAB」としている。デジタル・テクノロジーの使用は初めてながら、発想の豊かな展開が予感される20代の新進気鋭の現代美術アーティスト3組とのコラボレーションによるもの。アートラボ・エンジニアのデジタル画像処理技術をベースに、オリジナル・プログラミングによるデジタル・イメージの実験を中心とした。アーティストの選択した表現方法の中に、当時はまだ符丁化されていなかった「インタラクティヴ（双方向）」的要素が、アイデアとして随所に現れている。（阿部一直＋四方幸子）\n『Partner of Forerunners - Canon’s Cultural Support Activities キヤノンの文化支援プロジェクト』（キヤノン株式会社、2000）より\n\n展示作品：\nコンプレッソ・プラスティコ（平野治朗＋松陰浩之）《REALIZE—すべては成就する》（1991）\n中原浩大《デートマシーン》《7人のアーミー》《アラベスクスマイル》《無重力》《ヤマダノハートビート1500cm》（1991）\n福田美蘭《3DS - 緑の巨人》《3DS - テレビショッピング》《Joint - “緑の巨人” “テレビショッピング”》《Picture block - rearrangement No.1-3》《mirror》他（1991）\nhttps://yukikoshikata.com/artlab/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A2%E3%83%BC%E3%83%88%E3%83%A9%E3%83%9C%E7%AC%AC1%E5%9B%9E%E4%BC%81%E7%94%BB%E5%B1%95%E3%80%8CARTLAB%E3%80%8D","updated":1776936434,"position":[15.4927,-34.3316,20.1493],"cluster":"c05","subgroup":"c05.01","degree":11,"referenceDegree":0,"maxSimilarity":0.10382,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a14026771aab0e4b75bcb49","weight":0.10382,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb2e6e6b208aad3c72b34","weight":0.10011,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e53ccf123a5001c88e942","weight":0.09523,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e30e905e65be420e701e","weight":0.09476,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a133c0d9f4a0b0de36b2969","weight":0.09398,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a078799d2551403bce5bf3d","weight":0.09067,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a51b738dbd9001b704b40","weight":0.0902,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1349af1e800988e55e8d58","weight":0.0899,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e603f6a2ec39d44c96ae","source":"NextResearch","title":"NTT インターコミュニケーション’91「電話網の中の見えないミュージアム」","excerpt":"最も身近なコミュニケーション・ツールである電話網をミュージアムに見立て，電話やファクシミリ，コンピュータを通じてアクセスし，約100人のアーティストや作家，文化人等の作品やメッセージを鑑賞するという実験的イヴェント．アクセス対象としては対談や朗読，音楽や小説・コミックなど5ジャンルが用意された．アクセス方法は，電話機，ファクシミリ，パソコンを使用し，作品のジャンルごとに設けられた特設の短縮ダイヤルをプッシュするのみ．拡大するサイバースペースの世界を予感させるイヴェントとなった．","text":"NTT インターコミュニケーション’91「電話網の中の見えないミュージアム」\n最も身近なコミュニケーション・ツールである電話網をミュージアムに見立て，電話やファクシミリ，コンピュータを通じてアクセスし，約100人のアーティストや作家，文化人等の作品やメッセージを鑑賞するという実験的イヴェント．アクセス対象としては対談や朗読，音楽や小説・コミックなど5ジャンルが用意された．アクセス方法は，電話機，ファクシミリ，パソコンを使用し，作品のジャンルごとに設けられた特設の短縮ダイヤルをプッシュするのみ．拡大するサイバースペースの世界を予感させるイヴェントとなった．\n\nhttps://www.ntticc.or.jp/ja/exhibitions/1991/intercommunication-91-the-museum-inside-the-telephone-network/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/NTT%20%E3%82%A4%E3%83%B3%E3%82%BF%E3%83%BC%E3%82%B3%E3%83%9F%E3%83%A5%E3%83%8B%E3%82%B1%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3%E2%80%9991%E3%80%8C%E9%9B%BB%E8%A9%B1%E7%B6%B2%E3%81%AE%E4%B8%AD%E3%81%AE%E8%A6%8B%E3%81%88%E3%81%AA%E3%81%84%E3%83%9F%E3%83%A5%E3%83%BC%E3%82%B8%E3%82%A2%E3%83%A0%E3%80%8D","updated":1776936464,"position":[32.9322,38.098,14.6083],"cluster":"c17","subgroup":"c17.01","degree":4,"referenceDegree":0,"maxSimilarity":0.40875,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e56805f01d0e5db9bb34","weight":0.40875,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559fd1f525602001ce4de1e","weight":0.10618,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4fb0971e6277d11f923","weight":0.10021,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd564e384fa00025fa6ad1","weight":0.09533,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e67b3f77d2b5a3493908","source":"NextResearch","title":"メディアアート史年表","excerpt":"https://cdc.jp/mac/","text":"メディアアート史年表\nhttps://cdc.jp/mac/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%A1%E3%83%87%E3%82%A3%E3%82%A2%E3%82%A2%E3%83%BC%E3%83%88%E5%8F%B2%E5%B9%B4%E8%A1%A8","updated":1776936587,"position":[14.2085,-34.6554,19.9515],"cluster":"c05","subgroup":"c05.01","degree":20,"referenceDegree":0,"maxSimilarity":0.16813,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6083c81972c1d3fd3e477b","weight":0.16813,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593940f8cf18d0024dc540c","weight":0.15526,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1349af1e800988e55e8d58","weight":0.1471,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a198e2e147795e220deb2f7","weight":0.14239,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1402098f8b47d5c01330c9","weight":0.13421,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e527d09a200243dfd63","weight":0.1328,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b25ed97fb3a001c72454d","weight":0.13225,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e339360853bedff09694","weight":0.12742,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e6972f6c93d394023cca","source":"NextResearch","title":"《pH》 1992","excerpt":"ダムタイプ","text":"《pH》 [1992]\nダムタイプ\n《pH》というタイトルは化学用語の水素イオン濃度指数に由来しており，パフォーマンスは二項対立の図式にそって（問い／答え，イメージ／言葉，事実／虚構，公／私，現実／非現実など）13のシーンから構成されている．\n\nこのパフォーマンスのヴィデオ化にあたり，日本衛星放送WOWOWとのコラボレーションが実現した．さまざまな公演会場で，さまざまな視点・角度から撮影された膨大な映像が，ダムタイプの古橋悌二によって編集され，単なる記録映像を超えたひとつの映像作品に仕上がった．TTVV-Riccione（イタリア）のSole d’Oro（黄金の太陽）賞，IMZダンス・スクリーン92（ドイツ）のベスト・ステージ・レコーディング賞を受賞．\n\ntext: dumb type\n\nパフォーマンス初演：1990年　スパイラルホール（東京）\n出演：ピーター・ゴライトリー，砂山典子，田中真由美，薮内美佐子，古橋悌二\n製作：日本衛星放送WOWOW＋ダムタイプ\n協力：株式会社EGG\n映像演出：古橋悌二\n66分　カラー　1992年　© WOWOW + dumb type\nhttps://www.ntticc.or.jp/ja/archive/works/ph/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%80%8ApH%E3%80%8B%201992","updated":1776936634,"position":[12.3251,-34.3499,20.1551],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13544,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67b4424a0c8a10ce0a272775","weight":0.13544,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9e6cf7ffc8fdf7e8ac2c1","source":"NextResearch","title":"Delicate Technology: 2nd Japan 89 Video Television Festival at Spiral","excerpt":"「Delicate Technology: 2nd Japan 89 Video Television Festival at Spiral」は、1989年に東京の「スパイラル」で開催された第2回日本ビデオテレビフェスティバルの記録・カタログ書籍です。SCAN（ビデオギャラリーSCAN）が主催し、中島宏氏や玉木慶子氏らが編集を手掛けた貴重な資料です。","text":"Delicate Technology: 2nd Japan 89 Video Television Festival at Spiral\n「Delicate Technology: 2nd Japan 89 Video Television Festival at Spiral」は、1989年に東京の「スパイラル」で開催された第2回日本ビデオテレビフェスティバルの記録・カタログ書籍です。SCAN（ビデオギャラリーSCAN）が主催し、中島宏氏や玉木慶子氏らが編集を手掛けた貴重な資料です。 \n日本の古本屋\n\n詳細なポイントは以下の通りです：\n概要: 日本ビデオテレビフェスティバル（Japan Video Television Festival）の第2回大会の記録。\n場所: 東京の「スパイラル」。\n編集・関係者: 中島宏、玉木慶子、中谷芙二子、ビデオギャラリーSCAN。\n特徴: 1980年代後半のビデオアートやテレビ文化、技術と表現の関係性に焦点を当てた英文併記の書籍。 \n日本の古本屋\n\n主に当時の現代アート、映像メディアの専門書として、日本の古本屋やWorldCatなどで取り扱われる文献です。 \nhttps://www.kosho.or.jp/products/detail.php?product_id=412113642\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Delicate%20Technology%3A%202nd%20Japan%2089%20Video%20Television%20Festival%20at%20Spiral","updated":1776936707,"position":[-15.4717,106.602,56.7685],"cluster":"c20","subgroup":"c20.01","degree":2,"referenceDegree":0,"maxSimilarity":0.08759,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659c6b1da23f9a0025370aeb","weight":0.08759,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c70b5aac1d90024b3cd94","weight":0.08759,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9ef697ffc8fdf7e8afe48","source":"NextResearch","title":"テレストリアル ブルーノラトゥール","excerpt":"https://ga.geidai.ac.jp/portfolio/bruno2018/","text":"テレストリアル ブルーノラトゥール\nhttps://ga.geidai.ac.jp/portfolio/bruno2018/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%86%E3%83%AC%E3%82%B9%E3%83%88%E3%83%AA%E3%82%A2%E3%83%AB%20%E3%83%96%E3%83%AB%E3%83%BC%E3%83%8E%E3%83%A9%E3%83%88%E3%82%A5%E3%83%BC%E3%83%AB","updated":1776938883,"position":[68.807,-14.0918,21.8956],"cluster":"c23","subgroup":"c23.01","degree":3,"referenceDegree":0,"maxSimilarity":0.24356,"lowEvidence":false,"neighbors":[{"id":"NextResearch:656d616da98bfd0023c2da99","weight":0.24356,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1c9508c4c7001b775a74","weight":0.11994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64b8cfde4b4d29001c3dd603","weight":0.08677,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9efba360853bedff0edaa","source":"NextResearch","title":"三原 聡一郎 コンポスト","excerpt":"https://mhrs.pb.studio/","text":"三原 聡一郎 コンポスト\nhttps://mhrs.pb.studio/\nhttps://www.3331.jp/schedule/005670.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E4%B8%89%E5%8E%9F%20%E8%81%A1%E4%B8%80%E9%83%8E%20%E3%82%B3%E3%83%B3%E3%83%9D%E3%82%B9%E3%83%88","updated":1776939334,"position":[41.1729,27.2987,64.528],"cluster":"c30","subgroup":"c30.01","degree":5,"referenceDegree":0,"maxSimilarity":0.41482,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9f0b91722505f0ac55299","weight":0.41482,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdf01eefeb96001d25751b","weight":0.11436,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.10991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d6ea392850c0022ed5c92","weight":0.10905,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559a8e25fe734001bcbd826","weight":0.10815,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9f05e940128d3ab00c0d2","source":"NextResearch","title":"オープンウォータープロジェクト","excerpt":"「オープン・ウォーター～水(＊)開く～」は、東京の歴史において豊かな水脈が果たしてきた役割をあらためて確認するとともに、水のもつ可能性をアートの創造力から掘り起こすことで、東京を21世紀の水都として活性化しようとするプロジェクトです。","text":"オープンウォータープロジェクト\n「オープン・ウォーター～水(＊)開く～」は、東京の歴史において豊かな水脈が果たしてきた役割をあらためて確認するとともに、水のもつ可能性をアートの創造力から掘り起こすことで、東京を21世紀の水都として活性化しようとするプロジェクトです。\nかつて水都と呼ばれた江戸・東京は、街中を縦横に水路が巡り、水に向かって大きく開かれた都市でした。高度経済成長時代に交通や物流の主役を陸路に奪われると、水は都市の背後へと退き、わたしたちの生活から遠ざけられてきました。しかし、今も東京が豊かな水の都市であることに変わりはありません。今一度東京の川や海に目を向け、水の持つ豊かさに触れる機会を創りたい。 「オープン・ウォーター～水（＊）開く」では、人々が東京の水と関わる機会をアートによって創出することを目指しています。\nhttps://openwater-mizuhiraku.com\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AA%E3%83%BC%E3%83%97%E3%83%B3%E3%82%A6%E3%82%A9%E3%83%BC%E3%82%BF%E3%83%BC%E3%83%97%E3%83%AD%E3%82%B8%E3%82%A7%E3%82%AF%E3%83%88","updated":1776939164,"position":[-16.5122,1.6185,8.4216],"cluster":"c07","subgroup":"c07.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11564,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66f7a994ca0654001cba5060","weight":0.11564,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af30c438fbed001d0e287c","weight":0.09554,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9f0b91722505f0ac55299","source":"NextResearch","title":"無主物 三原聡一郎","excerpt":"水の状態変化","text":"無主物 三原聡一郎\n水の状態変化\nhttps://mhrs.pb.studio/res_nullius\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E7%84%A1%E4%B8%BB%E7%89%A9%20%E4%B8%89%E5%8E%9F%E8%81%A1%E4%B8%80%E9%83%8E","updated":1776939214,"position":[40.7906,27.2616,64.5071],"cluster":"c30","subgroup":"c30.01","degree":2,"referenceDegree":0,"maxSimilarity":0.41482,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9efba360853bedff0edaa","weight":0.41482,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdf01eefeb96001d25751b","weight":0.09344,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9f213ac50e1ad4b3c40e7","source":"NextResearch","title":"カイラリティー","excerpt":"カイラリティ（Chirality、掌性）とは、物体や分子がその鏡像（鏡に映った姿）と重ね合わせることができない「左右非対称」の性質です。右手と左手、右ネジと左ネジの関係のように、鏡像関係にあるが同一ではない構造を持つことを指し、化学、物理学、生物学で重要な概念です。","text":"カイラリティー\nカイラリティ（Chirality、掌性）とは、物体や分子がその鏡像（鏡に映った姿）と重ね合わせることができない「左右非対称」の性質です。右手と左手、右ネジと左ネジの関係のように、鏡像関係にあるが同一ではない構造を持つことを指し、化学、物理学、生物学で重要な概念です。 \n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AB%E3%82%A4%E3%83%A9%E3%83%AA%E3%83%86%E3%82%A3%E3%83%BC","updated":1776939549,"position":[-23.4307,-72.5192,64.4388],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.42796,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66471de9675d91001c2cf435","weight":0.42796,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3741c83ce2b001b3b2a89","weight":0.1204,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9f26a2a4ed5e0d4501234","source":"NextResearch","title":"ccdカメラ","excerpt":"Coupled Device）を撮像素子として使用するカメラで、高感度かつノイズが少ない高品質な画像が得られる特徴があります。かつてはデジタルカメラの主流でしたが、現在は主に産業用検査機や監視カメラ、一部の中古一眼レフで使用されています。CMOSセンサーと比較し、静止画の画質や色乗りに強みがあります。","text":"ccdカメラ\nCoupled Device）を撮像素子として使用するカメラで、高感度かつノイズが少ない高品質な画像が得られる特徴があります。かつてはデジタルカメラの主流でしたが、現在は主に産業用検査機や監視カメラ、一部の中古一眼レフで使用されています。CMOSセンサーと比較し、静止画の画質や色乗りに強みがあります。 \nFAプロダクツ\nCCDカメラの特徴\n高画質・低ノイズ: 信号転送の仕組み上、CMOSよりもノイズが少なく、科学的な撮影やクリアな画像が得られる。\n色乗りが良い: 特に古い世代のCCDは発色が良く、独特の風合いがある。\n用途: 高精度が求められるマシンビジョン（産業検査）や、夜間の監視カメラ。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/ccd%E3%82%AB%E3%83%A1%E3%83%A9","updated":1776939675,"position":[2.827,-80.5905,36.6328],"cluster":"c01","subgroup":"c01.02","degree":6,"referenceDegree":0,"maxSimilarity":0.32668,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:676d8eb8dcc5674fa73465d9","weight":0.32668,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc46ffd1cf7bda0a920d2","weight":0.18908,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c0906b5a77e48373e6b93","weight":0.18011,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631c11d47d15b0024525196","weight":0.11985,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c7148fa4e760025c2a8c5","weight":0.11352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55b753510f200250a1b9b","weight":0.09559,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9f2b0b112b37e150a4ddd","source":"NextResearch","title":"description instability","excerpt":"https://atak.jp/en/works/description-instability/","text":"description instability\nhttps://atak.jp/en/works/description-instability/\n\nhttps://www.ntticc.or.jp/en/archive/works/description-instability/\n\nhttps://www.ntticc.or.jp/en/feature/2005/PossibleFutures/Performance/performance01.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/description%20instability","updated":1776939792,"position":[-6.4134,54.9906,52.0373],"cluster":"c08","subgroup":"c08.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10293,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659246f943d3fa00263b5723","weight":0.10293,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69e9f36723c3cdf9bf0e582f","source":"NextResearch","title":"テイラークエットフロー","excerpt":"テイラー・クエット流れは、同心円筒の隙間で内筒を回転させた際に発生する流体現象。低速では単純な環状流（層流）だが、回転速度を上げると、遠心力不安定により軸方向に周期的な「テイラー渦」と呼ばれる環状の渦列が生成され、さらに高速では乱流に移行する古典的かつ重要な流体力学現象である。","text":"テイラークエットフロー\nテイラー・クエット流れは、同心円筒の隙間で内筒を回転させた際に発生する流体現象。低速では単純な環状流（層流）だが、回転速度を上げると、遠心力不安定により軸方向に周期的な「テイラー渦」と呼ばれる環状の渦列が生成され、さらに高速では乱流に移行する古典的かつ重要な流体力学現象である。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%86%E3%82%A4%E3%83%A9%E3%83%BC%E3%82%AF%E3%82%A8%E3%83%83%E3%83%88%E3%83%95%E3%83%AD%E3%83%BC","updated":1776939901,"position":[16.7894,-68.9524,-1.5369],"cluster":"c03","subgroup":"c03.01","degree":3,"referenceDegree":0,"maxSimilarity":0.28614,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a6497f253e59a8bccd2bfe4","weight":0.28614,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6465ca1e946c73349f0e15","weight":0.28496,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e71d90f853002347f36f","weight":0.12736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69ef23edb53e64425300d9be","source":"NextResearch","title":"メールアート、レイジョンソン","excerpt":"https://bijutsutecho.com/artwiki/117","text":"メールアート、レイジョンソン\nhttps://bijutsutecho.com/artwiki/117\n\nhttps://curio-w.jp/artist/レイ・ジョンソン/\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%A1%E3%83%BC%E3%83%AB%E3%82%A2%E3%83%BC%E3%83%88%E3%80%81%E3%83%AC%E3%82%A4%E3%82%B8%E3%83%A7%E3%83%B3%E3%82%BD%E3%83%B3","updated":1777280688,"position":[65.9317,-15.1029,21.6363],"cluster":"c23","subgroup":"c23.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19494,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1bb1392237001be7a60a","weight":0.19494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69f051e4984b33d9327a3bfc","source":"NextResearch","title":"rag retrieval augmented generation","excerpt":"RAG（Retrieval-Augmented Generation、検索拡張生成）は、大規模言語モデル（LLM）が回答を生成する前に、社内文書やデータベースなどの外部知識源から関連情報を検索し、その情報を基に回答を構成する技術です。モデルの再学習なしで最新・専門情報に基づいた正確な回答が可能になり、ハルシネーション（嘘）の低減や情報源の明示に強みがあります。","text":"rag retrieval augmented generation\nRAG（Retrieval-Augmented Generation、検索拡張生成）は、大規模言語モデル（LLM）が回答を生成する前に、社内文書やデータベースなどの外部知識源から関連情報を検索し、その情報を基に回答を構成する技術です。モデルの再学習なしで最新・専門情報に基づいた正確な回答が可能になり、ハルシネーション（嘘）の低減や情報源の明示に強みがあります。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/rag%20retrieval%20augmented%20generation","updated":1777357295,"position":[21.3461,39.8343,-24.1837],"cluster":"c15","subgroup":"c15.01","degree":3,"referenceDegree":0,"maxSimilarity":0.11282,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6487d8d9b3c9cb001ba95566","weight":0.11282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65828be6950804002320e7b7","weight":0.10154,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65828c13829aed002236d684","weight":0.08507,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69f05247149528c3f04131a0","source":"NextResearch","title":"MCP Model Context Protocol","excerpt":"MCP（Model Context Protocol）は、Anthropicが発表した、AIモデル（LLM）と外部データやツールをシームレスに繋ぐオープン標準技術です。異なるAIツールやデータベース間の連携を「USB-C」のように共通化し、AIエージェントの構築や業務自動化の効率を劇的に向上させる技術として注目されています。","text":"MCP Model Context Protocol\nMCP（Model Context Protocol）は、Anthropicが発表した、AIモデル（LLM）と外部データやツールをシームレスに繋ぐオープン標準技術です。異なるAIツールやデータベース間の連携を「USB-C」のように共通化し、AIエージェントの構築や業務自動化の効率を劇的に向上させる技術として注目されています。\n\n連携の標準化: 従来、APIごとに必要だった個別開発を不要にし、共通の手順で様々なツール（Slack, GitHub, データベース等）をAIに接続。\n生産性向上: AIがリアルタイムの外部情報を取得・操作できるようになり、特定の業務に特化したエージェント開発が容易になる。\nAIの「USB-C」: 一度MCP規格でツールを作れば、どのAIモデル（Claude、ChatGPTなど）からも利用可能。 \n\nMCPの構成要素\nMCPホスト: ユーザーと対話するAIアプリケーション（例: Claude for Desktop）。\nMCPクライアント: ホストとサーバーの仲介役。\nMCPサーバー: データソースやツールへの接続機能。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/MCP%20Model%20Context%20Protocol","updated":1777357421,"position":[45.5299,133.5638,76.1059],"cluster":"c31","subgroup":"c31.01","degree":3,"referenceDegree":0,"maxSimilarity":0.09894,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66339d0227b15a0023441a42","weight":0.09894,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:688302f8ceca896cda7325b1","weight":0.09025,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c656d71a7f20001b943a41","weight":0.08611,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69f05298ab773b09ffcbf6f5","source":"NextResearch","title":"second brain","excerpt":"cloude codeでの概念の構築","text":"second brain \ncloude codeでの概念の構築\nhttps://qiita.com/yamapiiii/items/cc2450f410b64329d275\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/second%20brain","updated":1777357595,"position":[3.211,62.0458,48.2471],"cluster":"c08","subgroup":"c08.02","degree":8,"referenceDegree":0,"maxSimilarity":0.22238,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6559fd7672a805001b4ad986","weight":0.22238,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6810cc2539b9f9295f5aef18","weight":0.16882,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67fdb5331d14812d0a74bf31","weight":0.15542,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6454cb906cf1140a789079ee","weight":0.15042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559fdcc2a258a001cb5b554","weight":0.1477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bc18b60ecd220725d4460","weight":0.14721,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afcbc854be5001b641c93","weight":0.14187,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649e5f4da01ce1001d869c40","weight":0.08598,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69f05320ab773b09ffcbf7df","source":"NextResearch","title":"LLM 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Its goal is to communicate the high level idea, but your agent will build out the specifics in collaboration with you.\nhttps://gist.github.com/karpathy/442a6bf555914893e9891c11519de94f\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/LLM%20Wiki","updated":1777357671,"position":[3.6679,82.5697,47.811],"cluster":"c19","subgroup":"c19.01","degree":8,"referenceDegree":0,"maxSimilarity":0.20982,"lowEvidence":false,"neighbors":[{"id":"NextResearch:648bcaaca2b13a001c1cee27","weight":0.20982,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c66bdb31bd80d4b053085","weight":0.18733,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659a64abd7ed7a00220fd368","weight":0.15237,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312e81938a1d002477e611","weight":0.14141,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b12aa6410e0b44e4213a69","weight":0.1333,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76c6639abcb3f314b0d82f","weight":0.11558,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6418015c8eab62001b3c65a0","weight":0.09578,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65413dea42958b001b46c2ba","weight":0.08868,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69f0537ea5fd66a8d6848750","source":"NextResearch","title":"gemini cli","excerpt":"https://geminicli.com/","text":"gemini cli\nhttps://geminicli.com/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/gemini%20cli","updated":1777357698,"position":[-56.2868,20.2687,-92.9614],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.73604,"lowEvidence":true,"neighbors":[{"id":"NextResearch:6596de3265bf170024af02e7","weight":0.73604,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a8f7143e21a6002360cc40","weight":0.54391,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69f2c72baa686d791384bf9d","source":"NextResearch","title":"ドクメンタ16","excerpt":"会期：2027年6月12日～9月19日","text":"ドクメンタ16\n会期：2027年6月12日～9月19日\n\nドイツ・カッセル\nhttps://bijutsutecho.com/magazine/news/headline/31241\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%89%E3%82%AF%E3%83%A1%E3%83%B3%E3%82%BF16","updated":1777518402,"position":[-25.6864,-10.4249,48.924],"cluster":"c09","subgroup":"c09.02","degree":3,"referenceDegree":0,"maxSimilarity":0.48308,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a113b140d60619747a4f17b","weight":0.48308,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1406d783ecd56b5b0b8f12","weight":0.10855,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67bedf4642f53f99e10227e0","weight":0.09056,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69fc42a27d1d1f9a75801a27","source":"NextResearch","title":"オピオイド受容体","excerpt":"オピオイド受容体は、脳、脊髄、末梢神経に存在し、モルヒネや内因性ペプチド（エンドルフィン等）が結合して強力な鎮痛作用や鎮静作用を発現する、7回膜貫通型Gタンパク質共役型受容体（GPCR）です。","text":"オピオイド受容体\nオピオイド受容体は、脳、脊髄、末梢神経に存在し、モルヒネや内因性ペプチド（エンドルフィン等）が結合して強力な鎮痛作用や鎮静作用を発現する、7回膜貫通型Gタンパク質共役型受容体（GPCR）です。\n主にミュー、カッパ、デルタの3つのサブタイプが存在し、特にミュー受容体が鎮痛効果の主座を担います。\n主なサブタイプと作用\nミュー（MOP）受容体: 主に強力な鎮痛作用、呼吸抑制、便秘、多幸感、依存性を引き起こす。\nカッパ（KOP）受容体: 鎮痛、鎮静、離脱症状、あるいは不快感に関与する。\nデルタ（DOP）受容体: 鎮痛、情動調節（抗うつ・抗不安作用）に関与する。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AA%E3%83%94%E3%82%AA%E3%82%A4%E3%83%89%E5%8F%97%E5%AE%B9%E4%BD%93","updated":1778139928,"position":[3.6611,-80.7047,36.7878],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.1042,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c5597878d68900249e40c3","weight":0.1042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a3c31d11b636d7cb5a29","weight":0.10141,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69fc4352d0bbac9379d8cb2d","source":"NextResearch","title":"パヴロフ的条件付け","excerpt":"パヴロフ的条件付け（古典的条件付け）とは、無関係な刺激（ベルの音）と生物学的な反応を引き起こす刺激（餌）を繰り返し対にして提示することで、無関係な刺激だけで反応（唾液）を引き起こすようになる学習メカニズムです。ロシアの心理学者イワン・パヴロフが犬の実験で発見し、受動的な反射的行動の形成を説明しま","text":"パヴロフ的条件付け\nパヴロフ的条件付け（古典的条件付け）とは、無関係な刺激（ベルの音）と生物学的な反応を引き起こす刺激（餌）を繰り返し対にして提示することで、無関係な刺激だけで反応（唾液）を引き起こすようになる学習メカニズムです。ロシアの心理学者イワン・パヴロフが犬の実験で発見し、受動的な反射的行動の形成を説明しま\nパヴロフ的条件付け（古典的条件付け）とは、無関係な刺激（ベルの音）と生物学的な反応を引き起こす刺激（餌）を繰り返し対にして提示することで、無関係な刺激だけで反応（唾液）を引き起こすようになる学習メカニズムです。ロシアの心理学者イワン・パヴロフが犬の実験で発見し、受動的な反射的行動の形成を説明しま\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%91%E3%83%B4%E3%83%AD%E3%83%95%E7%9A%84%E6%9D%A1%E4%BB%B6%E4%BB%98%E3%81%91","updated":1778140020,"position":[-40.9511,44.2538,-106.2254],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11199,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65c508a2fa441a0024dfc0ab","weight":0.11199,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:69fc460f540052022c2b90cd","source":"NextResearch","title":"Dumb Type. Actions + Réflexions","excerpt":"Curators","text":"Dumb Type. Actions + Réflexions\nCurators\nYuko Hasegawa, Artistic Director, Museum of Contemporary Art (MOT), Tokyo\nHélène Meisel, Research and Exhibition Officer\nJan 20→ May 14, 2018\ncentre pompidou-Metz\nThe Dumb Type exhibition is the first monographic exhibition in France of this magnitude dedicated to this art collective. Formed in 1984, Dumb Type, in its early stages, was made up of about fifteen Kyoto City Art College students from different fields: visual artists, video artists, choreographers and performers, as well as architects, graphic designers, sound engineers and computer scientists who combined to invent a new, fundamentally pluridisciplinary type of performing art.\n\nIn English, dumb can mean “mute” or “stupid”. Teiji Furuhashi (1960- 1995), the central figure of the group, explained in an interview the critical approach suggested by the name “Dumb Type”: openness to the West and the economic bubble that culminated in the 1980s made Japan an increasingly superficial society, devoted to the media, consumerism and technology, in which every individual is “overwhelmed with information, without being aware of anything”, and where desires stand side by side with despair.\n\nIn reaction to this era and to the multiplication of theatricality and gimmicks, Dumb Type has created an experimental theatre in which the performers’ bodies serve to support the images, sounds, sets. Sanitised and unrelenting, the technology that proliferates in Dumb Type pieces formats the bodies and challenges the mind.\n\nThe first political gesture of Dumb Type lies in choosing to work as a collective; the desire for several people to work together was aiming for a total interdisciplinary approach, abandoning categories and academic hierarchies. This system is clearly visible in the hybrid nature of the group’s projects, where live performance and multimedia installations are interwoven. A new form of theatricality is taking shape, haunted by immersive technology, controlled by omnipresent data. Very active until the early 2000s, the company has regularly performed in museums and theatres in Japan, Europe and the United States, where some of its members have lived at times. Active on the international scene, Dumb Type examines the mutation of identities and communication in a globalised world.\n\nThe collective removed all dialogue from its early works, but the silent performers were surrounded by quotes from articles or lyrics of pop songs. New media and the digital revolution have transformed our intimate confession or direct addresses to the audience. behaviour, our subjectivity, and more broadly our humanity. Yet, at the heart of these data flows, the strobe lights and electronic music, a lively sensitivity was clear. This existential dimension can be seen in Dumb Type with the inclusion of more popular and fragile forms, such as karaoke, talk show, cabaret, drag performance, intimate confession or direct addresses to the audience.\n\nIn 1990, for one of its first projects, Dumb Type transformed the theatre stage into an immaculate pit, where the performers’ bodies are regularly swept by a machine with a giant scanner. PH borrows its title from the ”potential of hydrogen” used in chemistry to measure the acidity of a solution; the texts that punctuate the piece, however, also evoke the “potential Heaven/ Hell” of a Japanese society locked in a middle state, a harmful juste milieu, which Furuhashi compares to limbo. The following pieces will send shock waves through this cold neutrality. In S/N (1994), Furuhashi announced that he was HIV positive, displaying labels with the words “male”, “Japanese”, “homosexual”, “HIV +”. Phrases projected on stage counter this brutal categorization: “I dream of losing my gender”, “I dream of losing my nationality”, “I dream of losing my blood”. Videos of nude torsos filmed through targets complete this clinical treatment of the body. As with pH, the title S/N refers to a measure used in science: in acoustics, the signal/noise ratio measures the interaction between signal and noise, which influences the quality of transmission of information. The arrival of the compact disc in 1982 marked the transition from analogue recording to digital, where there is no longer any background noise. For Furuhashi, this elimination of ambient noise is symptomatic of a society that ignores all that it does not want to see or hear.\n\nAs part of its Japanese Season, the Centre Pompidou-Metz is presenting five major Dumb Type installations, including a new installation produced for the occasion. Some of these works are the respective productions of three of the very first members of the collective – Teiji Furuhashi, Ryoji Ikeda and Shiro Takatani – who, alongside their work in the collective, continued to produce solo projects. Archives and testimonies are also presented in the exhibition and retrace the genealogy of the group, before and after the death of Teiji Furuhashi in 1995. This understanding, both physical and documentary, of a selection of works from Dumb Type allows these striking creations to be considered in a new context, while placing them in perspective within the current context of a society still dominated by an excess of information and consumption.\nhttps://www.centrepompidou-metz.fr/en/programme/categorie/dumb-type-actions-reflexions\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Dumb%20Type.%20Actions%20%2B%20R%C3%A9flexions","updated":1778140827,"position":[-10.4564,113.9545,3.2172],"cluster":"c13","subgroup":"c13.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12058,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64ce15edf3151d001bf9daf2","weight":0.12058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4d864afaf2881cdd7055","weight":0.09309,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a05bcae23fd43699c6ce072","source":"NextResearch","title":"Rebecca Horn Die Künstlerin","excerpt":"『Die Malmaschine / シュヴァルツのアリー』 (1991)レベッカ ホーンのドイツ芸術作品の展示。金型の取り付けは、グラストリヒテルンを中心とした金属組立ての作業に最適で、色を完璧に再現できます。芸術の魔神に関するヒントを参照し、マルプロゼスの自動作成機能を保証します。","text":" Rebecca Horn Die Künstlerin\n『Die Malmaschine / シュヴァルツのアリー』 (1991)レベッカ ホーンのドイツ芸術作品の展示。金型の取り付けは、グラストリヒテルンを中心とした金属組立ての作業に最適で、色を完璧に再現できます。芸術の魔神に関するヒントを参照し、マルプロゼスの自動作成機能を保証します。\nhttps://freunde-der-nationalgalerie.de/blog/erwerbungen/rebecca-horn/\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Rebecca%20Horn%20Die%20K%C3%BCnstlerin","updated":1778760989,"position":[-6.1838,99.6216,57.1171],"cluster":"c19","subgroup":"c19.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10843,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686b45f4fffed21d7b01a7c5","weight":0.10843,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a05bd512c363f9278b35369","source":"NextResearch","title":"secularization","excerpt":"世俗化とは宗教的な制度、慣習、信仰が社会的意義を失っていく過程社会が宗教的信仰よりも科学的、合理的、そして世俗的な視点をますます優先するようになるにつれて、政教分離、公共生活における宗教的権威の弱体化、そして私的で個人化された信仰体系への移行が進む。世俗化の主要な側面社会の変化：公共生活（法律、教育）における宗教的影響力から、世俗的で合理的な世界観への移行。権威の低下：宗教団体は日常生活、社会行動、政治的決定に対する影響力を失いつつある。。民営化：宗教は、社会を特徴づける要素というよりも、個人的な問題になりがちである。近代化：工業化、都市化、そして世界に対する科学的で世俗的な説明の台頭と密接に関連している。","text":"secularization\n世俗化とは宗教的な制度、慣習、信仰が社会的意義を失っていく過程社会が宗教的信仰よりも科学的、合理的、そして世俗的な視点をますます優先するようになるにつれて、政教分離、公共生活における宗教的権威の弱体化、そして私的で個人化された信仰体系への移行が進む。世俗化の主要な側面社会の変化：公共生活（法律、教育）における宗教的影響力から、世俗的で合理的な世界観への移行。権威の低下：宗教団体は日常生活、社会行動、政治的決定に対する影響力を失いつつある。。民営化：宗教は、社会を特徴づける要素というよりも、個人的な問題になりがちである。近代化：工業化、都市化、そして世界に対する科学的で世俗的な説明の台頭と密接に関連している。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/secularization","updated":1778761049,"position":[-24.1083,26.8668,-114.0264],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05546,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a05be502e26dbbb16b9239a","source":"NextResearch","title":"FORTRAN IV","excerpt":"IBMが1961年に導入し、後にFORTRAN 66として標準化されたFORTRAN IVは、数値計算、科学計算、工学計算のための基礎的な言語IF論理式、ステートメント、および複雑な算術式を導入しましたDATA。パンチカード用に設計され、固定形式のコーディング（7～72桁目をコードとして使用）を採用しました。FORTRAN IVの重要な側面標準化：これは広く採用された最初の標準化されたFortranであり、FORTRAN 77への道を開いた。構文：大文字と数値によるステートメントラベルに重点を置いています。データ型:サポートされている論理式、ブール変数 (.TRUE.または.FALSE.)、およびCOMPLEX数値。サブルーチン：繰り返しコーディングを避けるために、頻繁に使用されるサブルーチンと関数プロシージャ。入出力:テープやカード上のデータを処理するために、ステートメントREADとWRITE組み合わせて頻繁に使用されます。","text":"FORTRAN IV\nIBMが1961年に導入し、後にFORTRAN 66として標準化されたFORTRAN IVは、数値計算、科学計算、工学計算のための基礎的な言語IF論理式、ステートメント、および複雑な算術式を導入しましたDATA。パンチカード用に設計され、固定形式のコーディング（7～72桁目をコードとして使用）を採用しました。FORTRAN IVの重要な側面標準化：これは広く採用された最初の標準化されたFortranであり、FORTRAN 77への道を開いた。構文：大文字と数値によるステートメントラベルに重点を置いています。データ型:サポートされている論理式、ブール変数 (.TRUE.または.FALSE.)、およびCOMPLEX数値。サブルーチン：繰り返しコーディングを避けるために、頻繁に使用されるサブルーチンと関数プロシージャ。入出力:テープやカード上のデータを処理するために、ステートメントREADとWRITE組み合わせて頻繁に使用されます。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/FORTRAN%20IV","updated":1778761305,"position":[63.2933,6.3921,17.7626],"cluster":"c23","subgroup":"c23.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07194,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a05be7ad10e4231db334d1b","source":"NextResearch","title":"TU Berlin elektrotechnik","excerpt":"https://www.tu.berlin/studieren/studienangebot/gesamtes-studienangebot/studiengang/elektrotechnik-b-sc","text":"TU Berlin elektrotechnik\nhttps://www.tu.berlin/studieren/studienangebot/gesamtes-studienangebot/studiengang/elektrotechnik-b-sc\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/TU%20Berlin%20elektrotechnik","updated":1778761368,"position":[-9.2227,127.3861,26.3726],"cluster":"c29","subgroup":"c29.01","degree":10,"referenceDegree":0,"maxSimilarity":0.76375,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6916e8c65b3ac140aa7452fa","weight":0.76375,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:685130bc22b2e5a8b43b0916","weight":0.69309,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cdbae72f3e9867ab8a31","weight":0.69309,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6aaac476c45860462e1221c1","weight":0.50637,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f16d32ddebc88efbc1ccb","weight":0.47107,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:694fc2e3e1939d7e08daa541","weight":0.46642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686a92e288385deceb0d93fd","weight":0.39131,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:687e6f7e58de1aa97ec00635","weight":0.29723,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a05bea8196817dd3ecf22be","source":"NextResearch","title":"永田康祐・大岩雄典 明るい水槽","excerpt":"https://www.tokyoartbeat.com/events/-/2018%2FF0A8","text":"永田康祐・大岩雄典 明るい水槽\nhttps://www.tokyoartbeat.com/events/-/2018%2FF0A8\n「明るい水槽」は永田康祐・大岩雄典による二人展です。両作家は、人間が、併置された対象どうしに何らかの関係を見出してしまうという運動を逆手にとったアプローチをとっています。永田は、主に映像や写真の特性を活かして、仮想的なイメージと物理的なモノが短絡するような作品を、いっぽう大岩は、言語や演技への思考をとおして、意味が現れては訂正されていくような作品を制作しています。それらは、展示され、人の目や意識にむけて晒されることで、固有のダイナミズムをもつように設計される点で共通の問題意識をもっています。二つの作品がまた〈併置〉されることで、その運動もさらに立体的に関係が見出されていくでしょう。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E6%B0%B8%E7%94%B0%E5%BA%B7%E7%A5%90%E3%83%BB%E5%A4%A7%E5%B2%A9%E9%9B%84%E5%85%B8%20%E6%98%8E%E3%82%8B%E3%81%84%E6%B0%B4%E6%A7%BD","updated":1778761421,"position":[28.2404,-45.5897,3.5804],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05432,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a06dfb7c1d021f3cce0fafd","source":"NextResearch","title":"post net aesthetics london","excerpt":"ロンドンにおけるポストインターネット美学2010年代初頭に重要な芸術運動として台頭し、デジタル文化と伝統的な物理的な芸術が融合する変化を定義した。2013年にICAで開催された重要なパネルディスカッションでは、アーティストが「ポストネット」の世界をどのように生き抜いていくかについて議論され、インターネットの普及が単なるテクノロジーだけでなく、アイデンティティ、ブランディング、ソーシャルメディアをどのように形作っているのかが考察された。","text":"post net aesthetics london\nロンドンにおけるポストインターネット美学2010年代初頭に重要な芸術運動として台頭し、デジタル文化と伝統的な物理的な芸術が融合する変化を定義した。2013年にICAで開催された重要なパネルディスカッションでは、アーティストが「ポストネット」の世界をどのように生き抜いていくかについて議論され、インターネットの普及が単なるテクノロジーだけでなく、アイデンティティ、ブランディング、ソーシャルメディアをどのように形作っているのかが考察された。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/post%20net%20aesthetics%20london","updated":1778835391,"position":[5.4893,4.6621,13.855],"cluster":"c07","subgroup":"c07.01","degree":7,"referenceDegree":0,"maxSimilarity":0.15168,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1338f0053e410c098286fc","weight":0.15168,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593911d13ab1e0024579828","weight":0.11587,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113f3fee64ef5381c98bf7","weight":0.09873,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a13ff2c485cb80e20a9286d","weight":0.09469,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669cc35a5687a2001cf4bc5c","weight":0.09085,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a133c0d9f4a0b0de36b2969","weight":0.08727,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678941a83216fdce2dbe30e3","weight":0.08689,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a06e0158bf0714c97acbeb6","source":"NextResearch","title":"一般意志2.0 ルソー、フロイト、グーグル","excerpt":"本書はジャン＝ジャック・ルソーの古典である社会契約論、特にそこで提示される一般意志の概念を、現代の情報技術環境において実装可能なものとして読み直すこと、またその結果提案される一般意志と共に現代のメディアや民主主義の可能性について論じた本である。","text":"一般意志2.0 ルソー、フロイト、グーグル\n本書はジャン＝ジャック・ルソーの古典である社会契約論、特にそこで提示される一般意志の概念を、現代の情報技術環境において実装可能なものとして読み直すこと、またその結果提案される一般意志と共に現代のメディアや民主主義の可能性について論じた本である。\n\n文庫版の巻末には、本文中でも引用されている『〈私〉時代のデモクラシー』（岩波書店〈岩波新書〉、2010年）の著者である政治学者の宇野重規との対談が掲載されている。\n\n『存在論的、郵便的』を発表して以降、東浩紀は日本の学者的な現代思想とは距離を取りつつ、『動物化するポストモダン』などを発表し、いずれデリダ論を更新することを予告しつつ、文芸誌への寄稿やテレビ出演、若手批評家の育成に10年近く活動の力点をおいていた。\n\nその間にweb世界ではニコニコ動画やTwitterを使って、東はデリダの起源であるジャン＝ジャック・ルソーの一般意志を、新しいメディアを活用し表現し直した。ただし、実際の人間の生き死にがかかわる政治的問題を、おふざけメディアを通して論ずるのはやめてほしいなどの批判もあった（日本政策学校第2回開学前記念シンポジウムにおいて）。\nhttps://www.amazon.co.jp/一般意志2-0-ルソー、フロイト、グーグル-東-浩紀/dp/4062173980\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E4%B8%80%E8%88%AC%E6%84%8F%E5%BF%972.0%20%E3%83%AB%E3%82%BD%E3%83%BC%E3%80%81%E3%83%95%E3%83%AD%E3%82%A4%E3%83%88%E3%80%81%E3%82%B0%E3%83%BC%E3%82%B0%E3%83%AB","updated":1778835530,"position":[12.6798,-36.7399,8.0286],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.21666,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65919015ed13e00025f1d555","weight":0.21666,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a06e0b462b8a983e8a4b6e9","source":"NextResearch","title":"技術決定論的ユートピア主義","excerpt":"技術決定論的ユートピア主義（Technological Utopianism / Techno-utopianism）とは、技術の指数関数的な進歩が、社会のあらゆる課題（貧困、病気、労働、紛争など）を自動的に解決し、最終的には完璧な社会（ユートピア）が実現するという楽観的な信念や思想です。","text":"技術決定論的ユートピア主義\n技術決定論的ユートピア主義（Technological Utopianism / Techno-utopianism）とは、技術の指数関数的な進歩が、社会のあらゆる課題（貧困、病気、労働、紛争など）を自動的に解決し、最終的には完璧な社会（ユートピア）が実現するという楽観的な信念や思想です。 \nこれは「技術決定論」の一形態であり、技術こそが社会構造や人間文化を決定する主要な要因であるという見方に基づいています。 \n主な特徴\n技術への過度な信頼: AIやデジタル技術、自動化がすべての問題を解決するという「解決主義」とも密接に関連しています。\n楽観的な未来予測: テクノロジーの進歩が、人間の幸福や世界の充足をもたらすと考えます。\n加速主義との結合: 技術開発を最大化・加速することで、現在の資本主義や社会体制の限界を超えようとする姿勢。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E6%8A%80%E8%A1%93%E6%B1%BA%E5%AE%9A%E8%AB%96%E7%9A%84%E3%83%A6%E3%83%BC%E3%83%88%E3%83%94%E3%82%A2%E4%B8%BB%E7%BE%A9","updated":1778835641,"position":[-0.2044,-40.3026,3.5622],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06773,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a06e0d9a310b2a64479882d","source":"NextResearch","title":"リバタリアニズム（自由至上主義）","excerpt":"リバタリアニズム（自由至上主義）は、他者の権利を侵害しない限り、各個人の自由を最大限に尊重し、政府の介入を最小限に抑えるべきだとする政治・経済思想です。個人の自己決定権を最優先し、究極的には「小さな政府」や「すべての民営化」を目指す点が大きな特徴です。","text":"リバタリアニズム（自由至上主義）\nリバタリアニズム（自由至上主義）は、他者の権利を侵害しない限り、各個人の自由を最大限に尊重し、政府の介入を最小限に抑えるべきだとする政治・経済思想です。個人の自己決定権を最優先し、究極的には「小さな政府」や「すべての民営化」を目指す点が大きな特徴です。 \n\n一般財団法人 岩崎育英文化財団\n主な特徴と基本理念\n自己所有権の重視\n「自分の体や労働の成果は自分自身のものである」という前提に基づき、個人の選択の自由を絶対視します。\n最小国家論（夜警国家）\n政府の役割は、国防、外交、治安維持の最小限にとどめるべきだと主張します。社会保障や公共教育、経済規制などは個人の自由や市場の競争を阻害すると考えます。\n経済的自由と社会的自由\n市場原理主義的な経済的自由を求めるだけでなく、同性婚や人工妊娠中絶、薬物の合法化など、私生活における個人の多様な選択（社会的自由）も広く支持します。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%AA%E3%83%90%E3%82%BF%E3%83%AA%E3%82%A2%E3%83%8B%E3%82%BA%E3%83%A0%EF%BC%88%E8%87%AA%E7%94%B1%E8%87%B3%E4%B8%8A%E4%B8%BB%E7%BE%A9%EF%BC%89","updated":1778835691,"position":[-32.7294,-79.3809,3.4966],"cluster":"c27","subgroup":"c27.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1477,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a06e1e5ca8512711ca47e55","weight":0.1477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a06e15b62b8a983e8a4b7a9","source":"NextResearch","title":"カリフォルニアン・イデオロギー","excerpt":"1990年代に、シリコンバレーの情報技術産業における企業家層の一部は、マーシャル・マクルーハンの思想と、急進的な個人主義、リバタリアニズム、ネオリベラリズム経済の要素を組み合わせたイデオロギーを声高に支持し、『Wired』誌などの出版物を通じてその思想を広めた。このイデオロギーは、1960年代のカウンターカルチャーやテクノ・ユートピア主義に基づき、新左翼と新右翼の信条を反国家主義という共通の関心から混合したものであった。","text":"カリフォルニアン・イデオロギー\n1990年代に、シリコンバレーの情報技術産業における企業家層の一部は、マーシャル・マクルーハンの思想と、急進的な個人主義、リバタリアニズム、ネオリベラリズム経済の要素を組み合わせたイデオロギーを声高に支持し、『Wired』誌などの出版物を通じてその思想を広めた。このイデオロギーは、1960年代のカウンターカルチャーやテクノ・ユートピア主義に基づき、新左翼と新右翼の信条を反国家主義という共通の関心から混合したものであった。\n\n支持者たちは、ポスト産業社会やポスト資本主義においては、知識経済を基盤に情報と知識の利用が成長と富の創出を促進し、国家という旧来の権力構造は、仮想コミュニティでつながる個人に置き換わると信じていた。\n\n批判者は、カリフォルニアン・イデオロギーが個人よりも企業の権力を強化し、社会的格差を拡大させ、アメリカ中心主義を色濃く残していると主張する。バーブロックは、このイデオロギーに従うデジタルエリート層が反動的モダニズムの一形態を受け入れていると論じる。彼によれば、「アメリカのネオリベラリズムは、経済的進歩と社会的停滞という、反動的モダニズムの矛盾する目標を成功裏に達成したように見える。すべての人々を解放するという長期的目標が決して達成されないからこそ、デジタルエリートの短期的な支配は永続するのである。\n\n『カリフォルニアン・イデオロギー』あるいは『カリフォルニア・イデオロギー』とは、1995年にウェストミンスター大学のイギリス人メディア理論家、リチャード・バーブロックとアンディ・キャメロンによって執筆された論文である。バーブロックはこれを「ドットコム・ネオリベラリズムへの批判」として説明している[1]。本論文において、バーブロックとキャメロンは、1990年代のシリコンバレーにおけるネットワーク技術の台頭がアメリカのネオリベラリズムに結びつき、左派と右派の政治的信念が矛盾しつつも融合した、希望に満ちた技術決定論という形で現れていると論じている。\n\nこの論文は1995年に雑誌『Mute』で初めて発表され、その後、議論のためにネットタイムのインターネット・メーリングリストにも掲載された。最終版は1996年に『Science as Culture』で発表された。この批評は以降、異なるバージョンや言語で何度も改訂されている。\n\n『Salon』のアンドリュー・レナードは、本論文を「新保守主義的デジタル誇大宣伝に対する最も鋭い批評の一つ」と評している。一方で、『Wired』誌の発行者ルイス・ロセットは、この論文について「経済学への深い無理解を示している」と批判した。\n","tags":[],"links":["1"],"url":"https://scrapbox.io/NextResearch/%E3%82%AB%E3%83%AA%E3%83%95%E3%82%A9%E3%83%AB%E3%83%8B%E3%82%A2%E3%83%B3%E3%83%BB%E3%82%A4%E3%83%87%E3%82%AA%E3%83%AD%E3%82%AE%E3%83%BC","updated":1778835852,"position":[19.5603,-68.446,-0.3294],"cluster":"c03","subgroup":"c03.02","degree":8,"referenceDegree":0,"maxSimilarity":0.27226,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d67ef2278e36001d08cf5f","weight":0.27226,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.12938,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c8a7cbbc528b7c41945f8b","weight":0.11548,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65564567d3e12b001c8ef1a0","weight":0.11508,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67fdb5588f3e74d9e9b838e2","weight":0.10802,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e877f968620023e548e8","weight":0.10395,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7ac11b71f88001d883399","weight":0.10274,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113da5848e89234962c31e","weight":0.10075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a06e1e5ca8512711ca47e55","source":"NextResearch","title":"芸術至上主義","excerpt":"芸術至上主義とは、政治、道徳、宗教などの実用的な目的から芸術を切り離し、「芸術そのものの美」を唯一無二の絶対的な価値とする立場です。フランス語の「l'art pour l'art（芸術のための芸術）」を理念とし、19世紀のヨーロッパで生まれました。","text":"芸術至上主義\n芸術至上主義とは、政治、道徳、宗教などの実用的な目的から芸術を切り離し、「芸術そのものの美」を唯一無二の絶対的な価値とする立場です。フランス語の「l'art pour l'art（芸術のための芸術）」を理念とし、19世紀のヨーロッパで生まれました。 \n\n徳島県立近代美術館\n💡 芸術至上主義の主な特徴と歴史\n美の絶対化: 芸術は道徳的な正当化や教訓を伝える手段ではなく、それ自体が目的であると考えます。\n歴史的背景: 19世紀半ば、産業革命による合理主義や物質主義への反発として、ボードレールやテオフィル・ゴーティエなどの文学者を中心に広まりました。\n日本での展開: 明治時代の日本にも輸入され、特に芥川龍之介 や谷崎潤一郎などの作家の初期作品において、美の極致を追求する姿勢として色濃く反映されました。 \n\n 関連する日本の芸術思想\n近代以降の日本では、芸術至上主義の精神がさまざまな形で発展・変容しました。\n白樺派: 人道主義と並んで、個人の感情や芸術的価値を重んじました。\n「芸術は爆発だ」の岡本太郎: 実用性や美しさ（きれいさ、心地よさ）を否定し、命を燃焼させる手段としての芸術を提唱しました。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E8%8A%B8%E8%A1%93%E8%87%B3%E4%B8%8A%E4%B8%BB%E7%BE%A9","updated":1778835953,"position":[-32.5256,-79.2239,3.674],"cluster":"c27","subgroup":"c27.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1477,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a06e0d9a310b2a64479882d","weight":0.1477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a06e217e75583cdc78b09d6","source":"NextResearch","title":"バイオメディア（Biomedia）","excerpt":"ユージン・サッカー（Eugene Thacker）が提唱した「バイオメディア（Biomedia）」は、バイオテクノロジーとデジタルメディアが融合した現代の生物学の状況を指す学際的な概念です。彼は、生物学的なデータや身体そのものが、情報技術によって操作され、再コード化されるプロセスに着目しました。","text":"バイオメディア（Biomedia）\nユージン・サッカー（Eugene Thacker）が提唱した「バイオメディア（Biomedia）」は、バイオテクノロジーとデジタルメディアが融合した現代の生物学の状況を指す学際的な概念です。彼は、生物学的なデータや身体そのものが、情報技術によって操作され、再コード化されるプロセスに着目しました。 \n\n「バイオメディア」の主なポイント\n生物学のメディア化: サッカーは、DNA配列、タンパク質、あるいは細胞や生物全体が、情報的なコード（データ）として扱われ、情報処理システムのように機能している状態を指摘しています。\n物質性と情報の融合: 生物学的・身体的な物質性が、コンピュータ・サイエンスやインフォマティクスによって情報化・可視化され、操作可能な「メディア」となることを示しています。\nバイオテクノロジーのデジタル性: 2004年の著書『Biomedia』などで、バイオテクノロジーの本質は単なる技術的介入ではなく、生命のデジタル化にあると論じています。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%90%E3%82%A4%E3%82%AA%E3%83%A1%E3%83%87%E3%82%A3%E3%82%A2%EF%BC%88Biomedia%EF%BC%89","updated":1778836001,"position":[14.1161,-34.842,19.849],"cluster":"c05","subgroup":"c05.01","degree":8,"referenceDegree":0,"maxSimilarity":0.14168,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65a5f3f57559050023cd63b1","weight":0.14168,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.11528,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6083c81972c1d3fd3e477b","weight":0.11448,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cbf0f9b67ff0023804f2a","weight":0.11329,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593940f8cf18d0024dc540c","weight":0.10374,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e339360853bedff09694","weight":0.08874,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e527d09a200243dfd63","weight":0.08839,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1402098f8b47d5c01330c9","weight":0.08799,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a06e25a085bd685b44768ee","source":"NextResearch","title":"逆シミュレーション音楽","excerpt":"逆シミュレーション音楽は、作曲家・三輪眞弘が2002年に提唱した、現代の作曲・演奏・音楽体験の概念を再定義する手法です。結果（音波）から逆算して原因（楽譜・演奏・プロセス）を設計し、自動演奏技術や偶然性を利用して、「ありえたかもしれない音楽」を具現化する手法です。","text":"逆シミュレーション音楽\n逆シミュレーション音楽は、作曲家・三輪眞弘が2002年に提唱した、現代の作曲・演奏・音楽体験の概念を再定義する手法です。結果（音波）から逆算して原因（楽譜・演奏・プロセス）を設計し、自動演奏技術や偶然性を利用して、「ありえたかもしれない音楽」を具現化する手法です。 \n\n主な特徴と定義\n「逆算」のプロセス: 通常の「作曲→演奏」ではなく、目指す音や構造を先に見つけ、それを生み出すための行動やルール（「おまじない」のような手法）を設計する。\n人間とコンピュータの協働: コンピュータによるシミュレーションや、アルゴリズムに基づいた自動演奏（または演奏者に精密な指示を与える手法）が用いられる。\n方法主義: 結果よりも、「いかにしてその音が鳴らされたか」というプロセス自体に重きを置く。 \n\n情報科学芸術大学院大学\n代表的な作品\n《またりさま》 (2002年〜): 鈴やカスタネットを用いた、神事や郷土芸能を思わせる代表的な初期作品。\n《村松》: 初期作品の一つ。\n《Four bits Counters》: コンピュータと人間が連携して演奏する作品。 \n\n情報科学芸術大学院大学 \n展覧会・アーカイブ\n2013年には岐阜県美術館で「逆シミュレーション音楽の世界」展が開催され、その活動は現代音楽だけでなく、音楽教育や研究の文脈でも取り上げられています。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%80%86%E3%82%B7%E3%83%9F%E3%83%A5%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3%E9%9F%B3%E6%A5%BD","updated":1778836075,"position":[51.1771,-35.7622,1.7872],"cluster":"c10","subgroup":"c10.01","degree":7,"referenceDegree":0,"maxSimilarity":0.43246,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.43246,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf4a5d2889ef385d4b594","weight":0.26401,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65921638fc909000238ceba5","weight":0.19699,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbbcb607a00d463819ee9","weight":0.15282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.1513,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cb898fbdf8400231d59d6","weight":0.14549,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648af81dabcedc001c17116d","weight":0.12415,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a06e2a4785d2caf9787bf33","source":"NextResearch","title":"タイムベースドアート（Time-based Media Art）","excerpt":"タイムベースドアート（Time-based Media Art）は、フィルム、ビデオ、オーディオ、コンピュータ、パフォーマンスなど、時間の経過とともに作品が展開・変化する現代美術です。映像や音響、光のインスタレーションが含まれ、1960年代以降に発展しました。","text":"タイムベースドアート（Time-based Media Art）\nタイムベースドアート（Time-based Media Art）は、フィルム、ビデオ、オーディオ、コンピュータ、パフォーマンスなど、時間の経過とともに作品が展開・変化する現代美術です。映像や音響、光のインスタレーションが含まれ、1960年代以降に発展しました。 \n\n京都市立芸術大学\n主な特徴と概要：\n時間の重要性： 静止した絵画や彫刻とは異なり、鑑賞に一定の時間を要し、その変化が表現の核となります。\n技術への依存： 映像機器、コンピュータ、音響システムなど、技術的な要素に依存しているため、作品の保存には特有の課題があり、時代に合わせて技術を更新する必要があります。\n多様なメディア： フィルム、ビデオ（アナログ・デジタル）、音響、パフォーマンス、インタラクティブ・インスタレーションなどが含まれます。\n保存・修復： 機器の老朽化が早いため、アーティストの意図を維持しつつ、展示機器の更新や、デジタル化などの「修復」が求められる分野です。 \n\n京都市立芸術大学\nこのジャンルは、現代の美術において急速に重要性が高まっており、アーティストの意図を正確に記録・展示することが不可欠とされています。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%BF%E3%82%A4%E3%83%A0%E3%83%99%E3%83%BC%E3%82%B9%E3%83%89%E3%82%A2%E3%83%BC%E3%83%88%EF%BC%88Time-based%20Media%20Art%EF%BC%89","updated":1778836142,"position":[15.31,-34.1541,19.5921],"cluster":"c05","subgroup":"c05.01","degree":5,"referenceDegree":0,"maxSimilarity":0.12125,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69b10e23c3aa611f2e66eaaf","weight":0.12125,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1402098f8b47d5c01330c9","weight":0.10656,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4d840542fb8b138efbc","weight":0.09689,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5d90a9264fe5327f168","weight":0.08945,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb2e6e6b208aad3c72b34","weight":0.08731,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a06e3001dd09ec1fb2fce4d","source":"NextResearch","title":"自己言及性","excerpt":"自己言及性（じこげんきゅうせい）とは、文章、発話、記号、あるいはシステムが「自己自身」を指示・参照する性質のことです。論理学、哲学、数学、コンピュータサイエンス、文学などで扱われ、矛盾（パラドックス）を生み出す原因や、高度な再帰的システム（自己言及システム）の基盤として研究されています。","text":"自己言及性\n自己言及性（じこげんきゅうせい）とは、文章、発話、記号、あるいはシステムが「自己自身」を指示・参照する性質のことです。論理学、哲学、数学、コンピュータサイエンス、文学などで扱われ、矛盾（パラドックス）を生み出す原因や、高度な再帰的システム（自己言及システム）の基盤として研究されています。 \n\n自己言及の主な特徴と例\n定義: 記号や記述が、その指示対象として「自分自身」を持つこと。\n自己言及のパラドックス: 自己言及が引き起こす論理的な矛盾。「この文は偽である」という文が真なら偽になり、偽なら真になる（嘘つきのパラドックス）などが有名です。\n文学・芸術: 作品内で、その作品自体について言及する手法（例: ドン・キホーテが作中で「ドン・キホーテ」の読者に話しかける）。\n技術・社会学: コンピュータプログラムの再帰処理や、社会システムが自らの働きを監視・観察する「オートポイエーシス」的な構造。 \n\n美術館・アート情報\nパラドックスの具体例\n嘘つきのパラドックス: 「私は今、嘘をついている」。\nラッセルのパラドックス: 「自分自身を含まない集合の集合」は、それ自身を含むか？（論理的な階層の崩壊）。 \n\n太平洋新聞電子版\n分野別の側面\n数学・論理学: ゲーテルの不完全性定理の基礎となった概念（「この文は証明できない」）。\n法学: 法が自分自身の妥当性や根拠を定める性質。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E8%87%AA%E5%B7%B1%E8%A8%80%E5%8F%8A%E6%80%A7","updated":1778836243,"position":[15.8518,-68.8636,-0.5331],"cluster":"c03","subgroup":"c03.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13098,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a6497cfccd7c877044682d1","weight":0.13098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a3c830d09f002440bdeb","weight":0.10921,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b785999043200023a63af0","weight":0.08512,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a06e35b785d2caf9787bfae","source":"NextResearch","title":"オメガ点","excerpt":"オメガ点（オメガポイント）は、宇宙の進化が最終的に到達する、高い知性と意識が統合された究極の未来のポイントのことです。テイヤール・ド・シャルダンが提唱した「神聖な収束点」や、フランク・ティプラーが物理学理論として展開した「計算能力が無限大になる宇宙の終焉」の概念が有名です。","text":"オメガ点\nオメガ点（オメガポイント）は、宇宙の進化が最終的に到達する、高い知性と意識が統合された究極の未来のポイントのことです。テイヤール・ド・シャルダンが提唱した「神聖な収束点」や、フランク・ティプラーが物理学理論として展開した「計算能力が無限大になる宇宙の終焉」の概念が有名です。 \n主な特徴と関連する概念は以下の通りです。\n1. テイヤール・ド・シャルダンの思想（哲学的・宗教的）\n「複雑性＝意識」の進化: 生命や物質は進化の過程でより複雑になり、同時に意識を高めていくと主張。\n宇宙意識の統合: このプロセスの果てに、個々の意識が融合し、神的中心である「オメガ点」に集約されるとする考え方。\nヌースフィア（叡智圏）: 物理的な生物圏（バイオスフィア）の次に、人類の精神が地球全体を覆う「叡智圏」が形成される過程で、最終到達点となる。 \n2. フランク・ティプラーの物理学理論（物理的）\n不死の物理学: ビッグクランチ（宇宙が縮小し終焉する現象）の過程で、計算能力が無限に増大すると仮定。\nシミュレーション内の復活: 宇宙のすべての情報が保存・再現されるため、死者の復活や、実質的な「永遠の命」が物理学法則の範囲内で可能になるという理論。 \n\n3. 関連する文脈\nグローバルブレイン: 地球上の全人類やAIがネットワークでつながり、ひとつの知性体として機能する社会的な未来像。\n技術的特異点（シンギュラリティ）: AIが人間の知能を超え、急激な進化が起こる転換点。 \n\n上智大学｜Sophia University\nこの概念は、進化論、宇宙論、そしてAIや情報理論の視点から、意識や生命の行く末を解釈する理論として議論されています。 ","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AA%E3%83%A1%E3%82%AC%E7%82%B9","updated":1778836334,"position":[12.1287,-78.2542,11.6439],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.30052,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1992a439fba7436bf7e026","weight":0.30052,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a076ba76e0054455ec57eb9","source":"NextResearch","title":"カールステン・ニコライ：Parallax パララックス","excerpt":"市原湖畔美術館","text":"カールステン・ニコライ：Parallax パララックス\n\n市原湖畔美術館\nhttps://www.artagenda.jp/exhibition/detail/1217\n\n　1965年に旧東ドイツのカールマルクス市に生まれ、現在はベルリンを拠点に人間の知覚や光、音、自然現象などの持つ特性やパターンに注目、美術・音楽・科学の領域を行き来する作品を制作するカールステン・ニコライ。アルヴァ・ノト名義でミュージシャンとしても活躍するニコライの日本国内の美術館においては約15年ぶりの個展となる本展では、「パララックス（視差：2つの異なる点から見ることで対象が異なって見える視覚効果）」と題し、ニコライの表現の根源を探る。\n\n　本展で発表されるのは、18m長のプロジェクション作品や吹き抜け空間を活用したサウンドインスタレーションを含む6つのプロジェクトなど、美術館の展示空間に合わせて綿密にリモデルされた作品群。ダイナミックな展示によって、作家の持つ表現の繊細な美しさが際立つと同時に、鑑賞者の身体に訴えかける鑑賞体験をもたらす。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AB%E3%83%BC%E3%83%AB%E3%82%B9%E3%83%86%E3%83%B3%E3%83%BB%E3%83%8B%E3%82%B3%E3%83%A9%E3%82%A4%EF%BC%9AParallax%20%E3%83%91%E3%83%A9%E3%83%A9%E3%83%83%E3%82%AF%E3%82%B9","updated":1778871306,"position":[52.6221,-32.9802,2.2628],"cluster":"c10","subgroup":"c10.01","degree":4,"referenceDegree":0,"maxSimilarity":0.40098,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a113bbfc0cfae9d0ae4b1b3","weight":0.40098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65b790405ccf750026d8488b","weight":0.22164,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a173b901637a2644ff856ce","weight":0.12655,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4fb0971e6277d11f923","weight":0.11377,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a076c3a0930e9d5dbb4aecf","source":"NextResearch","title":"谷口暁彦　何も起きない","excerpt":"5つのディスプレイからなる映像インスタレーションです．それぞれの画面にはゲームエンジンによって構築された架空の都市の１日の様子が映し出されています．そこでは見慣れた日用品で形作られたキャラクターが生活している様子を見ることができます．この作品の世界は，ゲーム用の天候シミュレーターやAIによってシミュレーションされ，常に異なる瞬間を生成し続けることで，ゲームの世界のリアリティを現前させようとします．","text":"谷口暁彦　何も起きない\n5つのディスプレイからなる映像インスタレーションです．それぞれの画面にはゲームエンジンによって構築された架空の都市の１日の様子が映し出されています．そこでは見慣れた日用品で形作られたキャラクターが生活している様子を見ることができます．この作品の世界は，ゲーム用の天候シミュレーターやAIによってシミュレーションされ，常に異なる瞬間を生成し続けることで，ゲームの世界のリアリティを現前させようとします．\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E8%B0%B7%E5%8F%A3%E6%9A%81%E5%BD%A6%E3%80%80%E4%BD%95%E3%82%82%E8%B5%B7%E3%81%8D%E3%81%AA%E3%81%84","updated":1778871384,"position":[51.5528,-36.2545,2.1642],"cluster":"c10","subgroup":"c10.01","degree":1,"referenceDegree":0,"maxSimilarity":0.20085,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.20085,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a076c87d88e27b71bd0177e","source":"NextResearch","title":"datum 平川 紀道","excerpt":"空間、色、時間という異なる概念を、それらが統一された高次元空間において対称的に扱うことで、これまでにない映像表現を実現した作品。映像データの各画素を、空間を表すXとY、色の混合要素R、G、B、フレーム数にあたる時間Tの、6つの数値を空間座標として持つ点として捉えると、映像中の全画素を6次元空間に浮かぶ点の集合と考えられる。これに任意の回転を加えると、色の階調、曲線、それらの時間変化が、互いに変換され、渾然一体となるが、点同士の関係は回転によっては破壊されず、回転角0度では元の映像に戻る。本作は、2016年の、東京大学国際高等研究所内のカブリ数物連携宇宙研究機構（IPMU）における滞在制作中に、弦理論や素粒子論、理論物理の研究者たちとの対話のなかで出会った「次元」という言葉に着想を得たプロジェクトの最新作（2018年2月時点）で、チリのアタカマ砂漠にあるアルマ望遠鏡周辺でのインターバル撮影で得られた映像が用いられている。","text":"datum 平川 紀道\n空間、色、時間という異なる概念を、それらが統一された高次元空間において対称的に扱うことで、これまでにない映像表現を実現した作品。映像データの各画素を、空間を表すXとY、色の混合要素R、G、B、フレーム数にあたる時間Tの、6つの数値を空間座標として持つ点として捉えると、映像中の全画素を6次元空間に浮かぶ点の集合と考えられる。これに任意の回転を加えると、色の階調、曲線、それらの時間変化が、互いに変換され、渾然一体となるが、点同士の関係は回転によっては破壊されず、回転角0度では元の映像に戻る。本作は、2016年の、東京大学国際高等研究所内のカブリ数物連携宇宙研究機構（IPMU）における滞在制作中に、弦理論や素粒子論、理論物理の研究者たちとの対話のなかで出会った「次元」という言葉に着想を得たプロジェクトの最新作（2018年2月時点）で、チリのアタカマ砂漠にあるアルマ望遠鏡周辺でのインターバル撮影で得られた映像が用いられている。\nhttps://j-mediaarts-festival.bunka.go.jp/award/single/datum/index.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/datum%20%E5%B9%B3%E5%B7%9D%20%E7%B4%80%E9%81%93","updated":1778871489,"position":[-43.7496,-82.9907,6.4922],"cluster":"c27","subgroup":"c27.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04927,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a076d0d17ca41b5f3aec939","source":"NextResearch","title":"The Latent Future – 潜在する未来 (2017)","excerpt":"nao tokui","text":"The Latent Future – 潜在する未来 (2017)\nnao tokui\n大量のニュース記事を学習した人工知能(AI)が内包する、潜在的な未来を顕在化するインスタレーション。\n昨今、仮想現実(VR)が話題を集める一方で、オルタナティブ・ファクト、フェイク・ニュースといった言葉が象徴するように、実世界の中でも現実と虚構の境界が溶けていくような出来事が少なくない。本作品は、「過去」のニュースを学習した言語の確率モデルをもとに近い「未来」に起こりうる架空のニュースを生成することで、不確かな「現在」に光をあてることを試みる。\nスクリーンに映し出された3次元空間内には、意味上の距離をもとにマッピングされた無数のニュース記事が表示されている。Twitterから刻々と流れ込んでくる新しいニュースは、この3次元空間内にマッピングされる。同時に、それらの意味的な近傍や別のニュースとの合間の空間から、新しい文章=新しいニュースが生成される。\nAIが単なる数字の列から無限に近い多様な文章を生みだすことに着想を得たこの作品は、言語モデルの広大な高次元ベクトル空間に埋まっている「すでにある」のに「まだ存在しない」ニュースを、現に起きているニュースをもとに掘り起こしていくプロセスとも言える。\n本作品は、こうした「ありえたかもしれない」「ありえるかもしれない」ニュース群によって、鑑賞者にとっての現実と虚構、過去と未来の境界を揺るがしていく。\n技術的な詳細・プロジェクトの背景はMediumに書いた記事を参照。\nhttps://naotokui.net/works/the-latent-future-2017/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/The%20Latent%20Future%20%E2%80%93%20%E6%BD%9C%E5%9C%A8%E3%81%99%E3%82%8B%E6%9C%AA%E6%9D%A5%20%282017%29","updated":1778871621,"position":[32.3176,-2.7941,-12.6739],"cluster":"c18","subgroup":"c18.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0858,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1309d016f239ad9d11ce93","weight":0.0858,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0778d9fce86e970e5db42c","source":"NextResearch","title":"nor hearing","excerpt":"音と色の共感覚を示す「色聴」に、インスパイアされた3Dアンビエント・インスタレーション。来場者が自由に空間を徘徊することで得られる位置情報をトリガーに、色彩共感覚の色と音の対応表に基づいたと音と映像（色）が発動。体験者の行動により毎回異なるその組み合わせから、共感覚という不思議な関係性を感じ取ることができる。","text":"nor hearing\n\n音と色の共感覚を示す「色聴」に、インスパイアされた3Dアンビエント・インスタレーション。来場者が自由に空間を徘徊することで得られる位置情報をトリガーに、色彩共感覚の色と音の対応表に基づいたと音と映像（色）が発動。体験者の行動により毎回異なるその組み合わせから、共感覚という不思議な関係性を感じ取ることができる。\n\n\"herering\" is a 3D Ambient Audio Visual Installation explores chromesthesia. This installation express simulated chromesthesia experience. Explore HSV color space using a controller. Reaching the point where color and sound start to mix. Finally human movement creates a more complicated music and colorful image. \n\nhttps://nor.tokyo/herering\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/nor%20hearing","updated":1778874645,"position":[51.7904,-31.1531,2.6976],"cluster":"c10","subgroup":"c10.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11349,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64f2f3a8378db8001bd9e1ea","weight":0.11349,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0779468e59f80564c1ddc9","source":"NextResearch","title":"distortion","excerpt":"アート＋コム／ライゾマティクスリサーチ　光と動きの『ポエティクス／ストラクチャー』」展のために制作された新作。","text":"distortion\nアート＋コム／ライゾマティクスリサーチ　光と動きの『ポエティクス／ストラクチャー』」展のために制作された新作。\n無線制御と光学式トラッキング技術によって自走する、側面を鏡で覆われた5つの直方体が空間内を移動している。直進したり回転したり、同期して動く様子はさながらどこかダンスを思わせる。\n空間全体をカバーするプロジェクターからの映像は、床面に直接投影されている部分と、オブジェの鏡面に反射して床面に投影されている部分がある。カートが移動や回転することで、プロジェクターからの映像に対する鏡の角度や距離は常に変化しているにも関わらず、床面では両者の映像は常に正しく歪みのない像として投影され続けている。\nこの作品は、アナモルフォーズ（歪像画）と呼ばれる、15世紀から用いられている、あるひとつの視点、角度からのみ正しい像を得られることができるように元の像を歪めて描く技法をモチーフとして制作されている。それは、ある角度から見ると平面であるはずの画像が、擬似的に立体的に見える、というトリックアートなどでよく知られている。\nライゾマティクスリサーチは、パフォーマンスなどにおいて、会場を撮影するカメラの視点を、コンピュータ・グラフィックスにおけるヴァーチュアルなカメラの視点と同位置に設定し、それに応じてCGの映像をリアルタイムに変形させることによって、カメラで撮影された映像では奥行きを持っているかのように見せるという、合成やヘッドマウント・ディスプレイによらずに、見かけ上、被写体が映像の中に入り込んでいるように見える映像演出を行なっている。\nこの作品では、モーションキャプチャーカメラによってカートの動きがトラッキングされ、そこから鏡の角度を解析し、その鏡の角度に対して、反射像が正しい像として投影されるように、リアルタイムで歪んだ像を生成し、カートの鏡面に投影している。そして、複数の鏡面によって断片に分断されて、さらに、RGBの光の要素によって分割され、レイヤー化された映像が、カートの動きによって構造的に統合されている。\nhttps://research.rhizomatiks.com/works/distortion.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/distortion","updated":1778874730,"position":[2.8962,-80.3771,36.138],"cluster":"c01","subgroup":"c01.01","degree":4,"referenceDegree":0,"maxSimilarity":0.22812,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69b10f411e77b92b1852d2d1","weight":0.22812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a096773c450b46dc898048a","weight":0.15016,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c7148fa4e760025c2a8c5","weight":0.14572,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c7105bc7a8900244134ae","weight":0.13085,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0781e236ffb38f681c3f28","source":"NextResearch","title":"LIGO レーザー干渉計重力波観測所","excerpt":"LIGO（ライゴ、英語: Laser Interferometer Gravitational-Wave Observatory）は1916年にアルベルト・アインシュタインが存在を提唱した重力波の検出のための大規模な物理学実験とその施設。英名を直訳すると「レーザー干渉計重力波観測所」となる。研究は1992年にカリフォルニア工科大学のキップ・ソーンとロナルド・ドリーバー、マサチューセッツ工科大学のレイナー・ワイスが共同設立し、両校や他の大学機関なども参加する科学者による共同研究事業である。研究計画と重力波天文学のデータの分析にかかわる研究者はLIGO科学コラボレーションという組織を作っており、世界の900人以上の科学者が参加している[1][2]。LIGOは英国科学技術施設研究会議（英語版）、ドイツマックス・プランク研究所、オーストラリア研究会議（英語版）の大きな寄与を受けてアメリカ国立科学財団 (NSF) に設立された[3][4]。 2015年9月、5年間で2億ドルをかけた改良を行い、総額6億2000万ドルをかけた「世界最大の重力波施設」が完成した[2][5]。LIGOはNSFが設立した最大かつ最も野心的な計画である[6][7]。","text":"LIGO レーザー干渉計重力波観測所\nLIGO（ライゴ、英語: Laser Interferometer Gravitational-Wave Observatory）は1916年にアルベルト・アインシュタインが存在を提唱した重力波の検出のための大規模な物理学実験とその施設。英名を直訳すると「レーザー干渉計重力波観測所」となる。研究は1992年にカリフォルニア工科大学のキップ・ソーンとロナルド・ドリーバー、マサチューセッツ工科大学のレイナー・ワイスが共同設立し、両校や他の大学機関なども参加する科学者による共同研究事業である。研究計画と重力波天文学のデータの分析にかかわる研究者はLIGO科学コラボレーションという組織を作っており、世界の900人以上の科学者が参加している[1][2]。LIGOは英国科学技術施設研究会議（英語版）、ドイツマックス・プランク研究所、オーストラリア研究会議（英語版）の大きな寄与を受けてアメリカ国立科学財団 (NSF) に設立された[3][4]。 2015年9月、5年間で2億ドルをかけた改良を行い、総額6億2000万ドルをかけた「世界最大の重力波施設」が完成した[2][5]。LIGOはNSFが設立した最大かつ最も野心的な計画である[6][7]。\n\nLIGO施設の本質は、マイケルソン干渉計の原理によって、10-21という極めて微少な相対ひずみを検出できるということにある。この10-21のひずみは、しばしば通俗的に「地球と太陽との距離（天文単位、1.5 ×1011 m）に対して、水素原子の直径（1.1 ×10-10 m）程度のひずみ」と表現される。\n\nhttps://ja.wikipedia.org/wiki/LIGO\n\n\n","tags":[],"links":["1","2","3","4","5","6","7"],"url":"https://scrapbox.io/NextResearch/LIGO%20%E3%83%AC%E3%83%BC%E3%82%B6%E3%83%BC%E5%B9%B2%E6%B8%89%E8%A8%88%E9%87%8D%E5%8A%9B%E6%B3%A2%E8%A6%B3%E6%B8%AC%E6%89%80","updated":1778877019,"position":[20.0899,-68.8086,-0.4889],"cluster":"c03","subgroup":"c03.02","degree":2,"referenceDegree":0,"maxSimilarity":0.1072,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.1072,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d67e74d7ca03001d9d0dcd","weight":0.09056,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a07829a6db48457337bb066","source":"NextResearch","title":"ホモ・デウス","excerpt":"『ホモ・デウス』は、歴史学者ユヴァル・ノア・ハラリが描く「人類の近未来予測」です。飢饉、疫病、戦争を克服した人類が、次なる目標として「不死・至福・神性」を追求し、AIや遺伝子工学によってホモ・サピエンスから超人「ホモ・デウス（神のヒト）」へと進化（アップグレード）する未来を描いています。","text":"ホモ・デウス\n『ホモ・デウス』は、歴史学者ユヴァル・ノア・ハラリが描く「人類の近未来予測」です。飢饉、疫病、戦争を克服した人類が、次なる目標として「不死・至福・神性」を追求し、AIや遺伝子工学によってホモ・サピエンスから超人「ホモ・デウス（神のヒト）」へと進化（アップグレード）する未来を描いています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%9B%E3%83%A2%E3%83%BB%E3%83%87%E3%82%A6%E3%82%B9","updated":1778877100,"position":[45.9688,-54.1027,33.0249],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.5668,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b78342e523f900231c182f","weight":0.5668,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a07830cb4af93124a6f0381","source":"NextResearch","title":"レ・オラクル","excerpt":"パリのXPOギャラリーで開催されたグループ展「Les Oracles（レ・オラクル）」は、2015年2月12日から4月4日まで開催された現代アートの展覧会です。キュレーターであるマリサ・オルソン（Marisa Olson）氏が企画し、SFや女性の視点を取り上げた作品が展示されました。","text":"レ・オラクル\nパリのXPOギャラリーで開催されたグループ展「Les Oracles（レ・オラクル）」は、2015年2月12日から4月4日まで開催された現代アートの展覧会です。キュレーターであるマリサ・オルソン（Marisa Olson）氏が企画し、SFや女性の視点を取り上げた作品が展示されました。 \n\n概要\n会期: 2015年2月12日〜2015年4月4日\n会場: XPO Gallery（パリ、フランス）\nキュレーター: マリサ・オルソン（Marisa Olson） \n\n企画の背景\nこの展覧会は、SFの影響を受けた女性アーティスト10名による作品が集められ、絵画、彫刻、写真、インスタレーションなど多様なメディアで展開されました。デジタルネイティブやポストデジタルアートの文脈において、テクノロジーとSF的想像力の関係を問い直す内容として注目を集めました。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%AC%E3%83%BB%E3%82%AA%E3%83%A9%E3%82%AF%E3%83%AB","updated":1778877255,"position":[-69.9285,-6.0139,38.8048],"cluster":"c35","subgroup":"c35.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09586,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6680d53ce6e810001d13320c","weight":0.09586,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a078387d648ee3af01e585c","source":"NextResearch","title":"Ryoji Ikeda |　supersymmetry","excerpt":"今回の展覧会「supersymmetry」は、2004年のコンサート「C4I」、2008年の展覧会「datamatics」に続いて、6年ぶり3回目となるYCAMでの新作の発表の機会となります。まず、これまでの作品を振り返りながら、今回の新作に至った経緯についてお聞かせください。","text":"Ryoji Ikeda |　supersymmetry\n今回の展覧会「supersymmetry」は、2004年のコンサート「C4I」、2008年の展覧会「datamatics」に続いて、6年ぶり3回目となるYCAMでの新作の発表の機会となります。まず、これまでの作品を振り返りながら、今回の新作に至った経緯についてお聞かせください。\n\n「C4I」は、それ以前の10年間に渡るダムタイプでの活動の中で、自分が考えたありとあらゆるアイデアを全て取り入れた作品で、そこにはその後に展開していく全ての要素が散りばめられた、言わば「スクラップブック」のような作品です。僕が自分のカメラで撮影したランドスケープの映像など、今にして思えば表現としてやや饒舌な部分もいくつか見られますが、そうした「饒舌さ」がその後の「datamatics」シリーズでは削ぎ落とされ、さらに「test pattern」シリーズに至っては白と黒、つまり「0と1」のバイナリ表現だけになっています。\nhttps://special.ycam.jp/supersymmetry/ja/interview/index.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Ryoji%20Ikeda%20%7C%E3%80%80supersymmetry","updated":1778877375,"position":[17.0215,40.0648,-34.2769],"cluster":"c15","subgroup":"c15.01","degree":3,"referenceDegree":0,"maxSimilarity":0.29563,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a0c0c078747d1a1acf26d99","weight":0.29563,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69a0204b633dc6484b1c79ed","weight":0.22318,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64953df811253c001c907ee4","weight":0.21226,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0783df78cb89ba348b5ee6","source":"NextResearch","title":"高谷史郎の「明るい部屋」","excerpt":"高谷史郎の「明るい部屋」は、2008年に発表された初のソロ監督によるパフォーマンス作品、または2013-2014年に東京都写真美術館で開催された個展（図録も出版）を指します。ロラン・バルトの写真論『明るい部屋（Camera Lucida）』にオマージュを捧げた、映像、光、音楽で構成される独創的な映像アートです。","text":"高谷史郎の「明るい部屋」\n高谷史郎の「明るい部屋」は、2008年に発表された初のソロ監督によるパフォーマンス作品、または2013-2014年に東京都写真美術館で開催された個展（図録も出版）を指します。ロラン・バルトの写真論『明るい部屋（Camera Lucida）』にオマージュを捧げた、映像、光、音楽で構成される独創的な映像アートです。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%AB%98%E8%B0%B7%E5%8F%B2%E9%83%8E%E3%81%AE%E3%80%8C%E6%98%8E%E3%82%8B%E3%81%84%E9%83%A8%E5%B1%8B%E3%80%8D","updated":1778877421,"position":[12.2157,-34.1361,20.102],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08548,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67b4424a0c8a10ce0a272775","weight":0.08548,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a07841fe3958a49194e9f67","source":"NextResearch","title":"エキソニモ 「猿へ」","excerpt":"エキソニモの「猿へ」は、2013年11月に福岡の三菱地所アルティアムで開催された、アートユニット・エキソニモの九州初となる個展です。初期から2013年当時までの代表作を再構成した、彼らの「回顧展」とも評される展示でした。開催概要: 2013年11月2日〜12月1日、三菱地所アルティアム（福岡・天神）。展示内容: 「DesktopBAM」や「祈」、「迷」などの代表作。デジタルとフィジカル（物理空間）の境界を揺るがす作品群が展開されました。テーマ性: コンピュータやインターネット上の出来事を、人間（ヒト）の「猿（的な本能）への回帰」という視点で再解釈した内容でした。","text":"エキソニモ 「猿へ」\nエキソニモの「猿へ」は、2013年11月に福岡の三菱地所アルティアムで開催された、アートユニット・エキソニモの九州初となる個展です。初期から2013年当時までの代表作を再構成した、彼らの「回顧展」とも評される展示でした。開催概要: 2013年11月2日〜12月1日、三菱地所アルティアム（福岡・天神）。展示内容: 「DesktopBAM」や「祈」、「迷」などの代表作。デジタルとフィジカル（物理空間）の境界を揺るがす作品群が展開されました。テーマ性: コンピュータやインターネット上の出来事を、人間（ヒト）の「猿（的な本能）への回帰」という視点で再解釈した内容でした。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A8%E3%82%AD%E3%82%BD%E3%83%8B%E3%83%A2%20%E3%80%8C%E7%8C%BF%E3%81%B8%E3%80%8D","updated":1778877497,"position":[31.8581,-2.3646,-12.8508],"cluster":"c18","subgroup":"c18.01","degree":2,"referenceDegree":0,"maxSimilarity":0.36437,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a133ac00627422f5ed9e239","weight":0.36437,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1309d016f239ad9d11ce93","weight":0.31409,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a07845cf8b8681dc304c2bd","source":"NextResearch","title":"The Encyclopedic Palace of the World","excerpt":"The Encyclopedic Palace of the World (Il Palazzo Enciclopedico del Mondo) is a mixed media, sculptural model that was created by self-taught Italian-American artist Marino Auriti in the 1950s. Now in the permanent collection of the American Folk Art Museum in New York City, the work came to international attention in 2013 when its name was adopted as the title of the 55th Venice Biennale by curator https://en.wikipedia.org/wiki/The_Encyclopedic_Palace_of_the_WorldMassimiliano Gioni.","text":"The Encyclopedic Palace of the World\nThe Encyclopedic Palace of the World (Il Palazzo Enciclopedico del Mondo) is a mixed media, sculptural model that was created by self-taught Italian-American artist Marino Auriti in the 1950s. Now in the permanent collection of the American Folk Art Museum in New York City, the work came to international attention in 2013 when its name was adopted as the title of the 55th Venice Biennale by curator https://en.wikipedia.org/wiki/The_Encyclopedic_Palace_of_the_WorldMassimiliano Gioni.\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/The%20Encyclopedic%20Palace%20of%20the%20World","updated":1778877570,"position":[-22.2999,92.9538,50.9245],"cluster":"c20","subgroup":"c20.01","degree":10,"referenceDegree":0,"maxSimilarity":0.21831,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64ce0f74bcb61e001c646994","weight":0.21831,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a279bd605016001ba3ecdc","weight":0.14953,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:651713e9dda027001b843dfa","weight":0.148,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64883c37634db4001b8bcb1b","weight":0.14058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65171329e63aa7001b85ed88","weight":0.12797,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b46675fa028cd058d3e37","weight":0.12396,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b111ceb5c708f25baee651","weight":0.11383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6d14fd035f0024a057eb","weight":0.09665,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0784eaa98890cc11e83b4a","source":"NextResearch","title":"チジキンクツ　赤松音呂","excerpt":"作品名「チギキンクツ」とは「地磁気」と「水琴窟」を掛け合わせた造語である。","text":"チジキンクツ　赤松音呂\n作品名「チギキンクツ」とは「地磁気」と「水琴窟」を掛け合わせた造語である。\n「地磁気」とは地球が持つ磁性で地球上のどこにでも常に存在しているにもかかわらず人には感じることができない力である。しかし、大航海時代よりもだいぶ前から地磁気を利用したコンパスが役立ってきたし、現代では電子化されたデバイスとしてスマートフォンに内蔵されている。また渡り鳥、蜜蜂、ある種のバクテリアの行動に地磁気が関係しているという研究がなされている。美しいオーロラも地磁気と密接な関係がある。16世紀の科学者ウィリアム・ギルバートは自著の中で、磁気を帯びた地球は生き物のようだ、と書いているが、現代においてもその原理は完全には解明されていない。\nもう一方の「水琴窟」とは、江戸時代より伝統的日本庭園の装飾の一つであり、手水鉢近くの地中の瓶に水滴が落下し、反響する音を楽しむ仕掛けである。日本人は古来より、虫の声や松風といった音をあるがままの自然として受容するという独特の感性を持ち、この繊細な感覚からこのような装置が生まれた。ちょうどこの作品を制作していた時期に京都のお気に入りの寺を訪れることがあった。その寺は山中の一番奥まったところに建っている。大きな五葉松の庭があり、その片隅に水琴窟がある。その音を聞いたときに自分の作品に似ていると感じた。後にこのことが作品のコンセプトを膨らませた。\n私のこの作品のコンセプトはメディア・アートが依存している科学や技術の実証主義からきているのではないし、一部のサウンド・アートがその基礎を置いている構築的な西洋音楽的な理論から来ているのでもない。通常は科学の分野で扱われる地磁気の作用を取り入れ、日本の自然観の文脈の中で繊細な音に展開したサウンド・インスタレーションにすることである。これは幾つかの素材によって成り立っている。水、縫い針、グラス、銅線である。縫い針は表面張力の作用で水に浮いて、あらかじめ磁化しておいたその針は地磁気の作用で北を向く、そして銅線に流れる電流によって発生音が聞こえてくる。システムにはMIDIが使われてiPadの音楽シーケンサ・アプリケーションから送られるデータを特別に設計したコントローラでそれぞれのコイルに割り振って電流を流すようになっている。\n私は作品に多くの要素を盛り込むのした磁気に引き寄せられてグラスにあたり音を発するのである。展示空間の四方に配置したコップからランダムにではなく要素をそぎ落としてミニマムな表現になるように心がけた。そのミニマムとはどういうことか味覚を例に取ってみよう。日本料理では「うま味」が最も重要な味覚である、しかし最近まで甘味、酸味、塩味、苦味の四つが味覚だと思われてきた。西洋の料理の多くは味に味を重ねて深みのある味を追求してきたが、日本ではできるだけ要素を少なくして「うま味」を引き出すという異なったアプローチを行ってきた。それは雑味のない純粋さの追求である。この作品で加えなかった要素は、色、LEDの光、音の増幅などである。結果として、音が際立ち鑑賞者は音に集中できるようになった、またコップの中の針が地磁気と関係があるということを気付かせることになった。\n丸いコップの水面に浮かぶ針に地磁気が作用していることから、それは小さな地球のようである。微細な音は鑑賞者の感覚を研ぎ澄まし、小さい音であればあるほど感覚が鋭くなる。そうするうちに音は外部にあるのではなく内部にあると感じられるのである。\n\nhttp://www.neloakamatsu.jp/chijikinkutsu.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%81%E3%82%B8%E3%82%AD%E3%83%B3%E3%82%AF%E3%83%84%E3%80%80%E8%B5%A4%E6%9D%BE%E9%9F%B3%E5%91%82","updated":1778877716,"position":[13.1007,-52.6391,34.1417],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04918,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a0785dcf873c90e6a753396","source":"NextResearch","title":"crt mgn","excerpt":"メディアインスタレーション","text":"crt mgn\nメディアインスタレーション\nCarsten NICOLAI \n作品概要\n\n会場中央に設置されたブラウン管モニターには、空間内で光るそれぞれ等間隔に設置された4つのネオン管が映し出される。天井から吊られているのは、磁石の付いた揺れる振り子。振り子が通過するたびに、モニター上のイメージは歪んでいく。磁力を受けることで映像は歪み、その色と形は無限に展開される。一方、テレビに設置されたアンテナは磁石による磁界を捉え、電磁波を分析する装置として音響機材へとつながっている。電磁波の変動が音響信号へと変換されることで、観客はそれを「音」として知覚することができる。本作は、日常の中では人間が感じることができない電磁波を、視覚と聴覚で捉えることを可能にする。\nhttps://j-mediaarts-festival.bunka.go.jp/award/single/crt-mgn/index.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/crt%20mgn","updated":1778877961,"position":[17.2842,43.6946,-51.1575],"cluster":"c15","subgroup":"c15.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09263,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b18e16788c0001bac50c2","weight":0.09263,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a07863aeea6868ef41b29d1","source":"NextResearch","title":"Toposcan / Ireland 2013","excerpt":"高谷史郎","text":"Toposcan / Ireland 2013\n高谷史郎\n16：9のモニター8台が，全体でひとつの映像となるように横一列に連結され，その横長の映像の中をモニター1画面分の映像が，モニターを横切るように，ゆっくりと端から端へ移動していきます．しかし，移動する映像の進行方向先頭よりも前方には，その映像の先端の1ピクセル分の映像が引き延ばされたように，色による何本もの線状の画像が表示されていて，映像が進むにつれて，その線から画像が紡がれていくような印象を与えます．一方，移動する映像の最後端は縦1ピクセルずつ定着されていくため，映像がディスプレイの端まで移動したときに現われる静止画像は，カメラが移動した時間の軌跡ともいうべきものになります．\n\n作品には，風景の映像として構成されることになる線状の色の帯，動いている風景の映像，そして，移動した映像が定着された静止画像という，異なる三つの映像の様態が表示されています．それは，人間の視覚と，それをもとに空間をとらえようとした光学装置としてのカメラという，空間を認識するふたつの方法とは異なる方法による視覚体験を提示しています．\n\nたとえば，スキャナーやコピー機のような，平面の対象物を線によって写し取る方法で空間をとらえようとすると，線遠近法にもとづく透視図とは異なる，消失点がなく奥行きのない映像として記述されます．それは，人間の視覚とは別の方法によって世界をとらえたものでもあるのです．\nhttps://www.ntticc.or.jp/ja/archive/works/toposcan-ireland-2013/\n\n東京都写真美術館蔵\n\nプログラミング：古舘健","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Toposcan%20%2F%20Ireland%202013","updated":1778878059,"position":[8.6166,-54.623,8.5142],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07408,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a078736a749fb72764cf7c0","source":"NextResearch","title":"Rheo ryoichi kurokawa","excerpt":"https://www.ryoichikurokawa.com/project/rheo.html","text":"Rheo ryoichi kurokawa\nhttps://www.ryoichikurokawa.com/project/rheo.html\n2009\nAudiovisual concert\nTriptych HD video projection  |  5.1ch surround sound\nDuration: 20'00\"- 30'00\"","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Rheo%20ryoichi%20kurokawa","updated":1778878314,"position":[41.2168,83.449,28.4729],"cluster":"c21","subgroup":"c21.01","degree":7,"referenceDegree":0,"maxSimilarity":0.18847,"lowEvidence":false,"neighbors":[{"id":"NextResearch:640a0d7c4ab7f6001bd8881f","weight":0.18847,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c04580b48108002420601d","weight":0.16704,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e4b3a409e61001c8877fa","weight":0.1494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb9d495f5ff348283a759","weight":0.13231,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6427c259c71c28001c79e5c4","weight":0.11719,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10d50c3f7cddd977cd69f","weight":0.10711,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68b32558d3053edde5f42c01","weight":0.09715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a078799d2551403bce5bf3d","source":"NextResearch","title":"アートと音楽－新たな共感覚をもとめて","excerpt":"mot","text":"アートと音楽－新たな共感覚をもとめて\nmot\n音楽とヴィジュアルアートは互いに密接な関係をもちながら進化してきました。20世紀の初め、作品がさまざまな感覚を呼び起こすような総合芸術をめざしたカンディンスキーや、音楽を記号的な正確さでイメージ化しようとしたクレーがその例です。聴覚と視覚を横断することで可能となる、豊かな感性の領域と表現の広がりは60年代のジョン・ケージらによってより実験的な形で検証されました。\n\nそして今、デジタル技術の発達によりイメージはピクセルに分解されて記号や数値として処理され、音もPCのディスプレイ上で視覚的に作曲されるなど、アートと音楽はその創作の過程においても近似しています。一つのコンピュータで映像、画像、音を同等に扱う世代のクリエイターたちは、より密接な「新たな共感覚」というべき総合感覚をもって、多様な表現を試みています。\n\n本展は総合アドバイザーに音楽家の坂本龍一を迎え、この二つの表現が交差、連動することで生まれてくる多様な作品の紹介を通して、「私たちの時代」における見ること、聴くことの本質的な意味を問いかけます。\n\n坂本龍一が世界屈指の音響デザインを手掛けるオノセイゲンや「ダムタイプ」創立メンバーの一人である高谷史郎とコラボレーションし、新作インスタレーション2点を展示します。小さな空間から無限大の宇宙を聴く、日本の茶室からインスピレーションを得た《silence spins》と、2台のピアノとレーザーを用いた《collapsed》は必見です。\n\n国際的な活動をしている同時代のアーティストによる日本未公開の作品を公開します。フロリアン・ヘッカーの立体的なサウンド・インスタレーションやクリスティーネ・エドルンドの植物の危険信号から生み出された楽譜と音楽など国際性豊かな表現を多数紹介します。\n\nカンディンスキー、クレーの絵画やジョン・ケージや武満徹の図形楽譜など、現代の視点だけではなく、歴史的な観点からもアーティストや音楽家がこれまでにどのように音楽と視覚芸術との関係の探求を試みてきたかを紹介します。\n\n東京文化発信プロジェクトとは\n東京文化発信プロジェクトは、「世界的な文化創造都市・東京」の実現に向けて、東京都と東京都歴史文化財団が芸術文化団体やアートNPO等と協力して実施しているプロジェクトです。都内各地での文化創造拠点の形成や子供・青少年への創造体験の機会の提供により、多くの人々が新たな文化の創造に主体的に関わる環境を整えるとともに、国際フェスティバルの開催等を通じて、新たな東京文化を創造し、世界に向けて発信していきます。\n\nhttps://www.mot-art-museum.jp/exhibitions/138/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A2%E3%83%BC%E3%83%88%E3%81%A8%E9%9F%B3%E6%A5%BD%EF%BC%8D%E6%96%B0%E3%81%9F%E3%81%AA%E5%85%B1%E6%84%9F%E8%A6%9A%E3%82%92%E3%82%82%E3%81%A8%E3%82%81%E3%81%A6","updated":1778878494,"position":[15.6422,-33.8594,19.9998],"cluster":"c05","subgroup":"c05.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09067,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e5d90a9264fe5327f168","weight":0.09067,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb2e6e6b208aad3c72b34","weight":0.08929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a096454ca512d8535886fb2","source":"NextResearch","title":"blueprint.am","excerpt":"https://www.blueprint.am/","text":"blueprint.am\nhttps://www.blueprint.am/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/blueprint.am","updated":1779000436,"position":[-81.8061,31.6628,-124.9711],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a09649652149045063d02ed","source":"NextResearch","title":"タブラチュア","excerpt":"タブラチュア（Tablature、通称：タブ譜）は、音符の代わりに数字や記号を用いて、楽器の「どの弦」を「どのフレット（ポジション）」で弾くかという具体的な身体動作を記した楽譜です。16世紀のリュート音楽から使われており、現代ではギターやベース、三味線などで視覚的に演奏位置を理解できる便利な譜面として親しまれています。タブラチュアの主な特徴構造: ギターの場合、6本の弦に対応する6本の線（線譜）を使い、数字がフレット番号を示す。利点: 音楽理論や楽譜の読み方を知らなくても、運指（指の動かし方）を見れば直感的に演奏できる。歴史: 1507年頃からリュートやキーボード楽器用に使用され、現代のポピュラー音楽まで広く活用されている。","text":"タブラチュア\nタブラチュア（Tablature、通称：タブ譜）は、音符の代わりに数字や記号を用いて、楽器の「どの弦」を「どのフレット（ポジション）」で弾くかという具体的な身体動作を記した楽譜です。16世紀のリュート音楽から使われており、現代ではギターやベース、三味線などで視覚的に演奏位置を理解できる便利な譜面として親しまれています。タブラチュアの主な特徴構造: ギターの場合、6本の弦に対応する6本の線（線譜）を使い、数字がフレット番号を示す。利点: 音楽理論や楽譜の読み方を知らなくても、運指（指の動かし方）を見れば直感的に演奏できる。歴史: 1507年頃からリュートやキーボード楽器用に使用され、現代のポピュラー音楽まで広く活用されている。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%BF%E3%83%96%E3%83%A9%E3%83%81%E3%83%A5%E3%82%A2","updated":1779000473,"position":[48.7869,-48.3873,38.5595],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.15274,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a6aa16c2060025ef99bd","weight":0.15274,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0964e21d024c99b138f4bc","source":"NextResearch","title":"前頭極皮質","excerpt":"前頭極皮質（Frontal pole cortex）は、大脳の前頭葉の最も前方に位置する進化的に新しい脳領域（ブロードマンの10野）です。思考、計画立案、そして自分自身の状態を客観視する「メタ認知」など、高度な人間的機能を司ることで知られています。この脳領域の主な働きと特徴は以下の通りです。メタ認知（無知の知）自分の知識や記憶について「知っているか・知らないか」を客観的に評価する機能を持ちます。目標達成と行動の継続遠い将来の目標（健康維持など）に向けた計画を実行し、行動を持続させる能力に関与しています。高次な意思決定複数の課題を適切に切り替えたり、社会的な判断や長期的な見通しを立てる中心的な役割を果たします。この領域はヒトで最もよく発達しており、日常的なタスク管理から人生の長期目標の達成に深く関わっている重要な部位です。","text":"前頭極皮質\n前頭極皮質（Frontal pole cortex）は、大脳の前頭葉の最も前方に位置する進化的に新しい脳領域（ブロードマンの10野）です。思考、計画立案、そして自分自身の状態を客観視する「メタ認知」など、高度な人間的機能を司ることで知られています。この脳領域の主な働きと特徴は以下の通りです。メタ認知（無知の知）自分の知識や記憶について「知っているか・知らないか」を客観的に評価する機能を持ちます。目標達成と行動の継続遠い将来の目標（健康維持など）に向けた計画を実行し、行動を持続させる能力に関与しています。高次な意思決定複数の課題を適切に切り替えたり、社会的な判断や長期的な見通しを立てる中心的な役割を果たします。この領域はヒトで最もよく発達しており、日常的なタスク管理から人生の長期目標の達成に深く関わっている重要な部位です。\n\n山梨大学医学部統合生理学教室、東京大学医学部附属病院精神神経科らの研究グループは、同じ間隔で鳴っていた音が鳴らなかったとき、脳の前頭極－側頭葉ネットワークが活動することを明らかにしました。この研究では山梨大学動物実験専門委員会の審査を受け、ヒトと同じ霊長類であるニホンザル（マカク属）の大脳皮質表面に多数の電極を留置し、網羅的に神経活動を計測する皮質脳波計測法（注3）を用いて、聴覚に関連する側頭葉と高度な予測形成に関わると考えられる前頭葉から神経活動を調べました。\nhttps://ja.wikipedia.org/wiki/前頭極\nhttps://www.juntendo.ac.jp/news/02879.html\nhttps://www.amed.go.jp/news/seika/kenkyu/20220607-03.html\nPrediction-Related Frontal-Temporal Network for Omission Mismatch Activity in the Macaque Monkey\n2022\nYuki Suda 1 2, Mariko Tada 3 4, Takeshi Matsuo 5, Keisuke Kawasaki 6, Takeshi Saigusa 1, Maho Ishida 1, Tetsuo Mitsui 1 7, Hironori Kumano 1, Kenji Kirihara 3, Takafumi Suzuki 8, Kenji Matsumoto 2, Isao Hasegawa 6, Kiyoto Kasai 3 4, Takanori Uka \nhttps://pubmed.ncbi.nlm.nih.gov/35558420/\n\n#list\n\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E5%89%8D%E9%A0%AD%E6%A5%B5%E7%9A%AE%E8%B3%AA","updated":1789147499,"position":[-27.628,-29.8508,58.4988],"cluster":"c28","subgroup":"c28.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07534,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a0966f732cc67b34253e4f9","source":"NextResearch","title":"SR","excerpt":"これまでの VR,AR 技術は、仮想環境を現実に近づける事を目指していた。しかし、そ","text":"SR\nこれまでの VR,AR 技術は、仮想環境を現実に近づける事を目指していた。しかし、そ\nれらの環境で立ち上がるリアリティは現実のそれとは明らかに異なる。一方、我々の\nSubstitutional Reality (SR) system は、現実から仮想へのスムーズな移行を実現することに\nよって、現実感を保ったまま現実と仮想の間を自由に往復する事が出来る。\n藤井 直敬\nhttps://www.tmd.ac.jp/grad/ompm/lecture2014_s1.pdf\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/SR","updated":1779001101,"position":[17.8523,54.3181,-32.7877],"cluster":"c15","subgroup":"c15.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10879,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a27b13dde250001c81c994","weight":0.10879,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a096723b8ec98d7acbd5dc6","source":"NextResearch","title":"face to facebook","excerpt":"This artwork appropriated one million Facebook profiles and posted 250,000 of them on a custom-made dating website with profiles sorted by social temperament, which was estimated through trained artificial intelligence analyzing facial expressions. The dating website, Lovely-Faces.com, provided a stage for anybody to interact with Facebook users’ personality traits such as smug, easy going, or sly. The project took place over five days of thrilling personal, media, and legal reactions, which became a global mass media performance. During the performance the artwork received over a thousand men","text":"face to facebook\nThis artwork appropriated one million Facebook profiles and posted 250,000 of them on a custom-made dating website with profiles sorted by social temperament, which was estimated through trained artificial intelligence analyzing facial expressions. The dating website, Lovely-Faces.com, provided a stage for anybody to interact with Facebook users’ personality traits such as smug, easy going, or sly. The project took place over five days of thrilling personal, media, and legal reactions, which became a global mass media performance. During the performance the artwork received over a thousand mentions in the international press, eleven legal threats, five death threats, and several letters from the lawyers of Facebook. which had to confront this artistic intervention made with its appropriated material and as a result of its security flaws. The project addressed surveillance, privacy, and the economy of social media monopolies as well as performing art interventions within global media.\nCo-author: Alessandro Ludovico.\n\nSelected pictures of installations at the following shows\nKellen Gallery, NYC; Alhóndiga, Bilbao; Aksioma, Ljubljana; Ars Electronica, Linz; Transmediale, Berlin; ENTER5, Prague; Tetem, Enschede; Share, Turin; Impakt, Utrecht; Museum CCA, Hangzhou.\n2011\nhttps://paolocirio.net/work/face-to-facebook/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/face%20to%20facebook","updated":1779001142,"position":[-3.0166,109.3261,1.9292],"cluster":"c13","subgroup":"c13.01","degree":7,"referenceDegree":0,"maxSimilarity":0.25125,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6485bc220339dc001bbc854c","weight":0.25125,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64cb335ccb404c001b7052e7","weight":0.13745,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6910522ce3c285547eff3f6f","weight":0.11402,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6781070555916cb387adb1cc","weight":0.11349,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da27dd69a91ff9cdd78f3","weight":0.0922,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c045a878c0bd002454fbcc","weight":0.09133,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:687e6f7e58de1aa97ec00635","weight":0.08993,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a096773c450b46dc898048a","source":"NextResearch","title":"プロポーション","excerpt":"https://www.ntticc.or.jp/ja/feature/2011/Openspace2011/Works/proportion_j.html","text":"プロポーション\nhttps://www.ntticc.or.jp/ja/feature/2011/Openspace2011/Works/proportion_j.html\n\nコンピュータ制御された工業用ロボット・アームにレーザー・プロジェクターとカメラが取り付けられ，コンピュータ・グラフィックスをリアルタイムにミニチュア・モデルに投影しながら，全編をワンカットで撮影して作られる映像です．\n\nプロジェクターからの映像を建築などの立体造形物に投影することで，その表面のテクスチャーを変化させるプロジェクション・マッピングと呼ばれる演出方法を用いて，通常とは異なる臨場感や存在感の映像空間を創り出すことができます．通常，建物などの支持体と映像は固定された関係にあり，あらかじめ物体の形や位置を決定し，それに合わせて制作された映像を重ねていきます．しかしこの作品では，カメラのみならず，映像が投影されるミニチュアも固定されずに動き，それに伴って生成されるCGが変化します．ミニチュアは，ひとつの動力で全てが連動して動作するように設計され，また，一部のミニチュアは観客による配置が可能です．カメラは，撮影しながら，合成のための信号を自動に作成することで，投影対象を固定せずに映像を投影することができます．\n\n楽曲：やくしまるえつこメトロオーケストラ《少年よ我に帰れ》\n協力：カラーキネティクス・ジャパン株式会社\n\n真鍋大度，石橋素　プロフィール\n\n真鍋大度：1976年生まれ．高度なプログラミング技術と徹底したリサーチ，柔軟なスタンスで数多くのプロジェクトに参加．2009年に電気刺激によって顔面を音楽のヴィジュアライザーとした実験映像で話題になる．4nchor5 la6を石橋素と共同主宰．株式会社Rhizomatiks取締役．\nhttp://www.daito.ws/　http://www.rhizomatiks.com/\n→過去に参加した展示・イヴェント\n\n石橋素：1975年生まれ．インタラクティヴ・システムのデザインや制作を行なう．電子工作，プログラミングを駆使し，アート，デザイン，研究，パフォーマンスなど領域を問わず精力的に作品制作を行なう．株式会社DGN取締役．\n両者により，2011年に山口情報芸術センター [YCAM] で発表した《particles》は，アルス・エレクトロニカ賞に入賞．\nhttp://www.motoi.ws/　http://www.dgn.jp/\n","tags":[],"links":["YCAM"],"url":"https://scrapbox.io/NextResearch/%E3%83%97%E3%83%AD%E3%83%9D%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1779001259,"position":[2.8716,-80.8343,35.9913],"cluster":"c01","subgroup":"c01.02","degree":4,"referenceDegree":0,"maxSimilarity":0.15016,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a0779468e59f80564c1ddc9","weight":0.15016,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c2159227944f4a38d7cbe","weight":0.10279,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1349af1e800988e55e8d58","weight":0.08993,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3fbedab3e4354dfb4801","weight":0.08681,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0967e63b206a5dc49f3ec8","source":"NextResearch","title":"cloud forest fujiko nakaya, shiro takatani","excerpt":"https://special.ycam.jp/cloudforest/#/works/park","text":"cloud forest fujiko nakaya, shiro takatani\nhttps://special.ycam.jp/cloudforest/#/works/park\n[https://www.youtube.com/watch?v=yYiABkySpmU]\n\n本展では、＜生成する＞＜浸透する＞＜反射する＞といった相互の領域をつなぐものとして「環境」を捉えています。ランドアートやアースアートなど、環境をアートの場や要素としたムーブメントはこれまでに数多くありますが、本展では、メディアアートの本質的な創造性や探索性の中に新たな「環境」を見出していきます。それは、情報技術によって「環境」が多領域を結ぶものとして開かれ、相互環境性＝「環境圏」を生み出す試みです。物質的に加えられた外容でなく「環境」が空間の変容として表現されるコンセプトは、現在において強く静かな主張を持つことになるでしょう。\n\n世界的に話題を呼んだ1970年の大阪万博では、ペプシ館で実現されたアメリカの実験グループ、E.A.T.（Experiments in Art and Technology）の活動が注目を集めました。アーティストと科学者との共同作業、参加アーティストの斬新な構想は、環境とアートの関係性を探求する先駆的で驚くべき成果を実現しています。本展では、それから40年を迎える現在までを、物質的な生産性に基づく進歩的科学観から、不可視の情報資本主義へ移行する大きな転換期として捉え、E.A.T.の思想や成果を批評的に検証します。アートと科学による先進的な考え方や取り組みを、現代における情報社会学、環境創造の視点を含めて読み解くことで、今日的なリアリティや新しい環境要素を開示します。\n\n本展は、大阪万博のペプシ館で最初に発表された中谷芙二子の「霧の彫刻」とともに、そこでインタラクティブな音を担当したディヴィッド・チュードア（故人）による思想と表現に着目し、構想されています。YCAMの館内外のメイン会場には、様々な様態を見せる「霧の彫刻」を展示します。さらに、チュードアが開拓した、環境の反射によるサウンドスケープの発想を取り込んだ新作インスタレーションも同時公開します。それは、中谷と万博以降に育った世代である高谷史郎をはじめとするアーティスト、そしてYCAMのスタッフによるコラボレーティブな新しい環境創造への挑戦といえるでしょう。情報技術を用いて、自然の変化と同時に人間の知覚の変化を多様に取り込ん作品は、クリティカルな全く新しい「情報環境圏」を感覚化していきます。\n\nhttps://special.ycam.jp/cloudforest/#/works/patio\n\nhttps://special.ycam.jp/cloudforest/#/works/foyer\n\nhttps://special.ycam.jp/cloudforest/#/works/park\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/cloud%20forest%20fujiko%20nakaya%2C%20shiro%20takatani","updated":1779001568,"position":[27.2294,-31.0763,38.5934],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08056,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a0c074f7db498c5c1921690","source":"NextResearch","title":"レイノルズ数","excerpt":"レイノルズ数は、流体に働く「慣性力」と「粘性力」の比を表す無次元数です。流れの状態（規則的な「層流」か、不規則で渦を巻く「乱流」か）を判断する指標として、流体力学や機械工学で広く使用されています。","text":"レイノルズ数\nレイノルズ数は、流体に働く「慣性力」と「粘性力」の比を表す無次元数です。流れの状態（規則的な「層流」か、不規則で渦を巻く「乱流」か）を判断する指標として、流体力学や機械工学で広く使用されています。 \nhttps://ja.wikipedia.org/wiki/レイノルズ数\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E3%83%AC%E3%82%A4%E3%83%8E%E3%83%AB%E3%82%BA%E6%95%B0","updated":1789147486,"position":[52.1453,-37.2108,1.8779],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09552,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a646435e0a419850769fd65","weight":0.09552,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d53ee29e7001b39e789","weight":0.08898,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0c084936b92e66d4b23c98","source":"NextResearch","title":"サイバーアーツジャパン","excerpt":"文化庁メディア芸術祭協賛事業「サイバーアーツジャパン－アルスエレクトロニカの30年」","text":"サイバーアーツジャパン\n文化庁メディア芸術祭協賛事業「サイバーアーツジャパン－アルスエレクトロニカの30年」\n\nメディアアートの世界的祭典「アルスエレクトロニカ」（オーストリア・リンツ市）の30周年を記念して、日本のアート&テクノロジー、メディア芸術領域の特集展を開催します。\n\n1979年の創始以来、同フェスティバルは、冨田勲、坂本龍一＋岩井俊雄や明和電機ら多数の受賞・参加によって日本と深い絆で結ばれています。本展は、フェスティバルへの参加作品群を中心に、芸術／科学・テクノロジー／社会を結ぶ新たな可能性を探ります。\n\n本展では、アルスエレクトロニカ・リンツ後援のもと、30年の歴史を物語る貴重な映像や作品資料が初めて展示されます。約25プロジェクト・50作品による展示は複数のパートで構成されています。歴代受賞者らによる展示や、本年度受賞作品のほか、アルスエレクトロニカ・センターとの企画連携（デバイスアート展）、リアルタイムでリンツと東京会場を結び、Museum of the Future（未来の美術館）を考え、解体再構築するネット・プロジェクトも試みられます。さらに、文学作品の視覚化、デジタルパブリックアート、宇宙芸術などのハイブリッドな新領域を題材に、話題のメディア芸術／メディアアートが呈示されます。\n\n本展は同時期開催の文化庁メディア芸術祭（国立新美術館）の協賛事業として、NTTインターコミュニケーション・センター［ICC］など国内関連施設と企画連携して展開されます。同時期開催のＭＯＴコレクション展内「実験工房」展示や「バガボンド」作者・井上雄彦による大壁画「エントランス・スペース・プロジェクト」と併せて、メディア芸術領域の現在形や先駆者たちの姿を探ります。参加体験型の作品群、イベントや上映作品を通して、本展は「日本の表現力」とは何かを再考し、次世代に向けて考える貴重な機会となるでしょう。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B5%E3%82%A4%E3%83%90%E3%83%BC%E3%82%A2%E3%83%BC%E3%83%84%E3%82%B8%E3%83%A3%E3%83%91%E3%83%B3","updated":1779173460,"position":[51.7076,-31.3068,2.2541],"cluster":"c10","subgroup":"c10.01","degree":6,"referenceDegree":0,"maxSimilarity":0.15966,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68fa51aa0b87a56aca1de4b4","weight":0.15966,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.1222,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2f3a8378db8001bd9e1ea","weight":0.10698,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a14026771aab0e4b75bcb49","weight":0.08692,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1402098f8b47d5c01330c9","weight":0.08533,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1400e5af070ee9c3be2dad","weight":0.08523,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0c087a921e8fb608883021","source":"NextResearch","title":"Zach Lieberman EyeWriter","excerpt":"ザック・リーバーマン（Zach Lieberman）が関わった「EyeWriter（アイライター）」は、ALS（筋萎縮性側索硬化症）を患い全身が麻痺したグラフィティアーティストのTEMPT1氏が、再び絵を描けるように開発されたオープンソースの眼球追跡システムです。","text":"Zach Lieberman EyeWriter\nザック・リーバーマン（Zach Lieberman）が関わった「EyeWriter（アイライター）」は、ALS（筋萎縮性側索硬化症）を患い全身が麻痺したグラフィティアーティストのTEMPT1氏が、再び絵を描けるように開発されたオープンソースの眼球追跡システムです。 \n\n概要と特徴\nプロジェクトの背景: 2010年に発足した国際的なコラボレーションプロジェクトです。リーバーマン氏のほか、Free Art and Technology（FAT）やOpenFrameworks、Graffiti Research Labなどのメンバーが開発に参加しました。\n低コストなオープンソース: 市販の安価なカメラや部品を用い、誰でもアクセスできるオープンソースのシステムとして設計されました。\n評価: このプロジェクトは数々の国際的な賞を受賞したほか、ニューヨーク近代美術館（MoMA）にも収蔵されています。\nhttps://www.ycam.jp/archive/works/the-eyewriter/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Zach%20Lieberman%20EyeWriter","updated":1779173568,"position":[-23.3129,-74.9357,12.4514],"cluster":"c27","subgroup":"c27.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10904,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69ca3d33b389f60806251a38","weight":0.10904,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f1bbb40d98d7001c3f7f95","weight":0.10007,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a173b901637a2644ff856ce","weight":0.08604,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0c0906b5a77e48373e6b93","source":"NextResearch","title":"セカイカメラ","excerpt":"セカイカメラ（Sekai Camera）は、iPhone、Android上で動作する拡張現実ソフトウェアである。頓智ドット株式会社（トンチドット）が無償で提供していた。2014年1月22日に全サービス終了。本項では、その携帯電話向けバージョンにあたるセカイカメラZOOM（ズーム）についても記述する。","text":"セカイカメラ\nセカイカメラ（Sekai Camera）は、iPhone、Android上で動作する拡張現実ソフトウェアである。頓智ドット株式会社（トンチドット）が無償で提供していた。2014年1月22日に全サービス終了。本項では、その携帯電話向けバージョンにあたるセカイカメラZOOM（ズーム）についても記述する。\n\n概要\nセカイカメラを起動すると、iPhone、Android内蔵のデジタルカメラによって目の前の景色が画面上に映し出された上に、その場所・対象物（建物・看板など）に関連する「エアタグ」と呼ばれる付加情報（文字・画像・音声）が重ねて表示される。エアタグはユーザーが自由に付加することができ、ユーザー間で共有される。\n\n利用にはiPhone、Androidなどのスマートフォンの使用が不可欠であり、また、それら機器をかざしてディスプレイを見なければならない。\n\n仕組み\nGPSを用い、現在地を特定する。また、内蔵の電子コンパスによってカメラの向いている方角を認識し、その方向に貼り付けられたエアタグを表示できる。位置認識の精度は、GPSの受信強度によって変わる。\n\nセカイカメラZOOM\nセカイカメラZOOM（ズーム）は、KDDI、並びに沖縄セルラー電話の各Android OS搭載auスマートフォン、並びに各au携帯電話上動作するEZアプリである。セカイカメラの機能のほか、Twitter機能が搭載されている。2011年11月30日をもってサービス終了となった。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%BB%E3%82%AB%E3%82%A4%E3%82%AB%E3%83%A1%E3%83%A9","updated":1779173652,"position":[2.8759,-80.8187,36.7699],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.18011,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9f26a2a4ed5e0d4501234","weight":0.18011,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:676d8eb8dcc5674fa73465d9","weight":0.179,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc46ffd1cf7bda0a920d2","weight":0.10458,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0c0966b1bf59cd7b5b2740","source":"NextResearch","title":"finepix real 3D W1","excerpt":"https://dl.fujifilm-x.com/support/manual/3d/ff_finepixreal3dw1_mn_j100.pdf","text":"finepix real 3D W1\nhttps://dl.fujifilm-x.com/support/manual/3d/ff_finepixreal3dw1_mn_j100.pdf\n\n\n　3D用画像の撮影は単純で、左右から見た映像となるように位置を変えて撮るだけなので、2台のカメラを用意してシャッターをリンクしたり、レンズ部に工夫を施して1ショットで左右の画像を同時にフィルムに焼き付けたり、あるいは位置を変えてもう1枚撮るなど、撮影する手段も様々ある。\n\n　さらに、立体視用の双眼鏡のようなビューワーを使ったり、見る際に色付き（あるいは偏光、液晶シャッターの）メガネをかけさせたり、裸眼立体視をさせたりと見るほうでもいろいろと工夫がなされている。\n\n　富士フイルムが8月8日に発売する「FinePix REAL 3D W1」は、1台のデジタルカメラの中に2つのレンズと撮像素子を組み込んで立体撮影を行なうという、おそらく世界初のデジタルカメラだ(おそらくと表記したのは、特殊撮影機材の分野では存在するかもしれないからだ）。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/finepix%20real%203D%20W1","updated":1779173795,"position":[27.4148,-85.3213,40.1074],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.0796,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a0c0a26e16d4ccec3ac60b5","source":"NextResearch","title":"医学と芸術展","excerpt":"生命(いのち)と愛の未来を探る—ダ・ヴィンチ、応挙、デミアン・ハースト","text":"医学と芸術展\n生命(いのち)と愛の未来を探る—ダ・ヴィンチ、応挙、デミアン・ハースト\n\n2009年11月28日(土)〜2010年2月28日(日)\n\n\n文：橋本一径（表象文化論）\n\n撮影：渡邉修　写真提供：森美術館\n展覧会場は、その副題とは裏腹に、「死」の表象であふれ返っているように見えた。ロンドンのウエルカム財団が収蔵する、医学史にまつわる様々な品々のコレクションを中心に、日本初公開のものも含むというレオナルド・ダ・ヴィンチの解剖図3点、さらには現代アートの諸作品で構成された、この展覧会を通覧しての印象である。皮を剥がれ、腹を裂かれた身体を描き出した近世ヨーロッパの解剖図には、たとえそこに赤子を孕んだ母体のものが含まれているとしても、生命の息吹を感じ取ることは難しかろう。現代アート陣もまた、アルヴィン・ザフラはサンドペーパーの上で頭蓋骨をすり下ろすという荒々しい葬送儀礼を実演してみせ、ヴァルター・シェルスは被写体の死の直前と直後のポートレートを並置してみせる。「永遠の生と愛に向かって」と題された最終セクションに至ってもなお、遺伝子組み換えにより緑の光を発するようになったウサギ（エドワルド・カッツ）が垣間見せるのはむしろ、バイオテクノロジーがもたらす未来の禍々しさであろう。\n\nアルヴィン・ザフラ「どこからでもない議論」2000年　Courtesy Osage Gallery\n\nヴァルター・シェルスライフ・ビフォア・デス―エルミラ・サング・バスティアン」\n2004年1月14日／2004年3月23日\nCourtesy the artist\nだがこれらすべてを安易に「死」の一言で片づけるのもまた、差し控えなければなるまい。例えばヴェサリウスの著作に代表されるルネサンス期以降の解剖書の中の身体は、なぜ骸骨の姿で立ちあがってポーズを決めたり、自らの皮を剥いで内臓をこちらに見せつけたりしているのだろうか。端的に言ってそれらは「生きて」いるからである。生命の真理は、キリスト教的な霊魂に帰着するのではなく、身体を探索することによって到達できるはずだと考えたのが、この時代の医学の新しさだった。その探索に死体が用いられたのは、単に生きた身体を切り開くことが不可能だったからにすぎない。解剖図の身体は、そのような不可能をイメージの中でのみ成功させて見せているのである。\n\nかつては「生命」を表象していたはずのものが、今ではむしろ「死」に見えてしまう。結局のところそれは、「生命」も「死」も、時代によって移り変わる抽象的な概念でしかないからだろう。生まれ、そして死ぬのはただ、個々の具体的な身体のみである。ジョージ・ワシントンの義歯、16歳の少女のための義手、負傷した兵士のための、飛行機の部品で作られたという義足、うっすらと充血した義眼……。医学は、あるいは芸術は、これらの医療器具が生々しく想起させる身体に、どこまで寄り添うことができているだろうか。\n\nアンドレアス・ヴェサリウス　ロープから吊るされた骸骨\n『人体の構造について』より　1555年\nWellcome Library\nART iT関連記事","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%8C%BB%E5%AD%A6%E3%81%A8%E8%8A%B8%E8%A1%93%E5%B1%95","updated":1779173943,"position":[-49.935,-32.361,-20.4084],"cluster":"c32","subgroup":"c32.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11147,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bf621f5932db002632c98f","weight":0.11147,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a11387bc25f3da701b45c15","weight":0.08513,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0c0c078747d1a1acf26d99","source":"NextResearch","title":"Ryoji Ikeda V ≠ L","excerpt":"https://www.festival-automne.com/en/edition-2008/ryoji-ikeda-v8800","text":"Ryoji Ikeda V ≠ L\nhttps://www.festival-automne.com/en/edition-2008/ryoji-ikeda-v8800\n\nThe expression refers to Gödel's axiom of constructability in mathematical logic. In set theory, \n represents the von Neumann universe of all sets, and \n represents the constructible universe. The statement \n means that not every set is constructible, allowing for numbers that lie almost beyond human comprehension.\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Ryoji%20Ikeda%20V%20%E2%89%A0%20L","updated":1779174482,"position":[17.5354,40.45,-34.3457],"cluster":"c15","subgroup":"c15.01","degree":4,"referenceDegree":0,"maxSimilarity":0.40938,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69a0204b633dc6484b1c79ed","weight":0.40938,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64953df811253c001c907ee4","weight":0.37266,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a078387d648ee3af01e585c","weight":0.29563,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499a9e62582d2001bb0fb3b","weight":0.14948,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0c0ca2f2ebc95e8f6407a1","source":"NextResearch","title":"isea 2008","excerpt":"The ISEA2008 conference took place at the Singapore Management University (School of Accountancy Seminar Room, School of Information Systems, Li Ka Shing Library), the National University of Singapore (Engineering Auditorium and Yong Siew Toh Conservatory of Music), Nanyang Technological University and the National Museum of Singapore. Workshops were also held at the Republic Polytechnic. The main Art Exhibition took place at the National Museum of Singapore. Concerts and Performances were organised at the LASALLE College of the Arts and at the Management University. Other venues included 72-1","text":"isea 2008 \nThe ISEA2008 conference took place at the Singapore Management University (School of Accountancy Seminar Room, School of Information Systems, Li Ka Shing Library), the National University of Singapore (Engineering Auditorium and Yong Siew Toh Conservatory of Music), Nanyang Technological University and the National Museum of Singapore. Workshops were also held at the Republic Polytechnic. The main Art Exhibition took place at the National Museum of Singapore. Concerts and Performances were organised at the LASALLE College of the Arts and at the Management University. Other venues included 72-13 (Theatreworks), Food#3, Sculpture Square, Singapore Science Centre, The Esplanade, The Substation and Victoria Theatre. In conjunction with ISEA2008 the 6th Asia-Europe Art Camp ‘Ludic Times – the Art of Gaming’ was organised, as well as a Mini Summit on New Media Art Policy & Practice.\nhttps://www.isea-symposium-archives.org/symposium/isea2008-14th-international-symposium-on-electronic-art/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/isea%202008","updated":1779174582,"position":[-39.317,-24.5291,82.5558],"cluster":"c28","subgroup":"c28.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13141,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d67eb519edd3001d11d5e6","weight":0.13141,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:678107ff95f50aad2646d630","weight":0.10936,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68677fb8ac2defea1d8c837e","weight":0.1055,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0c0e477db498c5c1921c11","source":"NextResearch","title":"久保田晃弘 Pure φ","excerpt":"「Pure φ (純粋 φ)」は、キャンバスとしての大型スクリーンに投影される、インターフェースとしての映像絵画です。通常のグラフィカルユーザーインターフェース(GUI)が、記号やアイコンによる図としてのインターフェイスを実現するものだとすれば、この「Pure φ」は面的な場としてのスクリーンをキャンバスとする、絵としてのインターフェイスを表現しています。","text":"久保田晃弘 Pure φ\n「Pure φ (純粋 φ)」は、キャンバスとしての大型スクリーンに投影される、インターフェースとしての映像絵画です。通常のグラフィカルユーザーインターフェース(GUI)が、記号やアイコンによる図としてのインターフェイスを実現するものだとすれば、この「Pure φ」は面的な場としてのスクリーンをキャンバスとする、絵としてのインターフェイスを表現しています。\nスクリーンの前方には、眼のメタファーとしてのアクティブな4つのデジタル・カメラが設置され、この4つのカメラからの入力から得られるオプティカル・フローによって、ランダム・ドットのフィードバック・ループが流動します。複数のカメラの切り替えは、分析的キュビズムにおける多視点性に相当し、それをオールオーヴァーなカラーフィールド・ペインティングのように、大スクリーンに投影しています。\n流動するランダム・ドットによるインターフェイスは、具象的なメタファーや機能を有しない抽象インターフェイスだといえます。スクリーンのサイズを身体を包み込むスケールとし、鑑賞者の位置にゆるやかな段差を持った大地のメタファーとしてのステージを設けることで、包囲光配列としてのテクスチャーの運動による生態光学的インターフェイスを構築しています。 インターフェイスにおいて、透過性 (窓) と反映性 (鏡) のバランスは特に重要です。オプティカル・フローにより流動するスクリーン上のノイズは動きの鏡に相当し、そこから仮現的に知覚される(であろう) Pure φ 、すなわち「動くものは見えないけれど、動きだけが見える」運動感こそが、スクリーンという窓から見えるものに相当しています。\n原理的には、1つの網膜像から無数の物体が復元できるように、身体中心座標系の「視覚運動システム」から生まれる空間は、常にダイナミックに生成消滅しています。段差を有するステージ上での身体の動き (行為) が網膜に入力する視覚データを変化させ、その変化がさらに新たな行為を生成します。眼こそが環境の情報を獲得するためのインターフェイスであり、恒常性を求める間接的な知覚システムではなく、直接的な視覚運動システムのダイナミズムから、行為と視覚がダイレクトに結びついたインタラクションが生み出されるのです。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E4%B9%85%E4%BF%9D%E7%94%B0%E6%99%83%E5%BC%98%20Pure%20%CF%86","updated":1779174996,"position":[19.5413,57.8491,43.1722],"cluster":"c08","subgroup":"c08.01","degree":3,"referenceDegree":0,"maxSimilarity":0.3869,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a14056dc004296943192838","weight":0.3869,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681d9d760ebfc6f7cc0c4d64","weight":0.10273,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6501a1593613ec00211a1c7d","weight":0.08884,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a0c0ea304b8c3e4e69adc9c","source":"NextResearch","title":"Musica ex Machina ー機械じかけの音楽ー","excerpt":"https://museum.c.u-tokyo.ac.jp/2007/musica.html","text":"Musica ex Machina ー機械じかけの音楽ー\nhttps://museum.c.u-tokyo.ac.jp/2007/musica.html\n「Musica ex Machina（ムジカ・エクス・マキナ／機械じかけの音楽）」は、2007年に東京大学駒場博物館で開催された特別展および関連研究プロジェクトの名称です。音楽と機械の歴史的な関係や可能性に焦点を当てた企画として知られています\n\n　「機械じかけの音楽」という言葉から皆さんは何を連想するでしょうか？\n\n　オルゴールやコンピュータ（DTM）では構造こそ違うものの、機械がその場で演奏するということでは「機械じかけ」と言えるでしょうし、CDやハードディスク、フラッシュメモリープレーヤーなどの音楽再生装置もそのように言えるかもしれません。しかし、今回私たちが用意した展覧会では、皆さんが想像するのと少々違った観点から「機械」と「音楽」との関係を考えてみたいと思います。\n\n　音楽を機械で自動的に演奏させるというアイデアは、アリストテレスの著作中に既にみられます。古代ギリシャで考えられた様々な機械の構造は中近東地域に受け継がれ、中世になって再びヨーロッパに輸入されることで新たな展開をみせることになります。\n\n　音階に合わせた鐘を使い、あるメロディーを決まった時間に演奏する教会の時計は、中世ヨーロッパにおける代表的な自動演奏楽器といえるでしょう。このようなものが多く作られるにいたった背景には、様々な音が美しい調べにのって奏でられる音楽と正確に時を刻む時計とが、いずれも調和と秩序をもって運行している宇宙を象徴するものとして存在していたからだと考えられます。\n\n　巨大で複雑な構造をもつパイプオルガンが教会で欠かせないのも、そのような思想があるからでしょう。空気を入れ、鍵盤を押しさえすれば音が出るオルガンは、自動的に演奏させるのに適した楽器でもあります。17世紀にはすでに自動オルガンが発明され、小型の手回しオルガンは多くの地域で普及していくことになりました。また、このような演奏の自動化という流れは、18世紀半ばに演奏の記録と再生への関心を生み出します。この展覧会では、約230年前の演奏記録を元にしたコンピュータによる再生を行う予定です。\n\n　産業革命後の近代になると、機械の存在は日常的になっていきます。正確にリズムを刻むメトロノーム等、音楽家にとっても機械は必要不可欠なものになったようです。20世紀になって、機械らしさが一部の若い作曲家たちに一つの美として認められるようになりました。機械音楽は宇宙の調和でもなく、人間の真似でもなく、ただ機械である事を表現するのが理想とされ、またそれが機械化された時代のふさわしい態度だと考えられました。I・ストラヴィンスキー、P・ヒンデミット、E・トッホなどがこの運動に参加し、その当時音楽再生の最高技術を代表していたロールピアノのための作品を残しました。戦後にはC・ナンカロウがロールピアノのために作曲し続けましたが、1980年代以来は新しい技術によってピアノとコンピュータを繋げる事が可能になり、多くの新しい作品が生まれました。この展覧会と関連イベントでは1920年代から現在まで自動ピアノのための代表的な作品とその創作活動が紹介されます。\n\n　この展覧会の中心にはマーティン・リッチズ（Martin Riches, 1942-）の作品群があります。現代のベルリンに住むこのイギリス人アーティストは、多くの音楽機械作品（Music Machines）を発表しています。今回紹介する「Flute Playing Machineや「Serinette（鳥オルガン）」、「Clock V」などは、現代アートの作品とはいえ機械と音楽との歴史的な関係と無縁でなりたっているものではないことがわかるでしょう。\n\n　機構は電子化されたとはいえ、現代においても自動演奏ピアノはポピュラーなものです。会期中には現代の自動演奏ピアノの演奏会も企画されています（協力：ヤマハ株式会社）。また、やはり本展で公開される本学の研究による自動作曲と自動伴奏のプログラムは、現代と未来における「音楽」と「機械（技術）」を考える上で非常に示唆に富むものとなるでしょう。\n\n　現代社会に生きる私たちにとって、音楽はあまりに日常的なものです。この「音楽」というものが「機械」とどのような関係をもって存在しているのか、全く意識することなく暮らしています。しかし、そもそも「音楽」とは一体どのようなものだったのでしょうか。この展覧会は、そのような関心をもちつつ古代ギリシャから出発して歴史的変遷をたどり、現代そしてこれからの「音楽」について、それを奏でる装置としての「機械」との関係をキーワードにして展開していこうとする一つの試みなのです。\n　この展覧会は、日本学術振興会科学研究費補助金による「音楽文化における機械の役割-その歴史・現状に関する多面的分析と展望」研究グループ（研究代表者：ヘルマン・ゴチェフスキ本学准教授）によって企画されたものです。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Musica%20ex%20Machina%20%E3%83%BC%E6%A9%9F%E6%A2%B0%E3%81%98%E3%81%8B%E3%81%91%E3%81%AE%E9%9F%B3%E6%A5%BD%E3%83%BC","updated":1779175127,"position":[74.2465,-127.0215,-14.5243],"cluster":"c40","subgroup":"c40.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0859,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6734da9778fbe3464837f360","weight":0.0859,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a11381b3eb5ff6cbdd84f55","source":"NextResearch","title":"エキゾチズム","excerpt":"エキゾチズム（異国情緒・異国趣味）とは、遠く離れた未知の国や、過去の文化に対して抱く「憧れ」や「異国風の趣」を好む心境や傾向のことです。","text":"エキゾチズム\nエキゾチズム（異国情緒・異国趣味）とは、遠く離れた未知の国や、過去の文化に対して抱く「憧れ」や「異国風の趣」を好む心境や傾向のことです。 \n\n主な特徴と背景\n歴史的背景: 大航海時代以降、西洋社会で非西洋圏の文化や文物を珍重する動きとして顕著になりました。\n芸術への影響: 文学、美術、音楽、建築、ファッションなどにおいて、異国のモチーフを取り入れて独特の芸術的効果を上げる手法として用いられます。\n身近な例: 日常生活における「アジアン雑貨」や「エスニック料理」、街並みにおける「異人館」や「テーマパークの街並み」などもエキゾチズムの現れです。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A8%E3%82%AD%E3%82%BE%E3%83%81%E3%82%BA%E3%83%A0","updated":1779513381,"position":[30.2107,23.15,79.9208],"cluster":"c30","subgroup":"c30.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07304,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a11387bc25f3da701b45c15","source":"NextResearch","title":"メディア・アート創世記ー科学と芸術の出会い","excerpt":"1960年代よりジャーナリストとしてメディア・アートの勃興を紹介し、","text":"メディア・アート創世記ー科学と芸術の出会い\n1960年代よりジャーナリストとしてメディア・アートの勃興を紹介し、\nやがてその教育現場を指揮した坂根厳夫。\nエッシャーから岩井俊雄まで、境界領域アートの半世紀にわたる歴史をたどる。\n\n\n「アナログからデジタルへ、\nその波を乗り越えた証人として、これほど具体的に、\nかつ温かいまなざしで時代を俯瞰できるのは、\n坂根さんしかいません。」\n——中谷芙二子（霧の彫刻家）","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%A1%E3%83%87%E3%82%A3%E3%82%A2%E3%83%BB%E3%82%A2%E3%83%BC%E3%83%88%E5%89%B5%E4%B8%96%E8%A8%98%E3%83%BC%E7%A7%91%E5%AD%A6%E3%81%A8%E8%8A%B8%E8%A1%93%E3%81%AE%E5%87%BA%E4%BC%9A%E3%81%84","updated":1779513492,"position":[14.8923,-34.5376,20.1597],"cluster":"c05","subgroup":"c05.01","degree":5,"referenceDegree":0,"maxSimilarity":0.12073,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.12073,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4d840542fb8b138efbc","weight":0.10766,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e30e905e65be420e701e","weight":0.09704,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1349af1e800988e55e8d58","weight":0.09642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c0a26e16d4ccec3ac60b5","weight":0.08513,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1138da42739b0bd3a86440","source":"NextResearch","title":"坂根厳夫","excerpt":"1930年生まれ．朝日新聞社，慶應義塾大学環境情報学部をへて，96年4月，岐阜県立国際情報科学芸術アカデミー学長に就任．「美の座標」「かたち曼陀羅」「遊びの博物誌」「境界線の旅」「科学と芸術の間」「イメージの回廊」など，サイエンスとアートに関する多数の著作がある．97年にはICCにて「センシティヴ・カオス」展，「ポール・デマリーニス」展の企画も行なっている．","text":"坂根厳夫\n1930年生まれ．朝日新聞社，慶應義塾大学環境情報学部をへて，96年4月，岐阜県立国際情報科学芸術アカデミー学長に就任．「美の座標」「かたち曼陀羅」「遊びの博物誌」「境界線の旅」「科学と芸術の間」「イメージの回廊」など，サイエンスとアートに関する多数の著作がある．97年にはICCにて「センシティヴ・カオス」展，「ポール・デマリーニス」展の企画も行なっている．\nhttps://www.ntticc.or.jp/ja/archive/participants/sakane-itsuo/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%9D%82%E6%A0%B9%E5%8E%B3%E5%A4%AB","updated":1779513580,"position":[31.5897,-61.5549,-38.7086],"cluster":"c26","subgroup":"c26.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09467,"lowEvidence":false,"neighbors":[{"id":"NextResearch:655a02633d53fc001be347cc","weight":0.09467,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a113b140d60619747a4f17b","source":"NextResearch","title":"ドクメンタ 12","excerpt":"6月16日、ドイツ、カッセルで国際的な12回目となる展覧会、ドクメンタ12が開催された。今回は総合ディレクターにロゲール＝マルティン・ビュルゲルを迎え、彼の妻であるルト・ノアックとともにこの展覧会は立ち上げられた。","text":"ドクメンタ 12\n6月16日、ドイツ、カッセルで国際的な12回目となる展覧会、ドクメンタ12が開催された。今回は総合ディレクターにロゲール＝マルティン・ビュルゲルを迎え、彼の妻であるルト・ノアックとともにこの展覧会は立ち上げられた。\n\nDSCF9030.jpg\nAi Weiwei, Template, 2007\n\n今回は「芸術と観客に向けた3つの問い」として3つのライトモチーフを掲げ、14世紀頃の作品から今日までおおよそ500の作品、100人以上の作家が選出され展示されるという、今までにとは又違った試みだったといえる。\n\nライトモチーフは次の通り:\nIst die Moderne unsere Antike?（近代とは過去の遺物か?）\nWas ist das bloße Leben?（単なる人生とは何か?）\nWas tun?（何をするか?）\n\nここで注目しておきたいのが選出された作家、作品について。今回はまず、“美術史” を牽引したと言われる有名な作家による出品がほとんどない。その一方で、2000年以前の作品は出品作品の半数近くにのぼる。また東欧、中東、アフリカ、そしてアジア、とりわけ中国からの現代美術作家をかなりの数招待している等、往年の「西欧=アメリカ中心型」と言われる展覧会と一線を画しているし、むしろ今までの歴史を再解釈する試みのように企てられている。\n\n今回の展示で個人的に一番目についたのは、アイ・ウェイウェイだった。彼は特設された展示会場の中心部分に位置する中庭に巨大なオブジェを展示している (ちなみに6月20日前後の大雨で崩れ落ちたと報じられており、作品の復帰の目処等は現時点では報道されていない)。\n\nDSCF9005.jpg\nAi Weiwei, Fairytale – 1001 Chairs, 2007\n\nそして、会場の至る所にみられる椅子は、中国では良く見かける椅子だと言う。彼はこれら1001個の椅子とともに中国より公募された1001人の一般の人をドクメンタ12に招待する、というプロジェクトを行っていた。招待された人々は、外国語をほとんど理解しない、様々な社会的階層の人が選ばれたという。その様な人々がドイツの小都市に赴き、繰り広げられるであろうドラマにこのプロジェクトの面白さがある。そう考えると次の写真のような悪戯もこのプロジェクトの巻き起こした結果のひとつ、もしくはアイ・ウェイウェイの作意かもしれない。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%89%E3%82%AF%E3%83%A1%E3%83%B3%E3%82%BF%2012","updated":1779514228,"position":[-24.9156,-11.9587,48.5843],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.48308,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69f2c72baa686d791384bf9d","weight":0.48308,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a113bbfc0cfae9d0ae4b1b3","source":"NextResearch","title":"《invertone》 2007 カールステン・ニコライ","excerpt":"https://www.ntticc.or.jp/ja/archive/works/invertone/","text":"《invertone》 2007 カールステン・ニコライ\nhttps://www.ntticc.or.jp/ja/archive/works/invertone/\n空間には，2本のスピーカーが向かい合い，そこから発されたホワイトノイズが空間全体を均質に満たしています．スピーカーの間にたたずむと，ちょうど中間の地点においてノイズが消え，無音がそこを支配します．シンメトリックに相対する各スピーカーから発される逆位相の波形が直接出会うことにより，互いの音が打ち消し合い，一種の「ブラインド・スポット」が出現するのです．\n\n《invertone》は，音の反響を吸収する素材で覆われた無響室という空間で，位相を反転した音の波形が相互干渉することで，音が減衰する現象を体験させるインスタレーションです．タイトルは，「invert」（逆さにする）と「tone」（音）による造語です．この作品では，音が目に見えないものの，周波数による流動的かつ非物質的な〈彫刻〉であるかのように扱われています．周波数は，空気の振動や流体の波紋のように物理的現象として現われますが，ふだんその存在を知覚し直面する機会はほとんどありません．この作品は，音の現象が物理・幾何学的な相互干渉を伴うこと，そこにいかに人間の知覚が関係しているかを示唆しています．また，反復的な音響吸収材とスピーカーというレディメイドの製品で構成されたミニマルな空間は，ニコライならではの美学を雄弁に語っていると言えるでしょう．","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%80%8Ainvertone%E3%80%8B%202007%20%E3%82%AB%E3%83%BC%E3%83%AB%E3%82%B9%E3%83%86%E3%83%B3%E3%83%BB%E3%83%8B%E3%82%B3%E3%83%A9%E3%82%A4","updated":1779514330,"position":[51.9897,-33.086,2.1983],"cluster":"c10","subgroup":"c10.01","degree":4,"referenceDegree":0,"maxSimilarity":0.40098,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a076ba76e0054455ec57eb9","weight":0.40098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ce0d545058c8001cba4bec","weight":0.16573,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811cad03b98e2ed99f127ec","weight":0.11212,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af403630705a001c9776f8","weight":0.09722,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a113c21b0a6072b4b7d53a9","source":"NextResearch","title":"ウバポ","excerpt":"https://ja.wikipedia.org/wiki/ウバポ","text":"ウバポ\nhttps://ja.wikipedia.org/wiki/ウバポ\nウバポ（OuBaPo）は、1992年に設立されたフランスの漫画創作グループ。漫画（バンドデシネ）に「拘束」（contraintes）と呼ばれるさまざまな形式上の制約を設けることによる実験的な作品制作を行っている。「ウバポ」は「潜在漫画工房」(OUvroir de BAnde dessinée POtentielle)を略したもので、その名称および方法意識は、1960年にレーモン・クノーらによって設立された実験的な文学グループ「ウリポ」に倣っている。\n\n1980年代の終わり頃、バンドデシネ作家ルイス・トロンダイムは、全編がひとつのコマのコピーで作られているLe dormeur（眠る人） や Psychanalyse（精神分析）、「抽象漫画」と銘打ち、作品から意味や言葉を廃し抽象的な図形の連続だけで作品を成立させたBleu（青） や La nouvelle pornographie（ヌーベル・ポルノグラフィー）といった実験的な作品群で評判を取っていた。Psychanalyse完成ののちには、トロンダイムは仲間の漫画家ジャン＝クリストフ・ムニュに促され、ムニュの描いた4つだけの文のないコマをもとにして物語を作る試みも行った。トロンダイムはこの4つのコマを組み合わせて（しばしば一種だけのコマを使い）20組の4コマ漫画を作り上げ、さらに新しい4種のコマを描くようムニュに頼み、このようにしてMoins d'un quart de seconde pour vivre（生きるための四分の一秒）が出来上がった。こうしたウリポの文学実験にも似たトロンダイムの実験的な漫画制作の成果がウバポ成立の基礎となった。\n\nムニュ、トロンダイムと他の6人の漫画家と、漫画史家のジル・シマンは、パリのアーティストが出入りするアトリエNawak（「Nawak」は「ナンセンス」を意味するスラング）で頻繁に会い、酒の席上で拘束を課した漫画制作について語り合った。こうして1992年にウバポは「拘束は芸術家の魂を自由にする」との標語のもとOu-x-poの傘下団体として設立され、ルイス・トロンダイムが関わった独立系漫画出版社アソシアシオンの出版物上で告知が行われた。\n\n設立後の10年の間に、9人の設立メンバーは年に3度会合を行い、様々な拘束を作り出して作品制作を続けた。ウバポはスクロウバブルというボードゲームを作り出した。これはをスクラブルを基にしており、ただし文字の代わりに漫画のコマが用いられるものである。ウバポの最初の作品集『OuPus 1』は1997年に刊行され、2003年から2005年にかけてさらに3冊の作品集が出版された。加えてパリで数回の作品展示会も行われている。\n\n2005年にトロンダイムとムニュとの間でグループの方針に関して仲違いが起こり、2006年秋にトロンダイムがグループを脱退した。その後2007年に設立メンバーの一人が、2008年に先述のシマンがそれぞれムニュとの意見の相違からグループを脱退している。2010年11月、ウバポの代表メンバーはレンヌで行われたウリポの50周年記念祝典に出席し、観衆の前でスクロウバブルの実演パフォーマンスを行った。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A6%E3%83%90%E3%83%9D","updated":1779514606,"position":[32.6524,-49.546,14.5909],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07039,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a113c7b5da1a88f8b6ad17c","source":"NextResearch","title":"ウリポ","excerpt":"ウリポ (Oulipo) は、1960年11月24日に数学者のフランソワ・ル・リヨネー（フランス語版）を発起人として設立された文学グループ。正式名称は「Ouvroir de littérature potentielle」（潜在的文学工房）。アルフレッド・ジャリ、レーモン・クノー、レーモン・ルーセルらの文学を理想とし、言語遊戯的な技法の開発を通して新しい文学の可能性を追求した。引用したテクストを機械的・数学的な手法で変形・改竄してテクストの自己増殖を促すところに特徴があり、シュルレアリスムの「優美な屍骸」から大きな影響を受けている。","text":"ウリポ\nウリポ (Oulipo) は、1960年11月24日に数学者のフランソワ・ル・リヨネー（フランス語版）を発起人として設立された文学グループ。正式名称は「Ouvroir de littérature potentielle」（潜在的文学工房）。アルフレッド・ジャリ、レーモン・クノー、レーモン・ルーセルらの文学を理想とし、言語遊戯的な技法の開発を通して新しい文学の可能性を追求した。引用したテクストを機械的・数学的な手法で変形・改竄してテクストの自己増殖を促すところに特徴があり、シュルレアリスムの「優美な屍骸」から大きな影響を受けている。\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A6%E3%83%AA%E3%83%9D","updated":1779514506,"position":[9.6783,-71.0035,59.3032],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1245,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:68b326097f8cab8ba860af03","weight":0.1245,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a113d21848e89234962c2f4","source":"NextResearch","title":"アセンブラ短歌","excerpt":"https://kozos.jp/asm-tanka/","text":"アセンブラ短歌\nhttps://kozos.jp/asm-tanka/\n\nアセンブラ短歌は、31バイト（5・7・5・7・7）の機械語コードでプログラムを作り、その動作やニーモニックの並びを短歌の情緒になぞらえる遊びです。 \n\nアセンブラ短歌の基本ルール\nバイト数の制約：全体で31バイト（または1命令が5・7・5・7・7バイトになるよう調整）。\n動作と鑑賞：単に動くだけでなく、逆アセンブルした際のコードの美しさや、レジスタの増減の様子を景色や感情に見立てます。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A2%E3%82%BB%E3%83%B3%E3%83%96%E3%83%A9%E7%9F%AD%E6%AD%8C","updated":1779514749,"position":[81.2715,-28.6656,29.3808],"cluster":"c23","subgroup":"c23.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07684,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a113da5848e89234962c31e","source":"NextResearch","title":"commodore 64 basic","excerpt":"Commodore BASIC （ PET BASICまたはCBM-BASICとも呼ばれる）は、 Commodore Internationalの8ビットホームコンピュータ製品群で使用されたBASICプログラミング言語の方言であり、PET （1977年）からCommodore 128 （1985年）まで幅広く使用されました。","text":"commodore 64 basic\nCommodore BASIC （ PET BASICまたはCBM-BASICとも呼ばれる）は、 Commodore Internationalの8ビットホームコンピュータ製品群で使用されたBASICプログラミング言語の方言であり、PET （1977年）からCommodore 128 （1985年）まで幅広く使用されました。\n\nコアは6502 Microsoft BASICをベースとしており、そのため当時の他の 6502 BASIC、例えばApplesoft BASICと多くの特徴を共有しています。コモドールは1977 年にMicrosoftから BASIC のライセンスを「一度支払えばロイヤリティなし」という条件で取得しました。これは、ジャック・トラミエルがビル・ゲイツの 1 台あたり3 ドルの料金の申し出を「私はすでに結婚している」と述べ、永久ライセンスに25,000 ドル以上は支払わないと断ったためです。[ 1 ]\n\nオリジナルのPET版は、わずかな変更を加えただけで、オリジナルのMicrosoft版と非常によく似ていました。C64版のBASIC 2.0も同様で、 C128 （C64モード）や他の機種でも見られました。後のPETではBASIC 4.0が搭載され、オリジナル版と似ていましたが、フロッピーディスクを操作するためのコマンドがいくつか追加されました。","tags":[],"links":[" 1 "],"url":"https://scrapbox.io/NextResearch/commodore%2064%20basic","updated":1779514818,"position":[19.5316,-68.3361,-0.3363],"cluster":"c03","subgroup":"c03.02","degree":8,"referenceDegree":0,"maxSimilarity":0.16412,"lowEvidence":false,"neighbors":[{"id":"NextResearch:649e676c4c6071001c594310","weight":0.16412,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.14729,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c8a7cbbc528b7c41945f8b","weight":0.1047,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e15b62b8a983e8a4b7a9","weight":0.10075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65564567d3e12b001c8ef1a0","weight":0.09569,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67fdb5588f3e74d9e9b838e2","weight":0.09561,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e877f968620023e548e8","weight":0.09385,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7ac11b71f88001d883399","weight":0.09211,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a113e0f9e4316916c6b0319","source":"NextResearch","title":"トランスコーディング レフマノヴィッチ","excerpt":"トランスコーディング（Transcoding）は、メディア理論家レフ・マノヴィッチ（Lev Manovich）が著書『ニューメディアの言語』（The Language of New Media）の中で提唱した、ニューメディアを定義する5つの原則の1つです。","text":"トランスコーディング レフマノヴィッチ\nトランスコーディング（Transcoding）は、メディア理論家レフ・マノヴィッチ（Lev Manovich）が著書『ニューメディアの言語』（The Language of New Media）の中で提唱した、ニューメディアを定義する5つの原則の1つです。 \n\n先端芸術音楽創作学会\nマノヴィッチは、コンピュータによって生成・処理される「ニューメディア」が、文化的な論理とコンピュータの論理が互いに影響を及ぼし合う二層構造を持っていると説明しました。\nトランスコーディングの核となる考え方\nトランスコーディングとは、ある形式から別の形式へ変換することを指します。マノヴィッチの文脈では、以下の2つの階層（レイヤー）が混ざり合う現象を指します。\n文化的レイヤー（Cultural Layer）: 人間が理解する意味、物語、ジャンル、構成などの側面（例：映画、百科事典、物語）。\nコンピュータ・レイヤー（Computer Layer）: パケット、データ構造、アルゴリズムといった計算機の側面（例：ファイル、関数、データベース）。\nこの理論によれば、現代のメディア文化は、コンピュータのデータ構造やアルゴリズムという「コンピュータの論理」によって、従来の「文化の論理」が書き換えられ、再構成（トランスコード）されていると考えます。 \n\n先端芸術音楽創作学会\nその他の「ニューメディアの5原則」\nマノヴィッチは、トランスコーディング以外にも以下の原則を挙げています。\n数値表現（Numerical Representation）: すべての要素がデジタルコード（0と1）で構成され、数学的に操作可能であること。\nモジュール性（Modularity）: 画像や音などの要素が独立した「モジュール」として存在し、それらが集まって大きな作品を構成すること。\n自動化（Automation）: 数値表現とモジュール性により、メディアの作成や編集の多くをコンピュータが自動で行えること。\n可変性（Variability）: 固定された一つの完成品ではなく、データの組み合わせ次第で無限のバリエーション（例：パーソナライズされたウェブサイト）が生成可能なこと。\nトランスコーディング（Transcoding）: 上記のプロセスを経て、メディアが文化的な論理からコンピュータの論理へと変換されること。\nマノヴィッチの視点は、単なる技術論にとどまらず、インスタグラムの視覚文化やデジタルアートの分析など、現代のメディア研究において非常に重要な補助線となっています","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%88%E3%83%A9%E3%83%B3%E3%82%B9%E3%82%B3%E3%83%BC%E3%83%87%E3%82%A3%E3%83%B3%E3%82%B0%20%E3%83%AC%E3%83%95%E3%83%9E%E3%83%8E%E3%83%B4%E3%82%A3%E3%83%83%E3%83%81","updated":1779514903,"position":[29.7853,-1.4594,-14.2937],"cluster":"c18","subgroup":"c18.01","degree":3,"referenceDegree":0,"maxSimilarity":0.17434,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c54a82bf88df0025b66dc4","weight":0.17434,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66825cfffb9d2a001c57173b","weight":0.1275,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.09464,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a113eb0c5aeb29512e83d3e","source":"NextResearch","title":"ダダ フォトモンタージュ","excerpt":"ダダ（ダダイズム）における「フォトモンタージュ」とは、既存の写真や印刷物を切り貼りし、新たな視覚的イメージを構築する手法です。第一次世界大戦への抵抗や既存の秩序・理性を破壊する目的で、ベルリン・ダダを中心に発展しました。","text":"ダダ フォトモンタージュ\nダダ（ダダイズム）における「フォトモンタージュ」とは、既存の写真や印刷物を切り貼りし、新たな視覚的イメージを構築する手法です。第一次世界大戦への抵抗や既存の秩序・理性を破壊する目的で、ベルリン・ダダを中心に発展しました。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%80%E3%83%80%20%E3%83%95%E3%82%A9%E3%83%88%E3%83%A2%E3%83%B3%E3%82%BF%E3%83%BC%E3%82%B8%E3%83%A5","updated":1779515065,"position":[26.9068,-47.5601,95.0527],"cluster":"c14","subgroup":"c14.01","degree":2,"referenceDegree":0,"maxSimilarity":0.33857,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ee83d3cfd62e001d41dd47","weight":0.33857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312273631b1500241242cd","weight":0.15679,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a113f3fee64ef5381c98bf7","source":"NextResearch","title":"イメージオブジェクト","excerpt":"https://artscape.jp/focus/10143666_1635.html","text":"イメージオブジェクト\nhttps://artscape.jp/focus/10143666_1635.html\nジョセフ・コスースが《1つおよび3つの椅子》で示したようなイメージとオブジェクトの関係という表象の伝統的な問題を、物理空間とは異なるもうひとつの空間としてのインターネットを経由した状況のなかで改めて考え始めたのが、「ポスト・インターネット」という言葉でまとめられたアーティストたちだと、私は考えています。「ポスト・インターネット」は時代区分というよりは「思弁的実在論」のような思想の問題に近いものと言えるでしょう。その中心はニューヨークのアーティスト、アーティ・ヴィアカントです。ヴィアカントは2010年に「ポスト・インターネットにおけるイメージ・オブジェクト」というテキストを書き、「イメージ・オブジェクト」というプロジェクトをスタートさせます★4。美術館やギャラリーで展示される作品＝オブジェクトよりも、それらを撮影した画像＝イメージのほうがインターネットを経由して、多くの人が目にすることになります。このことに着目したヴィアカントは、作品の記録画像をPhotoshopで加工して奇妙な物理空間とオブジェクトを提示するイメージとしてインターネットに公開して話題を集めます。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A4%E3%83%A1%E3%83%BC%E3%82%B8%E3%82%AA%E3%83%96%E3%82%B8%E3%82%A7%E3%82%AF%E3%83%88","updated":1779515232,"position":[-26.4266,-73.2573,10.282],"cluster":"c27","subgroup":"c27.01","degree":8,"referenceDegree":0,"maxSimilarity":0.51081,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a133c0d9f4a0b0de36b2969","weight":0.51081,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659244e9fc909000238dd65c","weight":0.22512,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a133b4638667c303f237bd8","weight":0.1715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a9f96f7dcc2a0024c90bd9","weight":0.17004,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a7923462cc00257041d8","weight":0.12682,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b0c8b8b327f001c48dbe2","weight":0.11277,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593911d13ab1e0024579828","weight":0.10918,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06dfb7c1d021f3cce0fafd","weight":0.09873,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1148cbea0dfe9883c9f961","source":"NextResearch","title":"musicmapper","excerpt":"Prepare your DJ sets by exploring your music like a map.","text":"musicmapper\nPrepare your DJ sets by exploring your music like a map.\nsound の2d map\nhttps://www.musicmapper.app/#download\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/musicmapper","updated":1779517670,"position":[-13.2873,77.773,34.1796],"cluster":"c16","subgroup":"c16.01","degree":7,"referenceDegree":0,"maxSimilarity":0.27666,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d72115b83176001c77fc26","weight":0.27666,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a20676029d00237e6e4e","weight":0.22413,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640af93d5e79fc001bffa34f","weight":0.16721,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.13608,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce097c66c764001c7b3ced","weight":0.12797,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c21c0ba46f6e1c9eb3db6","weight":0.11449,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bc00e8a9a97256557c422","weight":0.10795,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1309d016f239ad9d11ce93","source":"NextResearch","title":"エキソニモ　《ゴットは、存在する。》 2009","excerpt":"https://www.ntticc.or.jp/ja/archive/works/got-exists/","text":"エキソニモ　《ゴットは、存在する。》 2009\nhttps://www.ntticc.or.jp/ja/archive/works/got-exists/\n作品解説\nICCでは，2008年度から2009年度にかけて「ICC メタバース・プロジェクト」と題する企画を行ないました．2009年2月に開催した研究会では，「メタバース」と総称される3D仮想空間の可能性が，さまざまな角度から議論されました．\n\nこの作品は，「ICC メタバース・プロジェクト」の研究成果として制作されました．インターネットが日常に浸透している現在，仮想空間における人のふるまいやコミュニケーションの様態は，現実の社会とどのように影響し合っているのでしょうか．ここでは，メタバースだけでなくTwitterなどのウェブ・サーヴィスも利用して，複数の作品が多様に展開されました．展示期間中は随時新しい作品が追加され，さらに，鑑賞者がネットワークを通じて作品に介入することが可能でした．","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A8%E3%82%AD%E3%82%BD%E3%83%8B%E3%83%A2%E3%80%80%E3%80%8A%E3%82%B4%E3%83%83%E3%83%88%E3%81%AF%E3%80%81%E5%AD%98%E5%9C%A8%E3%81%99%E3%82%8B%E3%80%82%E3%80%8B%202009","updated":1779632632,"position":[31.7091,-1.8791,-12.9329],"cluster":"c18","subgroup":"c18.01","degree":5,"referenceDegree":0,"maxSimilarity":0.31409,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a07841fe3958a49194e9f67","weight":0.31409,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a133ac00627422f5ed9e239","weight":0.26723,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640af6c2c126f8001c6c2417","weight":0.19162,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640af70376c71a001cb7fdbd","weight":0.18701,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a076d0d17ca41b5f3aec939","weight":0.0858,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a130a24e44af194cc7b1f66","source":"NextResearch","title":"Ghost in the Cell：細胞の中の幽霊 2015","excerpt":"https://www.kanazawa21.jp/data_list.php?g=17&d=1726","text":"Ghost in the Cell：細胞の中の幽霊 2015\nhttps://www.kanazawa21.jp/data_list.php?g=17&d=1726\n情報に生命は宿るかーバイオテクノロジーとアートの融合\n\n新しい技術が普及した近未来の問題を題材にした作品で国際的な議論を巻き起こしてきたアーティストユニットBCLが、現在の日本のポップカルチャーの代表格としてインターネット上で世界的な人気を誇る歌声合成ソフト「初音ミク」に遺伝子と細胞を与え、生命／非生命の境界、そして二次創作や芸能／芸術のはざまで育まれる現代日本の特異な想像力の可能性を探究します。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Ghost%20in%20the%20Cell%EF%BC%9A%E7%B4%B0%E8%83%9E%E3%81%AE%E4%B8%AD%E3%81%AE%E5%B9%BD%E9%9C%8A%202015","updated":1779632717,"position":[25.0104,-20.9431,33.9817],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08483,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a130a6652654110ed58da4d","source":"NextResearch","title":"《Common Flowers / White Out［実験中］》 2013","excerpt":"https://www.ntticc.or.jp/ja/archive/works/common-flowers-white-out-in-progress/","text":"《Common Flowers / White Out［実験中］》 [2013]\nhttps://www.ntticc.or.jp/ja/archive/works/common-flowers-white-out-in-progress/\n“Common Flowers / White Out [In Progress]”\nBCL | 福原志保＋ゲオアグ・トレメル\n遺伝子組換え技術を用いて作出された青いカーネーションの組織培養．フラワーショップで購入したカーネーションから，腋芽を含む茎の部分を切り取り，殺菌操作を施したあとで，ミネラル・糖・植物ホルモンを含む培地を含む容器の中に植え継いだ．今後は，青く発色するために導入された遺伝子の効果を打ち消し，もともとの白いカーネーションに戻すための実験を試みる．この植物組織培養は，そのための材料に使用される予定だ．（BCL | 福原志保＋ゲオアグ・トレメル）\n","tags":[],"links":["In Progress"],"url":"https://scrapbox.io/NextResearch/%E3%80%8ACommon%20Flowers%20%2F%20White%20Out%EF%BC%BB%E5%AE%9F%E9%A8%93%E4%B8%AD%EF%BC%BD%E3%80%8B%202013","updated":1779632797,"position":[35.8027,-39.1063,-15.0772],"cluster":"c10","subgroup":"c10.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0416,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a130ad11f29a100a57058d0","source":"NextResearch","title":"“Biogenic Timestamp” project 2010–","excerpt":"https://www.ntticc.or.jp/en/archive/works/biogenic-timestamp-project/","text":"“Biogenic Timestamp” project [2010–]\nhttps://www.ntticc.or.jp/en/archive/works/biogenic-timestamp-project/\nIWASAKI Hideo + Oron CATTS + Juan M. CASTRO\nシアノバクテリアは光合成細菌であり、基板から溶解した金属や鉱物を吸収して成長します。\n\n彼らはそのような鉱物の生物学的沈降をゆっくりと促進し、景観を変容させます。「バイオジェニック・タイムスタンプ」は、地質学的時間と生物学的時間の関係を研究するプロジェクトです。私たちは、時間に基づく芸術的実践の幅と合成生物学の新たな展開を活用し、時間性と配置の物質的表出のさまざまな側面を探求し、シアノバクテリアをモデル生物として研究しています。シアノバクテリアとその副産物によって具現化された時間の概念（およびその操作）は、時間に基づく様々な芸術実践の様式を探求するための肥沃な土壌です。\n\n本プロジェクトは、生物学的および生物生成地質学的に重要な場所のいくつかにおける芸術的研究と、人間誘発による生物生成の可能性を探求する実験室作業を含んでいます。地質学的および人為的に由来する生物起源構造を考慮することにより、我々の芸術的研究は合成生物学の代替的な活用と批判的解釈を提供します。(IWASAKI Hideo + Oron CATTS + Juan M.カストロ)","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E2%80%9CBiogenic%20Timestamp%E2%80%9D%20project%202010%E2%80%93","updated":1779632895,"position":[27.8549,37.5548,-24.2325],"cluster":"c15","subgroup":"c15.01","degree":1,"referenceDegree":0,"maxSimilarity":0.17628,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c22a5f0d24130026ed2a1b","weight":0.17628,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a130b6aa34ff360afaaeed3","source":"NextResearch","title":"ESM Metagenomic Atlas: The first view of the ‘dark matter’ of the protein universe","excerpt":"https://ai.meta.com/blog/protein-folding-esmfold-metagenomics/","text":"ESM Metagenomic Atlas: The first view of the ‘dark matter’ of the protein universe\nhttps://ai.meta.com/blog/protein-folding-esmfold-metagenomics/\nMeta AIは、数億ものタンパク質規模でメタゲノム世界の構造を明らかにする初のデータベースを作成しました。これらのタンパク質は、土壌中の微生物や海の深部、さらには私たちの体内にも存在し、動植物を構成する微生物をはるかに上回っています。しかし、彼らは地球上で最も理解されていないタンパク質です。\n\nメタゲノム構造を解読することで、進化史の長年にわたる謎を解き明かし、疾患の治癒や環境の浄化、よりクリーンなエネルギーの生成に役立つ可能性のあるタンパク質を発見することができます。\n\nこのスケールで構造予測を行うためには、タンパク質の折りたたみ速度における画期的な進歩が必要です。私たちは、大規模な言語モデルを訓練し、タンパク質の配列から直接、進化パターンを学習し、端から端まで正確な構造予測を生成しました。予測は、現在の最先端技術より最大60倍高速でありながら、精度を維持し、当社のアプローチははるかに大規模なデータベースへ拡張可能です。\n\n私たちは現在、当社のモデル、研究論文、そして6億を超えるメタゲノム構造のデータベース、さらに科学者が研究に関連する特定のタンパク質構造を容易に取得できるAPIを共有しています。\n\nこちらでESMメタゲノミック\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/ESM%20Metagenomic%20Atlas%3A%20The%20first%20view%20of%20the%20%E2%80%98dark%20matter%E2%80%99%20of%20the%20protein%20universe","updated":1789147421,"position":[-9.5888,2.7378,3.6801],"cluster":"c07","subgroup":"c07.01","degree":5,"referenceDegree":0,"maxSimilarity":0.15022,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66d7238aabd8e80022e2eb17","weight":0.15022,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1337502e3d4eb606226d6c","weight":0.1403,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64994293129cfa001c483659","weight":0.1059,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683bf6ed317be84004df0144","weight":0.09169,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66339d0227b15a0023441a42","weight":0.08949,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a130bbea5e5352e9c6c388b","source":"NextResearch","title":"ゼロショット予測","excerpt":"ゼロショット予測（Zero-shot Prediction）とは、AIモデルが追加学習（ファインチューニング）や具体的な訓練例を一切行わずに、事前に学習した知識だけを用いて未知のタスクや概念を予測・分類する技術です。ラベルなしのデータにも対応し、膨大なデータで事前学習された基盤モデル（GPTやCLIPなど）の能力を最大限に活用します。ゼロショット予測のポイント追加学習が不要: 未見のクラスやタスクに対して、モデルを再学習させる必要がない。知識の一般化: 既存の知識を基に、初めて見るもの（画像やテキスト）を文脈から理解・関連付ける。多用途: 画像分類、物体検出、時系列分析、自然言語処理など幅広い分野に応用されている。主な応用例画像・自然言語処理 (CLIP): 「走る茶色の馬」のような説明文をもとに、学習していない画像でも正しく分類する。時系列予測 (TimeGPT): 学習データに含まれないデータセットでも、過去のパターンを応用して未来の数値を予測する。自然言語処理 (LLM): ChatGPTのように、一度も指示されたことがないタスクを自然言語の指示（プロンプト）だけで解決する。少数ショット学習 (Few-shot) との違いゼロショット: 例示が0回（全く知らない）。少数ショット: 1〜数個の具体的な例示（例：Prompt内に「この英文の訳はこれ」と記載）を与えて予測させる。こ","text":"ゼロショット予測\nゼロショット予測（Zero-shot Prediction）とは、AIモデルが追加学習（ファインチューニング）や具体的な訓練例を一切行わずに、事前に学習した知識だけを用いて未知のタスクや概念を予測・分類する技術です。ラベルなしのデータにも対応し、膨大なデータで事前学習された基盤モデル（GPTやCLIPなど）の能力を最大限に活用します。ゼロショット予測のポイント追加学習が不要: 未見のクラスやタスクに対して、モデルを再学習させる必要がない。知識の一般化: 既存の知識を基に、初めて見るもの（画像やテキスト）を文脈から理解・関連付ける。多用途: 画像分類、物体検出、時系列分析、自然言語処理など幅広い分野に応用されている。主な応用例画像・自然言語処理 (CLIP): 「走る茶色の馬」のような説明文をもとに、学習していない画像でも正しく分類する。時系列予測 (TimeGPT): 学習データに含まれないデータセットでも、過去のパターンを応用して未来の数値を予測する。自然言語処理 (LLM): ChatGPTのように、一度も指示されたことがないタスクを自然言語の指示（プロンプト）だけで解決する。少数ショット学習 (Few-shot) との違いゼロショット: 例示が0回（全く知らない）。少数ショット: 1〜数個の具体的な例示（例：Prompt内に「この英文の訳はこれ」と記載）を与えて予測させる。この技術により、専門的なデータセットがない状況でも、最新のAIモデルを高精度に利用可能になります。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%BC%E3%83%AD%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88%E4%BA%88%E6%B8%AC","updated":1779633103,"position":[-24.436,51.0584,32.8566],"cluster":"c06","subgroup":"c06.02","degree":1,"referenceDegree":0,"maxSimilarity":0.13703,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6403791340f234001c044297","weight":0.13703,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1337502e3d4eb606226d6c","source":"NextResearch","title":"タンパク質 言語モデル","excerpt":"タンパク質の言語モデル（Protein Language Model: pLM）とは、アミノ酸配列を自然言語の「文章」と見なし、大規模な深層学習によってその背後にある文法や規則性を抽出するAI技術です。この技術により、タンパク質の立体構造や機能を瞬時に予測・設計することが可能になっています。タンパク質言語モデルの仕組み自然言語の処理モデル（LLM）を応用した技術で、以下のようにアミノ酸を処理します：文字（トークン）: 20種類のアミノ酸を自然言語におけるアルファベットや単語として扱います。文法（コンテクスト）: 大量のタンパク質配列を読み込ませることで、進化的に保存されている配列のルールや、特定の機能を持つモチーフ（単語の並び）を学習します。表現（埋め込み）: アミノ酸の並び順から、そのタンパク質がどう折りたたまれるか（3次元構造）や、どんな働きをするかの特徴量をベクトル空間に落とし込みます。主な代表的モデル自然言語でいうGPTやBERTのように、タンパク質分野でも強力なモデルが開発・公開されています。ESM (Evolutionary Scale Modeling): Meta（旧Facebook）などが開発した代表的なモデルです。大量の進化データを学習し、アミノ酸の変異がタンパク質の機能や安定性に与える影響を高精度で予測します。ProtTrans: 多数の大規模言語モデル（T5","text":"タンパク質 言語モデル\nタンパク質の言語モデル（Protein Language Model: pLM）とは、アミノ酸配列を自然言語の「文章」と見なし、大規模な深層学習によってその背後にある文法や規則性を抽出するAI技術です。この技術により、タンパク質の立体構造や機能を瞬時に予測・設計することが可能になっています。タンパク質言語モデルの仕組み自然言語の処理モデル（LLM）を応用した技術で、以下のようにアミノ酸を処理します：文字（トークン）: 20種類のアミノ酸を自然言語におけるアルファベットや単語として扱います。文法（コンテクスト）: 大量のタンパク質配列を読み込ませることで、進化的に保存されている配列のルールや、特定の機能を持つモチーフ（単語の並び）を学習します。表現（埋め込み）: アミノ酸の並び順から、そのタンパク質がどう折りたたまれるか（3次元構造）や、どんな働きをするかの特徴量をベクトル空間に落とし込みます。主な代表的モデル自然言語でいうGPTやBERTのように、タンパク質分野でも強力なモデルが開発・公開されています。ESM (Evolutionary Scale Modeling): Meta（旧Facebook）などが開発した代表的なモデルです。大量の進化データを学習し、アミノ酸の変異がタンパク質の機能や安定性に与える影響を高精度で予測します。ProtTrans: 多数の大規模言語モデル（T5やBERTなど）のアーキテクチャをタンパク質配列に応用したモデル群です。AlphaFold: タンパク質構造予測の代名詞ですが、深層学習や言語モデル的なアプローチを組み込むことで、アミノ酸配列から直接立体構造を高精度で生成します。何に応用されているかAI創薬: 標的となる病気の分子に結合する新しいタンパク質（医薬品候補）をゼロから設計します。酵素デザイン: プラスチックを分解する酵素の活性を高めるなど、工業的に役立つ新しい機能を人工的に生み出します。変異効果予測: 遺伝子の変異が引き起こす病気や、薬剤耐性のメカニズムを素早く評価します。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E3%82%BF%E3%83%B3%E3%83%91%E3%82%AF%E8%B3%AA%20%E8%A8%80%E8%AA%9E%E3%83%A2%E3%83%87%E3%83%AB","updated":1789147404,"position":[-11.1085,2.1446,4.1623],"cluster":"c07","subgroup":"c07.01","degree":5,"referenceDegree":0,"maxSimilarity":0.26967,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66d7238aabd8e80022e2eb17","weight":0.26967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a130b6aa34ff360afaaeed3","weight":0.1403,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1337b125008e3cea3d99c5","weight":0.12514,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659a64abd7ed7a00220fd368","weight":0.09486,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5597878d68900249e40c3","weight":0.09162,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1337b125008e3cea3d99c5","source":"NextResearch","title":"指向性進化法","excerpt":"指向性進化法（Directed Evolution）とは、ダーウィンの進化論（突然変異と自然選択）を試験管内で再現し、タンパク質や核酸などの生体分子を人工的に改良する手法です。目的の機能を飛躍的に向上させる技術として、2018年のノーベル化学賞（フランシス・アーノルド博士ら）を受賞したことで世界的に注目されました。指向性進化法の基本ステップ実験室で短期間のうちに「進化」を起こすためのサイクルです。","text":"指向性進化法\n指向性進化法（Directed Evolution）とは、ダーウィンの進化論（突然変異と自然選択）を試験管内で再現し、タンパク質や核酸などの生体分子を人工的に改良する手法です。目的の機能を飛躍的に向上させる技術として、2018年のノーベル化学賞（フランシス・アーノルド博士ら）を受賞したことで世界的に注目されました。指向性進化法の基本ステップ実験室で短期間のうちに「進化」を起こすためのサイクルです。\n遺伝的多様性の作成: 目的の遺伝子にランダムな変異を導入し、大量の変異体（ライブラリ）を作る　\nスクリーニングと選択: 作られた変異体の中から、目的の性能（活性、安定性など）が高いものだけを選抜する\n増幅と改良: 選抜された遺伝子を増やし、さらに変異を加えて選抜するサイクルを何度も繰り返す従来の「合理的設計」との違い従来のタンパク質工学は、タンパク質の構造をコンピュータ等で計算・予測して改変する「合理的設計」が主流でした。合理的設計: 構造が明確な場合に有効だが、複雑なメカニズムは予測が困難指向性進化法: 構造が未解明でも、進化のメカニズムを利用して予想外の優れた機能を引き出せる主な応用例自然界には存在しない、産業的に有用な新しい分子を作り出すことができます。環境・工業: プラスチックを分解する酵素の効率化、バイオ燃料の生産　\n医療・製薬: 疾患に対する抗体医薬の改良、新しい医薬品候補の探索　 化学: これまで化学触媒でしかできなかった反応を促進する人工酵素の開発\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E6%8C%87%E5%90%91%E6%80%A7%E9%80%B2%E5%8C%96%E6%B3%95","updated":1789147390,"position":[-12.3085,-2.1391,-0.7185],"cluster":"c07","subgroup":"c07.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12514,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1337502e3d4eb606226d6c","weight":0.12514,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a13383e1e800988e55e8b4f","source":"NextResearch","title":"ミトコンドリアDNA","excerpt":"ミトコンドリアDNA（mtDNA, mDNA）とは、細胞小器官であるミトコンドリア内にあるDNAのこと。ミトコンドリアが細胞内共生由来であるとする立場から、ミトコンドリアゲノムと呼ぶ場合もある。","text":"ミトコンドリアDNA\nミトコンドリアDNA（mtDNA, mDNA）とは、細胞小器官であるミトコンドリア内にあるDNAのこと。ミトコンドリアが細胞内共生由来であるとする立場から、ミトコンドリアゲノムと呼ぶ場合もある。\n\n概要\nミトコンドリアDNA は、ミトコンドリアの持つたんぱく質などに関する情報が主に含まれており、ミトコンドリアが分裂する際に複製が行われる。ミトコンドリアに必要な情報の一部は核DNAに含まれており、ミトコンドリアは細胞の外で単体では存在できない。また逆に細胞が必要とするエネルギーを、酸素を利用して取り出せるのはミトコンドリアの働きによっており、細胞それ自体もミトコンドリアなしには生存できない。これらのことはミトコンドリアが細胞内共生由来であるという仮説の傍証となっている。\n\n一般にミトコンドリア病と呼ばれるミトコンドリアの異常によって起こる疾病も、ミトコンドリアDNAの異常に起因するものと、核DNAの異常に起因するものとがある。 ミトコンドリアDNAの遺伝子多型は、肥満しやすさの個体差に関係していると考えられている。 さらに、近年ではミトコンドリアDNAにおける変異が、がんの転移能に影響を与えているという報告もある。(Hayashi et al, 2008)","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%9F%E3%83%88%E3%82%B3%E3%83%B3%E3%83%89%E3%83%AA%E3%82%A2DNA","updated":1779644534,"position":[30.4548,37.7418,-23.1965],"cluster":"c15","subgroup":"c15.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1656,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55da39618780025decc41","weight":0.1656,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1338f0053e410c098286fc","source":"NextResearch","title":"post internet survival guide","excerpt":"https://www.k-t-z.com/publications/26-post-internet-survival-guide/","text":"post internet survival guide\nhttps://www.k-t-z.com/publications/26-post-internet-survival-guide/\nカティヤ・ノヴィツコヴァ、2010\n現代における物質、社会、視覚情報が深刻に継続的に融合している生態学のガイド多極的で移動的、ポストデモクラティック、ゲート付き、リアルタイムの条件セットへの転換は、実質的に世界の勢力均衡を再配分します。我々の（西洋的）思考様式と存在様式の既存構造は、エネルギーと価値の流れを誘発し、美学の領域、芸術の通貨、そして文明という過程における我々の役割が再構築され、再構築されています。「これらの変化の規模は、ファイル、ガジェット、種、アイデンティティ、イデオロギー、ブランド、スタイル、文化、自然災害、ミーム、技術といった形式のダイナミクスに反映され、究極のプラットフォームであり普及のプレーヤーとなります。」 – 出版社より\n\n今日活躍している最も優秀なインターネットアーティストを集めた『The Post Internet Survival Guide』は、コードで鍛えられる新しい実践の重要な断片を提示します。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/post%20internet%20survival%20guide","updated":1779644692,"position":[10.4123,1.8638,14.7657],"cluster":"c07","subgroup":"c07.01","degree":1,"referenceDegree":0,"maxSimilarity":0.15168,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a06dfb7c1d021f3cce0fafd","weight":0.15168,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a13395ee02a4e6567fa279c","source":"NextResearch","title":"ヒト・シュタエル In defense of the poor image","excerpt":"ドイツの映像作家・理論家であるヒト・シュタイエル（Hito Steyerl）の『In Defense of the Poor Image（貧しい映像を擁護して）』は、2009年に発表されたメディア論における非常に重要なエッセイです。この論文で彼女は、インターネット上で圧縮され、解像度が低く、ノイズにまみれた「貧しい映像（Poor Image）」を単なる低品質なコピーと切り捨てるのではなく、現代社会における民主主義的なメディアの象徴として擁護しています。その核心的な主張は以下の通りです：圧縮と運動：貧しい映像は解像度が低く、インターネット上でコピーされ、圧縮され、加速するたびに劣化していきます。しかし、この劣化によってかえって「幽霊のような（ghost of an image）」存在となり、誰もが共有可能なものになります。階層への反逆：高解像度（ハイ・レゾ）の完全な映像は、しばしば巨大資本や権力、プロパガンダによって管理・独占されます。一方、画質の荒い映像は、国境を越えて拡散し、誰もがアクセスできる「視覚のプロレタリアート（大衆）」としての役割を果たします。アクセスとアフェクト（感情）：貧しい映像は、完全で美しいフォルムを持つことよりも、「それを見ること、共有すること」を通じた情動（共感や政治的連帯）を生み出すことに重きを置いています。","text":"ヒト・シュタエル In defense of the poor image\nドイツの映像作家・理論家であるヒト・シュタイエル（Hito Steyerl）の『In Defense of the Poor Image（貧しい映像を擁護して）』は、2009年に発表されたメディア論における非常に重要なエッセイです。この論文で彼女は、インターネット上で圧縮され、解像度が低く、ノイズにまみれた「貧しい映像（Poor Image）」を単なる低品質なコピーと切り捨てるのではなく、現代社会における民主主義的なメディアの象徴として擁護しています。その核心的な主張は以下の通りです：圧縮と運動：貧しい映像は解像度が低く、インターネット上でコピーされ、圧縮され、加速するたびに劣化していきます。しかし、この劣化によってかえって「幽霊のような（ghost of an image）」存在となり、誰もが共有可能なものになります。階層への反逆：高解像度（ハイ・レゾ）の完全な映像は、しばしば巨大資本や権力、プロパガンダによって管理・独占されます。一方、画質の荒い映像は、国境を越えて拡散し、誰もがアクセスできる「視覚のプロレタリアート（大衆）」としての役割を果たします。アクセスとアフェクト（感情）：貧しい映像は、完全で美しいフォルムを持つことよりも、「それを見ること、共有すること」を通じた情動（共感や政治的連帯）を生み出すことに重きを置いています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%92%E3%83%88%E3%83%BB%E3%82%B7%E3%83%A5%E3%82%BF%E3%82%A8%E3%83%AB%20In%20defense%20of%20the%20poor%20image","updated":1779644820,"position":[9.1545,-16.0129,9.9753],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07465,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a133ac00627422f5ed9e239","source":"NextResearch","title":"エキソニモ Body Paint","excerpt":"https://exonemo.com/works/bodypaint/","text":"エキソニモ Body Paint\nhttps://exonemo.com/works/bodypaint/\nスマートフォンを接続した現代人にとって、常に、あらゆる場所でインターネットに接続することは、私たちの人格を完成させることです。本稿では、ボディペインティングを用いて、ネットワーク化された情報デバイスの世界において、私たちの物理的定義や身体性を検証します。\nこのポートレートシリーズの各作品は、ヌードで髭を剃り、単色で全体が塗られた人物を、画面上の人間以外の同じ色で全て塗られたLCDに表示しています。これらの境界が取り除かされ、背景と前景が人間の身体と電子表示の身体となり、それぞれが同じ色の塗料で覆われていることから、対象は曖昧さと混乱の感覚となり、描かれた個人が人間であるか、あるいは表現であるかという定義への疑問が生じている。\nこれらの形式主義的側面とは別に、本作品はメディアにおける「存在」の問題も扱っています。人間の身体には、かなりよく理解された長寿の地平線を持っていますが、データや絵画、芸術の長寿の地平線については依然として議論の余地があります。身体芸術、具象絵画、メディア芸術という多様な時間尺度は、作品が現在と存在そのものに関する共通の基盤を求める中で相互に関わり合います。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A8%E3%82%AD%E3%82%BD%E3%83%8B%E3%83%A2%20Body%20Paint","updated":1779645206,"position":[31.9236,-2.3264,-12.6354],"cluster":"c18","subgroup":"c18.01","degree":2,"referenceDegree":0,"maxSimilarity":0.36437,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a07841fe3958a49194e9f67","weight":0.36437,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1309d016f239ad9d11ce93","weight":0.26723,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a133b4638667c303f237bd8","source":"NextResearch","title":"ドナルド・ジャッド スペシフィック・オブジェクト","excerpt":"https://note.com/waterwaves/n/n956ededad238","text":"ドナルド・ジャッド スペシフィック・オブジェクト\nhttps://note.com/waterwaves/n/n956ededad238\nドナルド・ジャッドの「スペシフィック・オブジェクト（Specific Objects）」とは、1965年に彼自身が発表した論文およびそこで提唱された美術概念です。従来の「絵画」でも「彫刻」でもない、特定の素材や空間と直接対峙する、明確な立体物を指します。スペシフィック・オブジェクトの主な特徴カテゴリーの脱却: 伝統的な絵画（カンバスと額縁）や彫刻（台座の上に置かれる具象・抽象物）の概念を完全に否定。産業素材の導入: アルミニウム、鉄（コルテン鋼）、プレクシグラス、合板など、工業用・既製品の素材を採用。幾何学的な構成: 箱やパイプなどの単純な幾何学形態を用い、作家の感情や筆致（マチエール）を排除。空間との関わり: 作品単体ではなく、置かれる場所（壁や床など）と一体となることで、作品の存在感（プレゼンス）を強調。意義と影響この概念は、アメリカで台頭したミニマリズム（ミニマル・アート）の理論的支柱となりました。ジャッドは、芸術作品を「イリュージョン（錯覚や虚構）」を生み出すものから、それ自体が自律した一つの「現実の物体」として提示しました。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%89%E3%83%8A%E3%83%AB%E3%83%89%E3%83%BB%E3%82%B8%E3%83%A3%E3%83%83%E3%83%89%20%E3%82%B9%E3%83%9A%E3%82%B7%E3%83%95%E3%82%A3%E3%83%83%E3%82%AF%E3%83%BB%E3%82%AA%E3%83%96%E3%82%B8%E3%82%A7%E3%82%AF%E3%83%88","updated":1779645372,"position":[-26.7472,-73.243,10.43],"cluster":"c27","subgroup":"c27.01","degree":7,"referenceDegree":0,"maxSimilarity":0.22271,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d456205548884e8ebfa558","weight":0.22271,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113f3fee64ef5381c98bf7","weight":0.1715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659244e9fc909000238dd65c","weight":0.14883,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a133c0d9f4a0b0de36b2969","weight":0.14161,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659a69989d8aed0023099de8","weight":0.12233,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a9f96f7dcc2a0024c90bd9","weight":0.12169,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1406049958bbfbe9b87eb8","weight":0.09173,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a133c0d9f4a0b0de36b2969","source":"NextResearch","title":"アーティ・ヴィアカント　イメージオブジェクト","excerpt":"アーティ・ヴィアカント（Artie Vierkant）が提唱・制作する「イメージ・オブジェクト（Image Objects）」は、ネット上で流通するデジタル画像と、実在する彫刻・絵画との境界を曖昧にし、作品の物理的価値をデジタル時代のイメージ消費へと転倒させるポスト・インターネットアートの代表的概念です。「イメージ・オブジェクト」の主な特徴と仕組みは以下の通りです：リアルとデジタルの交差：抽象的な彫刻やレリーフ作品を制作し、それを写真に収めてPhotoshopなどのデジタル処理を加えます。イメージの再生産：加工されたデジタル画像（スクリーンショットなど）こそが作品のオリジナルであるかのように扱われ、インターネット上で流通します。物理的オブジェクトの変動：展示空間に置かれる立体物は、そのデジタル画像の「物理的なバリエーション」の一つに過ぎないという位置づけになります。この試みにより、「本物のアート作品とは何か」「私たちがアートを体験・消費するとはどういうことか」という問いを鑑賞者に投げかけています。ヴィアカントの作品や詳細な概念については、artscape の解説記事にて詳しく読むことができます。さらに詳しい背景や、具体的なシリーズ（年代ごとの作品の変遷など）について深掘りしますか？以下の点から教えていただければ、さらに具体的な情報をご案内します。ポスト・インターネットアートなどの関","text":"アーティ・ヴィアカント　イメージオブジェクト\nアーティ・ヴィアカント（Artie Vierkant）が提唱・制作する「イメージ・オブジェクト（Image Objects）」は、ネット上で流通するデジタル画像と、実在する彫刻・絵画との境界を曖昧にし、作品の物理的価値をデジタル時代のイメージ消費へと転倒させるポスト・インターネットアートの代表的概念です。「イメージ・オブジェクト」の主な特徴と仕組みは以下の通りです：リアルとデジタルの交差：抽象的な彫刻やレリーフ作品を制作し、それを写真に収めてPhotoshopなどのデジタル処理を加えます。イメージの再生産：加工されたデジタル画像（スクリーンショットなど）こそが作品のオリジナルであるかのように扱われ、インターネット上で流通します。物理的オブジェクトの変動：展示空間に置かれる立体物は、そのデジタル画像の「物理的なバリエーション」の一つに過ぎないという位置づけになります。この試みにより、「本物のアート作品とは何か」「私たちがアートを体験・消費するとはどういうことか」という問いを鑑賞者に投げかけています。ヴィアカントの作品や詳細な概念については、artscape の解説記事にて詳しく読むことができます。さらに詳しい背景や、具体的なシリーズ（年代ごとの作品の変遷など）について深掘りしますか？以下の点から教えていただければ、さらに具体的な情報をご案内します。ポスト・インターネットアートなどの関連する美術史的背景他の代表的なポスト・インターネット・アーティストの事例彼の作品の具体的な制作プロセスや展示形態どのような角度から知りたいか、ぜひお知らせください。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A2%E3%83%BC%E3%83%86%E3%82%A3%E3%83%BB%E3%83%B4%E3%82%A3%E3%82%A2%E3%82%AB%E3%83%B3%E3%83%88%E3%80%80%E3%82%A4%E3%83%A1%E3%83%BC%E3%82%B8%E3%82%AA%E3%83%96%E3%82%B8%E3%82%A7%E3%82%AF%E3%83%88","updated":1779645475,"position":[-26.4485,-73.1197,10.3598],"cluster":"c27","subgroup":"c27.01","degree":8,"referenceDegree":0,"maxSimilarity":0.51081,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a113f3fee64ef5381c98bf7","weight":0.51081,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659244e9fc909000238dd65c","weight":0.15058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a133b4638667c303f237bd8","weight":0.14161,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a9f96f7dcc2a0024c90bd9","weight":0.12117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a7923462cc00257041d8","weight":0.09466,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5d90a9264fe5327f168","weight":0.09398,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e53ccf123a5001c88e942","weight":0.08867,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06dfb7c1d021f3cce0fafd","weight":0.08727,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a13482a5ddaca21d70d5d43","source":"NextResearch","title":"クライン群","excerpt":"数学の一分野である群論におけるクラインの四元群とは、巡回群でない位数が最小の群であり、VまたはV4と表記される。 この群は単位元および3つの位数2の元から構成され、以下の演算表に従う可換な群演算を持つアーベル群である。","text":"クライン群\n数学の一分野である群論におけるクラインの四元群とは、巡回群でない位数が最小の群であり、VまたはV4と表記される。 この群は単位元および3つの位数2の元から構成され、以下の演算表に従う可換な群演算を持つアーベル群である。\n 1\ti\tj\tk\n1\t1\ti\tj\tk\ni\ti\t1\tk\tj\nj\tj\tk\t1\ti\nk\tk\tj\ti\t1\nまた、クラインの四元群は、位数2の巡回群の直積 ℤ/2ℤ × ℤ/2ℤ や二面体群 D2のほか、交代群 A4 の正規部分群 {id, (1,2)(3,4), (1,3)(2,4), (1,4)(2,3)} と同型である。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AF%E3%83%A9%E3%82%A4%E3%83%B3%E7%BE%A4","updated":1779648578,"position":[-81.5397,-156.9485,4.5796],"cluster":"c48","subgroup":"c48.01","degree":2,"referenceDegree":0,"maxSimilarity":0.22227,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1408432791ef9d55972b08","weight":0.22227,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0bf04ea4c3001b481a4c","weight":0.17088,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1348a55f3509720dc16018","source":"NextResearch","title":"吉本隆明 テクノロジーの方向性","excerpt":"吉本隆明はテクノロジーを「進歩的な力」として肯定しつつも、それが人間の感性や時間・空間を「無化（平面化）」する方向に向かうと洞察しました。情報社会や電子技術は、人間が物理的な共同幻想（国家や宗教など）に頼らなくても済む自立した個人を生み出す契機になると捉えていました。吉本隆明が読み解いたテクノロジーの方向性イメージと時間の無化人工衛星（ランドサット）の映像などを例に挙げ、テクノロジーは地表の「時間的・空間的な厚み」や「内部と外部」の区別を一瞬で消し去る視線を持つと指摘しました。すべてが映像や情報として平面化される時代が来ると予測しています。共同幻想からの解放と自己幻想の肥大デジタル情報技術は、国家や組織といった外部の大きな物語（共同幻想）を希薄化させます。その結果、個人は解放される一方で、自身の中にある世界観（自己幻想）のみに閉じこもりやすくなる未来を予見しました。科学技術への絶対的な信頼理系（東工大・電気化学科）出身の素養もあり、環境問題や原子力などの課題も「科学技術の方向性そのものは後戻りできない」とし、最終的には技術の力で解決されていくべきだという現実的な姿勢をとっていました。","text":"吉本隆明 テクノロジーの方向性\n吉本隆明はテクノロジーを「進歩的な力」として肯定しつつも、それが人間の感性や時間・空間を「無化（平面化）」する方向に向かうと洞察しました。情報社会や電子技術は、人間が物理的な共同幻想（国家や宗教など）に頼らなくても済む自立した個人を生み出す契機になると捉えていました。吉本隆明が読み解いたテクノロジーの方向性イメージと時間の無化人工衛星（ランドサット）の映像などを例に挙げ、テクノロジーは地表の「時間的・空間的な厚み」や「内部と外部」の区別を一瞬で消し去る視線を持つと指摘しました。すべてが映像や情報として平面化される時代が来ると予測しています。共同幻想からの解放と自己幻想の肥大デジタル情報技術は、国家や組織といった外部の大きな物語（共同幻想）を希薄化させます。その結果、個人は解放される一方で、自身の中にある世界観（自己幻想）のみに閉じこもりやすくなる未来を予見しました。科学技術への絶対的な信頼理系（東工大・電気化学科）出身の素養もあり、環境問題や原子力などの課題も「科学技術の方向性そのものは後戻りできない」とし、最終的には技術の力で解決されていくべきだという現実的な姿勢をとっていました。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%90%89%E6%9C%AC%E9%9A%86%E6%98%8E%20%E3%83%86%E3%82%AF%E3%83%8E%E3%83%AD%E3%82%B8%E3%83%BC%E3%81%AE%E6%96%B9%E5%90%91%E6%80%A7","updated":1779648702,"position":[46.6546,-53.5924,33.1556],"cluster":"c02","subgroup":"c02.01","degree":3,"referenceDegree":0,"maxSimilarity":0.20028,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.20028,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b78342e523f900231c182f","weight":0.13327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559e5fb57c2ac001c40dad5","weight":0.11135,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1348e62e3d4eb6062271b6","source":"NextResearch","title":"中立一元論","excerpt":"中立一元論（ちゅうりついちげんろん、英: Neutral monism）は、心の哲学という分野で、心身問題に対して取られる立場のひとつ。世界の究極的な実在として、物質的でも精神的でもない一種類の中間的なものを考える立場。唯物論や観念論と対立しつつ、その両者の中間的位置を取る。中性一元論（ちゅうせいいちげんろん）とも訳される。","text":"中立一元論\n中立一元論（ちゅうりついちげんろん、英: Neutral monism）は、心の哲学という分野で、心身問題に対して取られる立場のひとつ。世界の究極的な実在として、物質的でも精神的でもない一種類の中間的なものを考える立場。唯物論や観念論と対立しつつ、その両者の中間的位置を取る。中性一元論（ちゅうせいいちげんろん）とも訳される。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E4%B8%AD%E7%AB%8B%E4%B8%80%E5%85%83%E8%AB%96","updated":1789147361,"position":[-28.0749,22.0161,-104.8479],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06073,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a1349586a324084529fa7a8","source":"NextResearch","title":"思弁的実在論","excerpt":"思弁的実在論（Speculative Realism）は、21世紀初頭に台頭した現代哲学の潮流です。人間の「思考」と「存在」は切り離せないとする近代哲学の前提（相関主義）を批判し、人間が認識していようといながらも客観的に存在する「実在」そのものを捉え直そうとする立場を共有しています。主要な論点と特徴相関主義の批判: 近代以降の哲学は、「人間が世界をどう認識するか」に囚われてきました。これに対し、「人間が存在する以前の宇宙の歴史」や「独立した事物」について思索（スペキュレーション）することを試みます。オブジェクト指向存在論（OOO）: グレアム・ハーマンらが提唱する、人間だけでなく、すべての非人間的な事物（モノ、動物、概念、技術など）も人間と同等に固有の存在を持つと考えるアプローチです。この潮流は、カンタン・メイヤスーの著書『有限性の後で』から決定的な影響を受け、大陸哲学を中心に大きなパラダイムシフトをもたらしました。","text":"思弁的実在論\n思弁的実在論（Speculative Realism）は、21世紀初頭に台頭した現代哲学の潮流です。人間の「思考」と「存在」は切り離せないとする近代哲学の前提（相関主義）を批判し、人間が認識していようといながらも客観的に存在する「実在」そのものを捉え直そうとする立場を共有しています。主要な論点と特徴相関主義の批判: 近代以降の哲学は、「人間が世界をどう認識するか」に囚われてきました。これに対し、「人間が存在する以前の宇宙の歴史」や「独立した事物」について思索（スペキュレーション）することを試みます。オブジェクト指向存在論（OOO）: グレアム・ハーマンらが提唱する、人間だけでなく、すべての非人間的な事物（モノ、動物、概念、技術など）も人間と同等に固有の存在を持つと考えるアプローチです。この潮流は、カンタン・メイヤスーの著書『有限性の後で』から決定的な影響を受け、大陸哲学を中心に大きなパラダイムシフトをもたらしました。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E6%80%9D%E5%BC%81%E7%9A%84%E5%AE%9F%E5%9C%A8%E8%AB%96","updated":1789147346,"position":[-25.2457,-73.2137,10.2228],"cluster":"c27","subgroup":"c27.01","degree":4,"referenceDegree":0,"maxSimilarity":0.56397,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3226e10a265001b5ab028","weight":0.56397,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659244e9fc909000238dd65c","weight":0.15765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e31f06586a58001c4ba898","weight":0.09805,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a9f96f7dcc2a0024c90bd9","weight":0.08503,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1349af1e800988e55e8d58","source":"NextResearch","title":"ジェフリーショー","excerpt":"1944年メルボルン生まれ．1960年代後半から新しいメディアを使った芸術形式の実験を数多く行なってきたメディア・アート界のパイオニア．エンジニアやプログラマーらと積極的にコラボレーションを行ない，パフォーマンスや彫刻，映像，観客が参加するインタラクティヴな表現まで，テクノロジーに対する新たな意味や視点を含んだ作品を多く制作している．2015年には上海のChronus Art Center［新時線メディア芸術センター］の支援により，半世紀にわたる作品や著作，批評を網羅したアーカイヴ・サイト「Jeffrey Shaw Compendium 1966 - 2015」を公開．1991-2009年までドイツ・カールスルーエの公立のメディアアートセンター・ZKMメディア研究所の初代所長．現在は香港市立大学の創造メディア学部長．","text":"ジェフリーショー\n1944年メルボルン生まれ．1960年代後半から新しいメディアを使った芸術形式の実験を数多く行なってきたメディア・アート界のパイオニア．エンジニアやプログラマーらと積極的にコラボレーションを行ない，パフォーマンスや彫刻，映像，観客が参加するインタラクティヴな表現まで，テクノロジーに対する新たな意味や視点を含んだ作品を多く制作している．2015年には上海のChronus Art Center［新時線メディア芸術センター］の支援により，半世紀にわたる作品や著作，批評を網羅したアーカイヴ・サイト「Jeffrey Shaw Compendium 1966 - 2015」を公開．1991-2009年までドイツ・カールスルーエの公立のメディアアートセンター・ZKMメディア研究所の初代所長．現在は香港市立大学の創造メディア学部長．\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B8%E3%82%A7%E3%83%95%E3%83%AA%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%BC","updated":1779648955,"position":[14.7705,-34.2256,20.0105],"cluster":"c05","subgroup":"c05.01","degree":10,"referenceDegree":0,"maxSimilarity":0.23505,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a14077a9078a97a9c3b8889","weight":0.23505,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.1471,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a11387bc25f3da701b45c15","weight":0.09642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb2e6e6b208aad3c72b34","weight":0.09314,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a096773c450b46dc898048a","weight":0.08993,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5d90a9264fe5327f168","weight":0.0899,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4fb0971e6277d11f923","weight":0.08957,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b25ed97fb3a001c72454d","weight":0.08896,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a13ff2c485cb80e20a9286d","source":"NextResearch","title":"net art anthology","excerpt":"https://anthology.rhizome.org/re-move","text":"net art anthology\nhttps://anthology.rhizome.org/re-move\nペンネームのアーティストLiaによるRe‐moveは、ユーザーが有機的形態と世紀末のウィーン抽象の生々しさとをバランスさせる生成的な映像作品のシリーズを操作できるようにします。Macromedia Directorで作成された作品は、Net Art Anthologyの一部として新たに復元されました。\n\nRe‐move の各作品は、アーティストの形式的な選択、ユーザーインタラクション、偶然、そしてアルゴリズム的プロセスの間で、独自のバランスを見出します。したがって、彼らはコンピュータが従来の意味での芸術的ツールというよりも、異なるプロセスの相互作用であるという考えを伝えています。応答性、ランダム性、反復性のバランスを取ることで、生成される進化する抽象概念は、それらを形作る根底にあるプロセスが、その複雑さにもかかわらず、読みやすく保たれるようにします。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/net%20art%20anthology","updated":1779695454,"position":[4.645,5.6228,11.2553],"cluster":"c07","subgroup":"c07.01","degree":5,"referenceDegree":0,"maxSimilarity":0.117,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:669cc35a5687a2001cf4bc5c","weight":0.117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68679bfee9cda571785ca3b6","weight":0.10476,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06dfb7c1d021f3cce0fafd","weight":0.09469,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662f6c4f910a0a002435b8ea","weight":0.09225,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e53ccf123a5001c88e942","weight":0.08941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a13ff7d2a93a3ccc72a52ea","source":"NextResearch","title":"事故の博物館（偶発事の博物館）」","excerpt":"フランスの思想家ポール・ヴィリリオが提唱した「事故の博物館（偶発事の博物館）」は、科学技術の発展と不可分である「大事故」や「惨事」こそが、その文明の本質を逆説的に暴き出すという構想です。「事故の博物館」の核となる思想技術の影としての事故ヴィリリオは、いかなる新しいテクノロジーや乗り物（例：列車、飛行機、原子力、インターネット）を発明することは、同時に「それらが引き起こす全く新しい事故（脱線、墜落、メルトダウン、サイバーテロ）」を発明することに等しいと捉えました。文明を映す鏡彼は、技術の進歩や華やかな成果物だけでなく、その裏側にある大惨事の残骸や記録を展示することこそが、現代文明の光と影を正確に理解するために不可欠であると主張しました。カルティエ現代美術館での実践ヴィリリオはこの思想に基づき、2002年から2003年にかけてパリのカルティエ現代美術館で企画展『偶発すること（Ce qui arrive）』を開催しました。そこでは、9.11テロなどの巨大惨事や技術的カタストロフィをテーマとした展示が行われました。もしさらに深くヴィリリオの思想について知りたい場合、あるいは関連する書籍を探している場合、以下の情報からさらに深掘りすることが可能です。彼の代表作である『速度と政治』 や、事故と文明について論じた『アクシデント事故と文明』カルティエ現代美術館での展示カタログ『Ce qui arr","text":"事故の博物館（偶発事の博物館）」\nフランスの思想家ポール・ヴィリリオが提唱した「事故の博物館（偶発事の博物館）」は、科学技術の発展と不可分である「大事故」や「惨事」こそが、その文明の本質を逆説的に暴き出すという構想です。「事故の博物館」の核となる思想技術の影としての事故ヴィリリオは、いかなる新しいテクノロジーや乗り物（例：列車、飛行機、原子力、インターネット）を発明することは、同時に「それらが引き起こす全く新しい事故（脱線、墜落、メルトダウン、サイバーテロ）」を発明することに等しいと捉えました。文明を映す鏡彼は、技術の進歩や華やかな成果物だけでなく、その裏側にある大惨事の残骸や記録を展示することこそが、現代文明の光と影を正確に理解するために不可欠であると主張しました。カルティエ現代美術館での実践ヴィリリオはこの思想に基づき、2002年から2003年にかけてパリのカルティエ現代美術館で企画展『偶発すること（Ce qui arrive）』を開催しました。そこでは、9.11テロなどの巨大惨事や技術的カタストロフィをテーマとした展示が行われました。もしさらに深くヴィリリオの思想について知りたい場合、あるいは関連する書籍を探している場合、以下の情報からさらに深掘りすることが可能です。彼の代表作である『速度と政治』 や、事故と文明について論じた『アクシデント事故と文明』カルティエ現代美術館での展示カタログ『Ce qui arrive』さらに詳しい要約が欲しい点や、現代のAIやテクノロジーと事故の関係性への応用などについて知りたい場合は、お気軽に教えてください。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E4%BA%8B%E6%95%85%E3%81%AE%E5%8D%9A%E7%89%A9%E9%A4%A8%EF%BC%88%E5%81%B6%E7%99%BA%E4%BA%8B%E3%81%AE%E5%8D%9A%E7%89%A9%E9%A4%A8%EF%BC%89%E3%80%8D","updated":1779695516,"position":[-51.9478,-4.1707,27.0805],"cluster":"c35","subgroup":"c35.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07285,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a14001b6a32408452a01867","source":"NextResearch","title":"Soft Sculpture","excerpt":"https://artscape.jp/artword/6242/","text":"Soft Sculpture\nhttps://artscape.jp/artword/6242/\n彫刻や立体作品といえば、石や木を彫ったり、金属を鋳造するなどして硬い材料でつくられたものが一般的だが、布や糸のような繊維や、ゴム、脂肪などの柔らかく可塑性のある素材を使用して制作された彫刻や立体作品のことをさす。現代美術の動向としてのソフト・スカルプチュアは、ありふれた日用品を巨大に複製したパブリック・アートやインスタレーションで知られる、ポップ・アートを代表する作家のひとり、クレス・オルデンバーグから始まったとされる。彼の《Soft Bathtub》（1966）や《Lipstick （Ascending） on Caterpillar Tracks》（1969）などは、ビニールや布でつくられているため、参加者が空気を注入しないとしぼんでしまい、巨大な日用品が重力で歪むその変容のプロセスそのものが作品として提示されている。ほかには、有名な建物を巨大な布で梱包したクリストの作品や、ヨーゼフ・ボイスによる脂肪やフェルトを使った彫刻、草間彌生による布に綿をつめた男根状のクッションを家具や舟に敷き詰めた作品などがあるが、素材の柔らかさという特性より、そこから生まれる可変性や刹那性から語られることが多い。また、庄司達が手がける布を使った作品は、オブジェというより布による空間表現と見るべきだろう。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Soft%20Sculpture","updated":1779695712,"position":[31.2493,-45.4184,32.4362],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08091,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a140089e4ffadd545d6b11e","source":"NextResearch","title":"マクルーハン「テトラッド」","excerpt":"は、メディア（テクノロジー）が社会や人間に与える影響を4つの側面から分析・予測するためのフレームワークです。テクノロジーや人工物を導入した際に生じる作用を、以下の4つの問いで整理します。","text":"マクルーハン「テトラッド」\nは、メディア（テクノロジー）が社会や人間に与える影響を4つの側面から分析・予測するためのフレームワークです。テクノロジーや人工物を導入した際に生じる作用を、以下の4つの問いで整理します。\n強化 (Enhancement): 何を拡大、強化、加速するのか？（例：車は足の機能を拡張・強化する）\n衰退 (Obsolescence): 何を時代遅れにし、衰退させるのか？（例：車によって徒歩や馬車が衰退する）\n回復 (Retrieval): 過去の何を取り戻し、復活させるのか？（例：車は失われていた個人移動の自由を回復する）\n反転 (Reversal): 極限まで進むと、何に反転（逆転）するのか？（例：車社会の行き過ぎ（渋滞など）は、移動の自由を奪い「歩くよりも遅い」状態へと反転する）これら4つの要素は対立するものではなく、同時に作用し合う「メディアの法則」として機能します。詳細は、マクルーハンの著書『メディアの法則』で詳しく解説されています。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E3%83%9E%E3%82%AF%E3%83%AB%E3%83%BC%E3%83%8F%E3%83%B3%E3%80%8C%E3%83%86%E3%83%88%E3%83%A9%E3%83%83%E3%83%89%E3%80%8D","updated":1789147322,"position":[13.6243,-34.7871,19.5683],"cluster":"c05","subgroup":"c05.01","degree":5,"referenceDegree":0,"maxSimilarity":0.39521,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6083c81972c1d3fd3e477b","weight":0.39521,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6755968dbf002303e467","weight":0.24137,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e527d09a200243dfd63","weight":0.14294,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e339360853bedff09694","weight":0.13278,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65ec9e5b4886a300258f6f04","weight":0.098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1400e5af070ee9c3be2dad","source":"NextResearch","title":"サイバネティックアート","excerpt":"https://bijutsutecho.com/artwiki/118","text":"サイバネティックアート\nhttps://bijutsutecho.com/artwiki/118\nサイバネティックアート、サイバネティックセレンディピティーとは、1940年代に誕生した人工頭脳学（サイバネティックス）の概念を応用した芸術表現です。環境や鑑賞者の変化をシステムが自律的に受け取り、光や音、動きなどで反応・相互作用する作品群を指します。サイバネティックアートの特徴と歴史環境との相互作用: 人間と機械（コンピュータ）が互いに影響を与え合う「フィードバックループ」が作品の核となります。歴史的ルーツ: 1968年にロンドンで開催された「サイバネティック・セレンディピティ（Cybernetic Serendipity）」展が、このジャンルを世界に知らしめた金字塔とされています。代表的なアーティスト: 空間と環境に応答する彫刻を制作したニコラス・シェファーや、ストロボライトと振動を用いた作品で知られるツァイ・ウェンイン（蔡文穎）などが挙げられます。現代の展開現代のインタラクティブアートやメディアアート、AIを用いた生成芸術（ジェネラティブアート）は、このサイバネティックアートの思想をルーツに持ち、VRやロボティクスへとさらに進化しています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B5%E3%82%A4%E3%83%90%E3%83%8D%E3%83%86%E3%82%A3%E3%83%83%E3%82%AF%E3%82%A2%E3%83%BC%E3%83%88","updated":1779695976,"position":[3.4656,-78.5661,36.2178],"cluster":"c01","subgroup":"c01.01","degree":11,"referenceDegree":0,"maxSimilarity":0.44076,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e19b79da8d001dac207b","weight":0.44076,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b786b921c7a90024b98189","weight":0.31091,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c5727635d0d0023383d05","weight":0.11771,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678945246c6b2394574b48f3","weight":0.10892,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.10563,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b7869cfb9a970025f34725","weight":0.10542,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a8f60e128bf800248478bd","weight":0.10063,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b18a86ddf7f001c1b8f16","weight":0.0978,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1401a457ce46fed2a4902b","source":"NextResearch","title":"グッド・モーニング・ミスター・オーウェル　ナムジュンパイク","excerpt":"https://img-lib.musabi.ac.jp/search/document/detail-work/5780","text":"グッド・モーニング・ミスター・オーウェル　ナムジュンパイク\nhttps://img-lib.musabi.ac.jp/search/document/detail-work/5780\nナムジュン・パイク氏は「ビデオアート」という新しい表現形式を現代美術に導入し、それを「メディアアート」に育てることによって、現代人に夢とビジョンを与え、新しく豊かな創造の世界を開いたハイテクノロジー時代を代表する美術家である。テクノロジーがこれまで実利主義的な面において追求され、私達の感覚や受容器のシステムを変えつつある現在、パイク氏はテクノロジーはアートによって人間化される必要があるとして、一方的に私達に与えられるメディアであったテレビを、人間の表現の手段へと逆転させた。「グッド・モーニング・ミスター・オーウェル」はその最初の試みである。これは衛星放送を使ったリアル・タイムの双方向通信プロジェクトで、ニューヨーク-パリ間の衛星生中継番組の放送というサテライト・アートである。当日、ニューヨークとパリの収録には、ヨーゼフ・ボイス、ローリー・アンダーソン、ジョン・ケージ、ジョン・サンボーン、マース・カニングハム、イブ・モンタン、ピーター・ガブリエル、トンプソン・ツインズ、フィリップ・グラスなどが出演し、米、仏、西独、韓国などでも放送された。サテライト三部作の第一作。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B0%E3%83%83%E3%83%89%E3%83%BB%E3%83%A2%E3%83%BC%E3%83%8B%E3%83%B3%E3%82%B0%E3%83%BB%E3%83%9F%E3%82%B9%E3%82%BF%E3%83%BC%E3%83%BB%E3%82%AA%E3%83%BC%E3%82%A6%E3%82%A7%E3%83%AB%E3%80%80%E3%83%8A%E3%83%A0%E3%82%B8%E3%83%A5%E3%83%B3%E3%83%91%E3%82%A4%E3%82%AF","updated":1779696097,"position":[13.8783,-34.2505,20.3497],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08807,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.08807,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1402098f8b47d5c01330c9","source":"NextResearch","title":"ハイブリッドアート","excerpt":"ハイブリッドアート（Hybrid Art）とは、絵画、彫刻、デジタル技術、生物学、科学など、異なる複数の形式・メディア・技法を融合させて生み出される芸術のことです。伝統と革新を掛け合わせ、新しい視覚的価値や体験を創り出す表現手法を指します。代表的な融合の例として、以下のようなスタイルがあります。デジタル×アナログ：手描きのアナログな質感と、Photoshopなどのデジタル技術やAI生成画像を組み合わせる手法。科学×美術：バイオテクノロジーやロボット工学をアートに応用した「バイオアート」。歴史的スタイル：例えば明治時代の日本画と西洋絵画の技法がミックスされた和洋折衷のアート。日本国内でも、公立の文化施設やギャラリー等でこの手法に焦点を当てた企画が開催されています。例えば、府中市美術館ではメディアアートの実験工房として「ハイブリッドアートラボ」が開催されるなど、注目を集めている分野です。","text":"ハイブリッドアート\nハイブリッドアート（Hybrid Art）とは、絵画、彫刻、デジタル技術、生物学、科学など、異なる複数の形式・メディア・技法を融合させて生み出される芸術のことです。伝統と革新を掛け合わせ、新しい視覚的価値や体験を創り出す表現手法を指します。代表的な融合の例として、以下のようなスタイルがあります。デジタル×アナログ：手描きのアナログな質感と、Photoshopなどのデジタル技術やAI生成画像を組み合わせる手法。科学×美術：バイオテクノロジーやロボット工学をアートに応用した「バイオアート」。歴史的スタイル：例えば明治時代の日本画と西洋絵画の技法がミックスされた和洋折衷のアート。日本国内でも、公立の文化施設やギャラリー等でこの手法に焦点を当てた企画が開催されています。例えば、府中市美術館ではメディアアートの実験工房として「ハイブリッドアートラボ」が開催されるなど、注目を集めている分野です。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%8F%E3%82%A4%E3%83%96%E3%83%AA%E3%83%83%E3%83%89%E3%82%A2%E3%83%BC%E3%83%88","updated":1779696149,"position":[14.784,-34.4855,19.8343],"cluster":"c05","subgroup":"c05.01","degree":6,"referenceDegree":0,"maxSimilarity":0.13421,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.13421,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e2a4785d2caf9787bf33","weight":0.10656,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3a3785458f75a5ba0ca4","weight":0.09969,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5d90a9264fe5327f168","weight":0.08979,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e217e75583cdc78b09d6","weight":0.08799,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c084936b92e66d4b23c98","weight":0.08533,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a14026771aab0e4b75bcb49","source":"NextResearch","title":"ロバートラウシェンバーグE.A.T.","excerpt":"https://www.ntticc.or.jp/ja/feature/2003/EAT/preface_j.html","text":"ロバートラウシェンバーグE.A.T.\nhttps://www.ntticc.or.jp/ja/feature/2003/EAT/preface_j.html\n\n　NTTインターコミュニケーション・センター[ICC]では，2003年4月11日（金）から6月29日（日）までの間，ICCギャラリーA，Ｂにて「E.A.T.─芸術と技術の実験」を開催いたします．\n\n　E.A.T.（Experiments in Art and Technology）は，1960年代半ばに，当時AT&Tのベル電話研究所にいた技術者，ビリー・クルーヴァーを中心として，画家ロバート・ラウシェンバーグ，ロバート・ホイットマンらによって結成されたグループです．\n　ニューヨークを拠点として，美術，ダンス，電子音楽，映像など幅広い表現ジャンルを横断し，アートとテクノロジーを結ぶ数多くの実験を行ないました．\n　代表的なプロジェクトとして，40名もの技術者たちが参加して，1966年に行なわれたイヴェント「九つの夕べ──演劇とエンジニアリング」，1968年のブルックリン美術館における「サム・モア・ビギニングズ展」の企画，1970年の大阪万博における《ペプシ館》などがあります．その最盛期には数千名もの会員を擁しました．\n　E.A.T.の活動は，その後のパフォーマンスという表現ジャンルや，広義のコラボレーションの先駆的な存在といえ，1967年にマサチューセッツ工科大学に先端視覚研究センターが設置される母体ともなったとされます．\n　1970年代半ばに大組織としての活動は事実上終息しましたが，E.A.T.のコンセプトや精神は，その後1980年代以降の「アート＆テクノロジー」の分野に大きな影響を与えています．\n\n　本展は，このE.A.T.の活動を，当時の資料などから本格的に紹介する，日本で初めての展覧会です．特にビリー・クルーヴァーの足跡を主軸とし，ラウシェンバーグらとの当時のコラボレーション作品の展示，さらにE.A.T.関連作家による新作も紹介し，現在のICCの活動理念に直結する，その歴史的意義を明らかとするものです．\n","tags":[],"links":["ICC"],"url":"https://scrapbox.io/NextResearch/%E3%83%AD%E3%83%90%E3%83%BC%E3%83%88%E3%83%A9%E3%82%A6%E3%82%B7%E3%82%A7%E3%83%B3%E3%83%90%E3%83%BC%E3%82%B0E.A.T.","updated":1779696309,"position":[15.1944,-33.9903,20.2049],"cluster":"c05","subgroup":"c05.01","degree":5,"referenceDegree":0,"maxSimilarity":0.10703,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667948201426b4001cc4402c","weight":0.10703,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5d90a9264fe5327f168","weight":0.10382,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4fb0971e6277d11f923","weight":0.09083,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1349af1e800988e55e8d58","weight":0.08792,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c084936b92e66d4b23c98","weight":0.08692,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a14056dc004296943192838","source":"NextResearch","title":"久保田晃弘","excerpt":"https://www.ntticc.or.jp/ja/archive/participants/kubota-akihiro/","text":"久保田晃弘\nhttps://www.ntticc.or.jp/ja/archive/participants/kubota-akihiro/\n「ARTSATプロジェクト」の成果で，第66回芸術選奨の文部科学大臣賞（メディア芸術部門）を受賞．『消えゆくコンピュータ』（岩波書店，1999），『遥かなる他者のためのデザイン—久保田晃弘の思索と実装』（BNN，2017），『メディア・アート原論』（共編著／フィルムアート，2018），『インスタグラムと現代視覚文化論』（共編著／BNN，2018），『ニュー・ダーク・エイジ』（監訳／NTT出版，2018），『Quantum Computer Art Studies』（2026年），『ここでもなく，いまでもない—スペキュラティヴな思考，不可能性，そしてデザインの想像力について』（監修／BNN，2026）など．\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E4%B9%85%E4%BF%9D%E7%94%B0%E6%99%83%E5%BC%98","updated":1779697088,"position":[21.8484,57.6797,41.7863],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.3869,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a0c0e477db498c5c1921c11","weight":0.3869,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:689c678b931ee3e4d900f036","weight":0.11138,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1406049958bbfbe9b87eb8","source":"NextResearch","title":"エコゾフィック","excerpt":"エコゾフィック（Ecosophic）とは、思想家フェリックス・ガタリが提唱した「エコゾフィー（エコロジー＋フィロソフィー）」の概念を基にした言葉です。自然環境だけでなく、社会や人間の心、テクノロジーをも含めた生態系のつながりや共生を探求する思想や芸術的アプローチを指します。日本における同分野の第一人者である四方幸子氏（メディアアートキュレーター）の著書などにより、アートや社会批評の文脈で広く知られるようになりました。主な特徴は以下の3つの要素をつなぐ点にあります：環境エコロジー（自然環境との関係性）社会エコロジー（社会システムや共同体）精神エコロジー（個人の心理や意識）もし、エコゾフィックの概念や関連するアート・プロジェクトについてさらに深掘りしたい場合、以下のどの情報を知りたいですか？四方幸子氏の著書『エコゾフィック・アート』の詳細やレビューこの思想を体現している具体的なアーティストや作品の例環境問題やテクノロジーとエコゾフィーの関係性","text":"エコゾフィック\nエコゾフィック（Ecosophic）とは、思想家フェリックス・ガタリが提唱した「エコゾフィー（エコロジー＋フィロソフィー）」の概念を基にした言葉です。自然環境だけでなく、社会や人間の心、テクノロジーをも含めた生態系のつながりや共生を探求する思想や芸術的アプローチを指します。日本における同分野の第一人者である四方幸子氏（メディアアートキュレーター）の著書などにより、アートや社会批評の文脈で広く知られるようになりました。主な特徴は以下の3つの要素をつなぐ点にあります：環境エコロジー（自然環境との関係性）社会エコロジー（社会システムや共同体）精神エコロジー（個人の心理や意識）もし、エコゾフィックの概念や関連するアート・プロジェクトについてさらに深掘りしたい場合、以下のどの情報を知りたいですか？四方幸子氏の著書『エコゾフィック・アート』の詳細やレビューこの思想を体現している具体的なアーティストや作品の例環境問題やテクノロジーとエコゾフィーの関係性\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A8%E3%82%B3%E3%82%BE%E3%83%95%E3%82%A3%E3%83%83%E3%82%AF","updated":1779697166,"position":[-27.3743,-73.1086,10.7014],"cluster":"c27","subgroup":"c27.01","degree":4,"referenceDegree":0,"maxSimilarity":0.09195,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1400e5af070ee9c3be2dad","weight":0.09195,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a133b4638667c303f237bd8","weight":0.09173,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.0867,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d456205548884e8ebfa558","weight":0.08642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a14063c57ce46fed2a49282","source":"NextResearch","title":"エレナ・トゥタッチコワ","excerpt":"https://newecology.geidai.ac.jp/artist/elena-tutatchikova/","text":"エレナ・トゥタッチコワ\nhttps://newecology.geidai.ac.jp/artist/elena-tutatchikova/\n1984年、ロシア、モスクワ生まれ。京都市在住。\n人間の風景認識や物語創造、歩行と想像力の関係に関心を抱く。さまざまな土地で、歩き、人とかかわりながら、土地に秘めた物語を探り、映像、写真、文章、ドローイングなどで表現する。作品制作、執筆活動を行う一方で、「歩行」という世界の道づくりを表現方法としてとらえ、ウォーキングや地図作りのイベントを行う。\nモスクワでクラシック音楽や日本の文学を学んだ後、2012年より日本へ渡る。東京藝術大学大学院美術研究科先端芸術表現領域博士後期課程修了。博士（美術）。単著（作品集）に『林檎が木から落ちるとき、音が生まれる』（torch press、2016年）がある。近年の主な個展に「Days With the Wind | 風の日は島を歩く」高松アーティスト·イン·レジデンス2020（2021年、女木島、香川）、「道は半島をゆく」（2018年、知床半島、北海道）、「On Teto’s Trail」Gallery Trax（2017年、山梨）、グループ展に「FACES」SCAI PIRAMIDE（2021年、東京)、「Land and Beyond | 大地の声をたどる」ポーラ ミュージアム アネックス(2021年、東京）、「茨城県北芸術祭」（2016年）などがある。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%A8%E3%83%AC%E3%83%8A%E3%83%BB%E3%83%88%E3%82%A5%E3%82%BF%E3%83%83%E3%83%81%E3%82%B3%E3%83%AF","updated":1779697252,"position":[-9.4147,25.3468,54.0585],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.1206,"lowEvidence":false,"neighbors":[{"id":"NextResearch:656cc59f4517980025fdb058","weight":0.1206,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1406d783ecd56b5b0b8f12","source":"NextResearch","title":"7000本のオーク","excerpt":"「7000本のオーク（7000 Eichen）」は、ドイツの現代美術家ヨーゼフ・ボイスが1982年にカッセルで開始した歴史的な環境アート・プロジェクトです。都市緑化と社会変革を目的とした「社会彫刻」の代表作として知られています。プロジェクトの詳細開始年: 1982年（国際現代美術展「ドクメンタ7」）場所: ドイツ、カッセル市街地（その後、世界各地へ拡大）コンセプト: オーク（樫の木）の苗木1本と、それに寄り添うように玄武岩（黒い石）の柱1つをセットにして植樹するアートとしての特徴市民参加と経済: オーク1本と玄武岩1個を購入・植樹するための寄付を募り、市民や企業がプロジェクトに参加できる仕組みを作りました。社会彫刻: ボイスは「すべての人間は芸術家である」という概念を提唱し、人間と自然環境の関係性を回復・構築していくプロセスそのものを一つの大きな「彫刻」と捉えました。時間の経過: 木が成長し、石が風化していくという「時間」を取り入れることで、環境の変化を可視化しました。","text":"7000本のオーク\n「7000本のオーク（7000 Eichen）」は、ドイツの現代美術家ヨーゼフ・ボイスが1982年にカッセルで開始した歴史的な環境アート・プロジェクトです。都市緑化と社会変革を目的とした「社会彫刻」の代表作として知られています。プロジェクトの詳細開始年: 1982年（国際現代美術展「ドクメンタ7」）場所: ドイツ、カッセル市街地（その後、世界各地へ拡大）コンセプト: オーク（樫の木）の苗木1本と、それに寄り添うように玄武岩（黒い石）の柱1つをセットにして植樹するアートとしての特徴市民参加と経済: オーク1本と玄武岩1個を購入・植樹するための寄付を募り、市民や企業がプロジェクトに参加できる仕組みを作りました。社会彫刻: ボイスは「すべての人間は芸術家である」という概念を提唱し、人間と自然環境の関係性を回復・構築していくプロセスそのものを一つの大きな「彫刻」と捉えました。時間の経過: 木が成長し、石が風化していくという「時間」を取り入れることで、環境の変化を可視化しました。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/7000%E6%9C%AC%E3%81%AE%E3%82%AA%E3%83%BC%E3%82%AF","updated":1779697408,"position":[-28.6338,-10.3447,52.0894],"cluster":"c09","subgroup":"c09.02","degree":3,"referenceDegree":0,"maxSimilarity":0.16739,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65726b0aef8e7c00235d817a","weight":0.16739,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582d79bf6a2b00023ad96e7","weight":0.14562,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69f2c72baa686d791384bf9d","weight":0.10855,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a14077a9078a97a9c3b8889","source":"NextResearch","title":"ジェフリーショー イヴェントストラクチャーリサーチグループ","excerpt":"展覧会「Sky & Game: Eventstructure Research Group 1967-1982」は、Eventstructure Research Group（ERG）アーティスト・コレクティブによる初の回顧展であり、彼らの作品の大規模な概観を提供しています。このグループは、オランダ人のテオ・ボツチュイヴァー、アメリカ人のショーン・ウェレスリー=ミラー、オーストラリア出身のジェフリー・ショーによって1967年に設立され、前世紀の60年代、70年代、80年代に活動していました。そのグループは、空気とテクノロジーを用いたインスタレーションを通じて、遊びと相互作用に焦点を当てた公共空間で一時的なアートの創作に注力しました。そのグループは、大規模なインフレータブルインスタレーションで常に限界に挑戦し、しばしば映像・音響の追加要素を加えて、観客から即座に身体的反応を引き起こしていました。訪問者は常に参加者であり、したがって作品から作られる作家として、作品は、あなたが取り入れることも、望むように変化し適応できる構造であり、作品は体験として、イベントとして。介入の背後にある主な考え方は、日常のルーティンを断ち切り、常歩みの道から外れ、市民の参加と交流、そして特に社会に遊びを（再）導入することでした。","text":"ジェフリーショー イヴェントストラクチャーリサーチグループ\n\n展覧会「Sky & Game: Eventstructure Research Group 1967-1982」は、Eventstructure Research Group（ERG）アーティスト・コレクティブによる初の回顧展であり、彼らの作品の大規模な概観を提供しています。このグループは、オランダ人のテオ・ボツチュイヴァー、アメリカ人のショーン・ウェレスリー=ミラー、オーストラリア出身のジェフリー・ショーによって1967年に設立され、前世紀の60年代、70年代、80年代に活動していました。そのグループは、空気とテクノロジーを用いたインスタレーションを通じて、遊びと相互作用に焦点を当てた公共空間で一時的なアートの創作に注力しました。そのグループは、大規模なインフレータブルインスタレーションで常に限界に挑戦し、しばしば映像・音響の追加要素を加えて、観客から即座に身体的反応を引き起こしていました。訪問者は常に参加者であり、したがって作品から作られる作家として、作品は、あなたが取り入れることも、望むように変化し適応できる構造であり、作品は体験として、イベントとして。介入の背後にある主な考え方は、日常のルーティンを断ち切り、常歩みの道から外れ、市民の参加と交流、そして特に社会に遊びを（再）導入することでした。\n‍\nEventstructure Research Group（ERG）という名称は、英国の概念芸術家ジョン・ラサムが造語した「イベント構造」の概念に由来し、構造（空間的および静的）とイベント（動的および一時的）との関係を表すために用いられました。その名前はやや形式的で学術的に聞こえますが、ERG は全くそうではなりませんでした。そのグループのアイデアは、1969年にジャーナル『Art and Artists』に掲載された理論論文『Concepts for an Operation Art』に掲載されました。ERGは、当時の芸術界の支配的な手法に反対し、装飾的な機能しか持ち得られなかった固定された対象に過度に執着していました。ERGによれば、芸術の本質的な機能（革命、自己行動、社会の変化への呼びかけ）は消失した。したがって、ERG の作品は意図的に一時的で、常に博物館の壁の外に配置されており、伝統的な芸術界がそれらを支配できないようにしました。さらに、各グループの作品の作者は意図的であり、最も広い意味でのみ完全に集合的でした。グループやその周囲の全員だけでなく、ユーザーも同様にその作品を執筆しました。\n展覧会「Sky & Play: Eventstructure Research Group 1967-1982」では、オリジナルのアーカイブ資料（図面、スケッチ、素材研究、空中アート、映像素材、写真）を展示しています。\n‍\nキュレーター：Rosa van Rumpt と Jorn Konijn\nキュレーション研究者：アラン・スマート\n空間およびグラフィックデザイン：ST—DUO","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B8%E3%82%A7%E3%83%95%E3%83%AA%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%BC%20%E3%82%A4%E3%83%B4%E3%82%A7%E3%83%B3%E3%83%88%E3%82%B9%E3%83%88%E3%83%A9%E3%82%AF%E3%83%81%E3%83%A3%E3%83%BC%E3%83%AA%E3%82%B5%E3%83%BC%E3%83%81%E3%82%B0%E3%83%AB%E3%83%BC%E3%83%97","updated":1779697583,"position":[14.7283,-33.8492,20.0183],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.23505,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1349af1e800988e55e8d58","weight":0.23505,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1407d1a0f45056aebbfa62","source":"NextResearch","title":"ミシャクジ信仰","excerpt":"ミシャグジ信仰は、長野県の諏訪地方を中心に伝わる日本古来の自然崇拝（精霊信仰）です。特定の像を持たず、石や木、蛇などに神が宿るとされ、朝廷の神話体系が定着する前の縄文時代から続く極めて古い信仰の形と考えられています。ミシャグジ信仰の主な特徴多様な呼び名と正体: 地域により「御社宮司」「御左口神」「石神」「シャクジ」など多様な漢字や名称で呼ばれます。本来は特定の神格というより、森羅万象に宿る「神秘的な力」そのものを指していたとされます。諏訪信仰の根幹: 諏訪大社で現在も行われる「御頭祭」などの根幹をなす非常に重要な存在です。かつて諏訪地方を統治していた神職の守矢（もりや）家は、古くからミシャグジを祀る祭司を務めていました。境界の神・石神信仰との習合: 民俗学者の柳田國男らの研究によれば、村の境界を守る「塞の神」や「道祖神」、あるいは生殖器に似た自然石を祀る「石神（しゃくじ）」信仰と結びつき、日本各地に広がったと推測されています。","text":"ミシャクジ信仰\nミシャグジ信仰は、長野県の諏訪地方を中心に伝わる日本古来の自然崇拝（精霊信仰）です。特定の像を持たず、石や木、蛇などに神が宿るとされ、朝廷の神話体系が定着する前の縄文時代から続く極めて古い信仰の形と考えられています。ミシャグジ信仰の主な特徴多様な呼び名と正体: 地域により「御社宮司」「御左口神」「石神」「シャクジ」など多様な漢字や名称で呼ばれます。本来は特定の神格というより、森羅万象に宿る「神秘的な力」そのものを指していたとされます。諏訪信仰の根幹: 諏訪大社で現在も行われる「御頭祭」などの根幹をなす非常に重要な存在です。かつて諏訪地方を統治していた神職の守矢（もりや）家は、古くからミシャグジを祀る祭司を務めていました。境界の神・石神信仰との習合: 民俗学者の柳田國男らの研究によれば、村の境界を守る「塞の神」や「道祖神」、あるいは生殖器に似た自然石を祀る「石神（しゃくじ）」信仰と結びつき、日本各地に広がったと推測されています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%9F%E3%82%B7%E3%83%A3%E3%82%AF%E3%82%B8%E4%BF%A1%E4%BB%B0","updated":1779697640,"position":[-23.6333,30.1308,-124.1518],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06268,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a1408080dbedb4c8e48fe92","source":"NextResearch","title":"縄文のビーナス","excerpt":"「縄文のビーナス」は、長野県茅野市の棚畑遺跡から出土した約5000年前（縄文時代中期）の国宝の土偶です。妊娠した女性を表現した流れるような曲線美と、ハート形の顔が特徴で、縄文時代の遺物として日本で最初に国宝指定されました。特徴と歴史発見と出土: 1986年に茅野市の棚畑遺跡でほぼ完全な形で発掘されました。集落の中心部から、壊されずに丁寧な状態で出土したのが大きな特徴です。デザインと造形: 全高27センチ、重量2.14キログラム。粘土には雲母（きらら）が混ぜられており、かつては全身が赤く塗られていました。用途: 安産祈願や子孫繁栄など、生命を育む女性の神秘的な力に祈りを捧げる祭祀に使われたと考えられています。現在の展示場所現在、縄文のビーナスは長野県茅野市にある「茅野市尖石縄文考古館」に収蔵・展示されています。","text":"縄文のビーナス\n「縄文のビーナス」は、長野県茅野市の棚畑遺跡から出土した約5000年前（縄文時代中期）の国宝の土偶です。妊娠した女性を表現した流れるような曲線美と、ハート形の顔が特徴で、縄文時代の遺物として日本で最初に国宝指定されました。特徴と歴史発見と出土: 1986年に茅野市の棚畑遺跡でほぼ完全な形で発掘されました。集落の中心部から、壊されずに丁寧な状態で出土したのが大きな特徴です。デザインと造形: 全高27センチ、重量2.14キログラム。粘土には雲母（きらら）が混ぜられており、かつては全身が赤く塗られていました。用途: 安産祈願や子孫繁栄など、生命を育む女性の神秘的な力に祈りを捧げる祭祀に使われたと考えられています。現在の展示場所現在、縄文のビーナスは長野県茅野市にある「茅野市尖石縄文考古館」に収蔵・展示されています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E7%B8%84%E6%96%87%E3%81%AE%E3%83%93%E3%83%BC%E3%83%8A%E3%82%B9","updated":1779697684,"position":[-28.2535,36.098,-133.3736],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07783,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a1408432791ef9d55972b08","source":"NextResearch","title":"クラインの壺","excerpt":"https://ja.wikipedia.org/wiki/クラインの壺","text":"クラインの壺\nhttps://ja.wikipedia.org/wiki/クラインの壺\n「クラインの壺」とは、1882年にドイツの数学者フェリックス・クラインが考案した、「表と裏の区別がなく、境界面を持たない」という特殊な位相幾何学（トポロジー）の曲面です。概要と特徴メビウスの帯の立体版：帯を1回ひねって端をつなげた「メビウスの帯」を、そのまま三次元空間で立体にした形です。表面をたどっていくと、いつの間にか裏面に出てしまい、最終的に表裏が区別できなくなります。閉じられた空間：壺の内部（表）と外部（裏）が存在せず、一つの面だけで構成されています。そのため水を入れても、注ぎ口から満たすことはできません。四次元空間でのみ成立：三次元の現実世界でこの形を作ろうとすると、自分自身を貫通させる必要があります。完全な形にするには、四次元空間を必要とします。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AF%E3%83%A9%E3%82%A4%E3%83%B3%E3%81%AE%E5%A3%BA","updated":1779697801,"position":[-80.6071,-157.0083,4.0934],"cluster":"c48","subgroup":"c48.01","degree":3,"referenceDegree":0,"maxSimilarity":0.22227,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a13482a5ddaca21d70d5d43","weight":0.22227,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0bf04ea4c3001b481a4c","weight":0.13691,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657267a7ffc3180024d23c28","weight":0.13613,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1408c90f166eee5d6ff799","source":"NextResearch","title":"マルチスピーシーズ人類学","excerpt":"マルチスピーシーズ人類学（多種人類学）は、従来の「人間中心主義」を脱却し、人間だけでなく動植物、菌類、ウイルスなどあらゆる他種（マルチスピーシーズ）が絡み合いながら世界を構築していると捉える文化人類学の新たな研究潮流です。マルチスピーシーズ人類学の核心絡み合う生命と共生人間は単独で生きているのではなく、他種との関係性の中で「ともに生きる」存在です。人間と動物、自然と社会という二元論を超え、あらゆる生命体の共存に焦点を当てます。エージェンシー（主体性）の拡張人間だけに特権的な行為主体性を認めるのではなく、動植物や自然環境、さらには非生物にも独自の作用や応答能力があると考えます。マルチスピーシーズ民族誌学者たちが実際のフィールドワークを通じて、人間と他の生命体がどのように影響し合い、経験世界を共有しているかを「分厚い記述（エスノグラフィー）」で描き出します。","text":"マルチスピーシーズ人類学\nマルチスピーシーズ人類学（多種人類学）は、従来の「人間中心主義」を脱却し、人間だけでなく動植物、菌類、ウイルスなどあらゆる他種（マルチスピーシーズ）が絡み合いながら世界を構築していると捉える文化人類学の新たな研究潮流です。マルチスピーシーズ人類学の核心絡み合う生命と共生人間は単独で生きているのではなく、他種との関係性の中で「ともに生きる」存在です。人間と動物、自然と社会という二元論を超え、あらゆる生命体の共存に焦点を当てます。エージェンシー（主体性）の拡張人間だけに特権的な行為主体性を認めるのではなく、動植物や自然環境、さらには非生物にも独自の作用や応答能力があると考えます。マルチスピーシーズ民族誌学者たちが実際のフィールドワークを通じて、人間と他の生命体がどのように影響し合い、経験世界を共有しているかを「分厚い記述（エスノグラフィー）」で描き出します。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%9E%E3%83%AB%E3%83%81%E3%82%B9%E3%83%94%E3%83%BC%E3%82%B7%E3%83%BC%E3%82%BA%E4%BA%BA%E9%A1%9E%E5%AD%A6","updated":1779697880,"position":[-4.3369,53.83,53.5382],"cluster":"c08","subgroup":"c08.01","degree":3,"referenceDegree":0,"maxSimilarity":0.14444,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659246f943d3fa00263b5723","weight":0.14444,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a173a18ab24978bac0c91af","weight":0.10294,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ce0d545058c8001cba4bec","weight":0.09501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a142ce5a12230c1f0aa2bc9","source":"NextResearch","title":"古色蒼然（こしょくそうぜん）","excerpt":"は、長い年月を経ていかにも古びており、趣や歴史的な風格が漂っている様子を表す四字熟語です。単にボロボロなだけでなく、時代を経た美しさや味わい深さを肯定的なニュアンスで表現する際に使われます。","text":"古色蒼然（こしょくそうぜん）\nは、長い年月を経ていかにも古びており、趣や歴史的な風格が漂っている様子を表す四字熟語です。単にボロボロなだけでなく、時代を経た美しさや味わい深さを肯定的なニュアンスで表現する際に使われます。 \n\nInstagram\n·ms.kasshi\n語源・由来\n古色（こしょく）： 年月を経て古びた色合いや、そこから醸し出される趣のことです。\n蒼然（そうぜん）： 古めかしい様子や、青みがかって見える様子を指します。 \n\n使い方・例文\n建築物、美術品、骨董品、街並みなどに対して用いられます。 \n\n「路地裏を歩くと、古色蒼然とした木造建築が立ち並んでいる」\n「骨董市で古色蒼然とした掛け軸を見つけた」\n類語・関連表現\n古色古香（こしょくここう）： 古めかしく、趣があって上品な香りがすること。\n優雅閑寂（ゆうがかんじゃく）： ひっそりと静かで、上品で落ち着いているさま。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%8F%A4%E8%89%B2%E8%92%BC%E7%84%B6%EF%BC%88%E3%81%93%E3%81%97%E3%82%87%E3%81%8F%E3%81%9D%E3%81%86%E3%81%9C%E3%82%93%EF%BC%89","updated":1779707129,"position":[-10.7529,-193.5099,13.4401],"cluster":"c37","subgroup":"c37.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10556,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655645e09efbd7001cfe2652","weight":0.10556,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1739a585992534ba256305","source":"NextResearch","title":"白御影石","excerpt":"白御影石は、明るく清潔感のある色合いと、耐久性や耐候性の高さから、建築やインテリア、お墓など幅広い用途で人気の御影石（花崗岩）です。白地に黒やグレーの鉱物が混ざり合うことで、独特の美しい模様が生まれます。","text":"白御影石\n白御影石は、明るく清潔感のある色合いと、耐久性や耐候性の高さから、建築やインテリア、お墓など幅広い用途で人気の御影石（花崗岩）です。白地に黒やグレーの鉱物が混ざり合うことで、独特の美しい模様が生まれます。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E7%99%BD%E5%BE%A1%E5%BD%B1%E7%9F%B3","updated":1779906993,"position":[-50.8415,35.2263,-142.217],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.48211,"lowEvidence":true,"neighbors":[{"id":"Test-Object:6a608896cfae424082330f48","weight":0.48211,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1739dd245efec74b6b6965","source":"NextResearch","title":"鉄平石","excerpt":"鉄平石（てっぺいせき）は、板状に割れやすく非常に硬い長野県などの輝石安山岩です。一枚ごとに色や模様が異なり、重厚感のある自然な表情が特徴です。現在は、玄関のアプローチやお庭の敷石（乱形石）、壁のアクセントなど、内外装の装飾材として広く利用されています。","text":"鉄平石\n鉄平石（てっぺいせき）は、板状に割れやすく非常に硬い長野県などの輝石安山岩です。一枚ごとに色や模様が異なり、重厚感のある自然な表情が特徴です。現在は、玄関のアプローチやお庭の敷石（乱形石）、壁のアクセントなど、内外装の装飾材として広く利用されています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%89%84%E5%B9%B3%E7%9F%B3","updated":1779907047,"position":[-27.5678,31.2264,-136.4045],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0508,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a173a18ab24978bac0c91af","source":"NextResearch","title":"人類学的芸術","excerpt":"人類学的芸術（芸術人類学など）は、「人間はなぜアートを通して世界と関係を結ぶのか」「芸術とは単なる鑑賞物ではなく、社会や認知をどう動かすシステムか」を人類史や文化の観点から探求する学問・アプローチです。主な潮流として、以下の2つが挙げられます。1. アルフレッド・ジェルの「アートとエージェンシー」英国の人類学者アルフレッド・ジェルは、芸術作品を美的な評価から切り離し、「社会関係のなかで人を動かす力（エージェンシー）を持つ道具」と捉えました。インデックス: アフリカの呪物、ポリネシアの入れ墨、現代アートまで、人間の認知や行動に影響を与える物質・記号。ネクサス理論: 美術品と作り手、受容者のあいだに生まれる社会的なネットワークや認知プロセスを分析します。2. 中沢新一の「芸術人類学」日本においては、思想家・中沢新一が「対称性人類学」の延長として提唱しています。対称性の知性: 論理的矛盾を包み込み、神話や芸術など根源的な人間の想像力を生み出す心の働き。多摩美術大学の多摩美術大学 アートとデザインの人類学研究所などが中心となり、数万年に及ぶ人類の創造活動を芸術と人類学の横断的な視点で研究しています。このように、西洋近代の「美術館に飾られる絵画」という枠組みを解体し、人間が表現し、コミュニケーションを行うための普遍的な技法（アート）として捉え直すのが、この領域の最大の特徴です。","text":"人類学的芸術\n人類学的芸術（芸術人類学など）は、「人間はなぜアートを通して世界と関係を結ぶのか」「芸術とは単なる鑑賞物ではなく、社会や認知をどう動かすシステムか」を人類史や文化の観点から探求する学問・アプローチです。主な潮流として、以下の2つが挙げられます。1. アルフレッド・ジェルの「アートとエージェンシー」英国の人類学者アルフレッド・ジェルは、芸術作品を美的な評価から切り離し、「社会関係のなかで人を動かす力（エージェンシー）を持つ道具」と捉えました。インデックス: アフリカの呪物、ポリネシアの入れ墨、現代アートまで、人間の認知や行動に影響を与える物質・記号。ネクサス理論: 美術品と作り手、受容者のあいだに生まれる社会的なネットワークや認知プロセスを分析します。2. 中沢新一の「芸術人類学」日本においては、思想家・中沢新一が「対称性人類学」の延長として提唱しています。対称性の知性: 論理的矛盾を包み込み、神話や芸術など根源的な人間の想像力を生み出す心の働き。多摩美術大学の多摩美術大学 アートとデザインの人類学研究所などが中心となり、数万年に及ぶ人類の創造活動を芸術と人類学の横断的な視点で研究しています。このように、西洋近代の「美術館に飾られる絵画」という枠組みを解体し、人間が表現し、コミュニケーションを行うための普遍的な技法（アート）として捉え直すのが、この領域の最大の特徴です。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E4%BA%BA%E9%A1%9E%E5%AD%A6%E7%9A%84%E8%8A%B8%E8%A1%93","updated":1779907110,"position":[-5.1229,54.8348,53.6739],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.13262,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659246f943d3fa00263b5723","weight":0.13262,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1408c90f166eee5d6ff799","weight":0.10294,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a173a40dafcebf68e7465f9","source":"NextResearch","title":"alternative machine","excerpt":"オルタナティヴ・マシンは、「⼈⼯⽣命(ALife)」研究から⽣まれた理論や情報技術の社会応⽤に挑戦する会社です。 最適化や効率化を追求するテクノロジーのあり⽅ではなく、自律性や適応性、愛情や親しみ、存在感など⽣命的な新たなテクノロジーのあり⽅を探求し、 あらゆるものに生命性をインストールすることをミッションとしています。","text":"alternative machine\nオルタナティヴ・マシンは、「⼈⼯⽣命(ALife)」研究から⽣まれた理論や情報技術の社会応⽤に挑戦する会社です。 最適化や効率化を追求するテクノロジーのあり⽅ではなく、自律性や適応性、愛情や親しみ、存在感など⽣命的な新たなテクノロジーのあり⽅を探求し、 あらゆるものに生命性をインストールすることをミッションとしています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/alternative%20machine","updated":1779907158,"position":[10.0696,50.4056,54.6822],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.13557,"lowEvidence":false,"neighbors":[{"id":"NextResearch:681da65a6f8686beafd40036","weight":0.13557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.10837,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a173aa756bbbf69dedf81e8","source":"NextResearch","title":"Substantiae Motus","excerpt":"https://www.leandropisano.it/en/project/interferenze-liminaria-festival-2022-substantiae-motus","text":"Substantiae Motus\nhttps://www.leandropisano.it/en/project/interferenze-liminaria-festival-2022-substantiae-motus\n人間コミュニティと人間でないコミュニティ内で影響や変容を生み出す見えない力やプロセスが、私たちが暮らす生態系を積極的に形作っています。\n音や信号、振動、そして身体の揺らぎは、物質と非物質、すなわち肉体と非肉体との間に存在的な相互関係を明らかにし、物質とエネルギーが身体や対象を通じて世界を成す、終わりのない動きの中で結び目を表しています。\n彼らはまた、我々の環境が経験している取得、産業化、変化という複雑なプロセスを強調し、自然と人工の間のより複雑な関連性を定義しています。マルコ・アルミエロの言葉を引用すれば、これを「廃新世」と呼ぶことができます：廃棄物の時代です。\n現代の批評は、すべての形態において芸術的プロセスを再構築できるエネルギー的フラックスの存在を強調しています（ダグラス・カーン）。これらのテーマを通じて、今年のリミナリア/インターフェレンツの版が基盤となっています。本祭は、批判的かつパフォーマンス的な空間を通じて芸術そのものの可能性を再考し、物質のすべての変容を形作る見えない力の複合体とみなされるエネルギーの無限の現象を探求することを目的としています。\nLiminaria / Interzona は、農村・遠隔・境界的な環境、未来的な想像を創造するための中心的な柱、そして集合体に対するエネルギッシュな政策の潜在的シナリオに基づいて、この議論を引き続き構築してまいります。\n地域社会、専門家、アーティスト、そしてキュレーターがこれらのテーマについて共に意見を集い、地域やそこに住む者、通過する者とのハイブリッドな共同キュレーションを試みます。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Substantiae%20Motus","updated":1779907281,"position":[25.4926,-51.5067,32.234],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07798,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a173b258df4190ebc6afdf9","source":"NextResearch","title":"鈴木昭男 アナラポス","excerpt":"「アナラポス（ANALAPOS）」は、サウンド・アートの先駆者である鈴木昭男が1970年に創作した独自のエコー楽器です。2つの鉄製缶の底を糸電話のようにつなげた構造をしており、本体を叩いたり擦ったりして反響音を操り、空間に豊かな響きを生み出します。アナラポス（ANALAPOS）の主な特徴構造: 2つの鉄製の缶（円筒）の底を向かい合わせ、その間にバネのような糸を張った構造をしています。演奏方法: 手やスティックで叩いたり、擦ったりして音を出し、共鳴やエコーを発生させることで独自の空間音楽を奏でます。ルーツ: 鈴木氏が1960年代から行っている、空間に音を投げて反響を聴く「なげかけ」と「たどり」という自修イベントのプロセスから生まれました。鈴木氏の長年の創作活動における代表的な作品の一つであり、現代アートの展覧会やパフォーマンスなどで国内外を問わず広く演奏・展示されています。","text":"鈴木昭男 アナラポス\n「アナラポス（ANALAPOS）」は、サウンド・アートの先駆者である鈴木昭男が1970年に創作した独自のエコー楽器です。2つの鉄製缶の底を糸電話のようにつなげた構造をしており、本体を叩いたり擦ったりして反響音を操り、空間に豊かな響きを生み出します。アナラポス（ANALAPOS）の主な特徴構造: 2つの鉄製の缶（円筒）の底を向かい合わせ、その間にバネのような糸を張った構造をしています。演奏方法: 手やスティックで叩いたり、擦ったりして音を出し、共鳴やエコーを発生させることで独自の空間音楽を奏でます。ルーツ: 鈴木氏が1960年代から行っている、空間に音を投げて反響を聴く「なげかけ」と「たどり」という自修イベントのプロセスから生まれました。鈴木氏の長年の創作活動における代表的な作品の一つであり、現代アートの展覧会やパフォーマンスなどで国内外を問わず広く演奏・展示されています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%88%B4%E6%9C%A8%E6%98%AD%E7%94%B7%20%E3%82%A2%E3%83%8A%E3%83%A9%E3%83%9D%E3%82%B9","updated":1779907400,"position":[36.1623,-44.1078,21.0936],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08186,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a173b901637a2644ff856ce","source":"NextResearch","title":"Carlsten Nikolai + Marco Perihan \"POLAR M\"","excerpt":"[https://youtu.be/R6ReZ6FSZDM?si=atZAH-xGWg79X1jK]","text":"Carlsten Nikolai + Marco Perihan \"POLAR M\"\n[https://youtu.be/R6ReZ6FSZDM?si=atZAH-xGWg79X1jK]\n\nhttps://www.shift.jp.org/ja/archives/2010/12/polarm.html\n\nアートからの環境観測」をテーマにした本作は、この空間全てが、いわば、ひとつの環境観測の装置として機能する。ビジュアルアートやサウンドアートで常に先鋭的な活動を続け、さらに、アルヴァ・ノトの名で、音楽家としても活躍するカールステン・ニコライ。そして、アクティビストとして、アートとテクノロジーに関わる世界各地のプロジェクトに携わり、テレコミュニケーションや気象観測システムなどにフォーカスした極地移動ラボプロジェクト「Makrolab」の活動などで知られる、マルコ・ペリハン。それぞれに活躍を見せる2人のアーティストによる10年ぶりのコラボレーション、待望の新作「polarm［ポーラーエム］」が、ついに発表された。\n放射線 (radiation) 」の存在に着目した今回のプロジェクトでは、地球における放射線、電磁波の特性が、空間内の様々な装置によって観測され、光・音に変換、さらに、映像や音響で表現される。地球環境と情報環境、現実空間と情報空間との狭間にあるような、普段は気づきえない、もうひとつの「環境＝＜未知なる極地としての環境＞」の姿が、現前化する。\n\n待望の新作発表を記念し、オープニングには、シンポジウムとライブが開催された。アーティストにくわえ、「polar」プロジェクトのキュレーターである、阿部一直（YCAM）、四方幸子、さらに、ゲストとして、ベルリン在住の美術史家、キュレーターであり、V2（ロッテルダム）やTESLAを経て、｢ISEA2010RHUR｣のディレクター、そして現在、ドルトムントU（ドルトムント）の館長であるアンドレアス・ブレックマンが参加した。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Carlsten%20Nikolai%20%2B%20Marco%20Perihan%20%22POLAR%20M%22","updated":1779907629,"position":[53.0304,-32.7187,2.4657],"cluster":"c10","subgroup":"c10.01","degree":6,"referenceDegree":0,"maxSimilarity":0.12655,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a076ba76e0054455ec57eb9","weight":0.12655,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e4fb0971e6277d11f923","weight":0.11462,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da502f67ef6aa723ee1a3","weight":0.09567,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5d90a9264fe5327f168","weight":0.08906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3fbedab3e4354dfb4801","weight":0.0885,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c087a921e8fb608883021","weight":0.08604,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a173c4fd1fdf23669947a69","source":"NextResearch","title":"ソラリスの海","excerpt":"スタニスワフ・レムのSF小説『ソラリス』に登場する、惑星全体を覆う未知の巨大な海です。人間の記憶や無意識を読み取り、実体化させる「理性を持った海」として描かれ、SF界における異星知性体とのコンタクトを問う不朽のテーマとなっています。『ソラリスの海』の主なポイント驚異の性質: 惑星全体が単一の生きた原形質で構成されており、局所的な時空の歪みを生み出すほどの高い知性を持つとされています。人類との接触: 科学者たちは海と意思疎通を図ろうとしますが、海は人間の無意識（記憶や罪悪感）を読み取り、忘れたい過去や失った人物を「実体化」させて現出させます。哲学的なテーマ: 人類がどれほど科学を進歩させても、最終的には「人間自身を理解すること」に行き着くという、コミュニケーションの断絶と人間の本質を突く物語です。","text":"ソラリスの海\nスタニスワフ・レムのSF小説『ソラリス』に登場する、惑星全体を覆う未知の巨大な海です。人間の記憶や無意識を読み取り、実体化させる「理性を持った海」として描かれ、SF界における異星知性体とのコンタクトを問う不朽のテーマとなっています。『ソラリスの海』の主なポイント驚異の性質: 惑星全体が単一の生きた原形質で構成されており、局所的な時空の歪みを生み出すほどの高い知性を持つとされています。人類との接触: 科学者たちは海と意思疎通を図ろうとしますが、海は人間の無意識（記憶や罪悪感）を読み取り、忘れたい過去や失った人物を「実体化」させて現出させます。哲学的なテーマ: 人類がどれほど科学を進歩させても、最終的には「人間自身を理解すること」に行き着くという、コミュニケーションの断絶と人間の本質を突く物語です。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%BD%E3%83%A9%E3%83%AA%E3%82%B9%E3%81%AE%E6%B5%B7","updated":1779907677,"position":[-34.87,-55.2113,12.1946],"cluster":"c27","subgroup":"c27.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07992,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a173c8859664fe9abb9394c","source":"NextResearch","title":"モノリス","excerpt":"『2001年宇宙の旅』に登場する「モノリス」は、人類の進化や覚醒の節目に現れる謎の黒い石板です。地球外知的生命体の道具・情報端末として機能し、類人猿に道具を使う知性を与え、月に埋められていたものが発掘されることで人類の宇宙進出を促しました。モノリスの主な登場シーンと役割人類の夜明け（約400万年前）： 飢えに苦しむヒトザルの前に突如出現。モノリスから発せられた波動が彼らに「道具を使う知恵」と「闘争心」を覚醒させます。月面（2000年代）： 月面クラビウス基地で「ティコ磁気異常」として発掘されます。人類がこれに触れて太陽系外へ向けた信号を発したことが、物語の引き金となります。木星近郊（ディスカバリー号）： 木星探査の最終局面において、主人公ボーマン船長の前に空間の扉として出現し、彼を未知の次元へと導きます。モノリスの形状と特徴比率の謎： 縦・横・高さの比率が正確に \\(1:4:9\\)（それぞれ 1, 2, 3 の二乗）となっているのが特徴的な幾何学体です。物理的性質： 表面は完全な漆黒で、周囲の光景を吸い込むような質感を持っています。人工的に作られた極めて高度なツールであり、それ自体に自我や意志はありません。","text":"モノリス\n『2001年宇宙の旅』に登場する「モノリス」は、人類の進化や覚醒の節目に現れる謎の黒い石板です。地球外知的生命体の道具・情報端末として機能し、類人猿に道具を使う知性を与え、月に埋められていたものが発掘されることで人類の宇宙進出を促しました。モノリスの主な登場シーンと役割人類の夜明け（約400万年前）： 飢えに苦しむヒトザルの前に突如出現。モノリスから発せられた波動が彼らに「道具を使う知恵」と「闘争心」を覚醒させます。月面（2000年代）： 月面クラビウス基地で「ティコ磁気異常」として発掘されます。人類がこれに触れて太陽系外へ向けた信号を発したことが、物語の引き金となります。木星近郊（ディスカバリー号）： 木星探査の最終局面において、主人公ボーマン船長の前に空間の扉として出現し、彼を未知の次元へと導きます。モノリスの形状と特徴比率の謎： 縦・横・高さの比率が正確に \\(1:4:9\\)（それぞれ 1, 2, 3 の二乗）となっているのが特徴的な幾何学体です。物理的性質： 表面は完全な漆黒で、周囲の光景を吸い込むような質感を持っています。人工的に作られた極めて高度なツールであり、それ自体に自我や意志はありません。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%A2%E3%83%8E%E3%83%AA%E3%82%B9","updated":1779907729,"position":[-36.0096,-72.1385,27.84],"cluster":"c27","subgroup":"c27.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08094,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a198e2e147795e220deb2f7","source":"NextResearch","title":"モホイナジ","excerpt":"https://www.nikkei.com/article/DGXZQOUD2526F0V20C26A2000000/","text":"モホイナジ　\nhttps://www.nikkei.com/article/DGXZQOUD2526F0V20C26A2000000/\n昨今では、空間に拡張された映像への没入体験をアピールにした「イマーシヴ」な展示が多く行われている。1960年代には、「環境芸術」と呼ばれた、美術と建築やデザインを総合的にとらえようとした動きがあった。現在のメディアアートに先立つ、作品の空間への拡張、観客の能動的な参加といった要素の起源ともいえる。\n\n19年からモダンデザインの源流となったドイツの教育機関バウハウスで教鞭（きょうべん）をとっていた、","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%A2%E3%83%9B%E3%82%A4%E3%83%8A%E3%82%B8","updated":1780059732,"position":[14.0476,-34.2017,20.0795],"cluster":"c05","subgroup":"c05.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14239,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.14239,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658013d985a8330023438fed","weight":0.115,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a198e6fbac344baaac2d199","source":"NextResearch","title":"御神渡り","excerpt":"「御神渡り（おみわたり）」は、長野県の諏訪湖などで見られる自然現象です。厳冬期に湖面が全面結氷し、氷の収縮と膨張によって亀裂が入り、氷が山脈のように高く隆起します。室町時代から600年以上の観測記録が残る、諏訪の冬の風物詩です。","text":"御神渡り\n「御神渡り（おみわたり）」は、長野県の諏訪湖などで見られる自然現象です。厳冬期に湖面が全面結氷し、氷の収縮と膨張によって亀裂が入り、氷が山脈のように高く隆起します。室町時代から600年以上の観測記録が残る、諏訪の冬の風物詩です。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%BE%A1%E7%A5%9E%E6%B8%A1%E3%82%8A","updated":1780059777,"position":[47.272,-48.2711,37.7507],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.10113,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a2939bd41985fdc5072bf7c","weight":0.10113,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cedfcbcd47500024cfba45","weight":0.10068,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a198ea71d4713d349e2fee1","source":"NextResearch","title":"銀塩写真","excerpt":"銀塩写真（ぎんえんしゃしん）とは、光に反応する銀の化合物（ハロゲン化銀）を塗布したフィルムや印画紙を使い、化学反応によって画像を定着させる伝統的な写真技術です。デジタル写真とは異なり、階調が豊かで耐久性に優れているのが大きな特徴です。","text":"銀塩写真\n銀塩写真（ぎんえんしゃしん）とは、光に反応する銀の化合物（ハロゲン化銀）を塗布したフィルムや印画紙を使い、化学反応によって画像を定着させる伝統的な写真技術です。デジタル写真とは異なり、階調が豊かで耐久性に優れているのが大きな特徴です。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%8A%80%E5%A1%A9%E5%86%99%E7%9C%9F","updated":1780059824,"position":[33.0643,-51.9411,98.2665],"cluster":"c14","subgroup":"c14.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09479,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631bd7e1713f80025b427c2","weight":0.09479,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a198eef18e1e32033627d22","source":"NextResearch","title":"雨宮庸介　壁の中の手鏡","excerpt":"https://bug.art/exhibition/amemiya-2023/images/","text":"雨宮庸介　壁の中の手鏡　\nhttps://bug.art/exhibition/amemiya-2023/images/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%9B%A8%E5%AE%AE%E5%BA%B8%E4%BB%8B%E3%80%80%E5%A3%81%E3%81%AE%E4%B8%AD%E3%81%AE%E6%89%8B%E9%8F%A1","updated":1780059946,"position":[-23.1947,-73.1214,61.8975],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12907,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c228381ed2940023ea912a","weight":0.12907,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a198f639c73c91c0a33a230","source":"NextResearch","title":"大川達也　ミラーレスミラー","excerpt":"[https://youtu.be/MjrDhxlIXxA?si=tD5GQu2FUosQ4_Zv]","text":"大川達也　ミラーレスミラー\n[https://youtu.be/MjrDhxlIXxA?si=tD5GQu2FUosQ4_Zv]\n\n『blooming dots spring remix 2022』とは2022年にgallery αMで開催された展覧会「地底人とミラーレス・ミラー」で発表された、映像インスタレーション作品です（上演時間：8分54秒）。作品の背景: Zoomの画面上に参加者が集まり、デバイスを持っていない方の「左手」を使ってエクササイズを行う参加型の試みがベースになっています。テーマ: ミラーレス・ミラーの展示空間において、ウクライナの問題の要素も織り交ぜながら構成された映像作品です。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%A4%A7%E5%B7%9D%E9%81%94%E4%B9%9F%E3%80%80%E3%83%9F%E3%83%A9%E3%83%BC%E3%83%AC%E3%82%B9%E3%83%9F%E3%83%A9%E3%83%BC","updated":1780060071,"position":[25.6373,-30.7722,99.3081],"cluster":"c14","subgroup":"c14.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11353,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67612b264cc280beb3bb937e","weight":0.11353,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55be378d68900249e503c","weight":0.10102,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a198ff817098b9cd8e9a970","source":"NextResearch","title":"miki yui","excerpt":"Miki Yui http://www.mikiyui.com/ ミキ・ユイは東京出身、ドイツ、デュッセルドル フ在住の音楽家、美術家。 1999年のデビューアルバム『スモールサウンズ』 以降、フィールドレコーディング、微かなノイズ 音、電子音響等を操り、独特の繊細で有機的な音 楽的空間を紡ぎ出す。","text":"miki yui\nMiki Yui http://www.mikiyui.com/ ミキ・ユイは東京出身、ドイツ、デュッセルドル フ在住の音楽家、美術家。 1999年のデビューアルバム『スモールサウンズ』 以降、フィールドレコーディング、微かなノイズ 音、電子音響等を操り、独特の繊細で有機的な音 楽的空間を紡ぎ出す。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/miki%20yui","updated":1780060162,"position":[29.2486,-1.1203,-16.3555],"cluster":"c18","subgroup":"c18.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11715,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65602fa0971d4e001b61e30c","weight":0.11715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1990163c10ef5a1687f08a","source":"NextResearch","title":"ゾートロープ","excerpt":"ゾートロープ（回転のぞき絵）は、円筒の内側に描かれた連続した静止画を回転させ、側面の隙間（スリット）から覗くことで、絵が動いているように見えるアニメーションの原型となった視覚玩具です。","text":"ゾートロープ\nゾートロープ（回転のぞき絵）は、円筒の内側に描かれた連続した静止画を回転させ、側面の隙間（スリット）から覗くことで、絵が動いているように見えるアニメーションの原型となった視覚玩具です。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%BE%E3%83%BC%E3%83%88%E3%83%AD%E3%83%BC%E3%83%97","updated":1780060194,"position":[-34.1857,-68.3419,63.8656],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.14735,"lowEvidence":false,"neighbors":[{"id":"NextResearch:640aeb3e942f76001c720bb8","weight":0.14735,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7ab3d5e2369001d857ec5","weight":0.12328,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b47afe2cb48b59ed07553","weight":0.09885,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1990c6f818c7e1ad043949","source":"NextResearch","title":"人新世","excerpt":"「人新世（じんしんせい）」とは、人類の経済活動や環境破壊が地球の自然システムを根本から変えてしまった、現在の新しい地質時代（提案されている年代区分）を指す言葉です。地球規模での気候変動や生態系の危機を表す概念として、現代社会で広く議論されています。人新世の基本情報読み方: じんしんせい（または ひとしんせい）英語名: Anthropocene（アントロポセン）提唱者: ドイツの大気科学者パウル・クルッツェン博士（2000年に提唱）用語の背景と特徴完新世からの脱却: 現在の正式な地質年代は氷河期が終わった約1万1700年前からの「完新世」です。しかし、人類の活動による痕跡（核実験の放射性物質、プラスチック、温室効果ガス、化石燃料の燃焼灰など）が地球の地層に明確に刻まれるようになったため、新たな時代に入ったとされています。開始時期: 1950年代頃の「大加速（人口、エネルギー消費、環境負荷などの急激な増加）」を始まりとする見方が有力です。地質学上の位置づけ: 学術界において「人類が地球に決定的な影響を与えた」という概念自体は広く受け入れられていますが、正式な地質年代としては2024年3月に国際機関によって一度否決され、現在も議論が続いています。社会への影響と関連書籍日本をはじめ世界中で、この概念は環境問題や経済のあり方を見直すキーワードとなっています。特に、経済学者・斎藤幸平の著書『人","text":"人新世\n\n「人新世（じんしんせい）」とは、人類の経済活動や環境破壊が地球の自然システムを根本から変えてしまった、現在の新しい地質時代（提案されている年代区分）を指す言葉です。地球規模での気候変動や生態系の危機を表す概念として、現代社会で広く議論されています。人新世の基本情報読み方: じんしんせい（または ひとしんせい）英語名: Anthropocene（アントロポセン）提唱者: ドイツの大気科学者パウル・クルッツェン博士（2000年に提唱）用語の背景と特徴完新世からの脱却: 現在の正式な地質年代は氷河期が終わった約1万1700年前からの「完新世」です。しかし、人類の活動による痕跡（核実験の放射性物質、プラスチック、温室効果ガス、化石燃料の燃焼灰など）が地球の地層に明確に刻まれるようになったため、新たな時代に入ったとされています。開始時期: 1950年代頃の「大加速（人口、エネルギー消費、環境負荷などの急激な増加）」を始まりとする見方が有力です。地質学上の位置づけ: 学術界において「人類が地球に決定的な影響を与えた」という概念自体は広く受け入れられていますが、正式な地質年代としては2024年3月に国際機関によって一度否決され、現在も議論が続いています。社会への影響と関連書籍日本をはじめ世界中で、この概念は環境問題や経済のあり方を見直すキーワードとなっています。特に、経済学者・斎藤幸平の著書『人新世の「資本論」』はベストセラーとなり、環境危機を乗り越えるために資本主義を見直し「脱成長コミュニズム」への移行を提唱したことで大きな話題を呼びました。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E4%BA%BA%E6%96%B0%E4%B8%96","updated":1780060586,"position":[36.6996,-63.7828,-40.1392],"cluster":"c26","subgroup":"c26.01","degree":1,"referenceDegree":0,"maxSimilarity":0.15915,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678944c9452a0a91e6e87be1","weight":0.15915,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a1992240d3276a1eec1063c","source":"NextResearch","title":"霧の彫刻　中谷芙二子","excerpt":"https://nagano.art.museum/fog_sculptures","text":"霧の彫刻　中谷芙二子\nhttps://nagano.art.museum/fog_sculptures\n\n《霧の彫刻》とは、特殊なノズルから高圧力で水を噴出させ、人工的な「霧」を大量に発生させて制作する「彫刻」作品である。生成された大量の霧は、その場の地形や気象の影響で、揺らぎ、拡散しながら全てを蔽い尽くし、周辺の風景を白い世界に包み込む。鑑賞者は、その中に踏み入れ、気象のわずかな変化を視覚化しながら漂い続ける霧を体感することのできる、自然と響き合う、媒介としての「彫刻」だとされる。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%9C%A7%E3%81%AE%E5%BD%AB%E5%88%BB%E3%80%80%E4%B8%AD%E8%B0%B7%E8%8A%99%E4%BA%8C%E5%AD%90","updated":1780060766,"position":[-22.5974,17.9722,-118.3934],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0812,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a1992a439fba7436bf7e026","source":"NextResearch","title":"ピエール・テイヤール・ド・シャルダン　オメガ点、現象としての人間","excerpt":"ピエール・テイヤール・ド・シャルダン（古生物学者・カトリック司祭）の主著『現象としての人間』は、科学的な進化論とキリスト教的な信仰を統合し、人類が宇宙の進化の頂点であり未来へ向かう方向性を持っていると説く壮大な哲学的・神学的著作です。『現象としての人間』の核となる思想と重要ポイントは以下の通りです。1. 宇宙進化のプロセス宇宙は無機物から始まり、生命、そして人類の精神（意識）へと、より複雑で高度なものへと進化してきたと捉えます。テイヤールは物質の内側にある「精神（内面的エネルギー）」の増大こそが進化の推進力であると考えました。2. 人類の位置づけと「ノウエノス」人間はただの動物ではなく、思考し、自分が思考していることを知る「内省」の能力（反射意識）を持っています。人類の誕生により、地球を覆う「精神の層（ノウエノス／ヌースフィア）」が形成されたと主張しています。3. オメガ点（収斂の終着点）宇宙の進化はバラバラになるのではなく、統合と愛の力によって最終的に一点へと向かい、収束していくとされました。この進化の究極の到達点であり、歴史の目標となる絶対的な中心を「オメガ点」と呼び、これを神の概念と重ね合わせました。4. 書籍の出版と影響科学と宗教を独自の視点で融合させたこの思想は、生前はカトリック教会から受け入れられず、彼の死後（1955年）の1950年代に出版されました。のちの思想家や環","text":"ピエール・テイヤール・ド・シャルダン　オメガ点、現象としての人間\nピエール・テイヤール・ド・シャルダン（古生物学者・カトリック司祭）の主著『現象としての人間』は、科学的な進化論とキリスト教的な信仰を統合し、人類が宇宙の進化の頂点であり未来へ向かう方向性を持っていると説く壮大な哲学的・神学的著作です。『現象としての人間』の核となる思想と重要ポイントは以下の通りです。1. 宇宙進化のプロセス宇宙は無機物から始まり、生命、そして人類の精神（意識）へと、より複雑で高度なものへと進化してきたと捉えます。テイヤールは物質の内側にある「精神（内面的エネルギー）」の増大こそが進化の推進力であると考えました。2. 人類の位置づけと「ノウエノス」人間はただの動物ではなく、思考し、自分が思考していることを知る「内省」の能力（反射意識）を持っています。人類の誕生により、地球を覆う「精神の層（ノウエノス／ヌースフィア）」が形成されたと主張しています。3. オメガ点（収斂の終着点）宇宙の進化はバラバラになるのではなく、統合と愛の力によって最終的に一点へと向かい、収束していくとされました。この進化の究極の到達点であり、歴史の目標となる絶対的な中心を「オメガ点」と呼び、これを神の概念と重ね合わせました。4. 書籍の出版と影響科学と宗教を独自の視点で融合させたこの思想は、生前はカトリック教会から受け入れられず、彼の死後（1955年）の1950年代に出版されました。のちの思想家や環境運動、さらには現代のAIやデジタルネットワーク論（集合知）の先駆的なビジョンとしても再評価されています。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E3%83%94%E3%82%A8%E3%83%BC%E3%83%AB%E3%83%BB%E3%83%86%E3%82%A4%E3%83%A4%E3%83%BC%E3%83%AB%E3%83%BB%E3%83%89%E3%83%BB%E3%82%B7%E3%83%A3%E3%83%AB%E3%83%80%E3%83%B3%E3%80%80%E3%82%AA%E3%83%A1%E3%82%AC%E7%82%B9%E3%80%81%E7%8F%BE%E8%B1%A1%E3%81%A8%E3%81%97%E3%81%A6%E3%81%AE%E4%BA%BA%E9%96%93","updated":1789147239,"position":[12.0676,-78.191,11.7597],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.30052,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a06e35b785d2caf9787bfae","weight":0.30052,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a19953fffeb2b6cdf760821","source":"NextResearch","title":"マドリン・ギンズ　意味のメカニズム","excerpt":"1936年名古屋に生まれた荒川修作は、東京での作家活動を捨て、『もう少し遠くへ』と1961年ニューヨークに渡ります。オノ・ヨーコのアトリエを制作拠点として、マルセル・デュシャンをはじめとする多くのアーティストとの交流の中で、パートナーとなる詩人マドリン・ギンズ（1941-2014）と出会います。二人が取り組んだのは＜意味とは何か？＞という問題です。私たちはいつも何かを＜感じ／考え＞ていますが、その多くは＜言葉＞を通した＜意味＞についてのものです。","text":"マドリン・ギンズ　意味のメカニズム\n1936年名古屋に生まれた荒川修作は、東京での作家活動を捨て、『もう少し遠くへ』と1961年ニューヨークに渡ります。オノ・ヨーコのアトリエを制作拠点として、マルセル・デュシャンをはじめとする多くのアーティストとの交流の中で、パートナーとなる詩人マドリン・ギンズ（1941-2014）と出会います。二人が取り組んだのは＜意味とは何か？＞という問題です。私たちはいつも何かを＜感じ／考え＞ていますが、その多くは＜言葉＞を通した＜意味＞についてのものです。\n二人はその＜意味＞の徹底的な追究に取り組んだのです。それから25年を経て、継続中のプロジェクトとして完成したのが「意味のメカニズム」です。作品は81点の大型平面と44点のドローイング、さらに写真と模型を加えた総数127点。ライフワークと呼べる大シリーズ作品を一挙公開するこの機会に、見ることの意味を超えて、もう少し遠くへ行ってみませんか？","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%9E%E3%83%89%E3%83%AA%E3%83%B3%E3%83%BB%E3%82%AE%E3%83%B3%E3%82%BA%E3%80%80%E6%84%8F%E5%91%B3%E3%81%AE%E3%83%A1%E3%82%AB%E3%83%8B%E3%82%BA%E3%83%A0","updated":1780061531,"position":[31.4105,-38.1082,107.4449],"cluster":"c14","subgroup":"c14.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08817,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d3114a9c10002e110dbe","weight":0.08817,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a19957c81c3e7fb767a592d","source":"NextResearch","title":"ドビュッシー　海","excerpt":"《『海』管弦楽のための3つの交響的素描》（うみ、フランス語: La Mer, trois esquisses symphoniques pour orchestre）は、フランスの作曲家クロード・ドビュッシーが1903年から1905年にかけて作曲した管弦楽曲である。","text":"ドビュッシー　海\n《『海』管弦楽のための3つの交響的素描》（うみ、フランス語: La Mer, trois esquisses symphoniques pour orchestre）は、フランスの作曲家クロード・ドビュッシーが1903年から1905年にかけて作曲した管弦楽曲である。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%89%E3%83%93%E3%83%A5%E3%83%83%E3%82%B7%E3%83%BC%E3%80%80%E6%B5%B7","updated":1780061573,"position":[13.3631,-52.4461,67.0687],"cluster":"c12","subgroup":"c12.01","degree":7,"referenceDegree":0,"maxSimilarity":0.58042,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656cbe44b5a98d0024d45846","weight":0.58042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580052a2028230024ba4224","weight":0.22948,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.12152,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656cb2c59ad4360024c714d0","weight":0.1081,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d58179393237bd80c6e1","weight":0.10113,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66798761c0d349001d59b25e","weight":0.09669,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.09481,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a22a3f81fda097e03868383","source":"NextResearch","title":"Superwhisper 音声文字起こし","excerpt":"https://superwhisper.com/","text":"Superwhisper 音声文字起こし\nhttps://superwhisper.com/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Superwhisper%20%E9%9F%B3%E5%A3%B0%E6%96%87%E5%AD%97%E8%B5%B7%E3%81%93%E3%81%97","updated":1780655121,"position":[-13.0114,-11.5424,-25.2111],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10196,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6591928c10adc00024806ac2","weight":0.10196,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a2939bd41985fdc5072bf7c","source":"NextResearch","title":"御神酒","excerpt":"御神酒（おみき）とは、神社や神棚の神前に供えるお酒（主に日本酒）のことです。神様と人間が酒を共にすることで絆を深め、神の恩恵（ご利益）を授かるための神聖な捧げ物とされています。","text":"御神酒\n御神酒（おみき）とは、神社や神棚の神前に供えるお酒（主に日本酒）のことです。神様と人間が酒を共にすることで絆を深め、神の恩恵（ご利益）を授かるための神聖な捧げ物とされています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%BE%A1%E7%A5%9E%E9%85%92","updated":1781086665,"position":[46.3119,-47.2496,39.4008],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.16983,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f039b4e3ab3d0025c3b50f","weight":0.16983,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bd4346332ad001bcf1e61","weight":0.14302,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a198e6fbac344baaac2d199","weight":0.10113,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a2939ef56962e2d25f62b6d","source":"NextResearch","title":"Rainforest Dataland","excerpt":"https://www.art-magazine.ai/what-is-on/machine-dreams-rainforest","text":"Rainforest Dataland\nhttps://www.art-magazine.ai/what-is-on/machine-dreams-rainforest\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Rainforest%20Dataland","updated":1781086722,"position":[-62.0516,-7.6732,-122.3405],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a2e59bf713d6659b1ac880e","source":"NextResearch","title":"ドゥルーズ 平滑空間","excerpt":"フランスの哲学者ジル・ドゥルーズと精神分析家フェリックス・ガタリの主著『千のプラトー』において、「平滑空間（なめらかなくうかん）」は国家の統制や枠組み（条理空間）から逃れ、自由に生成変化する「戦争機械（ノマド／遊牧民的組織）」が展開する流動的な場を指します。ドゥルーズの思想における「組織」と「空間」の関わりは以下の通りです。","text":"ドゥルーズ 平滑空間\nフランスの哲学者ジル・ドゥルーズと精神分析家フェリックス・ガタリの主著『千のプラトー』において、「平滑空間（なめらかなくうかん）」は国家の統制や枠組み（条理空間）から逃れ、自由に生成変化する「戦争機械（ノマド／遊牧民的組織）」が展開する流動的な場を指します。ドゥルーズの思想における「組織」と「空間」の関わりは以下の通りです。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E3%83%89%E3%82%A5%E3%83%AB%E3%83%BC%E3%82%BA%20%E5%B9%B3%E6%BB%91%E7%A9%BA%E9%96%93","updated":1789147195,"position":[16.0035,-68.612,1.264],"cluster":"c03","subgroup":"c03.01","degree":4,"referenceDegree":0,"maxSimilarity":0.27647,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a3c31d11b636d7cb5a29","weight":0.27647,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf65b8987090002351c5d5","weight":0.22346,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac67a09ea8da5f8a7cf166d","weight":0.11336,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789434fe0c60caa3c664963","weight":0.10388,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a3d5ac97256252083d7a531","source":"NextResearch","title":"ブロードマン脳地図","excerpt":"https://bsd.neuroinf.jp/wiki/ブロードマンの脳地図","text":"ブロードマン脳地図\nhttps://bsd.neuroinf.jp/wiki/ブロードマンの脳地図\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E3%83%96%E3%83%AD%E3%83%BC%E3%83%89%E3%83%9E%E3%83%B3%E8%84%B3%E5%9C%B0%E5%9B%B3","updated":1789147170,"position":[-52.7629,24.0443,-153.4367],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07534,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a3d5aedd01ca69eed2ae149","source":"NextResearch","title":"いけず石","excerpt":"「いけず石」とは、京都や大阪などの関西地方の古い町並みで、道の角や家の軒先（敷地の端）に置かれる大きな石のことです。車が塀や壁にぶつかったり、敷地内に侵入したりするのを防ぐ「車止め（ガード）」の役割を果たしています。","text":"いけず石\n「いけず石」とは、京都や大阪などの関西地方の古い町並みで、道の角や家の軒先（敷地の端）に置かれる大きな石のことです。車が塀や壁にぶつかったり、敷地内に侵入したりするのを防ぐ「車止め（ガード）」の役割を果たしています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%81%84%E3%81%91%E3%81%9A%E7%9F%B3","updated":1782405896,"position":[-51.9775,44.2123,-117.1617],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05137,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a3d5b3d64b239a36cee381a","source":"NextResearch","title":"137","excerpt":"物理学における「137」は、電磁気学や量子力学の根幹に関わる「微細構造定数」の逆数（約137.035999...）を指します。物理の基礎方程式から現れる「単位のない純粋な数」であり、宇宙の基本法則を象徴する特別な定数として知られています。","text":"137\n物理学における「137」は、電磁気学や量子力学の根幹に関わる「微細構造定数」の逆数（約137.035999...）を指します。物理の基礎方程式から現れる「単位のない純粋な数」であり、宇宙の基本法則を象徴する特別な定数として知られています。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/137","updated":1789147153,"position":[-23.426,-74.3817,65.0266],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10845,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.10845,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a3d5b99b83671ec9ce95898","source":"NextResearch","title":"スーダン ピラミッド","excerpt":"スーダンには、隣国エジプトを上回る約250〜255基ものピラミッドが存在しています。紀元前にナイル川流域で栄えた古代クシュ文明（ヌビア文明）の王や王妃の墓として建造されたもので、エジプトのものよりも規模が小さく、傾斜が急（角度約65〜68度）なのが特徴です。","text":"スーダン ピラミッド\nスーダンには、隣国エジプトを上回る約250〜255基ものピラミッドが存在しています。紀元前にナイル川流域で栄えた古代クシュ文明（ヌビア文明）の王や王妃の墓として建造されたもので、エジプトのものよりも規模が小さく、傾斜が急（角度約65〜68度）なのが特徴です。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B9%E3%83%BC%E3%83%80%E3%83%B3%20%E3%83%94%E3%83%A9%E3%83%9F%E3%83%83%E3%83%89","updated":1782406052,"position":[17.4429,-147.8616,90.8566],"cluster":"c42","subgroup":"c42.01","degree":2,"referenceDegree":0,"maxSimilarity":0.5862,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64df00775fbd45001ccae03d","weight":0.5862,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b34e686ddc440025796c56","weight":0.09251,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a3d5bc1487f3867cb5302e8","source":"NextResearch","title":"olafur eliasson","excerpt":"https://olafureliasson.net/artwork/the-mediated-motion-2001/","text":"olafur eliasson \nhttps://olafureliasson.net/artwork/the-mediated-motion-2001/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/olafur%20eliasson","updated":1782406170,"position":[8.1864,68.4158,50.9671],"cluster":"c08","subgroup":"c08.01","degree":1,"referenceDegree":0,"maxSimilarity":0.26097,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a3d5c4b2ccbd21e97ec26cb","weight":0.26097,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a3d5c4b2ccbd21e97ec26cb","source":"NextResearch","title":"the weather project, sun, olafur","excerpt":"https://olafureliasson.net/artwork/the-weather-project-2003/","text":"the weather project, sun, olafur\nhttps://olafureliasson.net/artwork/the-weather-project-2003/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/the%20weather%20project%2C%20sun%2C%20olafur","updated":1782406246,"position":[8.0353,65.6977,50.3136],"cluster":"c08","subgroup":"c08.01","degree":8,"referenceDegree":0,"maxSimilarity":0.26097,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a3d5bc1487f3867cb5302e8","weight":0.26097,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6859c957e62b4c104472f696","weight":0.24329,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bc18b60ecd220725d4460","weight":0.20207,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bc52ffa4b4ba54e61aa81","weight":0.17578,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:649bc98508b076001bfa1efc","weight":0.17252,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5f4960bb0aa0023a039c1","weight":0.13332,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a216549704de0024fdf305","weight":0.11197,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ed7e2ed5fbcf001cb0a397","weight":0.09094,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a3d5c7c4e3ae4ffb6a169b1","source":"NextResearch","title":"ジャチント シェルシ","excerpt":"[https://youtu.be/RK43kEVQUGo?si=xhhN82vE-SO6lpMk]","text":"ジャチント シェルシ\n[https://youtu.be/RK43kEVQUGo?si=xhhN82vE-SO6lpMk]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B8%E3%83%A3%E3%83%81%E3%83%B3%E3%83%88%20%E3%82%B7%E3%82%A7%E3%83%AB%E3%82%B7","updated":1782406313,"position":[-19.0331,104.2832,5.4622],"cluster":"c13","subgroup":"c13.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09607,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659c5deeb21022002455e489","weight":0.09607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789457b1e6a947a353d660b","weight":0.08529,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a588f0bd66a1d2fc23a81bc","source":"NextResearch","title":"5音療法　漢方音楽","excerpt":"[https://music.youtube.com/playlist?list=PLSUvxlL_PCFQ]","text":"5音療法　漢方音楽\n[https://music.youtube.com/playlist?list=PLSUvxlL_PCFQ]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/5%E9%9F%B3%E7%99%82%E6%B3%95%E3%80%80%E6%BC%A2%E6%96%B9%E9%9F%B3%E6%A5%BD","updated":1784188703,"position":[29.3553,-60.6432,-38.2258],"cluster":"c26","subgroup":"c26.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09824,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64ce0edee3a7d7001c8d79d5","weight":0.09824,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a60a74975d8d04d5f450b19","source":"NextResearch","title":"スプロール現象","excerpt":"スプロール現象（都市の無秩序な拡大）とは、都市計画が不十分なまま、住宅や商業施設などが郊外へと無計画に広がっていく現象です。インフラ整備の遅れや自然破壊を招くだけでなく、車への依存度を高め、中心市街地の空洞化といった都市問題を引き起こします。","text":"スプロール現象\nスプロール現象（都市の無秩序な拡大）とは、都市計画が不十分なまま、住宅や商業施設などが郊外へと無計画に広がっていく現象です。インフラ整備の遅れや自然破壊を招くだけでなく、車への依存度を高め、中心市街地の空洞化といった都市問題を引き起こします。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E3%82%B9%E3%83%97%E3%83%AD%E3%83%BC%E3%83%AB%E7%8F%BE%E8%B1%A1","updated":1789147124,"position":[29.5245,-66.3476,78.9897],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07688,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a61833344c164576b42dd54","source":"NextResearch","title":"円形劇場","excerpt":"[https://scrapbox.io/files/6a61836fc66da3b7e87feb7d.jpeg]","text":"円形劇場\n[https://scrapbox.io/files/6a61836fc66da3b7e87feb7d.jpeg]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%86%86%E5%BD%A2%E5%8A%87%E5%A0%B4","updated":1784775538,"position":[55.0836,-117.4315,-63.7248],"cluster":"c41","subgroup":"c41.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11812,"lowEvidence":false,"neighbors":[{"id":"NextResearch:656d6da0063d9500243a4605","weight":0.11812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a6183f61dc62db6512249cd","source":"NextResearch","title":"bitwig","excerpt":"https://dirigent.jp/bitwig/bitwig-studio","text":"bitwig\nhttps://dirigent.jp/bitwig/bitwig-studio\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/bitwig","updated":1784775678,"position":[-83.1962,19.1841,-127.0956],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a61842831e01a921b822922","source":"NextResearch","title":"xln audio","excerpt":"https://h-resolution.com/product-category/xlnaudio/?srsltid=AfmBOooFztBmW3ZHTmzfBAjyPoLDwdo8htxadjUVB1Q9-SaHL4aCfL9s","text":"xln audio\nhttps://h-resolution.com/product-category/xlnaudio/?srsltid=AfmBOooFztBmW3ZHTmzfBAjyPoLDwdo8htxadjUVB1Q9-SaHL4aCfL9s\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/xln%20audio","updated":1784775730,"position":[-7.5502,127.6565,26.2586],"cluster":"c29","subgroup":"c29.01","degree":18,"referenceDegree":0,"maxSimilarity":0.68693,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69043f1e477788b7417cb6e1","weight":0.68693,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6aaac476c45860462e1221c1","weight":0.47409,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca395e31b474720507b5a2","weight":0.41678,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65078f3b92714e001c73d81c","weight":0.40048,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6418015c8eab62001b3c65a0","weight":0.38988,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c3a47ba0f45ff08bcb317","weight":0.38698,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af26291357ad001d1fb305","weight":0.36606,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ef2cf8738944001c1dc521","weight":0.3132,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a64612bb15bbf760a19598d","source":"NextResearch","title":"シャノンエントロピー","excerpt":"シャノンエントロピー（情報エントロピー）とは、情報理論における「不確実性の度合い」または「含まれる情報の平均量」を定量化した指標です。事象が起こる確率が低いほど、その事象から得られる情報量は大きくなります。","text":"シャノンエントロピー\nシャノンエントロピー（情報エントロピー）とは、情報理論における「不確実性の度合い」または「含まれる情報の平均量」を定量化した指標です。事象が起こる確率が低いほど、その事象から得られる情報量は大きくなります。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E3%82%B7%E3%83%A3%E3%83%8E%E3%83%B3%E3%82%A8%E3%83%B3%E3%83%88%E3%83%AD%E3%83%94%E3%83%BC","updated":1789147074,"position":[12.8477,-69.502,32.6489],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.68367,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a0ad011a53d001ce2a677","weight":0.68367,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1bf35236a0b0025bc9671","weight":0.20205,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633ad3e4bc89600245bf4e3","weight":0.08867,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a646196d4acaf850c3c9122","source":"NextResearch","title":"情報閉包","excerpt":"情報閉包（Information Closure / Informational Closure）とは、システム、ネットワーク、または論理的なフレームワーク論において、情報がある特定の境界の内部だけで循環し、外部と完全に遮断されている、あるいは外部からの新しい情報によってその状態が変化しない性質や状態を指します。分野によって使われ方やニュアンスが異なります。主な3つの文脈と言語化は以下の通りです。1. システム論・サイバネティックスにおける情報閉包生物システムや複雑系科学において、システムが自己維持するために必要な性質として扱われます。自己基準性: システムが外部の生データをそのまま受け取るのではなく、自身の内部ルールに従って情報を変換・処理すること。環境との境界: 外部環境から物理的な影響は受けても、情報（意味や解釈）の処理はシステム内部で完結している状態（オートポイエーシス理論に近い概念）。2. 認知科学・社会学における情報閉包個人や集団の認知の歪み、あるいは社会現象を説明する際に用いられます。エコーチェンバー現象: 自分と同じ意見や情報だけが循環し、異論が排除されることで、特定の信念が強化される状態。認知の閉鎖性: 外部からの客観的な事実や反証を受け入れず、内部のロジックだけで世界のすべてを説明しようとする心理的傾向。3. 計算機科学・論理学における情報閉包データ処理や推論の","text":"情報閉包\n情報閉包（Information Closure / Informational Closure）とは、システム、ネットワーク、または論理的なフレームワーク論において、情報がある特定の境界の内部だけで循環し、外部と完全に遮断されている、あるいは外部からの新しい情報によってその状態が変化しない性質や状態を指します。分野によって使われ方やニュアンスが異なります。主な3つの文脈と言語化は以下の通りです。1. システム論・サイバネティックスにおける情報閉包生物システムや複雑系科学において、システムが自己維持するために必要な性質として扱われます。自己基準性: システムが外部の生データをそのまま受け取るのではなく、自身の内部ルールに従って情報を変換・処理すること。環境との境界: 外部環境から物理的な影響は受けても、情報（意味や解釈）の処理はシステム内部で完結している状態（オートポイエーシス理論に近い概念）。2. 認知科学・社会学における情報閉包個人や集団の認知の歪み、あるいは社会現象を説明する際に用いられます。エコーチェンバー現象: 自分と同じ意見や情報だけが循環し、異論が排除されることで、特定の信念が強化される状態。認知の閉鎖性: 外部からの客観的な事実や反証を受け入れず、内部のロジックだけで世界のすべてを説明しようとする心理的傾向。3. 計算機科学・論理学における情報閉包データ処理や推論の規則において用いられる厳密な概念です。演算の閉じている性質（Closure）: ある集合の中の情報に対して特定の操作や推論を行ったとき、その結果得られる新しい情報も必ず同じ集合の中に含まれるという性質。\n\n1. 意識の情報閉包理論（神経科学・認知科学）神経科学者である金井良太氏らが提唱した、意識のメカニズムを情報理論で説明する仮説です。本質: システム（脳など）の中で、外部環境からの情報や過去の記憶などが特定の境界（情報閉包）によって区切られ、自己完結したまとまりを持つときに意識が生じるとする考え方。非自明な情報閉包 (NTIC): 理論の中核となる概念で、システム内部の情報処理が外界から独立しており、かつ複雑な情報統合（非自明なループや処理）が行われている状態を指します。このNTICがゼロでないシステムは、意識を持つと仮定されています。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E6%83%85%E5%A0%B1%E9%96%89%E5%8C%85","updated":1789147097,"position":[2.1227,-71.6962,10.1113],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":1.0,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a64617849a7a944940c35f8","weight":1.0,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a64641e49a7a944940c366d","source":"NextResearch","title":"leaky mind","excerpt":"A leaky mind refers to a state of cognition where boundaries between thoughts, ideas, and emotions blur, sometimes used positively for creative innovation or negatively to describe lack of mental focus and boundaries.","text":"leaky mind\nA leaky mind refers to a state of cognition where boundaries between thoughts, ideas, and emotions blur, sometimes used positively for creative innovation or negatively to describe lack of mental focus and boundaries.\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/leaky%20mind","updated":1784964136,"position":[-7.0938,101.9512,2.1304],"cluster":"c13","subgroup":"c13.01","degree":5,"referenceDegree":0,"maxSimilarity":0.24061,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686b3012a2a41e4dd7058b4a","weight":0.24061,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c6689f04004d6d2b376e1","weight":0.19594,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67bedd76d501c9ed095d1bc9","weight":0.13588,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6541ed7f53e4cc001b8afba5","weight":0.12987,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f2f5004f819b001c6a9fc4","weight":0.08765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a646435e0a419850769fd65","source":"NextResearch","title":"boids","excerpt":"ボイド（Boids）モデルとは、1987年にクレイグ・レイノルズ（Craig Reynolds）によって考案された、鳥や魚などの群れの動きをシミュレーションする人工生命プログラムです。リーダーがいない状態でも、各個体が周囲の状況だけを判断して動くことで、全体として自然で複雑な群れを形成します。","text":"boids\nボイド（Boids）モデルとは、1987年にクレイグ・レイノルズ（Craig Reynolds）によって考案された、鳥や魚などの群れの動きをシミュレーションする人工生命プログラムです。リーダーがいない状態でも、各個体が周囲の状況だけを判断して動くことで、全体として自然で複雑な群れを形成します。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/boids","updated":1784964176,"position":[51.6879,-36.6257,1.8876],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.17809,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.17809,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c074f7db498c5c1921690","weight":0.09552,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a64646a2d62ede30fb15b4b","source":"NextResearch","title":"ニューハウスの定理","excerpt":"（Newhouse's theorem）は、力学系理論において、微分可能な写像（特に2次元以上の空間における微分同相写像）が「無限個のシンク（安定な周期点）」または「無限個のソース」を持つための条件を数学的に証明した重要な定理です。","text":"ニューハウスの定理\n（Newhouse's theorem）は、力学系理論において、微分可能な写像（特に2次元以上の空間における微分同相写像）が「無限個のシンク（安定な周期点）」または「無限個のソース」を持つための条件を数学的に証明した重要な定理です。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%8B%E3%83%A5%E3%83%BC%E3%83%8F%E3%82%A6%E3%82%B9%E3%81%AE%E5%AE%9A%E7%90%86","updated":1784964222,"position":[51.4387,-51.9587,32.9249],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.13201,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c640eb0c64a4001b672696","weight":0.13201,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67bed948e463b39a6c7630a1","weight":0.0937,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68edf15932f359f96ef2c9bc","weight":0.0921,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a6497cfccd7c877044682d1","source":"NextResearch","title":"カオスの「記述不安定性（Descriptive Instability）」","excerpt":"カオスの「記述不安定性（Descriptive Instability）」は、カオス系が自身の構造を正確かつ完全に記述しきれないという限界を指します。これは、カオスが持つ「予測不可能性」と「スケールの分離不可能性」に起因しており、自己言及のパラドックス的な性質を含んでいます。","text":"カオスの「記述不安定性（Descriptive Instability）」\nカオスの「記述不安定性（Descriptive Instability）」は、カオス系が自身の構造を正確かつ完全に記述しきれないという限界を指します。これは、カオスが持つ「予測不可能性」と「スケールの分離不可能性」に起因しており、自己言及のパラドックス的な性質を含んでいます。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E3%82%AB%E3%82%AA%E3%82%B9%E3%81%AE%E3%80%8C%E8%A8%98%E8%BF%B0%E4%B8%8D%E5%AE%89%E5%AE%9A%E6%80%A7%EF%BC%88Descriptive%20Instability%EF%BC%89%E3%80%8D","updated":1789147027,"position":[16.4596,-68.8847,-0.3653],"cluster":"c03","subgroup":"c03.01","degree":9,"referenceDegree":0,"maxSimilarity":0.1332,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a4cc943abdb6f0e8ffcc","weight":0.1332,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fc673460f8604fee5e96f","weight":0.13099,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e3001dd09ec1fb2fce4d","weight":0.13098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e71d90f853002347f36f","weight":0.11402,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4a8f69c2a455680206c","weight":0.1043,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2f6604f819b001c6aa9a4","weight":0.09802,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4f148758422d3695c5f","weight":0.09607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e9f18cb5e80022b0a3cd","weight":0.08864,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a6497f253e59a8bccd2bfe4","source":"NextResearch","title":"テイラー・クエット装置","excerpt":"テイラー・クエット装置は、二重の円筒の間に液体を満たし、内側の円筒を回すことで流れや渦を観察する実験器具です。主な特徴として、テイラー渦の発生、乱流への移行、連続混合への応用が挙げられます。","text":"テイラー・クエット装置\nテイラー・クエット装置は、二重の円筒の間に液体を満たし、内側の円筒を回すことで流れや渦を観察する実験器具です。主な特徴として、テイラー渦の発生、乱流への移行、連続混合への応用が挙げられます。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%86%E3%82%A4%E3%83%A9%E3%83%BC%E3%83%BB%E3%82%AF%E3%82%A8%E3%83%83%E3%83%88%E8%A3%85%E7%BD%AE","updated":1784977418,"position":[16.6779,-68.9661,-1.6138],"cluster":"c03","subgroup":"c03.01","degree":3,"referenceDegree":0,"maxSimilarity":0.99573,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6465ca1e946c73349f0e15","weight":0.99573,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9f36723c3cdf9bf0e582f","weight":0.28614,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e71d90f853002347f36f","weight":0.09616,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a6498272157f5101c1d40c9","source":"NextResearch","title":"チャイティンのΩ","excerpt":"言語","text":"チャイティンのΩ\n言語\nウォッチリストに追加\n編集\nチャイティンの定数（チャイティンのていすう、英: Chaitin's constant）は、計算機科学の一分野であるアルゴリズム情報理論の概念で、非形式的に言えば無作為に選択されたプログラムが停止する確率を表した実数である。グレゴリー・チャイティンの研究から生まれた。停止確率（ていしかくりつ、英: Halting probability）とも。\n\n停止確率は無限に多数存在するが、Ω という文字でそれらをあたかも1つであるかのように表すのが普通である。Ω はプログラムを符号化する方式に依存するので、符号化方式を特定せずに議論する場合は Chaitin's construction と呼ぶことがある。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E3%83%81%E3%83%A3%E3%82%A4%E3%83%86%E3%82%A3%E3%83%B3%E3%81%AE%CE%A9","updated":1789146910,"position":[-5.5088,-10.5704,-1.6792],"cluster":"c11","subgroup":"c11.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07981,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a64984b8b79bbd37ec6f466","source":"NextResearch","title":"ビジービーバー関数","excerpt":"ビジービーバー（英：busy beaver）とは、計算可能性理論で扱われるある種のチューリングマシンである。この名称は「仕事人間」を意味する英語の慣用句に由来する。ビジービーバーは空のテープから処理を開始し、可能な限り走り続けるが、最終的には停止する。これは停止するチューリングマシンのクラスが消費し得る時間と領域（テープ）の長さの上限を与える。","text":"ビジービーバー関数\nビジービーバー（英：busy beaver）とは、計算可能性理論で扱われるある種のチューリングマシンである。この名称は「仕事人間」を意味する英語の慣用句に由来する。ビジービーバーは空のテープから処理を開始し、可能な限り走り続けるが、最終的には停止する。これは停止するチューリングマシンのクラスが消費し得る時間と領域（テープ）の長さの上限を与える。\n\nビジービーバー関数はこの上限を数値化するものであり、計算不能関数の一例でもある。この関数はいかなる計算可能関数よりも急速に増大するということを証明できる。ビジービーバー関数の概念は、ティボール・ラドー（英語版）による1962年の論文 \"On Non-Computable Functions\" の中で、「ビジービーバー・ゲーム」という名称で初めて導入された。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E3%83%93%E3%82%B8%E3%83%BC%E3%83%93%E3%83%BC%E3%83%90%E3%83%BC%E9%96%A2%E6%95%B0","updated":1789146882,"position":[33.0545,42.2067,12.39],"cluster":"c17","subgroup":"c17.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1085,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c509c1e80d4d0026de7c91","weight":0.1085,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a6498723da0b343cad5d69b","source":"NextResearch","title":"Class 4 Rule 54","excerpt":"refers to Elementary Cellular Automaton Rule 54, a famous complex system showing Class 4 behavior (a mix of order and chaos) with moving gliders and local patterns.Overview of Rule 54Type: One-dimensional elementary cellular automaton.Behavior Class: Class 4 (complex, complex localized structures, soliton-like collisions).Interactions: Supports gliders, particle collisions, and background patterns similar to Rule 110.","text":"Class 4 Rule 54 \nrefers to Elementary Cellular Automaton Rule 54, a famous complex system showing Class 4 behavior (a mix of order and chaos) with moving gliders and local patterns.Overview of Rule 54Type: One-dimensional elementary cellular automaton.Behavior Class: Class 4 (complex, complex localized structures, soliton-like collisions).Interactions: Supports gliders, particle collisions, and background patterns similar to Rule 110.\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/Class%204%20Rule%2054","updated":1789146850,"position":[4.9446,58.6492,67.3399],"cluster":"c08","subgroup":"c08.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08943,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686bba30e855419f6250f74c","weight":0.08943,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a6498bcb3df4c9da5d30685","source":"NextResearch","title":"alva noto auto rec","excerpt":"https://noton.info/product/n-019/","text":"alva noto auto rec\nhttps://noton.info/product/n-019/\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/alva%20noto%20auto%20rec","updated":1784977637,"position":[4.4448,101.5191,-53.9695],"cluster":"c33","subgroup":"c33.01","degree":3,"referenceDegree":0,"maxSimilarity":0.29539,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6429804b82cd51001be65096","weight":0.29539,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6874ac339e41f828fe64c172","weight":0.21572,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc4a3c3292856d4dbfa4b","weight":0.19975,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a7523ed0b20fe7bdc16d406","source":"NextResearch","title":"spectro metry","excerpt":"https://github.com/ec175/spectrometry_public","text":"spectro metry\nhttps://github.com/ec175/spectrometry_public\n[https://scrapbox.io/files/6a752451d393133856ec8335.png]\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/spectro%20metry","updated":1789146785,"position":[-59.2577,16.1175,-126.0062],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a76c34f15588c9e1c75cfd9","source":"NextResearch","title":"valhalla shimmer","excerpt":"https://valhalladsp.com/shop/reverb/valhalla-shimmer/?srsltid=AfmBOoogztfLV2A1NucHYuzpk4znPrYzhF1uDYn944MNsNJEcz3xhcox","text":"valhalla shimmer\nhttps://valhalladsp.com/shop/reverb/valhalla-shimmer/?srsltid=AfmBOoogztfLV2A1NucHYuzpk4znPrYzhF1uDYn944MNsNJEcz3xhcox\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/valhalla%20shimmer","updated":1786168158,"position":[19.3381,88.7971,-0.3057],"cluster":"c22","subgroup":"c22.01","degree":2,"referenceDegree":0,"maxSimilarity":1.0,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a76c6017e17b63d700994da","weight":1.0,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695128c9ecb9d429b302b2c3","weight":0.20469,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a76c586a206fa8485294724","source":"NextResearch","title":"sonic water","excerpt":"http://www.sonicwater.org/sonicwater.html","text":"sonic water\nhttp://www.sonicwater.org/sonicwater.html\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/sonic%20water","updated":1786168717,"position":[0.4861,17.1996,12.8177],"cluster":"c07","subgroup":"c07.01","degree":8,"referenceDegree":0,"maxSimilarity":1.0,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a76c60943b135a19547376b","weight":1.0,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580063966acf0002ddcd739","weight":0.29899,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4dbf040d71b1503a6d9d","weight":0.26079,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e48e91b0ddb001d180009","weight":0.25236,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bc52ffa4b4ba54e61aa81","weight":0.23851,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68d7315755599e99fb68dd24","weight":0.21944,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cf2b4ebebe9bf41eb85d","weight":0.13449,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce092c3779b8001b7351df","weight":0.10242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a8d29ac87586726dcbf06d1","source":"NextResearch","title":"確証バイアス","excerpt":"確証バイアスとは、認知バイアスの一種で、自身の先入観や意見を肯定するため、それを支持する情報のみを集め、反証する情報は無視または排除する心理作用をいいます。","text":"確証バイアス\n確証バイアスとは、認知バイアスの一種で、自身の先入観や意見を肯定するため、それを支持する情報のみを集め、反証する情報は無視または排除する心理作用をいいます。\n\n確証バイアスがかかるのはビジネスの場面だけに限定されず、SNSや政治、医療など日常生活のあらゆる場面において起こりうる心理作用の１つです。\n\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E7%A2%BA%E8%A8%BC%E3%83%90%E3%82%A4%E3%82%A2%E3%82%B9","updated":1787636177,"position":[-22.3454,20.9919,-123.451],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04108,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6a8d29f50c09441d8069a511","source":"NextResearch","title":"拘束条件充足ネットワーク","excerpt":"（Constraint Satisfaction Network）は、人工知能や計算機科学において、複数の制約を満たす解を見つけるためのネットワークモデルです。 概要構成要素：変数、変数の値の範囲（ドメイン）、変数間の制約関係の3つ。表現方法：変数を「ノード（点）」、制約を「エッジ（線）」とするグラフ構造で表す。目的：すべての制約を同時に満たす変数の組み合わせ（解）を求める。代表的なネットワークモデルCPN（Constraint Posting Network）：柔軟に制約を追加・変更するモデル。ボルツマンマシン：確率的に状態を変化させ、制約を最大化するニューラルネットワーク。ホップフィールドネットワーク：エネルギー関数が最小となる状態（解）に収束するモデル。🛠 具体的な応用例数独・クロスワード：マス目の数字や文字の重複ルールを制約とする。地図の色分け：隣り合う地域に同じ色を塗らないという制約。時間割・シフト作成：部屋の空き状況や勤務希望を考慮したスケジュール調整","text":"拘束条件充足ネットワーク\n（Constraint Satisfaction Network）は、人工知能や計算機科学において、複数の制約を満たす解を見つけるためのネットワークモデルです。 概要構成要素：変数、変数の値の範囲（ドメイン）、変数間の制約関係の3つ。表現方法：変数を「ノード（点）」、制約を「エッジ（線）」とするグラフ構造で表す。目的：すべての制約を同時に満たす変数の組み合わせ（解）を求める。代表的なネットワークモデルCPN（Constraint Posting Network）：柔軟に制約を追加・変更するモデル。ボルツマンマシン：確率的に状態を変化させ、制約を最大化するニューラルネットワーク。ホップフィールドネットワーク：エネルギー関数が最小となる状態（解）に収束するモデル。🛠 具体的な応用例数独・クロスワード：マス目の数字や文字の重複ルールを制約とする。地図の色分け：隣り合う地域に同じ色を塗らないという制約。時間割・シフト作成：部屋の空き状況や勤務希望を考慮したスケジュール調整\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E6%8B%98%E6%9D%9F%E6%9D%A1%E4%BB%B6%E5%85%85%E8%B6%B3%E3%83%8D%E3%83%83%E3%83%88%E3%83%AF%E3%83%BC%E3%82%AF","updated":1787636258,"position":[33.0613,40.0141,14.7362],"cluster":"c17","subgroup":"c17.01","degree":6,"referenceDegree":0,"maxSimilarity":0.21441,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6559a5dda0e111001ce3978a","weight":0.21441,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65d79f571b9001b5fbb6c","weight":0.16772,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e56805f01d0e5db9bb34","weight":0.12797,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a70aca29410026635aec","weight":0.12574,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662f6c4f910a0a002435b8ea","weight":0.10974,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd1065fdd8f002556baf7","weight":0.1044,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a8d2a39fece2833f6a8d0d1","source":"NextResearch","title":"身体化された認知科学","excerpt":"（しんたいかされたにんちかがく、英:Embodied cognitive science）は学際的な研究分野・認知科学であり、その目的は知的行動の根底にあるメカニズムを説明することである。","text":"身体化された認知科学\n（しんたいかされたにんちかがく、英:Embodied cognitive science）は学際的な研究分野・認知科学であり、その目的は知的行動の根底にあるメカニズムを説明することである。\n\nそれは、心理学的および生物学的システムを、精神と身体を一つの実体として考える全体的な方法でモデル化すること、知的行動の一般原則の共通セットを形成すること、そして制御された環境におけるロボット・エージェントの実験的使用である。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E8%BA%AB%E4%BD%93%E5%8C%96%E3%81%95%E3%82%8C%E3%81%9F%E8%AA%8D%E7%9F%A5%E7%A7%91%E5%AD%A6","updated":1787636306,"position":[-19.6265,-5.8057,0.9778],"cluster":"c11","subgroup":"c11.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08157,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"NextResearch:6a8d2a6a63b3a1076a99c4f1","source":"NextResearch","title":"意思決定場理論","excerpt":"意思決定場理論（Decision Field Theory: DFT）は、人間が時間をかけて迷いながら選択肢を選ぶプロセスを数学的に説明した動的な認知モデルです。従来の経済学理論とは異なり、意思決定の「結果」だけでなく、「選ぶまでの時間（反応時間）」や「心の移り変わり」も予測できます。 核心となる考え方人間は頭の中で、各選択肢のメリットとデメリットを何度も交互に思い浮かべ、評価を少しずつ蓄積（サンプリング）していきます。選好度（Preference）の変動: 時間の経過とともに、頭の中で特定の肢への傾き（選好度）が波のように上下します。閾値（しきいち）の突破: 蓄積された選好度が、あらかじめ自分の中で設定した「境界線（閾値）」に最初に達した瞬間に、その選択肢に決定します。","text":"意思決定場理論\n意思決定場理論（Decision Field Theory: DFT）は、人間が時間をかけて迷いながら選択肢を選ぶプロセスを数学的に説明した動的な認知モデルです。従来の経済学理論とは異なり、意思決定の「結果」だけでなく、「選ぶまでの時間（反応時間）」や「心の移り変わり」も予測できます。 核心となる考え方人間は頭の中で、各選択肢のメリットとデメリットを何度も交互に思い浮かべ、評価を少しずつ蓄積（サンプリング）していきます。選好度（Preference）の変動: 時間の経過とともに、頭の中で特定の肢への傾き（選好度）が波のように上下します。閾値（しきいち）の突破: 蓄積された選好度が、あらかじめ自分の中で設定した「境界線（閾値）」に最初に達した瞬間に、その選択肢に決定します。\n#list\n","tags":["list"],"links":["list"],"url":"https://scrapbox.io/NextResearch/%E6%84%8F%E6%80%9D%E6%B1%BA%E5%AE%9A%E5%A0%B4%E7%90%86%E8%AB%96","updated":1789146658,"position":[22.2089,-68.064,20.1725],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09607,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64d0b467869b59001ce2a4d1","weight":0.09607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a8d2ac40c09441d8069a613","source":"NextResearch","title":"スフマート（Sfumato）","excerpt":"とは、イタリア語で「煙のように消えていく」という意味を持ち、色彩と陰影の境目をぼかして輪郭線をなくす絵画技法です。レオナルド・ダ・ヴィンチが極めたことで知られ、代表作『モナ・リザ』の目元や口元の微妙な表情を生み出しています。特徴と効果輪郭線がない：現実の物体に明確な線がないように、線ではなくグラデーションで立体感を表現します。滑らかな階調：色と色の境目が分からないほど僅かに色を混ぜ合わせ、光と影を馴染ませます。空気感と生命感：まるで煙や大気に包まれているような柔らかさと、生きているかのような肌の質感を演出します。技法の仕組み薄い層の多重塗り：油絵の具を半透明のニス状にして、何度も何層も薄く塗り重ねます。光の反射：何層もの薄い色彩層を光が透過し、表面で反射することで、独特の透明感が生まれます。","text":"スフマート（Sfumato）\nとは、イタリア語で「煙のように消えていく」という意味を持ち、色彩と陰影の境目をぼかして輪郭線をなくす絵画技法です。レオナルド・ダ・ヴィンチが極めたことで知られ、代表作『モナ・リザ』の目元や口元の微妙な表情を生み出しています。特徴と効果輪郭線がない：現実の物体に明確な線がないように、線ではなくグラデーションで立体感を表現します。滑らかな階調：色と色の境目が分からないほど僅かに色を混ぜ合わせ、光と影を馴染ませます。空気感と生命感：まるで煙や大気に包まれているような柔らかさと、生きているかのような肌の質感を演出します。技法の仕組み薄い層の多重塗り：油絵の具を半透明のニス状にして、何度も何層も薄く塗り重ねます。光の反射：何層もの薄い色彩層を光が透過し、表面で反射することで、独特の透明感が生まれます。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%B9%E3%83%95%E3%83%9E%E3%83%BC%E3%83%88%EF%BC%88Sfumato%EF%BC%89","updated":1787636435,"position":[-53.3991,-33.4922,-22.9437],"cluster":"c32","subgroup":"c32.01","degree":2,"referenceDegree":0,"maxSimilarity":0.55217,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a60a7268a97e631d33407e3","weight":0.55217,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf621f5932db002632c98f","weight":0.15962,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a95bc8588b3e0390fac6081","source":"NextResearch","title":"李禹煥(イ・ウファン)とその仲間たちⅡ - ビル・ヴィオラ：遭遇","excerpt":"https://www.busan.go.kr/jpn/bsevents/1459971","text":"李禹煥(イ・ウファン)とその仲間たちⅡ - ビル・ヴィオラ：遭遇\nhttps://www.busan.go.kr/jpn/bsevents/1459971\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E6%9D%8E%E7%A6%B9%E7%85%A5%28%E3%82%A4%E3%83%BB%E3%82%A6%E3%83%95%E3%82%A1%E3%83%B3%29%E3%81%A8%E3%81%9D%E3%81%AE%E4%BB%B2%E9%96%93%E3%81%9F%E3%81%A1%E2%85%A1%20-%20%E3%83%93%E3%83%AB%E3%83%BB%E3%83%B4%E3%82%A3%E3%82%AA%E3%83%A9%EF%BC%9A%E9%81%AD%E9%81%87","updated":1788198051,"position":[4.6288,-78.6163,34.7862],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.21737,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6083f484c2cb711751b373","weight":0.21737,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cc94594e39d002379a19b","weight":0.11357,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6a9f944dd013345507e10dd0","source":"NextResearch","title":"Linea Research","excerpt":"https://esfactory.co.jp/products/linea-research/714-48m.html","text":"Linea Research\nhttps://esfactory.co.jp/products/linea-research/714-48m.html\nESF\n8チャンネル DSP内蔵 ツアーリング パワーアンプ\n【特徴】\n\n・業界最高水準の音質を誇る4in 8out クラスDパワーアンプ\n\n・独自の高精度96kHzデジタル・シグナル・プロセッシング\n\n・洗練された設計のスイッチング電源\n\n・オートセンシングPSU 85V〜240V対応\n\n・トータル出力3,000W〜20,000W RMS\n\n・フル・フロントパネル・インターフェース\n\n・イーサネットによるネットワーク制御\n\n・アナログ入力、AES3デジタル入力を標準搭載\n\nオプションで　Dante, AES67に対応可能\n\n・コントロールソフトウェア経由で\n\n48kHz、96kHzの FIRファイルに対応\n\n・パワフルなグルーピング&マルチレイヤーEQ\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/Linea%20Research","updated":1788843110,"position":[-4.4304,84.4854,70.1388],"cluster":"c19","subgroup":"c19.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1231,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65bfd393868ce5002411ef02","weight":0.1231,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6aaac476c45860462e1221c1","source":"NextResearch","title":"monom berlin spacial audio","excerpt":"https://www.monomsound.com","text":"monom berlin spacial audio\nhttps://www.monomsound.com\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/monom%20berlin%20spacial%20audio","updated":1789576354,"position":[-8.4605,127.4259,26.1952],"cluster":"c29","subgroup":"c29.01","degree":19,"referenceDegree":0,"maxSimilarity":0.58195,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6916e8c65b3ac140aa7452fa","weight":0.58195,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:685130bc22b2e5a8b43b0916","weight":0.52086,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cdbae72f3e9867ab8a31","weight":0.52086,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a05be7ad10e4231db334d1b","weight":0.50637,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a61842831e01a921b822922","weight":0.47409,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69043f1e477788b7417cb6e1","weight":0.46078,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f16d32ddebc88efbc1ccb","weight":0.35482,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:694fc2e3e1939d7e08daa541","weight":0.35358,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6ac4a3c31d11b636d7cb5a29","source":"NextResearch","title":"カオイド","excerpt":"「カオイド」（Chaoid）には、文脈に応じて主に以下の2つの意味があります。","text":"カオイド\n「カオイド」（Chaoid）には、文脈に応じて主に以下の2つの意味があります。\n1. 現代哲学（ジル・ドゥルーズの思想）における概念\nフランスの哲学者ジル・ドゥルーズとフェリックス・ガタリが、その共著『哲学とは何か』などで提示した概念です。「カオス（混沌）から生まれてきたもの」を意味し、混沌とした世界（カオス）を人間が感覚・組織化できるように落とし込んだ「芸術作品」や「科学的・哲学的概念」そのものを指します。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AB%E3%82%AA%E3%82%A4%E3%83%89","updated":1791271903,"position":[16.1199,-68.6827,1.0639],"cluster":"c03","subgroup":"c03.01","degree":6,"referenceDegree":0,"maxSimilarity":0.27647,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a2e59bf713d6659b1ac880e","weight":0.27647,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf65b8987090002351c5d5","weight":0.18646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789434fe0c60caa3c664963","weight":0.16647,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4a8f69c2a455680206c","weight":0.10373,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69fc42a27d1d1f9a75801a27","weight":0.10141,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac67a09ea8da5f8a7cf166d","weight":0.09931,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6ac4a401a152cc578f88cddb","source":"NextResearch","title":"交截平面（こうせつへいめん）","excerpt":"交截平面（こうせつへいめん）とは、立体や図形、あるいは他の面と交わる（交截する）平面的図形や断面、あるいは交差する平面的な領域のことです。数学や幾何学においては、立体（円錐や円柱など）を切断する「切断面（截平面）」の意味として用いられます。","text":"交截平面（こうせつへいめん）\n交截平面（こうせつへいめん）とは、立体や図形、あるいは他の面と交わる（交截する）平面的図形や断面、あるいは交差する平面的な領域のことです。数学や幾何学においては、立体（円錐や円柱など）を切断する「切断面（截平面）」の意味として用いられます。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E4%BA%A4%E6%88%AA%E5%B9%B3%E9%9D%A2%EF%BC%88%E3%81%93%E3%81%86%E3%81%9B%E3%81%A4%E3%81%B8%E3%81%84%E3%82%81%E3%82%93%EF%BC%89","updated":1791271954,"position":[1.6748,-74.1473,36.8234],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.16277,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a479f08eeded787cda6a","weight":0.16277,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6ac4a44460c7409e3d3bb112","source":"NextResearch","title":"共立性","excerpt":"「共立性（きょうりつせい）」とは、一般的に複数の事柄や性質が、矛盾することなく同時に成り立つことを意味します。","text":"共立性　\n「共立性（きょうりつせい）」とは、一般的に複数の事柄や性質が、矛盾することなく同時に成り立つことを意味します。\n特にデザインや工学の分野（人間工学）においては、「操作の方向」と「表示・反応の方向」が、人間の自然な期待や感覚と一致していること（空間的共立性や概念的共立性など）を指します。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%85%B1%E7%AB%8B%E6%80%A7","updated":1791272029,"position":[1.774,-74.2901,36.8393],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.27405,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a479f08eeded787cda6a","weight":0.27405,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6ac4a479f08eeded787cda6a","source":"NextResearch","title":"共立性平面","excerpt":"共立性平面（Coplanar Plane / 共面）とは、数学や幾何学において、複数の点や直線がすべて「同一の平面上」に存在している状態を指します。","text":"共立性平面\n共立性平面（Coplanar Plane / 共面）とは、数学や幾何学において、複数の点や直線がすべて「同一の平面上」に存在している状態を指します。\n主な特徴と条件は以下の通りです。\n1. 点の共立性（共面条件）\n• 3つの点：空間内の任意の3点は、常に1つの平面を決定するため、必ず共立（共面）します。\n• 4つ以上の点：4点（A, B, C, D）が同じ平面上にあるかどうかは、ベクトルを用いて判定します。ベクトル \\(\\vec{AB}\\), \\(\\vec{AC}\\), \\(\\vec{AD}\\) のスカラー三重積が 0 になる場合、これらの4点は共立しています。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E5%85%B1%E7%AB%8B%E6%80%A7%E5%B9%B3%E9%9D%A2","updated":1791272080,"position":[1.7522,-74.591,36.7972],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.27405,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a44460c7409e3d3bb112","weight":0.27405,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a401a152cc578f88cddb","weight":0.16277,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a559a40ca8a9001bf336fe","weight":0.14116,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6ac4a4a8f69c2a455680206c","source":"NextResearch","title":"カオス　無限速度","excerpt":"「カオス」と「無限速度」の組み合わせは、主にカオス理論（決定論的カオス）、物理学（力学系）、またはフィクション・哲学的な概念においていくつかの異なる文脈で語られます。","text":"カオス　無限速度\n「カオス」と「無限速度」の組み合わせは、主にカオス理論（決定論的カオス）、物理学（力学系）、またはフィクション・哲学的な概念においていくつかの異なる文脈で語られます。\n具体的な文脈に応じて、主に以下の3つの意味が考えられます。\n1. カオス理論における「初期値鋭敏性」（バタフライ効果）\nカオス理論において、速度が「無限」に感じられるほど高速に変化する現象として軌道の拡散速度があります。\n• 指数関数的な変化: カオス系では、最初のほんのわずかな違い（初期値の差）が、時間の経過とともに指数関数的な速度（無限に近い猛スピード）で拡大します。\n• 予測不能性: この拡散速度があまりにも速いため、未来の状態を予測することが事実上不可能（カオス状態）になります。\n2. 相空間（トポロジー）における「エルゴード性」\n統計力学や力学系において、カオス的な運動は「相空間（状態を表す空間）」のすべての場所を埋め尽くすように動きます。\n• 無限の経路: カオス的な軌道は、限られた空間の中を無限に複雑に折れ曲がりながら進みます。\n• 実質的な無限速度: 空間全体に一瞬で拡散していくように見えるその性質（エルゴード性や混合性）を、比喩的に「無限の速度で混沌が広がる」と表現することがあります。\n3. 量子カオスや宇宙論（物理学的限界）\n物理的な実際の「速度」に焦点を当てる場合、アインシュタインの相対性理論により現実の物質が無限の速度（光速以上）に達することはありません。\n• しかし、量子もつれ（非局所性）の連鎖や、宇宙初期のインフレーション（急膨張）による時空のカオス的変化においては、光速を超える（あるいは一瞬で全体に波及する）ような「無限速度」を思わせる超高速の変動が議論されることがあります。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AB%E3%82%AA%E3%82%B9%E3%80%80%E7%84%A1%E9%99%90%E9%80%9F%E5%BA%A6","updated":1791272119,"position":[16.593,-68.8634,0.392],"cluster":"c03","subgroup":"c03.01","degree":9,"referenceDegree":0,"maxSimilarity":0.20068,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a4cc943abdb6f0e8ffcc","weight":0.20068,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5eab73af249002221afca","weight":0.15374,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4f148758422d3695c5f","weight":0.15242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65bf684a720f900026bcded8","weight":0.13482,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2f6604f819b001c6aa9a4","weight":0.13235,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0bef525602001ce57c18","weight":0.12761,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789434fe0c60caa3c664963","weight":0.10542,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a6497cfccd7c877044682d1","weight":0.1043,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6ac4a4cc943abdb6f0e8ffcc","source":"NextResearch","title":"カオス　有界性","excerpt":"カオス理論における有界性（ゆうかいせい）とは、系の状態（軌跡）が位相空間の有限な領域に留まり続け、無限大に発散しない性質のことです。","text":"カオス　有界性\nカオス理論における有界性（ゆうかいせい）とは、系の状態（軌跡）が位相空間の有限な領域に留まり続け、無限大に発散しない性質のことです。\nカオスにおける有界性の重要性\n• 発散の防止: 初期値鋭敏性によって軌道が不規則に大きく引き離されても、空間全体へ無限に飛び去ることはありません。\n• カオスの必要条件: 単に不規則で予測不可能なだけで変数が発散してしまう現象はカオスとはみなされず、有限な範囲内で彷徨い続ける有界性が必須となります。\n• ストレンジアトラクター: 有界性があるため、軌道は特定の限定された複雑な構造（アトラクター）の周囲に閉じ込められ、美しいフラクタル図形を描きます。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AB%E3%82%AA%E3%82%B9%E3%80%80%E6%9C%89%E7%95%8C%E6%80%A7","updated":1791272156,"position":[16.8037,-68.8848,0.2231],"cluster":"c03","subgroup":"c03.01","degree":9,"referenceDegree":0,"maxSimilarity":0.25856,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a0bef525602001ce57c18","weight":0.25856,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2690d24048001cf526e8","weight":0.20843,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4a8f69c2a455680206c","weight":0.20068,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4f148758422d3695c5f","weight":0.17976,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5eab73af249002221afca","weight":0.15666,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2f6604f819b001c6aa9a4","weight":0.155,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a6497cfccd7c877044682d1","weight":0.1332,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789434fe0c60caa3c664963","weight":0.12132,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6ac4a4f148758422d3695c5f","source":"NextResearch","title":"カオス　初期値鋭敏性","excerpt":"カオスの初期値鋭敏性とは、最初の状態（初期値）がほんのわずかに違うだけで、時間が経つにつれてその後の結果が大きく変わってしまう性質のことです。","text":"カオス　初期値鋭敏性\nカオスの初期値鋭敏性とは、最初の状態（初期値）がほんのわずかに違うだけで、時間が経つにつれてその後の結果が大きく変わってしまう性質のことです。\n初期値鋭敏性の特徴\n• バタフライ効果：「蝶が羽ばたく程度の微小な空気の乱れが、遠く離れた場所の台風などの気象に大きな影響を与える」という例えで有名です。\n• 長期予測の不可能性：物理法則などによって将来が完全に決まっている（決定論的）システムであっても、最初のわずかな測定誤差が時間とともに急激に拡大するため、遠い未来を正確に予測できなくなります。\n• 身近な例：天気予報（数日先は当たるが、数週間先は予測が困難）、二重振り子の不規則な動きなど。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%82%AB%E3%82%AA%E3%82%B9%E3%80%80%E5%88%9D%E6%9C%9F%E5%80%A4%E9%8B%AD%E6%95%8F%E6%80%A7","updated":1791272199,"position":[16.5766,-68.8953,0.2593],"cluster":"c03","subgroup":"c03.01","degree":6,"referenceDegree":0,"maxSimilarity":0.17976,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a4cc943abdb6f0e8ffcc","weight":0.17976,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5eab73af249002221afca","weight":0.1596,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4a8f69c2a455680206c","weight":0.15242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a6497cfccd7c877044682d1","weight":0.09607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2f6604f819b001c6aa9a4","weight":0.09462,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789434fe0c60caa3c664963","weight":0.08578,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6ac4a571f69c2a455680209e","source":"NextResearch","title":"マルコフ連鎖","excerpt":"マルコフ連鎖とは、未来の状態が「現在の状態」のみによって決まり、過去の履歴には左右されないという確率モデルのことです。","text":"マルコフ連鎖\nマルコフ連鎖とは、未来の状態が「現在の状態」のみによって決まり、過去の履歴には左右されないという確率モデルのことです。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%9E%E3%83%AB%E3%82%B3%E3%83%95%E9%80%A3%E9%8E%96","updated":1791272316,"position":[-18.363,-13.6522,-18.96],"cluster":"c11","subgroup":"c11.01","degree":4,"referenceDegree":0,"maxSimilarity":0.65203,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b41446a305b001ca69dcd","weight":0.65203,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c6580103e53e001c8bf7de","weight":0.21894,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499aa67ea038f001c24a74a","weight":0.18463,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582d59f3863190023d0adf9","weight":0.15914,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6ac4a58d00151c4bcab05f20","source":"NextResearch","title":"篩 ふるい","excerpt":"「篩（ふるい）」とは、粉粒状の固体から粒子を大きさや性質ごとに選別・分離するための器具や機械のことです。","text":"篩 ふるい\n「篩（ふるい）」とは、粉粒状の固体から粒子を大きさや性質ごとに選別・分離するための器具や機械のことです。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E7%AF%A9%20%E3%81%B5%E3%82%8B%E3%81%84","updated":1791272365,"position":[-51.3945,45.3669,-124.04],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04676,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6ac4a5beeddefeb1b33fe162","source":"NextResearch","title":"間隙 かんげき","excerpt":"間隙の読み方は「かんげき」です。物と物の空間的・時間的なすきまや、人間関係の不和を意味します。","text":"間隙 かんげき\n間隙の読み方は「かんげき」です。物と物の空間的・時間的なすきまや、人間関係の不和を意味します。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E9%96%93%E9%9A%99%20%E3%81%8B%E3%82%93%E3%81%92%E3%81%8D","updated":1791272401,"position":[9.7067,-57.3082,24.2265],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08707,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69799f8cfecbb0701b67ebd5","weight":0.08707,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6ac4a5e072880c77a0e40470","source":"NextResearch","title":"襞（ひだ）","excerpt":"「襞（ひだ）」とは、衣服や布地などに作った細長い折り目や、細かなしわのことです。","text":"襞（ひだ）\n「襞（ひだ）」とは、衣服や布地などに作った細長い折り目や、細かなしわのことです。","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E8%A5%9E%EF%BC%88%E3%81%B2%E3%81%A0%EF%BC%89","updated":1791272435,"position":[-67.2641,45.6599,-135.5944],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05777,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"NextResearch:6ac67a09ea8da5f8a7cf166d","source":"NextResearch","title":"プラトニズムの転倒","excerpt":"プラトニズムの転倒とは、フランスの哲学者ジル・ドゥルーズが主唱した、プラトン主義の根本的な秩序を逆転させる思想のことです。","text":"プラトニズムの転倒\nプラトニズムの転倒とは、フランスの哲学者ジル・ドゥルーズが主唱した、プラトン主義の根本的な秩序を逆転させる思想のことです。\nプラトニズムの基本構造\n• イデアの優位: プラトンは、目に見える現実の世界（感性的世界）を「イデア（真実の原型）」の不完全なコピー（模像）と考えました。\n• 序列の固定: 原型である「モデル（コピー）」と、そこから劣った「似て非なるもの（シミュラークル＝悪しき幻影）」を厳格に区別し、真理や同一性を上位に置きました。\nドゥルーズによる「転倒」\n• シミュラクルの解放: 原型と模像という固定された序列を解体し、コピーのコピーであり秩序に従わない「シミュラークル（似姿）」そのものの肯定へ向かいます。\n• 差異の優位: 「AはAである」という同一性を大前提とする思考を否定し、同一性に還元できない「純粋な差異」や「生成（変化し続けること）」を存在の第一原理に据えます。\n• 思考の変革: 決まりきった道徳や理性の枠組みではなく、感性的な「徴（しるし）・強度」との激しい遭遇によって、思考を強制される状態を作り出すことを指します。\nもしよろしければ、以下についてもお話しできます：\n• 『差異と反復』における具体的な議論の流れ\n• 「シミュラークル」が持つ芸術や現代思想への影響","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%97%E3%83%A9%E3%83%88%E3%83%8B%E3%82%BA%E3%83%A0%E3%81%AE%E8%BB%A2%E5%80%92","updated":1791392285,"position":[15.5516,-68.7351,1.6591],"cluster":"c03","subgroup":"c03.01","degree":5,"referenceDegree":0,"maxSimilarity":0.13405,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559ef6a9f5cc5001b7fac92","weight":0.13405,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a2e59bf713d6659b1ac880e","weight":0.11336,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a3c31d11b636d7cb5a29","weight":0.09931,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789428006e76298a0fb65a0","weight":0.0952,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf4a5d2889ef385d4b594","weight":0.08642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"NextResearch:6ac67a4c5dc12a323161b885","source":"NextResearch","title":"リーマン空間","excerpt":"リーマン空間（一般にはリーマン多様体と呼ばれる）とは、局所的に平坦なユークリッド空間と似た性質を持ちながら、全体として曲がり具合（曲率）を持つ滑らかな空間のことです。ドイツの数学者ベルンハルト・リーマンによって基礎づけられました。","text":"リーマン空間\nリーマン空間（一般にはリーマン多様体と呼ばれる）とは、局所的に平坦なユークリッド空間と似た性質を持ちながら、全体として曲がり具合（曲率）を持つ滑らかな空間のことです。ドイツの数学者ベルンハルト・リーマンによって基礎づけられました。\n","tags":[],"links":[],"url":"https://scrapbox.io/NextResearch/%E3%83%AA%E3%83%BC%E3%83%9E%E3%83%B3%E7%A9%BA%E9%96%93","updated":1791392343,"position":[-21.1193,-17.0987,-21.0496],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12962,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d3fb7eb66cf90026613b1f","weight":0.12962,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a607e304fcb0fe1a472cddf","source":"Test-Object","title":"24時間 蝋燭","excerpt":"https://item.rakuten.co.jp/akaritokaori/akari-131-12/","text":"24時間 蝋燭\nhttps://item.rakuten.co.jp/akaritokaori/akari-131-12/\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/24%E6%99%82%E9%96%93%20%E8%9D%8B%E7%87%AD","updated":1784708674,"position":[30.8301,-61.5162,-37.8699],"cluster":"c26","subgroup":"c26.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12241,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64f40eef50b368001ca3b59d","weight":0.12241,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659393f1cd595d002588f415","weight":0.08533,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a607ecebd0f8b8fa44c2c67","source":"Test-Object","title":"Airborne Newscasts","excerpt":"Relational Architecture 20","text":"Airborne Newscasts\nRelational Architecture 20\n[https://vimeo.com/932161555?fl=pl&fe=sh]\n\n\n\"Airborne Newscasts\" (Relational Architecture 20) is an interactive shadow play originally commissioned by the Chrysler Museum of Art to transform Norfolk’s public space. Participants block the light of two projectors casting their shadows on a 900 sqm wall, and these are tracked by computerized surveillance systems. Out of the shadows emanate billowing smoke which is mapped onto the wall and accumulates in it. Turbulent clouds of text evaporate from the “heat” of the tracked bodies. The text are live news cables from Reuters, Agencia EFE, Notimex, AlterNet, AP and other sources.  \n  \nThe opening of the project in Norfolk was just a couple of days after the Boston Marathon Bombing and out of respect for the victims the newscasts were replaced with poetry from salient authors such as John Ashbery, Kathy Acker, Wallace Stevens, Cedar Sigo, Adrian Matejka, Nicole Brossard, William Blake and others.\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/Airborne%20Newscasts","updated":1784708883,"position":[10.3346,53.8234,58.6345],"cluster":"c08","subgroup":"c08.01","degree":7,"referenceDegree":0,"maxSimilarity":0.14949,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6080cafdeca11bd570e9c8","weight":0.14949,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b112f7e2f3a15abaf9baf5","weight":0.13507,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6081bc1f3d691b08c1d850","weight":0.12967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a60820a04b272411f87912b","weight":0.11844,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6951294160ffbfb41e0380d6","weight":0.1084,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:649943fce03d5c001b29fc57","weight":0.09696,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a60806b291a988d1cce1d43","weight":0.09152,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a607f29d1d19549b14148b1","source":"Test-Object","title":"ATELIERLOZANO-HEMMER","excerpt":"https://www.lozano-hemmer.com/","text":"ATELIERLOZANO-HEMMER\n[https://scrapbox.io/files/6a607f3ac66da3b7e87e0cf6.png]\n\nhttps://www.lozano-hemmer.com/\n\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/ATELIERLOZANO-HEMMER","updated":1784708926,"position":[-73.8021,8.5737,-141.0736],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"Test-Object:6a607f4ccfae424082330a91","source":"Test-Object","title":"ダ・ヴィンチ 影の投射に関する研究","excerpt":"[https://scrapbox.io/files/6a607f4fc66da3b7e87e0d1e.png]","text":"ダ・ヴィンチ 影の投射に関する研究\n[https://scrapbox.io/files/6a607f4fc66da3b7e87e0d1e.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E3%83%80%E3%83%BB%E3%83%B4%E3%82%A3%E3%83%B3%E3%83%81%20%E5%BD%B1%E3%81%AE%E6%8A%95%E5%B0%84%E3%81%AB%E9%96%A2%E3%81%99%E3%82%8B%E7%A0%94%E7%A9%B6","updated":1784708966,"position":[-59.8193,-33.4096,-19.9957],"cluster":"c32","subgroup":"c32.01","degree":5,"referenceDegree":0,"maxSimilarity":0.25009,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65921366c4344f00236c1844","weight":0.25009,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf621f5932db002632c98f","weight":0.14822,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a60a7268a97e631d33407e3","weight":0.10355,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499ac3de03d5c001b311a3e","weight":0.09198,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67612a88025958f0e456d2df","weight":0.08938,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a607f768a97e631d333f646","source":"Test-Object","title":"リッピ 受胎告知","excerpt":"影","text":"リッピ 受胎告知 \n影\n[https://scrapbox.io/files/6a607f7ac66da3b7e87e0d6c.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E3%83%AA%E3%83%83%E3%83%94%20%E5%8F%97%E8%83%8E%E5%91%8A%E7%9F%A5","updated":1784709015,"position":[72.5191,-13.6263,22.7616],"cluster":"c23","subgroup":"c23.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10169,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c50a9ae80d4d0026de817c","weight":0.10169,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580077fc48041002355f4a4","weight":0.09295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a60806b291a988d1cce1d43","source":"Test-Object","title":"Body Movies","excerpt":"[https://youtu.be/ENyOj26hmH0?si=9ZLKgpHtGJPndfmQ]","text":"Body Movies\n[https://youtu.be/ENyOj26hmH0?si=9ZLKgpHtGJPndfmQ]\n\nhttps://www.lozano-hemmer.com/body_movies.php\n\"Body Movies\" transforms public space with interactive projections measuring between 400 and 1,800 square metres. Thousands of photographic portraits, previously taken on the streets of the host city, are shown using robotically controlled projectors. However, the portraits only appear inside the projected shadows of the passers-by, whose silhouettes can measure between two and twenty-five metres depending on how close or far away they are from the powerful light sources positioned on the ground. A video surveillance tracking system triggers new portraits when all the existing ones have been revealed, inviting the public to occupy new narratives of representation.  \n  \nSamuel van Hoogstraten's engraving \"The Shadow Dance\" (Rotterdam, 1675) is the main source of inspiration for this work. Body Movies attempts to misuse technologies of the spectacular so they can evoke a sense of intimacy and complicity instead of provoking distance, euphoria, catharsis, obedience or awe.","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/Body%20Movies","updated":1784709275,"position":[5.8685,57.9301,57.9774],"cluster":"c08","subgroup":"c08.01","degree":3,"referenceDegree":0,"maxSimilarity":0.20575,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686bba30e855419f6250f74c","weight":0.20575,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bc1ed66b8619c7ec74ea1","weight":0.16777,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a607ecebd0f8b8fa44c2c67","weight":0.09152,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a6080aa60cfb9dee5fcd389","source":"Test-Object","title":"Exploring Kara Walker’s Radical Use of Silhouettes Art21","excerpt":"[https://www.youtube.com/watch?v=nrKIGL5ZWNk]","text":"Exploring Kara Walker’s Radical Use of Silhouettes Art21\n[https://www.youtube.com/watch?v=nrKIGL5ZWNk]\n\nArt21 proudly presents an artist segment, featuring Kara Walker, from the \"Stories\" episode in Season 2 of the \"Art in the Twenty-First Century\" series. \"Stories\" premiered in September 2003 on PBS. “The illusion is that most of my work is simply about past events, a point in history and nothing else,” says Kara Walker about her subversive use of the traditional silhouette technique. The segment traces the evolution of Walker’s work, from time spent in the studio to the artist’s recent installations of projected light. Kara Walker was born in Stockton, California, in 1969. \n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/Exploring%20Kara%20Walker%E2%80%99s%20Radical%20Use%20of%20Silhouettes%20Art21","updated":1784709306,"position":[8.535,63.9241,54.4437],"cluster":"c16","subgroup":"c16.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07807,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"Test-Object:6a6080cafdeca11bd570e9c8","source":"Test-Object","title":"Frequency and Volume","excerpt":"[https://vimeo.com/108721117?fl=pl&fe=sh]","text":"Frequency and Volume\n[https://vimeo.com/108721117?fl=pl&fe=sh]\n\nRelational Architecture 9\nhttps://www.lozano-hemmer.com/frequency_and_volume.php\n“Frequency and Volume” (Relational Architecture 9) enables participants to tune into and listen to different radio frequencies by using their own bodies. A computerized tracking system detects participants' shadows, which are projected on a wall of the exhibition space. The shadows scan the radio waves with their presence and position, while their size controls the volume of the signal. The piece can tune into any frequency between 150 kHz and 1.5 GHz, including air traffic control, FM, AM, short wave, cellular, CB, satellite, wireless telecommunication systems and radio navigation. Up to forty-eight frequencies can be tuned simultaneously and the resulting sound environment forms a composition controlled by people's movements. This piece visualizes the radioelectric spectrum and turns the human body into an antenna. All the receiver equipment used and antennae are exhibited in an adjacent room.  \n  \nThe project was developed at a time when the Mexican Government was very active in shutting down informal or \"pirate\" radio stations in indigenous communities in the states of Chiapas and Guerrero. The question \"who has access to the public space that is the radioelectric spectrum\" is one that deserves attention and visualization tools not just in Mexico but also here in the developed world, where there is a remarkable assymmetry in the assignation of frequencies only to government or corporate interests to the detriment of community-building, experimental or artistic uses of the spectrum. This project was inspired by the \"Manifesto for Antenna-Man\" and the radio poetry experiments by the Mexican estridentista artists in the 1920s.","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/Frequency%20and%20Volume","updated":1784709379,"position":[11.9585,51.4186,60.5945],"cluster":"c08","subgroup":"c08.01","degree":7,"referenceDegree":0,"maxSimilarity":0.14949,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a607ecebd0f8b8fa44c2c67","weight":0.14949,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65cbdebfbba001c2699ee","weight":0.12594,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a60820a04b272411f87912b","weight":0.09924,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b112f7e2f3a15abaf9baf5","weight":0.09755,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582a9eda411e0002fdbbf02","weight":0.09354,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68027ac4c1a5ee9879f6dd9d","weight":0.08915,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb5f47644fd31759611a4","weight":0.08659,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a60811def2bbd102775c487","source":"Test-Object","title":"gpt-session","excerpt":"chat: 影と音空間の再定義","text":"gpt-session\nchat: 影と音空間の再定義\nもちろん。添付資料と阿部さんとのやり取りを踏まえると、今回の核心はかなり明確です。\n**制作テーマの核は「影を、単なる視覚効果ではなく、自己認識・空間認識・音響フィードバック・テクノロジー史をつなぐメディアとして再定義すること」**だと思います。\n資料を読む上で重要そうな軸は、まずこの4つです。\n 1. 影の歴史・思想\nプラトンの洞窟、キリスト教絵画、演劇、映画、アニメーション、ドッペルゲンガーまで、影は「実体の代理」「他者化された自己」「不可視なものの可視化」として扱われてきた。特に資料では、影が単独で発展したというより、映画・アニメーション・インタラクティブアートなど新しい技術の登場ごとに意味を更新してきた点が強調されています。\n 2. メディアアートにおける影\n初期インタラクティブアートでは、影は身体の最も直感的な入力データとして使われました。つまり、影は「身体性」と「映像処理」をつなぐ原始的かつ強力なインターフェースです。資料では、ロサノ＝ヘメルが影を単なる視覚効果ではなく、社会批評や公共空間の読解に結びつけた点が重要視されています。\n 3. ShadowUp / SU の技術的特徴\nShadowUpは、ライトアップではなく「影を立体的に浮かび上がらせる」体験です。独自のStereoLightと3Dグラスにより、左右の目に異なる影像を与え、影・反射光・透過光を空間内に立体的に結像させる仕組みになっています。\n特に面白いのは、据置型ライト、手持ちライト、コースティクス、ミラーボール、ロボットアームなど、影を「固定された像」ではなく「動く・触れる・探す・変形する空間現象」として扱える点です。\n 4. 今後の作品案に接続できるポイント\n阿部さんとの話に出ていた、ブーレーズ／IRCAM／リアルタイムフィードバック、40Hz共振、洞窟・儀式、スペクトル、空間音響を合わせると、かなり強い方向性は以下です。\n影を入力、音を応答、空間を記憶媒体として扱う作品。\nつまり、鑑賞者やオブジェクトの影を3Dマッピングし、その形・濃度・スケール・揺らぎを音響パラメータに変換する。さらに空間自体の共振周波数や40Hz近傍の音響刺激を外部因子として入れ、影と音が相互に変化するフィードバックループを作る。\n特に資料の総括では、ShadowUpを国際的なアートとして発展させるには、単なるシャドウプレイではなく、社会的意味・批評性・AI／データサイエンスとの接続が必要だとされています。\nここはかなり重要で、Keigoさんの研究・制作と接続するなら、**「影の美しさ」だけでなく、「影による自己認識の変調」「空間音響による身体状態の変化」「AIによる影と音の解釈」**まで持っていくと強いです。\n次にやるべきことは、資料を\n①リファレンス史 ②技術仕様 ③作品コンセプト ④実装案 ⑤阿部さんへの次回提案資料\nの5章に分けて、プレゼン用に整理するのが良いです。\n[\n](file:///Users/keigoyoshida/Desktop/Abe-san/%E5%BD%B1/%E5%BD%B1%E3%81%AE%E6%AD%B4%E5%8F%B2.pdf)\n影を入力、音を応答、空間を記憶媒体として扱う作品。 つまり、鑑賞者やオブジェクトの影を3Dマッピングし、その形・濃度・スケール・揺らぎを音響パラメータに変換する。さらに空間自体の共振周波数や40Hz近傍の音響刺激を外部因子として入れ、影と音が相互に変化するフィードバックループを作る。これってすでにやられてる研究や作品がないかできる限り調べて\n思考時間: 1m 0s\n調べた限り、完全に同じ構成＝「影の3Dマッピング → 音響応答 → 空間共振/40Hz → フィードバックループ」まで一体化した代表的作品・研究は、まだ見当たりません。\nただし、かなり近い先行事例はいくつかあります。\n一番近いのは Rafael Lozano-Hemmer《Frequency and Volume》2003 です。参加者の影をトラッキングし、影の位置で無線周波数をスキャンし、影の大きさで音量を制御する作品です。つまり「影＝音響/周波数操作のインターフェース」はすでにあります。最大48周波数を同時に鳴らし、身体の動きで音環境が構成されると説明されています。\n次に近いのが、日本の研究/作品 《sonodial》 です。これはKinectで参加者の3D形状を取得し、人工的な影を生成・投影し、その動きでグラニュラーシンセシスの音響パラメータを変化させるインタラクティブ・サウンドインスタレーションです。ここは「3D取得された身体 → 影 → 音生成」という点でかなり近いです。\nまた、David Rokeby《Very Nervous System》 は影そのものではないですが、身体運動をリアルタイムに音楽へ変換する古典的先行例です。身体の位置や動きが多層的な音へ変換されるため、「身体/空間を楽器化する」系譜として重要です。\n影を公共空間・記憶・他者性に接続する例としては、Lozano-Hemmerの 《Body Movies》2001 も重要です。通行人の巨大な影の中に、その都市で撮影されたポートレートが現れる作品で、影を「他者の記憶を映す媒体」として使っています。\n40Hzや洞窟共振については、注意が必要です。古代遺跡・洞窟の音響研究では、マルタのĦal Saflieni Hypogeumなどで90–120Hz付近の共振が多く報告されており、40Hzそのものが古代洞窟で中心的に実証されているわけではなさそうです。\n一方で、40Hz感覚刺激が脳のガンマリズムやアルツハイマー研究で注目されているのは事実で、MIT系の研究では40Hz光・音刺激の神経科学的効果が継続的に研究されています。\nなので結論としては、要素ごとの先行例はあるが、Keigoさん案の独自性は十分あります。\n特に新しいのは、単なる「影で音を鳴らす」ではなく、\n影を3Dデータ化し、音響生成へ変換し、さらに空間の共振周波数や40Hz刺激を“外部因子”としてフィードバックループに入れること。\nこれは、Lozano-Hemmer系の影/公共空間、Rokeby系の身体-音響インタラクション、sonodial系の人工影サウンド、考古音響/神経音響を統合する形で、かなり強い提案にできると思います。chat\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/gpt-session","updated":1784709410,"position":[13.6539,-42.16,41.3869],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07948,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"Test-Object:6a60812f5623c4ad08e248ef","source":"Test-Object","title":"Hünengrab im Herbst (ca.1820)","excerpt":"[https://scrapbox.io/files/6a608142c66da3b7e87e11de.png]","text":"Hünengrab im Herbst (ca.1820)\n[https://scrapbox.io/files/6a608142c66da3b7e87e11de.png]\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/H%C3%BCnengrab%20im%20Herbst%20%28ca.1820%29","updated":1784709455,"position":[-66.1426,31.3393,-113.0035],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05185,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"Test-Object:6a60815f1900d0bc3abcd1b8","source":"Test-Object","title":"Life, Death and Andy Warhol","excerpt":"[https://www.youtube.com/watch?v=DjgoQOWp26g]","text":"Life, Death and Andy Warhol\n[https://www.youtube.com/watch?v=DjgoQOWp26g]\n\nIn the mid-1980s, Andy Warhol’s public interest in death and mortality collided with his private Catholic faith. In this episode of Expert Voices, learn how his scrapbook of old adverts and illustrations inspired a series of monochrome works called Ads, Myths and Illustrations and discover the story behind works such as ‘Repent and Sin No More! (Negative)’, which is available for immediate purchase through Sotheby’s Private Sales where you will also find a number of other works by the artist.\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/Life%2C%20Death%20and%20Andy%20Warhol","updated":1784709482,"position":[22.2682,120.942,67.7612],"cluster":"c31","subgroup":"c31.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12644,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659e703b1d546d0024a1e2f4","weight":0.12644,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b30ccf86c325629309002","weight":0.11772,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:685138a518661a07bd7261c3","weight":0.09112,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a608177f611caaf0586ebaf","source":"Test-Object","title":"sonodial","excerpt":"https://cir.nii.ac.jp/crid/1390001204464291456","text":"sonodial\n[https://scrapbox.io/files/6a6082dfc66da3b7e87e14fb.png]\n\nhttps://cir.nii.ac.jp/crid/1390001204464291456\n\n[https://scrapbox.io/files/6a6081a7c66da3b7e87e1299.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/sonodial","updated":1784709860,"position":[-62.2795,1.2487,-101.9774],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.01964,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"Test-Object:6a6081bc1f3d691b08c1d850","source":"Test-Object","title":"Two Origins","excerpt":"Relational Architecture 7","text":"Two Origins \nRelational Architecture 7\nhttps://www.ycam.jp/asset/pdf/press-release/2003/amodal-suspension_en.pdf\n“Two Origins” (Relational Architecture 7) is an intervention in which the emblematic Place du Capitole in Toulouse was transformed by a projection of The Book of Two Origins, a 13th-century heretical manuscript compiling the theological beliefs of the dualist cathars. Once a vibrant community in several regions of Europe, the believers in the two origins of the Universe were virtually annihilated by the brutal crusades that gave birth to the Inquisition and France's expansion. The texts are illegible since they are projected overlapping each other on the same façade from two distant projectors; only when passers-by block one text with their bodies is it possible to read the other text inside their shadow.  \nTwo Origins attempts to connect disparate planes of experience, inviting people to discover texts that have been covered-up by history and intolerance.  \nReferences for this work include research into the \"minor histories\" that characterise European trends of pluralism and dissent.","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/Two%20Origins","updated":1784709622,"position":[12.3601,53.2591,58.0676],"cluster":"c08","subgroup":"c08.01","degree":4,"referenceDegree":0,"maxSimilarity":0.14389,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69b112f7e2f3a15abaf9baf5","weight":0.14389,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a607ecebd0f8b8fa44c2c67","weight":0.12967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6951294160ffbfb41e0380d6","weight":0.11548,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:649943fce03d5c001b29fc57","weight":0.10329,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a60820a04b272411f87912b","source":"Test-Object","title":"Vectorial Elevation","excerpt":"Relational Architecture 4","text":"Vectorial Elevation\nRelational Architecture 4\nhttps://www.lozano-hemmer.com/vectorial_elevation.php\n\n\"Vectorial Elevation\" (Relational Architecture 4) is an interactive art project originally designed to celebrate the arrival of the year 2000 in Mexico City's Zócalo Square. The website(http://www.alzado.net/) enabled any Internet user to design light sculptures over the city's historic centre, with eighteen searchlights positioned around the square. These searchlights, whose powerful beams could be seen within a 15 kilometres radius, were controlled by an online 3D simulation program and visualized by digital cameras. A personalized webpage was produced for every participant with images of their design and information such as their name, dedication, place of access and comments. These web pages were completely uncensored, allowing participants to leave a wide variety of messages, including love poems, football scores, Zapatista slogans and twenty-seven marriage proposals. In Mexico, the project attracted 800,000 participants from 89 countries over the course of its two-week duration.  \n  \nVectorial Elevation alludes to Sol LeWitt's \"art of instructions\" as well as László Moholy-Nagy's paintings by telephone in 1922. Another precedent was the teleoperation of the Lindbergh searchlight in Los Angeles in 1928, activated when President Coolidge pressed a telegraph key at his desk at the White House.","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/Vectorial%20Elevation","updated":1784709693,"position":[11.7185,52.1081,58.5813],"cluster":"c08","subgroup":"c08.01","degree":5,"referenceDegree":0,"maxSimilarity":0.23849,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:669cc275d32fc6001c3745f4","weight":0.23849,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b112f7e2f3a15abaf9baf5","weight":0.12146,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a607ecebd0f8b8fa44c2c67","weight":0.11844,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6080cafdeca11bd570e9c8","weight":0.09924,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6951294160ffbfb41e0380d6","weight":0.09748,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a60824ca0b96a217f424f1e","source":"Test-Object","title":"William Kentridge","excerpt":"[https://youtu.be/cdKkmSqYTE8?si=9DmqWMP4vbO2K7AK]","text":"William Kentridge\n[https://youtu.be/cdKkmSqYTE8?si=9DmqWMP4vbO2K7AK]\n\nDrawing Lesson One: In Praise of Shadows\n\nWilliam Kentridge presented the Charles Eliot Norton Lectures in 2012, entitled “Six Drawing Lessons.” Incorporating elements of graphic design and ranging freely from discussions of Plato’s cave to the Enlightenment’s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms—and deceptions—through which we construct meaning in the world.","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/William%20Kentridge","updated":1784709728,"position":[-15.1354,87.9813,32.0425],"cluster":"c16","subgroup":"c16.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09589,"lowEvidence":false,"neighbors":[{"id":"NextResearch:695122d53c8a7c22146d537b","weight":0.09589,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a608268d1a7749894b1010a","source":"Test-Object","title":"クリスチャンボルタンスキー 影 1986","excerpt":"https://www.echigo-tsumari.jp/art/artwork/thtre_dombres_theatre_of_shadows/","text":"クリスチャンボルタンスキー 影 1986\n[https://scrapbox.io/files/6a608277c66da3b7e87e1420.png]\n\nhttps://www.echigo-tsumari.jp/art/artwork/thtre_dombres_theatre_of_shadows/\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E3%82%AF%E3%83%AA%E3%82%B9%E3%83%81%E3%83%A3%E3%83%B3%E3%83%9C%E3%83%AB%E3%82%BF%E3%83%B3%E3%82%B9%E3%82%AD%E3%83%BC%20%E5%BD%B1%201986","updated":1784709758,"position":[-18.5109,-12.6332,-17.8457],"cluster":"c11","subgroup":"c11.01","degree":3,"referenceDegree":0,"maxSimilarity":0.16351,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:657fffbcb8646200238d9d4f","weight":0.16351,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee19901baf80025e26aa3","weight":0.13035,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582d59f3863190023d0adf9","weight":0.1204,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a60828d1dc91b36cd1d21dc","source":"Test-Object","title":"ブーレーズ論文","excerpt":"[https://scrapbox.io/files/6a6082c0c66da3b7e87e14b6.png]","text":"ブーレーズ論文 \n[https://scrapbox.io/files/6a6082c0c66da3b7e87e14b6.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E3%83%96%E3%83%BC%E3%83%AC%E3%83%BC%E3%82%BA%E8%AB%96%E6%96%87","updated":1784709829,"position":[-49.6805,-67.9991,-61.7028],"cluster":"c44","subgroup":"c44.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0852,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a215f467cd2d002399cfa5","weight":0.0852,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a6082f21e5aa6c5d8303307","source":"Test-Object","title":"支石墓","excerpt":"支石墓（しせきぼ）は、ドルメンともいい、[新石器時代 https://ja.wikipedia.org/wiki/%E6%96%B0%E7%9F%B3%E5%99%A8%E6%99%82%E4%BB%A3]から初期[金属器時代 https://ja.wikipedia.org/wiki/%E9%87%91%E5%B1%9E%E5%99%A8%E6%99%82%E4%BB%A3?action=edit&redlink=1]にかけて、世界各地で見られる巨石墓の一種である。基礎となる支石を数個、埋葬地を囲うように並べ、その上に巨大な天井石を載せる形態をとる。","text":"支石墓\n[https://scrapbox.io/files/6a608301c66da3b7e87e1544.png]\n\n支石墓（しせきぼ）は、ドルメンともいい、[新石器時代 https://ja.wikipedia.org/wiki/%E6%96%B0%E7%9F%B3%E5%99%A8%E6%99%82%E4%BB%A3]から初期[金属器時代 https://ja.wikipedia.org/wiki/%E9%87%91%E5%B1%9E%E5%99%A8%E6%99%82%E4%BB%A3?action=edit&redlink=1]にかけて、世界各地で見られる巨石墓の一種である。基礎となる支石を数個、埋葬地を囲うように並べ、その上に巨大な天井石を載せる形態をとる。\n支石墓という形態がもっとも早く発祥したのは、西ヨーロッパではないかとと考えられている。しかし、西ヨーロッパの支石墓が世界各地へ伝播したのではなく、それぞれの社会発展状況に応じて、全く別個に世界の各地域で支石墓が発祥したとする見方が非常に有力となっている。\nドイツの[メクレンブルク https://ja.wikipedia.org/wiki/%E3%83%A1%E3%82%AF%E3%83%AC%E3%83%B3%E3%83%96%E3%83%AB%E3%82%AF%EF%BC%9D%E3%83%95%E3%82%A9%E3%82%A2%E3%83%9D%E3%83%B3%E3%83%A1%E3%83%AB%E3%83%B3%E5%B7%9E]や[ポモージェ https://ja.wikipedia.org/wiki/%E3%83%9D%E3%83%A2%E3%83%BC%E3%82%B8%E3%82%A7]では、都市や町の建設の際に、建築や道路の材料として墓の巨石が使われ、多くのドルメンが失われた。それでもヨーロッパには数千基のドルメンが現存しており、フランスに4000基、イギリスに2000基、ドイツのリューゲン島だけで1000基以上が残されている。\nヨーロッパにおける支石墓の主な作り手は、[ハプログループG2a (Y染色体) https://ja.wikipedia.org/wiki/%E3%83%8F%E3%83%97%E3%83%AD%E3%82%B0%E3%83%AB%E3%83%BC%E3%83%97G_(Y%E6%9F%93%E8%89%B2%E4%BD%93)]と考えられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E6%94%AF%E7%9F%B3%E5%A2%93","updated":1784709892,"position":[-33.6602,-71.3398,64.9856],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09144,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e326351c7d0c001c395248","weight":0.09144,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a60831763aa48e90d0885e3","source":"Test-Object","title":"身体化 ショーン・ギャラガー","excerpt":"「身体化」と「4E」、そして「ギャラ（ショーン・ギャラガー：Shaun Gallagher）」は、現代の認知科学・心の哲学における中核概念です。脳だけでなく、身体や環境が認知のプロセスにおいて不可欠な役割を果たすという考え方を示しています。 [[1 https://www.kinokuniya.co.jp/f/dsg-01-9784130101615], [2 https://note.com/harukaeru2011/n/nad0264674131]]","text":"身体化 ショーン・ギャラガー\n「身体化」と「4E」、そして「ギャラ（ショーン・ギャラガー：Shaun Gallagher）」は、現代の認知科学・心の哲学における中核概念です。脳だけでなく、身体や環境が認知のプロセスにおいて不可欠な役割を果たすという考え方を示しています。 [[1 https://www.kinokuniya.co.jp/f/dsg-01-9784130101615], [2 https://note.com/harukaeru2011/n/nad0264674131]]\nショーン・ギャラガー（Shaun Gallagher）が提唱・整理した「4E認知」は、認知を4つの「E」で構成されるアプローチとして捉えます： [[1 https://note.com/ichi_s_otsuki/n/nfe6e9452ae80]]\n Embodied（身体化された）: 認知は脳内だけでなく、身体の構造や感覚運動機能に深く根ざしているという考え方。 [[1 https://global.yamaha-motor.com/jp/design_technology/replay/article/column/03/], [2 https://www.kinokuniya.co.jp/f/dsg-01-9784130101615], [3 https://note.com/harukaeru2011/n/nad0264674131]]\n Embedded（埋め込まれた）: 私たちの認知は、物理的・社会的環境に「埋め込まれて」おり、環境との相互作用なしには機能しない。 [[1 https://www.kinokuniya.co.jp/f/dsg-01-9784130101615], [2 https://note.com/ichi_s_otsuki/n/nfe6e9452ae80]]\n Extended（拡張された）: 道具やスマートフォン、メモ帳などの外部環境も、認知プロセスの一部として機能や能力を拡張しているとする見方。 [[1 https://www.kinokuniya.co.jp/f/dsg-01-9784130101615], [2 https://note.com/ichi_s_otsuki/n/nfe6e9452ae80]]\n Enacted / Enactive（行為的）: 認知や知覚は、受動的な情報処理ではなく、環境へ積極的に働きかける「行為」そのものであるという考え方。\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E8%BA%AB%E4%BD%93%E5%8C%96%20%E3%82%B7%E3%83%A7%E3%83%BC%E3%83%B3%E3%83%BB%E3%82%AE%E3%83%A3%E3%83%A9%E3%82%AC%E3%83%BC","updated":1784709918,"position":[19.0326,-44.9093,-0.9995],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08157,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"Test-Object:6a608328fddd822392250ca3","source":"Test-Object","title":"磐船神社","excerpt":"https://www.iwafune-jinja.net/","text":"磐船神社\n[https://scrapbox.io/files/6a60834ac66da3b7e87e15dd.png]\n\nhttps://www.iwafune-jinja.net/\n日本神話に登場する「岩のように頑丈な船」や「空を飛ぶ神の乗り物」\n古事記・日本書紀）においては、天孫・饒速日命（にぎはやひのみこと）が高天原（天上界）から地上へ降り立つ際に乗った「天磐船（あまのいわふね）」として知られています。\n文字通り「岩でできた船」を指し、古代の書物では空を飛んで天と地を行き来する乗り物として描かれています。また、石棺（石で作られた棺）を意味する古語として使われることもあります。\n物部氏の遠祖神（とおつみおや）天孫饒速日命をお祀りする神社です。\n天の磐船を御神体とする饒速日命降臨の聖地です。\n十種瑞宝鎮魂は日本の祈祷の根本であり、饒速日尊が天照大神より授かり伝えたものです 。\n自然・巨石信仰・天都神の降臨・仏教の伝来・神仏習合・神仏分離／日本の信仰の歴史を物語るお宮です。\n天照国照彦天火明櫛玉饒速日命（饒速日命）\n(あまてるくにてるひこあめのほあかりくしたまにぎはやひのみこと）\n古来より神道家や修験道の行場として知られ、多数の巨石が形作る岩窟は或るところは広い洞窟を成し、或るところは人一人がやっとくぐり抜けられるような狭い穴のようになっており、中には天野川が流れ込み急流となり岩を削り、特別な行法を知らない人でも岩窟巡りをするだけでも行になると言われる所です。この岩窟は拝観していただけます。昔のままの姿を保つため、必要最低限の安全措置ですので拝観者には次のような事を守っていただきます。\n1、行衣（しろたすき）着用の事（社務所で貸出）\n2、滑りやすい靴はわらぞうりに履き替えます（同上）\n3、年齢制限あり（１０歳以上７５歳未満）\n4、飲酒後は不可\n5、夜間、雨天時、増水時は拝観できません\n\n磐座・磨崖仏巡り\n巨石や奇石を神様の御霊の宿る、降臨されるものであるという日本人に昔から伝わる信仰。磨崖仏の多くは神が宿るとされるような岩に彫られていることが多い。\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E7%A3%90%E8%88%B9%E7%A5%9E%E7%A4%BE","updated":1784709968,"position":[-12.7732,-59.4597,44.5874],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07948,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"Test-Object:6a60835ebd3723f62126378e","source":"Test-Object","title":"ヴィクトル 影の歴史 解読","excerpt":"[https://scrapbox.io/files/6a60838dc66da3b7e87e16d5.png] [https://scrapbox.io/files/6a6083a4c66da3b7e87e1705.png]","text":"ヴィクトル 影の歴史 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理論の中核となる概念で、システム内部の情報処理が外界から独立しており、かつ複雑な情報統合（非自明なループや処理）が行われている状態を指します。このNTICがゼロでないシステムは、意識を持つと仮定されています。","text":"情報閉包\n\n1. 意識の情報閉包理論（神経科学・認知科学）神経科学者である金井良太氏らが提唱した、意識のメカニズムを情報理論で説明する仮説です。本質: システム（脳など）の中で、外部環境からの情報や過去の記憶などが特定の境界（情報閉包）によって区切られ、自己完結したまとまりを持つときに意識が生じるとする考え方。非自明な情報閉包 (NTIC): 理論の中核となる概念で、システム内部の情報処理が外界から独立しており、かつ複雑な情報統合（非自明なループや処理）が行われている状態を指します。このNTICがゼロでないシステムは、意識を持つと仮定されています。\n\n情報閉包（Information Closure / Informational Closure）とは、システム、ネットワーク、または論理的なフレームワーク論において、情報がある特定の境界の内部だけで循環し、外部と完全に遮断されている、あるいは外部からの新しい情報によってその状態が変化しない性質や状態を指します。分野によって使われ方やニュアンスが異なります。主な3つの文脈と言語化は以下の通りです。1. システム論・サイバネティックスにおける情報閉包生物システムや複雑系科学において、システムが自己維持するために必要な性質として扱われます。自己基準性: システムが外部の生データをそのまま受け取るのではなく、自身の内部ルールに従って情報を変換・処理すること。環境との境界: 外部環境から物理的な影響は受けても、情報（意味や解釈）の処理はシステム内部で完結している状態（オートポイエーシス理論に近い概念）。2. 認知科学・社会学における情報閉包個人や集団の認知の歪み、あるいは社会現象を説明する際に用いられます。エコーチェンバー現象: 自分と同じ意見や情報だけが循環し、異論が排除されることで、特定の信念が強化される状態。認知の閉鎖性: 外部からの客観的な事実や反証を受け入れず、内部のロジックだけで世界のすべてを説明しようとする心理的傾向。3. 計算機科学・論理学における情報閉包データ処理や推論の規則において用いられる厳密な概念です。演算の閉じている性質（Closure）: ある集合の中の情報に対して特定の操作や推論を行ったとき、その結果得られる新しい情報も必ず同じ集合の中に含まれるという性質。\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E6%83%85%E5%A0%B1%E9%96%89%E5%8C%85","updated":1784963539,"position":[2.1149,-71.6987,10.0143],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":1.0,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a646196d4acaf850c3c9122","weight":1.0,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a6465ca1e946c73349f0e15","source":"Test-Object","title":"テイラー・クエット装置","excerpt":"テイラー・クエット装置は、二重の円筒の間に液体を満たし、内側の円筒を回すことで流れや渦を観察する実験器具です。主な特徴として、テイラー渦の発生、乱流への移行、連続混合への応用が挙げられます。","text":"テイラー・クエット装置\nテイラー・クエット装置は、二重の円筒の間に液体を満たし、内側の円筒を回すことで流れや渦を観察する実験器具です。主な特徴として、テイラー渦の発生、乱流への移行、連続混合への応用が挙げられます。\n[https://scrapbox.io/files/6a6465f9c66da3b7e8852672.png]\n\nDescription Instability\nTakashi Ikegami, Keiichiro 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に従い、質量が100%純粋なエネルギー（光など）に変換されます。このエネルギー変換効率は核融合をも遥かに凌駕し、化学燃焼の約100億倍に達します\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E3%80%8C%E5%AF%BE%E6%B6%88%E6%BB%85%E3%80%8D%E7%89%A9%E8%B3%AA%E3%81%A8%E5%8F%8D%E7%89%A9%E8%B3%AA","updated":1785667498,"position":[-26.7246,-74.87,65.9555],"cluster":"c04","subgroup":"c04.01","degree":6,"referenceDegree":0,"maxSimilarity":0.24217,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65079fef7aa600001c4e41ac","weight":0.24217,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648afe99828df0001b38ee71","weight":0.15222,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af8f18163b20001c67ca02","weight":0.10927,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:654136c44c9563001c039c49","weight":0.1058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2b69f12dd2001db4df17","weight":0.09963,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6f1f8eaf8a29097300dca9","weight":0.09911,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a76b0a696c1c7623e3c473d","source":"Test-Object","title":"www.youtube.com/watch?v=It83KlZ61l0","excerpt":"[https://www.youtube.com/watch?v=It83KlZ61l0]","text":"Untitled\n[https://www.youtube.com/watch?v=It83KlZ61l0]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/www.youtube.com%2Fwatch%3Fv%3DIt83KlZ61l0","updated":1786163367,"position":[-71.083,25.3672,-147.4536],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19085,"lowEvidence":true,"neighbors":[{"id":"Test-Object:6a76b0dd8ecad8801e070ecc","weight":0.19085,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a76b0dd8ecad8801e070ecc","source":"Test-Object","title":"www.youtube.com/watch?v=N01NO22or-w","excerpt":"[https://www.youtube.com/watch?v=N01NO22or-w]","text":"www.youtube.com/watch?v=N01NO22or-w\n[https://www.youtube.com/watch?v=N01NO22or-w]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/www.youtube.com%2Fwatch%3Fv%3DN01NO22or-w","updated":1786163423,"position":[-69.2489,25.2679,-145.7261],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19085,"lowEvidence":true,"neighbors":[{"id":"Test-Object:6a76b0a696c1c7623e3c473d","weight":0.19085,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a76b7c38edf98dc0e9d875a","source":"Test-Object","title":"amadeus 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しちふくそくしょう）」とは、世の中の七つの災難がたちどころに消滅し、七つの幸福が生まれるという意味の仏教語\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E4%B8%83%E9%9B%A3%E5%8D%B3%E6%BB%85%20%E4%B8%83%E7%A6%8F%E5%8D%B3%E7%94%9F","updated":1786167991,"position":[-6.2724,-177.3126,12.1115],"cluster":"c37","subgroup":"c37.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05613,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"Test-Object:6a76c2deb0cf2961c636adef","source":"Test-Object","title":"功徳（くどく）","excerpt":"功徳（くどく）とは、現世や来世に幸福をもたらすもととなる善い行い、またはその行いによって身に付くすばらしい清らかな力や恵みのことです。仏教では「自ら積むもの」","text":"功徳（くどく）\n功徳（くどく）とは、現世や来世に幸福をもたらすもととなる善い行い、またはその行いによって身に付くすばらしい清らかな力や恵みのことです。仏教では「自ら積むもの」\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E5%8A%9F%E5%BE%B3%EF%BC%88%E3%81%8F%E3%81%A9%E3%81%8F%EF%BC%89","updated":1786168036,"position":[-37.8708,-3.1971,-132.3148],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06143,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"Test-Object:6a76c306cc64e78eac2d3b29","source":"Test-Object","title":"気韻生動","excerpt":"気韻生動（きいんせいどう）とは、絵画や書、文章などに、気高い品格と生き生きとした生命感が満ちあふれている様子を表す四字熟語です。中国の古い芸術論に由来し、東洋画において最も大切な心構えとされてきました。意味と由来気韻（きいん）：気品や、にじみ出るようなすばらしい雰囲気のこと。生動（せい動）：今にも動き出しそうなほど、生命力に満ちていること。由来：中国・南北朝時代の斉の画家である謝赫（しゃかく）が著した画論『古画品録（こがひんろく）』の中で、良い絵を描くための六つの基本ルール（画の六法）の第一番目として挙げたのが始まりです。","text":"気韻生動\n気韻生動（きいんせいどう）とは、絵画や書、文章などに、気高い品格と生き生きとした生命感が満ちあふれている様子を表す四字熟語です。中国の古い芸術論に由来し、東洋画において最も大切な心構えとされてきました。意味と由来気韻（きいん）：気品や、にじみ出るようなすばらしい雰囲気のこと。生動（せい動）：今にも動き出しそうなほど、生命力に満ちていること。由来：中国・南北朝時代の斉の画家である謝赫（しゃかく）が著した画論『古画品録（こがひんろく）』の中で、良い絵を描くための六つの基本ルール（画の六法）の第一番目として挙げたのが始まりです。\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E6%B0%97%E9%9F%BB%E7%94%9F%E5%8B%95","updated":1786168075,"position":[-28.4173,9.3517,-135.1403],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.55806,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:67b4413cd0577c603776c68c","weight":0.55806,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67b441d9035d0348ef68b4e7","weight":0.2196,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a76c6017e17b63d700994da","source":"Test-Object","title":"valhalla 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sonar\n[https://scrapbox.io/files/6a7d5ed6df81a13e549384d4.png]\n\n\nhttps://drive.google.com/file/d/1-svWgJ_3dA8KWlrJPliTyjvaSkFnm3Bd/view\n\n[https://www.youtube.com/watch?v=MOsaGXGAD6c]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/cotec%20space%20sonar","updated":1786601177,"position":[-10.2052,107.9363,4.2184],"cluster":"c13","subgroup":"c13.01","degree":12,"referenceDegree":0,"maxSimilarity":0.48006,"lowEvidence":false,"neighbors":[{"id":"NextResearch:674e971ff2a996507e477b96","weight":0.48006,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65e5d30a23d1870026c7652b","weight":0.46055,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67bf27d38596cb325f01bf8b","weight":0.34225,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c6689f04004d6d2b376e1","weight":0.34217,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb5f47644fd31759611a4","weight":0.31654,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69512132ebe9dc16ade76768","weight":0.3061,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e4780f3b507001cc35533","weight":0.29487,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ce15edf3151d001bf9daf2","weight":0.26407,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a85e157ee02a2b1658cae8b","source":"Test-Object","title":"milch 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cloud chamber carsten","excerpt":"[https://we-make-money-not-art.com/wp-content/uploads/2020/01/nebelkammer1.jpg]","text":"diffudion cloud chamber carsten\n[https://we-make-money-not-art.com/wp-content/uploads/2020/01/nebelkammer1.jpg]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/diffudion%20cloud%20chamber%20carsten","updated":1787158969,"position":[-9.1259,83.0411,32.2809],"cluster":"c16","subgroup":"c16.01","degree":4,"referenceDegree":0,"maxSimilarity":0.38915,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a85e157ee02a2b1658cae8b","weight":0.38915,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b113b10d59f994240fbe4d","weight":0.27548,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:641001ea67a0a2001bc4dcec","weight":0.25184,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:691045294e7e08b187c4ec2a","weight":0.11139,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"Test-Object:6a9d03e4a4321f1bfef12913","source":"Test-Object","title":"robot arm 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Bot\nhttps://www.switchbot.jp/?srsltid=AfmBOop5B5QX-w4tHpMb753qXyqyOsTlwNnWimQRZOAFsqhosBHbsivY\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/Switch%20Bot","updated":1788856131,"position":[-69.371,26.2378,-118.8117],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"Test-Object:6aba881eeb76c9b581ab59e7","source":"Test-Object","title":"デ・アーキテクチュラ　ウィトルウィウス","excerpt":"『デ・アーキテクチュラ』は、古代ローマの技術者であるウィトルウィウスによって著された、建築ほかの諸技術について書かれた10の論文である。皇帝アウグストゥスに捧げられた。『建築について』『建築論』、『建築十書』ともいう。 日本では森田慶一の翻訳が『ウィトルーウィウス建築書』として刊行されている","text":"デ・アーキテクチュラ　ウィトルウィウス\n『デ・アーキテクチュラ』は、古代ローマの技術者であるウィトルウィウスによって著された、建築ほかの諸技術について書かれた10の論文である。皇帝アウグストゥスに捧げられた。『建築について』『建築論』、『建築十書』ともいう。 日本では森田慶一の翻訳が『ウィトルーウィウス建築書』として刊行されている\n\n古代ローマの建築家ウィトルウィウスが著した『デ・アーキテクチュラ（De architectura / 建築十書）』の中には、実は「黄金比（1:1.618...）」という言葉や、その数理そのものは直接登場しません。しかし、本書が提唱した「人体の比例関係（プロポーション）」の思想が、のちのルネサンス期に黄金比と深く結びつけられ、美の規範として発展することになりました。その関係性と歴史的背景の要点は以下の通りです。1. ウィトルウィウスが説いた「人体の比例」ウィトルウィウスは『デ・アーキテクチュラ』の第3巻において、建築（特に神殿）は自然の傑作である「人間の身体」の比例関係を模倣すべきだと主張しました。「手のひらは指4本の幅に等しい」「足の長さは手のひらの4倍」といった、整数比による身体の各パーツの調和を説きました。「健康な人間が仰向けに横たわり、手足を広げると、おへそを中心とした完全な『円』と『正方形』に収まる」という記述を残しています。2. ダ・ヴィンチによる「黄金比」との融合この記述を1500年近くのちのルネサンス期に、レオナルド・ダ・ヴィンチが忠実にビジュアル化したのが、有名なデッサン『ウィトルウィウス的人体図』です。ダ・ヴィンチはウィトルウィウスの思想を再現すると同時に、この人体図の各所に黄金比（1:1.618）の幾何学構造を内包させました。これにより、「古代の建築論」と「数学的な美（黄金比）」が地続きの概念として解釈されるようになりました。\n","tags":[],"links":[],"url":"https://scrapbox.io/Test-Object/%E3%83%87%E3%83%BB%E3%82%A2%E3%83%BC%E3%82%AD%E3%83%86%E3%82%AF%E3%83%81%E3%83%A5%E3%83%A9%E3%80%80%E3%82%A6%E3%82%A3%E3%83%88%E3%83%AB%E3%82%A6%E3%82%A3%E3%82%A6%E3%82%B9","updated":1790609516,"position":[29.0651,41.6764,14.4069],"cluster":"c17","subgroup":"c17.01","degree":3,"referenceDegree":0,"maxSimilarity":0.51327,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d2b1536bf13800231041f7","weight":0.51327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6532d3073bd82f001cb21677","weight":0.17286,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf621f5932db002632c98f","weight":0.11316,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6487e0524c3b55001c0c9269","source":"ideaofintellection","title":"Scrapboxの使い方","excerpt":"Scrapboxへようこそ。このページは自由に編集して活用できます。","text":"Scrapboxの使い方\nScrapboxへようこそ。このページは自由に編集して活用できます。\n\nこのプロジェクトにメンバーを招待しましょう\n\t左上のメニューのProject Settingsから、他の人を招待できるリンクを取得できます。\n Scrapboxでは同一ページを複数人でリアルタイムに共同編集できます。\n\n基本的な使い方を試してみよう\n\t行頭にスペースまたはタブを入れて段落を作ることができます。\n `[ ]` で囲むと[別ページ]への[リンク]になります。\n `#` のあとに書いた文字は #ハッシュタグ になります。動作はリンクと同じです。\n `[`と` ]` の中に画像URLやYoutube/Vimeoの動画URLを書くと画像や動画を表示できます。\n \t例:\n  \t[https://gyazo.com/5f93e65a3b979ae5333aca4f32600611]\n\t個人のプロフィールを設定して自分のページを作りましょう（左上のメニューからEdit profile）。その後、\n \t`ctrl + i`を入力、または `[ユーザー名.icon]` を書くとアイコンを埋め込めます。\n  自分のページだけでなく、あらゆるページをアイコン化できます。例: [Scrapboxの使い方.icon]\n\tすべての記法は、[/help-jp/ブラケティング]をご覧ください\n\nリンクの効果的な使い方\n\t[Scrapbox]は、[リンク]から[つながり]を作ることで、関連するものを見つけ出し、整理できるのが特長です。\n \t[読んだ本]、[人物]、[タスク]など[自由]にリンクやハッシュタグを作っていきましょう！\n\nページをトップに固定する (ピン留め)\n 右上のメニューから`Pin at home`を選択すると、ページをリストの一番上に固定できます。\n [https://gyazo.com/c3a68ab8928396608ef24349051c9d71]\n `Pin at home`には様々な活用方法があります。\n  自己紹介やプロジェクトの目的を書く\n  最初に読んでほしいページを目立たせる\n  招待URLを公開し、共同編集者を広く募る\n  新規投稿用のテンプレートを置く\n\n詳しい使い方\n\t[/help-jp/]をご覧ください。\n 英語版は[/help/]にあります。\n\n質問がある場合\n\t[お問い合わせ https://scrapbox.io/contact] からどうぞ。ご要望は[/forum-jp]でも受け付けています。\n\n使い方のサンプルが見たい\n\t[/help-jp/サンプル]を複数掲載しています\n\n企業でご利用の方へ\n\tNota社の社内利用の実例が[/nota-private-sample]にあります\n [企業の利用事例を掲載しています https://scrapbox.io/case]\n","tags":["ハッシュタグ"],"links":["別ページ","リンク","ハッシュタグ","Scrapbox","つながり","読んだ本","人物","タスク","自由"],"url":"https://scrapbox.io/ideaofintellection/Scrapbox%E3%81%AE%E4%BD%BF%E3%81%84%E6%96%B9","updated":1686626386,"position":[17.9269,-43.2329,14.4657],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.6998,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64031be2e0291b001ccaa986","weight":0.6998,"type":"similarity","reason":"共通タグ #ハッシュタグ / 共通参照 Scrapbox・つながり / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648af81dabcedc001c17116d","source":"ideaofintellection","title":"チャンスオペレーション","excerpt":"アメリカの音楽家、Ｊ・ケージが1950年代初頭に考案し、実験音楽家らによって活用された、偶然を利用してスコアを作成する手法。 「偶然性の音楽」のひとつのヴァリエーションである。 コインと８×８のチャートを使用したケージの《易の音楽》（1951）が、この手法を全面的に導入した最初の作品とされる。","text":"チャンスオペレーション\nアメリカの音楽家、Ｊ・ケージが1950年代初頭に考案し、実験音楽家らによって活用された、偶然を利用してスコアを作成する手法。 「偶然性の音楽」のひとつのヴァリエーションである。 コインと８×８のチャートを使用したケージの《易の音楽》（1951）が、この手法を全面的に導入した最初の作品とされる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%81%E3%83%A3%E3%83%B3%E3%82%B9%E3%82%AA%E3%83%9A%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1686829890,"position":[51.0285,-36.2215,1.5251],"cluster":"c10","subgroup":"c10.01","degree":10,"referenceDegree":0,"maxSimilarity":0.1474,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.1474,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e7796a14781cdf78f8ac96","weight":0.13012,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e25a085bd685b44768ee","weight":0.12415,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cb898fbdf8400231d59d6","weight":0.11851,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f6fca2c4e9fde2d346357","weight":0.10608,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d353f6d0e599631f7481","weight":0.1035,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65921638fc909000238ceba5","weight":0.10264,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf4a5d2889ef385d4b594","weight":0.10215,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648afc416ddf7f001c1a3914","source":"ideaofintellection","title":"ダリ　デオキシリボ核酸","excerpt":"https://www.musey.net/3772","text":"ダリ　デオキシリボ核酸\nhttps://www.musey.net/3772\n\n\n[https://scrapbox.io/files/648afc9aabcedc001c173e2e.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%80%E3%83%AA%E3%80%80%E3%83%87%E3%82%AA%E3%82%AD%E3%82%B7%E3%83%AA%E3%83%9C%E6%A0%B8%E9%85%B8","updated":1686830239,"position":[97.6098,-46.7997,36.4805],"cluster":"c34","subgroup":"c34.01","degree":1,"referenceDegree":0,"maxSimilarity":0.16096,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c2b067afa2050024dde6a6","weight":0.16096,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648afe99828df0001b38ee71","source":"ideaofintellection","title":"相対性理論","excerpt":"「Ｅ＝ｍｃ²」は，アインシュタインが特殊相対性理論からみちびいた，世界で一番有名な式です。 この式は，「ほんのわずかな物質にも，膨大なエネルギーが秘められている」ことを意味します。 Ｅ＝ｍｃ²によると，物質からエネルギーを引きだせ，また逆に，エネルギーから物質を生みだすこともできるといいます。","text":"相対性理論\n「Ｅ＝ｍｃ²」は，アインシュタインが特殊相対性理論からみちびいた，世界で一番有名な式です。 この式は，「ほんのわずかな物質にも，膨大なエネルギーが秘められている」ことを意味します。 Ｅ＝ｍｃ²によると，物質からエネルギーを引きだせ，また逆に，エネルギーから物質を生みだすこともできるといいます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%9B%B8%E5%AF%BE%E6%80%A7%E7%90%86%E8%AB%96","updated":1686831648,"position":[-25.9505,-75.3594,66.5351],"cluster":"c04","subgroup":"c04.01","degree":10,"referenceDegree":0,"maxSimilarity":0.15222,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6f1fa34a04a4da8c73aa35","weight":0.15222,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af8f18163b20001c67ca02","weight":0.12502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:654136c44c9563001c039c49","weight":0.12106,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a012f1e5425001b3c841a","weight":0.10608,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2b69f12dd2001db4df17","weight":0.1036,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67894613e89464287b5cdcc1","weight":0.10027,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.09693,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655642c59efbd7001cfe03c9","weight":0.09337,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b03cd41bc7d001b0670ab","source":"ideaofintellection","title":"超弦理論","excerpt":"超弦理論（ちょうげんりろん、英: superstring theory）は、物質の基本的な構成要素を理解するためのモデルであり、物理学の理論、仮説の1つ。物質の基本的単位を、大きさが無限に小さな0次元の点粒子ではなく、1次元の拡がりをもつ弦であると考える弦理論に、超対称性という考えを加え、拡張したもの。超ひも理論、スーパーストリング理論とも呼ばれる。","text":"超弦理論\n超弦理論（ちょうげんりろん、英: superstring theory）は、物質の基本的な構成要素を理解するためのモデルであり、物理学の理論、仮説の1つ。物質の基本的単位を、大きさが無限に小さな0次元の点粒子ではなく、1次元の拡がりをもつ弦であると考える弦理論に、超対称性という考えを加え、拡張したもの。超ひも理論、スーパーストリング理論とも呼ばれる。\n\n宇宙の姿やその誕生のメカニズムを解き明かし、同時に原子、素粒子、クォークといった微小な物のさらにその先の世界を説明できる仮説として、この理論の中ではほぼ矛盾なく高度に完成している。しかし、本理論を裏付けるような実験結果は十分得られていない。また、この理論を実証する実験のために必要なエネルギーは、人類が扱える範囲を逸脱していると想定されるため、この理論の検証可能性については議論の余地がある。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%B6%85%E5%BC%A6%E7%90%86%E8%AB%96","updated":1686832125,"position":[-36.0556,-145.0863,72.1444],"cluster":"c36","subgroup":"c36.01","degree":1,"referenceDegree":0,"maxSimilarity":0.14367,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c215ae79d17b00246cd33e","weight":0.14367,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b061fd6d51a001c6cef88","source":"ideaofintellection","title":"ハウリング","excerpt":"ハウリング または 鳴音（めいおん）は、音に関する現象のひとつ。多くの場合トラブルと認識されているが、楽器ではこれを利用することもある。ハウリング（英: howling）の原義は英語で遠吠えのことである。日本では俗に「音が回る」「ハウる」と表現することもある。英語では、「フィードバック」（英: feedback）と呼ばれることが多い。","text":"ハウリング\nハウリング または 鳴音（めいおん）は、音に関する現象のひとつ。多くの場合トラブルと認識されているが、楽器ではこれを利用することもある。ハウリング（英: howling）の原義は英語で遠吠えのことである。日本では俗に「音が回る」「ハウる」と表現することもある。英語では、「フィードバック」（英: feedback）と呼ばれることが多い。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%82%A6%E3%83%AA%E3%83%B3%E3%82%B0","updated":1686832711,"position":[-42.9731,-28.8895,76.7672],"cluster":"c28","subgroup":"c28.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10451,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668e25a77c5da7001d3ea051","weight":0.10451,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499ac3de03d5c001b311a3e","weight":0.09117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bde89bb3a70001c0dcfa5","weight":0.08809,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b069bd241df001cb8f598","source":"ideaofintellection","title":"エンクリプト","excerpt":"暗号化 【encryption】 エンクリプション / encrypt / エンクリプト / encipher","text":"エンクリプト\n暗号化 【encryption】 エンクリプション / encrypt / エンクリプト / encipher\n暗号化とは、データを正規の権限のない人が読めないように、一定の計算手順に基いて元の状態が容易に推定できない形に変換すること。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%B3%E3%82%AF%E3%83%AA%E3%83%97%E3%83%88","updated":1686832801,"position":[48.2143,104.9226,2.2298],"cluster":"c25","subgroup":"c25.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14949,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6493ecee464168001cdff2bd","weight":0.14949,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be1d35892400245552b9","weight":0.10987,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b06c6002fa7001c7205b9","source":"ideaofintellection","title":"シュルレアリスム","excerpt":"口頭、記述、その他のあらゆる方法によって、思考の真の動きを表現しようとする純粋な心的オートマティスム。理性による監視をすべて排除し、美的・道徳的なすべての先入見から離れた、思考の書き取り","text":"シュルレアリスム\n口頭、記述、その他のあらゆる方法によって、思考の真の動きを表現しようとする純粋な心的オートマティスム。理性による監視をすべて排除し、美的・道徳的なすべての先入見から離れた、思考の書き取り\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%A5%E3%83%AB%E3%83%AC%E3%82%A2%E3%83%AA%E3%82%B9%E3%83%A0","updated":1686832847,"position":[1.4254,-79.4924,35.8235],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.12234,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656cb69b53df350023f68ec8","weight":0.12234,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b06d9fe04b2001b618e82","source":"ideaofintellection","title":"コンテンポラリーダンス","excerpt":"コンテンポラリーダンスとはテクニック、表現形態に共通の形式を持たない自由な身体表現＝ダンスです。 個々のからだを表現の元にした多様な手法を持ち、時代の流れの中を現在進行形で進みます。 活動の場も舞台に限らず教育、福祉と社会の中に求めています。","text":"コンテンポラリーダンス\n[https://scrapbox.io/files/648b06f6ee29e7001b38e296.png]\n\nコンテンポラリーダンスとはテクニック、表現形態に共通の形式を持たない自由な身体表現＝ダンスです。 個々のからだを表現の元にした多様な手法を持ち、時代の流れの中を現在進行形で進みます。 活動の場も舞台に限らず教育、福祉と社会の中に求めています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%B3%E3%83%86%E3%83%B3%E3%83%9D%E3%83%A9%E3%83%AA%E3%83%BC%E3%83%80%E3%83%B3%E3%82%B9","updated":1686832888,"position":[19.84,-148.0122,91.4099],"cluster":"c42","subgroup":"c42.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1358,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b34e686ddc440025796c56","weight":0.1358,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a27c5d116a19001bb70635","weight":0.12068,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b070c70a87d001b717e6e","source":"ideaofintellection","title":"フォトシンセシス","excerpt":"(炭水化物などの)光合成","text":"フォトシンセシス\n(炭水化物などの)光合成\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A9%E3%83%88%E3%82%B7%E3%83%B3%E3%82%BB%E3%82%B7%E3%82%B9","updated":1686834526,"position":[97.4578,-46.4876,38.6701],"cluster":"c34","subgroup":"c34.01","degree":4,"referenceDegree":0,"maxSimilarity":0.22304,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6722ed131512b7f62b8bea89","weight":0.22304,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6425032a1536ae001cc27290","weight":0.12642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2b067afa2050024dde6a6","weight":0.09715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d718829db1ff001d533857","weight":0.08734,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b0c8b8b327f001c48dbe2","source":"ideaofintellection","title":"Sound = wave = object ?","excerpt":"全てのオブジェクトは音になりうる？","text":"Sound = wave = object ?\n全てのオブジェクトは音になりうる？\n\n[https://scrapbox.io/files/648b0d0da937a6001ce16593.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Sound%20%3D%20wave%20%3D%20object%20%3F","updated":1686834466,"position":[18.5406,48.8225,-33.7682],"cluster":"c15","subgroup":"c15.01","degree":11,"referenceDegree":0,"maxSimilarity":0.16516,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69c88d14b66b8416268e6464","weight":0.16516,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659244e9fc909000238dd65c","weight":0.14422,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65ec9f30c0c94600257df877","weight":0.13659,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a9f96f7dcc2a0024c90bd9","weight":0.12774,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10d50c3f7cddd977cd69f","weight":0.12159,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6722f19006feb56bffc342e4","weight":0.11348,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113f3fee64ef5381c98bf7","weight":0.11277,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65eca01f42050d00275c8bc9","weight":0.10558,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b0ec2db4d01001b9a2015","source":"ideaofintellection","title":"ヘルムホルツ共鳴","excerpt":"ワインボトルやフラスコのなかに入っている液体の量が変わると、音の高さも変化するという特徴があります。 このようにヘルムホルツ共鳴とは、細長い口のついた形状の容器の内部で、空気の圧力のかかり方が変動することで空気が振動して音が鳴る現象のこと","text":"ヘルムホルツ共鳴\nワインボトルやフラスコのなかに入っている液体の量が変わると、音の高さも変化するという特徴があります。 このようにヘルムホルツ共鳴とは、細長い口のついた形状の容器の内部で、空気の圧力のかかり方が変動することで空気が振動して音が鳴る現象のこと\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%83%AB%E3%83%A0%E3%83%9B%E3%83%AB%E3%83%84%E5%85%B1%E9%B3%B4","updated":1686834897,"position":[15.946,-68.996,-1.3273],"cluster":"c03","subgroup":"c03.01","degree":3,"referenceDegree":0,"maxSimilarity":0.40214,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b174b41bc7d001b0773aa","weight":0.40214,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fc673460f8604fee5e96f","weight":0.34777,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658e7b24ff147d002572f078","weight":0.09603,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b131846dc58001b302102","source":"ideaofintellection","title":"モーフィング","excerpt":"モーフィングとは、画像を加工する技術のひとつで、2つの画像を合成させて中間状態を作り、一方の姿形から他方の形へと変形していくような様子を生成することである。 狼の写真と人間の写真を用意してモーフィングを行えば、狼男のような中間画像を生成することができる。","text":"モーフィング\nモーフィングとは、画像を加工する技術のひとつで、2つの画像を合成させて中間状態を作り、一方の姿形から他方の形へと変形していくような様子を生成することである。 狼の写真と人間の写真を用意してモーフィングを行えば、狼男のような中間画像を生成することができる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A2%E3%83%BC%E3%83%95%E3%82%A3%E3%83%B3%E3%82%B0","updated":1686836014,"position":[64.8281,-13.663,22.2312],"cluster":"c23","subgroup":"c23.01","degree":3,"referenceDegree":0,"maxSimilarity":0.68327,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6699ec3201731e001c2206a5","weight":0.68327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a1831f8a48002449ee99","weight":0.11751,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971f668d34d0024b0c1af","weight":0.10617,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b134cdb4d01001b9a527e","source":"ideaofintellection","title":"AM変調","excerpt":"AM変調とは、送信したい情報（入力アナログ信号）を、搬送波の振幅方向の強弱を利用して伝送する方式のこと（図1）。AMとは「Amplitude Modulation」の頭文字をとった言葉で、日本語では振幅変調と呼ばれる。","text":"AM変調\nAM変調とは、送信したい情報（入力アナログ信号）を、搬送波の振幅方向の強弱を利用して伝送する方式のこと（図1）。AMとは「Amplitude Modulation」の頭文字をとった言葉で、日本語では振幅変調と呼ばれる。\n[https://scrapbox.io/files/648b135f5fb0d6001c1dd0a3.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/AM%E5%A4%89%E8%AA%BF","updated":1686836067,"position":[19.8397,-61.1401,48.1612],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09811,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659dfda959cba900243fa6a9","weight":0.09811,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b143997fb3a001c71add4","source":"ideaofintellection","title":"サウンドボム","excerpt":"120デシベルのサウンドを生成するサウンドボムは、標準的なオートバイのホーンよりも4倍大きいです!デナリサウンドボムは、聴きたいが、スタイリ™ッシュな外観を維持したい人のために設計されました。コンパクトなデザインと黒塗りのハウジングのおかげで、SoundBombは一度設置されるとほとんど消えます。","text":"サウンドボム\n120デシベルのサウンドを生成するサウンドボムは、標準的なオートバイのホーンよりも4倍大きいです!デナリサウンドボムは、聴きたいが、スタイリ™ッシュな外観を維持したい人のために設計されました。コンパクトなデザインと黒塗りのハウジングのおかげで、SoundBombは一度設置されるとほとんど消えます。\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%82%A6%E3%83%B3%E3%83%89%E3%83%9C%E3%83%A0","updated":1686836293,"position":[-30.6732,51.6577,23.7733],"cluster":"c06","subgroup":"c06.02","degree":5,"referenceDegree":0,"maxSimilarity":0.17521,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6556400ced3156001ba804f1","weight":0.17521,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65079f649d61af001b220e8a","weight":0.15291,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69512993dfd438d027e7b482","weight":0.14729,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee842e76ffb8001c9c2d0b","weight":0.13038,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65800044f995ab0024cb1be6","weight":0.12736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b14a64cf043001ba575ef","source":"ideaofintellection","title":"モールス信号","excerpt":"モールス符号は、電信で用いられている可変長符号化された文字コードである。モールス符号を使った信号はモールス信号と呼ばれる。","text":"モールス信号\nモールス符号は、電信で用いられている可変長符号化された文字コードである。モールス符号を使った信号はモールス信号と呼ばれる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A2%E3%83%BC%E3%83%AB%E3%82%B9%E4%BF%A1%E5%8F%B7","updated":1686836397,"position":[59.9722,-15.3501,3.1312],"cluster":"c23","subgroup":"c23.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06278,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:648b1567c82750001cb49c53","source":"ideaofintellection","title":"ブラウンノイズ","excerpt":"ブラウニアンノイズやブラウンノイズやレッドノイズとは、ブラウン運動によって生成される信号雑音のこと。 ブラウニアンの名前は茶色に由来するのではなく、ブラウン運動を発見したロバート・ブラウンの名前にちなんだものである。","text":"ブラウンノイズ\nブラウニアンノイズやブラウンノイズやレッドノイズとは、ブラウン運動によって生成される信号雑音のこと。 ブラウニアンの名前は茶色に由来するのではなく、ブラウン運動を発見したロバート・ブラウンの名前にちなんだものである。\n川のせせらぎのような「ゴー」という深みのある音。 ピンクノイズより、さらに柔らかい音質\nブラウニアンノイズはホワイトノイズの積分によっても得られる。つまり、デジタルのホワイトノイズがサンプルを独立かつランダムに選ぶことによって生成できるのに対し、ブラウニアンノイズはサンプル値にランダムな値を加えることによって、次の値を得ることができるのである。\n\n[https://scrapbox.io/files/648b160ef38e5c001cfce257.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%A9%E3%82%A6%E3%83%B3%E3%83%8E%E3%82%A4%E3%82%BA","updated":1686836789,"position":[66.9296,-14.5318,21.7875],"cluster":"c23","subgroup":"c23.01","degree":9,"referenceDegree":0,"maxSimilarity":0.26104,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669a707dbb0f76001c7db9cc","weight":0.26104,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658007454e89d6002372bf78","weight":0.17106,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1c32a03fb9001b912c98","weight":0.16517,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bfffe04b2001b62993c","weight":0.15622,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d0641bc7d001b07ba63","weight":0.13853,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5531b155430bd516a2a","weight":0.12673,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b199639fe37001c75889c","weight":0.10887,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bb1392237001be7a60a","weight":0.10776,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b16634971d9001c0b3215","source":"ideaofintellection","title":"トゥッティ","excerpt":"トゥッティ は、イタリア語で「全部」の意味で、楽語としては全奏者による「合奏」である「総奏」を指す。演奏している全ての奏者が同時に奏すること。","text":"トゥッティ\nトゥッティ は、イタリア語で「全部」の意味で、楽語としては全奏者による「合奏」である「総奏」を指す。演奏している全ての奏者が同時に奏すること。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%82%A5%E3%83%83%E3%83%86%E3%82%A3","updated":1686836857,"position":[14.5278,-147.8915,89.6392],"cluster":"c42","subgroup":"c42.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09557,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655641a60f68a2001bd8f5e4","weight":0.09557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b16b0a937a6001ce1cb13","source":"ideaofintellection","title":"スティグマジー","excerpt":"環境に残された情報に対する反応として行動を起こす、自発的で間接的な協調行動を指す","text":"スティグマジー\n環境に残された情報に対する反応として行動を起こす、自発的で間接的な協調行動を指す\nリーダーの指令がなくても協調行動で構造物を構築すること\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%83%86%E3%82%A3%E3%82%B0%E3%83%9E%E3%82%B8%E3%83%BC","updated":1686836928,"position":[13.4138,-96.9758,24.711],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.06826,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:648b172c417e18001c0ee637","source":"ideaofintellection","title":"巡回セールスマン問題","excerpt":"巡回セールスマン問題は、都市の集合と各2都市間の移動コストが与えられたとき、全ての都市をちょうど一度ずつ巡り出発地に戻る巡回路のうちで総移動コストが最小のものを求める組合せ最適化問題","text":"巡回セールスマン問題\n巡回セールスマン問題は、都市の集合と各2都市間の移動コストが与えられたとき、全ての都市をちょうど一度ずつ巡り出発地に戻る巡回路のうちで総移動コストが最小のものを求める組合せ最適化問題\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%B7%A1%E5%9B%9E%E3%82%BB%E3%83%BC%E3%83%AB%E3%82%B9%E3%83%9E%E3%83%B3%E5%95%8F%E9%A1%8C","updated":1686837049,"position":[-32.8032,23.6085,-146.073],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06576,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:648b174b41bc7d001b0773aa","source":"ideaofintellection","title":"ヘルムホルツ運動","excerpt":"弦楽器を弾くと、弓で引っ張られた点を頂点とした三角形の、この頂点が回転するような、ヘルムホルツ波という独特の運動をする","text":"ヘルムホルツ運動\n弦楽器を弾くと、弓で引っ張られた点を頂点とした三角形の、この頂点が回転するような、ヘルムホルツ波という独特の運動をする\n[https://scrapbox.io/files/648b177ff99455001cbd44a7.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%83%AB%E3%83%A0%E3%83%9B%E3%83%AB%E3%83%84%E9%81%8B%E5%8B%95","updated":1686837144,"position":[16.0453,-69.0037,-1.379],"cluster":"c03","subgroup":"c03.01","degree":4,"referenceDegree":0,"maxSimilarity":0.41882,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:680fc673460f8604fee5e96f","weight":0.41882,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b0ec2db4d01001b9a2015","weight":0.40214,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658e7b24ff147d002572f078","weight":0.11456,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6a798a9c13001d16966b","weight":0.08807,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b18a86ddf7f001c1b8f16","source":"ideaofintellection","title":"セレンディピティ","excerpt":"「思いもよらなかった偶然がもたらす幸運」を意味する言葉です。 さらには、「幸運な偶然を引き寄せる能力」という意味で使われることもあります。","text":"セレンディピティ\n「思いもよらなかった偶然がもたらす幸運」を意味する言葉です。 さらには、「幸運な偶然を引き寄せる能力」という意味で使われることもあります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BB%E3%83%AC%E3%83%B3%E3%83%87%E3%82%A3%E3%83%94%E3%83%86%E3%82%A3","updated":1686837435,"position":[3.1989,-77.978,36.621],"cluster":"c01","subgroup":"c01.01","degree":6,"referenceDegree":0,"maxSimilarity":0.44075,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6679b2c28c1705001c6611c0","weight":0.44075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e19b79da8d001dac207b","weight":0.41327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68726bc3de354b229e207c21","weight":0.12892,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76c16d5e521fede15af99a","weight":0.12019,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1400e5af070ee9c3be2dad","weight":0.0978,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68affd363fedb1b1996c75b3","weight":0.09215,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b18e16788c0001bac50c2","source":"ideaofintellection","title":"pendulum","excerpt":"振り子","text":"pendulum\n振り子\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/pendulum","updated":1686837485,"position":[17.8509,43.8762,-49.2706],"cluster":"c15","subgroup":"c15.01","degree":3,"referenceDegree":0,"maxSimilarity":0.15991,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c214208dff720025fadadc","weight":0.15991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0785dcf873c90e6a753396","weight":0.09263,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64d0b1c26599c8001b0c946c","weight":0.08873,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1904e1f9a2001b9a1114","source":"ideaofintellection","title":"グラフ理論","excerpt":"グラフ理論（グラフりろん、英: Graph theory）は、ノード（節点・頂点、点）の集合とエッジ（枝・辺、線）の集合で構成されるグラフに関する数学の理論","text":"グラフ理論\nグラフ理論（グラフりろん、英: Graph theory）は、ノード（節点・頂点、点）の集合とエッジ（枝・辺、線）の集合で構成されるグラフに関する数学の理論\n\n[https://scrapbox.io/files/648b1920e06522001c163960.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%A9%E3%83%95%E7%90%86%E8%AB%96","updated":1686837538,"position":[-25.2607,-71.8493,63.1443],"cluster":"c04","subgroup":"c04.01","degree":4,"referenceDegree":0,"maxSimilarity":0.17551,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a55d950ca8a9001bf3d445","weight":0.17551,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d7feb647e70023407592","weight":0.11746,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c214389ded0c00247570d2","weight":0.11716,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.08695,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1931c82750001cb4bf2d","source":"ideaofintellection","title":"宇宙マイクロ背景放射","excerpt":"宇宙初期が光で満ちあふれていたことは， 元素の起源という観点からジョージ・ガモフ（G. Gamov）が提唱したビッグバン理論の帰結でもあった。","text":"宇宙マイクロ背景放射\n宇宙初期が光で満ちあふれていたことは， 元素の起源という観点からジョージ・ガモフ（G. Gamov）が提唱したビッグバン理論の帰結でもあった。\n宇宙の晴れ上がりの時点（宇宙誕生後約37万年）から届く黒体放射。\nhttps://www.s.u-tokyo.ac.jp/ja/story/newsletter/keywords/02/01.html\nhttps://astro-dic.jp/cosmic-microwave-background-radiation/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%AE%87%E5%AE%99%E3%83%9E%E3%82%A4%E3%82%AF%E3%83%AD%E8%83%8C%E6%99%AF%E6%94%BE%E5%B0%84","updated":1686837625,"position":[-29.7431,-71.0836,64.9182],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.09882,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658d28fd7e08ca0024e140d0","weight":0.09882,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a508ab0c2de001bf2159d","weight":0.09082,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbc720776713b1716d142","weight":0.08866,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b199639fe37001c75889c","source":"ideaofintellection","title":"スノーノイズ","excerpt":"通常は、受信する信号レベルが低下したときに映像信号に重畳した熱雑音が目立つことで発生する。","text":"スノーノイズ\n通常は、受信する信号レベルが低下したときに映像信号に重畳した熱雑音が目立つことで発生する。\nアナログテレビ放送を受信する際のノイズの一種で、画面に白い点が多数ランダムにポツポツと現れる障害をいう。画面に雪を降らせたように見えるためこのように呼ばれる。砂嵐あるいは砂の嵐とも言われる\n[https://scrapbox.io/files/648b19e2a03fb9001b9116c9.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%83%8E%E3%83%BC%E3%83%8E%E3%82%A4%E3%82%BA","updated":1686837733,"position":[67.5243,-14.4403,21.8766],"cluster":"c23","subgroup":"c23.01","degree":5,"referenceDegree":0,"maxSimilarity":0.14521,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1c9508c4c7001b775a74","weight":0.14521,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bfffe04b2001b62993c","weight":0.11693,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1567c82750001cb49c53","weight":0.10887,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1c32a03fb9001b912c98","weight":0.10788,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bd4002fa7001c734cf2","weight":0.09709,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1bb1392237001be7a60a","source":"ideaofintellection","title":"熱雑音","excerpt":"（ねつざつおん、英: thermal noise）は、抵抗体内の自由電子の不規則な熱振動（ブラウン運動）によって生じる雑音のことをいう。","text":"熱雑音\n（ねつざつおん、英: thermal noise）は、抵抗体内の自由電子の不規則な熱振動（ブラウン運動）によって生じる雑音のことをいう。\nジョンソン・ノイズまたはジョンソン-ナイキスト・ノイズとも呼ばれる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%86%B1%E9%9B%91%E9%9F%B3","updated":1686838215,"position":[66.2434,-14.7303,21.7318],"cluster":"c23","subgroup":"c23.01","degree":5,"referenceDegree":0,"maxSimilarity":0.19494,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69ef23edb53e64425300d9be","weight":0.19494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669a707dbb0f76001c7db9cc","weight":0.16803,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1567c82750001cb49c53","weight":0.10776,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658007454e89d6002372bf78","weight":0.10588,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6492a199ba72a5001cf2b870","weight":0.08701,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1bd4002fa7001c734cf2","source":"ideaofintellection","title":"カラードノイズ","excerpt":"カラードノイズ（英: colors of noise）とは、パワースペクトル密度が平坦でないノイズのこと。有色雑音とも。","text":"カラードノイズ\nカラードノイズ（英: colors of noise）とは、パワースペクトル密度が平坦でないノイズのこと。有色雑音とも。\nノイズの「色」の感覚は音楽の「音色」の概念に似ているが、後者は音についてのみ用いられ、スペクトルの非常に詳細な特徴に対応している\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%A9%E3%83%BC%E3%83%89%E3%83%8E%E3%82%A4%E3%82%BA","updated":1686838266,"position":[67.5876,-14.7798,21.8311],"cluster":"c23","subgroup":"c23.01","degree":8,"referenceDegree":0,"maxSimilarity":0.21747,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1bfffe04b2001b62993c","weight":0.21747,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6916e910132c688a6c3257ad","weight":0.19743,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1c32a03fb9001b912c98","weight":0.17852,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d53ee29e7001b39e789","weight":0.1775,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1c9508c4c7001b775a74","weight":0.11048,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1567c82750001cb49c53","weight":0.10204,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b199639fe37001c75889c","weight":0.09709,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d0641bc7d001b07ba63","weight":0.09614,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1bfffe04b2001b62993c","source":"ideaofintellection","title":"ホワイトノイズ","excerpt":"ホワイトノイズは平坦な周波数スペクトルを持つ信号（または過程）であり、白色光からのアナロジーでこのように呼ばれている。言い換えれば、この信号は与えられた帯域幅（パワースペクトル密度）の任意の帯域について仕事率が等しい","text":"ホワイトノイズ\nホワイトノイズは平坦な周波数スペクトルを持つ信号（または過程）であり、白色光からのアナロジーでこのように呼ばれている。言い換えれば、この信号は与えられた帯域幅（パワースペクトル密度）の任意の帯域について仕事率が等しい\n\n[https://scrapbox.io/files/648b1c26d9078e001bc65a80.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9B%E3%83%AF%E3%82%A4%E3%83%88%E3%83%8E%E3%82%A4%E3%82%BA","updated":1686838312,"position":[67.434,-14.7672,21.715],"cluster":"c23","subgroup":"c23.01","degree":9,"referenceDegree":0,"maxSimilarity":0.26039,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1c32a03fb9001b912c98","weight":0.26039,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d0641bc7d001b07ba63","weight":0.23812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bd4002fa7001c734cf2","weight":0.21747,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d53ee29e7001b39e789","weight":0.19047,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6916e910132c688a6c3257ad","weight":0.18962,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a70aca29410026635aec","weight":0.17383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1567c82750001cb49c53","weight":0.15622,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c230bb5d9c390024bccb57","weight":0.13422,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1c32a03fb9001b912c98","source":"ideaofintellection","title":"ピンクノイズ（1/fノイズ）","excerpt":"ピンクノイズ周波数スペクトルは両対数グラフで表すとほぼ直線になり、そのグラフ上の同じ幅の周波数範囲でパワーが等しくなる。つまり、40 から 60 Hz の周波数範囲のパワーは、4000 から 6000 Hz の周波数範囲のパワーと等しい。実際ヒトの耳も似たような特性があり、元の周波数がどういう値であれ、周波数が倍になると1オクターヴ上がったと感じる（40–60 Hz の変化と 4000–6000 Hz の変化は同じように感じる）。そこでオクターヴあたりのパワーが等しいピンクノイズは音響工学における基準信号として使われることが多い。スペクトル密度で言えば、ホワイトノイズに対して1オクターヴあたり3dB（周波数10倍あたり10dB）の降下を示す（密度は 1/f に比例）。そのためピンクノイズを 1/f（f分の1）ノイズとも呼ぶ。","text":"ピンクノイズ（1/fノイズ）\nピンクノイズ周波数スペクトルは両対数グラフで表すとほぼ直線になり、そのグラフ上の同じ幅の周波数範囲でパワーが等しくなる。つまり、40 から 60 Hz の周波数範囲のパワーは、4000 から 6000 Hz の周波数範囲のパワーと等しい。実際ヒトの耳も似たような特性があり、元の周波数がどういう値であれ、周波数が倍になると1オクターヴ上がったと感じる（40–60 Hz の変化と 4000–6000 Hz の変化は同じように感じる）。そこでオクターヴあたりのパワーが等しいピンクノイズは音響工学における基準信号として使われることが多い。スペクトル密度で言えば、ホワイトノイズに対して1オクターヴあたり3dB（周波数10倍あたり10dB）の降下を示す（密度は 1/f に比例）。そのためピンクノイズを 1/f（f分の1）ノイズとも呼ぶ。\n[https://scrapbox.io/files/648b1c83c8e35e001b60315c.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%83%B3%E3%82%AF%E3%83%8E%E3%82%A4%E3%82%BA%EF%BC%881%2Ff%E3%83%8E%E3%82%A4%E3%82%BA%EF%BC%89","updated":1686838406,"position":[67.6038,-14.6349,21.7201],"cluster":"c23","subgroup":"c23.01","degree":8,"referenceDegree":0,"maxSimilarity":0.3383,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1d0641bc7d001b07ba63","weight":0.3383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bfffe04b2001b62993c","weight":0.26039,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1c9508c4c7001b775a74","weight":0.22972,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d53ee29e7001b39e789","weight":0.22304,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bd4002fa7001c734cf2","weight":0.17852,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1567c82750001cb49c53","weight":0.16517,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6916e910132c688a6c3257ad","weight":0.1101,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b199639fe37001c75889c","weight":0.10788,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1c9508c4c7001b775a74","source":"ideaofintellection","title":"ブルーノイズ（アジュールノイズ）","excerpt":"パワー密度は周波数があがるにつれて1オクターヴあたり3dB（周波数10倍あたり10dB）上昇し（密度は f に比例）、周波数の範囲は有限である。コンピュータグラフィックスではもっと緩やかな意味で使われており、最小の低周波数成分があり、エネルギーが集中したスパイクがないノイズを指す。ディザリングによく使われている。網膜細胞はブルーノイズ的なパターンで配置されることにより高い解像度を生んでいる","text":"ブルーノイズ（アジュールノイズ）\nパワー密度は周波数があがるにつれて1オクターヴあたり3dB（周波数10倍あたり10dB）上昇し（密度は f に比例）、周波数の範囲は有限である。コンピュータグラフィックスではもっと緩やかな意味で使われており、最小の低周波数成分があり、エネルギーが集中したスパイクがないノイズを指す。ディザリングによく使われている。網膜細胞はブルーノイズ的なパターンで配置されることにより高い解像度を生んでいる\n\n[https://scrapbox.io/files/648b1ccf7c9d50001b97e7fe.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%AB%E3%83%BC%E3%83%8E%E3%82%A4%E3%82%BA%EF%BC%88%E3%82%A2%E3%82%B8%E3%83%A5%E3%83%BC%E3%83%AB%E3%83%8E%E3%82%A4%E3%82%BA%EF%BC%89","updated":1686838482,"position":[68.139,-14.4035,21.8157],"cluster":"c23","subgroup":"c23.01","degree":7,"referenceDegree":0,"maxSimilarity":0.39632,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1d0641bc7d001b07ba63","weight":0.39632,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1c32a03fb9001b912c98","weight":0.22972,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d53ee29e7001b39e789","weight":0.16095,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b199639fe37001c75889c","weight":0.14521,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d616da98bfd0023c2da99","weight":0.13591,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9ef697ffc8fdf7e8afe48","weight":0.11994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bd4002fa7001c734cf2","weight":0.11048,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1d0641bc7d001b07ba63","source":"ideaofintellection","title":"パープルノイズ（バイオレットノイズ）","excerpt":"パワー密度は周波数が上がるにつれて1オクターヴあたり6dB（周波数10倍あたり20dB）上昇し（密度は f 2 に比例）、周波数範囲は有限である。ホワイトノイズを微分したものと等しい。","text":"パープルノイズ（バイオレットノイズ）\nパワー密度は周波数が上がるにつれて1オクターヴあたり6dB（周波数10倍あたり20dB）上昇し（密度は f 2 に比例）、周波数範囲は有限である。ホワイトノイズを微分したものと等しい。\n\n\n[https://scrapbox.io/files/648b1d411ed007001c1804b0.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%83%BC%E3%83%97%E3%83%AB%E3%83%8E%E3%82%A4%E3%82%BA%EF%BC%88%E3%83%90%E3%82%A4%E3%82%AA%E3%83%AC%E3%83%83%E3%83%88%E3%83%8E%E3%82%A4%E3%82%BA%EF%BC%89","updated":1686838596,"position":[67.7125,-14.5402,21.7585],"cluster":"c23","subgroup":"c23.01","degree":7,"referenceDegree":0,"maxSimilarity":0.39632,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1c9508c4c7001b775a74","weight":0.39632,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1c32a03fb9001b912c98","weight":0.3383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bfffe04b2001b62993c","weight":0.23812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d53ee29e7001b39e789","weight":0.20424,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1567c82750001cb49c53","weight":0.13853,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65fbd7b0b1816200256cb207","weight":0.09844,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bd4002fa7001c734cf2","weight":0.09614,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1d53ee29e7001b39e789","source":"ideaofintellection","title":"グレイノイズ","excerpt":"音響心理学的な等ラウドネス曲線に近いパワースペクトルを示すノイズで、周波数範囲は有限（通常、可聴域）である。ヒトが聴いたときにどの周波数成分も同じ大きさに聞こえる。","text":"グレイノイズ\n音響心理学的な等ラウドネス曲線に近いパワースペクトルを示すノイズで、周波数範囲は有限（通常、可聴域）である。ヒトが聴いたときにどの周波数成分も同じ大きさに聞こえる。\n[https://scrapbox.io/files/648b1d633254c2001b855771.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%AC%E3%82%A4%E3%83%8E%E3%82%A4%E3%82%BA","updated":1686838630,"position":[67.8286,-14.8547,21.6555],"cluster":"c23","subgroup":"c23.01","degree":8,"referenceDegree":0,"maxSimilarity":0.22304,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1c32a03fb9001b912c98","weight":0.22304,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d0641bc7d001b07ba63","weight":0.20424,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1d7ad241df001cb9eba6","weight":0.19839,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bfffe04b2001b62993c","weight":0.19047,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bd4002fa7001c734cf2","weight":0.1775,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1c9508c4c7001b775a74","weight":0.16095,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6916e910132c688a6c3257ad","weight":0.12991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c074f7db498c5c1921690","weight":0.08898,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1d7ad241df001cb9eba6","source":"ideaofintellection","title":"等ラウドネス曲線","excerpt":"等ラウドネス曲線（とうラウドネスきょくせん、英語: Equal loudness contour）は等しい音の大きさと感じる周波数と音圧のマップを等高線として結んだものである。","text":"等ラウドネス曲線\n[https://scrapbox.io/files/648b1d8e41bc7d001b07bf00.png]\n\n等ラウドネス曲線（とうラウドネスきょくせん、英語: Equal loudness contour）は等しい音の大きさと感じる周波数と音圧のマップを等高線として結んだものである。\n\n2つの音がもつ物理的な音圧が等しくても、ヒトが感じる音の大きさ（ラウドネス）は音の周波数により異なる。ラウドネスが等しくなる音圧レベルを結んだ等高線（contour）が等ラウドネス曲線である。1933年のベル研究所の Fletcher と Munson による等ラウドネス曲線（フレッチャー゠マンソン曲線）をはじめとして、様々な研究で等ラウドネスレベル曲線が提案されてきた。各曲線は測定法（イヤホン、スピーカー）等の違いにより差異がある。現在広く用いられるものにISO 226がある。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%AD%89%E3%83%A9%E3%82%A6%E3%83%89%E3%83%8D%E3%82%B9%E6%9B%B2%E7%B7%9A","updated":1686838673,"position":[68.0247,-15.2659,21.4216],"cluster":"c23","subgroup":"c23.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19839,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1d53ee29e7001b39e789","weight":0.19839,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1df6392237001be7bad5","source":"ideaofintellection","title":"ハム音","excerpt":"ハム音またはハムノイズ（単にハムとも）とは、電源周波数に準じた低い「ブーン」という雑音のこと。","text":"ハム音\nハム音またはハムノイズ（単にハムとも）とは、電源周波数に準じた低い「ブーン」という雑音のこと。\n\n一般に正弦波に近い倍音の少ないものをハムと称する。\n倍音を含んだノイズはバズ（Buzz）と称する。\n英単語のHumに由来し、ノイズ（雑音）とした場合には、主に2通りの意味がある。\n\n機械類の動作に伴って聞こえる低周波の音。\nラジオやアンプスピーカーなど音を出すための機器から、音声に混じって聞こえる。本項で主に述べる。\n語感から、スピーカーから出力された音がマイクロフォンに拾われ、無制限に拡大されて甲高い音となる現象と混同されることがあるが、それに関してはハウリングまたは発振回路の項を参照すること。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%83%A0%E9%9F%B3","updated":1686838782,"position":[51.0187,-32.8943,1.9032],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14691,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64ce0d545058c8001cba4bec","weight":0.14691,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811cad03b98e2ed99f127ec","weight":0.09528,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b1e31828df0001b3a3e11","source":"ideaofintellection","title":"Cosmic Microwave Background Estimation","excerpt":"https://dus.jpl.nasa.gov/projects/cmb/","text":"Cosmic Microwave Background Estimation\n[https://scrapbox.io/files/648b1e54392237001be7bda2.png]\n\nhttps://dus.jpl.nasa.gov/projects/cmb/\nThe Cosmic Microwave Background (CMB) is the main source of information we have about the early Universe. The importance of estimating the spatial power spectrum of the cosmic microwave background is the due to the wealth of information it yields about the physical properties of the Universe. These fundamental properties leave different statistical patterns of hot and cold spots on the sky at microwave frequencies.","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Cosmic%20Microwave%20Background%20Estimation","updated":1686838872,"position":[36.326,-44.4066,101.0835],"cluster":"c14","subgroup":"c14.01","degree":2,"referenceDegree":0,"maxSimilarity":0.23974,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c5636c6fde0c0026b40334","weight":0.23974,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6454cb906cf1140a789079ee","weight":0.08543,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b2138eb1f46001cd17d70","source":"ideaofintellection","title":"フェーズボコーダ","excerpt":"（英語: Phase vocoder）は音声信号を周波数領域の振幅と位相でモデル化するボコーダである。","text":"フェーズボコーダ\n（英語: Phase vocoder）は音声信号を周波数領域の振幅と位相でモデル化するボコーダである。\n\nフェーズボコーダの心臓部は短時間フーリエ変換 (STFT)であり、次の段階を経る。\n\n分析: 　STFTによる時間領域表現→時間-周波数表現（英語版）変換\n変更:　 任意の周波数成分の振幅・位相操作\n再合成: 逆STFTによる周波数領域表現→時間領域表現変換\nフェーズボコーダは周波数領域での変更処理により音声信号の時間伸縮とピッチ変換などを可能にする。また再合成前にSTFT分析フレームの時間的位置を変更すれば、再合成結果の時間発展を変更でき、たとえば音の時間スケール変更を実現できる。\nイギリスの作曲家 トレヴァー・ウィシャート（英語版）は、人間の声のフェーズボコーダ分析/変換に基づいて、“Vox V（）” (アルバム “Vox Cycle（英語版）”) を制作した。アメリカの作曲家 ロジャー・レイノルズの作品 “Transfigured Wind（）” は、フェーズボコーダをフルート音のタイムストレッチに使用した\n正弦波成分を表す各ビンの位相間で水平コヒーレンスを維持するアルゴリズムとして導入された。このオリジナルのフェーズボコーダは、隣接する周波数ビン間の垂直コヒーレンスを考慮しなかったので、このシステムによるタイムストレッチ(時間伸縮)の音響信号は明瞭さが欠けていた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A7%E3%83%BC%E3%82%BA%E3%83%9C%E3%82%B3%E3%83%BC%E3%83%80","updated":1686839668,"position":[-37.9203,-83.8247,-56.1513],"cluster":"c44","subgroup":"c44.01","degree":4,"referenceDegree":0,"maxSimilarity":0.25656,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b2179a6a3b1001bf05d8e","weight":0.25656,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a530f438236001b2190e8","weight":0.12937,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af114f4afaab001d5260a1","weight":0.1023,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556403b0f68a2001bd8e822","weight":0.09012,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b2179a6a3b1001bf05d8e","source":"ideaofintellection","title":"位相コヒーレンス問題","excerpt":"位相コヒーレンス問題はSTFTによる時間-周波数表現 (STFT表現) の操作で必ず解決が必要な主要問題である。これは、時間軸方向にオーバーラップした分析窓（窓関数）を使用する事により、個々の信号成分 (正弦波、インパルス) が、複数のフレームやSTFT周波数ビン(bin)へ拡散しまう問題である（周波数については「スペクトル漏れ」にあたる。）。窓関数の時間的オーバーラップは、隣接するSTFT（短時間フーリエ変換 ）分析結果が互いに強い相関を持つという事実に基づいている (時刻 t の分析フレームに存在する正弦波成分は、後続フレームにも同様に存在し続ける可能性が高い)。","text":"位相コヒーレンス問題\n位相コヒーレンス問題はSTFTによる時間-周波数表現 (STFT表現) の操作で必ず解決が必要な主要問題である。これは、時間軸方向にオーバーラップした分析窓（窓関数）を使用する事により、個々の信号成分 (正弦波、インパルス) が、複数のフレームやSTFT周波数ビン(bin)へ拡散しまう問題である（周波数については「スペクトル漏れ」にあたる。）。窓関数の時間的オーバーラップは、隣接するSTFT（短時間フーリエ変換 ）分析結果が互いに強い相関を持つという事実に基づいている (時刻 t の分析フレームに存在する正弦波成分は、後続フレームにも同様に存在し続ける可能性が高い)。\n\nSTFT表現上で行なう全ての変更は、隣接する 周波数ビン (垂直コヒーレンス) や 時間フレーム (水平コヒーレンス) との間で 「適切な相関関係」を維持する必要がある。これは、フェーズボコーダによる信号変形の問題に関連している。合成音が極めて単純な場合以外、この「適切な相関関係」を正確に維持ですることは困難である。フェーズボコーダの発明以来、研究は主にSTFT表現変更後に垂直/水平コヒーレンスを維持するアルゴリズムの発見のために行われてきた。なお、振幅コヒーレンスは、時間スケール操作に関してマイナーな問題に過ぎない。なぜなら、分析フレームの時間シフトは、振幅に小さな影響しか与えないからである。しかし位相コヒーレンスの問題は、適切な解決策が得られるまでかなり長い期間の検討を要した。\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BD%8D%E7%9B%B8%E3%82%B3%E3%83%92%E3%83%BC%E3%83%AC%E3%83%B3%E3%82%B9%E5%95%8F%E9%A1%8C","updated":1686839739,"position":[-38.4752,-83.5892,-55.7201],"cluster":"c44","subgroup":"c44.01","degree":2,"referenceDegree":0,"maxSimilarity":0.36165,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af114f4afaab001d5260a1","weight":0.36165,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b2138eb1f46001cd17d70","weight":0.25656,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b264a6a305b001ca5760e","source":"ideaofintellection","title":"アバンギャルド","excerpt":"仏語で「前衛」。 元々は「前衛部隊」を指す軍事用語であるが、先鋭的ないし実験的な表現、既存の価値基準を覆すような作品を名指すために19世紀頃から頻繁に用いられるようになった。","text":"アバンギャルド\n仏語で「前衛」。 元々は「前衛部隊」を指す軍事用語であるが、先鋭的ないし実験的な表現、既存の価値基準を覆すような作品を名指すために19世紀頃から頻繁に用いられるようになった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%90%E3%83%B3%E3%82%AE%E3%83%A3%E3%83%AB%E3%83%89","updated":1686840917,"position":[-13.945,-58.9587,34.4362],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.0769,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:648b2660fe04b2001b62fdf9","source":"ideaofintellection","title":"グレンジャー因果性","excerpt":"ある時系列が別の時系列の予測に役立つかどうかを判断するための統計的仮説検定で、1969年に初めて提案された。通常、回帰は「単なる」相関関係を反映するものだが、クライヴ・グレンジャーは、ある時系列の過去の値が別の時系列の将来の値を予測する能力を測定することにより、経済学における因果関係を検証できると主張した。","text":"グレンジャー因果性\n[https://scrapbox.io/files/648b26928b327f001c49f559.png]\n\nある時系列が別の時系列の予測に役立つかどうかを判断するための統計的仮説検定で、1969年に初めて提案された。通常、回帰は「単なる」相関関係を反映するものだが、クライヴ・グレンジャーは、ある時系列の過去の値が別の時系列の将来の値を予測する能力を測定することにより、経済学における因果関係を検証できると主張した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%AC%E3%83%B3%E3%82%B8%E3%83%A3%E3%83%BC%E5%9B%A0%E6%9E%9C%E6%80%A7","updated":1686840985,"position":[26.8238,-86.7633,11.3852],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07017,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:648b272aee29e7001b3a4dee","source":"ideaofintellection","title":"Drone","excerpt":"音楽におけるドローン（英: drone）とは、楽曲の中で音高の変化無しに長く持続される音である。 完全五度などの複音の場合もある。音楽において多声性のテクスチュア（音構成原理）を形成する方式の一つ。「うなり音」を意味し、「持続低音」と訳すことがある","text":"Drone\n音楽におけるドローン（英: drone）とは、楽曲の中で音高の変化無しに長く持続される音である。 完全五度などの複音の場合もある。音楽において多声性のテクスチュア（音構成原理）を形成する方式の一つ。「うなり音」を意味し、「持続低音」と訳すことがある\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Drone","updated":1686841168,"position":[45.0134,28.2237,63.8261],"cluster":"c30","subgroup":"c30.01","degree":3,"referenceDegree":0,"maxSimilarity":0.43027,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6487dda8e1c785001b2a794e","weight":0.43027,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734dea3c1dadde248a0819f","weight":0.11093,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:650792c16c5a91001cae1870","weight":0.08661,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b3ec56788c0001badf75c","source":"ideaofintellection","title":"アナロジー","excerpt":"アナロジー（類推）は、似ていることを根拠にして違う物事を推し量ることです。 これに対して、メタファー（隠喩）は、違う言葉を喩えに使って言いあらわすことだとされています。","text":"アナロジー\nアナロジー（類推）は、似ていることを根拠にして違う物事を推し量ることです。 これに対して、メタファー（隠喩）は、違う言葉を喩えに使って言いあらわすことだとされています。\n[https://scrapbox.io/files/648b3f4ff99455001cbf650e.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%8A%E3%83%AD%E3%82%B8%E3%83%BC","updated":1686847314,"position":[96.4932,-45.1385,40.8261],"cluster":"c34","subgroup":"c34.01","degree":4,"referenceDegree":0,"maxSimilarity":0.14333,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6734da4795f2459b5d1b061b","weight":0.14333,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64957154471894001bb6a8f3","weight":0.11093,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658affe581ec8800246e5795","weight":0.10571,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659218106c203200227310fc","weight":0.10151,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b41446a305b001ca69dcd","source":"ideaofintellection","title":"マルコフ連鎖","excerpt":"マルコフ連鎖（マルコフれんさ、英: Markov chain）とは、確率過程の一種であるマルコフ過程のうち、とりうる状態が離散的（有限または可算）なもの（離散状態マルコフ過程）をいう。 また特に、時間が離散的なもの（時刻は添え字で表される）を指すことが多い。","text":"マルコフ連鎖\nマルコフ連鎖（マルコフれんさ、英: Markov chain）とは、確率過程の一種であるマルコフ過程のうち、とりうる状態が離散的（有限または可算）なもの（離散状態マルコフ過程）をいう。 また特に、時間が離散的なもの（時刻は添え字で表される）を指すことが多い。\n\nマルコフ連鎖は、未来の挙動が現在の値だけで決定され、過去の挙動と無関係である（マルコフ性）。 各時刻において起こる状態変化（遷移または推移）に関して、マルコフ連鎖は遷移確率が過去の状態によらず、現在の状態のみによる系列である。 特に重要な確率過程として、様々な分野に応用される。\n\n[https://scrapbox.io/files/648b41a2d9078e001bc7f9d3.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%AB%E3%82%B3%E3%83%95%E9%80%A3%E9%8E%96","updated":1686847909,"position":[-18.524,-13.6666,-18.9382],"cluster":"c11","subgroup":"c11.01","degree":4,"referenceDegree":0,"maxSimilarity":0.65203,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a571f69c2a455680209e","weight":0.65203,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c6580103e53e001c8bf7de","weight":0.20381,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499aa67ea038f001c24a74a","weight":0.18746,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582d59f3863190023d0adf9","weight":0.14784,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648b41ca4971d9001c0d60b5","source":"ideaofintellection","title":"標準偏差 standard deviation","excerpt":"標準偏差とは、分散を平方根にとることによって計算される値です。文字式では、分散の文字式から2乗を取って、sや σなどと表されます。","text":"標準偏差 standard deviation\n標準偏差とは、分散を平方根にとることによって計算される値です。文字式では、分散の文字式から2乗を取って、sや σなどと表されます。\n[https://scrapbox.io/files/648b41f87c9d50001b9966e7.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%A8%99%E6%BA%96%E5%81%8F%E5%B7%AE%20standard%20deviation","updated":1686847995,"position":[-45.6593,20.3986,-138.7708],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0757,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:648b4225d9078e001bc7fe11","source":"ideaofintellection","title":"ミスマッチネガティビティ","excerpt":"オドボール課題では同じ音（標準刺激）を繰り返し聞きますが、時々違う音（逸脱刺激）を聞きます。 違う音を聞いてから100～200ミリ秒後に脳波で陰性の電位変化が出現し、これをミスマッチ陰性電位と言います。","text":"ミスマッチネガティビティ\nオドボール課題では同じ音（標準刺激）を繰り返し聞きますが、時々違う音（逸脱刺激）を聞きます。 違う音を聞いてから100～200ミリ秒後に脳波で陰性の電位変化が出現し、これをミスマッチ陰性電位と言います。\n[https://scrapbox.io/files/648b42646788c0001bae3077.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9F%E3%82%B9%E3%83%9E%E3%83%83%E3%83%81%E3%83%8D%E3%82%AC%E3%83%86%E3%82%A3%E3%83%93%E3%83%86%E3%82%A3","updated":1686848103,"position":[8.759,54.9569,31.0841],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10074,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68f60de30cd8d1a23fc55341","weight":0.10074,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66825978325bcc001c31e648","weight":0.08681,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648bb5b8f38e5c001c027f26","source":"ideaofintellection","title":"ハーモニクスとオーバートーン","excerpt":"音の波形は基本周波数（ファンダメンタル）とそれに関連する高周波成分（オーバートーンまたはハーモニクス）で構成されています。これらのハーモニクスは基本周波数の整数倍であり、その組み合わせが音色を決定します。","text":"ハーモニクスとオーバートーン\n音の波形は基本周波数（ファンダメンタル）とそれに関連する高周波成分（オーバートーンまたはハーモニクス）で構成されています。これらのハーモニクスは基本周波数の整数倍であり、その組み合わせが音色を決定します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%83%BC%E3%83%A2%E3%83%8B%E3%82%AF%E3%82%B9%E3%81%A8%E3%82%AA%E3%83%BC%E3%83%90%E3%83%BC%E3%83%88%E3%83%BC%E3%83%B3","updated":1686877634,"position":[98.2434,-46.9354,42.3447],"cluster":"c34","subgroup":"c34.01","degree":4,"referenceDegree":0,"maxSimilarity":0.20253,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648bb5c5651b76001c5150ce","weight":0.20253,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f78d56ceab8a001d0fdae4","weight":0.12568,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68b32911aa872b37265c2ba8","weight":0.12163,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657411df818ad7002275c3c5","weight":0.09701,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648bb5c5651b76001c5150ce","source":"ideaofintellection","title":"フーリエの定理","excerpt":"任意の波形は、異なる周波数を持つ正弦波の和として表現することができます。これは音楽において、音の波形を分析し、それがどのようなハーモニクスの組み合わせで構成されているかを理解するのに役立ちます。","text":"フーリエの定理\n任意の波形は、異なる周波数を持つ正弦波の和として表現することができます。これは音楽において、音の波形を分析し、それがどのようなハーモニクスの組み合わせで構成されているかを理解するのに役立ちます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%BC%E3%83%AA%E3%82%A8%E3%81%AE%E5%AE%9A%E7%90%86","updated":1686877653,"position":[98.3503,-47.6402,43.0133],"cluster":"c34","subgroup":"c34.01","degree":4,"referenceDegree":0,"maxSimilarity":0.20253,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648bb5b8f38e5c001c027f26","weight":0.20253,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a27739a2e851001b0fabab","weight":0.09725,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3e5827132e001c2db7a0","weight":0.09559,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a1a86f8548f7001ce4862f","weight":0.09559,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648bb5d6c82750001cb9d8bd","source":"ideaofintellection","title":"ドップラー効果","excerpt":"音源が観測者に対して移動している場合、観測者が聞く音の周波数は音源の実際の周波数とは異なります。これは音楽に直接関連はありませんが、音の物理学を理解する上で重要な概念です。","text":"ドップラー効果\n音源が観測者に対して移動している場合、観測者が聞く音の周波数は音源の実際の周波数とは異なります。これは音楽に直接関連はありませんが、音の物理学を理解する上で重要な概念です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%89%E3%83%83%E3%83%97%E3%83%A9%E3%83%BC%E5%8A%B9%E6%9E%9C","updated":1686877688,"position":[42.7022,91.6731,16.8058],"cluster":"c25","subgroup":"c25.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13741,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6821df23ee64920c246d5e5e","weight":0.13741,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a5531687651d001ce4684b","weight":0.12165,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65fbd7b0b1816200256cb207","weight":0.08993,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648bb5fbeb1f46001cd6440c","source":"ideaofintellection","title":"音の速度","excerpt":"音の速度は媒質（空気、水、固体など）と温度によって変わります。これは楽器の調律に影響を与え、特に管楽器や弦楽器では重要です。","text":"音の速度\n音の速度は媒質（空気、水、固体など）と温度によって変わります。これは楽器の調律に影響を与え、特に管楽器や弦楽器では重要です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9F%B3%E3%81%AE%E9%80%9F%E5%BA%A6","updated":1686877708,"position":[16.1884,-66.6725,1.9596],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09059,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d634a031b3e0024df4524","weight":0.09059,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678940fdc8084a826ca40bea","weight":0.08678,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648bc6d146dc58001b37ede6","source":"ideaofintellection","title":"パンとシュリンクス","excerpt":"https://www.musey.net/11601","text":"パンとシュリンクス\n[https://scrapbox.io/files/648bc6f5abcedc001c1f8e0c.png]\nhttps://www.musey.net/11601\n\nこの作品は、古代ローマの詩人オウィディウスによる「変身物語」の一場面を描いている。シュリンクスは、ギリシャ神話に登場する女神アルテミスの従者である。ヤギの下半身を持つ半獣神パンに求愛されたシュリンクスは、ラドン川まで逃げる。シュリンクスを捕まえようとパンが彼女に抱き着いた瞬間、川のニンフたちはシュリンクスの懇願により彼女を川岸の葦に変えた。パンは彼女を悼み、音の鳴るその葦で笛を作り、シュリンクスと名付けた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%83%B3%E3%81%A8%E3%82%B7%E3%83%A5%E3%83%AA%E3%83%B3%E3%82%AF%E3%82%B9","updated":1686882068,"position":[26.1301,116.1706,12.5735],"cluster":"c25","subgroup":"c25.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12441,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64e4449841b34e001b1f32d3","weight":0.12441,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648bc7202651c7001bd30a7d","source":"ideaofintellection","title":"apeirogon -無限角形","excerpt":"polygon with an infinite number of sides.","text":"apeirogon -無限角形\npolygon with an infinite number of sides.\n[https://scrapbox.io/files/648bc77bd241df001cc0e247.png]\n[https://scrapbox.io/files/648bc7918b327f001c50af54.png]\n[https://scrapbox.io/files/648bc799db4d01001ba24b84.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/apeirogon%20-%E7%84%A1%E9%99%90%E8%A7%92%E5%BD%A2","updated":1686882204,"position":[31.1526,-1.6754,-10.6241],"cluster":"c18","subgroup":"c18.01","degree":3,"referenceDegree":0,"maxSimilarity":0.11967,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d67f48ca5749001d61c539","weight":0.11967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2ed540d98d7001c478add","weight":0.11219,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d67f1ebea2d0001c4a4643","weight":0.08646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648bc7ad002fa7001c7b2b38","source":"ideaofintellection","title":"ラポール","excerpt":"「ラポール」とは、心理学の用語で、主にセラピストとクライエントの相互の信頼関係のことで、フランス語で「橋を架ける」という意味から、心が通じ合い、互いに信頼しあい、相手を受け入れていることを表します。","text":"ラポール\n「ラポール」とは、心理学の用語で、主にセラピストとクライエントの相互の信頼関係のことで、フランス語で「橋を架ける」という意味から、心が通じ合い、互いに信頼しあい、相手を受け入れていることを表します。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%83%9D%E3%83%BC%E3%83%AB","updated":1686882265,"position":[12.5115,-53.291,68.9469],"cluster":"c12","subgroup":"c12.01","degree":6,"referenceDegree":0,"maxSimilarity":0.15853,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.15853,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d5e87063d9500243843ac","weight":0.15379,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c506f61398e000259c7400","weight":0.11274,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.10265,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5f2f4cfcdca002430a11e","weight":0.09321,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631c143c3d061002478b530","weight":0.08539,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648bcb42e2a648001c63fb26","source":"ideaofintellection","title":"マテリア","excerpt":"マ・ティダ・ヌ・コモリという太陽が輝く滝壺を意味する島口が名前の由来。 昔はこの辺はうっそうとした林であったが、この滝壺の上だけが美しく照り輝いていたことからつけられたと言われています。","text":"マテリア\n\nマ・ティダ・ヌ・コモリという太陽が輝く滝壺を意味する島口が名前の由来。 昔はこの辺はうっそうとした林であったが、この滝壺の上だけが美しく照り輝いていたことからつけられたと言われています。\n\nマテリアの滝 -奄美\nhttps://www.amami-tourism.org/scenery/792/\n[https://scrapbox.io/files/648bcb95392237001bef58c2.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%86%E3%83%AA%E3%82%A2","updated":1686883225,"position":[23.2419,39.8976,-27.4306],"cluster":"c15","subgroup":"c15.01","degree":2,"referenceDegree":0,"maxSimilarity":0.31367,"lowEvidence":false,"neighbors":[{"id":"NextResearch:647cb02bff5b30001b2b307c","weight":0.31367,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c22a5f0d24130026ed2a1b","weight":0.09323,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648bcf2fd950e7001b6c8492","source":"ideaofintellection","title":"アバター","excerpt":"アバターとは、サンスクリット語で「神の化身」を意味する「avataara（アヴァターラ）」を語源とする英語で、「化身」「具現」「権化」などの意味を持つ。 ITの分野では、インターネットやゲームなどの仮想空間上に登場するユーザーの分身となるキャラクターを指す。","text":"アバター\nアバターとは、サンスクリット語で「神の化身」を意味する「avataara（アヴァターラ）」を語源とする英語で、「化身」「具現」「権化」などの意味を持つ。 ITの分野では、インターネットやゲームなどの仮想空間上に登場するユーザーの分身となるキャラクターを指す。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%90%E3%82%BF%E3%83%BC","updated":1686884174,"position":[-20.6175,45.137,32.6286],"cluster":"c06","subgroup":"c06.02","degree":2,"referenceDegree":0,"maxSimilarity":0.26028,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a27684e666ec001cd32d3a","weight":0.26028,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593911d13ab1e0024579828","weight":0.09518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648bd0ef3bf046001c628fe3","source":"ideaofintellection","title":"アファンタジア","excerpt":"アファンタジア（Aphantasia）は、視覚化を阻害する「盲目的な心眼」として知られる稀な疾患である。 この病態を診断する急性的な方法がないため、医療関係者に軽視されることが多い。 しかし、アファンタジアの研究が進めば、アスペルガー症候群や一般的な自閉症など、他の疾患との関連性が明らかになるかもしれない。","text":"アファンタジア\nアファンタジア（Aphantasia）は、視覚化を阻害する「盲目的な心眼」として知られる稀な疾患である。 この病態を診断する急性的な方法がないため、医療関係者に軽視されることが多い。 しかし、アファンタジアの研究が進めば、アスペルガー症候群や一般的な自閉症など、他の疾患との関連性が明らかになるかもしれない。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%95%E3%82%A1%E3%83%B3%E3%82%BF%E3%82%B8%E3%82%A2","updated":1686884612,"position":[21.7989,-61.6776,25.7181],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07348,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:648bd2ee8b327f001c51ec2b","source":"ideaofintellection","title":"Albert einstein -music","excerpt":"I live my daydreams in music. I see my life in terms of music.","text":"Albert einstein -music\nI live my daydreams in music. I see my life in terms of music.\n[https://scrapbox.io/files/648bd3c8281ef9001bc21456.png]\n\nhttps://theconversation.com/amp/good-vibrations-the-role-of-music-in-einsteins-thinking-54725\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Albert%20einstein%20-music","updated":1686885327,"position":[19.0434,86.8874,29.518],"cluster":"c21","subgroup":"c21.01","degree":13,"referenceDegree":0,"maxSimilarity":0.37506,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64a560ea9497120021570a35","weight":0.37506,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.33415,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c69b71b6dd400221b1b8f","weight":0.23274,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499407cfb9e1d001b2ded0f","weight":0.20182,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afcbc854be5001b641c93","weight":0.19779,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499aaffb7c14a001bff47d5","weight":0.19433,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f82fd252e65a001ccbdc24","weight":0.19302,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:671f1192a5895fbd7f3ac6b2","weight":0.18227,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:648bd400e06522001c1e396f","source":"ideaofintellection","title":"Correlation coefficient (相関係数)","excerpt":"2つのデータまたは確率変数の間にある線形な関係の強弱を測る指標である。","text":"Correlation coefficient (相関係数)\n2つのデータまたは確率変数の間にある線形な関係の強弱を測る指標である。\n[https://scrapbox.io/files/648bd429eb1f46001cd98cec.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Correlation%20coefficient%20%28%E7%9B%B8%E9%96%A2%E4%BF%82%E6%95%B0%29","updated":1686885420,"position":[-38.4422,48.554,-122.7119],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06672,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64901a3e412066001c4050e1","source":"ideaofintellection","title":"gamification","excerpt":"ゲーミフィケーションは、コンピュータゲームのゲームデザイン要素やゲームの原則をゲーム以外の物事に応用することを言う。 ゲーミフィケーションは一般に、ゲームデザイン要素を用いてユーザーエンゲージメントや組織の生産性、フロー、学習、クラウドソーシング、従業員の採用および評価、使いやすさなどを向上させるのに用いられる。","text":"gamification\nゲーミフィケーションは、コンピュータゲームのゲームデザイン要素やゲームの原則をゲーム以外の物事に応用することを言う。 ゲーミフィケーションは一般に、ゲームデザイン要素を用いてユーザーエンゲージメントや組織の生産性、フロー、学習、クラウドソーシング、従業員の採用および評価、使いやすさなどを向上させるのに用いられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/gamification","updated":1687165529,"position":[50.6147,-38.0308,2.4869],"cluster":"c10","subgroup":"c10.01","degree":3,"referenceDegree":0,"maxSimilarity":0.09899,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659395e0bee55e002532aae1","weight":0.09899,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556409f6ea6bc001b90516c","weight":0.09201,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0c92589eca001bd319a8","weight":0.08646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64901ed547e0c2001c198f9d","source":"ideaofintellection","title":"conscience","excerpt":"良心とは、自身に内在する価値観に照らして、ことの可否ないし善悪を測る心の働きのこと。または、人としての良い心を持つ自身の状態である。英語では conscience と表記され、その語源には日本語のような「良」を意味する部分はない。","text":"conscience\n良心とは、自身に内在する価値観に照らして、ことの可否ないし善悪を測る心の働きのこと。または、人としての良い心を持つ自身の状態である。英語では conscience と表記され、その語源には日本語のような「良」を意味する部分はない。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/conscience","updated":1687166712,"position":[-19.5805,-67.1965,41.1453],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07288,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649164fdb71985001c5dc5d4","source":"ideaofintellection","title":"Tyndall effect, Tyndall scattering","excerpt":"チンダル現象は、光の特性によって起こる物理化学的現象の一つ。分散系に光を通したときに、光が主にミー散乱によって散乱され、光の通路がその斜めや横からでも光って見える現象を言う。 19世紀にイギリスの物理学者ジョン・ティンダルによって発見されたため、この名がある。","text":"Tyndall effect, Tyndall scattering\nチンダル現象は、光の特性によって起こる物理化学的現象の一つ。分散系に光を通したときに、光が主にミー散乱によって散乱され、光の通路がその斜めや横からでも光って見える現象を言う。 19世紀にイギリスの物理学者ジョン・ティンダルによって発見されたため、この名がある。\n[https://scrapbox.io/files/64916510dd0a1c001cdfc827.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Tyndall%20effect%2C%20Tyndall%20scattering","updated":1687250195,"position":[-23.3778,-73.4959,12.1355],"cluster":"c27","subgroup":"c27.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10292,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64e4451107558600205ef232","weight":0.10292,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6491c31dc12b02001ba6d98a","source":"ideaofintellection","title":"Fibonacci","excerpt":"フィボナッチとはイタリアの数学者「レオナルド・フィボナッチ」氏により発見されたものであり、1から始めて前の数字を加算していく数列のことです。 一般的に人間が好むといわれる黄金比率","text":"Fibonacci\nフィボナッチとはイタリアの数学者「レオナルド・フィボナッチ」氏により発見されたものであり、1から始めて前の数字を加算していく数列のことです。 一般的に人間が好むといわれる黄金比率\n[https://scrapbox.io/files/6491c33577991a001c76cd8b.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Fibonacci","updated":1687274348,"position":[18.9292,94.327,35.4852],"cluster":"c21","subgroup":"c21.01","degree":3,"referenceDegree":0,"maxSimilarity":0.16514,"lowEvidence":false,"neighbors":[{"id":"NextResearch:649bca63cd3481001be1d25d","weight":0.16514,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659386d203c3060024a3fc5e","weight":0.10008,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf621f5932db002632c98f","weight":0.09497,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6492507d4792e0001ce71848","source":"ideaofintellection","title":"マンデルブロ集合","excerpt":"数学、特に複素力学系に於けるマンデルブロ集合は、 充填ジュリア集合に対する指標として提唱された集合である。数学者ブノワ・マンデルブロの名に因む。","text":"マンデルブロ集合\n数学、特に複素力学系に於けるマンデルブロ集合は、 充填ジュリア集合に対する指標として提唱された集合である。数学者ブノワ・マンデルブロの名に因む。\n[https://scrapbox.io/files/6492508b62849d001b433196.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%B3%E3%83%87%E3%83%AB%E3%83%96%E3%83%AD%E9%9B%86%E5%90%88","updated":1687310487,"position":[45.751,103.5321,5.08],"cluster":"c25","subgroup":"c25.01","degree":3,"referenceDegree":0,"maxSimilarity":0.5344,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6493ecee464168001cdff2bd","weight":0.5344,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64941200747211001b56016a","weight":0.51226,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6493069b48c7db001c56920a","weight":0.36906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6492a199ba72a5001cf2b870","source":"ideaofintellection","title":"ナイキスト周波数","excerpt":"ナイキスト周波数は信号を標本化するときの、サンプリング周波数の1/2の周波数である。","text":"ナイキスト周波数\nナイキスト周波数は信号を標本化するときの、サンプリング周波数の1/2の周波数である。\n[https://scrapbox.io/files/6492a1b28e0578001b224ea4.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8A%E3%82%A4%E3%82%AD%E3%82%B9%E3%83%88%E5%91%A8%E6%B3%A2%E6%95%B0","updated":1687331253,"position":[44.4543,92.8465,11.9369],"cluster":"c25","subgroup":"c25.01","degree":4,"referenceDegree":0,"maxSimilarity":0.19668,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65cbdebfbba001c2699ee","weight":0.19668,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65fbd7b0b1816200256cb207","weight":0.19031,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a5531687651d001ce4684b","weight":0.17012,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bb1392237001be7a60a","weight":0.08701,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6492a21bf1b45a001c985394","source":"ideaofintellection","title":"ヒルベルト変換","excerpt":"ヒルベルト変換とは与えられた関数に対しすべての周波数成分の位相を 90°ずらす操作である。","text":"ヒルベルト変換\nヒルベルト変換とは与えられた関数に対しすべての周波数成分の位相を 90°ずらす操作である。\n[https://scrapbox.io/files/6492a26af15653001cba930a.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%92%E3%83%AB%E3%83%99%E3%83%AB%E3%83%88%E5%A4%89%E6%8F%9B","updated":1687331437,"position":[-20.927,-16.7242,-20.9797],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.28564,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d3fb7eb66cf90026613b1f","weight":0.28564,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6492ef395f678d001b16077a","source":"ideaofintellection","title":"neuron flower","excerpt":"[https://scrapbox.io/files/6492ef4a4792e0001cf699fd.png]","text":"neuron flower\n[https://scrapbox.io/files/6492ef4a4792e0001cf699fd.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/neuron%20flower","updated":1687351117,"position":[-5.8175,61.2412,45.114],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.52727,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68932bcd7886d50690ba8d67","weight":0.52727,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d56a9c444bc93ee6c9d3","weight":0.09909,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6493055b76e8d9001c39a6e0","source":"ideaofintellection","title":"形而上学 メタフィジックス","excerpt":"形而上学(ケイジジョウガク）は、存在、実在、現実の本質について探求する分野です。物質と精神、時間と空間、因果関係などの問題を扱います。","text":"形而上学 メタフィジックス\n形而上学(ケイジジョウガク）は、存在、実在、現実の本質について探求する分野です。物質と精神、時間と空間、因果関係などの問題を扱います。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%BD%A2%E8%80%8C%E4%B8%8A%E5%AD%A6%20%E3%83%A1%E3%82%BF%E3%83%95%E3%82%A3%E3%82%B8%E3%83%83%E3%82%AF%E3%82%B9","updated":1687356830,"position":[-25.3956,-72.4249,8.7326],"cluster":"c27","subgroup":"c27.01","degree":4,"referenceDegree":0,"maxSimilarity":0.22877,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e31f5fe6ee87001cf28f0b","weight":0.22877,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67c808cdda60c5aa759be379","weight":0.20905,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67c80910e7aceb215cc2757b","weight":0.20905,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649305669759b5001bf4d6ab","weight":0.13246,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649305669759b5001bf4d6ab","source":"ideaofintellection","title":"認識論（エピステモロジー）","excerpt":"認識論は、知識、信念、真実などの問題を研究する分野です。知識の起源、限界、信念の正当化について考えます。","text":"認識論（エピステモロジー）\n認識論は、知識、信念、真実などの問題を研究する分野です。知識の起源、限界、信念の正当化について考えます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%AA%8D%E8%AD%98%E8%AB%96%EF%BC%88%E3%82%A8%E3%83%94%E3%82%B9%E3%83%86%E3%83%A2%E3%83%AD%E3%82%B8%E3%83%BC%EF%BC%89","updated":1687356797,"position":[-26.0739,-72.7256,8.5525],"cluster":"c27","subgroup":"c27.01","degree":4,"referenceDegree":0,"maxSimilarity":0.17556,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67894482a7574cc41139e05a","weight":0.17556,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6493055b76e8d9001c39a6e0","weight":0.13246,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659218106c203200227310fc","weight":0.11646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789411943008644046ef8f4","weight":0.08812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64930622d4dc65001b381cb8","source":"ideaofintellection","title":"gamut 色域","excerpt":"色域とは、人間の目で認識可能な色の範囲（可視領域）の中で、さらに特定の色の範囲を定めたもののことです。 それらを明らかにし、 さらには使用する機器間で色のすりあわせを行うために、色域が決められています。 物の位置を座標と呼ぶ複数の数値を組み合わせて表すように、色を複数の数値を組み合わせて表す方法です。","text":"gamut 色域\n色域とは、人間の目で認識可能な色の範囲（可視領域）の中で、さらに特定の色の範囲を定めたもののことです。 それらを明らかにし、 さらには使用する機器間で色のすりあわせを行うために、色域が決められています。 物の位置を座標と呼ぶ複数の数値を組み合わせて表すように、色を複数の数値を組み合わせて表す方法です。\n[https://scrapbox.io/files/649306288ddff4001cb8558c.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/gamut%20%E8%89%B2%E5%9F%9F","updated":1687356992,"position":[-25.4728,35.085,-121.8849],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07436,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6493069b48c7db001c56920a","source":"ideaofintellection","title":"充填ジュリア集合","excerpt":"数学、特に複素力学系に於ける充填ジュリア集合（じゅうてんジュリアしゅうごう、英: Filled Julia set ）は、ジュリア集合とその内部を含む集合である。","text":"充填ジュリア集合\n数学、特に複素力学系に於ける充填ジュリア集合（じゅうてんジュリアしゅうごう、英: Filled Julia set ）は、ジュリア集合とその内部を含む集合である。\n[https://scrapbox.io/files/649306af1c8e77001c32811e.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%85%85%E5%A1%AB%E3%82%B8%E3%83%A5%E3%83%AA%E3%82%A2%E9%9B%86%E5%90%88","updated":1687357107,"position":[43.9386,103.7612,0.2785],"cluster":"c25","subgroup":"c25.01","degree":2,"referenceDegree":0,"maxSimilarity":0.36906,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6492507d4792e0001ce71848","weight":0.36906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c557de27cb5100255fef6a","weight":0.13454,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6493e211710bae001becaafb","source":"ideaofintellection","title":"IDyOM","excerpt":"IDyOM (Information Dynamics of Music) is a system for constructing multiple-viewpoint, variable-order Markov models (Conklin & Witten, 1995; Bunton, 1997) for predictive modelling of probabilistic structure in symbolic, sequential auditory domains such as music. IDyOM acquires knowledge about a domain through statistical learning and generates conditional probability distributions representing the estimated likelihood of each event in a sequence, plus associated information-theoretic measures, given the preceding context and prior short- and long-term training of the model. Scientific presenta","text":"IDyOM \nIDyOM (Information Dynamics of Music) is a system for constructing multiple-viewpoint, variable-order Markov models (Conklin & Witten, 1995; Bunton, 1997) for predictive modelling of probabilistic structure in symbolic, sequential auditory domains such as music. IDyOM acquires knowledge about a domain through statistical learning and generates conditional probability distributions representing the estimated likelihood of each event in a sequence, plus associated information-theoretic measures, given the preceding context and prior short- and long-term training of the model. Scientific presentations of IDyOM can be found in Pearce (2005, 2018) - please use these as citations in any publications using this software.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/IDyOM","updated":1687413275,"position":[18.0239,83.7755,31.7308],"cluster":"c21","subgroup":"c21.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12966,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64f82fd252e65a001ccbdc24","weight":0.12966,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.10022,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a55aec71a58a001c4a7a1f","weight":0.0914,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64953b62f87731001ba809ea","source":"ideaofintellection","title":"Catharsis","excerpt":"カタルシスとは、心の中に溜まってしまったネガティブな感情を開放（解放）することで、心に存在する重苦しい嫌な気分が浄化されることを意味します","text":"Catharsis\nカタルシスとは、心の中に溜まってしまったネガティブな感情を開放（解放）することで、心に存在する重苦しい嫌な気分が浄化されることを意味します\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Catharsis","updated":1687501716,"position":[3.3004,-79.0578,18.4742],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.11412,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64f1bb3afdf802001c575dd6","weight":0.11412,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64953bbf61db82001cddb199","source":"ideaofintellection","title":"Contour","excerpt":"A contour line of a function of two variables is a curve along which the function has a constant value, so that the curve joins points of equal value. It is a plane section of the three-dimensional graph of the function f parallel to the-plane.","text":"Contour\nA contour line of a function of two variables is a curve along which the function has a constant value, so that the curve joins points of equal value. It is a plane section of the three-dimensional graph of the function f parallel to the-plane.\n[https://scrapbox.io/files/64953c0e407b4f001cd4e096.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Contour","updated":1687501846,"position":[-10.8863,102.8756,61.9328],"cluster":"c20","subgroup":"c20.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09578,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659c6f152b53bb002349f5b6","weight":0.09578,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64953c3ad06126001b554d1f","source":"ideaofintellection","title":"semitone","excerpt":"A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale","text":"semitone \nA semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale\n\n[https://scrapbox.io/files/64953c52401cb3001b9379bd.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/semitone","updated":1687501930,"position":[56.291,-32.3946,1.9946],"cluster":"c10","subgroup":"c10.01","degree":3,"referenceDegree":0,"maxSimilarity":0.15345,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64999e4b4d97aa001c26844c","weight":0.15345,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64999e6f1db073001c58afd6","weight":0.11022,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499a9e62582d2001bb0fb3b","weight":0.10122,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64957154471894001bb6a8f3","source":"ideaofintellection","title":"analogy","excerpt":"類推または類比、相似、アナロジーとは、特定の事物に基づく情報を、他の特定の事物へ、それらの間の何らかの類似に基づいて適用する認知過程である。古代ギリシャ語で「比例」を意味する","text":"analogy\n類推または類比、相似、アナロジーとは、特定の事物に基づく情報を、他の特定の事物へ、それらの間の何らかの類似に基づいて適用する認知過程である。古代ギリシャ語で「比例」を意味する\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/analogy","updated":1687515568,"position":[1.5561,-76.8477,36.1534],"cluster":"c01","subgroup":"c01.03","degree":4,"referenceDegree":0,"maxSimilarity":0.17391,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.17391,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d4546bb14b40caf1e067b3","weight":0.13146,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b3ec56788c0001badf75c","weight":0.11093,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580002dc480410023553ee3","weight":0.09643,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64965bd4d4bd20001bda1c57","source":"ideaofintellection","title":"dichotomous","excerpt":"二分法は、全体を2つの部分に分割することです。言い換えれば、このいくつかの部分は 共同で網羅的：すべてがいずれかの部分に属している必要があり、 相互に排他的：両方の部分に同時に属することはできません。 概念Aがあり、それがパーツBとnot-Bに分割されている場合、パーツは二分法を形成します。","text":"dichotomous\n二分法は、全体を2つの部分に分割することです。言い換えれば、このいくつかの部分は 共同で網羅的：すべてがいずれかの部分に属している必要があり、 相互に排他的：両方の部分に同時に属することはできません。 概念Aがあり、それがパーツBとnot-Bに分割されている場合、パーツは二分法を形成します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/dichotomous","updated":1687575529,"position":[-34.632,43.7261,-112.5574],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09479,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:6559ed3d390d1b001c056ae6","weight":0.09479,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64993c77edc613001cd328ef","source":"ideaofintellection","title":"proxy server","excerpt":"In computer networking, a proxy server is a server application that acts as an intermediary between a client requesting a resource and the server providing that resource.","text":"proxy server\nIn computer networking, a proxy server is a server application that acts as an intermediary between a client requesting a resource and the server providing that resource.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/proxy%20server","updated":1687764108,"position":[-12.5755,79.7647,36.2541],"cluster":"c16","subgroup":"c16.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19437,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6851319a59f4f12493bc942e","weight":0.19437,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64993d93045032001bcd075d","source":"ideaofintellection","title":"Inertia -慣性","excerpt":"Inertia is the idea that an object will continue its current motion until some force causes its speed or direction to change. The term is properly understood as shorthand for \"the principle of inertia\" as described by Newton in his first law of motion.","text":"Inertia -慣性\nInertia is the idea that an object will continue its current motion until some force causes its speed or direction to change. The term is properly understood as shorthand for \"the principle of inertia\" as described by Newton in his first law of motion.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Inertia%20-%E6%85%A3%E6%80%A7","updated":1687764389,"position":[2.6888,82.1185,44.688],"cluster":"c19","subgroup":"c19.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14222,"lowEvidence":false,"neighbors":[{"id":"NextResearch:648bcaaca2b13a001c1cee27","weight":0.14222,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640579d09127b5001bdcb909","weight":0.09437,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64993e0fb7c14a001bf7a337","source":"ideaofintellection","title":"seamlessly","excerpt":"smoothly and continuously, with no apparent gaps or spaces between one part and the next.","text":"seamlessly\nsmoothly and continuously, with no apparent gaps or spaces between one part and the next.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/seamlessly","updated":1687764505,"position":[-13.2698,109.1786,61.6787],"cluster":"c20","subgroup":"c20.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13577,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af8b31cae7e0001cb383bb","weight":0.13577,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64993e4a7d9235001c34ae3e","source":"ideaofintellection","title":"embellishment","excerpt":"a decorative detail or feature added to something to make it more attractive.","text":"embellishment\na decorative detail or feature added to something to make it more attractive.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/embellishment","updated":1687764574,"position":[33.5347,-0.341,-13.4597],"cluster":"c18","subgroup":"c18.01","degree":2,"referenceDegree":0,"maxSimilarity":0.24343,"lowEvidence":false,"neighbors":[{"id":"NextResearch:640a0df7a7960a001b7a6c80","weight":0.24343,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a37c60605016001bb1aa9d","weight":0.09058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64993eb2c52b95001bdbc7f3","source":"ideaofintellection","title":"Mordent","excerpt":"音楽では、モルデントは、音符が上または下の音符を 1 回素早く交互に演奏することを示す装飾です。トリルと同様に、小さなフラット、シャープ、または自然な臨時記号によって半音階を変更できます。","text":"Mordent\n音楽では、モルデントは、音符が上または下の音符を 1 回素早く交互に演奏することを示す装飾です。トリルと同様に、小さなフラット、シャープ、または自然な臨時記号によって半音階を変更できます。\n[https://scrapbox.io/files/64993ecf160113001b5dd047.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Mordent","updated":1687764689,"position":[76.0677,-129.1734,-15.356],"cluster":"c40","subgroup":"c40.01","degree":3,"referenceDegree":0,"maxSimilarity":0.22126,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a30298707b00238e58ee","weight":0.22126,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d2dc8acfd2db75aa267c","weight":0.18574,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc43bf82dbe7d3efb19a1","weight":0.15563,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64993f07b257a9001c74e715","source":"ideaofintellection","title":"virtuoso","excerpt":"最高の熟達か技能を持つ、または、最高の熟達か技能を見せる(having or revealing supreme mastery or skill)","text":"virtuoso\n最高の熟達か技能を持つ、または、最高の熟達か技能を見せる(having or revealing supreme mastery or skill) \n· 気が遠くなるほどどんな分野にも熟練した\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/virtuoso","updated":1687764814,"position":[-57.7454,45.6537,-104.1798],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05543,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64993f5ee6b35d001c92f42f","source":"ideaofintellection","title":"Inevitable","excerpt":"避けられるか防がれることができない(incapable of being avoided or prevented) ;","text":"Inevitable\n避けられるか防がれることができない(incapable of being avoided or prevented) ; \n不変的に起こるか、または現れる(invariably occurring or appearing)\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Inevitable","updated":1687764855,"position":[-43.0155,15.154,-102.9016],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0524,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64993f9378598d001d39d4ff","source":"ideaofintellection","title":"Ontogeny","excerpt":"Ontogeny is the origination and development of an organism, usually from the time of fertilization of the egg to adult. The term can also be used to refer to the study of the entirety of an organism's lifespan.","text":"Ontogeny\nOntogeny is the origination and development of an organism, usually from the time of fertilization of the egg to adult. The term can also be used to refer to the study of the entirety of an organism's lifespan.\n個体発生\n\nontogenetic\n個体発生的な\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Ontogeny","updated":1687764944,"position":[6.3545,83.9531,15.3668],"cluster":"c13","subgroup":"c13.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11954,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69c8aa21ad5ceada55b22a0f","weight":0.11954,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64be0d48434f92001be97891","weight":0.08901,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649940de201a75001c255b8a","source":"ideaofintellection","title":"Tower of London test","excerpt":"The Tower of London test is a test used in applied clinical neuropsychology for the assessment of executive functioning specifically to detect deficits in planning","text":"Tower of London test\nThe Tower of London test is a test used in applied clinical neuropsychology for the assessment of executive functioning specifically to detect deficits in planning\n[https://scrapbox.io/files/649940f0b3d830001b231aca.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Tower%20of%20London%20test","updated":1687765235,"position":[23.3868,84.498,-1.1882],"cluster":"c22","subgroup":"c22.01","degree":3,"referenceDegree":0,"maxSimilarity":0.23243,"lowEvidence":false,"neighbors":[{"id":"NextResearch:649940383a4277001b76adff","weight":0.23243,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69a0204b633dc6484b1c79ed","weight":0.16107,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:684af3b7990d5f7b729d72cc","weight":0.09887,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499462b2b54f1001c560148","source":"ideaofintellection","title":"物象化","excerpt":"(Versachlichung の訳語) 物は他の物との関係によって意味を持つとするとき、関係がそれ自体物であるかのように意識されたり、あるいはもともと物に内在する性質であると見なされたりすること","text":"物象化\n(Versachlichung の訳語) 物は他の物との関係によって意味を持つとするとき、関係がそれ自体物であるかのように意識されたり、あるいはもともと物に内在する性質であると見なされたりすること\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%89%A9%E8%B1%A1%E5%8C%96","updated":1687766582,"position":[13.8233,-52.2757,68.1841],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1111,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.1111,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499466178598d001d3aac26","source":"ideaofintellection","title":"間主観性　Intersubjectivity","excerpt":"自明（当たり前）の世界（現実）は、他者とのコミニュケーション（言語及び非言語的関わり合い）により成立します。 この関わり合いによって、様々な物事、事象が客観性を持つことになるのです。 客観的事実と思われる事象に基づいた主観、直感を「間主観性」といいます。","text":"間主観性　Intersubjectivity\n自明（当たり前）の世界（現実）は、他者とのコミニュケーション（言語及び非言語的関わり合い）により成立します。 この関わり合いによって、様々な物事、事象が客観性を持つことになるのです。 客観的事実と思われる事象に基づいた主観、直感を「間主観性」といいます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%96%93%E4%B8%BB%E8%A6%B3%E6%80%A7%E3%80%80Intersubjectivity","updated":1687766697,"position":[58.8948,-49.4498,-15.4439],"cluster":"c10","subgroup":"c10.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05771,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649946d50b0ca9001c432fb6","source":"ideaofintellection","title":"離散","excerpt":"離れ離れになること。 散り散りになること。 (数学) 連続的でなくとびとびの値を取ること","text":"離散\n離れ離れになること。 散り散りになること。 (数学) 連続的でなくとびとびの値を取ること\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9B%A2%E6%95%A3","updated":1687766751,"position":[13.705,-36.8667,20.1994],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.2155,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649be38097c383001b2d78fa","weight":0.2155,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649947307d9235001c35b770","source":"ideaofintellection","title":"モジュラーデザイン","excerpt":"モジュラーデザインとは、互換性が高い少数の部品（モジュール）を事前に複数設計しておき、それらを組み合わせて多様な製品を設計する","text":"モジュラーデザイン\nモジュラーデザインとは、互換性が高い少数の部品（モジュール）を事前に複数設計しておき、それらを組み合わせて多様な製品を設計する\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A2%E3%82%B8%E3%83%A5%E3%83%A9%E3%83%BC%E3%83%87%E3%82%B6%E3%82%A4%E3%83%B3","updated":1687766846,"position":[50.6491,-34.3171,1.9484],"cluster":"c10","subgroup":"c10.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11579,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6499475f165276001bd1b3aa","weight":0.11579,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499475f165276001bd1b3aa","source":"ideaofintellection","title":"パラメトリックデザイン","excerpt":"パラメトリックデザインとは、「パラメーター（変数）を基準として寸法を決める形状作成方法」のことを指します。 3Dモデリングでパラメーターを変更してデザインが変えられるので、設計者が想定していなかったような複雑なパターンを生み出すことも可能です。","text":"パラメトリックデザイン\nパラメトリックデザインとは、「パラメーター（変数）を基準として寸法を決める形状作成方法」のことを指します。 3Dモデリングでパラメーターを変更してデザインが変えられるので、設計者が想定していなかったような複雑なパターンを生み出すことも可能です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%83%A9%E3%83%A1%E3%83%88%E3%83%AA%E3%83%83%E3%82%AF%E3%83%87%E3%82%B6%E3%82%A4%E3%83%B3","updated":1687766887,"position":[51.1869,-34.2154,2.0042],"cluster":"c10","subgroup":"c10.01","degree":6,"referenceDegree":0,"maxSimilarity":0.33489,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af403630705a001c9776f8","weight":0.33489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6425032a1536ae001cc27290","weight":0.1692,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbbcb607a00d463819ee9","weight":0.14481,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649947307d9235001c35b770","weight":0.11579,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e7234ada047f0026479afe","weight":0.1118,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ec9ff1ba97f200232a72c7","weight":0.09813,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499479cb2d0e2001c7f5ee5","source":"ideaofintellection","title":"プロシージャル","excerpt":"日本語では「手続き型」と訳され、数式や処理を組み合わせ、何らかの操作を行うこと全般をプロシージャルという。 具体的にはプロシージャルテクスチャ（画像の生成）、プロシージャルアニメ（数式による制御、スクリプトや条件定義などによるアニメーション）などの手法がある。","text":"プロシージャル\n日本語では「手続き型」と訳され、数式や処理を組み合わせ、何らかの操作を行うこと全般をプロシージャルという。 具体的にはプロシージャルテクスチャ（画像の生成）、プロシージャルアニメ（数式による制御、スクリプトや条件定義などによるアニメーション）などの手法がある。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%97%E3%83%AD%E3%82%B7%E3%83%BC%E3%82%B8%E3%83%A3%E3%83%AB","updated":1687766951,"position":[39.4784,89.0055,-29.0437],"cluster":"c24","subgroup":"c24.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13987,"lowEvidence":false,"neighbors":[{"id":"NextResearch:640aeb3e942f76001c720bb8","weight":0.13987,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499480c357c4d001c480772","source":"ideaofintellection","title":"諸行無常","excerpt":"世のすべてのものは、移り変わり、また生まれては消滅する運命を繰り返し、永遠に変わらないものはないということ。 人生は、はかなく虚むなしいものであるということ。 仏教の根本的な思想である三法印の一つ。 「諸行無常」「諸法無我しょほうむが」「涅槃寂静ねはんじゃくじょう」をいう。","text":"諸行無常\n世のすべてのものは、移り変わり、また生まれては消滅する運命を繰り返し、永遠に変わらないものはないということ。 人生は、はかなく虚むなしいものであるということ。 仏教の根本的な思想である三法印の一つ。 「諸行無常」「諸法無我しょほうむが」「涅槃寂静ねはんじゃくじょう」をいう。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%AB%B8%E8%A1%8C%E7%84%A1%E5%B8%B8","updated":1687767066,"position":[-19.9789,-206.6335,19.2399],"cluster":"c37","subgroup":"c37.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07514,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499488f8a0f88001bd9bcc0","source":"ideaofintellection","title":"ヴィーシーフランス","excerpt":"第二次世界大戦中、ドイツに降伏したフランスで、1940年7月に中部の都市ヴィシーに成立した政府。ペタンを国家元首として共和政を否定した。","text":"ヴィーシーフランス\n第二次世界大戦中、ドイツに降伏したフランスで、1940年7月に中部の都市ヴィシーに成立した政府。ペタンを国家元首として共和政を否定した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%B4%E3%82%A3%E3%83%BC%E3%82%B7%E3%83%BC%E3%83%95%E3%83%A9%E3%83%B3%E3%82%B9","updated":1687767194,"position":[-24.4071,17.6978,63.0395],"cluster":"c09","subgroup":"c09.02","degree":3,"referenceDegree":0,"maxSimilarity":0.13408,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69ca3abca235171ef2a9ba71","weight":0.13408,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683ac7a2d6ce2ebd5553bd39","weight":0.12484,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582ab76fb0ab6002399ae31","weight":0.1001,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649948f1e03d5c001b2aab79","source":"ideaofintellection","title":"pure tone","excerpt":"In psychoacoustics and signal processing, a pure tone is a sound or a signal with a sinusoidal waveform; that is, a sine wave of any frequency, phase-shift, and amplitude.","text":"pure tone\nIn psychoacoustics and signal processing, a pure tone is a sound or a signal with a sinusoidal waveform; that is, a sine wave of any frequency, phase-shift, and amplitude. \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/pure%20tone","updated":1687767290,"position":[15.4297,60.4325,46.0728],"cluster":"c08","subgroup":"c08.01","degree":3,"referenceDegree":0,"maxSimilarity":0.26754,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6501a1593613ec00211a1c7d","weight":0.26754,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695126879429e9af437fa6aa","weight":0.22716,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c88d14b66b8416268e6464","weight":0.12166,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64999e4b4d97aa001c26844c","source":"ideaofintellection","title":"Interonset interval","excerpt":"Half time: the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Also, the quarter notes 'sound like' eighth notes in one giant measure.","text":"Interonset interval\nHalf time: the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Also, the quarter notes 'sound like' eighth notes in one giant measure.\n\nThe corresponding term used in acoustics and audio engineering to describe the initiation of a sound is onset, and the interonset interval or IOI is the time between the beginnings or attack points of successive events or notes, the interval between onsets, not including the duration of the events.","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Interonset%20interval","updated":1687789148,"position":[55.7437,-32.5228,1.9446],"cluster":"c10","subgroup":"c10.01","degree":5,"referenceDegree":0,"maxSimilarity":0.18028,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6499a9e62582d2001bb0fb3b","weight":0.18028,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64999e6f1db073001c58afd6","weight":0.15663,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64953c3ad06126001b554d1f","weight":0.15345,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a4b160ec1b002494ae3e","weight":0.09261,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb5f47644fd31759611a4","weight":0.09192,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64999e6f1db073001c58afd6","source":"ideaofintellection","title":"Time-point sets","excerpt":"In serial music a time-point set, proposed in 1962 by Milton Babbitt, is a temporal order of pitches in a tone row which indicates the instants at which the notes start. This has certain advantages over a duration scale or row built from multiples of a unit,derived from Olivier Messiaen.","text":"Time-point sets\nIn serial music a time-point set, proposed in 1962 by Milton Babbitt, is a temporal order of pitches in a tone row which indicates the instants at which the notes start. This has certain advantages over a duration scale or row built from multiples of a unit,derived from Olivier Messiaen.\n\nsince duration is a measure of distance between time points, as interval is a measure of distance between pitch points, we begin by interpreting interval as duration. Then, pitch number is interpretable as the point of initiation of a temporal event, that is, as a time-point number.\n\n— Milton Babbitt","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Time-point%20sets","updated":1687789191,"position":[56.2848,-32.6363,1.9604],"cluster":"c10","subgroup":"c10.01","degree":6,"referenceDegree":0,"maxSimilarity":0.15663,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64999e4b4d97aa001c26844c","weight":0.15663,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499a9e62582d2001bb0fb3b","weight":0.12077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64953c3ad06126001b554d1f","weight":0.11022,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c04135c130ce00247da670","weight":0.10853,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:690da6b481583d57f2156a4a","weight":0.10547,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6f152b53bb002349f5b6","weight":0.09592,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64999f2b0938ea001ca17a88","source":"ideaofintellection","title":"Western art music -クラシック音楽","excerpt":"クラシック音楽は、一般に西洋の伝統的な作曲技法や演奏法による芸術音楽を指す。宗教音楽、世俗音楽のどちらにも用いられる。","text":"Western art music -クラシック音楽\nクラシック音楽は、一般に西洋の伝統的な作曲技法や演奏法による芸術音楽を指す。宗教音楽、世俗音楽のどちらにも用いられる。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Western%20art%20music%20-%E3%82%AF%E3%83%A9%E3%82%B7%E3%83%83%E3%82%AF%E9%9F%B3%E6%A5%BD","updated":1687789375,"position":[70.9954,-12.2969,23.4841],"cluster":"c23","subgroup":"c23.01","degree":5,"referenceDegree":0,"maxSimilarity":0.11839,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658d295dc66181002487d26e","weight":0.11839,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.10841,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649be3cc14a450001c344554","weight":0.10568,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656323de62b467001b843edc","weight":0.09993,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a5768dae87001dfed042","weight":0.09431,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64999fdfe03d5c001b3073db","source":"ideaofintellection","title":"ramification","excerpt":"枝を出す、または枝に分かれる行為(the act of branching out or dividing into branches) ·","text":"ramification\n枝を出す、または枝に分かれる行為(the act of branching out or dividing into branches) · \n分岐している部品の配置(an arrangement of branching parts)\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/ramification","updated":1687789545,"position":[-56.6168,35.2279,-105.1989],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12866,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65b0d3c0cabe1200236ff2b0","weight":0.12866,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499a0aac52b95001be25329","source":"ideaofintellection","title":"timbral 音色","excerpt":"音色とは、音の質を表現するために用いられる用語である。音高や音圧が同じであっても音色の異なる音は異なる聞こえ方をする。専門的な場面では「おんしょく」と読まれる。一般語としては「ねいろ」の読みも見られる。","text":"timbral 音色\n音色とは、音の質を表現するために用いられる用語である。音高や音圧が同じであっても音色の異なる音は異なる聞こえ方をする。専門的な場面では「おんしょく」と読まれる。一般語としては「ねいろ」の読みも見られる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/timbral%20%E9%9F%B3%E8%89%B2","updated":1687789760,"position":[-37.0595,43.4467,-137.3044],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07057,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a11a8a0f88001bdf8b46","source":"ideaofintellection","title":"inextricable","excerpt":"切り離せない、解けない、ほどけない 抜け出せない、脱出できない、解決できない","text":"inextricable\n切り離せない、解けない、ほどけない 抜け出せない、脱出できない、解決できない\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/inextricable","updated":1687789863,"position":[-47.9426,29.6047,-113.8882],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08557,"lowEvidence":true,"neighbors":[{"id":"NextResearch:66af27285059c9001cab86bb","weight":0.08557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499a13f6baf46001c26b02a","source":"ideaofintellection","title":"musicologist","excerpt":"音楽学の研究家。","text":"musicologist\n音楽学の研究家。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/musicologist","updated":1687789895,"position":[-52.2069,30.7914,-152.0223],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07622,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a15cab10f6001bf6c2f6","source":"ideaofintellection","title":"Redundancy 冗長化","excerpt":"冗長化とは、システムの一部に何らかの障害が発生した場合に備えて、障害発生後でもシステム全体の機能を維持し続けられるように、予備装置を平常時からバックアップとして配置し運用しておくこと。冗長化によって得られる安全性は冗長性と呼ばれ、英語ではリダンダンシーと呼ぶ。","text":"Redundancy 冗長化\n冗長化とは、システムの一部に何らかの障害が発生した場合に備えて、障害発生後でもシステム全体の機能を維持し続けられるように、予備装置を平常時からバックアップとして配置し運用しておくこと。冗長化によって得られる安全性は冗長性と呼ばれ、英語ではリダンダンシーと呼ぶ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Redundancy%20%E5%86%97%E9%95%B7%E5%8C%96","updated":1687789950,"position":[20.5149,-75.1152,17.1059],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.05139,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a1f41066ba001c5ad370","source":"ideaofintellection","title":"proprietary","excerpt":"「専用の」「独自の」「独占的な」「所有権・占有権のある」「非公開の」","text":"proprietary\n「専用の」「独自の」「独占的な」「所有権・占有権のある」「非公開の」\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/proprietary","updated":1687790096,"position":[-44.2278,22.4983,-117.6328],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05215,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a24ad0f4c7001c22c2db","source":"ideaofintellection","title":"trajectory","excerpt":"弾道は、銃弾や砲弾が発射された瞬間から弾着する瞬間までに辿る経路の事である。 本項目では自由落下を伴い誘導制御されない弾道についてのみ記述する。","text":"trajectory\n弾道は、銃弾や砲弾が発射された瞬間から弾着する瞬間までに辿る経路の事である。 本項目では自由落下を伴い誘導制御されない弾道についてのみ記述する。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/trajectory","updated":1687790166,"position":[-48.9157,44.7427,-130.8126],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03894,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a2e1af32bb001bf0c93c","source":"ideaofintellection","title":"tenuous","excerpt":"「薄く、実質のない」という意味で、ラテン語のtenuis「薄く、引き伸ばされた、貧弱な、細い、華奢な」という言葉","text":"tenuous\n「薄く、実質のない」という意味で、ラテン語のtenuis「薄く、引き伸ばされた、貧弱な、細い、華奢な」という言葉\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/tenuous","updated":1687790310,"position":[13.3391,-53.7842,67.275],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12943,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656cb1527e002000266d85ee","weight":0.12943,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499a309e83f0c001b9158ae","source":"ideaofintellection","title":"terrain","excerpt":"「自然的な特徴からみた地形」","text":"terrain\n「自然的な特徴からみた地形」\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/terrain","updated":1687790351,"position":[-45.2318,-154.2178,-46.6416],"cluster":"c39","subgroup":"c39.01","degree":3,"referenceDegree":0,"maxSimilarity":0.32075,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68552e6079b729c013a4bf14","weight":0.32075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6851392c1209664e5607ff69","weight":0.32075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bdefcf14a3e001c00e073","weight":0.19519,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499a39db7c14a001bff0774","source":"ideaofintellection","title":"fluidity","excerpt":"《物理・化学》流動性 《物理・化学》流動度［率］ 〔動きなどの〕滑らかさ、円滑さ","text":"fluidity\n《物理・化学》流動性 《物理・化学》流動度［率］ 〔動きなどの〕滑らかさ、円滑さ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/fluidity","updated":1687790506,"position":[-22.3363,-71.3026,63.7165],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.25573,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3741c83ce2b001b3b2a89","weight":0.25573,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499a4092bb2e9001cd727c2","source":"ideaofintellection","title":"porous","excerpt":"小穴の多い，多孔性の，穴だらけの2 〈水・空気などが〉浸透できる，透過性の","text":"porous\n小穴の多い，多孔性の，穴だらけの2 〈水・空気などが〉浸透できる，透過性の\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/porous","updated":1687790608,"position":[-57.2148,26.6923,-99.574],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05225,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a49f2582d2001bb0ce1b","source":"ideaofintellection","title":"esthetics","excerpt":"美しさと風情（芸術に適用される、評価に関する基準に重点を置く）を扱う哲学の分科。","text":"esthetics\n美しさと風情（芸術に適用される、評価に関する基準に重点を置く）を扱う哲学の分科。\n美学は、18世紀に成立した哲学の一領域である。美の本質や構造を、その現象としての自然・芸術及びそれらの周辺領域を対象として、経験的かつ形而上学的に探究する。美的対象、美的判断、美的態度、美的経験、美的価値などが問題とされてきた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/esthetics","updated":1687790770,"position":[-24.7372,-71.629,8.6903],"cluster":"c27","subgroup":"c27.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09215,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3725841b34e001b15a4a2","weight":0.09215,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e31f5fe6ee87001cf28f0b","weight":0.09143,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499a5117b190b001c3ae69f","source":"ideaofintellection","title":"contingent","excerpt":"付随する 条件付きの 偶然の、偶発の、偶発的な 不測の、不慮の、不確かな","text":"contingent\n付随する 条件付きの 偶然の、偶発の、偶発的な 不測の、不慮の、不確かな\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/contingent","updated":1687790878,"position":[-42.7661,28.9342,-137.6123],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.15356,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:649bddbe33eed7001ba85845","weight":0.15356,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499a5c8129cfa001c4f193a","source":"ideaofintellection","title":"cumbersome","excerpt":"(重くてまたはかさばって)扱いにくい，やっかいな","text":"cumbersome\n(重くてまたはかさばって)扱いにくい，やっかいな\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/cumbersome","updated":1687791064,"position":[-61.1857,27.8604,-93.8444],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06709,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a6041cbf7e001b4c0205","source":"ideaofintellection","title":"Paucity","excerpt":"少量、少数 不足、欠乏","text":"Paucity\n少量、少数 不足、欠乏\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Paucity","updated":1687791122,"position":[-65.6379,38.1331,-135.8535],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03635,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a6271066ba001c5b0807","source":"ideaofintellection","title":"utilitarian -功利主義","excerpt":"倫理学において功利主義とは、影響を受けるすべての個人にとっての幸福を最大化する行為を指令する規範倫理学の理論の一派である。 功利主義にはさまざまな種類があるが、それらの基本的な考え方は効用を最大化するということである。効用は、しばしば幸福や関連する概念で定義される。","text":"utilitarian -功利主義\n倫理学において功利主義とは、影響を受けるすべての個人にとっての幸福を最大化する行為を指令する規範倫理学の理論の一派である。 功利主義にはさまざまな種類があるが、それらの基本的な考え方は効用を最大化するということである。効用は、しばしば幸福や関連する概念で定義される。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/utilitarian%20-%E5%8A%9F%E5%88%A9%E4%B8%BB%E7%BE%A9","updated":1687791171,"position":[-33.0665,-137.7712,89.4905],"cluster":"c36","subgroup":"c36.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07124,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a64f3a4277001b7e0e1a","source":"ideaofintellection","title":"propensity 傾向確率","excerpt":"確率の傾向理論は、確率が特定の種類の結果をもたらす、または長期的な相対頻度をもたらす、特定のタイプの状況の物理的な傾向、傾向、または傾向として考えられる確率の解釈です。そのような結果。 傾向は相対的な頻度ではありませんが、観察された安定した相対的な頻度の原因とされています","text":"propensity 傾向確率\n確率の傾向理論は、確率が特定の種類の結果をもたらす、または長期的な相対頻度をもたらす、特定のタイプの状況の物理的な傾向、傾向、または傾向として考えられる確率の解釈です。そのような結果。 傾向は相対的な頻度ではありませんが、観察された安定した相対的な頻度の原因とされています\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/propensity%20%E5%82%BE%E5%90%91%E7%A2%BA%E7%8E%87","updated":1687791209,"position":[-27.61,37.444,-117.0457],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05171,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a6f80a33ae001b9b0340","source":"ideaofintellection","title":"squandering","excerpt":"無駄に資源を費やすこと。","text":"squandering\n無駄に資源を費やすこと。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/squandering","updated":1687791366,"position":[-60.5909,5.3885,-97.624],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04299,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a71378598d001d409d4f","source":"ideaofintellection","title":"habituation 馴化（じゅんか）","excerpt":"少しずつある状態に馴染ませる、その状態が普通だと感じるようにすることです。","text":"habituation 馴化（じゅんか）\n少しずつある状態に馴染ませる、その状態が普通だと感じるようにすることです。\nある刺激がくり返し提示されることによって、その刺激に対する反応が徐徐に見られなくなっていく現象を指す。特に、報酬をもたらすわけでも有害なわけでもない中立的な刺激に対して生じやすい。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/habituation%20%E9%A6%B4%E5%8C%96%EF%BC%88%E3%81%98%E3%82%85%E3%82%93%E3%81%8B%EF%BC%89","updated":1687791466,"position":[10.9009,-60.9131,17.3197],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.08238,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a83dcb734c001c90753f","source":"ideaofintellection","title":"vigilance","excerpt":"〔危険・違法行為などに対する〕警戒、用心","text":"vigilance\n〔危険・違法行為などに対する〕警戒、用心 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/vigilance","updated":1687791705,"position":[-35.7926,-4.3642,55.2559],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.0949,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d45561ecbd14001345298d","weight":0.0949,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499a879e6b35d001c9b3bb3","source":"ideaofintellection","title":"succumbing","excerpt":"屈服する、 負ける","text":"succumbing\n屈服する、 負ける\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/succumbing","updated":1687791745,"position":[-64.3352,36.2238,-128.759],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03747,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a8f2c32963001cabcd18","source":"ideaofintellection","title":"perturbation 摂動","excerpt":"摂動は、天文学の用語で、ある天体とその母天体の作る系に対し、その他の物体による重力などの作用によって、その軌道が乱されること。太陽系では、彗星の軌道が特にガス惑星の重力場によってしばしば乱される。例として、1996年4月に木星の重力によって、ヘール・ボップ彗星の軌道周期は4206年から2380年に減少した。","text":"perturbation 摂動\n摂動は、天文学の用語で、ある天体とその母天体の作る系に対し、その他の物体による重力などの作用によって、その軌道が乱されること。太陽系では、彗星の軌道が特にガス惑星の重力場によってしばしば乱される。例として、1996年4月に木星の重力によって、ヘール・ボップ彗星の軌道周期は4206年から2380年に減少した。\n[https://scrapbox.io/files/6499a92a045032001bd554d7.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/perturbation%20%E6%91%82%E5%8B%95","updated":1687791917,"position":[-49.6172,51.8355,-120.3414],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06308,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6499a9e62582d2001bb0fb3b","source":"ideaofintellection","title":"Interval vector","excerpt":"In musical set theory, an interval vector is an array of natural numbers which summarize the intervals present in a set of pitch classes. (That is, a set of pitches where octaves are disregarded.)","text":"Interval vector\nIn musical set theory, an interval vector is an array of natural numbers which summarize the intervals present in a set of pitch classes. (That is, a set of pitches where octaves are disregarded.)\n[https://scrapbox.io/files/6499a9fd78598d001d40c046.png]\n\n[https://scrapbox.io/files/6499aa050b0ca9001c49e72e.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Interval%20vector","updated":1687792136,"position":[56.2194,-32.4999,1.7814],"cluster":"c10","subgroup":"c10.01","degree":6,"referenceDegree":0,"maxSimilarity":0.18028,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64999e4b4d97aa001c26844c","weight":0.18028,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c0c078747d1a1acf26d99","weight":0.14948,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64999e6f1db073001c58afd6","weight":0.12077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64953c3ad06126001b554d1f","weight":0.10122,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afae6bd39a6001c9a21d4","weight":0.09967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6951235843e804b5b57c8da9","weight":0.08923,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499aa3fba3965001c6c706b","source":"ideaofintellection","title":"ノルム","excerpt":"ベクトルの大きさを定める量のようなものです。","text":"ノルム\nベクトルの大きさを定める量のようなものです。\nノルムを定義することで，ベクトル同士の「距離」を考えることができるようになり，収束の議論ができるようになります。\n[https://scrapbox.io/files/6499aa59d0f4c7001c2306b7.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8E%E3%83%AB%E3%83%A0","updated":1687792220,"position":[7.466,-69.5682,-13.7953],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.18127,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c219106319c60025c89e41","weight":0.18127,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65e3348e31e001c47522f","weight":0.09213,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499aa67ea038f001c24a74a","source":"ideaofintellection","title":"隠れマルコフモデル","excerpt":"隠れマルコフモデル（Hidden Markov Model, HMM）とは何か、を端的に表現すると「確率的な状態遷移と確率的な記号出力を備えたオートマトン」と言えます。 主な使用目的は「観測された記号系列の背後に存在する状態の遷移系列を推測する」ことです","text":"隠れマルコフモデル\n隠れマルコフモデル（Hidden Markov Model, HMM）とは何か、を端的に表現すると「確率的な状態遷移と確率的な記号出力を備えたオートマトン」と言えます。 主な使用目的は「観測された記号系列の背後に存在する状態の遷移系列を推測する」ことです\n[https://scrapbox.io/files/6499aa8a255a95001cf34cb0.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9A%A0%E3%82%8C%E3%83%9E%E3%83%AB%E3%82%B3%E3%83%95%E3%83%A2%E3%83%87%E3%83%AB","updated":1687792269,"position":[-18.416,-13.7794,-18.7699],"cluster":"c11","subgroup":"c11.01","degree":6,"referenceDegree":0,"maxSimilarity":0.18746,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b41446a305b001ca69dcd","weight":0.18746,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a571f69c2a455680209e","weight":0.18463,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c6580103e53e001c8bf7de","weight":0.17544,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582d59f3863190023d0adf9","weight":0.10853,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659a64abd7ed7a00220fd368","weight":0.08968,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6699ec9e3c1a5e001cf1b4f6","weight":0.08903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499aac16f05d7001c82b46c","source":"ideaofintellection","title":"ボイシング","excerpt":"作曲と編曲において、ボイシングとは、楽器法および、和音に含まれるそれぞれの音の垂直的な間隔と並び順を決めることである。 英語一般のvoicingには本稿の意味の他に以下がある。 気鳴楽器の発音や調律のこと。 フォニックスなどの言語の発声法のこと。 声帯を発音させること。 本来発音されない記号などを口述する方法。","text":"ボイシング\n作曲と編曲において、ボイシングとは、楽器法および、和音に含まれるそれぞれの音の垂直的な間隔と並び順を決めることである。 英語一般のvoicingには本稿の意味の他に以下がある。 気鳴楽器の発音や調律のこと。 フォニックスなどの言語の発声法のこと。 声帯を発音させること。 本来発音されない記号などを口述する方法。\n[https://scrapbox.io/files/6499aaededc613001cdb16ee.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9C%E3%82%A4%E3%82%B7%E3%83%B3%E3%82%B0","updated":1687792368,"position":[47.4238,-46.4213,33.5442],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.09163,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658c56d7ccfeab00249c72c3","weight":0.09163,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499abbcaf32bb001bf12a45","source":"ideaofintellection","title":"Anterior","excerpt":"nearer the front, especially in the front of the body, or nearer to the head or forepart.","text":"Anterior\nnearer the front, especially in the front of the body, or nearer to the head or forepart.\n[https://scrapbox.io/files/6499abccba3965001c6c80c5.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Anterior","updated":1687792591,"position":[-12.7432,7.7466,24.6365],"cluster":"c07","subgroup":"c07.01","degree":4,"referenceDegree":0,"maxSimilarity":0.14304,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:669c88b0bba84b001dc985a1","weight":0.14304,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bc1ed66b8619c7ec74ea1","weight":0.12503,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64d4d9c04f19ce001ba987c2","weight":0.10734,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afae6bd39a6001c9a21d4","weight":0.10637,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499ac3de03d5c001b311a3e","source":"ideaofintellection","title":"articulatory","excerpt":"relating to the formation of speech sounds.","text":"articulatory\nrelating to the formation of speech sounds.\n調音に関する. of or relating to articulation. 調音の、または、調音に関する\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/articulatory","updated":1687792724,"position":[-57.2796,-29.4397,-19.8047],"cluster":"c32","subgroup":"c32.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09198,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a607f4ccfae424082330a91","weight":0.09198,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b061fd6d51a001c6cef88","weight":0.09117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6499ac7ca21cc9001cd21fe8","source":"ideaofintellection","title":"apprenticeship","excerpt":"(昔の)年季奉公、徒弟の身分、徒弟期間","text":"apprenticeship\n(昔の)年季奉公、徒弟の身分、徒弟期間\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/apprenticeship","updated":1687792775,"position":[-51.3124,-0.5764,-101.6934],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03186,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bc63c379781001cd0b584","source":"ideaofintellection","title":"meticulous","excerpt":"細かいことにこだわる，凝り性の, 注意深い，綿密な","text":"meticulous\n細かいことにこだわる，凝り性の, 注意深い，綿密な\n[https://scrapbox.io/files/649bc66aad417d001c3f958f.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/meticulous","updated":1687930477,"position":[-45.1874,13.6706,-148.1657],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12734,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:659395105beed80023631815","weight":0.12734,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6507a104b08ed2001cf6565e","weight":0.08827,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bc766dbc571001bd55a43","source":"ideaofintellection","title":"warbler","excerpt":"鶯、さえずる鳥、鳴鳥、さえずるように(声を震わせて)歌う人、歌手","text":"warbler\n鶯、さえずる鳥、鳴鳥、さえずるように(声を震わせて)歌う人、歌手","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/warbler","updated":1687930811,"position":[-51.3204,7.7779,-149.7228],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05558,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bc7f36332ad001bcd9234","source":"ideaofintellection","title":"啼く","excerpt":"啼」について「鳴」とほぼ同じ意味とし、＜何らかの思い入れを込めて”動物の声”を表現したい場合＞に使い＜情感が深まる効果＞としている。","text":"啼く\n啼」について「鳴」とほぼ同じ意味とし、＜何らかの思い入れを込めて”動物の声”を表現したい場合＞に使い＜情感が深まる効果＞としている。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%95%BC%E3%81%8F","updated":1687930895,"position":[-36.1455,34.174,-135.2931],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0587,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bc884a7a4b6001b6b8dcd","source":"ideaofintellection","title":"Bluff","excerpt":"In the card game of poker, a bluff is a bet or raise made with a hand which is not thought to be the best hand. To bluff is to make such a bet. The objective of a bluff is to induce a fold by at least one opponent who holds a better hand. The size and frequency of a bluff determines its profitability to the bluffer.","text":"Bluff\nIn the card game of poker, a bluff is a bet or raise made with a hand which is not thought to be the best hand. To bluff is to make such a bet. The objective of a bluff is to induce a fold by at least one opponent who holds a better hand. The size and frequency of a bluff determines its profitability to the bluffer.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Bluff","updated":1687931039,"position":[14.7201,44.2906,-35.4046],"cluster":"c15","subgroup":"c15.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13934,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6699ecf284fd75001cc473dc","weight":0.13934,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65b38435ff404d0025074fc6","weight":0.11684,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a529514bf9e001b4733d2","weight":0.09477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bcb067c1cfc001c4639e5","source":"ideaofintellection","title":"mundane","excerpt":"この世の、現世の、俗世の 平凡な、ありふれた、日常の","text":"mundane\nこの世の、現世の、俗世の 平凡な、ありふれた、日常の","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/mundane","updated":1687931662,"position":[-7.9081,-193.8538,15.5824],"cluster":"c37","subgroup":"c37.01","degree":4,"referenceDegree":0,"maxSimilarity":0.20929,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659395aec1f2710023d93b45","weight":0.20929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65413b6f89f92e001c911730","weight":0.13957,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668259f5d075c7001d9c404d","weight":0.12596,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76c111cba7e5de521a9500","weight":0.10582,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bcb8399b3d7001c6ae0ee","source":"ideaofintellection","title":"earthenware -土器","excerpt":"土器は、粘土に水を加え、こねて練り固めることによって成形し、焼き固めることで仕上げた容器である。 土器は、一般に胎土が露出した状態の、いわゆる「素焼き」の状態の器であって、陶器、磁器ないし炻器に対する呼び名である。登り窯のような特別な施設を必要とせず、通常は野焼きで焼成される。","text":"earthenware -土器\n土器は、粘土に水を加え、こねて練り固めることによって成形し、焼き固めることで仕上げた容器である。 土器は、一般に胎土が露出した状態の、いわゆる「素焼き」の状態の器であって、陶器、磁器ないし炻器に対する呼び名である。登り窯のような特別な施設を必要とせず、通常は野焼きで焼成される。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/earthenware%20-%E5%9C%9F%E5%99%A8","updated":1687931795,"position":[-33.0541,44.7161,-125.8461],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05419,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bcc31a53110001c578adb","source":"ideaofintellection","title":"Whence","excerpt":"どこから、…出てきた(場所)、(そして)そこから、その点から、(…出てきた)所へ","text":"Whence\nどこから、…出てきた(場所)、(そして)そこから、その点から、(…出てきた)所へ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Whence","updated":1687931961,"position":[-22.0664,108.408,63.5093],"cluster":"c20","subgroup":"c20.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10555,"lowEvidence":false,"neighbors":[{"id":"NextResearch:648bb968270a60001ce2c668","weight":0.10555,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bcc471f1fbb001c6760eb","source":"ideaofintellection","title":"成長 U字仮説","excerpt":"音楽の要素は生まれた時から持っている","text":"成長 U字仮説\n音楽の要素は生まれた時から持っている\n一旦見えなくなる\n大人になり発現する\n音楽は見つけるもの、気づくものなのか\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%88%90%E9%95%B7%20U%E5%AD%97%E4%BB%AE%E8%AA%AC","updated":1687932036,"position":[-37.5586,21.2647,-149.177],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05936,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bcd2043a3c7001c056ce2","source":"ideaofintellection","title":"Agonistic behaviour","excerpt":"アゴニスティックな行動とは、戦闘に関連する社会的行動のことです。この用語は、脅迫、陳列、退却、和解、和解を含むため、攻撃的な行動よりも広い意味を持ちます。","text":"Agonistic behaviour\nアゴニスティックな行動とは、戦闘に関連する社会的行動のことです。この用語は、脅迫、陳列、退却、和解、和解を含むため、攻撃的な行動よりも広い意味を持ちます。\n[https://scrapbox.io/files/649bcd3a43a3c7001c056fff.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Agonistic%20behaviour","updated":1687932221,"position":[3.6196,-77.4943,35.3361],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.12609,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658c5727635d0d0023383d05","weight":0.12609,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a18a59a03708001cec784c","weight":0.0887,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bcd72999b14001b65d805","source":"ideaofintellection","title":"Obligate","excerpt":"obligate は「必然的に」を意味し、主に生物学で次のようなフレーズで使用されます。 酸素なしでは生存できない生物である偏性好気性生物 酸素の存在下では生存できない生物である偏性嫌気性菌","text":"Obligate\nobligate は「必然的に」を意味し、主に生物学で次のようなフレーズで使用されます。 酸素なしでは生存できない生物である偏性好気性生物 酸素の存在下では生存できない生物である偏性嫌気性菌\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Obligate","updated":1687932283,"position":[-22.8745,25.4146,-127.618],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08036,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bcdc59262cd001c143f9e","source":"ideaofintellection","title":"hatching","excerpt":"ハッチング（英語: hatching） は、絵画や版画､図案、作図（CAD）などにおいて一定の面を平行な線で埋める技法。 Hatching (film). ハッチング -孵化","text":"hatching\nハッチング（英語: hatching） は、絵画や版画､図案、作図（CAD）などにおいて一定の面を平行な線で埋める技法。 Hatching (film). ハッチング -孵化\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/hatching","updated":1687932368,"position":[-53.3167,48.4626,-107.8648],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06969,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bce0227c493001b107ac7","source":"ideaofintellection","title":"susceptible","excerpt":"感受性の強い、多感な、敏感な、恋に陥りやすい、(…を)受けやすくて、(…に)影響されやすくて、感染しやすくて、(…を)許して、(…を)いれて、(…が)可能で","text":"susceptible\n感受性の強い、多感な、敏感な、恋に陥りやすい、(…を)受けやすくて、(…に)影響されやすくて、感染しやすくて、(…を)許して、(…を)いれて、(…が)可能で\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/susceptible","updated":1687932426,"position":[-33.8876,9.201,-111.6377],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06935,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bd0eb505f47001bc47ee4","source":"ideaofintellection","title":"encumbrances","excerpt":"装備の重さ、持っているアイテムの量に応じた負荷◆ロールプレーイングゲームなどにおいて、キャラクターが持ち歩く装備について。 「重いアイテムをたくさん持っていると、素早く動けなくなって不利になる」といった設定がある場合のパラメーター。","text":"encumbrances\n装備の重さ、持っているアイテムの量に応じた負荷◆ロールプレーイングゲームなどにおいて、キャラクターが持ち歩く装備について。 「重いアイテムをたくさん持っていると、素早く動けなくなって不利になる」といった設定がある場合のパラメーター。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/encumbrances","updated":1687933173,"position":[34.8759,-73.1688,15.7222],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07908,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bd14acfdd4e001b28662d","source":"ideaofintellection","title":"hedonic","excerpt":"快楽主義は、感覚的な快楽を幸福と捉え、これを産出する行為を正しい・善いとみなす倫理学上の立場であり幸福主義の一種である。 快楽主義はその存在の側面と当為の側面から二種に分けられる。","text":"hedonic\n快楽主義は、感覚的な快楽を幸福と捉え、これを産出する行為を正しい・善いとみなす倫理学上の立場であり幸福主義の一種である。 快楽主義はその存在の側面と当為の側面から二種に分けられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/hedonic","updated":1687933265,"position":[4.7097,-89.5145,14.9276],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08929,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69fc4569a0e27ebd2b82d3c9","weight":0.08929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bd1b1bd8872001c26610f","source":"ideaofintellection","title":"yielding","excerpt":"譲歩しがちな、人に従う 曲げやすい、柔らかい、しなやかな 〔土地が〕肥沃な、収穫量が多い","text":"yielding\n譲歩しがちな、人に従う 曲げやすい、柔らかい、しなやかな 〔土地が〕肥沃な、収穫量が多い\nIn yielding is strength 柳の枝に雪折れ無し\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/yielding","updated":1687933437,"position":[-57.7638,29.8925,-152.0458],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05082,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bd237468878001c6f1b58","source":"ideaofintellection","title":"antecedent","excerpt":"先の出来事［状況］；先行する者［物］；前例 ; 2 （antecedents）前歴, 経歴, 身元","text":"antecedent\n先の出来事［状況］；先行する者［物］；前例 ; 2 （antecedents）前歴, 経歴, 身元 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/antecedent","updated":1687933505,"position":[-43.1697,9.1447,-105.9672],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.084,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bd2ab62f8b6001b7f74cb","source":"ideaofintellection","title":"Therein lies the truth.","excerpt":"そこに真実がある","text":"Therein lies the truth.\nそこに真実がある\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Therein%20lies%20the%20truth.","updated":1687933619,"position":[-46.4343,-6.0673,-111.1828],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07278,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bd2e062f8b6001b7f7921","source":"ideaofintellection","title":"constellation","excerpt":"星座，星宿. ; 2〔着飾った紳士淑女などの〕一群; 〔すばらしいもの・美しいものなどの〕集まり","text":"constellation\n星座，星宿. ; 2〔着飾った紳士淑女などの〕一群; 〔すばらしいもの・美しいものなどの〕集まり\n[https://scrapbox.io/files/649bd2fa1f1fbb001c6825a1.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/constellation","updated":1687933693,"position":[-45.3584,2.4838,-144.4157],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12035,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65bf648664b00d00246a83cd","weight":0.12035,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a00f5525602001ce50a80","weight":0.10228,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bd355cfdd4e001b28958f","source":"ideaofintellection","title":"idiosyncratic","excerpt":"〔個人や集団の〕特異な、独特な、変わった 《医》特異体質の【発音】ìdiousiŋkrǽtik","text":"idiosyncratic\n〔個人や集団の〕特異な、独特な、変わった 《医》特異体質の【発音】ìdiousiŋkrǽtik\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/idiosyncratic","updated":1687933791,"position":[-40.0005,28.0781,-113.5029],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06676,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bd3ac43a3c7001c0625fb","source":"ideaofintellection","title":"untrammeled","excerpt":"拘束され(てい)ない、自由な","text":"untrammeled\n拘束され(てい)ない、自由な\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/untrammeled","updated":1687933879,"position":[-56.5076,37.4017,-125.5267],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07442,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bd4346332ad001bcf1e61","source":"ideaofintellection","title":"sanctity","excerpt":"神聖、尊厳、高潔、敬虔(けいけん)、神聖な義務","text":"sanctity\n神聖、尊厳、高潔、敬虔(けいけん)、神聖な義務\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/sanctity","updated":1687934013,"position":[45.7133,-46.7657,40.1569],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.14302,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a2939bd41985fdc5072bf7c","weight":0.14302,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bd46b468878001c6f565f","source":"ideaofintellection","title":"buttressed 控え壁","excerpt":"控え壁またはバットレス は、建築構造の一つであり、建物本体を構成する主壁に対して直角方向に突き出した補助的な壁を作ることで、適切な支柱を持たない屋根の重量によって主壁に生じる横荷重を受け止めて、主壁を支持・補強する役割を果たす。","text":"buttressed 控え壁\n控え壁またはバットレス は、建築構造の一つであり、建物本体を構成する主壁に対して直角方向に突き出した補助的な壁を作ることで、適切な支柱を持たない屋根の重量によって主壁に生じる横荷重を受け止めて、主壁を支持・補強する役割を果たす。\n[https://scrapbox.io/files/649bd4909ba99f001c199e81.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/buttressed%20%E6%8E%A7%E3%81%88%E5%A3%81","updated":1687934100,"position":[-41.5282,-128.4898,72.8291],"cluster":"c36","subgroup":"c36.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05376,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bd4baef72cf001c4cfc73","source":"ideaofintellection","title":"Romanticism","excerpt":"ロマン主義は、主として18世紀末から19世紀前半にヨーロッパで、その後にヨーロッパの影響を受けた諸地域で起こった精神運動のひとつである。それまでの理性偏重、合理主義などに対し感受性や主観に重きをおいた一連の運動であり、古典主義と対をなす。","text":"Romanticism\nロマン主義は、主として18世紀末から19世紀前半にヨーロッパで、その後にヨーロッパの影響を受けた諸地域で起こった精神運動のひとつである。それまでの理性偏重、合理主義などに対し感受性や主観に重きをおいた一連の運動であり、古典主義と対をなす。\n[https://scrapbox.io/files/649bd4ea9ba99f001c19a8ff.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Romanticism","updated":1687934191,"position":[-28.9771,-68.5688,64.8283],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.09871,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67307e927b7c735d59aaa25d","weight":0.09871,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66339d0227b15a0023441a42","weight":0.08885,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf5eda3f72870024292960","weight":0.08805,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bd53d093a8b001cda5992","source":"ideaofintellection","title":"Iconoclasm","excerpt":"迷信打破、迷信破壊、偶像破壊、因襲打破","text":"Iconoclasm\n迷信打破、迷信破壊、偶像破壊、因襲打破\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Iconoclasm","updated":1687934360,"position":[-64.962,23.2232,-94.2506],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07193,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bd5769d9009001c5897d3","source":"ideaofintellection","title":"trenchantly","excerpt":"活発で効果的な態度で","text":"trenchantly\n活発で効果的な態度で","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/trenchantly","updated":1687934346,"position":[-30.2896,17.4875,-122.5758],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06836,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bdc398eda67001cee504b","source":"ideaofintellection","title":"bulwark","excerpt":"《海事》舷墻◆波などが入ってこないようにするために甲板の両側に作られた側壁。","text":"bulwark\n《海事》舷墻◆波などが入ってこないようにするために甲板の両側に作られた側壁。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/bulwark","updated":1687936073,"position":[-67.7216,46.2258,-111.323],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06608,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bdc84352234001ba5ec56","source":"ideaofintellection","title":"infatuation","excerpt":"痴情、夢中（になること）、心酔、のぼせ上がり、長続きのしない過度な情熱の対象(an object of extravagant short-lived passion) · 2. 愚かで、たいてい過度の情熱、愛情あるいは賞賛","text":"infatuation\n痴情、夢中（になること）、心酔、のぼせ上がり、長続きのしない過度な情熱の対象(an object of extravagant short-lived passion) · 2. 愚かで、たいてい過度の情熱、愛情あるいは賞賛\nit is necessary to make a distinction between love and infatuation.\n酩酊あるいは夢中になっている状態により、鈍くさせるばかにさせる、または混乱させる\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/infatuation","updated":1687936247,"position":[1.5319,-74.9708,37.1467],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.14011,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658bf3eb26e2bc00256561cf","weight":0.14011,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a559a40ca8a9001bf336fe","weight":0.13115,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bdd52257d3c001c009ac4","source":"ideaofintellection","title":"implicit","excerpt":"暗に示された，言わず語らずの，暗黙の (⇔explicit). 用例. an implicit threat 無言の脅迫.","text":"implicit\n暗に示された，言わず語らずの，暗黙の (⇔explicit). 用例. an implicit threat 無言の脅迫.\n[https://scrapbox.io/files/649bdda7f14a3e001c00b056.png]\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/implicit","updated":1687937151,"position":[10.6846,-76.3422,36.4778],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.11054,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a37b56e666ec001ce1a15d","weight":0.11054,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651e50a2eb92c3001bc0cc7c","weight":0.10206,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a6defb531b0024f0d472","weight":0.09231,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bddbe33eed7001ba85845","source":"ideaofintellection","title":"perquisite","excerpt":"(職務に付随する俸給以外の)臨時収入、役職員の特典、役得、(雇い人などがもらう)心づけ、チップ、おさがり","text":"perquisite\n(職務に付随する俸給以外の)臨時収入、役職員の特典、役得、(雇い人などがもらう)心づけ、チップ、おさがり\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/perquisite","updated":1687936453,"position":[-43.2319,29.4707,-140.4557],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.15356,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:6499a5117b190b001c3ae69f","weight":0.15356,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bdde6924d73001c25d1f5","source":"ideaofintellection","title":"exquisite","excerpt":"非常に美しい、この上なくけっこうな優れった、 絶妙な","text":"exquisite\n非常に美しい、この上なくけっこうな優れった、 絶妙な \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/exquisite","updated":1687936505,"position":[-43.0908,7.2391,-147.4065],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.19191,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65bf648664b00d00246a83cd","weight":0.19191,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a00f5525602001ce50a80","weight":0.13108,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bde243a932c001b29346c","source":"ideaofintellection","title":"agonist","excerpt":"アゴニストまたは作用薬 とは、生体内の受容体分子に働いて神経伝達物質やホルモンなどと同様の機能を示す薬のこと。 対義語としてアンタゴニストがある。これは、同様に受容体に作用するが、作用する事で受容体の活動を抑制する薬剤のことである","text":"agonist\nアゴニストまたは作用薬 とは、生体内の受容体分子に働いて神経伝達物質やホルモンなどと同様の機能を示す薬のこと。 対義語としてアンタゴニストがある。これは、同様に受容体に作用するが、作用する事で受容体の活動を抑制する薬剤のことである\n[https://scrapbox.io/files/649bde391c19dc001b38a058.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/agonist","updated":1687936573,"position":[28.5887,-81.9012,34.4272],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.06051,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bde89bb3a70001c0dcfa5","source":"ideaofintellection","title":"Absorption","excerpt":"化学における吸収とは、物質がある相 から別の相に移動する現象、または人為的にそれを利用する方法である。","text":"Absorption\n化学における吸収とは、物質がある相 から別の相に移動する現象、または人為的にそれを利用する方法である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Absorption","updated":1687936656,"position":[-42.7311,-30.1464,75.8112],"cluster":"c28","subgroup":"c28.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08809,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b061fd6d51a001c6cef88","weight":0.08809,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bdea7247515001b275a92","source":"ideaofintellection","title":"extraneous","excerpt":"(固有の物でなく)外来の、(外に)付着した、外生の、異質の、(主題と)無関係の、(…と)無関係で、本質的でなくて","text":"extraneous\n(固有の物でなく)外来の、(外に)付着した、外生の、異質の、(主題と)無関係の、(…と)無関係で、本質的でなくて\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/extraneous","updated":1687936683,"position":[-40.8449,30.2074,-96.3449],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06069,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bdefcf14a3e001c00e073","source":"ideaofintellection","title":"transcendental","excerpt":"卓越した 超越的な、超自然的な 《哲学》超越（論）的な","text":"transcendental\n卓越した 超越的な、超自然的な 《哲学》超越（論）的な \na transcendental truth 理外の理\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/transcendental","updated":1687936798,"position":[-44.1107,-153.791,-46.7192],"cluster":"c39","subgroup":"c39.01","degree":4,"referenceDegree":0,"maxSimilarity":0.19519,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6499a309e83f0c001b9158ae","weight":0.19519,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559ee63787791001c9af55e","weight":0.1454,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789413743008644046ef92a","weight":0.12529,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789474c5b8738af563840f6","weight":0.10588,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bdf4503e444001b120603","source":"ideaofintellection","title":"transdental number","excerpt":"超越数とは、代数的数でない複素数、すなわちどの有理係数の代数方程式 x^n + a_{n-1} x^{n-1} + \\cdots + a_0 = 0 の解にもならない複素数のことである。","text":"transdental number\n超越数とは、代数的数でない複素数、すなわちどの有理係数の代数方程式 x^n + a_{n-1} x^{n-1} + \\cdots + a_0 = 0 の解にもならない複素数のことである。\nπ 、eは超越数\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/transdental%20number","updated":1687936884,"position":[30.6942,-2.4292,-8.9877],"cluster":"c18","subgroup":"c18.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14219,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64f2ed540d98d7001c478add","weight":0.14219,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6693a7485b4875001d73d6bb","weight":0.08908,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649bdfa7733176001c9f24e6","source":"ideaofintellection","title":"先験哲学","excerpt":"感覚的経験に対して先天的なものが適用される可能性を論じる哲学。 また自然科学に対し、精神科学を主張するシェリングの哲学をさすこともある。 超越論哲学。","text":"先験哲学\n感覚的経験に対して先天的なものが適用される可能性を論じる哲学。 また自然科学に対し、精神科学を主張するシェリングの哲学をさすこともある。 超越論哲学。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%85%88%E9%A8%93%E5%93%B2%E5%AD%A6","updated":1687936942,"position":[-25.6994,-143.7939,-52.3677],"cluster":"c39","subgroup":"c39.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07354,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bdfd7d28b62001b000e27","source":"ideaofintellection","title":"先験的観念論","excerpt":"哲学で、カントの首唱した立場。知覚の対象が物自体ではなく現象であり、こうした対象が人間の直観の形式（時間・空間）と悟性の形式（カテゴリ）によって条件づけられてはじめて存在を認められるものであるとする学説。この学説は、認識作用によってとらえられない物自体を、感覚的所与の根拠として認め、事物の実在性が現象であると強調している。超越論的観念論。批判的観念論。","text":"先験的観念論\n哲学で、カントの首唱した立場。知覚の対象が物自体ではなく現象であり、こうした対象が人間の直観の形式（時間・空間）と悟性の形式（カテゴリ）によって条件づけられてはじめて存在を認められるものであるとする学説。この学説は、認識作用によってとらえられない物自体を、感覚的所与の根拠として認め、事物の実在性が現象であると強調している。超越論的観念論。批判的観念論。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%85%88%E9%A8%93%E7%9A%84%E8%A6%B3%E5%BF%B5%E8%AB%96","updated":1687936991,"position":[-43.5051,-152.2546,-45.464],"cluster":"c39","subgroup":"c39.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11701,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6789413743008644046ef92a","weight":0.11701,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649be00d701378001cd71c86","source":"ideaofintellection","title":"grieving 哀悼","excerpt":"悲しみは、喪失への反応であり、特に、絆や愛情が形成された、死んだ誰かや生き物の喪失への反応です。従来、喪失に対する感情的な反応に焦点を当てていましたが、悲しみには、身体的、認知的、行動的、社会的、文化的、精神的、哲学的な側面もあります。","text":"grieving 哀悼\n悲しみは、喪失への反応であり、特に、絆や愛情が形成された、死んだ誰かや生き物の喪失への反応です。従来、喪失に対する感情的な反応に焦点を当てていましたが、悲しみには、身体的、認知的、行動的、社会的、文化的、精神的、哲学的な側面もあります。\n[https://scrapbox.io/files/649be033ee7283001caceda9.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/grieving%20%E5%93%80%E6%82%BC","updated":1687937079,"position":[-16.235,84.6954,31.9688],"cluster":"c16","subgroup":"c16.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10085,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69b7d56a9c444bc93ee6c9d3","weight":0.10085,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649be087b3f622001c3dd94e","source":"ideaofintellection","title":"tacit knowing 暗黙知","excerpt":"暗黙知とは、1950年代にハンガリーのマイケル・ポランニーが提示した、言語、数字、図表等で説明ができない、あるいは説明をしにくい知識を意味します。 例えば、業務上においてマニュアルには書かれていないものの、知っていると効率的に業務が向上する便利なコツや優秀な人材が保有している効果的なノウハウなどが暗黙知に相当します。","text":"tacit knowing 暗黙知\n暗黙知とは、1950年代にハンガリーのマイケル・ポランニーが提示した、言語、数字、図表等で説明ができない、あるいは説明をしにくい知識を意味します。 例えば、業務上においてマニュアルには書かれていないものの、知っていると効率的に業務が向上する便利なコツや優秀な人材が保有している効果的なノウハウなどが暗黙知に相当します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/tacit%20knowing%20%E6%9A%97%E9%BB%99%E7%9F%A5","updated":1687937188,"position":[-3.6938,-87.6681,57.3032],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.06836,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649be11a97c383001b2d28b3","source":"ideaofintellection","title":"amorous","excerpt":"なまめかしい、色気がある","text":"amorous\nなまめかしい、色気がある\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/amorous","updated":1687937313,"position":[-47.1251,30.2241,-105.1415],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09102,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:658a82226f3a3d0023422ac4","weight":0.09102,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649be15bbb3a70001c0e2830","source":"ideaofintellection","title":"liaisons","excerpt":"“リエゾン”とはフランス語で「連携・橋渡し・つなぐ」を意味する言葉です。","text":"liaisons\n“リエゾン”とはフランス語で「連携・橋渡し・つなぐ」を意味する言葉です。\nリエゾンとは、フランス語における連声の一種で、語を単独では読む場合には発音されない語末の子音字が、直後に母音が続く場合に発音される現象を言う。リエゾンはしばしば連音とも訳されるが、「連音」という用語はリエゾン以外の音現象をも指すことがありうるので注意を要する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/liaisons","updated":1687937394,"position":[13.366,-53.2034,68.265],"cluster":"c12","subgroup":"c12.01","degree":3,"referenceDegree":0,"maxSimilarity":0.16042,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.16042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6584052d8b2b790024dc7bee","weight":0.11108,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.09105,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649be186754d52001c69a62e","source":"ideaofintellection","title":"morphemes -形態素","excerpt":"形態素とは、言語学の用語で、意味をもつ表現要素の最小単位。ある言語においてそれ以上分解したら意味をなさなくなるところまで分割して抽出された、音素のまとまりの1つ1つを指す。 形態素の一般的な性質や、形態素間の結びつきなどを明らかにする言語学の領域は、形態論と呼ばれる。","text":"morphemes -形態素\n形態素とは、言語学の用語で、意味をもつ表現要素の最小単位。ある言語においてそれ以上分解したら意味をなさなくなるところまで分割して抽出された、音素のまとまりの1つ1つを指す。 形態素の一般的な性質や、形態素間の結びつきなどを明らかにする言語学の領域は、形態論と呼ばれる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/morphemes%20-%E5%BD%A2%E6%85%8B%E7%B4%A0","updated":1687937436,"position":[-4.739,-61.9171,22.2915],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09325,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649be1ae940591001b8b8425","weight":0.09325,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649be1ae940591001b8b8425","source":"ideaofintellection","title":"phonemes","excerpt":"音素とは、言語学・音韻論において、音声学的な違いはどうであれ、心理的な実在として、母語話者にとって同じと感じられ、また意味を区別する働きをする音声上の最小単位となる音韻的単位を指す","text":"phonemes\n音素とは、言語学・音韻論において、音声学的な違いはどうであれ、心理的な実在として、母語話者にとって同じと感じられ、また意味を区別する働きをする音声上の最小単位となる音韻的単位を指す\n《言語学》音素◆他の語と区別するのに必要とされる、語の音声を構成する最小の単位。 例えば英語でtapとmapはtとmで区別され、それぞれが音素となる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/phonemes","updated":1687937470,"position":[-4.872,-61.7146,22.103],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09325,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649be186754d52001c69a62e","weight":0.09325,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649be1d544fdc3001b1cdec8","source":"ideaofintellection","title":"bona fide","excerpt":"〈ラテン語〉〔偽物ではなく〕本物の、正真正銘の、真正な◇","text":"bona fide\n〈ラテン語〉〔偽物ではなく〕本物の、正真正銘の、真正な◇\n他人や物事に対しての良い感情、または見方や好意のこと。日常用語としての善意とは、相手にとって喜ばしいであろうとすることを行う、思いやりのこと。また、相手によい結果を導こうとして行なう意思を指す。対義語には「悪意」がある。 私法上の法律用語の一つとしての善意 は以下の意味合いで用いられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/bona%20fide","updated":1687937516,"position":[-6.1201,-53.1381,37.546],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07835,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649be2133e673b001c6631f7","source":"ideaofintellection","title":"resemblance","excerpt":"類似、似ていること、類似性、類似点、相似 類似物","text":"resemblance\n類似、似ていること、類似性、類似点、相似 類似物\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/resemblance","updated":1687937563,"position":[-64.57,37.6714,-145.8467],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07787,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649be24413e948001c86c7b7","source":"ideaofintellection","title":"detour","excerpt":"遠回り、回り道、迂回路","text":"detour\n遠回り、回り道、迂回路\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/detour","updated":1687937614,"position":[-74.9288,42.9191,-123.3447],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03274,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649be2cbd41bca001ce7dc4a","source":"ideaofintellection","title":"kaleidoscope -万華鏡","excerpt":"万華鏡は、2枚以上の鏡を組み合わせてオブジェクトと呼ばれる内部に封入または先端に取り付けた対象物の映像を鑑賞する筒状の多面鏡。同義の英単語をカタカナ表記して、カレイドスコープ ともいう。かつては万華鏡、百色眼鏡、錦眼鏡とも呼ばれた","text":"kaleidoscope -万華鏡\n万華鏡は、2枚以上の鏡を組み合わせてオブジェクトと呼ばれる内部に封入または先端に取り付けた対象物の映像を鑑賞する筒状の多面鏡。同義の英単語をカタカナ表記して、カレイドスコープ ともいう。かつては万華鏡、百色眼鏡、錦眼鏡とも呼ばれた\n絶えず変化するも\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/kaleidoscope%20-%E4%B8%87%E8%8F%AF%E9%8F%A1","updated":1687937770,"position":[18.0385,51.1865,-33.8657],"cluster":"c15","subgroup":"c15.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09159,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b0c8b8b327f001c48dbe2","weight":0.09159,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649be310247515001b27f17f","source":"ideaofintellection","title":"felicitous","excerpt":"気持ちよく適切な方法あるいはスタイルを示すさま。","text":"felicitous\n気持ちよく適切な方法あるいはスタイルを示すさま。\n状況などに〕ぴったり合う、合わせることができる、適切な 〔雰囲気などを〕心得た \n「至福の、非常に幸せな」という意味で、felicity + -ousから派生しました。\na felicitous choice of words\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/felicitous","updated":1687937877,"position":[-42.5494,38.3614,-146.1514],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08262,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649be38097c383001b2d78fa","source":"ideaofintellection","title":"discretized -離散化","excerpt":"数学において、離散化 連続関数、モデル、変数、方程式を離散的な対応する物へ移す過程のこと。この過程は普通、それらをデジタルコンピュータ上での数値評価および実装に適したものにするために最初に行われるステップである。","text":"discretized -離散化\n数学において、離散化 連続関数、モデル、変数、方程式を離散的な対応する物へ移す過程のこと。この過程は普通、それらをデジタルコンピュータ上での数値評価および実装に適したものにするために最初に行われるステップである。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/discretized%20-%E9%9B%A2%E6%95%A3%E5%8C%96","updated":1687937940,"position":[13.9312,-36.5368,20.2872],"cluster":"c05","subgroup":"c05.01","degree":4,"referenceDegree":0,"maxSimilarity":0.2155,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649946d50b0ca9001c432fb6","weight":0.2155,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0f1f691990024037e65","weight":0.11195,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.11104,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a5002082dcf001cd2162f","weight":0.08574,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649be3cc14a450001c344554","source":"ideaofintellection","title":"classicus","excerpt":"ギリシア美術がその調和的･理想的形式を完成させた時代で，ペリクレスがアテナイの政権を手中に収めた頃からアレクサンドロス大王の没年ころまでをいう。クラシックclassicの呼名はラテン語のクラシクスclassicus(〈最上級の〉〈模範的な〉の意)から由来する(クラシクスは本来，クラシスclassis(ローマ市民の階級区分)における最上級層クラシキclassiciの形容詞形で，語意が転用されたもの)。この時代は一般には前5世紀後半の盛期クラシック(〈崇高な様式〉)と前4世紀の後期クラシック(〈優美な様式〉)とに区別される(この区別と命名はウィンケルマンによる)。","text":"classicus\nギリシア美術がその調和的･理想的形式を完成させた時代で，ペリクレスがアテナイの政権を手中に収めた頃からアレクサンドロス大王の没年ころまでをいう。クラシックclassicの呼名はラテン語のクラシクスclassicus(〈最上級の〉〈模範的な〉の意)から由来する(クラシクスは本来，クラシスclassis(ローマ市民の階級区分)における最上級層クラシキclassiciの形容詞形で，語意が転用されたもの)。この時代は一般には前5世紀後半の盛期クラシック(〈崇高な様式〉)と前4世紀の後期クラシック(〈優美な様式〉)とに区別される(この区別と命名はウィンケルマンによる)。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/classicus","updated":1687938005,"position":[71.082,-11.8223,23.8985],"cluster":"c23","subgroup":"c23.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10568,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64999f2b0938ea001ca17a88","weight":0.10568,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649be677baf9ab001c05da50","source":"ideaofintellection","title":"prosody","excerpt":"《言語学》〔発話の〕韻律（論）、プロソディー◆発話のリズム、強勢、イントネーションなどの音声学的要素 のうち、文法によって定められているものを除き、話者の感情や文脈によって変わるものだけを指す。","text":"prosody\n《言語学》〔発話の〕韻律（論）、プロソディー◆発話のリズム、強勢、イントネーションなどの音声学的要素 のうち、文法によって定められているものを除き、話者の感情や文脈によって変わるものだけを指す。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/prosody","updated":1687938686,"position":[48.3249,-50.0776,36.9535],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.18736,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee26ee33845002540cc07","weight":0.18736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f6fca2c4e9fde2d346357","weight":0.10978,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649be6aebe5997002155944b","source":"ideaofintellection","title":"commensurately","excerpt":"比例して","text":"commensurately\n比例して\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/commensurately","updated":1687938740,"position":[-69.2748,39.9302,-141.3476],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06766,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649be6cdf14a3e001c01f8cb","source":"ideaofintellection","title":"ubiquitous","excerpt":"ユビキタス は、遍在をあらわす言葉。 至高の存在が遍在するという点について、宗教体系によって考え方は異なる。キリスト教、ユダヤ教、イスラム教などの一神教では、神と宇宙は別のものだが、神はどこにでも存在している。汎神論的な信念においては、神と宇宙は同一である。","text":"ubiquitous\nユビキタス は、遍在をあらわす言葉。 至高の存在が遍在するという点について、宗教体系によって考え方は異なる。キリスト教、ユダヤ教、イスラム教などの一神教では、神と宇宙は別のものだが、神はどこにでも存在している。汎神論的な信念においては、神と宇宙は同一である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/ubiquitous","updated":1687938781,"position":[-5.9731,-78.0684,13.4247],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.04741,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649be6f6eb729b001c049d61","source":"ideaofintellection","title":"habitability","excerpt":"住む、または生活をするのに適していること。","text":"habitability\n住む、または生活をするのに適していること。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/habitability","updated":1687938820,"position":[-29.1562,-210.8235,69.6442],"cluster":"c46","subgroup":"c46.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19533,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667e6efa93aa40001d87e534","weight":0.19533,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649be7241c19dc001b3996a4","source":"ideaofintellection","title":"peregrinations","excerpt":"旅行、 遍歴","text":"peregrinations\n旅行、 遍歴\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/peregrinations","updated":1687938859,"position":[-78.6021,38.2569,-124.2034],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04756,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649be77714a450001c349658","source":"ideaofintellection","title":"invariants","excerpt":"不変量とは、数学的対象を特徴付ける別種の数学的対象のことである。一般に、不変量は数や多項式など、不変量同士の同型性判定がもとの対象の同型性判定より簡単であるものをとる。良い不変量とは、簡単に計算でき、かつなるべく強い同型性判別能力をもつものである。","text":"invariants\n不変量とは、数学的対象を特徴付ける別種の数学的対象のことである。一般に、不変量は数や多項式など、不変量同士の同型性判定がもとの対象の同型性判定より簡単であるものをとる。良い不変量とは、簡単に計算でき、かつなるべく強い同型性判別能力をもつものである。\n[https://scrapbox.io/files/649be793f14a3e001c0211e6.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/invariants","updated":1687938966,"position":[-47.3971,43.9039,-111.7889],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07527,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649be80ac1831b001bd79e2b","source":"ideaofintellection","title":"connoisseurship","excerpt":"優れた美術品に対する愛好、または、優れた美術品に対する好み。","text":"connoisseurship\n優れた美術品に対する愛好、または、優れた美術品に対する好み。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/connoisseurship","updated":1687939092,"position":[-49.0583,-3.7715,44.7617],"cluster":"c35","subgroup":"c35.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05534,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649be8b4940591001b8c27c0","source":"ideaofintellection","title":"acquire [amass] a competence.","excerpt":"十分な資産を作る","text":"acquire [amass] a competence.\n十分な資産を作る\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/acquire%20%5Bamass%5D%20a%20competence.","updated":1687939264,"position":[-45.0467,17.1129,-122.8266],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06776,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649bea260189ed001b5d0757","source":"ideaofintellection","title":"conspicuous","excerpt":"はっきり見える、人目につく、目立った、(…で)引き立って、人目について、(特異なことで)異彩を放つ、著名な、顕著な","text":"conspicuous\nはっきり見える、人目につく、目立った、(…で)引き立って、人目について、(特異なことで)異彩を放つ、著名な、顕著な\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/conspicuous","updated":1687939630,"position":[-44.3178,22.3454,-108.0498],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07707,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649c0f02940591001b8f4d9c","source":"ideaofintellection","title":"アンチテーゼ","excerpt":"テーゼ（定立）に対する語。特定の肯定的主張に対する特定の否定的主張で、弁証法においてヘーゲルが説いたテーゼ、ジンテーゼ（総合）とともに三契機の一つ。反立。反定立。反対命題。対立物。","text":"アンチテーゼ\nテーゼ（定立）に対する語。特定の肯定的主張に対する特定の否定的主張で、弁証法においてヘーゲルが説いたテーゼ、ジンテーゼ（総合）とともに三契機の一つ。反立。反定立。反対命題。対立物。\n※弁証法の意味（1933頃）〈田辺元〉四「テーゼ、アンチテーゼ、定立、反定立、というものを綜合統一して」","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%83%81%E3%83%86%E3%83%BC%E3%82%BC","updated":1687949065,"position":[51.7648,-115.8723,-65.5536],"cluster":"c41","subgroup":"c41.01","degree":3,"referenceDegree":0,"maxSimilarity":0.54339,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6507a017eeaff9001c19d237","weight":0.54339,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67894085a7574cc41139d61a","weight":0.24998,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d6d1e7f31220023c3afc4","weight":0.11209,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649cf56142f8d7001b9dda3f","source":"ideaofintellection","title":"homunculus","excerpt":"A homunculus is a representation of a small human being, originally depicted as small statues made out of clay. Popularized in sixteenth-century alchemy and nineteenth-century fiction, it has historically referred to the creation of a miniature, fully formed","text":"homunculus\nA homunculus is a representation of a small human being, originally depicted as small statues made out of clay. Popularized in sixteenth-century alchemy and nineteenth-century fiction, it has historically referred to the creation of a miniature, fully formed \n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/homunculus","updated":1688008162,"position":[23.8259,84.561,-2.2449],"cluster":"c22","subgroup":"c22.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08524,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64057d9c60e014001c5445da","weight":0.08524,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649e49748f46c4001c71d397","source":"ideaofintellection","title":"反応拡散系","excerpt":"反応拡散系とは、空間に分布された一種あるいは複数種の物質の濃度が、物質がお互いに変化し合うような局所的な化学反応と、空間全体に物質が広がる拡散の、二つのプロセスの影響によって変化する様子を数理モデル化したものである。","text":"反応拡散系\n反応拡散系とは、空間に分布された一種あるいは複数種の物質の濃度が、物質がお互いに変化し合うような局所的な化学反応と、空間全体に物質が広がる拡散の、二つのプロセスの影響によって変化する様子を数理モデル化したものである。\n[https://scrapbox.io/files/649e49b8a1f7bc001b328b67.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%8F%8D%E5%BF%9C%E6%8B%A1%E6%95%A3%E7%B3%BB","updated":1688095164,"position":[23.9742,61.7775,49.7473],"cluster":"c08","subgroup":"c08.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12026,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af1ed4d3a4b9001c00636b","weight":0.12026,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64d0b11486c31a001b2111da","weight":0.1182,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:654139ae1a0939001c0fe519","weight":0.09091,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649e5b75156dc6001c7f2c90","source":"ideaofintellection","title":"counter sound scape","excerpt":"《音楽》サウンドスケープ、音風景音を環境の中で、風景としてとらえようとした上で、聞こえないけどある音","text":"counter sound scape\n《音楽》サウンドスケープ、音風景音を環境の中で、風景としてとらえようとした上で、聞こえないけどある音\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/counter%20sound%20scape","updated":1688099754,"position":[-28.8988,46.0914,20.2022],"cluster":"c06","subgroup":"c06.02","degree":6,"referenceDegree":0,"maxSimilarity":0.2851,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65800044f995ab0024cb1be6","weight":0.2851,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6479fb8bb24a3f001b796e5f","weight":0.25467,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d292c8ff819011bbab6f","weight":0.11502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10d50c3f7cddd977cd69f","weight":0.10773,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68b32558d3053edde5f42c01","weight":0.10007,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6492f765e67c82001bfcac70","weight":0.09217,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649e5f2011d975001b467479","source":"ideaofintellection","title":"交換価値","excerpt":"交換価値（こうかんかち、value in exchange,exchange value）とは、古典派経済学およびマルクス経済学の概念で、ある商品の使用価値がその他の商品の使用価値と交換される場合の比率を指す。","text":"交換価値\n交換価値（こうかんかち、value in exchange,exchange value）とは、古典派経済学およびマルクス経済学の概念で、ある商品の使用価値がその他の商品の使用価値と交換される場合の比率を指す。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%A4%E6%8F%9B%E4%BE%A1%E5%80%A4","updated":1688100669,"position":[-2.4703,67.1185,43.0949],"cluster":"c08","subgroup":"c08.01","degree":1,"referenceDegree":0,"maxSimilarity":0.31486,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649e5f4da01ce1001d869c40","weight":0.31486,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649e5f4da01ce1001d869c40","source":"ideaofintellection","title":"使用価値","excerpt":"使用価値とは、物の持つさまざまなニーズを満たすことができる有用性を指す。マルクス経済学の価値論の概念の一つである。この使用価値は商品によって異なり、それぞれ異なる目的と手段を以って商品を作る労働を「具体的有用労働」と呼ぶ。","text":"使用価値\n使用価値とは、物の持つさまざまなニーズを満たすことができる有用性を指す。マルクス経済学の価値論の概念の一つである。この使用価値は商品によって異なり、それぞれ異なる目的と手段を以って商品を作る労働を「具体的有用労働」と呼ぶ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BD%BF%E7%94%A8%E4%BE%A1%E5%80%A4","updated":1688100709,"position":[-0.8959,65.764,44.5177],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.31486,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649e5f2011d975001b467479","weight":0.31486,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69f05298ab773b09ffcbf6f5","weight":0.08598,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:649e664498b5bd001c1789ff","source":"ideaofintellection","title":"動的平衡","excerpt":"動的平衡とは、絶え間ない流れの中で一種のバランスが取れた状態のことである。 崩壊してゆく生命の構成成分を先回りして分解し、乱雑さによって崩壊していく速度よりも早く再構成され続けることでバランスが保たれる。","text":"動的平衡\n動的平衡とは、絶え間ない流れの中で一種のバランスが取れた状態のことである。 崩壊してゆく生命の構成成分を先回りして分解し、乱雑さによって崩壊していく速度よりも早く再構成され続けることでバランスが保たれる。\n[https://scrapbox.io/files/649e66624c6071001c5925af.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%8B%95%E7%9A%84%E5%B9%B3%E8%A1%A1","updated":1688102501,"position":[13.1226,-32.3646,68.5984],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07298,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:649e67389cf89b001cd8affd","source":"ideaofintellection","title":"specurative","excerpt":"thinking about altanative past and future","text":"specurative\nthinking about altanative past and future\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/specurative","updated":1688103415,"position":[-5.821,112.5817,0.7658],"cluster":"c13","subgroup":"c13.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1844,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65c045a878c0bd002454fbcc","weight":0.1844,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2bf717b6e8001daa9452","weight":0.15844,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a13d1c0f3a18001bc9ca9f","source":"ideaofintellection","title":"critique","excerpt":"critique-批評とは、誰かまたは何かの否定的または肯定的な性質についての判断を構築することです。批判は、即席のコメントから書面による詳細な返答まで多岐にわたります。批評は、「理論的、実践的、印象主義的、感情的、規範的、または説明的」など、いくつかの重複するタイプに分類されます。","text":"critique\ncritique-批評とは、誰かまたは何かの否定的または肯定的な性質についての判断を構築することです。批判は、即席のコメントから書面による詳細な返答まで多岐にわたります。批評は、「理論的、実践的、印象主義的、感情的、規範的、または説明的」など、いくつかの重複するタイプに分類されます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/critique","updated":1688317097,"position":[-41.3291,-154.2357,-48.2904],"cluster":"c39","subgroup":"c39.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12642,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6789420e3d3fe3110a606492","weight":0.12642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a142e04125bc001c025cd1","source":"ideaofintellection","title":"adventurousness","excerpt":"冒険好きな性質","text":"adventurousness\n冒険好きな性質\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/adventurousness","updated":1688290027,"position":[-35.9399,-0.0412,-109.5445],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05589,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64a1594d2b8f2c001c31b09a","source":"ideaofintellection","title":"exponential","excerpt":"実解析における底 a の指数函数expₐ は、実数 x を実数 aˣ へ写す函数である。これが実函数として意味を持つのは a が真に正の実数であるときに限る。これは自然数全体で定義された n を aⁿ へ写す函数の、実数全体を定義域とする拡張である。したがってこれを、幾何数列の連続版と見ることができる。","text":"exponential\n実解析における底 a の指数函数expₐ は、実数 x を実数 aˣ へ写す函数である。これが実函数として意味を持つのは a が真に正の実数であるときに限る。これは自然数全体で定義された n を aⁿ へ写す函数の、実数全体を定義域とする拡張である。したがってこれを、幾何数列の連続版と見ることができる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/exponential","updated":1688295769,"position":[-6.6729,-63.6128,2.5782],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07715,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64a1597b89c472001cb7e609","source":"ideaofintellection","title":"ネイピア数","excerpt":"ネイピア数は、数学定数の一つであり、自然対数の底である。ネーピア数、ネピア数とも表記する。記号として通常は e が用いられる。その値は e = 2.71828 18284 59045 23536 02874 71352 … と続く超越数である。ネピアの定数とも呼ばれる。欧米では一般にオイラー数 と呼ばれる。","text":"ネイピア数\nネイピア数は、数学定数の一つであり、自然対数の底である。ネーピア数、ネピア数とも表記する。記号として通常は e が用いられる。その値は e = 2.71828 18284 59045 23536 02874 71352 … と続く超越数である。ネピアの定数とも呼ばれる。欧米では一般にオイラー数 と呼ばれる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8D%E3%82%A4%E3%83%94%E3%82%A2%E6%95%B0","updated":1688295810,"position":[-20.5975,-70.7138,63.8963],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1485,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c658f4822f80001c6c7876","weight":0.1485,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a159b7de63b1001bc9101a","source":"ideaofintellection","title":"ambiguous figure","excerpt":"あいまい図形、多義図形","text":"ambiguous figure\nあいまい図形、多義図形\n[https://scrapbox.io/files/64a159dd2b495d001c753d21.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/ambiguous%20figure","updated":1688295904,"position":[-61.9974,33.4051,-149.6651],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07216,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64a15a1517f8fb001cf4a612","source":"ideaofintellection","title":"ピタゴラス音律","excerpt":"ピタゴラス音律は、音階の全ての音と音程を周波数比3:2の純正な完全五度に基づいて導出する音律である。 ピタゴラス音律は初期ルネサンスまでの西洋音楽の標準的な音律であり、また中国や日本の伝統音楽の音律も同様の原理に基づくものである。 ピタゴラス音律では純正な五度と四度の音程が得られるが、三度と六度は純正にならない。","text":"ピタゴラス音律\nピタゴラス音律は、音階の全ての音と音程を周波数比3:2の純正な完全五度に基づいて導出する音律である。 ピタゴラス音律は初期ルネサンスまでの西洋音楽の標準的な音律であり、また中国や日本の伝統音楽の音律も同様の原理に基づくものである。 ピタゴラス音律では純正な五度と四度の音程が得られるが、三度と六度は純正にならない。\n[https://scrapbox.io/files/64a15a3f45cd02001c6c2026.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%82%BF%E3%82%B4%E3%83%A9%E3%82%B9%E9%9F%B3%E5%BE%8B","updated":1688296002,"position":[35.5276,-55.8916,-41.0072],"cluster":"c26","subgroup":"c26.01","degree":3,"referenceDegree":0,"maxSimilarity":0.38453,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c63fa43a7729001c115d99","weight":0.38453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64b65ac8fac342001b98084b","weight":0.30889,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c640eb0c64a4001b672696","weight":0.27793,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a16405d1eccf001cedda8f","source":"ideaofintellection","title":"convergence","excerpt":"収束する、締めくくり","text":"convergence\n収束する、締めくくり\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/convergence","updated":1688298533,"position":[-59.5656,33.7667,-95.2911],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07211,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64a18517d12417001caf6037","source":"ideaofintellection","title":"固有受容感覚 -proprioceptive","excerpt":"固有受容は運動感覚とも呼ばれ、自己の動き、力、体の位置の感覚です。 「第六感」と表現されることもあります。 固有受容は、筋肉、腱、関節内に位置する機械感覚ニューロンである固有受容体によって媒介されます。","text":"固有受容感覚 -proprioceptive\n固有受容は運動感覚とも呼ばれ、自己の動き、力、体の位置の感覚です。 「第六感」と表現されることもあります。 固有受容は、筋肉、腱、関節内に位置する機械感覚ニューロンである固有受容体によって媒介されます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%9B%BA%E6%9C%89%E5%8F%97%E5%AE%B9%E6%84%9F%E8%A6%9A%20-proprioceptive","updated":1688308361,"position":[-43.6338,50.1031,-118.2561],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.15838,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64e383748b4729001b956a91","weight":0.15838,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a18a59a03708001cec784c","source":"ideaofintellection","title":"相互運用性 -interoperable","excerpt":"相互運用性とは、さまざまなシステムや組織が連携できる 能力に関する特性である。この用語はしばしば技術システム工学の意味で用いられるが、その代わりにシステム間の性能に影響を与える社会的、政治的、組織的な要因を考慮に入れた広い意味で用いられることもある。","text":"相互運用性 -interoperable\n相互運用性とは、さまざまなシステムや組織が連携できる 能力に関する特性である。この用語はしばしば技術システム工学の意味で用いられるが、その代わりにシステム間の性能に影響を与える社会的、政治的、組織的な要因を考慮に入れた広い意味で用いられることもある。\n情報を交換し、使用することできるさま。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%9B%B8%E4%BA%92%E9%81%8B%E7%94%A8%E6%80%A7%20-interoperable","updated":1688308353,"position":[3.2802,-76.8443,34.8611],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.0887,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649bcd2043a3c7001c056ce2","weight":0.0887,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5639777488900235c0b86","weight":0.08662,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a1a86f8548f7001ce4862f","source":"ideaofintellection","title":"multimodality","excerpt":"マルチモダリティとは、1 つのメディア内で複数のリテラシーを適用することです。複数のリテラシーまたは「モード」は、聴衆が作品を理解するのに役立ちます。画像の配置からコンテンツの構成、配信方法まで、すべてが意味を生み出します。","text":"multimodality\nマルチモダリティとは、1 つのメディア内で複数のリテラシーを適用することです。複数のリテラシーまたは「モード」は、聴衆が作品を理解するのに役立ちます。画像の配置からコンテンツの構成、配信方法まで、すべてが意味を生み出します。\n複数のモードを考慮にいれていくことです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/multimodality","updated":1688316050,"position":[98.4339,-48.4164,43.7178],"cluster":"c34","subgroup":"c34.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09559,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648bb5c5651b76001c5150ce","weight":0.09559,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a27684e666ec001cd32d3a","source":"ideaofintellection","title":"プロテウス効果","excerpt":"オンラインゲームなどの仮想空間上のアバター（自分の分身となるキャラクター）の見た目がユーザーの行動特性に影響を与える、とされる心理効果のこと。 変身効果とも呼ばれる。 2007年、スタンフォード大学のニック・イーとジェレミー・ベイルソンが提唱した。","text":"プロテウス効果\nオンラインゲームなどの仮想空間上のアバター（自分の分身となるキャラクター）の見た目がユーザーの行動特性に影響を与える、とされる心理効果のこと。 変身効果とも呼ばれる。 2007年、スタンフォード大学のニック・イーとジェレミー・ベイルソンが提唱した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%97%E3%83%AD%E3%83%86%E3%82%A6%E3%82%B9%E5%8A%B9%E6%9E%9C","updated":1688368829,"position":[-19.2041,43.5395,33.7768],"cluster":"c06","subgroup":"c06.02","degree":1,"referenceDegree":0,"maxSimilarity":0.26028,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648bcf2fd950e7001b6c8492","weight":0.26028,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a2770472398b001b4318f0","source":"ideaofintellection","title":"平均律 equal temperament","excerpt":"平均律（へいきんりつ）（英: equal temperament）は、1オクターヴなどの音程を均等な周波数比で分割した音律。 多種類が考案されている。 西洋音楽で用いられる十二平均律がよく知られている。","text":"平均律 equal temperament\n平均律（へいきんりつ）（英: equal temperament）は、1オクターヴなどの音程を均等な周波数比で分割した音律。 多種類が考案されている。 西洋音楽で用いられる十二平均律がよく知られている。\n現在、普通に演奏されている音楽は1オクターブの中に（対数的に）12等分（音程が12進むと周波数が2倍になるという特性）された音程があり、これを12平均律という。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%B9%B3%E5%9D%87%E5%BE%8B%20equal%20temperament","updated":1688369297,"position":[47.259,-46.7854,-52.5571],"cluster":"c26","subgroup":"c26.01","degree":1,"referenceDegree":0,"maxSimilarity":0.40784,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6572632920d5a50022ed6cd1","weight":0.40784,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a27739a2e851001b0fabab","source":"ideaofintellection","title":"パーセバルの定理","excerpt":"パーセバルの定理とは、フーリエ変換がユニタリであるという結果を一般に指す。大まかに言えば、関数の平方の総和が、そのフーリエ変換の平方の総和と等しいということである。フランスの数学者マルク＝アントワーヌ・パーシバルの1799年の級数に関する定理が起源であり、この定理は後にフーリエ級数に応用されるようになった。","text":"パーセバルの定理\nパーセバルの定理とは、フーリエ変換がユニタリであるという結果を一般に指す。大まかに言えば、関数の平方の総和が、そのフーリエ変換の平方の総和と等しいということである。フランスの数学者マルク＝アントワーヌ・パーシバルの1799年の級数に関する定理が起源であり、この定理は後にフーリエ級数に応用されるようになった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%83%BC%E3%82%BB%E3%83%90%E3%83%AB%E3%81%AE%E5%AE%9A%E7%90%86","updated":1688368961,"position":[-25.7706,-72.8276,66.3953],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.15364,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af3e5827132e001c2db7a0","weight":0.15364,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bb5c5651b76001c5150ce","weight":0.09725,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a27760b9900f001b46afa1","source":"ideaofintellection","title":"ユニタリ","excerpt":"その性質をユニタリティあるいはユニタリ性という。 また「単一の」、「単位の」という意味の英語。","text":"ユニタリ\nその性質をユニタリティあるいはユニタリ性という。 また「単一の」、「単位の」という意味の英語。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A6%E3%83%8B%E3%82%BF%E3%83%AA","updated":1688369001,"position":[-38.204,62.6717,31.8864],"cluster":"c06","subgroup":"c06.02","degree":2,"referenceDegree":0,"maxSimilarity":0.14903,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6556403b0f68a2001bd8e822","weight":0.14903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b0f0d3bf046001c595148","weight":0.13529,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a2777ecb67e9001b61610b","source":"ideaofintellection","title":"ポリフォニー","excerpt":"ポリフォニーは、複数の独立した声部からなる音楽のこと。ただ一つの声部しかないモノフォニーの対義語として、多声音楽を意味する。","text":"ポリフォニー\nポリフォニーは、複数の独立した声部からなる音楽のこと。ただ一つの声部しかないモノフォニーの対義語として、多声音楽を意味する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9D%E3%83%AA%E3%83%95%E3%82%A9%E3%83%8B%E3%83%BC","updated":1688369031,"position":[47.3517,-47.9715,34.3064],"cluster":"c02","subgroup":"c02.03","degree":9,"referenceDegree":0,"maxSimilarity":0.34716,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734dea3c1dadde248a0819f","weight":0.34716,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc0c4924cae7c52e36fbe","weight":0.28807,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fbf2cb588d0024bd3cad","weight":0.27422,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c56d7ccfeab00249c72c3","weight":0.13863,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0328788a50001c391520","weight":0.13292,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc384f82dbe7d3efb1530","weight":0.12039,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.11559,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc2c1ad4037943e6f27e8","weight":0.10785,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a2779b2de8ed001c5900c4","source":"ideaofintellection","title":"インパルス応答","excerpt":"インパルス応答とは、インパルスと呼ばれる非常に短い信号を入力したときのシステムの出力である。インパルス反応とも。インパルスとは、時間的幅が無限小で高さが無限大のパルスである。実際のシステムではこのような信号は生成できないが、理想化としては有益な概念である。","text":"インパルス応答\nインパルス応答とは、インパルスと呼ばれる非常に短い信号を入力したときのシステムの出力である。インパルス反応とも。インパルスとは、時間的幅が無限小で高さが無限大のパルスである。実際のシステムではこのような信号は生成できないが、理想化としては有益な概念である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A4%E3%83%B3%E3%83%91%E3%83%AB%E3%82%B9%E5%BF%9C%E7%AD%94","updated":1688369088,"position":[50.1834,-50.8607,35.8881],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.39376,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65e9c17225c0310024e2eb6d","weight":0.39376,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65e2025da0d001cf19905","weight":0.30033,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a27a33fd6027001cb7e6d2","source":"ideaofintellection","title":"レンマ","excerpt":"レンマとは、哲学用語のひとつで、「律」、「句」の意味。ギリシア語ではλῆμμα。","text":"レンマ\nレンマとは、哲学用語のひとつで、「律」、「句」の意味。ギリシア語ではλῆμμα。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%83%B3%E3%83%9E","updated":1688369721,"position":[35.1343,-61.4068,-40.0005],"cluster":"c26","subgroup":"c26.01","degree":6,"referenceDegree":0,"maxSimilarity":0.15603,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658ed1150051c6002598dd5e","weight":0.15603,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee855154aafb001c82be6e","weight":0.13601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65224abace56d4001cd91e15","weight":0.10648,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b34d9fbef2c60026911cfe","weight":0.10488,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657264cccd71130024fd69d6","weight":0.10273,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3750e229416001b3b27ef","weight":0.09765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a27a5301ba3e001bf3863e","source":"ideaofintellection","title":"正則化 regularization","excerpt":"数学・統計学・計算機科学において、特に機械学習と逆問題において、正則化とは、不良設定問題を解いたり過学習を防いだりするために、情報を追加する手法である。モデルの複雑さに罰則を科すために導入され、なめらかでないことに罰則をかけたり、パラメータのノルムの大きさに罰則をかけたりする。","text":"正則化 regularization\n数学・統計学・計算機科学において、特に機械学習と逆問題において、正則化とは、不良設定問題を解いたり過学習を防いだりするために、情報を追加する手法である。モデルの複雑さに罰則を科すために導入され、なめらかでないことに罰則をかけたり、パラメータのノルムの大きさに罰則をかけたりする。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%AD%A3%E5%89%87%E5%8C%96%20regularization","updated":1688369770,"position":[-30.0419,-3.2062,-3.9162],"cluster":"c11","subgroup":"c11.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06156,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64a27b13dde250001c81c994","source":"ideaofintellection","title":"Reality-Virtuality Continuum","excerpt":"現実性と仮想性の連続体の概念図","text":"Reality-Virtuality Continuum\n現実性と仮想性の連続体の概念図\n仮想性の連続体は、完全に仮想的な仮想性と完全に現実的な現実の間の連続的なスケールです。したがって、現実と仮想の連続体には、現実と仮想のオブジェクトのすべての可能なバリエーションと構成が含まれます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Reality-Virtuality%20Continuum","updated":1688369970,"position":[18.1482,52.109,-33.1479],"cluster":"c15","subgroup":"c15.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10879,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a0966f732cc67b34253e4f9","weight":0.10879,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b0c8b8b327f001c48dbe2","weight":0.10151,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a27b8e43539a001c351457","source":"ideaofintellection","title":"chromatic scale 半音階","excerpt":"半音階とは、隣り合う音の音程関係がすべて半音で構成されるような音階。十二平均律に含まれる半音階はただ一種類である。本来は、全音階における音階音が半音変化した音を伴って構成される音階であり、結果的に音階構成音の音高が半音の間隔で配置されている。","text":"chromatic scale 半音階\n半音階とは、隣り合う音の音程関係がすべて半音で構成されるような音階。十二平均律に含まれる半音階はただ一種類である。本来は、全音階における音階音が半音変化した音を伴って構成される音階であり、結果的に音階構成音の音高が半音の間隔で配置されている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/chromatic%20scale%20%E5%8D%8A%E9%9F%B3%E9%9A%8E","updated":1688370078,"position":[34.7232,-57.5347,-42.0136],"cluster":"c26","subgroup":"c26.01","degree":3,"referenceDegree":0,"maxSimilarity":0.1473,"lowEvidence":false,"neighbors":[{"id":"NextResearch:699933c9ec193d94a2ac2f9e","weight":0.1473,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc13eb77583d262fb2283","weight":0.10742,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65fbd7b0b1816200256cb207","weight":0.10021,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a27bc5c52d97001b12a745","source":"ideaofintellection","title":"vinyl","excerpt":"《化学》ビニル（基）◇CH2=CH- ビニール製品 〈米俗〉レコード盤","text":"vinyl\n《化学》ビニル（基）◇CH2=CH- ビニール製品 〈米俗〉レコード盤\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/vinyl","updated":1688370135,"position":[71.0337,-13.0094,21.4323],"cluster":"c23","subgroup":"c23.01","degree":8,"referenceDegree":0,"maxSimilarity":0.30015,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c6549b5e217400218cef6f","weight":0.30015,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6626b91c6900249bfdb0","weight":0.23176,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d68a8f4e6f800241a8f98","weight":0.14281,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65b790405ccf750026d8488b","weight":0.11009,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67612ac6175bb969ce145d46","weight":0.10736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658006deed21450023f9589d","weight":0.09086,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d71989de1bfe001d5ee33b","weight":0.08994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d71b0513c210001c375ed3","weight":0.08934,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a27bfbf354bf001bae1b81","source":"ideaofintellection","title":"integral","excerpt":"積分","text":"integral\n積分\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/integral","updated":1688370176,"position":[-59.263,27.9329,-111.7769],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1352,"lowEvidence":true,"neighbors":[{"id":"NextResearch:66af27285059c9001cab86bb","weight":0.1352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a27c1e6aaa87001cef80f2","source":"ideaofintellection","title":"festivalgoers","excerpt":"祭りの参加者","text":"festivalgoers\n祭りの参加者\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/festivalgoers","updated":1688370215,"position":[50.4948,-50.7781,37.1207],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.08995,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","weight":0.08995,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a27c5d116a19001bb70635","source":"ideaofintellection","title":"アフォーダンス -affordance","excerpt":"アフォーダンスとは、環境が動物に対して与える「意味」のことである。アメリカの知覚心理学者ジェームズ・J・ギブソンによる造語であり、生態光学、生態心理学の基底的概念である。「与える、提供する」という意味の英語の語「アフォード」から造られた。","text":"アフォーダンス -affordance\nアフォーダンスとは、環境が動物に対して与える「意味」のことである。アメリカの知覚心理学者ジェームズ・J・ギブソンによる造語であり、生態光学、生態心理学の基底的概念である。「与える、提供する」という意味の英語の語「アフォード」から造られた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%95%E3%82%A9%E3%83%BC%E3%83%80%E3%83%B3%E3%82%B9%20-affordance","updated":1688370288,"position":[19.2463,-147.7586,91.6317],"cluster":"c42","subgroup":"c42.01","degree":2,"referenceDegree":0,"maxSimilarity":0.66329,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b34e686ddc440025796c56","weight":0.66329,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b06d9fe04b2001b618e82","weight":0.12068,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a378de3890e2001c9cab5e","source":"ideaofintellection","title":"manifestation","excerpt":"明らかにすること、明示、表明、政策表明 〔病気などの〕兆候 示威運動","text":"manifestation\n明らかにすること、明示、表明、政策表明 〔病気などの〕兆候 示威運動\nManifestation（マニフェステーション）には、次のような意味があります。\n（気持ちや態度などの）現れ、表明、明示、顕示\n（病状などの）発現、発症、症状\n（政治的な）示威運動、デモ\n（霊魂や神などの）顕現、化身\nある人や物の実在、存在、実物の明白な兆候\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/manifestation","updated":1739866407,"position":[117.8326,-45.9115,-49.3853],"cluster":"c38","subgroup":"c38.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06841,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64a3790a1fc330001b0d5b2d","source":"ideaofintellection","title":"ズッカーマン数","excerpt":"ズッカーマン数（ズッカーマンすう、英: Zuckerman number）とは、各位の総乗が元の数の約数であるような自然数である。 例えば、315 は各位の総乗が 3 × 1 × 5 = 15 であり、15 は 315 の約数であるので 315 はズッカーマン数である。","text":"ズッカーマン数\nズッカーマン数（ズッカーマンすう、英: Zuckerman number）とは、各位の総乗が元の数の約数であるような自然数である。 例えば、315 は各位の総乗が 3 × 1 × 5 = 15 であり、15 は 315 の約数であるので 315 はズッカーマン数である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BA%E3%83%83%E3%82%AB%E3%83%BC%E3%83%9E%E3%83%B3%E6%95%B0","updated":1688434968,"position":[18.6554,-67.093,-2.1032],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.18492,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a3792a174119001b961e63","weight":0.18492,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a3796a1353ba001c6c409c","weight":0.09157,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a3792a174119001b961e63","source":"ideaofintellection","title":"ハーシャッド数","excerpt":"ハーシャッド数（ハーシャッドすう、英: harshad number）とは、自然数の各位の数字和が元の数の約数に含まれている自然数である。 例えば、315の約数は (1, 3, 5, 7, 9, 15, 21, 35, 45, 63, 105, 315) であって、各位の和は 3 + 1 + 5 = 9 である。","text":"ハーシャッド数\nハーシャッド数（ハーシャッドすう、英: harshad number）とは、自然数の各位の数字和が元の数の約数に含まれている自然数である。 例えば、315の約数は (1, 3, 5, 7, 9, 15, 21, 35, 45, 63, 105, 315) であって、各位の和は 3 + 1 + 5 = 9 である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%83%BC%E3%82%B7%E3%83%A3%E3%83%83%E3%83%89%E6%95%B0","updated":1688434999,"position":[18.5623,-67.3062,-1.8288],"cluster":"c03","subgroup":"c03.01","degree":3,"referenceDegree":0,"maxSimilarity":0.45009,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a3796a1353ba001c6c409c","weight":0.45009,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a3790a1fc330001b0d5b2d","weight":0.18492,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c62839f6f040001b689d02","weight":0.09272,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a3796a1353ba001c6c409c","source":"ideaofintellection","title":"330","excerpt":"330は合成数であり、約数は 1, 2, 3, 5, 6, 10, 11, 15, 22, 30, 33, 55, 66, 110, 165, 330 である。","text":"330\n330は合成数であり、約数は 1, 2, 3, 5, 6, 10, 11, 15, 22, 30, 33, 55, 66, 110, 165, 330 である。\n五角数がハーシャッド数になる8番目の数である。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/330","updated":1688435118,"position":[18.5775,-67.1523,-1.9598],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.45009,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a3792a174119001b961e63","weight":0.45009,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a3790a1fc330001b0d5b2d","weight":0.09157,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a37aa1dbd5c0001b89ef59","source":"ideaofintellection","title":"Bossa nova","excerpt":"ボサノバは1950年代の終わり頃に南米ブラジルのラサンバ等のテン音楽とアメリカのジャズが融合して生まれた音楽スタイルで、ゆったりとした雰囲気と素朴でありながら、ジャズの影響を受けたオシャレで少し複雑な響きのサウンドが魅力です。 そんなボサノバの基本の演奏スタイルはギター伴奏の弾き語り。","text":"Bossa nova \nボサノバは1950年代の終わり頃に南米ブラジルのラサンバ等のテン音楽とアメリカのジャズが融合して生まれた音楽スタイルで、ゆったりとした雰囲気と素朴でありながら、ジャズの影響を受けたオシャレで少し複雑な響きのサウンドが魅力です。 そんなボサノバの基本の演奏スタイルはギター伴奏の弾き語り。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Bossa%20nova","updated":1688435373,"position":[23.1713,-60.6099,30.3261],"cluster":"c02","subgroup":"c02.03","degree":0,"referenceDegree":0,"maxSimilarity":0.0825,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64a37ac5e826ce001c7b0415","source":"ideaofintellection","title":"Tabula rasa (タブラ・ラーサ)","excerpt":"タブラ・ラーサ（ラテン語: tabula rasa）は、白紙状態の意。蝋などを引いた書字版を取り消して何も書き込まれていない状態。","text":"Tabula rasa (タブラ・ラーサ)\nタブラ・ラーサ（ラテン語: tabula rasa）は、白紙状態の意。蝋などを引いた書字版を取り消して何も書き込まれていない状態。\nTabula rasa is the idea of individuals being born empty of any built-in mental content, so that all knowledge comes from later perceptions or sensory experiences. This idea is the central view posited in the theory of knowledge known as empiricism. \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Tabula%20rasa%20%28%E3%82%BF%E3%83%96%E3%83%A9%E3%83%BB%E3%83%A9%E3%83%BC%E3%82%B5%29","updated":1688435434,"position":[48.9419,-48.4939,38.8215],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.12298,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a6aa16c2060025ef99bd","weight":0.12298,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bcaaca2b13a001c1cee27","weight":0.09135,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a37b56e666ec001ce1a15d","source":"ideaofintellection","title":"virtuosity","excerpt":"巨匠によって示された技能、なめらかさ、または流儀。","text":"virtuosity\n巨匠によって示された技能、なめらかさ、または流儀。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/virtuosity","updated":1688435546,"position":[11.0563,-76.3151,36.5032],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.11054,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649bdd52257d3c001c009ac4","weight":0.11054,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a37b81519ff8001b559563","source":"ideaofintellection","title":"crux","excerpt":"最も重要な点［ポイント］、難解な箇所、難問、十字架","text":"crux\n最も重要な点［ポイント］、難解な箇所、難問、十字架","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/crux","updated":1688435619,"position":[2.2385,-65.3897,45.4259],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.10232,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667e6b1baac46f001c052de1","weight":0.10232,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf62df868ce500240dd29b","weight":0.09,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a37c60605016001bb1aa9d","source":"ideaofintellection","title":"Hennessy","excerpt":"Jas Hennessy & Co., commonly known simply as Hennessy, is a French producer of cognac, which has its headquarters in Cognac, France. It is one of the \"big four\" cognac houses, along with Martell, Courvoisier, and Rémy Martin, who together make around 85% of the world's cognac.","text":"Hennessy\nJas Hennessy & Co., commonly known simply as Hennessy, is a French producer of cognac, which has its headquarters in Cognac, France. It is one of the \"big four\" cognac houses, along with Martell, Courvoisier, and Rémy Martin, who together make around 85% of the world's cognac.\n[https://scrapbox.io/files/64a37ca27c7184001b5a66b0.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Hennessy","updated":1688435877,"position":[6.1438,101.7373,74.9851],"cluster":"c19","subgroup":"c19.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13434,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686bbce0dce383037fb283f7","weight":0.13434,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b9e14ae08e096cb4b8994","weight":0.12007,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64993e4a7d9235001c34ae3e","weight":0.09058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a37daa181fd6001cf6205c","source":"ideaofintellection","title":"consonant","excerpt":"子音、子音音","text":"consonant\n子音、子音音\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/consonant","updated":1688436196,"position":[46.114,-51.5213,32.5596],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.14955,"lowEvidence":false,"neighbors":[{"id":"NextResearch:682c3ae16f05942e372b791e","weight":0.14955,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a559a40ca8a9001bf336fe","source":"ideaofintellection","title":"えんもたけなわ","excerpt":"えんもたけなわとは、お酒の席で一番盛り上がっている状態を指します。","text":"えんもたけなわ\nえんもたけなわとは、お酒の席で一番盛り上がっている状態を指します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%81%88%E3%82%93%E3%82%82%E3%81%9F%E3%81%91%E3%81%AA%E3%82%8F","updated":1688558043,"position":[1.78,-75.3428,36.7319],"cluster":"c01","subgroup":"c01.02","degree":8,"referenceDegree":0,"maxSimilarity":0.16063,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d45400dfbadf0bee7e7428","weight":0.16063,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a479f08eeded787cda6a","weight":0.14116,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ba90f326ba5a0025a0e1f5","weight":0.13125,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bdc84352234001ba5ec56","weight":0.13115,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0d2350810b001b1e5c1f","weight":0.12505,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d456b6ea6fc067accbd203","weight":0.12018,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695b7d56e9f55224af2679d0","weight":0.10923,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678203d61e4ed9efb7eb2bd6","weight":0.08677,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a55cd5f53843001c24f9bf","source":"ideaofintellection","title":"テンソル","excerpt":"テンソル（英: tensor, 独: Tensor）とは、線形的な量または線形的な幾何概念を一般化したもので、基底を選べば、多次元の配列として表現できるようなものである。 しかし、テンソル自身は、特定の座標系によらないで定まる対象である。","text":"テンソル\nテンソル（英: tensor, 独: Tensor）とは、線形的な量または線形的な幾何概念を一般化したもので、基底を選べば、多次元の配列として表現できるようなものである。 しかし、テンソル自身は、特定の座標系によらないで定まる対象である。\n[https://scrapbox.io/files/64a55ce9949712002156ccb5.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%83%B3%E3%82%BD%E3%83%AB","updated":1688558829,"position":[127.894,-45.5569,-1.7518],"cluster":"c45","subgroup":"c45.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07787,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64a55d13f74422001bd24380","source":"ideaofintellection","title":"Jacquard machine (ジャカード織機)","excerpt":"ジャガード織とはフランス人発明家のジャカール（Joseph Marie Jacquard;1752-1834)が考案した織機（ジャガード機）を使用して製作された織物のことをいいます。","text":"Jacquard machine (ジャカード織機)\nジャガード織とはフランス人発明家のジャカール（Joseph Marie Jacquard;1752-1834)が考案した織機（ジャガード機）を使用して製作された織物のことをいいます。\n[https://scrapbox.io/files/64a55d2be7c5af001bde0e07.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Jacquard%20machine%20%28%E3%82%B8%E3%83%A3%E3%82%AB%E3%83%BC%E3%83%89%E7%B9%94%E6%A9%9F%29","updated":1688558894,"position":[44.3392,31.3532,63.6993],"cluster":"c30","subgroup":"c30.01","degree":1,"referenceDegree":0,"maxSimilarity":0.22808,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6a546d7ffbdebad49e4ca639","weight":0.22808,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a55d41e7c5af001bde0efd","source":"ideaofintellection","title":"双対性","excerpt":"1つの対象に対し2つの等価な記述法が存在するとき，2つの記述法を取り替える操作を双対（そうつい）とよぶ","text":"双対性\n1つの対象に対し2つの等価な記述法が存在するとき，2つの記述法を取り替える操作を双対（そうつい）とよぶ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%8F%8C%E5%AF%BE%E6%80%A7","updated":1688558927,"position":[-34.2079,36.3409,-103.5644],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07693,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64a55d950ca8a9001bf3d445","source":"ideaofintellection","title":"De Bruijn graph (De Bruijnグラフ)","excerpt":"de Bruijnグラフは生物のDNA配列を決定する際に用いられる。","text":"De Bruijn graph (De Bruijnグラフ)\nde Bruijnグラフは生物のDNA配列を決定する際に用いられる。\nIn graph theory, an n-dimensional De Bruijn graph of m symbols is a directed graph representing overlaps between sequences of symbols. It has mⁿ vertices, consisting of all possible length-n sequences of the given symbols; the same symbol may appear multiple times in a sequence. \n[https://scrapbox.io/files/64a55dc294ee79001c9c8281.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/De%20Bruijn%20graph%20%28De%20Bruijn%E3%82%B0%E3%83%A9%E3%83%95%29","updated":1688559064,"position":[-25.5993,-71.3703,62.5016],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.17551,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1904e1f9a2001b9a1114","weight":0.17551,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c214389ded0c00247570d2","weight":0.12429,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d7feb647e70023407592","weight":0.11282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a55de40ca8a9001bf3d9d8","source":"ideaofintellection","title":"Quasicrystal (準結晶)","excerpt":"準結晶とは、古典結晶学が規定したような厳密完全な周期性は持たないものの、それに匹敵する長距離秩序を持った構造のことだ。 この発見により、19世紀に確立された結晶学は見直しを迫られ、1992年に国際結晶連合は、結晶の定義を「不連続な回折パターンを示す物質」という緩い定義に変更した。","text":"Quasicrystal (準結晶)\n準結晶とは、古典結晶学が規定したような厳密完全な周期性は持たないものの、それに匹敵する長距離秩序を持った構造のことだ。 この発見により、19世紀に確立された結晶学は見直しを迫られ、1992年に国際結晶連合は、結晶の定義を「不連続な回折パターンを示す物質」という緩い定義に変更した。\n[https://scrapbox.io/files/64a55e1b0c15f4001bcbde1e.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Quasicrystal%20%28%E6%BA%96%E7%B5%90%E6%99%B6%29","updated":1688559135,"position":[-41.341,38.8827,-111.767],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08755,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65b78a3dfb9a970025f372eb","weight":0.08755,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a55ed811d6fd001b99fdd2","source":"ideaofintellection","title":"Myelination","excerpt":"Myelin is an insulating layer, or sheath that forms around nerves, including those in the brain and spinal cord. It is made up of protein and fatty substances. This myelin sheath allows electrical impulses to transmit quickly and efficiently along the nerve cells. If myelin is damaged, these impulses slow down.","text":"Myelination\nMyelin is an insulating layer, or sheath that forms around nerves, including those in the brain and spinal cord. It is made up of protein and fatty substances. This myelin sheath allows electrical impulses to transmit quickly and efficiently along the nerve cells. If myelin is damaged, these impulses slow down.\n\nMuch like the insulation around the wires in electrical systems, glial cells form a membraneous sheath surrounding axons called myelin, thereby insulating the axon. This myelination, as it is called, can greatly increase the speed of signals transmitted between neurons (known as action potentials).\n\n[https://scrapbox.io/files/64a55efac55144001bc1e673.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Myelination","updated":1688559462,"position":[34.47,-53.4375,-38.7862],"cluster":"c26","subgroup":"c26.01","degree":1,"referenceDegree":0,"maxSimilarity":0.16927,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:68513a5a075d5c3f3c460d1d","weight":0.16927,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64a55fadc3d418001ca823d9","source":"ideaofintellection","title":"GRIT","excerpt":": firmness of mind or spirit : unyielding courage in the face of hardship or danger. managed to survive by his grit and guile.","text":"GRIT\n: firmness of mind or spirit : unyielding courage in the face of hardship or danger. managed to survive by his grit and guile.\n[https://scrapbox.io/files/64a55faec3d418001ca8240a.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/GRIT","updated":1688559567,"position":[-3.3969,102.6569,3.6477],"cluster":"c13","subgroup":"c13.01","degree":5,"referenceDegree":0,"maxSimilarity":0.16836,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64cb335ccb404c001b7052e7","weight":0.16836,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b3012a2a41e4dd7058b4a","weight":0.13509,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:694fc47bf13a9a86da66dc57","weight":0.11543,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c6689f04004d6d2b376e1","weight":0.11488,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da27dd69a91ff9cdd78f3","weight":0.08559,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64b659dbd636b0001c7cbe86","source":"ideaofintellection","title":"素数 純正律","excerpt":"純正律を貫くと無限に音階が必要","text":"素数 純正律\n純正律を貫くと無限に音階が必要\n上の音階ではとりあえず8音を定義しましたが、これでは不足します。たとえば、シ(495Hz)に対して2:3と4:5を定義すると742.5 Hzと618.75 Hzになり、742.5 Hzから。。。と繰り返していくと実は無限に音階が出来上がります。\n\nなぜこうなるかというと、どれだけ繰り返しても元の音には戻らないからです。今の音階のようにド、レ、ミ、…、ドと戻るのであればそこで打ち切られるのですが、残念ながらオクターブ上の音をあらわす「2倍」と美しい和音の「3倍」と「5倍」は素数なので、どうやっても戻らないのです。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%B4%A0%E6%95%B0%20%E7%B4%94%E6%AD%A3%E5%BE%8B","updated":1689672279,"position":[34.642,-56.0042,-40.2337],"cluster":"c26","subgroup":"c26.01","degree":3,"referenceDegree":0,"maxSimilarity":0.15318,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64b65ac8fac342001b98084b","weight":0.15318,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a0c1f2f4affd00239d8b2c","weight":0.09592,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc13eb77583d262fb2283","weight":0.09554,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64b65ac8fac342001b98084b","source":"ideaofintellection","title":"ピタゴラスと12音","excerpt":"なぜ音の数が12なのか？","text":"ピタゴラスと12音\nなぜ音の数が12なのか？\nそもそもなぜ音の数が12なのかというと、結論から言うと理論と実際がちょうどうまく妥協点を見つけられるのがこの数だから、ということになります。\n\n上で出てきたピタゴラスの理論で周波数比が単純な1:3の音をどんどん作っていき、本当はちょうど1オクターブ上の音に達したところで終わり、としたいです。しかしながら、上でも書いたように2と3は素数なので無限に繰り返しても元の数に戻ることはありません。\n\nそこで、どこかで妥協できないかと計算をしていくと、12回目に元の音に近い音になります。この時の誤差が23.46セントとなっています(1セントは半音の1/100)。\n\nなぜこうなるかというと、数学的には2のべき乗と3のべき乗が近くなるのは。。。という理論があるのですが、それはさておきピタゴラスはこの23.46セントを許容してここまでで1オクターブと決めました。\n\nちなみに、この次に元の音に近づくのは正確なのは忘れましたが、30だか40だかそれくらいだったような。\n\nなので、音の数は12というのは完全な理論でそうなっているわけではなく、理論と実際の妥協点なわけです。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%82%BF%E3%82%B4%E3%83%A9%E3%82%B9%E3%81%A812%E9%9F%B3","updated":1689672401,"position":[35.3092,-56.1994,-40.819],"cluster":"c26","subgroup":"c26.01","degree":5,"referenceDegree":0,"maxSimilarity":0.32373,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c63fa43a7729001c115d99","weight":0.32373,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a15a1517f8fb001cf4a612","weight":0.30889,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c640eb0c64a4001b672696","weight":0.29292,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64b659dbd636b0001c7cbe86","weight":0.15318,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc13eb77583d262fb2283","weight":0.09132,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64b8ce3c1371c6001f0335a9","source":"ideaofintellection","title":"ブリープハウス","excerpt":"テクノ、ハウス、プログレッシヴ、トランスといったダンスミュージックは空前のジャンルレス。ジャンルのあらゆる音楽的要素が組み合わさり、まさにジャンルのボーダーレス時代に突入しています。その中心的な役割を担っているサウンドこそ、『Day Dream Bleeper』のテーマとなっている「ブリープハウス」。","text":"ブリープハウス\nテクノ、ハウス、プログレッシヴ、トランスといったダンスミュージックは空前のジャンルレス。ジャンルのあらゆる音楽的要素が組み合わさり、まさにジャンルのボーダーレス時代に突入しています。その中心的な役割を担っているサウンドこそ、『Day Dream Bleeper』のテーマとなっている「ブリープハウス」。\n\nそのサウンドの特徴的な部分は、まずその名の通りの発信音（=ブリープ音）的なシンセサイザー音色と、「アシッドハウス」的な歪んだベースライン、それに「シカゴハウス」特有のリズム音や展開と相まった、人間の脳や体の感覚を刺激するような直感的サウンドです。\n\n「ブリープハウス」は、元々90年代にUKテクノの名門レーベル＜Warp＞からリリースされ一世を風靡したLFOらを中心としたアーティスト達のサウンド（いわゆる「ブリープテクノ」と呼ばれていたサウンド）と、80年代からUSシカゴに端を発する「アシッドハウス」「シカゴハウス」ムーブメントを中心に、ここ数年の流行である「クリックハウス」が生んだラップトップメイキング等が加わり成立した発展型サウンドといえます。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%AA%E3%83%BC%E3%83%97%E3%83%8F%E3%82%A6%E3%82%B9","updated":1689833030,"position":[50.4143,-51.6456,34.1452],"cluster":"c02","subgroup":"c02.01","degree":4,"referenceDegree":0,"maxSimilarity":0.12077,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67bed948e463b39a6c7630a1","weight":0.12077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be5fa1fe800024f7c419","weight":0.11378,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a34b9efee400244825fa","weight":0.09628,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658013d985a8330023438fed","weight":0.08529,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64b8cf0173d92f001b99799e","source":"ideaofintellection","title":"半導体","excerpt":"半導体は70歳、誕生が電気機器の歴史を変える","text":"半導体\n半導体は70歳、誕生が電気機器の歴史を変える\n半導体は今から70年ほど前、アメリカのベル研究所で発明されています。 1947年にバーディーンとブラッデンが、点接触型トランジスタで音声信号を増幅する実験に成功。Mar 1, 2017","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%8D%8A%E5%B0%8E%E4%BD%93","updated":1689833240,"position":[85.6177,-104.3623,102.9161],"cluster":"c47","subgroup":"c47.01","degree":1,"referenceDegree":0,"maxSimilarity":0.22319,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64ce0fbb76bcb0001c2cf395","weight":0.22319,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64b8cfde4b4d29001c3dd603","source":"ideaofintellection","title":"ブルース","excerpt":"ブルースは、米国深南部でアフリカ系アメリカ人の間から発生した音楽の1ジャンルである。19世紀後半ごろに米国深南部で黒人霊歌、フィールドハラー や、ワーク・ソングなどから発展したものといわれている。ジャズが楽器による演奏が主体なのに対して、ギターを伴奏に用いた歌が主役である。","text":"ブルース\nブルースは、米国深南部でアフリカ系アメリカ人の間から発生した音楽の1ジャンルである。19世紀後半ごろに米国深南部で黒人霊歌、フィールドハラー や、ワーク・ソングなどから発展したものといわれている。ジャズが楽器による演奏が主体なのに対して、ギターを伴奏に用いた歌が主役である。\nジャンル： フォークソング\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%AB%E3%83%BC%E3%82%B9","updated":1689833455,"position":[49.8186,-51.7377,34.7839],"cluster":"c02","subgroup":"c02.01","degree":6,"referenceDegree":0,"maxSimilarity":0.27397,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659218c24f0e4b0024ac59e3","weight":0.27397,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.12736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d25a25fc4474a5acf031","weight":0.11436,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d616da98bfd0023c2da99","weight":0.10225,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656323630cebd0001c3e8504","weight":0.09183,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9ef697ffc8fdf7e8afe48","weight":0.08677,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64be0d48434f92001be97891","source":"ideaofintellection","title":"Reconquista","excerpt":"The Reconquista is the historical term used to describe the military campaigns that Christian kingdoms waged against the Moors from the 8th century until 1492, in order to retake—or reconquer—the Iberian territories which were lost due to the Umayyad of Hispania.","text":"Reconquista\nThe Reconquista is the historical term used to describe the military campaigns that Christian kingdoms waged against the Moors from the 8th century until 1492, in order to retake—or reconquer—the Iberian territories which were lost due to the Umayyad of Hispania.\n[https://scrapbox.io/files/64be0db49b98ae001b0c8147.png]\n\n\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Reconquista","updated":1690176953,"position":[5.0634,86.7975,13.3685],"cluster":"c13","subgroup":"c13.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12781,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6722f5d9d9ed66d32421cece","weight":0.12781,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64993f9378598d001d39d4ff","weight":0.08901,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64be4473e087d9001b165697","source":"ideaofintellection","title":"日本庭園","excerpt":"日本庭園には設計図が存在しないことが多い。","text":"日本庭園\n日本庭園には設計図が存在しないことが多い。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%97%A5%E6%9C%AC%E5%BA%AD%E5%9C%92","updated":1690190978,"position":[46.5597,-48.158,38.2346],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.10072,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64ce0a524fbf92001baaab0d","weight":0.10072,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64be4d3dc65cc5001cae6095","source":"ideaofintellection","title":"Le petit prince","excerpt":"肝心なものは目に見えない。","text":"Le petit prince \n肝心なものは目に見えない。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Le%20petit%20prince","updated":1690193240,"position":[-17.9561,21.5604,54.3409],"cluster":"c09","subgroup":"c09.02","degree":5,"referenceDegree":0,"maxSimilarity":0.34051,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667e6c6a7c6f31001cf47eea","weight":0.34051,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3b847f0325cf93447c53","weight":0.13916,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d4566112a80579472f24a2","weight":0.12219,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6c2edb42ab001d7bfa3a","weight":0.10662,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656cc59f4517980025fdb058","weight":0.10216,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c45c937cb662001c910f6a","source":"ideaofintellection","title":"Music ambience","excerpt":"聴くための環境音","text":"Music ambience\n聴くための環境音\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Music%20ambience","updated":1690590391,"position":[19.057,89.2564,28.524],"cluster":"c21","subgroup":"c21.01","degree":7,"referenceDegree":0,"maxSimilarity":0.20657,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.20657,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66338a723c96cf0024eebca4","weight":0.18316,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c69b71b6dd400221b1b8f","weight":0.15843,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499aaffb7c14a001bff47d5","weight":0.13528,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bd2ee8b327f001c51ec2b","weight":0.13479,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afcbc854be5001b641c93","weight":0.12781,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:649bca2f937f97001c6c22a9","weight":0.12713,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c469a1e6420a001b0e3764","source":"ideaofintellection","title":"周期性","excerpt":"周期性を得るには２点を固定する必要がある","text":"周期性\n周期性を得るには２点を固定する必要がある\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%91%A8%E6%9C%9F%E6%80%A7","updated":1690593724,"position":[19.0733,44.6796,-54.0669],"cluster":"c15","subgroup":"c15.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10342,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c214208dff720025fadadc","weight":0.10342,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2f1fc7bc0c0001c1d4efa","weight":0.09441,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c477c0cfea16001bf49fa8","source":"ideaofintellection","title":"音楽と0","excerpt":"古典的音楽理論、現代でも一般的な音楽理論に0はない","text":"音楽と0\n古典的音楽理論、現代でも一般的な音楽理論に0はない\n現代音楽では0を使う場合もある\nコンピュータ音楽では0を使う\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9F%B3%E6%A5%BD%E3%81%A80","updated":1690597401,"position":[14.28,-36.7467,20.5145],"cluster":"c05","subgroup":"c05.01","degree":4,"referenceDegree":0,"maxSimilarity":0.17594,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6603017e232a7600269e9805","weight":0.17594,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.1346,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6782041ad4fff9ff3c057f40","weight":0.09138,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9b58bc61d8cfa83f5357f","weight":0.08589,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c478ea87951d001c228898","source":"ideaofintellection","title":"ギリシャ、リズムの語源","excerpt":"rhuthomos(リソモス）","text":"ギリシャ、リズムの語源 \nrhuthomos(リソモス）\nrheein（リーイン）\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AE%E3%83%AA%E3%82%B7%E3%83%A3%E3%80%81%E3%83%AA%E3%82%BA%E3%83%A0%E3%81%AE%E8%AA%9E%E6%BA%90","updated":1690597695,"position":[1.2756,-76.9007,35.998],"cluster":"c01","subgroup":"c01.03","degree":9,"referenceDegree":0,"maxSimilarity":0.17225,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.17225,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d4546bb14b40caf1e067b3","weight":0.1235,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.11608,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.11589,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64cb164e5e4234001c34b2c1","weight":0.11105,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b78fce4dc9b90023749182","weight":0.09831,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580002dc480410023553ee3","weight":0.09551,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d99c48edf7002579f706","weight":0.09183,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c47954ebe588001bbff11f","source":"ideaofintellection","title":"万物は流転する","excerpt":"ヘラクレイトス","text":"万物は流転する\nヘラクレイトス\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%87%E7%89%A9%E3%81%AF%E6%B5%81%E8%BB%A2%E3%81%99%E3%82%8B","updated":1690597742,"position":[-53.7531,33.7437,-97.9301],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.08814,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65938f796213e90023c6dce1","weight":0.08814,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65413bb815e786001c84906e","weight":0.08695,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c47d951d05b0001bdfbd78","source":"ideaofintellection","title":"ユークリッド 原論","excerpt":"数学の創造","text":"ユークリッド 原論\n数学の創造\n任意の一点から他の一点に対して直線を引くこと · 有限の直線を連続的にまっすぐ延長すること · 任意の中心と半径で円を描くこと · すべての直角は ...\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A6%E3%83%BC%E3%82%AF%E3%83%AA%E3%83%83%E3%83%89%20%E5%8E%9F%E8%AB%96","updated":1690714270,"position":[-21.6444,-16.8878,-20.8959],"cluster":"c11","subgroup":"c11.01","degree":2,"referenceDegree":0,"maxSimilarity":0.32969,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c640bd66428f001ca1ce56","weight":0.32969,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fb7eb66cf90026613b1f","weight":0.10035,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c487699a3a5c001c42124a","source":"ideaofintellection","title":"行書体の音楽","excerpt":"","text":"行書体の音楽","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%A1%8C%E6%9B%B8%E4%BD%93%E3%81%AE%E9%9F%B3%E6%A5%BD","updated":1690601335,"position":[53.2542,-31.2057,2.1546],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14478,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6582d7e318568700244595f8","weight":0.14478,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971ad970fe70025ea4a20","weight":0.14166,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c62839f6f040001b689d02","source":"ideaofintellection","title":"ラマヌジャン和","excerpt":"自然数の総和がゼータ関数の-1/12であること。","text":"ラマヌジャン和\n自然数の総和がゼータ関数の-1/12であること。\n[https://scrapbox.io/files/64c62891dd0295001b251a47.png]\n\n\nhttps://xseek-qm.net/Regularization.htm\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%83%9E%E3%83%8C%E3%82%B8%E3%83%A3%E3%83%B3%E5%92%8C","updated":1690708120,"position":[18.4263,-67.8086,-1.2879],"cluster":"c03","subgroup":"c03.01","degree":4,"referenceDegree":0,"maxSimilarity":0.11114,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6679b4ebf8af67001c0135d9","weight":0.11114,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a3792a174119001b961e63","weight":0.09272,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.08901,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65924530eb20580023182ec7","weight":0.0857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c628b131de92001c5dd4d0","source":"ideaofintellection","title":"Matinee","excerpt":"マチネ（Matinee）とは、昼の公演のこと。 フランス語で「午前中」の意。 対義語（夜の公演）はソワレ。 平日のマチネ料金は、通常料金より安く設定される場合がある。","text":"Matinee \nマチネ（Matinee）とは、昼の公演のこと。 フランス語で「午前中」の意。 対義語（夜の公演）はソワレ。 平日のマチネ料金は、通常料金より安く設定される場合がある。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Matinee","updated":1690708160,"position":[12.4652,-52.963,68.4475],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.17622,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.17622,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c62f67ebfbba001c2501c0","source":"ideaofintellection","title":"ミュニシパリズム","excerpt":"その地域に住んでいる人主導で行われる政治的活動","text":"ミュニシパリズム\nその地域に住んでいる人主導で行われる政治的活動","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9F%E3%83%A5%E3%83%8B%E3%82%B7%E3%83%91%E3%83%AA%E3%82%BA%E3%83%A0","updated":1690709941,"position":[48.5339,-52.4084,36.3057],"cluster":"c02","subgroup":"c02.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10075,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.10075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c632a766428f001ca16b9f","source":"ideaofintellection","title":"コーヒー・ハウス","excerpt":"コーヒー・ハウス（Coffeehouse）とは、17世紀半ばから18世紀にかけて、イギリスで流行した喫茶店で、社交場の機能も兼ね、大きな社会的役割を果した。","text":"コーヒー・ハウス\nコーヒー・ハウス（Coffeehouse）とは、17世紀半ばから18世紀にかけて、イギリスで流行した喫茶店で、社交場の機能も兼ね、大きな社会的役割を果した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%BC%E3%83%92%E3%83%BC%E3%83%BB%E3%83%8F%E3%82%A6%E3%82%B9","updated":1690710704,"position":[50.4842,-51.379,34.2267],"cluster":"c02","subgroup":"c02.03","degree":5,"referenceDegree":0,"maxSimilarity":0.15098,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a34b9efee400244825fa","weight":0.15098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67bed948e463b39a6c7630a1","weight":0.12888,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be5fa1fe800024f7c419","weight":0.11999,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66826124d2ef7d001c5bec10","weight":0.1059,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658013d985a8330023438fed","weight":0.0857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c63bf7fbf10e001cbcb82a","source":"ideaofintellection","title":"ソナタ","excerpt":"〘名〙 (sonata) 一六世紀半ばのバロック初期以後に、歌う（カンタータ）曲と別個に発達した楽曲の一形式。 原則として標題をもたない絶対音楽的な器楽のための独奏曲、または室内楽曲で、二楽章以上の複楽章からできている。 楽曲・楽派などによって楽曲の種類が多い。 奏鳴曲。","text":"ソナタ\n〘名〙 (sonata) 一六世紀半ばのバロック初期以後に、歌う（カンタータ）曲と別個に発達した楽曲の一形式。 原則として標題をもたない絶対音楽的な器楽のための独奏曲、または室内楽曲で、二楽章以上の複楽章からできている。 楽曲・楽派などによって楽曲の種類が多い。 奏鳴曲。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BD%E3%83%8A%E3%82%BF","updated":1731514663,"position":[42.9241,-48.2958,37.5319],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.25568,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559f56514703c001cd79439","weight":0.25568,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658007d25554ae0025cf9974","weight":0.09146,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c63c118b78e4001bc5a98b","source":"ideaofintellection","title":"グレゴリオ聖歌","excerpt":"西方教会の各地固有の聖歌を駆逐し、ローマカトリック教会の公式な聖歌として、ローマ典礼に基づくミサや修道院の聖務日課で歌われるようになった。","text":"グレゴリオ聖歌\n西方教会の各地固有の聖歌を駆逐し、ローマカトリック教会の公式な聖歌として、ローマ典礼に基づくミサや修道院の聖務日課で歌われるようになった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%AC%E3%82%B4%E3%83%AA%E3%82%AA%E8%81%96%E6%AD%8C","updated":1690713114,"position":[46.4512,-46.0824,33.8647],"cluster":"c02","subgroup":"c02.03","degree":5,"referenceDegree":0,"maxSimilarity":0.11711,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655643ea21ce2f001be11cf4","weight":0.11711,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734dea3c1dadde248a0819f","weight":0.1116,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c507828c989100249d1dbd","weight":0.1087,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbfef010318b6d93a132d","weight":0.10839,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbf9663ae65950731cf98","weight":0.09411,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c63f64d7fd03001c212cc5","source":"ideaofintellection","title":"テトラクテュス","excerpt":"テトラクテュス、またはテトラクテュス、または十年のテトラクテュスは、4つの行に配置された10のポイントで構成される三角形の図形です。","text":"テトラクテュス\nテトラクテュス、またはテトラクテュス、または十年のテトラクテュスは、4つの行に配置された10のポイントで構成される三角形の図形です。\n[https://scrapbox.io/files/64c63f85f6f040001b694685.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%83%88%E3%83%A9%E3%82%AF%E3%83%86%E3%83%A5%E3%82%B9","updated":1690713992,"position":[34.9414,-59.3443,-40.3099],"cluster":"c26","subgroup":"c26.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09226,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bf5faee597210027980d3c","weight":0.09226,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c63fa43a7729001c115d99","source":"ideaofintellection","title":"ピタゴラスコンマ","excerpt":"ピタゴラスコンマ、あるいはダイトニックコンマは、ピタゴラス音律における異名同音の差である小さな音程であり、例えば C と B♯、あるいは D♭ と C♯などの差である。これは531441:524288の周波数比に等しく、約23.46セントであり、おおむね半音の1/4である。","text":"ピタゴラスコンマ\nピタゴラスコンマ、あるいはダイトニックコンマは、ピタゴラス音律における異名同音の差である小さな音程であり、例えば C と B♯、あるいは D♭ と C♯などの差である。これは531441:524288の周波数比に等しく、約23.46セントであり、おおむね半音の1/4である。\n[https://scrapbox.io/files/64c63fc103e53e001c8b1af0.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%82%BF%E3%82%B4%E3%83%A9%E3%82%B9%E3%82%B3%E3%83%B3%E3%83%9E","updated":1690714053,"position":[35.6852,-56.0576,-40.9396],"cluster":"c26","subgroup":"c26.01","degree":3,"referenceDegree":0,"maxSimilarity":0.38453,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a15a1517f8fb001cf4a612","weight":0.38453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64b65ac8fac342001b98084b","weight":0.32373,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c640eb0c64a4001b672696","weight":0.28627,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c63ff600c58d001c5ea8d5","source":"ideaofintellection","title":"オイラー格子, ラグランジュ格子","excerpt":"流体の動きに従って変形する格子(ラグランジュ格子)を使用する場合と、固定格子(オイラー格子)を使用する場合があります。","text":"オイラー格子, ラグランジュ格子\n流体の動きに従って変形する格子(ラグランジュ格子)を使用する場合と、固定格子(オイラー格子)を使用する場合があります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%82%A4%E3%83%A9%E3%83%BC%E6%A0%BC%E5%AD%90%2C%20%E3%83%A9%E3%82%B0%E3%83%A9%E3%83%B3%E3%82%B8%E3%83%A5%E6%A0%BC%E5%AD%90","updated":1690714159,"position":[-22.7348,-72.021,64.6488],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.27926,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55ae97085970025360276","weight":0.27926,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c658f4822f80001c6c7876","weight":0.12675,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c640bd66428f001ca1ce56","source":"ideaofintellection","title":"ユークリッド互除法","excerpt":"ユークリッド互除法は、2 つの自然数の最大公約数を求める手法の一つである。 2 つの自然数 a, b について、a の b による剰余を r とすると、 a と b との最大公約数は b と r との最大公約数に等しいという性質が成り立つ。","text":"ユークリッド互除法\nユークリッド互除法は、2 つの自然数の最大公約数を求める手法の一つである。 2 つの自然数 a, b について、a の b による剰余を r とすると、 a と b との最大公約数は b と r との最大公約数に等しいという性質が成り立つ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A6%E3%83%BC%E3%82%AF%E3%83%AA%E3%83%83%E3%83%89%E4%BA%92%E9%99%A4%E6%B3%95","updated":1690714314,"position":[-22.1418,-16.9503,-20.8807],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.32969,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c47d951d05b0001bdfbd78","weight":0.32969,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c640eb0c64a4001b672696","source":"ideaofintellection","title":"ピタゴラスの定理","excerpt":"初等幾何学におけるピタゴラスの定理は、直角三角形の3辺の長さの間に成り立つ関係について述べた定理である。その関係は、斜辺の長さを c, 他の2辺の長さを a, b とすると、 c^2=a^2+b^2 という等式の形で述べられる。","text":"ピタゴラスの定理\n初等幾何学におけるピタゴラスの定理は、直角三角形の3辺の長さの間に成り立つ関係について述べた定理である。その関係は、斜辺の長さを c, 他の2辺の長さを a, b とすると、 c^2=a^2+b^2 という等式の形で述べられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%82%BF%E3%82%B4%E3%83%A9%E3%82%B9%E3%81%AE%E5%AE%9A%E7%90%86","updated":1690714354,"position":[35.8564,-55.7762,-41.1029],"cluster":"c26","subgroup":"c26.01","degree":5,"referenceDegree":0,"maxSimilarity":0.29292,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64b65ac8fac342001b98084b","weight":0.29292,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c63fa43a7729001c115d99","weight":0.28627,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a15a1517f8fb001cf4a612","weight":0.27793,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a64646a2d62ede30fb15b4b","weight":0.13201,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b785999043200023a63af0","weight":0.08557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c6421443cba5001cd00416","source":"ideaofintellection","title":"セミブレヴィス","excerpt":"セミブレヴィス（Semibreve）は、音楽用語で音価（音の長さ）を表す記号の一つです。セミブレヴィスは英語で\"whole note\"とも呼ばれ、音楽の四分音符（Quarter Note）の4倍の長さを持ちます。","text":"セミブレヴィス\nセミブレヴィス（Semibreve）は、音楽用語で音価（音の長さ）を表す記号の一つです。セミブレヴィスは英語で\"whole note\"とも呼ばれ、音楽の四分音符（Quarter Note）の4倍の長さを持ちます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BB%E3%83%9F%E3%83%96%E3%83%AC%E3%83%B4%E3%82%A3%E3%82%B9","updated":1690714655,"position":[13.0398,-50.0265,72.4359],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.45069,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c642e21a7f20001b93a55c","weight":0.45069,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c6423be03e38001b18037a","source":"ideaofintellection","title":"in tempo","excerpt":"テンポが変化することなく一定の速度で演奏することをいう。","text":"in tempo\nテンポが変化することなく一定の速度で演奏することをいう。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/in%20tempo","updated":1690714720,"position":[76.5399,-128.4866,-14.3743],"cluster":"c40","subgroup":"c40.01","degree":1,"referenceDegree":0,"maxSimilarity":0.14258,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a30298707b00238e58ee","weight":0.14258,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c6427d31de92001c5e94b2","source":"ideaofintellection","title":"マリオネット","excerpt":"マリオネットは、人形劇でよく使われる操り人形の一つであり、特に糸で操るものを指す。日本では糸繰り人形とも言う。 マリオネットの語源はフランス語においての「マリオ」「マリア」の親愛形である。","text":"マリオネット\nマリオネットは、人形劇でよく使われる操り人形の一つであり、特に糸で操るものを指す。日本では糸繰り人形とも言う。 マリオネットの語源はフランス語においての「マリオ」「マリア」の親愛形である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%AA%E3%82%AA%E3%83%8D%E3%83%83%E3%83%88","updated":1690714757,"position":[10.2931,-39.8586,79.9667],"cluster":"c14","subgroup":"c14.01","degree":3,"referenceDegree":0,"maxSimilarity":0.11275,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6592127d879f360024ad89c9","weight":0.11275,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66825e151ac11e001c9872f3","weight":0.1006,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e24e10e09d47b294cc81","weight":0.09479,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c642c0078f4c001bf62263","source":"ideaofintellection","title":"Music of El Salvador","excerpt":"The music of El Salvador refers to the Music of the Republic of El Salvador and is encompassed in the wider Latin American musical traditions","text":"Music of El Salvador\nThe music of El Salvador refers to the Music of the Republic of El Salvador and is encompassed in the wider Latin American musical traditions\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Music%20of%20El%20Salvador","updated":1690714825,"position":[17.1596,88.0019,29.9848],"cluster":"c21","subgroup":"c21.01","degree":7,"referenceDegree":0,"maxSimilarity":0.18996,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.18996,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d63c6397b570022eaa292","weight":0.14994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c69b71b6dd400221b1b8f","weight":0.14102,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bd2ee8b327f001c51ec2b","weight":0.12153,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499aaffb7c14a001bff47d5","weight":0.11954,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afcbc854be5001b641c93","weight":0.11576,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499407cfb9e1d001b2ded0f","weight":0.11516,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c642e21a7f20001b93a55c","source":"ideaofintellection","title":"ブレヴィス","excerpt":"現代の二全音符（倍音符）。 中世ルネサンス時代の全音符。","text":"ブレヴィス\n現代の二全音符（倍音符）。 中世ルネサンス時代の全音符。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%AC%E3%83%B4%E3%82%A3%E3%82%B9","updated":1690714859,"position":[13.0583,-50.2106,72.1379],"cluster":"c12","subgroup":"c12.01","degree":2,"referenceDegree":0,"maxSimilarity":0.45069,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c6421443cba5001cd00416","weight":0.45069,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76ba4e78f29562f937efe3","weight":0.10367,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c64cd0809274001cf20897","source":"ideaofintellection","title":"多様な愛","excerpt":"","text":"多様な愛","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%9A%E6%A7%98%E3%81%AA%E6%84%9B","updated":1690717397,"position":[14.494,-68.777,2.5915],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.15987,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6789428006e76298a0fb65a0","weight":0.15987,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f973a54dc2a70024678466","weight":0.10108,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c64cd603e53e001c8b9c6e","source":"ideaofintellection","title":"7歳の素晴らしき踊り","excerpt":"","text":"7歳の素晴らしき踊り","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/7%E6%AD%B3%E3%81%AE%E7%B4%A0%E6%99%B4%E3%82%89%E3%81%97%E3%81%8D%E8%B8%8A%E3%82%8A","updated":1690717409,"position":[52.8989,-49.5195,36.7577],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.08943,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66825dd26999c5001c0145cf","weight":0.08943,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c64ce3651ffd001b129340","source":"ideaofintellection","title":"放物線","excerpt":"[https://scrapbox.io/files/64c64d22bb3c86001bb7e5eb.png]","text":"放物線\n[https://scrapbox.io/files/64c64d22bb3c86001bb7e5eb.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%94%BE%E7%89%A9%E7%B7%9A","updated":1690717476,"position":[-69.1572,9.4876,-110.4672],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64c6549b5e217400218cef6f","source":"ideaofintellection","title":"vinyl brake","excerpt":"\"Vinyl brake\"（ヴァイナルブレーキ）は、DJや音楽プロデューサーがターンテーブルを操作する際に使用されるテクニックの1つです。このテクニックは、アナログレコードの再生中に短期間の停止を生み出し、リズムやビートを一時的に停止させることで、リズムの変化やエフェクトを追加することができます。","text":"vinyl brake\n\"Vinyl brake\"（ヴァイナルブレーキ）は、DJや音楽プロデューサーがターンテーブルを操作する際に使用されるテクニックの1つです。このテクニックは、アナログレコードの再生中に短期間の停止を生み出し、リズムやビートを一時的に停止させることで、リズムの変化やエフェクトを追加することができます。\n\nターンテーブル上でレコードを回す際、DJは通常、手でディスクを止めたり回したりすることがあります。しかし、これでは一貫した速度で停止するのが難しいため、一時停止をより正確に制御するために\"vinyl brake\"が利用されます。\n\n\"Vinyl brake\"は、ターンテーブルにビニール（ヴァイナル）ディスクを配置し、ディスクの中央に指を置き、その指を軽く押しながらレコードを回すことで一時的に停止させる方法です。これにより、音楽の流れを一時的に止めたり、エフェクトを追加したりすることができます。DJの技巧やクリエイティブな演出において重要な要素として、多くのDJがこのテクニックを使いこなしています。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/vinyl%20brake","updated":1690719430,"position":[71.3296,-13.1004,21.1194],"cluster":"c23","subgroup":"c23.01","degree":2,"referenceDegree":0,"maxSimilarity":0.30015,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a27bc5c52d97001b12a745","weight":0.30015,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6626b91c6900249bfdb0","weight":0.22103,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65532ebfbba001c2656f0","source":"ideaofintellection","title":"musique concrète ミュジーク・コンクレート","excerpt":"フランス語 非楽音（鉄道の音、人の話し声、動物の鳴き声、自然界の音など）を録音し、機械的、電気的な処理を加えて変質、重複して構成された音楽。","text":"musique concrète ミュジーク・コンクレート\nフランス語 非楽音（鉄道の音、人の話し声、動物の鳴き声、自然界の音など）を録音し、機械的、電気的な処理を加えて変質、重複して構成された音楽。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/musique%20concr%C3%A8te%20%E3%83%9F%E3%83%A5%E3%82%B8%E3%83%BC%E3%82%AF%E3%83%BB%E3%82%B3%E3%83%B3%E3%82%AF%E3%83%AC%E3%83%BC%E3%83%88","updated":1690719658,"position":[47.8846,-51.4405,33.6771],"cluster":"c02","subgroup":"c02.03","degree":4,"referenceDegree":0,"maxSimilarity":0.32189,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d62fde0d46d0022cf1d77","weight":0.32189,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d4e9cbd72bdd8cb32c07","weight":0.22364,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.19348,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.09196,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65684651ffd001b12e62a","source":"ideaofintellection","title":"Q-Learning（Q値）","excerpt":"「最終的なゴール（3目並べの場合、勝敗）を目指して、途中過程を最適にする」とは、「報酬が与えられる状態まで進み、与えられた報酬を基に今まで行ってきた『状態と行動のセット』を評価する」こと","text":"Q-Learning（Q値）\n「最終的なゴール（3目並べの場合、勝敗）を目指して、途中過程を最適にする」とは、「報酬が与えられる状態まで進み、与えられた報酬を基に今まで行ってきた『状態と行動のセット』を評価する」こと\n[https://scrapbox.io/files/64c656b37b78d1001b344f6d.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Q-Learning%EF%BC%88Q%E5%80%A4%EF%BC%89","updated":1690719926,"position":[30.9735,-43.8901,109.2212],"cluster":"c14","subgroup":"c14.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0894,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668a382db77532001cf876d7","weight":0.0894,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c656d71a7f20001b943a41","source":"ideaofintellection","title":"SARSA","excerpt":"Sarsa. Sarsaとは、「S（現在の状態）」「A（エージェントの行動）」「R（報酬）」「S'（行動後の状態）」「A'（行動後の状態から判断した、エージェントの次の行動）」の5つの要素から構成される学習方法です。 現在の状態からエージェントがある行動を取ったとき、エージェントには行動に対する報酬が与えられます。","text":"SARSA\nSarsa. Sarsaとは、「S（現在の状態）」「A（エージェントの行動）」「R（報酬）」「S'（行動後の状態）」「A'（行動後の状態から判断した、エージェントの次の行動）」の5つの要素から構成される学習方法です。 現在の状態からエージェントがある行動を取ったとき、エージェントには行動に対する報酬が与えられます。\n[https://scrapbox.io/files/64c656f603f8d3001c4209c1.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/SARSA","updated":1690719992,"position":[-23.4944,-71.8859,69.4183],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.11523,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:680fbf1a6d2ce3ddf653308d","weight":0.11523,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c665c748e31e001c478d34","weight":0.09436,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69f05247149528c3f04131a0","weight":0.08611,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c6571686255c001b8676c9","source":"ideaofintellection","title":"阿吽の呼吸","excerpt":"「阿吽の呼吸」の意味は「息が合っていること」 二人以上で一緒に物事を行うときの、互いの微妙な気持ち。 また、それが一致すること。","text":"阿吽の呼吸\n「阿吽の呼吸」の意味は「息が合っていること」 二人以上で一緒に物事を行うときの、互いの微妙な気持ち。 また、それが一致すること。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%98%BF%E5%90%BD%E3%81%AE%E5%91%BC%E5%90%B8","updated":1690720042,"position":[-36.6854,11.1586,-138.936],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04001,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64c65746539e9e001b563ed1","source":"ideaofintellection","title":"deep Q network","excerpt":"Deep Q-Networkとは、Googleの子会社ディープマインドが開発した数理モデルである。深層強化学習アルゴリズムを利用したもので、このモデルで学習したエージェントは、一部の電子ゲームにおいて人間以上のスコアを獲得できている。","text":"deep Q network\nDeep Q-Networkとは、Googleの子会社ディープマインドが開発した数理モデルである。深層強化学習アルゴリズムを利用したもので、このモデルで学習したエージェントは、一部の電子ゲームにおいて人間以上のスコアを獲得できている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/deep%20Q%20network","updated":1690720091,"position":[-18.4055,-16.1737,-21.4355],"cluster":"c11","subgroup":"c11.01","degree":7,"referenceDegree":0,"maxSimilarity":0.11232,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65413dc0607101001bd18922","weight":0.11232,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66efb94651b4f5001d70224d","weight":0.10948,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4e49d9b5fb9f7f100ec5","weight":0.10735,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0ce79e7200025f1d876","weight":0.10534,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.10136,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033e3bdb393c001c8969de","weight":0.09592,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033df0e9011b001cb456ca","weight":0.09178,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c6576f03f8d3001c421065","source":"ideaofintellection","title":"ポリシー反復法","excerpt":"有限MDP（マルコフ決定過程）が与えられた時に，方策の評価と方策の更新を繰り返し行い，最適な方策を得るアルゴリズムのこと","text":"ポリシー反復法\n有限MDP（マルコフ決定過程）が与えられた時に，方策の評価と方策の更新を繰り返し行い，最適な方策を得るアルゴリズムのこと\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9D%E3%83%AA%E3%82%B7%E3%83%BC%E5%8F%8D%E5%BE%A9%E6%B3%95","updated":1690720118,"position":[-18.3121,-15.3641,-20.2845],"cluster":"c11","subgroup":"c11.01","degree":5,"referenceDegree":0,"maxSimilarity":0.16489,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65780f571b9001b5f9851","weight":0.16489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c6580103e53e001c8bf7de","weight":0.1591,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.12332,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033e3bdb393c001c8969de","weight":0.11671,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033df0e9011b001cb456ca","weight":0.11167,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65780f571b9001b5f9851","source":"ideaofintellection","title":"価値反復法","excerpt":"価値が最大となる行動を選択する」という仮定のもとで，価値を繰り返し更新しながら価値を推定する方法","text":"価値反復法\n価値が最大となる行動を選択する」という仮定のもとで，価値を繰り返し更新しながら価値を推定する方法\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BE%A1%E5%80%A4%E5%8F%8D%E5%BE%A9%E6%B3%95","updated":1690720144,"position":[-18.2915,-15.0347,-19.805],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.16489,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c6576f03f8d3001c421065","weight":0.16489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c657a38b78e4001bc677b4","source":"ideaofintellection","title":"バンデットアルゴリズム","excerpt":"バンディットアルゴリズムとは、経験を蓄積するために行動する「探索」と経験を生かして行動する「予測」を最適化する強化学習の手法です","text":"バンデットアルゴリズム\nバンディットアルゴリズムとは、経験を蓄積するために行動する「探索」と経験を生かして行動する「予測」を最適化する強化学習の手法です\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%90%E3%83%B3%E3%83%87%E3%83%83%E3%83%88%E3%82%A2%E3%83%AB%E3%82%B4%E3%83%AA%E3%82%BA%E3%83%A0","updated":1690720171,"position":[-18.4479,-16.1789,-21.0603],"cluster":"c11","subgroup":"c11.01","degree":4,"referenceDegree":0,"maxSimilarity":0.37078,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.37078,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6811fb6d2400239ced3e","weight":0.24736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033e3bdb393c001c8969de","weight":0.1768,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033df0e9011b001cb456ca","weight":0.16916,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c6580103e53e001c8bf7de","source":"ideaofintellection","title":"マルコフ決定過程","excerpt":"マルコフ決定過程は、状態遷移が確率的に生じる動的システムの確率モデルであり、状態遷移がマルコフ性を満たすものをいう。 MDP は不確実性を伴う意思決定のモデリングにおける数学的枠組みとして、強化学習など動的計画法が適用される幅広い最適化問題の研究に活用されている。","text":"マルコフ決定過程\nマルコフ決定過程は、状態遷移が確率的に生じる動的システムの確率モデルであり、状態遷移がマルコフ性を満たすものをいう。 MDP は不確実性を伴う意思決定のモデリングにおける数学的枠組みとして、強化学習など動的計画法が適用される幅広い最適化問題の研究に活用されている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%AB%E3%82%B3%E3%83%95%E6%B1%BA%E5%AE%9A%E9%81%8E%E7%A8%8B","updated":1690720263,"position":[-18.4004,-14.1551,-19.2834],"cluster":"c11","subgroup":"c11.01","degree":5,"referenceDegree":0,"maxSimilarity":0.21894,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a571f69c2a455680209e","weight":0.21894,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b41446a305b001ca69dcd","weight":0.20381,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499aa67ea038f001c24a74a","weight":0.17544,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c6576f03f8d3001c421065","weight":0.1591,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582d59f3863190023d0adf9","weight":0.11753,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65813304871001ced47b5","source":"ideaofintellection","title":"ベルマン方程式","excerpt":"ベルマン方程式は、動的計画法として知られる数学的最適化において、最適性の必要条件を表す方程式であり、発見者のリチャード・ベルマンにちなんで命名された。動的計画方程式 とも呼ばれる。 ベルマン方程式は、決定問題において、ある時刻の初期選択と、それ以降の決定問題の価値との関係を記述する。","text":"ベルマン方程式\nベルマン方程式は、動的計画法として知られる数学的最適化において、最適性の必要条件を表す方程式であり、発見者のリチャード・ベルマンにちなんで命名された。動的計画方程式 とも呼ばれる。 ベルマン方程式は、決定問題において、ある時刻の初期選択と、それ以降の決定問題の価値との関係を記述する。\n[https://scrapbox.io/files/64c65832d7fd03001c21e8e7.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%99%E3%83%AB%E3%83%9E%E3%83%B3%E6%96%B9%E7%A8%8B%E5%BC%8F","updated":1690720309,"position":[16.1929,-70.4,0.4326],"cluster":"c03","subgroup":"c03.01","degree":6,"referenceDegree":0,"maxSimilarity":0.16355,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65c24f6ed72001b604ca2","weight":0.16355,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e57e036a120024c80f50","weight":0.13388,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65c0e47ef16001cdbfd6e","weight":0.11103,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fbf4c256ee4f876ab9b11","weight":0.11061,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55854798207002476eede","weight":0.09776,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c6584c66428f001ca25ebc","weight":0.08593,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c6584c66428f001ca25ebc","source":"ideaofintellection","title":"動的計画法","excerpt":"動的計画法（どうてきけいかくほう、英: Dynamic Programming, DP）は、計算機科学の分野において、アルゴリズムの分類の1つである。 対象となる問題を複数の部分問題に分割し、部分問題の計算結果を記録しながら解いていく手法を総称してこう呼ぶ。","text":"動的計画法\n動的計画法（どうてきけいかくほう、英: Dynamic Programming, DP）は、計算機科学の分野において、アルゴリズムの分類の1つである。 対象となる問題を複数の部分問題に分割し、部分問題の計算結果を記録しながら解いていく手法を総称してこう呼ぶ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%8B%95%E7%9A%84%E8%A8%88%E7%94%BB%E6%B3%95","updated":1690720339,"position":[-18.1129,-16.5059,-20.7509],"cluster":"c11","subgroup":"c11.01","degree":5,"referenceDegree":0,"maxSimilarity":0.1724,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a5e670967b0a002429898b","weight":0.1724,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.0978,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033e3bdb393c001c8969de","weight":0.09255,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033df0e9011b001cb456ca","weight":0.08856,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65813304871001ced47b5","weight":0.08593,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c6588bfa3388001b8dacfa","source":"ideaofintellection","title":"無限級数","excerpt":"数列あるいは関数列を順次に加法記号で結合したものを級数といい，級数を構成する各要素を級数の項という。 項の数が無限にある級数を無限級数といい，項の数が有限である級数を有限級数というが，現代の数学では，単に級数といえば無限級数を意味する。","text":"無限級数\n数列あるいは関数列を順次に加法記号で結合したものを級数といい，級数を構成する各要素を級数の項という。 項の数が無限にある級数を無限級数といい，項の数が有限である級数を有限級数というが，現代の数学では，単に級数といえば無限級数を意味する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%84%A1%E9%99%90%E7%B4%9A%E6%95%B0","updated":1690720403,"position":[0.6431,-71.6288,60.9383],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07956,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64c6589f7cf710001ba1215d","source":"ideaofintellection","title":"ポアソン分布","excerpt":"統計学および確率論で用いられるポアソン分布とは、ある事象が一定の時間内に発生する回数を表す離散確率分布である。 数学者シメオン・ドニ・ポアソンが1838年に確率論とともに発表した。 ある離散的な事象について、ポアソン分布は所与の時間内での生起回数の確率を示し、指数分布は生起間隔の確率を示す。","text":"ポアソン分布\n統計学および確率論で用いられるポアソン分布とは、ある事象が一定の時間内に発生する回数を表す離散確率分布である。 数学者シメオン・ドニ・ポアソンが1838年に確率論とともに発表した。 ある離散的な事象について、ポアソン分布は所与の時間内での生起回数の確率を示し、指数分布は生起間隔の確率を示す。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9D%E3%82%A2%E3%82%BD%E3%83%B3%E5%88%86%E5%B8%83","updated":1690720424,"position":[-38.5834,48.1587,-128.3732],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0523,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64c658bb851ecd001bb941f2","source":"ideaofintellection","title":"sinusoid","excerpt":"１「正弦曲線」のこと。２「類洞」のこと。","text":"sinusoid\n１「正弦曲線」のこと。２「類洞」のこと。\n《解剖》類洞、洞様毛細血管 ◆肝臓、脾臓、骨髄などに見られる、内皮に小さな穴が開いた太い毛細血管 。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/sinusoid","updated":1690720485,"position":[50.0175,-38.4344,1.8905],"cluster":"c10","subgroup":"c10.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13122,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:685535b13c086e99ce9757fc","weight":0.13122,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c658f4822f80001c6c7876","source":"ideaofintellection","title":"オイラーの公式","excerpt":"数学の複素解析におけるオイラーの公式とは、複素指数関数と三角関数の間に成り立つ、以下の恒等式のことである： {\\displaystyle e^{iz}=\\cos z+i\\sin z} ここで z は任意の複素数、 e はネイピア数、 i は虚数単位、 \\cos は余弦関数、 \\sin は正弦関数である。","text":"オイラーの公式\n数学の複素解析におけるオイラーの公式とは、複素指数関数と三角関数の間に成り立つ、以下の恒等式のことである： {\\displaystyle e^{iz}=\\cos z+i\\sin z} ここで z は任意の複素数、 e はネイピア数、 i は虚数単位、 \\cos は余弦関数、 \\sin は正弦関数である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%82%A4%E3%83%A9%E3%83%BC%E3%81%AE%E5%85%AC%E5%BC%8F","updated":1690720508,"position":[-21.4238,-71.2317,64.202],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1485,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a1597b89c472001cb7e609","weight":0.1485,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c63ff600c58d001c5ea8d5","weight":0.12675,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c6590bd96758001b027e76","source":"ideaofintellection","title":"共役系","excerpt":"ある関係にある二つの点・線・角・数などで、入れ替えてもその関係に変化が起こらないこと。 (化学) 不飽和結合と単結合が交互に存在すること。","text":"共役系\nある関係にある二つの点・線・角・数などで、入れ替えてもその関係に変化が起こらないこと。 (化学) 不飽和結合と単結合が交互に存在すること。\n[https://scrapbox.io/files/64c65990d99993001baa81a5.png]\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%85%B1%E5%BD%B9%E7%B3%BB","updated":1690720659,"position":[-13.8576,-11.6052,-24.4855],"cluster":"c11","subgroup":"c11.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10765,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64ce0fea0e2142001baa04d9","weight":0.10765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66093580aae96100299d9cb7","weight":0.09115,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65c0e47ef16001cdbfd6e","source":"ideaofintellection","title":"運動方程式","excerpt":"運動方程式とは、物理学において運動の従う法則を数式に表したもの。 英語の equation of motion から EOM と表記されることもある。","text":"運動方程式\n運動方程式とは、物理学において運動の従う法則を数式に表したもの。 英語の equation of motion から EOM と表記されることもある。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%81%8B%E5%8B%95%E6%96%B9%E7%A8%8B%E5%BC%8F","updated":1690721305,"position":[16.0714,-70.2792,0.4744],"cluster":"c03","subgroup":"c03.01","degree":6,"referenceDegree":0,"maxSimilarity":0.34446,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb164e5e4234001c34b2c1","weight":0.34446,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65c24f6ed72001b604ca2","weight":0.33792,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e57e036a120024c80f50","weight":0.18907,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55854798207002476eede","weight":0.11553,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65813304871001ced47b5","weight":0.11103,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fbf4c256ee4f876ab9b11","weight":0.10136,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65c24f6ed72001b604ca2","source":"ideaofintellection","title":"波動方程式","excerpt":"波動方程式とは、次の式で表される定数係数二階線形偏微分方程式のことである。 {\\frac {1}{s^{2}}}{\\frac {\\partial ^{2}u}{\\partial t^{2}}}=\\Delta u 波動方程式は音波、水面の波紋、電磁波などの様々な振動・波動現象を記述する際に基本となる方程式である。","text":"波動方程式\n波動方程式とは、次の式で表される定数係数二階線形偏微分方程式のことである。 {\\frac {1}{s^{2}}}{\\frac {\\partial ^{2}u}{\\partial t^{2}}}=\\Delta u 波動方程式は音波、水面の波紋、電磁波などの様々な振動・波動現象を記述する際に基本となる方程式である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B3%A2%E5%8B%95%E6%96%B9%E7%A8%8B%E5%BC%8F","updated":1690721325,"position":[16.1704,-70.1147,0.458],"cluster":"c03","subgroup":"c03.01","degree":9,"referenceDegree":0,"maxSimilarity":0.33792,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65c0e47ef16001cdbfd6e","weight":0.33792,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e57e036a120024c80f50","weight":0.1996,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64cb164e5e4234001c34b2c1","weight":0.17787,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fbf4c256ee4f876ab9b11","weight":0.16958,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65813304871001ced47b5","weight":0.16355,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55854798207002476eede","weight":0.14766,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5eab73af249002221afca","weight":0.11961,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5ec037559050023cc6be3","weight":0.09392,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65c41851ecd001bb95f10","source":"ideaofintellection","title":"曲率 (curvature)","excerpt":"曲線上のある点におけるその曲線の曲がり具合を表す指標であり，曲率の逆数が曲率半径 (radius of curvature) を表す． 曲線上のある点付近の曲線は，その点での曲率半径を半径とする円で近似でき，半径が大きいと曲がり具合が緩く，半径が小さいと曲がり具合がきつくなる","text":"曲率 (curvature)\n曲線上のある点におけるその曲線の曲がり具合を表す指標であり，曲率の逆数が曲率半径 (radius of curvature) を表す． 曲線上のある点付近の曲線は，その点での曲率半径を半径とする円で近似でき，半径が大きいと曲がり具合が緩く，半径が小さいと曲がり具合がきつくなる\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%9B%B2%E7%8E%87%20%28curvature%29","updated":1690721354,"position":[-56.9345,51.2587,-128.8363],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07189,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64c65c64075036001c7ad755","source":"ideaofintellection","title":"adiabatic","excerpt":"adiabatic, 断熱過程とは、外部との熱のやりとりがない状況で、系をある状態から別の状態へと変化させる熱力学的な過程である。","text":"adiabatic\nadiabatic, 断熱過程とは、外部との熱のやりとりがない状況で、系をある状態から別の状態へと変化させる熱力学的な過程である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/adiabatic","updated":1690721396,"position":[-34.8519,41.0943,-107.0855],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06779,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64c65c945e217400218d2e63","source":"ideaofintellection","title":"equilibrium","excerpt":"平衡, 均衡, （心情或情绪的）平静，安宁","text":"equilibrium\n\n平衡, 均衡, （心情或情绪的）平静，安宁","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/equilibrium","updated":1690721438,"position":[-54.1048,5.1221,-97.009],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06963,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64c65cabe03e38001b18e49c","source":"ideaofintellection","title":"quantizing","excerpt":"量子化","text":"quantizing\n量子化\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/quantizing","updated":1690721458,"position":[-25.1729,-77.6666,69.6464],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10492,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66472e2ec5d8e9001cfde1b3","weight":0.10492,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65cbdebfbba001c2699ee","source":"ideaofintellection","title":"nyquist frequency","excerpt":"本来はアナログ信号のデジタル化における標本化定理で、「サンプリング周波数の半分の周波数までしか再現できない」ことを指すものです。 転じて、デジタル伝送信号の主成分たる周波数を示す言葉としても使われています。","text":"nyquist frequency\n本来はアナログ信号のデジタル化における標本化定理で、「サンプリング周波数の半分の周波数までしか再現できない」ことを指すものです。 転じて、デジタル伝送信号の主成分たる周波数を示す言葉としても使われています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/nyquist%20frequency","updated":1690721476,"position":[43.7571,90.2191,11.4586],"cluster":"c25","subgroup":"c25.01","degree":5,"referenceDegree":0,"maxSimilarity":0.19668,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6492a199ba72a5001cf2b870","weight":0.19668,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6080cafdeca11bd570e9c8","weight":0.12594,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65fbd7b0b1816200256cb207","weight":0.10463,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a5531687651d001ce4684b","weight":0.10084,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54d1a0b739500254e1b53","weight":0.08596,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65cd8e87515001c775c43","source":"ideaofintellection","title":"root mean square","excerpt":"個々の値を二乗した上で二乗値の平均を算出し、その平方根をとったもの。 電子工学や物理学で波動の振幅評価や、品質管理の公差解析などに用いられる。","text":"root mean square\n個々の値を二乗した上で二乗値の平均を算出し、その平方根をとったもの。 電子工学や物理学で波動の振幅評価や、品質管理の公差解析などに用いられる。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/root%20mean%20square","updated":1690814584,"position":[-24.2382,-74.0331,10.5871],"cluster":"c27","subgroup":"c27.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08829,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e31f06586a58001c4ba898","weight":0.08829,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65d5286255c001b86ac05","source":"ideaofintellection","title":"SN比","excerpt":"SN比は、通信理論ないし情報理論あるいは電子工学などで扱われる値で、信号 と雑音 の比である。 信号雑音比 または 信号対雑音比 の略。SNR、S/Nとも略す。S/N比と書くのは/が比を意味するため，比が二重になり間違いである。","text":"SN比\nSN比は、通信理論ないし情報理論あるいは電子工学などで扱われる値で、信号 と雑音 の比である。 信号雑音比 または 信号対雑音比 の略。SNR、S/Nとも略す。S/N比と書くのは/が比を意味するため，比が二重になり間違いである。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/SN%E6%AF%94","updated":1690721634,"position":[-2.8285,-61.4832,55.9103],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07019,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64c65d79f571b9001b5fbb6c","source":"ideaofintellection","title":"feed forward network","excerpt":"順伝播型ネットワーク(フィードフォワードニューラルネットワーク)は、層状に並べられたニューロンが隣接した層間でのみ結合した構造をしています。 左から右へと入力層から出力層へ一方向のみ伝播するニューラルネットワークです。","text":"feed forward network\n順伝播型ネットワーク(フィードフォワードニューラルネットワーク)は、層状に並べられたニューロンが隣接した層間でのみ結合した構造をしています。 左から右へと入力層から出力層へ一方向のみ伝播するニューラルネットワークです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/feed%20forward%20network","updated":1690721668,"position":[33.1763,40.4016,14.9685],"cluster":"c17","subgroup":"c17.01","degree":10,"referenceDegree":0,"maxSimilarity":0.27205,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a70aca29410026635aec","weight":0.27205,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662f6c4f910a0a002435b8ea","weight":0.22747,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd1065fdd8f002556baf7","weight":0.19673,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a8d29f50c09441d8069a511","weight":0.16772,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559a5dda0e111001ce3978a","weight":0.15958,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67fdb5588f3e74d9e9b838e2","weight":0.12208,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6821df8eb8651a7025e33962","weight":0.12144,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683bf6ed317be84004df0144","weight":0.09877,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65db531de92001c5fa56c","source":"ideaofintellection","title":"comb filter","excerpt":"コムフィルタは、特定の周波数とその倍数（整数倍）に対して信号の振幅を増減させるフィルターの一種です。コムフィルタの周波数応答は、定期的なピークとディップが交互に現れることから、「コム」という名前が付けられています。","text":"comb filter\nコムフィルタは、特定の周波数とその倍数（整数倍）に対して信号の振幅を増減させるフィルターの一種です。コムフィルタの周波数応答は、定期的なピークとディップが交互に現れることから、「コム」という名前が付けられています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/comb%20filter","updated":1690721725,"position":[28.5687,-1.2136,-16.183],"cluster":"c18","subgroup":"c18.01","degree":5,"referenceDegree":0,"maxSimilarity":0.57373,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65dbff6ed72001b6056b2","weight":0.57373,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65602fa0971d4e001b61e30c","weight":0.17877,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69104efd963882e1211c5671","weight":0.13103,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a5531687651d001ce4684b","weight":0.10332,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65e60539e9e001b567501","weight":0.09893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65dbff6ed72001b6056b2","source":"ideaofintellection","title":"inverse comb filter","excerpt":"コムフィルタの効果を打ち消す目的で使用されます。つまり、コムフィルタによって生じるピークとディップを逆転させることで、元の信号を復元することを意味します。","text":"inverse comb filter\nコムフィルタの効果を打ち消す目的で使用されます。つまり、コムフィルタによって生じるピークとディップを逆転させることで、元の信号を復元することを意味します。\n特定の周波数成分を抑制するために使われることがあります。また、音声や音楽のエフェクト処理において、コムフィルタによって生じた空間的な感じを取り除くのにも用いられることがあります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/inverse%20comb%20filter","updated":1690721750,"position":[28.3983,-1.2967,-16.3202],"cluster":"c18","subgroup":"c18.01","degree":5,"referenceDegree":0,"maxSimilarity":0.57373,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65db531de92001c5fa56c","weight":0.57373,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65602fa0971d4e001b61e30c","weight":0.16859,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69104efd963882e1211c5671","weight":0.10149,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6867aa8b39f80cd88bdde59b","weight":0.1005,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:689c6038c02c291fdd24de74","weight":0.09816,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65dea822f80001c6cacbe","source":"ideaofintellection","title":"resonance","excerpt":"共振。 共鳴。 また、共鳴状態をさすこともある。 物理系がその固有振動数と同じあるいは非常に近い振動数を持つ力により振動させられたとき、振動の振幅が著しく大きくなる現象。","text":"resonance\n共振。 共鳴。 また、共鳴状態をさすこともある。 物理系がその固有振動数と同じあるいは非常に近い振動数を持つ力により振動させられたとき、振動の振幅が著しく大きくなる現象。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/resonance","updated":1690721795,"position":[19.4358,93.0909,-25.5857],"cluster":"c24","subgroup":"c24.01","degree":2,"referenceDegree":0,"maxSimilarity":0.22043,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64ff54961ff17b001c07827e","weight":0.22043,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ef2cf8738944001c1dc521","weight":0.19028,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65e2025da0d001cf19905","source":"ideaofintellection","title":"インパルスレスポンス","excerpt":"音響的には、拍手（1回だけ）など、短い音（インパルス）を出した時の室内の残響や音響効果（レスポンス）のことを意味し、その特性をデータ化したものを言います。","text":"インパルスレスポンス\n音響的には、拍手（1回だけ）など、短い音（インパルス）を出した時の室内の残響や音響効果（レスポンス）のことを意味し、その特性をデータ化したものを言います。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A4%E3%83%B3%E3%83%91%E3%83%AB%E3%82%B9%E3%83%AC%E3%82%B9%E3%83%9D%E3%83%B3%E3%82%B9","updated":1690721830,"position":[50.2264,-50.6959,36.199],"cluster":"c02","subgroup":"c02.03","degree":5,"referenceDegree":0,"maxSimilarity":0.30033,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a2779b2de8ed001c5900c4","weight":0.30033,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7434355300001cbfa006","weight":0.19595,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c17225c0310024e2eb6d","weight":0.19168,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc1f511c0951ececf3092","weight":0.15995,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c40452516e700229629c6","weight":0.12106,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65e3348e31e001c47522f","source":"ideaofintellection","title":"orthogonal basis 直交基底","excerpt":"特に線形代数では、内積空間Vの直交基底は、ベクトルが相互に直交するVの基底です。直交基底のベクトルが正規化されている場合、結果の基底は正規直交基底になります。","text":"orthogonal basis 直交基底\n特に線形代数では、内積空間Vの直交基底は、ベクトルが相互に直交するVの基底です。直交基底のベクトルが正規化されている場合、結果の基底は正規直交基底になります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/orthogonal%20basis%20%E7%9B%B4%E4%BA%A4%E5%9F%BA%E5%BA%95","updated":1690721854,"position":[7.3909,-69.7779,-13.6689],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09213,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6499aa3fba3965001c6c706b","weight":0.09213,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65e4a809274001cf2770c","source":"ideaofintellection","title":"z-transforms","excerpt":"Z変換（ゼットへんかん、Z-transform）とは、ローラン展開をベースにした関数空間の間の線形作用素。関数変換。","text":"z-transforms\nZ変換（ゼットへんかん、Z-transform）とは、ローラン展開をベースにした関数空間の間の線形作用素。関数変換。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/z-transforms","updated":1690721873,"position":[29.8511,-72.7079,-19.8927],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06611,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64c65e60539e9e001b567501","source":"ideaofintellection","title":"butterworth","excerpt":"バターワースフィルタは、フィルタ回路設計の一種。通過帯域が数学的に可能な限り平坦な周波数特性となるよう設計されている。 バターワースフィルタは1930年、イギリスの技術者 スティーブン・バターワースが論文 \"On the Theory of Filter Amplifiers\" で発表した。","text":"butterworth\nバターワースフィルタは、フィルタ回路設計の一種。通過帯域が数学的に可能な限り平坦な周波数特性となるよう設計されている。 バターワースフィルタは1930年、イギリスの技術者 スティーブン・バターワースが論文 \"On the Theory of Filter Amplifiers\" で発表した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/butterworth","updated":1690721894,"position":[21.1975,-37.8809,88.4724],"cluster":"c14","subgroup":"c14.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11198,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af1069c0f238001dd2def1","weight":0.11198,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65db531de92001c5fa56c","weight":0.09893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65ead04da97001cc06d9c","source":"ideaofintellection","title":"FM synthesis","excerpt":"FM合成（FM synthesis）は、音楽や音響効果を生成するための一種の音声合成手法です。FMとは、周波数変調（Frequency Modulation）の略称です。FM合成は、元々ジョン・チョウリング（John Chowning）によって1967年に発明されました。","text":"FM synthesis\n\nFM合成（FM synthesis）は、音楽や音響効果を生成するための一種の音声合成手法です。FMとは、周波数変調（Frequency Modulation）の略称です。FM合成は、元々ジョン・チョウリング（John Chowning）によって1967年に発明されました。\n\nFM合成では、複数のオシレータ（発振器）を使って、1つのオシレータの周波数を別のオシレータの周波数に変調させることで音を生成します。この周波数変調によって、複雑で豊かな音色を生成することができます。\n\n一般的なFM合成では、キャリア波（carrier wave）とモジュレータ波（modulator wave）の2つの波形が使われます。キャリア波は聴覚上で実際に聞こえる音であり、モジュレータ波はキャリア波の周波数を変化させるために用いられます。モジュレータ波の周波数が高いほど、キャリア波の周波数も高くなります。\n\nFM合成の特徴は、単純な波形を用いて複雑な音色を作り出すことができることです。例えば、数個のオペレータ（オシレータとモジュレータの組み合わせ）を組み合わせることで、鐘の音、金属の音、ベルの音などを再現することが可能です。\n\nFM合成は1980年代にヤマハ社によってデジタルシンセサイザー「DX7」に採用され、その豊かな音色と柔軟性から大きな成功を収めました。現在でもFM合成は、音楽制作や音響効果の生成において重要な手法の1つとして利用されています。\n\n\n\n\n\n\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/FM%20synthesis","updated":1690722001,"position":[95.9768,-47.2553,40.7876],"cluster":"c34","subgroup":"c34.01","degree":3,"referenceDegree":0,"maxSimilarity":0.17964,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65ed71a7f20001b947db7","weight":0.17964,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f177dfb40930707821945","weight":0.15988,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3f7d56b7829bee7edad8","weight":0.1059,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65ed71a7f20001b947db7","source":"ideaofintellection","title":"carrier wave","excerpt":"キャリア波（carrier wave）は、通信や信号処理などの分野で用いられる概念です。","text":"carrier wave\nキャリア波（carrier wave）は、通信や信号処理などの分野で用いられる概念です。\n\n物理的な波として捉えると、キャリア波は他の情報を運ぶための基本となる高周波の波のことを指します。この波は、データや情報をモジュレーション（変調）することによって、情報を運ぶための信号に変換されます。つまり、キャリア波自体には情報が含まれておらず、その波形が他の信号を伝送するための「キャリア」として機能します。\n\n例えば、ラジオ放送やテレビ放送、無線通信などでは、音声や映像などの情報はキャリア波に変調され、空中を伝播します。受信側では、キャリア波を復調（デモジュレーション）することで元の情報を取り出すことができます。\n\nキャリア波は、通常、高周波であり、その波長は情報を運ぶために必要な帯域幅に応じて選ばれます。高周波を使うことで、情報の伝送が効率的に行われるため、多くの通信システムでキャリア波として高周波が選ばれています。\n\nまた、音声や音楽の合成においても、キャリア波は基本的な音として利用されることがあります。FM合成の場合、キャリア波とモジュレータ波との組み合わせによって複雑な音色が生成されます。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/carrier%20wave","updated":1690722018,"position":[95.6804,-47.1092,41.0585],"cluster":"c34","subgroup":"c34.01","degree":5,"referenceDegree":0,"maxSimilarity":0.17964,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65ead04da97001cc06d9c","weight":0.17964,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f177dfb40930707821945","weight":0.11236,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c88d14b66b8416268e6464","weight":0.10309,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:691046226affffbfb2406e89","weight":0.09891,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662f6c4f910a0a002435b8ea","weight":0.09126,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c65ef4715ce0001bd168c2","source":"ideaofintellection","title":"Vocoder","excerpt":"ボコーダー（Vocoder）とは「VOice enCODER」の略語です。 ボコーダーは、分析入力部で受け取ったオーディオ信号の音響特性を分析し、それをシンセサイザーのサウンドジェネレータに送ります。 その処理結果が、ボコーダーの出力として発音されます。","text":"Vocoder\nボコーダー（Vocoder）とは「VOice enCODER」の略語です。 ボコーダーは、分析入力部で受け取ったオーディオ信号の音響特性を分析し、それをシンセサイザーのサウンドジェネレータに送ります。 その処理結果が、ボコーダーの出力として発音されます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Vocoder","updated":1690722042,"position":[97.8173,-45.9711,40.7109],"cluster":"c34","subgroup":"c34.01","degree":3,"referenceDegree":0,"maxSimilarity":0.15484,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d718829db1ff001d533857","weight":0.15484,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68b32911aa872b37265c2ba8","weight":0.12705,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658affe581ec8800246e5795","weight":0.12226,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c665c748e31e001c478d34","source":"ideaofintellection","title":"グリッドワールド","excerpt":"グリッドワールドは、コンピュータサイエンスや人工知能（AI）の分野で使われる概念の一つです。","text":"グリッドワールド\nグリッドワールドは、コンピュータサイエンスや人工知能（AI）の分野で使われる概念の一つです。\n\nグリッドワールドとは、グリッド（格子）と呼ばれる正方形のセルが一定の配置で並んだ環境を表現したものです。１次元のグリッドワールドでは、セルが直線上に一列に並んだ形をしています。各セルは特定の位置を表し、その位置によって一意に識別されます。\n\n１次元のグリッドワールドは非常に単純な環境であり、主に強化学習や最適化アルゴリズムのテストベッドとして使われます。エージェント（Agent）と呼ばれる行動を取る主体が、グリッドワールド内を移動したり、セル上に報酬を受け取ったりしながら、ある目的を達成することが目指されます。\n\n例えば、１次元のグリッドワールド内の特定のセルに到達することが目標であり、エージェントは自らの行動を選択することで目標を達成する方法を学習します。エージェントは現在の位置や報酬を考慮して行動を決定し、最適な戦略を見つけることを目指します。\n\n１次元のグリッドワールドは非常にシンプルな環境であるため、問題を分析しやすく、アルゴリズムの理解や評価に役立ちます。また、この概念はより複雑な２次元や３次元のグリッドワールドに拡張されることもあります。\n\n\n\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%AA%E3%83%83%E3%83%89%E3%83%AF%E3%83%BC%E3%83%AB%E3%83%89","updated":1690723815,"position":[58.5107,106.2194,15.5248],"cluster":"c25","subgroup":"c25.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10518,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6425081288b974001c71860a","weight":0.10518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c656d71a7f20001b943a41","weight":0.09436,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a1ed1aeeed001de41546","weight":0.08662,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64c667d486255c001b871783","source":"ideaofintellection","title":"majestic","excerpt":"威厳のある、荘厳な、堂々とした、雄大な","text":"majestic\n威厳のある、荘厳な、堂々とした、雄大な\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/majestic","updated":1690724319,"position":[-46.0625,-2.249,-123.2713],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07069,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64cb164e5e4234001c34b2c1","source":"ideaofintellection","title":"運動方程式と加速度とリズム","excerpt":"横方向に進むモニュメントとリズムの合致","text":"運動方程式と加速度とリズム\n横方向に進むモニュメントとリズムの合致\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%81%8B%E5%8B%95%E6%96%B9%E7%A8%8B%E5%BC%8F%E3%81%A8%E5%8A%A0%E9%80%9F%E5%BA%A6%E3%81%A8%E3%83%AA%E3%82%BA%E3%83%A0","updated":1691031224,"position":[15.9357,-70.2746,0.4282],"cluster":"c03","subgroup":"c03.01","degree":7,"referenceDegree":0,"maxSimilarity":0.34446,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65c0e47ef16001cdbfd6e","weight":0.34446,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65c24f6ed72001b604ca2","weight":0.17787,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.12897,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c478ea87951d001c228898","weight":0.11105,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b78fce4dc9b90023749182","weight":0.09291,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e57e036a120024c80f50","weight":0.08902,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.0886,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64cb16c289c2f9001c4a3cee","source":"ideaofintellection","title":"middle syncopetion heart beat","excerpt":"","text":"middle syncopetion heart beat","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/middle%20syncopetion%20heart%20beat","updated":1691031297,"position":[-39.8089,92.4908,48.3648],"cluster":"c20","subgroup":"c20.01","degree":3,"referenceDegree":0,"maxSimilarity":0.31793,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65c040b693fb0d0025f20be7","weight":0.31793,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:646497c124448e001c6c4a6f","weight":0.22129,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66339db6225bb3002665643d","weight":0.19646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64cb176c318387001b2be376","source":"ideaofintellection","title":"特殊心筋","excerpt":"特殊心筋は、ほかの大部分の心筋（固有心筋）と異なり、収縮する働きはほんとんどなく、心臓に収縮を起こさせる興奮（電気的刺激）を自動的に発生し、心臓全体にその興奮を伝える働きをする。","text":"特殊心筋\n特殊心筋は、ほかの大部分の心筋（固有心筋）と異なり、収縮する働きはほんとんどなく、心臓に収縮を起こさせる興奮（電気的刺激）を自動的に発生し、心臓全体にその興奮を伝える働きをする。\n[https://scrapbox.io/files/64cb17a3eb9012001b0624e8.png]\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%89%B9%E6%AE%8A%E5%BF%83%E7%AD%8B","updated":1691031462,"position":[-30.973,30.5409,-103.5401],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08684,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:6679b2797192f2001c233393","weight":0.08684,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64cb4669f7ba4a001bf95568","source":"ideaofintellection","title":"天与の嗜好に逢着","excerpt":"寺田寅彦","text":"天与の嗜好に逢着\n寺田寅彦\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%A9%E4%B8%8E%E3%81%AE%E5%97%9C%E5%A5%BD%E3%81%AB%E9%80%A2%E7%9D%80","updated":1691043458,"position":[-66.4793,-33.0477,-15.1888],"cluster":"c32","subgroup":"c32.01","degree":4,"referenceDegree":0,"maxSimilarity":0.25232,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb4bdf111084001c473c06","weight":0.25232,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b788d6f811b100286124c2","weight":0.12178,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65921366c4344f00236c1844","weight":0.1069,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:651a52d3c7c61c001ee9a874","weight":0.09296,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64cb4bdf111084001c473c06","source":"ideaofintellection","title":"嗜好","excerpt":"","text":"嗜好","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%97%9C%E5%A5%BD","updated":1691044834,"position":[-65.032,-31.2204,-12.744],"cluster":"c32","subgroup":"c32.01","degree":1,"referenceDegree":0,"maxSimilarity":0.25232,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb4669f7ba4a001bf95568","weight":0.25232,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64cb4eca59154b001b2896e4","source":"ideaofintellection","title":"ないけどある","excerpt":"","text":"ないけどある","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%81%AA%E3%81%84%E3%81%91%E3%81%A9%E3%81%82%E3%82%8B","updated":1691045586,"position":[-80.2508,35.2886,-119.6566],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64cb54a09df666001c9e2744","source":"ideaofintellection","title":"novelty","excerpt":"","text":"novelty\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/novelty","updated":1691047076,"position":[-65.2457,8.7742,-147.8546],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64cb57003dd10d001c1caee8","source":"ideaofintellection","title":"非線形","excerpt":"","text":"非線形\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9D%9E%E7%B7%9A%E5%BD%A2","updated":1691047735,"position":[18.175,-68.7427,-0.2936],"cluster":"c03","subgroup":"c03.01","degree":11,"referenceDegree":0,"maxSimilarity":0.29537,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a5e69ca1982b002230d4f0","weight":0.29537,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e670967b0a002429898b","weight":0.2704,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6679b4ebf8af67001c0135d9","weight":0.25535,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e828c6626900249a07c5","weight":0.24563,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2690d24048001cf526e8","weight":0.24405,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e877f968620023e548e8","weight":0.22904,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e94d42cb9f00259edbe4","weight":0.19332,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bcbf94bf333200258d0788","weight":0.14581,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64cdf64004e9c3001b4710da","source":"ideaofintellection","title":"SF プロトタイピング","excerpt":"SFストーリーの創造する想像力を活用して科学技術の発展を基に現実的に起こりうる、小説の世界のような未来のストーリーの作成から着想を得て、未来予測を行い、その未来予測からのバックキャスティングにより、企業における事業企画や研究開発戦略を思考・創造する手法。","text":"SF プロトタイピング\nSFストーリーの創造する想像力を活用して科学技術の発展を基に現実的に起こりうる、小説の世界のような未来のストーリーの作成から着想を得て、未来予測を行い、その未来予測からのバックキャスティングにより、企業における事業企画や研究開発戦略を思考・創造する手法。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/SF%20%E3%83%97%E3%83%AD%E3%83%88%E3%82%BF%E3%82%A4%E3%83%94%E3%83%B3%E3%82%B0","updated":1691219528,"position":[16.9582,-57.7587,13.374],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06587,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce092c3779b8001b7351df","source":"ideaofintellection","title":"ecological collidor","excerpt":"Ecological corridors are passages on land or in water, between a park and the surrounding natural environment.","text":"ecological collidor\nEcological corridors are passages on land or in water, between a park and the surrounding natural environment. \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/ecological%20collidor","updated":1691224384,"position":[2.5224,18.7007,13.4584],"cluster":"c07","subgroup":"c07.01","degree":7,"referenceDegree":0,"maxSimilarity":0.14674,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6951235843e804b5b57c8da9","weight":0.14674,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580063966acf0002ddcd739","weight":0.1271,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4dbf040d71b1503a6d9d","weight":0.11657,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:680fbfd812636ba0efa4df9f","weight":0.11385,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bc52ffa4b4ba54e61aa81","weight":0.10888,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a76c586a206fa8485294724","weight":0.10242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76c60943b135a19547376b","weight":0.10242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce09516d1e27001bc76fc4","source":"ideaofintellection","title":"ミティゲーション","excerpt":"緩和する・影響を軽減するという意味の言葉で、環境分野では、人為的行為が自然環境に与える影響を緩和するための諸々の保全措置を指します。 この考え方は、1970年代にアメリカで生まれ、ヨーロッパでも自然を保全する手法として導入されています。","text":"ミティゲーション\n緩和する・影響を軽減するという意味の言葉で、環境分野では、人為的行為が自然環境に与える影響を緩和するための諸々の保全措置を指します。 この考え方は、1970年代にアメリカで生まれ、ヨーロッパでも自然を保全する手法として導入されています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9F%E3%83%86%E3%82%A3%E3%82%B2%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1691224423,"position":[53.3512,-115.4442,-65.971],"cluster":"c41","subgroup":"c41.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11944,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d6d1e7f31220023c3afc4","weight":0.11944,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648af81dabcedc001c17116d","weight":0.08763,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce097c66c764001c7b3ced","source":"ideaofintellection","title":"Topos","excerpt":"In mathematics, a topos is a category that behaves like the category of sheaves of sets on a topological space.","text":"Topos\nIn mathematics, a topos is a category that behaves like the category of sheaves of sets on a topological space.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Topos","updated":1691224462,"position":[-10.5998,110.85,5.4399],"cluster":"c13","subgroup":"c13.01","degree":7,"referenceDegree":0,"maxSimilarity":0.16847,"lowEvidence":false,"neighbors":[{"id":"NextResearch:674e971ff2a996507e477b96","weight":0.16847,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1148cbea0dfe9883c9f961","weight":0.12797,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb5f47644fd31759611a4","weight":0.11585,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a7d5d618adb7495a517b9f4","weight":0.10963,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69512132ebe9dc16ade76768","weight":0.10382,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e4780f3b507001cc35533","weight":0.09497,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c04135c130ce00247da670","weight":0.09221,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce09b604e9c3001b484aea","source":"ideaofintellection","title":"サンクチュアリ","excerpt":"「聖域、避難所」という意味。 一般的には鳥類保護のための特別な場所をいうが、それだけでなく鳥獣類を含めた自然生態系全体の保全を目的とした区域とする考え方もある。","text":"サンクチュアリ\n「聖域、避難所」という意味。 一般的には鳥類保護のための特別な場所をいうが、それだけでなく鳥獣類を含めた自然生態系全体の保全を目的とした区域とする考え方もある。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%83%B3%E3%82%AF%E3%83%81%E3%83%A5%E3%82%A2%E3%83%AA","updated":1691224511,"position":[-25.2185,33.6139,-128.9873],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07348,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce09d8f72a76001bf7d1e3","source":"ideaofintellection","title":"ベルトラム","excerpt":"ドイツの画家。 主としてハンブルクで制作。 1367年，ハンブルク市の記録に，初めて画家個人の名が残っている。 15世紀ドイツ絵画の写実主義的表現の先駆者。","text":"ベルトラム\nドイツの画家。 主としてハンブルクで制作。 1367年，ハンブルク市の記録に，初めて画家個人の名が残っている。 15世紀ドイツ絵画の写実主義的表現の先駆者。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%99%E3%83%AB%E3%83%88%E3%83%A9%E3%83%A0","updated":1691224548,"position":[82.2083,-129.3217,44.0636],"cluster":"c43","subgroup":"c43.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10404,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734ded091f647612962994b","weight":0.10404,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0b4f9df423001b4399a5","weight":0.09006,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce09f246196b001c01537b","source":"ideaofintellection","title":"vista","excerpt":"展望。 眺望。 特に、枠がまえされた見通しの景色。 都市設計・庭園設計などでいう。","text":"vista\n展望。 眺望。 特に、枠がまえされた見通しの景色。 都市設計・庭園設計などでいう。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/vista","updated":1691224573,"position":[-57.7537,30.3516,-145.5573],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06038,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce0a0c3ab875001c462263","source":"ideaofintellection","title":"パースペクティブ","excerpt":"パースペクティブとは、遠近感のことをいいます。 写真の場合、とくに広角レンズを使うと近くのものが大きく、遠くのものは小さく写るため、手前にある主被写体と背景との距離が強調され、遠近感のある写真になります。","text":"パースペクティブ\nパースペクティブとは、遠近感のことをいいます。 写真の場合、とくに広角レンズを使うと近くのものが大きく、遠くのものは小さく写るため、手前にある主被写体と背景との距離が強調され、遠近感のある写真になります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%83%BC%E3%82%B9%E3%83%9A%E3%82%AF%E3%83%86%E3%82%A3%E3%83%96","updated":1691224598,"position":[16.5091,-34.1254,20.8277],"cluster":"c05","subgroup":"c05.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12583,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:651a51b738dbd9001b704b40","weight":0.12583,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6916e910132c688a6c3257ad","weight":0.11272,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0a30685ab7001b9e590a","source":"ideaofintellection","title":"詩宴","excerpt":"詩を詠む席。詩を詠みあってはる宴。","text":"詩宴\n詩を詠む席。詩を詠みあってはる宴。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%A9%A9%E5%AE%B4","updated":1691224646,"position":[11.4543,-75.8837,36.6485],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.1164,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:651e50a2eb92c3001bc0cc7c","weight":0.1164,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0a524fbf92001baaab0d","source":"ideaofintellection","title":"枯山水","excerpt":"「枯山水」（かれさんすい）とは、水を一切使わず砂や石だけで山や水の景色を表現した日本庭園のことです。 京都の「龍安寺」（りょうあんじ）や「大仙院」（だいせんいん）などの庭がよく知られます。 枯山水が流行したのは、室町時代後期に入ってから。","text":"枯山水\n「枯山水」（かれさんすい）とは、水を一切使わず砂や石だけで山や水の景色を表現した日本庭園のことです。 京都の「龍安寺」（りょうあんじ）や「大仙院」（だいせんいん）などの庭がよく知られます。 枯山水が流行したのは、室町時代後期に入ってから。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%9E%AF%E5%B1%B1%E6%B0%B4","updated":1691224676,"position":[47.3393,-48.714,37.1931],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.11005,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cedfcbcd47500024cfba45","weight":0.11005,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64be4473e087d9001b165697","weight":0.10072,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0a780103c6001b1db9c4","source":"ideaofintellection","title":"柱離宮","excerpt":"京都市西京区にある、江戸時代初期に建てられた八条宮（桂宮(かつらのみや)）家の別荘（離宮）。 八条宮智仁(としひと)親王が1615（元和1）年ごろから造営に着手、子の智忠(としただ)親王の代の1650（慶安3）年ごろにほぼ完成した。","text":"柱離宮\n京都市西京区にある、江戸時代初期に建てられた八条宮（桂宮(かつらのみや)）家の別荘（離宮）。 八条宮智仁(としひと)親王が1615（元和1）年ごろから造営に着手、子の智忠(としただ)親王の代の1650（慶安3）年ごろにほぼ完成した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%9F%B1%E9%9B%A2%E5%AE%AE","updated":1691224711,"position":[-62.4351,50.7997,-125.8579],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05711,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce0aa7c78d53001cf4680b","source":"ideaofintellection","title":"隅楼","excerpt":"","text":"隅楼","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9A%85%E6%A5%BC","updated":1691224745,"position":[-77.1636,2.8563,-124.5797],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce0abc79ef8c001bb9e55b","source":"ideaofintellection","title":"汀","excerpt":"海・湖などの水の、陸地と接している所。 みずぎわ。 なぎさ。","text":"汀\n海・湖などの水の、陸地と接している所。 みずぎわ。 なぎさ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B1%80","updated":1691224779,"position":[-59.8912,42.934,-131.6097],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08873,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65938bfce959090026da5b8f","weight":0.08873,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0ae570f17f001d93702e","source":"ideaofintellection","title":"東院","excerpt":"大規模な石組みの池をもち，遣り水の施設などのある庭園を南東部分につくった離宮的なもの","text":"東院\n大規模な石組みの池をもち，遣り水の施設などのある庭園を南東部分につくった離宮的なもの\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%9D%B1%E9%99%A2","updated":1691224812,"position":[20.372,81.3608,0.0682],"cluster":"c22","subgroup":"c22.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09084,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65c54ccab42dde0024be51a0","weight":0.09084,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0afb04e9c3001b485806","source":"ideaofintellection","title":"磐座","excerpt":"磐座とは、神道において神が天下る岩のことを意味する。 基本的には巨石を指すが、そのサイズは大きい物から小さい物まで様々である。 神道はもともと社殿を持たず、山深くに位置する大きな岩に注連縄（しめなわ）を張って磐座とし、ここに神を出迎えたことが原始的な姿であるとされている。","text":"磐座\n磐座とは、神道において神が天下る岩のことを意味する。 基本的には巨石を指すが、そのサイズは大きい物から小さい物まで様々である。 神道はもともと社殿を持たず、山深くに位置する大きな岩に注連縄（しめなわ）を張って磐座とし、ここに神を出迎えたことが原始的な姿であるとされている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%A3%90%E5%BA%A7","updated":1691224839,"position":[-11.8269,-61.9631,50.374],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.06632,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce0b21f72a76001bf7e197","source":"ideaofintellection","title":"設問解字","excerpt":"中国で漢字の構成すなわち〈六書（りくしよ）〉に従ってその原義を論ずることを体系的に試みた最初の字書。","text":"設問解字\n中国で漢字の構成すなわち〈六書（りくしよ）〉に従ってその原義を論ずることを体系的に試みた最初の字書。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%A8%AD%E5%95%8F%E8%A7%A3%E5%AD%97","updated":1691224881,"position":[-26.038,6.9663,-120.7327],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05114,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce0b4f9df423001b4399a5","source":"ideaofintellection","title":"グリーンベルト","excerpt":"グリーンベルトとは、「みどり」で形成した帯のこと。都市計画分野では都市の保護政策で行う緑化帯","text":"グリーンベルト\nグリーンベルトとは、「みどり」で形成した帯のこと。都市計画分野では都市の保護政策で行う緑化帯\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%AA%E3%83%BC%E3%83%B3%E3%83%99%E3%83%AB%E3%83%88","updated":1691224917,"position":[81.5531,-129.1819,44.1829],"cluster":"c43","subgroup":"c43.01","degree":3,"referenceDegree":0,"maxSimilarity":0.14855,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65b784ed2391620024bb34d1","weight":0.14855,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734ded091f647612962994b","weight":0.09176,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce09d8f72a76001bf7d1e3","weight":0.09006,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0b7f76bcb0001c2cdc9c","source":"ideaofintellection","title":"レッチワース","excerpt":"レッチワース（Letchworth）は、ロンドン郊外の都市で、エベネザー・ハワード（1850年 - 1928年）が提唱した田園都市（Garden City）の理念に基づいて建設された最初の田園都市（タウン）である。 イギリスにおいては最初の近代的な都市計画である。","text":"レッチワース\nレッチワース（Letchworth）は、ロンドン郊外の都市で、エベネザー・ハワード（1850年 - 1928年）が提唱した田園都市（Garden City）の理念に基づいて建設された最初の田園都市（タウン）である。 イギリスにおいては最初の近代的な都市計画である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%83%83%E3%83%81%E3%83%AF%E3%83%BC%E3%82%B9","updated":1691224966,"position":[-15.9133,-85.4047,25.6495],"cluster":"c27","subgroup":"c27.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05986,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce0badd8290b001ba548b7","source":"ideaofintellection","title":"メトロポリタン","excerpt":"メトロポリスの、大都市の、首都の」。 転じてそれらの住民。","text":"メトロポリタン\nメトロポリスの、大都市の、首都の」。 転じてそれらの住民。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%83%88%E3%83%AD%E3%83%9D%E3%83%AA%E3%82%BF%E3%83%B3","updated":1691225015,"position":[-9.2262,-87.2919,5.7068],"cluster":"c27","subgroup":"c27.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08458,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce0bcd46196b001c015d0f","source":"ideaofintellection","title":"エメラルド・ネックレス","excerpt":"「エメラルド・ネックレス」と呼ばれるボストンのパークシステム","text":"エメラルド・ネックレス\n「エメラルド・ネックレス」と呼ばれるボストンのパークシステム\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%A1%E3%83%A9%E3%83%AB%E3%83%89%E3%83%BB%E3%83%8D%E3%83%83%E3%82%AF%E3%83%AC%E3%82%B9","updated":1691225052,"position":[24.4465,-89.3803,43.8681],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07085,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce0bf04ea4c3001b481a4c","source":"ideaofintellection","title":"クラインガルテン","excerpt":"クラインガルテンは、都市部で生活する皆さんにやすらぎと潤いの場を提供し、農業体験や農村生活を通じて、豊かなライフスタイルの実現を目的に農林水産省の補助を受けて設置した市民農園です","text":"クラインガルテン\nクラインガルテンは、都市部で生活する皆さんにやすらぎと潤いの場を提供し、農業体験や農村生活を通じて、豊かなライフスタイルの実現を目的に農林水産省の補助を受けて設置した市民農園です\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%83%A9%E3%82%A4%E3%83%B3%E3%82%AC%E3%83%AB%E3%83%86%E3%83%B3","updated":1691225083,"position":[-81.2824,-156.085,4.6871],"cluster":"c48","subgroup":"c48.01","degree":2,"referenceDegree":0,"maxSimilarity":0.17088,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a13482a5ddaca21d70d5d43","weight":0.17088,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1408432791ef9d55972b08","weight":0.13691,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0c16da140c001bc7c57a","source":"ideaofintellection","title":"Allotment","excerpt":"An allotment, or in North America, a community garden, is a plot of land made available for individual, non-commercial gardening or growing food plants, so forming a kitchen garden away from the residence of the user.","text":"Allotment\nAn allotment, or in North America, a community garden, is a plot of land made available for individual, non-commercial gardening or growing food plants, so forming a kitchen garden away from the residence of the user.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Allotment","updated":1691225122,"position":[15.4565,89.1593,23.8971],"cluster":"c21","subgroup":"c21.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1141,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659c69b71b6dd400221b1b8f","weight":0.1141,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:649940383a4277001b76adff","weight":0.0941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0c92589eca001bd319a8","source":"ideaofintellection","title":"ハハア","excerpt":"ハハァ、ハハー、ハハア（en:Ha-ha(Ha-Hah)、フランス語: ha-ha またはsaut de loup ）は、おもにイギリス式庭園・風景式庭園でみられる地形デザイン要素。","text":"ハハア\nハハァ、ハハー、ハハア（en:Ha-ha(Ha-Hah)、フランス語: ha-ha またはsaut de loup ）は、おもにイギリス式庭園・風景式庭園でみられる地形デザイン要素。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%83%8F%E3%82%A2","updated":1691225260,"position":[12.8963,-52.558,68.5554],"cluster":"c12","subgroup":"c12.01","degree":3,"referenceDegree":0,"maxSimilarity":0.11234,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.11234,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.08669,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64901a3e412066001c4050e1","weight":0.08646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0cbc52cc0d001c044c0f","source":"ideaofintellection","title":"ナショナルトラスト","excerpt":"発祥の地はイギリス イギリスのザ・ナショナル・トラストは、今から百年余り前 の1895年に３人の市民によって「国民のために土地を共有する 団体」として創設されました。 ナショナルは「国の」ではなく 「国民の」という意味で、この団体は国民がお金を出して買っ た土地をトラスト（信託）されているのです。","text":"ナショナルトラスト\n発祥の地はイギリス イギリスのザ・ナショナル・トラストは、今から百年余り前 の1895年に３人の市民によって「国民のために土地を共有する 団体」として創設されました。 ナショナルは「国の」ではなく 「国民の」という意味で、この団体は国民がお金を出して買っ た土地をトラスト（信託）されているのです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8A%E3%82%B7%E3%83%A7%E3%83%8A%E3%83%AB%E3%83%88%E3%83%A9%E3%82%B9%E3%83%88","updated":1691225284,"position":[-44.6421,-24.8837,80.412],"cluster":"c28","subgroup":"c28.01","degree":3,"referenceDegree":0,"maxSimilarity":0.26138,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6f19c5a1d8b85f16a50e92","weight":0.26138,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dd0bd7f2dbd400249b6424","weight":0.16316,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6592439f89d6d4002587ee11","weight":0.08851,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0cf436b66d001c649f4f","source":"ideaofintellection","title":"Versailles","excerpt":"","text":"Versailles","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Versailles","updated":1691225335,"position":[-73.86,10.9221,-115.7938],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce0d0742bff6001b67ce5f","source":"ideaofintellection","title":"プチトリアノン","excerpt":"小トリアノン宮殿（しょうトリアノンきゅうでん、le Petit Trianon、プチ・トリアノン）は、ヴェルサイユ宮殿の庭園にある離宮の一つ。 新古典主義建築であり、建物の形は正方形。","text":"プチトリアノン\n小トリアノン宮殿（しょうトリアノンきゅうでん、le Petit Trianon、プチ・トリアノン）は、ヴェルサイユ宮殿の庭園にある離宮の一つ。 新古典主義建築であり、建物の形は正方形。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%97%E3%83%81%E3%83%88%E3%83%AA%E3%82%A2%E3%83%8E%E3%83%B3","updated":1691225358,"position":[82.0146,-122.7344,-34.6656],"cluster":"c40","subgroup":"c40.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08138,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce0d2350810b001b1e5c1f","source":"ideaofintellection","title":"カスケード","excerpt":"「何かが連なっている状態」、「連続して起こっている状態」などを意味する表現である。 「cascade」には「階段状に連続しているもの」や「縦つなぎ」などの意味があるため、そういった状態にすること、そういった状態のものを「カスケードする」、「カスケードしている」などと表現することがある。","text":"カスケード\n「何かが連なっている状態」、「連続して起こっている状態」などを意味する表現である。 「cascade」には「階段状に連続しているもの」や「縦つなぎ」などの意味があるため、そういった状態にすること、そういった状態のものを「カスケードする」、「カスケードしている」などと表現することがある。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%82%B9%E3%82%B1%E3%83%BC%E3%83%89","updated":1691225387,"position":[1.3208,-74.6385,37.0096],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.12505,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a559a40ca8a9001bf336fe","weight":0.12505,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668257bb01caf1001d2eb21c","weight":0.09525,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0edee3a7d7001c8d79d5","source":"ideaofintellection","title":"音楽が齎す創造","excerpt":"https://www.audio-technica.co.jp/always-listening/articles/daito-manabe/","text":"音楽が齎す創造\nhttps://www.audio-technica.co.jp/always-listening/articles/daito-manabe/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9F%B3%E6%A5%BD%E3%81%8C%E9%BD%8E%E3%81%99%E5%89%B5%E9%80%A0","updated":1691225843,"position":[29.7589,-60.0826,-38.4886],"cluster":"c26","subgroup":"c26.01","degree":3,"referenceDegree":0,"maxSimilarity":0.1524,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659393f1cd595d002588f415","weight":0.1524,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a588f0bd66a1d2fc23a81bc","weight":0.09824,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ef830b753e52001cee9bcf","weight":0.08836,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0f039a58c0001c63df3b","source":"ideaofintellection","title":"Red spider lily","excerpt":"[https://scrapbox.io/files/64ce0f5a0d913d001bcfe72c.jpeg]","text":"Red spider lily\n[https://scrapbox.io/files/64ce0f5a0d913d001bcfe72c.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Red%20spider%20lily","updated":1691225949,"position":[0.3086,21.0356,11.0777],"cluster":"c07","subgroup":"c07.01","degree":1,"referenceDegree":0,"maxSimilarity":0.55724,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6580063966acf0002ddcd739","weight":0.55724,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0fbb76bcb0001c2cf395","source":"ideaofintellection","title":"点接触型トランジスタ","excerpt":"（てんせっしょくがたトランジスタ、Point-contact transistor）は、最初期に製造されたトランジスタ。","text":"点接触型トランジスタ\n（てんせっしょくがたトランジスタ、Point-contact transistor）は、最初期に製造されたトランジスタ。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%82%B9%E6%8E%A5%E8%A7%A6%E5%9E%8B%E3%83%88%E3%83%A9%E3%83%B3%E3%82%B8%E3%82%B9%E3%82%BF","updated":1691226049,"position":[86.5185,-104.4404,102.5955],"cluster":"c47","subgroup":"c47.01","degree":2,"referenceDegree":0,"maxSimilarity":0.22319,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64b8cf0173d92f001b99799e","weight":0.22319,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6783ec560ea4b2f95208db9d","weight":0.14347,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce0fea0e2142001baa04d9","source":"ideaofintellection","title":"アナグラム","excerpt":"文字を入れ替えて別の文字を作る言葉遊び","text":"アナグラム\n文字を入れ替えて別の文字を作る言葉遊び\nhttps://ana-kuma.com\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%8A%E3%82%B0%E3%83%A9%E3%83%A0","updated":1691226116,"position":[-14.0991,-12.4376,-24.2579],"cluster":"c11","subgroup":"c11.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10765,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c6590bd96758001b027e76","weight":0.10765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6758ec4fccaa36abce5b7ae1","weight":0.09592,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6591928c10adc00024806ac2","weight":0.08573,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ce1052685ab7001b9e7d2c","source":"ideaofintellection","title":"野面石積み","excerpt":"自然石の平らな面を表面に揃えて積む工法です。 このような積み方を「乱済み（みだれづみ：石材の大きさや形が不揃いの石を使った石積み）」ともいいます。 さらに、石の平らな面を表に出しているので、野面積みと呼ばれるのです。","text":"野面石積み\n自然石の平らな面を表面に揃えて積む工法です。 このような積み方を「乱済み（みだれづみ：石材の大きさや形が不揃いの石を使った石積み）」ともいいます。 さらに、石の平らな面を表に出しているので、野面積みと呼ばれるのです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%87%8E%E9%9D%A2%E7%9F%B3%E7%A9%8D%E3%81%BF","updated":1691226216,"position":[-51.5037,50.801,-132.1681],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05893,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce1288f3151d001bf9ca51","source":"ideaofintellection","title":"90's whale tail","excerpt":"","text":"90's whale tail","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/90%27s%20whale%20tail","updated":1691226764,"position":[-68.636,14.1984,-126.593],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ce15bb57369a001cf5db8c","source":"ideaofintellection","title":"ロンバースランディング","excerpt":"「ロンバーズランディング」はUSJ内のサンフランシスコ・エリアにあります。 サンフランシスコ・エリアは港町であるサンフランシスコをイメージした開放感 ...","text":"ロンバースランディング\n「ロンバーズランディング」はUSJ内のサンフランシスコ・エリアにあります。 サンフランシスコ・エリアは港町であるサンフランシスコをイメージした開放感 ...\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AD%E3%83%B3%E3%83%90%E3%83%BC%E3%82%B9%E3%83%A9%E3%83%B3%E3%83%87%E3%82%A3%E3%83%B3%E3%82%B0","updated":1691227594,"position":[29.4089,-2.3594,-13.8649],"cluster":"c18","subgroup":"c18.01","degree":5,"referenceDegree":0,"maxSimilarity":0.13754,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64a5525dc3d418001ca756fc","weight":0.13754,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e71a88a9c13001d16f0ce","weight":0.11567,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc24c068e65f05901b63c","weight":0.11193,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54a82bf88df0025b66dc4","weight":0.09973,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66825cfffb9d2a001c57173b","weight":0.09646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d0b11486c31a001b2111da","source":"ideaofintellection","title":"ベルーソフ・ジャボチンスキー反応","excerpt":"Belousov-Zhabotinsky（BZ）反応は，周期的な変化や複雑なパターンが生じる化学反応です． 反応中は様々な化学種の濃度が周期的に変化することから，振動反応の一つとして知られています．BZ反応液を撹拌しながら放置しておくと，溶液の色が周期的に変化する様子が観察できます","text":"ベルーソフ・ジャボチンスキー反応\n\nBelousov-Zhabotinsky（BZ）反応は，周期的な変化や複雑なパターンが生じる化学反応です． 反応中は様々な化学種の濃度が周期的に変化することから，振動反応の一つとして知られています．BZ反応液を撹拌しながら放置しておくと，溶液の色が周期的に変化する様子が観察できます\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%99%E3%83%AB%E3%83%BC%E3%82%BD%E3%83%95%E3%83%BB%E3%82%B8%E3%83%A3%E3%83%9C%E3%83%81%E3%83%B3%E3%82%B9%E3%82%AD%E3%83%BC%E5%8F%8D%E5%BF%9C","updated":1691398443,"position":[27.4933,61.3867,50.1895],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.61671,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af1ed4d3a4b9001c00636b","weight":0.61671,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649e49748f46c4001c71d397","weight":0.1182,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d0b1c26599c8001b0c946c","source":"ideaofintellection","title":"低次元散逸力学系","excerpt":"散逸と強制外力を含む非線形振り子や電気回路は低次元（すなわち少数の変数を含む）散逸力学系で表される。散逸力学系は一般に非線形微分方程式によって表される","text":"低次元散逸力学系\n散逸と強制外力を含む非線形振り子や電気回路は低次元（すなわち少数の変数を含む）散逸力学系で表される。散逸力学系は一般に非線形微分方程式によって表される\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BD%8E%E6%AC%A1%E5%85%83%E6%95%A3%E9%80%B8%E5%8A%9B%E5%AD%A6%E7%B3%BB","updated":1691398622,"position":[17.3294,43.4287,-45.1722],"cluster":"c15","subgroup":"c15.01","degree":4,"referenceDegree":0,"maxSimilarity":0.48621,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64d0b3c62bbb96001b49c6a9","weight":0.48621,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64cb57003dd10d001c1caee8","weight":0.12939,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b18e16788c0001bac50c2","weight":0.08873,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65c24f6ed72001b604ca2","weight":0.08567,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d0b2021f2916001ba2f198","source":"ideaofintellection","title":"リミットサイクル","excerpt":"リミットサイクルとは、力学系における相空間上での閉軌道であり、時間 t を無限大、またはマイナス無限大にしたとき、その閉軌道に収束する軌道が少なくとも1つ存在するものである。極限閉軌道や極限周期軌道とも呼ばれる。1881年、力学系の始祖でもあるアンリ・ポアンカレによって初めて見いだされた。","text":"リミットサイクル\nリミットサイクルとは、力学系における相空間上での閉軌道であり、時間 t を無限大、またはマイナス無限大にしたとき、その閉軌道に収束する軌道が少なくとも1つ存在するものである。極限閉軌道や極限周期軌道とも呼ばれる。1881年、力学系の始祖でもあるアンリ・ポアンカレによって初めて見いだされた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AA%E3%83%9F%E3%83%83%E3%83%88%E3%82%B5%E3%82%A4%E3%82%AF%E3%83%AB","updated":1691398669,"position":[-27.3472,-77.808,68.4773],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.13776,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af1e92d4a03d001dad51db","weight":0.13776,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64d0b2e7ecfcb7001b7735ff","weight":0.12469,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d0b271472664001b9378b4","source":"ideaofintellection","title":"相転移","excerpt":"相転移とは、ある系の相が別の相へ変わることを指す。しばしば相変態とも呼ばれる。熱力学または統計力学において、相はある特徴を持った系の安定な状態の集合として定義される。一般には物質の状態の相互変化として理解されるが、同相の物質中の物性変化や基底状態の変化に対しても用いられる。","text":"相転移\n相転移とは、ある系の相が別の相へ変わることを指す。しばしば相変態とも呼ばれる。熱力学または統計力学において、相はある特徴を持った系の安定な状態の集合として定義される。一般には物質の状態の相互変化として理解されるが、同相の物質中の物性変化や基底状態の変化に対しても用いられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%9B%B8%E8%BB%A2%E7%A7%BB","updated":1691398779,"position":[3.6102,-66.1664,-5.2962],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.32708,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64d0b420c21f5b001c04adcd","weight":0.32708,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55c88576ffc0023cdf37f","weight":0.0872,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d0b29c2f6bf8001c17ef66","source":"ideaofintellection","title":"座屈","excerpt":"細長い部材や薄い部材に上から荷重を加えた際、ある一定の荷重を超えると急に部材にたわみが生じる現象を、座屈といいます。","text":"座屈\n細長い部材や薄い部材に上から荷重を加えた際、ある一定の荷重を超えると急に部材にたわみが生じる現象を、座屈といいます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%BA%A7%E5%B1%88","updated":1691398816,"position":[-10.0243,-193.5293,16.9482],"cluster":"c37","subgroup":"c37.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08938,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e326031b9cbb001c989d7e","weight":0.08938,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d0b2e7ecfcb7001b7735ff","source":"ideaofintellection","title":"ホップ分岐","excerpt":"力学系においてホップ分岐とは、系の安定性の変化により周期解が生じる分岐の一種である。 より正確には、線形近似に対する複素共役な二つの固有値が複素平面の虚軸を横切る際に、ある力学系の固定点が安定性を失う局所的な分岐のことをいう。 ある程度一般的な力学系に対しては、固定点から小さい振幅のリミットサイクルが分岐する。","text":"ホップ分岐\n力学系においてホップ分岐とは、系の安定性の変化により周期解が生じる分岐の一種である。 より正確には、線形近似に対する複素共役な二つの固有値が複素平面の虚軸を横切る際に、ある力学系の固定点が安定性を失う局所的な分岐のことをいう。 ある程度一般的な力学系に対しては、固定点から小さい振幅のリミットサイクルが分岐する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9B%E3%83%83%E3%83%97%E5%88%86%E5%B2%90","updated":1691398895,"position":[-27.8089,-78.5284,68.9962],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12469,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64d0b2021f2916001ba2f198","weight":0.12469,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d0b3c62bbb96001b49c6a9","source":"ideaofintellection","title":"散逸力学系モデル","excerpt":"","text":"散逸力学系モデル","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%95%A3%E9%80%B8%E5%8A%9B%E5%AD%A6%E7%B3%BB%E3%83%A2%E3%83%87%E3%83%AB","updated":1691399111,"position":[17.1132,43.2344,-43.2124],"cluster":"c15","subgroup":"c15.01","degree":4,"referenceDegree":0,"maxSimilarity":0.48621,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64d0b1c26599c8001b0c946c","weight":0.48621,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659a64abd7ed7a00220fd368","weight":0.16314,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65f01964abb1760025d1c99b","weight":0.09822,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68107562ba20c44988a15530","weight":0.08684,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d0b420c21f5b001c04adcd","source":"ideaofintellection","title":"磁気相転移","excerpt":"","text":"磁気相転移","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%A3%81%E6%B0%97%E7%9B%B8%E8%BB%A2%E7%A7%BB","updated":1691399202,"position":[3.5826,-66.3158,-5.1896],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.32708,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64d0b271472664001b9378b4","weight":0.32708,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf6798c3b40e0024bbce7c","weight":0.11131,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d0b467869b59001ce2a4d1","source":"ideaofintellection","title":"平均場理論","excerpt":"すべての要素が同じ性質をもつケースを考えた場合、個々の要素は他のすべての要素が作る力の場の中にあるとみなすことができるが、平均場理論においては、このような場がどの要素にとっても共通の同一の場であると仮定する。","text":"平均場理論\nすべての要素が同じ性質をもつケースを考えた場合、個々の要素は他のすべての要素が作る力の場の中にあるとみなすことができるが、平均場理論においては、このような場がどの要素にとっても共通の同一の場であると仮定する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%B9%B3%E5%9D%87%E5%A0%B4%E7%90%86%E8%AB%96","updated":1691399285,"position":[22.003,-68.1582,20.3422],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09607,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a8d2a6a63b3a1076a99c4f1","weight":0.09607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d4d8bd4f19ce001ba98213","source":"ideaofintellection","title":"quantum locking","excerpt":"物体が空中に固定されています。まるで魔法のよう。 正確にいうと、この物体は、「磁石」で、その下には「超伝導体」が配置されています。","text":"quantum locking\n物体が空中に固定されています。まるで魔法のよう。 正確にいうと、この物体は、「磁石」で、その下には「超伝導体」が配置されています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/quantum%20locking","updated":1691670789,"position":[-14.7574,-15.1373,-24.0453],"cluster":"c11","subgroup":"c11.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13151,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67bedb218596cb325fff7324","weight":0.13151,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f78f6ad6ba29001dff956f","weight":0.10335,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6592458474c3150022d2d9a0","weight":0.09678,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d4d9418da2e1001c12f18d","source":"ideaofintellection","title":"ナスカの地上絵","excerpt":"[https://scrapbox.io/files/64df0041532f21001ca3e3cf.png]","text":"ナスカの地上絵\n[https://scrapbox.io/files/64df0041532f21001ca3e3cf.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8A%E3%82%B9%E3%82%AB%E3%81%AE%E5%9C%B0%E4%B8%8A%E7%B5%B5","updated":1692336216,"position":[-61.5751,24.8529,-104.7791],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04241,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64d4d967a6fc51001cf11385","source":"ideaofintellection","title":"Hegel","excerpt":"ドイツの哲学者。 ドイツ観念論の完成者。 絶対精神が弁証法的に自己展開していくとき，対自的に自然において自己を外化し，さらにそれを止揚して精神が真の精神として自己に還帰するとき，芸術，宗教が成立する。 こうした絶対精神を学的に把握するのが哲学である。","text":"Hegel\nドイツの哲学者。 ドイツ観念論の完成者。 絶対精神が弁証法的に自己展開していくとき，対自的に自然において自己を外化し，さらにそれを止揚して精神が真の精神として自己に還帰するとき，芸術，宗教が成立する。 こうした絶対精神を学的に把握するのが哲学である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Hegel","updated":1691670895,"position":[17.6189,84.7327,-3.1044],"cluster":"c22","subgroup":"c22.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09462,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633ab9f405b350024108f70","weight":0.09462,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d4d9c04f19ce001ba987c2","source":"ideaofintellection","title":"sensation","excerpt":"a general feeling caused by something that happens to you, especially a feeling that you cannot describe exactly","text":"sensation\na general feeling caused by something that happens to you, especially a feeling that you cannot describe exactly\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/sensation","updated":1691671002,"position":[-14.6234,6.8319,31.1203],"cluster":"c07","subgroup":"c07.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10734,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6499abbcaf32bb001bf12a45","weight":0.10734,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64d59848686198001b695f32","source":"ideaofintellection","title":"primitive","excerpt":"原始の、太古の、初期の、根源の、未発達な、粗野な","text":"primitive\n原始の、太古の、初期の、根源の、未発達な、粗野な","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/primitive","updated":1691719769,"position":[-60.5768,51.3089,-119.786],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03225,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64df00775fbd45001ccae03d","source":"ideaofintellection","title":"ピラミッド","excerpt":"[https://scrapbox.io/files/64df007ed5bcf3001bdc1ab8.png]","text":"ピラミッド\n[https://scrapbox.io/files/64df007ed5bcf3001bdc1ab8.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%83%A9%E3%83%9F%E3%83%83%E3%83%89","updated":1692437557,"position":[16.8283,-147.8631,90.6284],"cluster":"c42","subgroup":"c42.01","degree":3,"referenceDegree":0,"maxSimilarity":0.5862,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a3d5b99b83671ec9ce95898","weight":0.5862,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e4bbcf270ea001c386c34","weight":0.09743,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655641a60f68a2001bd8f5e4","weight":0.08761,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e31f06586a58001c4ba898","source":"ideaofintellection","title":"思弁的物理学","excerpt":"物体を扱う物理学ではなく、「あらゆるものについての物理学」","text":"思弁的物理学\n物体を扱う物理学ではなく、「あらゆるものについての物理学」\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%80%9D%E5%BC%81%E7%9A%84%E7%89%A9%E7%90%86%E5%AD%A6","updated":1692606225,"position":[-24.2108,-73.5226,10.6139],"cluster":"c27","subgroup":"c27.01","degree":9,"referenceDegree":0,"maxSimilarity":0.16431,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e327003a9822001b6c6195","weight":0.16431,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e69ca1982b002230d4f0","weight":0.12623,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3226e10a265001b5ab028","weight":0.11967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3676dcfdc9001c38236a","weight":0.10647,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1349586a324084529fa7a8","weight":0.09805,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:651a52d3c7c61c001ee9a874","weight":0.09471,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64e4451107558600205ef232","weight":0.08892,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65cd8e87515001c775c43","weight":0.08829,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e31f5fe6ee87001cf28f0b","source":"ideaofintellection","title":"形而上学的概念","excerpt":"生命ならざるものはたいていの場合、時間や儚さ、形相や因果性、魂や内在といった形而上学的概念","text":"形而上学的概念\n生命ならざるものはたいていの場合、時間や儚さ、形相や因果性、魂や内在といった形而上学的概念\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%BD%A2%E8%80%8C%E4%B8%8A%E5%AD%A6%E7%9A%84%E6%A6%82%E5%BF%B5","updated":1692606318,"position":[-25.0271,-72.3738,9.0566],"cluster":"c27","subgroup":"c27.01","degree":5,"referenceDegree":0,"maxSimilarity":0.24102,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67c808cdda60c5aa759be379","weight":0.24102,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67c80910e7aceb215cc2757b","weight":0.24102,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6493055b76e8d9001c39a6e0","weight":0.22877,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3226e10a265001b5ab028","weight":0.0921,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499a49f2582d2001bb0ce1b","weight":0.09143,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e31fe1ed339b001cc37ac7","source":"ideaofintellection","title":"Vibrant Matter","excerpt":"同書では、人間関係から物体へ、「活きた物質（vibrant matter）」への移行が論じられており、生物と無生物、人間の身体と非人間の身体の間をまたがる存在として位置づけられている。","text":"Vibrant Matter\n同書では、人間関係から物体へ、「活きた物質（vibrant matter）」への移行が論じられており、生物と無生物、人間の身体と非人間の身体の間をまたがる存在として位置づけられている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Vibrant%20Matter","updated":1692606461,"position":[-31.4168,18.5175,-101.197],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08384,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64e3200d7513dc001cf3665e","source":"ideaofintellection","title":"思弁的自然主義（speculative naturalism）","excerpt":"自然は自らの無限に生産的な「活きた」基盤についての洞察を与えうるとされ、彼はそれを能産的自然（natura naturans）と同定している。","text":"思弁的自然主義（speculative naturalism）\n自然は自らの無限に生産的な「活きた」基盤についての洞察を与えうるとされ、彼はそれを能産的自然（natura naturans）と同定している。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%80%9D%E5%BC%81%E7%9A%84%E8%87%AA%E7%84%B6%E4%B8%BB%E7%BE%A9%EF%BC%88speculative%20naturalism%EF%BC%89","updated":1692606488,"position":[-23.6638,-73.9019,10.0133],"cluster":"c27","subgroup":"c27.01","degree":2,"referenceDegree":0,"maxSimilarity":0.61557,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3669e32df30001c84f576","weight":0.61557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e31f06586a58001c4ba898","weight":0.08643,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e3226e10a265001b5ab028","source":"ideaofintellection","title":"思弁的実在論","excerpt":"思弁的実在論（しべんてきじつざいろん、英: speculative realism）は、現代哲学の運動の一つである。これまで支配的だったポスト・カント哲学に反旗を翻し、形而上学的実在論（あるいは相関主義（correlationism））に対する立場を緩やかに共有していること","text":"思弁的実在論\n思弁的実在論（しべんてきじつざいろん、英: speculative realism）は、現代哲学の運動の一つである。これまで支配的だったポスト・カント哲学に反旗を翻し、形而上学的実在論（あるいは相関主義（correlationism））に対する立場を緩やかに共有していること\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%80%9D%E5%BC%81%E7%9A%84%E5%AE%9F%E5%9C%A8%E8%AB%96","updated":1692607144,"position":[-24.9049,-73.081,10.0341],"cluster":"c27","subgroup":"c27.01","degree":3,"referenceDegree":0,"maxSimilarity":0.56397,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1349586a324084529fa7a8","weight":0.56397,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e31f06586a58001c4ba898","weight":0.11967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e31f5fe6ee87001cf28f0b","weight":0.0921,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e324ff3f8c71001cae43f4","source":"ideaofintellection","title":"magic orchestra","excerpt":"テクノミュージック","text":"magic orchestra\nテクノミュージック","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/magic%20orchestra","updated":1692607829,"position":[47.4756,-52.0481,33.8332],"cluster":"c02","subgroup":"c02.01","degree":8,"referenceDegree":0,"maxSimilarity":0.46427,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bd564e384fa00025fa6ad1","weight":0.46427,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.34371,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65079f15b7700f001cf67f7c","weight":0.15979,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655644f42a5dbe001cfb58d1","weight":0.14644,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6722f19006feb56bffc342e4","weight":0.1326,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a0a2ea7e2b001c281c79","weight":0.11205,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.10469,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580070b0107940025468deb","weight":0.09921,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e325c010b6db001bcd5ba1","source":"ideaofintellection","title":"ムックリ","excerpt":"小さな弁の音を口の中で響かせて鳴らす「口琴」と呼ばれる楽器のひとつ。","text":"ムックリ\n小さな弁の音を口の中で響かせて鳴らす「口琴」と呼ばれる楽器のひとつ。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A0%E3%83%83%E3%82%AF%E3%83%AA","updated":1692607946,"position":[28.9481,-77.7793,41.3746],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07108,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64e326031b9cbb001c989d7e","source":"ideaofintellection","title":"日月神示","excerpt":"敗戦を超える世の立替えは2020年前後みたいな","text":"日月神示\n敗戦を超える世の立替えは2020年前後みたいな\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%97%A5%E6%9C%88%E7%A5%9E%E7%A4%BA","updated":1692608019,"position":[-9.4702,-193.5481,16.2584],"cluster":"c37","subgroup":"c37.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11881,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659395aec1f2710023d93b45","weight":0.11881,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64d0b29c2f6bf8001c17ef66","weight":0.08938,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e326351c7d0c001c395248","source":"ideaofintellection","title":"y染色体ハプログループ d1a2a","excerpt":"3.5-4万年ほど前に日本列島で誕生したと考えられ、現在日本人の3割ないし4割がこのハプログループに属している。","text":"y染色体ハプログループ d1a2a\n3.5-4万年ほど前に日本列島で誕生したと考えられ、現在日本人の3割ないし4割がこのハプログループに属している。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/y%E6%9F%93%E8%89%B2%E4%BD%93%E3%83%8F%E3%83%97%E3%83%AD%E3%82%B0%E3%83%AB%E3%83%BC%E3%83%97%20d1a2a","updated":1692608127,"position":[-32.6083,-71.4442,65.0082],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09144,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6082f21e5aa6c5d8303307","weight":0.09144,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a508ab0c2de001bf2159d","weight":0.0873,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e326a966895b001b20c861","source":"ideaofintellection","title":"2001年宇宙の旅　HAL","excerpt":"HAL 9000は、SF小説およびSF映画の『2001年宇宙の旅』『2010年宇宙の旅』などに登場する、人工知能を備えた架空のコンピュータである","text":"2001年宇宙の旅　HAL\nHAL 9000は、SF小説およびSF映画の『2001年宇宙の旅』『2010年宇宙の旅』などに登場する、人工知能を備えた架空のコンピュータである\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/2001%E5%B9%B4%E5%AE%87%E5%AE%99%E3%81%AE%E6%97%85%E3%80%80HAL","updated":1692608200,"position":[14.6839,-36.6555,20.5919],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12227,"lowEvidence":false,"neighbors":[{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.12227,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e327003a9822001b6c6195","source":"ideaofintellection","title":"Anti-gravity","excerpt":"反重力（はんじゅうりょく、英: Anti-Gravity）は、物質・物体に加わる重力を無効にしたり、調節したりする、とされる架空の技術である。 現実の物理学では一般に不可能と考えられてきたもので、多くはSF作品に宇宙航行の基礎技術として登場する。","text":"Anti-gravity\n反重力（はんじゅうりょく、英: Anti-Gravity）は、物質・物体に加わる重力を無効にしたり、調節したりする、とされる架空の技術である。 現実の物理学では一般に不可能と考えられてきたもので、多くはSF作品に宇宙航行の基礎技術として登場する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Anti-gravity","updated":1692608283,"position":[-23.9422,-73.2828,10.5774],"cluster":"c27","subgroup":"c27.01","degree":1,"referenceDegree":0,"maxSimilarity":0.16431,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e31f06586a58001c4ba898","weight":0.16431,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e3276142055b001b95348f","source":"ideaofintellection","title":"jayabaya","excerpt":"Jayabhaya or Jayabaya was the Javanese King of the Kediri Kingdom in East Java, Indonesia which ruled around 1135-1159 CE.","text":"jayabaya\nJayabhaya or Jayabaya was the Javanese King of the Kediri Kingdom in East Java, Indonesia which ruled around 1135-1159 CE.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/jayabaya","updated":1692608363,"position":[-42.2468,74.6242,64.4931],"cluster":"c20","subgroup":"c20.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13411,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65726358ffc3180024d1e1f4","weight":0.13411,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e3669e32df30001c84f576","source":"ideaofintellection","title":"能産的自然（natura naturans）","excerpt":"レオン・ニーモチンスキーは著書『Charles Sanders Peirce and a Religious Metaphysics of Nature』にて「思弁的自然主義（speculative naturalism）」と呼ばれる概念を提起し、自然は自らの無限に生産的な「活きた」基盤についての洞察を与えうるとされ、彼はそれを能産的自然（natura naturans）と同定している。","text":"能産的自然（natura naturans）\nレオン・ニーモチンスキーは著書『Charles Sanders Peirce and a Religious Metaphysics of Nature』にて「思弁的自然主義（speculative naturalism）」と呼ばれる概念を提起し、自然は自らの無限に生産的な「活きた」基盤についての洞察を与えうるとされ、彼はそれを能産的自然（natura naturans）と同定している。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%83%BD%E7%94%A3%E7%9A%84%E8%87%AA%E7%84%B6%EF%BC%88natura%20naturans%EF%BC%89","updated":1692624564,"position":[-23.4953,-74.0217,9.8182],"cluster":"c27","subgroup":"c27.01","degree":1,"referenceDegree":0,"maxSimilarity":0.61557,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3200d7513dc001cf3665e","weight":0.61557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e36dbfa20773001cd3164d","source":"ideaofintellection","title":"Zipf則","excerpt":"ジップの法則（Zipf's law）とは、単語の出現頻度を集計し、その順位が、第 k 位だった場合、その単語の頻度が 第 1 位の単語の出現頻度のほぼ 1/k であるという経験則","text":"Zipf則\nジップの法則（Zipf's law）とは、単語の出現頻度を集計し、その順位が、第 k 位だった場合、その単語の頻度が 第 1 位の単語の出現頻度のほぼ 1/k であるという経験則\n月面クレーターの中でn番目に大きい面積は1番大きいクレーターの面積の1/nになるなど、あらゆる事例でジップの法則が成り立つ。\n[https://scrapbox.io/files/64e36e37f48f79001bb5d4f5.png]\n\nhttps://www.u-tokyo.ac.jp/biblioplaza/ja/G_00224.html\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Zipf%E5%89%87","updated":1692626614,"position":[-29.3961,25.0543,-127.2113],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07047,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64e36df1953e4b001c4162da","source":"ideaofintellection","title":"冪乗則","excerpt":"「ある観測量Yが別の観測量Xのべき乗に比例する（ Y = a X k ）」という関係のことで、言葉にすると難しく感じますが、社会生活・自然界において実は馴染みの深いものでもあります。","text":"冪乗則\n「ある観測量Yが別の観測量Xのべき乗に比例する（ Y = a X k ）」という関係のことで、言葉にすると難しく感じますが、社会生活・自然界において実は馴染みの深いものでもあります。\n[https://scrapbox.io/files/64e36e125dd16d001bbaa114.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%86%AA%E4%B9%97%E5%89%87","updated":1692626453,"position":[20.1768,-38.8342,90.4801],"cluster":"c14","subgroup":"c14.01","degree":1,"referenceDegree":0,"maxSimilarity":0.17563,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af1069c0f238001dd2def1","weight":0.17563,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e36ec183ce2b001b3afd63","source":"ideaofintellection","title":"Heaps則","excerpt":"H. S. Heaps は、情報検索の観点から、総単語数Nである文書に対し、その文書中に現れる異なり語数D は、","text":"Heaps則\nH. S. Heaps は、情報検索の観点から、総単語数Nである文書に対し、その文書中に現れる異なり語数D は、\nN の増加に伴い非線形に増加することを示した。\nhttps://www.jstage.jst.go.jp/article/jkg/70/2/70_87/_pdf","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Heaps%E5%89%87","updated":1692626818,"position":[18.3136,-69.1255,-0.1606],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.107,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb57003dd10d001c1caee8","weight":0.107,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e36fab83ce2b001b3b0784","source":"ideaofintellection","title":"統計的自己相似性","excerpt":"同一対象について時間や空間的に異なるスケール(分解能)で計測された統計が同じ分布族に従い、分布やモーメント等の統計的性質が計測スケールに関して相似である場合を指す","text":"統計的自己相似性\n同一対象について時間や空間的に異なるスケール(分解能)で計測された統計が同じ分布族に従い、分布やモーメント等の統計的性質が計測スケールに関して相似である場合を指す\n[https://scrapbox.io/files/64e36fc275a4e4001c16d18c.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%B5%B1%E8%A8%88%E7%9A%84%E8%87%AA%E5%B7%B1%E7%9B%B8%E4%BC%BC%E6%80%A7","updated":1692626887,"position":[14.473,67.161,41.0553],"cluster":"c08","subgroup":"c08.01","degree":1,"referenceDegree":0,"maxSimilarity":0.14053,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c212ae4424e00024a3d32c","weight":0.14053,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e370e05e3839001b53d950","source":"ideaofintellection","title":"収斂 しゅうれん","excerpt":"縮むこと。縮めること。収縮。","text":"収斂 しゅうれん\n縮むこと。縮めること。収縮。\nあつめ、ひきしめること。\nまた比喩的に、多くの要素・条件などがある一つのものに集約すること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%8F%8E%E6%96%82%20%E3%81%97%E3%82%85%E3%81%86%E3%82%8C%E3%82%93","updated":1722889644,"position":[9.308,-76.998,36.2321],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.16598,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d6f26063d9500243a7cd5","weight":0.16598,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a6defb531b0024f0d472","weight":0.09531,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e3716ae32972001b518783","source":"ideaofintellection","title":"メタ倫理学","excerpt":"メタ倫理学（metaethics）とは、「～べき」といった規範的な議論ではなく、倫理学で使われる用語、概念がそもそも何を意味するのか、どのように定義すべきかといった本質的・抽象的な議論をする倫理学の一分野のことです。","text":"メタ倫理学\nメタ倫理学（metaethics）とは、「～べき」といった規範的な議論ではなく、倫理学で使われる用語、概念がそもそも何を意味するのか、どのように定義すべきかといった本質的・抽象的な議論をする倫理学の一分野のことです。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%82%BF%E5%80%AB%E7%90%86%E5%AD%A6","updated":1692627316,"position":[30.2483,0.4017,-12.9802],"cluster":"c18","subgroup":"c18.01","degree":2,"referenceDegree":0,"maxSimilarity":0.24229,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e375e5d0cf7e001bc33b4d","weight":0.24229,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678945574b266fff83284d4f","weight":0.1327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e3725841b34e001b15a4a2","source":"ideaofintellection","title":"Cathedral view","excerpt":"自然を「大聖堂」（のようなもの）と見る見方）審美的価値","text":"Cathedral view\n自然を「大聖堂」（のようなもの）と見る見方）審美的価値\nhttps://www.edu.shiga-u.ac.jp/dept/e_ph/dia/nonanthropoorg.html","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Cathedral%20view","updated":1692627580,"position":[-24.5527,-71.0966,8.4115],"cluster":"c27","subgroup":"c27.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09215,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6499a49f2582d2001bb0ce1b","weight":0.09215,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e3741c83ce2b001b3b2a89","source":"ideaofintellection","title":"メタスタビリティー metastability","excerpt":"物理・化学用語で、準安定性。比較的長い寿命をもつ励起状態の安定性。","text":"メタスタビリティー metastability\n物理・化学用語で、準安定性。比較的長い寿命をもつ励起状態の安定性。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%82%BF%E3%82%B9%E3%82%BF%E3%83%93%E3%83%AA%E3%83%86%E3%82%A3%E3%83%BC%20metastability","updated":1692628016,"position":[-22.8554,-71.8874,64.0547],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.25573,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6499a39db7c14a001bff0774","weight":0.25573,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9f213ac50e1ad4b3c40e7","weight":0.1204,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66471de9675d91001c2cf435","weight":0.0856,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e3748d5cb0df001bc718b5","source":"ideaofintellection","title":"アプリオリ","excerpt":"アプリオリとは、「より先のものから」を意味するラテン語表現。中世スコラ学においては「原因・原理から始める演繹的な」という意味で用いられていたが、カント以降は「経験に先立つ先天的・生得的・先験的な」という意味で用いられるようになった。","text":"アプリオリ\nアプリオリとは、「より先のものから」を意味するラテン語表現。中世スコラ学においては「原因・原理から始める演繹的な」という意味で用いられていたが、カント以降は「経験に先立つ先天的・生得的・先験的な」という意味で用いられるようになった。\n哲学における今日的な一般的用法としては、アプリオリとは、「演繹的証明の必要のない自明的な事柄」という意味で使われることが多い。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%97%E3%83%AA%E3%82%AA%E3%83%AA","updated":1728009899,"position":[2.454,-76.0824,34.5951],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.54894,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c5639777488900235c0b86","weight":0.54894,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55a68b42dde0024be8115","weight":0.10941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e3750e229416001b3b27ef","source":"ideaofintellection","title":"プラグマティズム","excerpt":"プラグマティズム」とは、ギリシア語で「行動」や「実践」を意味する「プラグマ」に由来して生まれた言葉で、物事の真理を「理論や信念からはなく、行動の結果によって判断しよう」という思想です。 日本語では、「実用主義」「実際主義」「行為主義」などと訳されています。","text":"プラグマティズム\nプラグマティズム」とは、ギリシア語で「行動」や「実践」を意味する「プラグマ」に由来して生まれた言葉で、物事の真理を「理論や信念からはなく、行動の結果によって判断しよう」という思想です。 日本語では、「実用主義」「実際主義」「行為主義」などと訳されています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%97%E3%83%A9%E3%82%B0%E3%83%9E%E3%83%86%E3%82%A3%E3%82%BA%E3%83%A0","updated":1692628246,"position":[2.1788,-78.7549,35.8933],"cluster":"c01","subgroup":"c01.03","degree":4,"referenceDegree":0,"maxSimilarity":0.22117,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656cb69b53df350023f68ec8","weight":0.22117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65224abace56d4001cd91e15","weight":0.14054,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a27a33fd6027001cb7e6d2","weight":0.09765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdedfedb81b7001da71eff","weight":0.09114,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e375e5d0cf7e001bc33b4d","source":"ideaofintellection","title":"メタ","excerpt":"単に「一段上位の、より包括的な」といった意味のものであるのに対して、ここで言うものは、 ― まさしく通常の「メタ倫理学」の「メタ」と同様に ― 倫理的言明（見解）に対して、「それを「対象」として、それに分析を加える」ということ","text":"メタ\n単に「一段上位の、より包括的な」といった意味のものであるのに対して、ここで言うものは、 ― まさしく通常の「メタ倫理学」の「メタ」と同様に ― 倫理的言明（見解）に対して、「それを「対象」として、それに分析を加える」ということ\nhttps://www.edu.shiga-u.ac.jp/dept/e_ph/dia/nonanthropoorg.html\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%82%BF","updated":1692628481,"position":[30.6553,-0.1466,-13.3701],"cluster":"c18","subgroup":"c18.01","degree":8,"referenceDegree":0,"maxSimilarity":0.24229,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3716ae32972001b518783","weight":0.24229,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640af70376c71a001cb7fdbd","weight":0.12521,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640af6c2c126f8001c6c2417","weight":0.11329,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54a82bf88df0025b66dc4","weight":0.10325,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631db0824943a00247bae91","weight":0.09867,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b77ced5f8570002460678f","weight":0.08964,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559a62b390d1b001c02ebab","weight":0.08869,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54b970e911f002343962c","weight":0.08715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e376b975a4e4001c170a6b","source":"ideaofintellection","title":"ガイア理論","excerpt":"ガイア理論またはガイア仮説とは、生物は地球と相互に関係し合い、自身の生存に適した環境を維持するための自己制御システムを作り上げているとする仮説。また、そのシステムをある種の「巨大な生命体」と見なす仮説である。","text":"ガイア理論\nガイア理論またはガイア仮説とは、生物は地球と相互に関係し合い、自身の生存に適した環境を維持するための自己制御システムを作り上げているとする仮説。また、そのシステムをある種の「巨大な生命体」と見なす仮説である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AC%E3%82%A4%E3%82%A2%E7%90%86%E8%AB%96","updated":1692628677,"position":[36.9913,110.2647,12.4011],"cluster":"c25","subgroup":"c25.01","degree":2,"referenceDegree":0,"maxSimilarity":0.18733,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64e4449841b34e001b1f32d3","weight":0.18733,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640aea8249e5a0001cb9bd39","weight":0.13394,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e383748b4729001b956a91","source":"ideaofintellection","title":"固有感覚","excerpt":"固有感覚とは、関節や筋、腱の動きを検出する、体の位置や動き、力に関する感覚のことです。 筋や腱の受容器には、筋紡錘とゴルジ腱器官があり、関節の動きに関する受容器には、関節包にあるルフィニ小体などが挙げられます。","text":"固有感覚\n固有感覚とは、関節や筋、腱の動きを検出する、体の位置や動き、力に関する感覚のことです。 筋や腱の受容器には、筋紡錘とゴルジ腱器官があり、関節の動きに関する受容器には、関節包にあるルフィニ小体などが挙げられます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%9B%BA%E6%9C%89%E6%84%9F%E8%A6%9A","updated":1692631935,"position":[-44.7066,50.0211,-115.6693],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.15838,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64a18517d12417001caf6037","weight":0.15838,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e38c3bd0cf7e001bc3ef5f","source":"ideaofintellection","title":"レムリア","excerpt":"「レムリア」とは、かつてインド洋に浮かんでいたとされる幻の大陸です。 1874年にイギリスの動物学者であるフィリップ・スクレーター氏が提唱したもので、およそ1万2,000年前に海底へ沈んだ大陸だといわれています。","text":"レムリア\n「レムリア」とは、かつてインド洋に浮かんでいたとされる幻の大陸です。 1874年にイギリスの動物学者であるフィリップ・スクレーター氏が提唱したもので、およそ1万2,000年前に海底へ沈んだ大陸だといわれています。\n[https://scrapbox.io/files/64e38c7bc58191001cb16281.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%83%A0%E3%83%AA%E3%82%A2","updated":1692634240,"position":[-32.5609,24.0745,50.9295],"cluster":"c09","subgroup":"c09.02","degree":2,"referenceDegree":0,"maxSimilarity":0.09642,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a76ba247275c785f8fdf83f","weight":0.09642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6592439f89d6d4002587ee11","weight":0.08591,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e38c8b159d8c001b1bad34","source":"ideaofintellection","title":"アトランティス","excerpt":"アトランティス（古代ギリシア語: Ατλαντίς）は、古代ギリシアの哲学者プラトンの著書『ティマイオス』及び『クリティアス』の中で記述された伝説上の広大な島、及びそこに繁栄したとされる帝国。 プラトンの時代の9000年前に海中に没したと記述されている。","text":"アトランティス\nアトランティス（古代ギリシア語: Ατλαντίς）は、古代ギリシアの哲学者プラトンの著書『ティマイオス』及び『クリティアス』の中で記述された伝説上の広大な島、及びそこに繁栄したとされる帝国。 プラトンの時代の9000年前に海中に没したと記述されている。\n[https://scrapbox.io/files/64e38cccd0cf7e001bc3f485.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%88%E3%83%A9%E3%83%B3%E3%83%86%E3%82%A3%E3%82%B9","updated":1692634321,"position":[33.4137,-60.1346,-39.6163],"cluster":"c26","subgroup":"c26.01","degree":5,"referenceDegree":0,"maxSimilarity":0.16185,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559ef6a9f5cc5001b7fac92","weight":0.16185,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d2aafe72a4fd0025276c66","weight":0.14577,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf5faee597210027980d3c","weight":0.11256,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658ed1150051c6002598dd5e","weight":0.1056,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee4a9832d2000259ae99b","weight":0.08507,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e38d07b688f0001c9ab00d","source":"ideaofintellection","title":"テスラコイル","excerpt":"テスラはセルビア出身の米国人発明家・研究者で，交流機器の基礎となる回転磁場を考案した。 発電機や変圧器，モーターなど，多くの機器はこの基礎の上にある。 また，電子機器に広く使われている高電圧誘導コイル「テスラコイル」を発明した。","text":"テスラコイル\nテスラはセルビア出身の米国人発明家・研究者で，交流機器の基礎となる回転磁場を考案した。 発電機や変圧器，モーターなど，多くの機器はこの基礎の上にある。 また，電子機器に広く使われている高電圧誘導コイル「テスラコイル」を発明した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%82%B9%E3%83%A9%E3%82%B3%E3%82%A4%E3%83%AB","updated":1692634400,"position":[-48.1298,40.6392,-146.4694],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04327,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64e38d64181050001c65ce9c","source":"ideaofintellection","title":"マンハッタン計画","excerpt":"「アインシュタインが原爆を作るようにルーズベルト大統領に手紙を出したことが、核兵器製造の発端だった」とよく言われます。しかし、この手紙が大統領に届けられてから実際の原爆開発・製造のマンハッタン計画につながる経緯は、それほど単純ではありませんでした。この経緯を正確に捉えることは、科学と政治、科学者と政治家の関係についての正しい教訓を引き出すためにも大事な、今日的な問題です。","text":"マンハッタン計画\n「アインシュタインが原爆を作るようにルーズベルト大統領に手紙を出したことが、核兵器製造の発端だった」とよく言われます。しかし、この手紙が大統領に届けられてから実際の原爆開発・製造のマンハッタン計画につながる経緯は、それほど単純ではありませんでした。この経緯を正確に捉えることは、科学と政治、科学者と政治家の関係についての正しい教訓を引き出すためにも大事な、今日的な問題です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%B3%E3%83%8F%E3%83%83%E3%82%BF%E3%83%B3%E8%A8%88%E7%94%BB","updated":1692634568,"position":[-25.8744,-75.9042,65.4661],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.15357,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662bd0d9c46f470025cbbe12","weight":0.15357,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:654136c44c9563001c039c49","weight":0.10477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af8f18163b20001c67ca02","weight":0.0996,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e38f3183ce2b001b3c3faa","source":"ideaofintellection","title":"玉の緒","excerpt":"少し。 しばらく。 短いことのたとえ。 一緒に寝たのは短いあいだだけだったのに、恋いこがれていることは富士の山の鳴沢の（岩の音の）よう（に激しいもの）だ。","text":"玉の緒\n少し。 しばらく。 短いことのたとえ。 一緒に寝たのは短いあいだだけだったのに、恋いこがれていることは富士の山の鳴沢の（岩の音の）よう（に激しいもの）だ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%8E%89%E3%81%AE%E7%B7%92","updated":1692635014,"position":[-56.9484,18.3177,-152.9446],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04796,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64e38ffc42055b001b998e22","source":"ideaofintellection","title":"ヘブライ語","excerpt":"平仮名のルーツとなる古ヘブライ・アラム文字、平仮名のルーツとなる古ヘブライ・アラム文字","text":"ヘブライ語\n平仮名のルーツとなる古ヘブライ・アラム文字、平仮名のルーツとなる古ヘブライ・アラム文字\nhttps://www.historyjp.com/dictionary/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%83%96%E3%83%A9%E3%82%A4%E8%AA%9E","updated":1692635166,"position":[-1.4564,-77.2664,54.0088],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.14775,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3903c5dd16d001bbc1514","weight":0.14775,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e3903c5dd16d001bbc1514","source":"ideaofintellection","title":"emet","excerpt":"ヘブライ語で真理","text":"emet\nヘブライ語で真理\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/emet","updated":1692635208,"position":[-1.6228,-77.1136,53.9853],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.16173,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67b4404c4d289009271fcc26","weight":0.16173,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e38ffc42055b001b998e22","weight":0.14775,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67b43f422477164b5907984c","weight":0.13424,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e3913a78910c001cc604e3","source":"ideaofintellection","title":"eme","excerpt":"フランス語で愛する","text":"eme \nフランス語で愛する\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/eme","updated":1692635456,"position":[12.9983,-53.0027,68.3111],"cluster":"c12","subgroup":"c12.01","degree":22,"referenceDegree":0,"maxSimilarity":0.25992,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.25992,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6584052d8b2b790024dc7bee","weight":0.21596,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c628b131de92001c5dd4d0","weight":0.17622,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649be15bbb3a70001c0e2830","weight":0.16042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bc7ad002fa7001c7b2b38","weight":0.15853,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559faa5f37f1c001b03122f","weight":0.15707,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559f99ec7ba14001baf3c94","weight":0.15458,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556416eb44e70001b254bd0","weight":0.1371,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e391543bf60b001c3850ef","source":"ideaofintellection","title":"八鏡化美津文字 カタカムナ文字","excerpt":"日本にはその昔、八鏡化美津文字を使う極めて知的水準の高い. 種族がいて、この種族はアシア族と呼ばれ、アジアという名称","text":"八鏡化美津文字 カタカムナ文字\n[https://scrapbox.io/files/64e391f3f48f79001bb76f3e.png]\n\n日本にはその昔、八鏡化美津文字を使う極めて知的水準の高い. 種族がいて、この種族はアシア族と呼ばれ、アジアという名称\nhttps://plaza.rakuten.co.jp/phoenix3/diary/201009150000/\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%85%AB%E9%8F%A1%E5%8C%96%E7%BE%8E%E6%B4%A5%E6%96%87%E5%AD%97%20%E3%82%AB%E3%82%BF%E3%82%AB%E3%83%A0%E3%83%8A%E6%96%87%E5%AD%97","updated":1692635741,"position":[-35.6275,25.7884,-97.5524],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.30712,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64e44301181050001c6e80b4","weight":0.30712,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e392766c803b001c7b5222","source":"ideaofintellection","title":"五輪書","excerpt":"江戸初期の兵法書。 二天一流の流祖宮本武蔵の著。 仏教の〈五大〉，地水火風空にかたどって5巻に分かれ，地の巻は兵法の大意，水の巻は兵法の利，火の巻は合戦の理，風の巻は他流の評論，空の巻は兵法の奥義について述べている。","text":"五輪書\n江戸初期の兵法書。 二天一流の流祖宮本武蔵の著。 仏教の〈五大〉，地水火風空にかたどって5巻に分かれ，地の巻は兵法の大意，水の巻は兵法の利，火の巻は合戦の理，風の巻は他流の評論，空の巻は兵法の奥義について述べている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%94%E8%BC%AA%E6%9B%B8","updated":1692635779,"position":[-61.0746,47.5834,-108.6725],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0621,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64e39adef24c6e001c4633be","source":"ideaofintellection","title":"みちやふち","excerpt":"「淡雪の中にたちたる三千大千世界（みちあふち）. またその中にあわ雪ぞ降る」","text":"みちやふち\n 「淡雪の中にたちたる三千大千世界（みちあふち）. またその中にあわ雪ぞ降る」\n良寛\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%81%BF%E3%81%A1%E3%82%84%E3%81%B5%E3%81%A1","updated":1693285589,"position":[7.8109,-77.564,36.021],"cluster":"c01","subgroup":"c01.02","degree":5,"referenceDegree":0,"maxSimilarity":0.11278,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a213eaad2d1b002324e420","weight":0.11278,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c21080e1bbea00263baf6e","weight":0.10569,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559d9ba72a805001b496f03","weight":0.1,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d6f26063d9500243a7cd5","weight":0.09207,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559f002956b98001c907991","weight":0.09077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e442efbf2d22001b96c8a1","source":"ideaofintellection","title":"陰陽","excerpt":"陰陽（いんよう・おんよう・おんみょう、拼音: yīnyáng、英: yin - yang)、中国の思想に端を発し、森羅万象、宇宙のありとあらゆる事物をさまざまな観点から陽（よう）と陰（いん）の二つのカテゴリに分類する思想。陽と陰とは互いに対立する属性を持った二つの気であり、万物の生成消滅と言った変化はこの二気によって起こるとされる","text":"陰陽\n陰陽（いんよう・おんよう・おんみょう、拼音: yīnyáng、英: yin - yang)、中国の思想に端を発し、森羅万象、宇宙のありとあらゆる事物をさまざまな観点から陽（よう）と陰（いん）の二つのカテゴリに分類する思想。陽と陰とは互いに対立する属性を持った二つの気であり、万物の生成消滅と言った変化はこの二気によって起こるとされる\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%99%B0%E9%99%BD","updated":1692680984,"position":[4.0823,-80.4741,35.9701],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09573,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559e40c9ed79f001bdcd155","weight":0.09573,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e44301181050001c6e80b4","source":"ideaofintellection","title":"カタカムナ　ウタヒ","excerpt":"「カタカムナ神社」の御神体の巻物を楢崎氏に見せた。","text":"カタカムナ　ウタヒ\n「カタカムナ神社」の御神体の巻物を楢崎氏に見せた。\nこれが、「カタカムナ　ウタヒ　８０首」で、渦巻き状に綴られた幾何学的な文字であった。\nhttps://life3.drone-k.com/%E3%80%8C日本%E3%80%8Dのルーツを考える%E3%80%82カタカムナウタヒが/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%82%BF%E3%82%AB%E3%83%A0%E3%83%8A%E3%80%80%E3%82%A6%E3%82%BF%E3%83%92","updated":1692681142,"position":[-36.3004,24.1778,-99.6635],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.30712,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64e391543bf60b001c3850ef","weight":0.30712,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e443edb55aaf001c04c28c","weight":0.15576,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e443edb55aaf001c04c28c","source":"ideaofintellection","title":"カムの世界","excerpt":"カタカムナでは潜象界のことを「カムの世界」、そして三次元物理世界（現象界）のことを「カタの世界」と言い、全ての命や物質は「カムの世界」から生まれる段階で、質的に転換（ナ）した結果、命や物質が存在する「カタの世界」ができていくと示しています。その事を「カタ・カム・ナ」と言います。","text":"カムの世界\nカタカムナでは潜象界のことを「カムの世界」、そして三次元物理世界（現象界）のことを「カタの世界」と言い、全ての命や物質は「カムの世界」から生まれる段階で、質的に転換（ナ）した結果、命や物質が存在する「カタの世界」ができていくと示しています。その事を「カタ・カム・ナ」と言います。\n「カムの世界」は、意識レベルが低いと感受することが出来ない緻密で微細な世界\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%A0%E3%81%AE%E4%B8%96%E7%95%8C","updated":1692681228,"position":[-37.3204,21.9439,-102.7221],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.15576,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64e44301181050001c6e80b4","weight":0.15576,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e44441d0cf7e001bcc9f52","source":"ideaofintellection","title":"ホツマツタエ　あわのうた","excerpt":"『ツタヱ』は『伝え・言い伝え』であり、『ホツマツタヱ』は、『まことの中のまことの言い伝え(真の中の真の言い伝え)』の意味である。 『正式の伝記・正式の歴史書・正史』という意味となる。","text":"ホツマツタエ　あわのうた\n『ツタヱ』は『伝え・言い伝え』であり、『ホツマツタヱ』は、『まことの中のまことの言い伝え(真の中の真の言い伝え)』の意味である。 『正式の伝記・正式の歴史書・正史』という意味となる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9B%E3%83%84%E3%83%9E%E3%83%84%E3%82%BF%E3%82%A8%E3%80%80%E3%81%82%E3%82%8F%E3%81%AE%E3%81%86%E3%81%9F","updated":1692681936,"position":[-17.2885,-213.1336,76.9129],"cluster":"c46","subgroup":"c46.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1786,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6679b1c2706bb5001db5d31f","weight":0.1786,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559da10fae697001b59a92f","weight":0.10838,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e4456ae32972001b5c34ec","source":"ideaofintellection","title":"シルバーコード","excerpt":"電源？","text":"シルバーコード\n電源？\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%AB%E3%83%90%E3%83%BC%E3%82%B3%E3%83%BC%E3%83%89","updated":1692681590,"position":[30.7807,-1.7766,-14.9004],"cluster":"c18","subgroup":"c18.01","degree":3,"referenceDegree":0,"maxSimilarity":0.23834,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c54a82bf88df0025b66dc4","weight":0.23834,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659219529372b700238c7e57","weight":0.12629,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6758da5902613d1638b0dc61","weight":0.10503,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e4458eeafa60001bc3f76c","source":"ideaofintellection","title":"セシャト","excerpt":"セシャト（Seshat）は、古代エジプト神話の知恵、知識、記述を司る女神であり、様々な綴りが見られる。 名前の意味は「代書する女性」で、彼女は書記および記録保管者とみなされ、記述法を発明したとされている。 彼女はまた、会計学、建築学、天文学、占星術、数学、測量を司る女神としても認識されていた。","text":"セシャト\nセシャト（Seshat）は、古代エジプト神話の知恵、知識、記述を司る女神であり、様々な綴りが見られる。 名前の意味は「代書する女性」で、彼女は書記および記録保管者とみなされ、記述法を発明したとされている。 彼女はまた、会計学、建築学、天文学、占星術、数学、測量を司る女神としても認識されていた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BB%E3%82%B7%E3%83%A3%E3%83%88","updated":1692681625,"position":[43.5256,-43.5244,32.0362],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.31933,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e447bc42055b001ba2701f","weight":0.31933,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e445e15e3839001b5d5091","weight":0.10558,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e445b6eafa60001bc3fce8","source":"ideaofintellection","title":"神典図説","excerpt":"日本雛形論","text":"神典図説\n日本雛形論\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%A5%9E%E5%85%B8%E5%9B%B3%E8%AA%AC","updated":1692681662,"position":[-63.9318,49.2732,-131.0235],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05743,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64e445e15e3839001b5d5091","source":"ideaofintellection","title":"クヌム","excerpt":"クヌム（Khnum, Knum, Chnum, Khunemu）は、古代エジプトから伝えられている創造神の一人。","text":"クヌム\nクヌム（Khnum, Knum, Chnum, Khunemu）は、古代エジプトから伝えられている創造神の一人。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%83%8C%E3%83%A0","updated":1692681703,"position":[44.235,-44.2488,32.4572],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.20824,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e447bc42055b001ba2701f","weight":0.20824,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e4458eeafa60001bc3f76c","weight":0.10558,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbf9663ae65950731cf98","weight":0.09113,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e447bc42055b001ba2701f","source":"ideaofintellection","title":"トート","excerpt":"古代エジプト神話の知恵を司る神。","text":"トート\n古代エジプト神話の知恵を司る神。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%BC%E3%83%88","updated":1692682200,"position":[43.6948,-43.7267,32.1355],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.31933,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e4458eeafa60001bc3f76c","weight":0.31933,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e445e15e3839001b5d5091","weight":0.20824,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e9949d323bcd001c9d04e1","source":"ideaofintellection","title":"Echelon","excerpt":"エシュロン は、アメリカ合衆国を中心に構築された軍事目的の通信傍受システム。 同国の国家安全保障局 主体で運営されていると欧州連合などが指摘し、 エドワード・スノーデンの告発により、PRISMで有線データ通信さえも盗聴されていることが明らかになった一方、アメリカ合衆国連邦政府が認めたことはない。","text":"Echelon\nエシュロン は、アメリカ合衆国を中心に構築された軍事目的の通信傍受システム。 同国の国家安全保障局 主体で運営されていると欧州連合などが指摘し、 エドワード・スノーデンの告発により、PRISMで有線データ通信さえも盗聴されていることが明らかになった一方、アメリカ合衆国連邦政府が認めたことはない。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Echelon","updated":1693029545,"position":[71.5686,-13.3887,22.5244],"cluster":"c23","subgroup":"c23.01","degree":4,"referenceDegree":0,"maxSimilarity":0.12467,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734d1dbb861b77165183433","weight":0.12467,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d71957b4c326001d0ff80a","weight":0.10737,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580077fc48041002355f4a4","weight":0.09389,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ce1664e0364b001cf42cda","weight":0.08888,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64e994ddaddff1001cc20645","source":"ideaofintellection","title":"晴天の霹靂","excerpt":"晴れ渡った空に突然起こる雷の意》急に起きる変動・大事件。 また、突然うけた衝撃。","text":"晴天の霹靂\n晴れ渡った空に突然起こる雷の意》急に起きる変動・大事件。 また、突然うけた衝撃。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%99%B4%E5%A4%A9%E3%81%AE%E9%9C%B9%E9%9D%82","updated":1693029608,"position":[-55.7591,11.4167,-94.2892],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.15225,"lowEvidence":true,"neighbors":[{"id":"NextResearch:64ce0df8a071b6001b24e419","weight":0.15225,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ed7e2ed5fbcf001cb0a397","source":"ideaofintellection","title":"phoenix","excerpt":"The phoenix bird symbolizes immortality, resurrection and life after death, and in ancient Greek and Egyptian mythology it is associated with the sun god. According to the Greeks, the bird lives in Arabia, near a cool","text":"phoenix \nThe phoenix bird symbolizes immortality, resurrection and life after death, and in ancient Greek and Egyptian mythology it is associated with the sun god. According to the Greeks, the bird lives in Arabia, near a cool \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/phoenix","updated":1693285947,"position":[8.4937,70.5309,51.2946],"cluster":"c08","subgroup":"c08.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09094,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a3d5c4b2ccbd21e97ec26cb","weight":0.09094,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f1bb3afdf802001c575dd6","source":"ideaofintellection","title":"euthymia","excerpt":"Euthymiaは、精神的・心理的に恒常性のある安定的な状態と定義され、気分の乱れがないこと、ポジティブな感情があること、心理的に柔軟であることなどを反映している。","text":"euthymia\nEuthymiaは、精神的・心理的に恒常性のある安定的な状態と定義され、気分の乱れがないこと、ポジティブな感情があること、心理的に柔軟であることなどを反映している。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/euthymia","updated":1693563719,"position":[3.2793,-79.1061,18.1901],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.11412,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64953b62f87731001ba809ea","weight":0.11412,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f1bb7bc16c6a001b30249c","source":"ideaofintellection","title":"計算機科学","excerpt":"計算機科学はコンピュータサイエンスのことであり、コンピュータを構築するための科学です。 一方計算科学は、シミュレーション科学ともいわれ、数学的モデルとその定量的評価法を構築し、計算機を駆使して科学技術上の問題を解決する学問分野です。 つまり計算科学は計算機を道具として活用して科学を進展させるものです。","text":"計算機科学\n計算機科学はコンピュータサイエンスのことであり、コンピュータを構築するための科学です。 一方計算科学は、シミュレーション科学ともいわれ、数学的モデルとその定量的評価法を構築し、計算機を駆使して科学技術上の問題を解決する学問分野です。 つまり計算科学は計算機を道具として活用して科学を進展させるものです。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%A8%88%E7%AE%97%E6%A9%9F%E7%A7%91%E5%AD%A6","updated":1693563784,"position":[14.492,-36.6674,20.2979],"cluster":"c05","subgroup":"c05.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13035,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.13035,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.12826,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312bc02875590023d95a32","weight":0.09621,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f1bc66c16c6a001b302f5b","source":"ideaofintellection","title":"超低周波音","excerpt":"一般には 1973年にパリで行なわれた国際会議の取り決めで 0.1～20Hzの周波数（→ヘルツ）の音波とされる","text":"超低周波音\n一般には 1973年にパリで行なわれた国際会議の取り決めで 0.1～20Hzの周波数（→ヘルツ）の音波とされる\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%B6%85%E4%BD%8E%E5%91%A8%E6%B3%A2%E9%9F%B3","updated":1693564017,"position":[46.7656,92.5238,14.6048],"cluster":"c25","subgroup":"c25.01","degree":3,"referenceDegree":0,"maxSimilarity":0.14383,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64a5531687651d001ce4684b","weight":0.14383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65fbd7b0b1816200256cb207","weight":0.12722,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65938737e959090026da3e3c","weight":0.09571,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f1bd406f4738001b31ebcc","source":"ideaofintellection","title":"チャープ音","excerpt":"チャープ信号（チャープしんごう）とは、時間とともに周波数が増加（「アップチャープ」）するか、時間とともに周波数が減少（「ダウンチャープ」）するような信号である。スイープ信号と同等の意味でつかわれることもある。一般的にソナー及びレーダーで使用されるが、スペクトラム拡散通信のように他の用途でも利用される。スペクトル拡散で使用する場合には、RAC (reflective array compressors)のような表面弾性波デバイスを使って生成や復調されることが多い。光学系では、光学伝送路材料の持つ分散特性によってパルス信号の分散が増加したり、減少したりすることで、超短レーザパルスがチャープ信号に変化してしまう場合もある。チャープと言う名前は英語での鳥の発するチャープ音（さえずり）がもとになっている。","text":"チャープ音\nチャープ信号（チャープしんごう）とは、時間とともに周波数が増加（「アップチャープ」）するか、時間とともに周波数が減少（「ダウンチャープ」）するような信号である。スイープ信号と同等の意味でつかわれることもある。一般的にソナー及びレーダーで使用されるが、スペクトラム拡散通信のように他の用途でも利用される。スペクトル拡散で使用する場合には、RAC (reflective array compressors)のような表面弾性波デバイスを使って生成や復調されることが多い。光学系では、光学伝送路材料の持つ分散特性によってパルス信号の分散が増加したり、減少したりすることで、超短レーザパルスがチャープ信号に変化してしまう場合もある。チャープと言う名前は英語での鳥の発するチャープ音（さえずり）がもとになっている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%81%E3%83%A3%E3%83%BC%E3%83%97%E9%9F%B3","updated":1693564252,"position":[67.4669,-15.8328,21.6297],"cluster":"c23","subgroup":"c23.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10546,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6916e910132c688a6c3257ad","weight":0.10546,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f2ed540d98d7001c478add","source":"ideaofintellection","title":"Reynolds number","excerpt":"Reynolds number is a dimensionless quantity that is used to determine the type of flow pattern as laminar or turbulent while flowing through a pipe. Reynolds number is defined by the ratio of inertial forces to that of viscous forces.","text":"Reynolds number\nReynolds number is a dimensionless quantity that is used to determine the type of flow pattern as laminar or turbulent while flowing through a pipe. Reynolds number is defined by the ratio of inertial forces to that of viscous forces.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Reynolds%20number","updated":1693642084,"position":[30.8761,-2.1299,-9.6327],"cluster":"c18","subgroup":"c18.01","degree":4,"referenceDegree":0,"maxSimilarity":0.14219,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649bdf4503e444001b120603","weight":0.14219,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bc7202651c7001bd30a7d","weight":0.11219,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64250411eb497b001b192611","weight":0.11018,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6722f662354d64c5b2892e6a","weight":0.10403,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f2ed70317b2e001c241c72","source":"ideaofintellection","title":"非ニュートン流体","excerpt":"非ニュートン流体とは、ニュートンの粘性法則に従わない流体のことです。 すなわち、流れのせん断応力が流れの速度勾配に比例しない流体のことを示します。 粘性係数が一定ではない（不安定な）流体モデルを指します。 この流体は粘性係数が流れ速度や密度などによって変化するという特徴があります。","text":"非ニュートン流体\n非ニュートン流体とは、ニュートンの粘性法則に従わない流体のことです。 すなわち、流れのせん断応力が流れの速度勾配に比例しない流体のことを示します。 粘性係数が一定ではない（不安定な）流体モデルを指します。 この流体は粘性係数が流れ速度や密度などによって変化するという特徴があります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9D%9E%E3%83%8B%E3%83%A5%E3%83%BC%E3%83%88%E3%83%B3%E6%B5%81%E4%BD%93","updated":1693642130,"position":[-24.576,-73.5978,63.9915],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12336,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55ccd0e4de2002613d6c4","weight":0.12336,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ce05e83ba0025e0c121","weight":0.11229,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f2eda5eded8a001cc569c4","source":"ideaofintellection","title":"transmutation","excerpt":"何かの形・性格・中身などを変える行為","text":"transmutation\n何かの形・性格・中身などを変える行為","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/transmutation","updated":1693642182,"position":[31.9526,-0.8957,-8.3321],"cluster":"c18","subgroup":"c18.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11903,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6789457b1e6a947a353d660b","weight":0.11903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f2ede36bc192001b3e8935","source":"ideaofintellection","title":"perpetual snow","excerpt":"万年雪","text":"perpetual snow\n万年雪\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/perpetual%20snow","updated":1693642237,"position":[-47.5561,-1.3583,-116.3625],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04583,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64f2ee1a40da45001b3b3f23","source":"ideaofintellection","title":"Polarity","excerpt":"両極性、正反対","text":"Polarity\n両極性、正反対\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Polarity","updated":1693642292,"position":[-41.5688,-2.6651,-108.8568],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12771,"lowEvidence":true,"neighbors":[{"id":"Test-Object:6a6f1a83323b3a2944ff5d96","weight":0.12771,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f2ee4d317b2e001c2425ed","source":"ideaofintellection","title":"topia","excerpt":"ラテン語で「風景画」を意味するTopiaは、革新的なデザイン概念を言語化したもので、華やかで生き生きとしたイメージを表現しています。 驚くほど自由で軽快なジュエリーひとつひとつに個性があります。 大自然の広大な風景にインスピレーションを受けたNiessing Topiaで世界一周。","text":"topia\nラテン語で「風景画」を意味するTopiaは、革新的なデザイン概念を言語化したもので、華やかで生き生きとしたイメージを表現しています。 驚くほど自由で軽快なジュエリーひとつひとつに個性があります。 大自然の広大な風景にインスピレーションを受けたNiessing Topiaで世界一周。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/topia","updated":1693642338,"position":[31.5031,-39.3645,-3.5111],"cluster":"c10","subgroup":"c10.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09765,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a8f57c6d3451002324aec0","weight":0.09765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f2ef1b702e7e001b8c79b5","source":"ideaofintellection","title":"swasti","excerpt":"Swasti is a benediction or blessing seeking the well-being of people and places. It is a declaration of faith in God and the soul. It is a standard, spiritual expression, used in social interactions and religious congregations to express one’s good intentions.","text":"swasti\nSwasti is a benediction or blessing seeking the well-being of people and places. It is a declaration of faith in God and the soul. It is a standard, spiritual expression, used in social interactions and religious congregations to express one’s good intentions.\n\nThis benediction/blessing is also expressed through its visual symbol, the swastika.  The right-armed swastika (卐) has symbolized divinity and spirituality for millennia.  But it has held diverse meanings, and has had a checkered reputation following its co-option by the Nazis so it now arouses negative sentiment in the West compared to the traditionally positive sentiment across Asia. ","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/swasti","updated":1693642528,"position":[-44.8026,102.3184,52.5931],"cluster":"c20","subgroup":"c20.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09014,"lowEvidence":false,"neighbors":[{"id":"NextResearch:651714773d0767001b1fdfb3","weight":0.09014,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f2f0d1ac23e3001c527e73","source":"ideaofintellection","title":"tranquility","excerpt":"精神的緊張や感情から自由である性質(a disposition free from stress or emotion) · 2. 平和で静かな状態(a state of peace and quiet) · 3. 安らかな状態","text":"tranquility\n精神的緊張や感情から自由である性質(a disposition free from stress or emotion) · 2. 平和で静かな状態(a state of peace and quiet) · 3. 安らかな状態","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/tranquility","updated":1693642963,"position":[-41.5259,11.4811,-96.5617],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08428,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64f2f0f0c64e90001cdbf045","source":"ideaofintellection","title":"Verdant","excerpt":"新緑の、緑におおわれた、青々した、緑色の、若い、うぶな、不慣れな、未熟な","text":"Verdant\n新緑の、緑におおわれた、青々した、緑色の、若い、うぶな、不慣れな、未熟な\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Verdant","updated":1693642997,"position":[-44.5358,-0.3111,-130.6478],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06443,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64f2f1c3eded8a001cc58e81","source":"ideaofintellection","title":"metamorphosis","excerpt":"1. : change of physical form, structure, or substance. 2. : a marked and more or less abrupt developmental change in the form or structure of an animal (as a butterfly or a frog) occurring subsequent to birth or hatching.","text":"metamorphosis\n1. : change of physical form, structure, or substance. 2. : a marked and more or less abrupt developmental change in the form or structure of an animal (as a butterfly or a frog) occurring subsequent to birth or hatching.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/metamorphosis","updated":1693643235,"position":[19.0969,80.6561,27.3646],"cluster":"c21","subgroup":"c21.01","degree":2,"referenceDegree":0,"maxSimilarity":0.18702,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64f82fd252e65a001ccbdc24","weight":0.18702,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65413a07f9fd93001c69edce","weight":0.14882,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f2f1fc7bc0c0001c1d4efa","source":"ideaofintellection","title":"周期境界条件","excerpt":"周期境界条件とは、周期的に繰り返す形状で1セクタ分だけモデル化して解析する際に、境界面に設定する条件のことです。 周期対称（cyclic symmetry）条件とも呼ばれます。","text":"周期境界条件\n周期境界条件とは、周期的に繰り返す形状で1セクタ分だけモデル化して解析する際に、境界面に設定する条件のことです。 周期対称（cyclic symmetry）条件とも呼ばれます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%91%A8%E6%9C%9F%E5%A2%83%E7%95%8C%E6%9D%A1%E4%BB%B6","updated":1693643281,"position":[19.3995,44.9176,-55.9955],"cluster":"c15","subgroup":"c15.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09441,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c469a1e6420a001b0e3764","weight":0.09441,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f2f23f3ab8cf001c936ca5","source":"ideaofintellection","title":"トロイダル磁場","excerpt":"トロイダル磁場コイル - ATOMICA - プラズマをドーナツ状に閉じ込める装置をトーラス磁場装置といい、トカマクは代表的なものである。 このトーラス装置において、大周方向（ドーナツの輪の方向）をトロイダル方向、小周方向をポロイダル方向といい、それぞれの方向の磁場をトロイダル磁場、ポロイダル磁場という。","text":"トロイダル磁場\nトロイダル磁場コイル - ATOMICA - プラズマをドーナツ状に閉じ込める装置をトーラス磁場装置といい、トカマクは代表的なものである。 このトーラス装置において、大周方向（ドーナツの輪の方向）をトロイダル方向、小周方向をポロイダル方向といい、それぞれの方向の磁場をトロイダル磁場、ポロイダル磁場という。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%AD%E3%82%A4%E3%83%80%E3%83%AB%E7%A3%81%E5%A0%B4","updated":1693643349,"position":[-43.3927,42.493,-118.9142],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.02793,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64f2f2b14b6c5d001b636f7a","source":"ideaofintellection","title":"地球の自由振動","excerpt":"研究チームでは、複数の地震計が観測した高精度な振動波形から、海洋の大きな波が作り出す振動や電子的に生みだされたノイズなどを取り去って、地球そのものが作りだしている振動だけを洗い出すことに成功したとのこと。そこで明らかにされたのは、地球は固有振動数による自由振動を行っており、その周波数は2.9ミリヘルツから4.5ミリヘルツだったという事実です。","text":"地球の自由振動\n研究チームでは、複数の地震計が観測した高精度な振動波形から、海洋の大きな波が作り出す振動や電子的に生みだされたノイズなどを取り去って、地球そのものが作りだしている振動だけを洗い出すことに成功したとのこと。そこで明らかにされたのは、地球は固有振動数による自由振動を行っており、その周波数は2.9ミリヘルツから4.5ミリヘルツだったという事実です。\nhttps://gigazine.net/news/20171211-earth-humming-noise/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%9C%B0%E7%90%83%E3%81%AE%E8%87%AA%E7%94%B1%E6%8C%AF%E5%8B%95","updated":1693643466,"position":[9.3692,91.4039,-17.8643],"cluster":"c24","subgroup":"c24.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12553,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64ff54961ff17b001c07827e","weight":0.12553,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f2f3a8378db8001bd9e1ea","source":"ideaofintellection","title":"アンビエント・エレクトロニカ","excerpt":"https://mag.mysound.jp/post/214","text":"アンビエント・エレクトロニカ\nhttps://mag.mysound.jp/post/214\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%83%93%E3%82%A8%E3%83%B3%E3%83%88%E3%83%BB%E3%82%A8%E3%83%AC%E3%82%AF%E3%83%88%E3%83%AD%E3%83%8B%E3%82%AB","updated":1693643708,"position":[51.9571,-31.8202,2.378],"cluster":"c10","subgroup":"c10.01","degree":7,"referenceDegree":0,"maxSimilarity":0.26869,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658b02c09f2c4f002494a648","weight":0.26869,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68fa51aa0b87a56aca1de4b4","weight":0.20031,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2d65da02a1001cd7e7c3","weight":0.16648,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0778d9fce86e970e5db42c","weight":0.11349,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c084936b92e66d4b23c98","weight":0.10698,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3fbedab3e4354dfb4801","weight":0.10643,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655644f42a5dbe001cfb58d1","weight":0.10616,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f2f6604f819b001c6aa9a4","source":"ideaofintellection","title":"カオス現象","excerpt":"ほんのわずかな初期状態の差にもかかわらず、やがて大きな違いを引き起こす現象、カオス現象。","text":"カオス現象\nほんのわずかな初期状態の差にもかかわらず、やがて大きな違いを引き起こす現象、カオス現象。\n非線形\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%82%AA%E3%82%B9%E7%8F%BE%E8%B1%A1","updated":1693644424,"position":[17.0153,-68.7581,0.1647],"cluster":"c03","subgroup":"c03.01","degree":8,"referenceDegree":0,"maxSimilarity":0.155,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a4cc943abdb6f0e8ffcc","weight":0.155,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4a8f69c2a455680206c","weight":0.13235,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789434fe0c60caa3c664963","weight":0.11335,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64cb57003dd10d001c1caee8","weight":0.10774,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a6497cfccd7c877044682d1","weight":0.09802,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4f148758422d3695c5f","weight":0.09462,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0bef525602001ce57c18","weight":0.09279,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65bf684a720f900026bcded8","weight":0.08603,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f35d915cf7ba001c366549","source":"ideaofintellection","title":"瑞","excerpt":"天が善政に感じてくだす、めでたいしるし。めでたい。","text":"瑞\n天が善政に感じてくだす、めでたいしるし。めでたい。\nズイ・みず","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%91%9E","updated":1693670840,"position":[-39.6424,9.3674,-116.4196],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11432,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:67b442186d126d09db67ab42","weight":0.11432,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893f6509c4fa271f78a54b","weight":0.09865,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64f35e81e99558001c8e4b90","source":"ideaofintellection","title":"Graceful","excerpt":"優美な、優雅な、しとやかな、上品な、潔い、率直な","text":"Graceful\n優美な、優雅な、しとやかな、上品な、潔い、率直な","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Graceful","updated":1693671056,"position":[-69.7608,35.2283,-144.3553],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05981,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64f40eef50b368001ca3b59d","source":"ideaofintellection","title":"Isochronous","excerpt":"継続時間または間隔において同等な。","text":"Isochronous\n継続時間または間隔において同等な。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Isochronous","updated":1693716225,"position":[30.7173,-62.0811,-37.3903],"cluster":"c26","subgroup":"c26.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12241,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a607e304fcb0fe1a472cddf","weight":0.12241,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ff54961ff17b001c07827e","source":"ideaofintellection","title":"人の固有振動数","excerpt":"あらゆる物体は必ず振動し、固有の振動数を持っています。 固有の振動数とは、ある振動で揺らされた場合、最も大きく揺れる振動数のことです。 例えば、人間の持つ固有振動数は約８ヘルツ（毎秒８回の振動）と言われています。","text":"人の固有振動数\nあらゆる物体は必ず振動し、固有の振動数を持っています。 固有の振動数とは、ある振動で揺らされた場合、最も大きく揺れる振動数のことです。 例えば、人間の持つ固有振動数は約８ヘルツ（毎秒８回の振動）と言われています。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%BA%E3%81%AE%E5%9B%BA%E6%9C%89%E6%8C%AF%E5%8B%95%E6%95%B0","updated":1694454972,"position":[14.0944,92.3702,-20.6069],"cluster":"c24","subgroup":"c24.01","degree":3,"referenceDegree":0,"maxSimilarity":0.22043,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65dea822f80001c6cacbe","weight":0.22043,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2f2b14b6c5d001b636f7a","weight":0.12553,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68ef36a4fbdc8ed6ab09f5d2","weight":0.0894,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:64ff5568fa80c8001ccbe00e","source":"ideaofintellection","title":"パインズの悪魔","excerpt":"パインズの悪魔は、固体中では電子が結合して形成される、質量がなく、電気的に中性で、光と相互作用しない複合粒子を指す。混合原子価半金属の相転移などの現象や、金属ナノ粒子の光学特性、金属水素化物における高温超伝導などで重要な役割を果たしているのではないかと考えられており、他のマルチバンド金属でも広く存在するものと期待されるという。研究論文は、ネイチャー（Nature）に2023年8月9日付けでオンライン掲載された。","text":"パインズの悪魔\nパインズの悪魔は、固体中では電子が結合して形成される、質量がなく、電気的に中性で、光と相互作用しない複合粒子を指す。混合原子価半金属の相転移などの現象や、金属ナノ粒子の光学特性、金属水素化物における高温超伝導などで重要な役割を果たしているのではないかと考えられており、他のマルチバンド金属でも広く存在するものと期待されるという。研究論文は、ネイチャー（Nature）に2023年8月9日付けでオンライン掲載された。\nhttps://www.newsweekjapan.jp/akane/2023/08/post-63.php\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%82%A4%E3%83%B3%E3%82%BA%E3%81%AE%E6%82%AA%E9%AD%94","updated":1694455188,"position":[-48.6226,-86.5885,67.0754],"cluster":"c04","subgroup":"c04.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06285,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:64ff5690fa80c8001ccbe6e4","source":"ideaofintellection","title":"Golden ratio","excerpt":"黄金比（の値）, 1に対する（1+ルート5）/2の比。 美術・建築などで、釣り合いが取れて美しいとされる。","text":"Golden ratio\n黄金比（の値）, 1に対する（1+ルート5）/2の比。 美術・建築などで、釣り合いが取れて美しいとされる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Golden%20ratio","updated":1694455465,"position":[32.2907,-50.4733,104.2075],"cluster":"c14","subgroup":"c14.01","degree":4,"referenceDegree":0,"maxSimilarity":0.15616,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659386d203c3060024a3fc5e","weight":0.15616,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ae97085970025360276","weight":0.10851,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6699d9deb71340001c8bab70","weight":0.09785,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559a8e25fe734001bcbd826","weight":0.09614,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65079c4a2165bf001c616fc7","source":"ideaofintellection","title":"ソーシャル・オーケストレーション","excerpt":"20世紀のリーダーシップは「俺についてこい」というマッチョ型でしたが、21世紀はビジョンを示してみんなをまとめるオーケストレーター型だと思います。これが「ソーシャル・オーケストレーション」です。","text":"ソーシャル・オーケストレーション\n20世紀のリーダーシップは「俺についてこい」というマッチョ型でしたが、21世紀はビジョンを示してみんなをまとめるオーケストレーター型だと思います。これが「ソーシャル・オーケストレーション」です。\nhttps://forbesjapan.com/articles/detail/29016/page3\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BD%E3%83%BC%E3%82%B7%E3%83%A3%E3%83%AB%E3%83%BB%E3%82%AA%E3%83%BC%E3%82%B1%E3%82%B9%E3%83%88%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1694997610,"position":[51.1258,-36.4303,1.8548],"cluster":"c10","subgroup":"c10.01","degree":7,"referenceDegree":0,"maxSimilarity":0.14849,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.14849,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6755968dbf002303e467","weight":0.13692,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e7796a14781cdf78f8ac96","weight":0.13174,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6722f19006feb56bffc342e4","weight":0.11116,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cb898fbdf8400231d59d6","weight":0.11062,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f6fca2c4e9fde2d346357","weight":0.10666,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.08572,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65079e79e0c7b9001ba04f5b","source":"ideaofintellection","title":"令","excerpt":"① 一般に公布した規程・法令。 きまり。 おきて。 ② 古代の東アジア諸国の法典。","text":"令\n① 一般に公布した規程・法令。 きまり。 おきて。 ② 古代の東アジア諸国の法典。\n神などの）お告げ。 · 上位者による指示。 命令 · よい事。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BB%A4","updated":1694998172,"position":[15.8025,-65.5482,2.4897],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10317,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d634a031b3e0024df4524","weight":0.10317,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65079eb6aa65f4001bee1e9b","source":"ideaofintellection","title":"威合","excerpt":"","text":"威合","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A8%81%E5%90%88","updated":1694998207,"position":[-79.4329,8.3274,-114.1933],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65079f819d61af001b221019","source":"ideaofintellection","title":"moire pattern","excerpt":"干渉縞ともいい、規則正しい繰り返し模様を複数重ね合わせた時に、それらの周期のずれにより視覚的に発生する縞模様のことである。","text":"moire pattern\n[https://scrapbox.io/files/65079f9de19fc2001cb0cafc.png]\n\n干渉縞ともいい、規則正しい繰り返し模様を複数重ね合わせた時に、それらの周期のずれにより視覚的に発生する縞模様のことである。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/moire%20pattern","updated":1694998432,"position":[-41.3004,10.499,49.355],"cluster":"c09","subgroup":"c09.02","degree":2,"referenceDegree":0,"maxSimilarity":0.16628,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656cc9d9472ec600244f6bc0","weight":0.16628,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683bf6ed317be84004df0144","weight":0.08579,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65079fa6db74eb001b230c4e","source":"ideaofintellection","title":"原初を刻むメルゼナ","excerpt":"","text":"原初を刻むメルゼナ","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%8E%9F%E5%88%9D%E3%82%92%E5%88%BB%E3%82%80%E3%83%A1%E3%83%AB%E3%82%BC%E3%83%8A","updated":1694998446,"position":[-48.2139,-7.1059,-131.992],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05063,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65079fc83e919c001b406a34","source":"ideaofintellection","title":"velvet","excerpt":"ベルベットは、タテ糸パイルの比較的毛足の長いパイル織物の一種。平織または綾織の2枚の織物をたて糸によってパイル糸とともに織り込み、それを2枚に切り分けて製造される。高密度に繊維が揃い繊維の末端周辺に特有の肌触りを持つ。 英語でベルベット、ポルトガル語でビロード、フランス語でベロア、和名で天鵞絨とも呼ばれる","text":"velvet\n[https://scrapbox.io/files/65079fd8d4de48001b3ec0c3.png]\n\nベルベットは、タテ糸パイルの比較的毛足の長いパイル織物の一種。平織または綾織の2枚の織物をたて糸によってパイル糸とともに織り込み、それを2枚に切り分けて製造される。高密度に繊維が揃い繊維の末端周辺に特有の肌触りを持つ。 英語でベルベット、ポルトガル語でビロード、フランス語でベロア、和名で天鵞絨とも呼ばれる\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/velvet","updated":1694998492,"position":[12.5433,-52.7825,67.7972],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13113,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.13113,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65079fef7aa600001c4e41ac","source":"ideaofintellection","title":"反物質","excerpt":"反物質 （ はんぶっしつ 、 英: antimatter）は、ある物質と比して質量とスピンが全く同じで、構成する素粒子の電荷などが全く逆の性質を持つ反粒子によって組成される物質。","text":"反物質\n[https://scrapbox.io/files/6507a0049f6394001bab958b.png]\n\n反物質 （ はんぶっしつ 、 英: antimatter）は、ある物質と比して質量とスピンが全く同じで、構成する素粒子の電荷などが全く逆の性質を持つ反粒子によって組成される物質。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%8F%8D%E7%89%A9%E8%B3%AA","updated":1694998536,"position":[-27.7498,-74.2529,65.7667],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.24217,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6f1fa34a04a4da8c73aa35","weight":0.24217,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:694003374196c714ce46e097","weight":0.09641,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c216b4a6d6700026c57561","weight":0.0874,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6507a017eeaff9001c19d237","source":"ideaofintellection","title":"テーゼ","excerpt":"ある観念をまとめて表現・主張する文章。 定立あるいは措定(そてい)ともいう。 定立に対立するのがアンチテーゼAntithese（ドイツ語。 反定立）で、特定の肯定的主張に対応する否定的主張をいう。","text":"テーゼ\nある観念をまとめて表現・主張する文章。 定立あるいは措定(そてい)ともいう。 定立に対立するのがアンチテーゼAntithese（ドイツ語。 反定立）で、特定の肯定的主張に対応する否定的主張をいう。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%83%BC%E3%82%BC","updated":1694998555,"position":[51.3501,-115.7988,-65.7248],"cluster":"c41","subgroup":"c41.01","degree":2,"referenceDegree":0,"maxSimilarity":0.54339,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649c0f02940591001b8f4d9c","weight":0.54339,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67894085a7574cc41139d61a","weight":0.18036,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6507a02daa65f4001bee2ffd","source":"ideaofintellection","title":"Easter Island","excerpt":"人類最後のフロンティア","text":"Easter Island\n人類最後のフロンティア\n[https://scrapbox.io/files/6507a03d341dd8001cf56458.png]\n落合さんと人類学者の方の対談@news picks\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Easter%20Island","updated":1694998639,"position":[-5.6073,52.7786,52.1768],"cluster":"c08","subgroup":"c08.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10369,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67b438806a5cf0ae7833f694","weight":0.10369,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659246f943d3fa00263b5723","weight":0.09735,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f684582d10d0026636702","weight":0.08758,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6507a091db74eb001b231685","source":"ideaofintellection","title":"シャテルペロン","excerpt":"シャテルペロン文化とは西ヨーロッパ後期旧石器時代初期の約3.6万年前から3.2万年前に栄えた文化。フランス、アリエ県のシャテルペロン洞窟にちなんで名づけられた。時代的にはムスティエ文化の後、グラヴェット文化 、オーリニャック文化の前の文化である。","text":"シャテルペロン\nシャテルペロン文化とは西ヨーロッパ後期旧石器時代初期の約3.6万年前から3.2万年前に栄えた文化。フランス、アリエ県のシャテルペロン洞窟にちなんで名づけられた。時代的にはムスティエ文化の後、グラヴェット文化 、オーリニャック文化の前の文化である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%A3%E3%83%86%E3%83%AB%E3%83%9A%E3%83%AD%E3%83%B3","updated":1694998680,"position":[49.3339,-54.2799,39.8945],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.10404,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658008fab4d8c500224a831b","weight":0.10404,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6507a0a7c41ab4001c7d8e74","source":"ideaofintellection","title":"Michelangelo","excerpt":"たくさんの弟子がいた","text":"Michelangelo\n[https://scrapbox.io/files/6507a0c66c5a91001cae9a03.png]\n\nたくさんの弟子がいた\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Michelangelo","updated":1694998730,"position":[-70.77,46.2526,-128.5562],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0952,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:667e6ce5ee904f001dd7033a","weight":0.0952,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6507a104b08ed2001cf6565e","source":"ideaofintellection","title":"深い海","excerpt":"https://www.google.com/search?client=safari&sca_esv=562531629&hl=en-us&q=深い海&tbm=vid&source=lnms&sa=X&ved=2ahUKEwjsrKmcnJGBAxUOs1YBHTkWDXYQ0pQJegQICRAB&biw=375&bih=635&dpr=3","text":"深い海\nhttps://www.google.com/search?client=safari&sca_esv=562531629&hl=en-us&q=深い海&tbm=vid&source=lnms&sa=X&ved=2ahUKEwjsrKmcnJGBAxUOs1YBHTkWDXYQ0pQJegQICRAB&biw=375&bih=635&dpr=3\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B7%B1%E3%81%84%E6%B5%B7","updated":1694998807,"position":[-41.4301,15.3857,-143.3323],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08827,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:649bc63c379781001cd0b584","weight":0.08827,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6507a125a96791001bf14ae6","source":"ideaofintellection","title":"the smith chart","excerpt":"https://www.google.com/search?q=the+smith+chart&ie=UTF-8&oe=UTF-8&hl=en-us&client=safari","text":"the smith chart \n[https://scrapbox.io/files/6507a1413d6a75001b80206a.png]\n\nhttps://www.google.com/search?q=the+smith+chart&ie=UTF-8&oe=UTF-8&hl=en-us&client=safari\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/the%20smith%20chart","updated":1694998853,"position":[-22.6403,94.4254,47.2363],"cluster":"c20","subgroup":"c20.01","degree":1,"referenceDegree":0,"maxSimilarity":0.36432,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69b111ceb5c708f25baee651","weight":0.36432,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a4ef638dbd9001b700a50","source":"ideaofintellection","title":"Dinosauroid","excerpt":"恐竜が絶滅せずに進化し続けた場合、人間に似た形態を採りえるという仮説","text":"Dinosauroid\n恐竜が絶滅せずに進化し続けた場合、人間に似た形態を採りえるという仮説\n[https://scrapbox.io/files/651a4f32508347001bb6d5e7.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Dinosauroid","updated":1696223030,"position":[-24.6526,17.5373,-112.6466],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09242,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:66339d384a682100242b4fb9","weight":0.09242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a4fd22defef001c107f89","source":"ideaofintellection","title":"symbolic manipulation","excerpt":"記号計算","text":"symbolic manipulation\n記号計算\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/symbolic%20manipulation","updated":1696223192,"position":[15.0881,86.0158,37.6189],"cluster":"c21","subgroup":"c21.01","degree":3,"referenceDegree":0,"maxSimilarity":0.2786,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64a55aec71a58a001c4a7a1f","weight":0.2786,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65938972e7a9c70023390b82","weight":0.13008,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6679430bcf8d99001c604a78","weight":0.12855,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a5002082dcf001cd2162f","source":"ideaofintellection","title":"超関数論","excerpt":"数学において超関数（ちょうかんすう、英: generalized function）は、関数の概念を一般化するもので、いくつかの理論が知られている。超関数の重要な利点として、不連続関数の扱いを滑らかな関数に似せることができることが挙げられる。また点電荷のような離散的な物理現象の記述にも便利である。超関数の応用範囲は極めて広く、特に物理学や工学においても利用されている。","text":"超関数論\n数学において超関数（ちょうかんすう、英: generalized function）は、関数の概念を一般化するもので、いくつかの理論が知られている。超関数の重要な利点として、不連続関数の扱いを滑らかな関数に似せることができることが挙げられる。また点電荷のような離散的な物理現象の記述にも便利である。超関数の応用範囲は極めて広く、特に物理学や工学においても利用されている。\n\n超関数の応用例としては主に、不連続関数の微分、デルタ関数、アダマール有限部分積分、緩増加関数のフーリエ変換などが挙げられる。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%B6%85%E9%96%A2%E6%95%B0%E8%AB%96","updated":1696223240,"position":[64.6752,-14.289,21.7146],"cluster":"c23","subgroup":"c23.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09341,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669a70b6d204fd001d7a3dbf","weight":0.09341,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649be38097c383001b2d78fa","weight":0.08574,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a503e2dbede001b9cc3c2","source":"ideaofintellection","title":"非可換幾何学とアラン・コンヌ","excerpt":"非可換幾何学は、アラン・コンヌにより作用素環理論を基礎に発展し、トポロジー的観点からの興味が重点とされます。一方で、相対性理論とともに発展してきた微分幾何学の立場から量子論に対応する幾何学としてのアプローチを期待することは、その歴史的流れからみても当然です。","text":"非可換幾何学とアラン・コンヌ\n非可換幾何学は、アラン・コンヌにより作用素環理論を基礎に発展し、トポロジー的観点からの興味が重点とされます。一方で、相対性理論とともに発展してきた微分幾何学の立場から量子論に対応する幾何学としてのアプローチを期待することは、その歴史的流れからみても当然です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9D%9E%E5%8F%AF%E6%8F%9B%E5%B9%BE%E4%BD%95%E5%AD%A6%E3%81%A8%E3%82%A2%E3%83%A9%E3%83%B3%E3%83%BB%E3%82%B3%E3%83%B3%E3%83%8C","updated":1696223311,"position":[-39.3519,39.7583,-102.4568],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07511,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:651a506338dbd9001b702dbc","source":"ideaofintellection","title":"合成開口","excerpt":"合成開口レーダー（SAR） 宇宙から地表などを観測する人工衛星に搭載する技術の一つ。 電磁波の一種であるマイクロ波を地表に当てて、その反射を受信して地形を調べる。 地表をカメラで撮影する「光学衛星」とは異なり、天候に左右されず夜でも観測できる利点がある。","text":"合成開口\n合成開口レーダー（SAR） 宇宙から地表などを観測する人工衛星に搭載する技術の一つ。 電磁波の一種であるマイクロ波を地表に当てて、その反射を受信して地形を調べる。 地表をカメラで撮影する「光学衛星」とは異なり、天候に左右されず夜でも観測できる利点がある。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%90%88%E6%88%90%E9%96%8B%E5%8F%A3","updated":1696223340,"position":[-49.9477,36.9753,-111.9191],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05026,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:651a508ab0c2de001bf2159d","source":"ideaofintellection","title":"Void 超空洞","excerpt":"ビッグバンで誕生して間もない宇宙には、場所によってわずかなゆらぎ(温度差)がある。そして、それが大規模構造へ、発達していったと考えられる。","text":"Void 超空洞\n[https://scrapbox.io/files/651a509b2defef001c109861.png]\n\nビッグバンで誕生して間もない宇宙には、場所によってわずかなゆらぎ(温度差)がある。そして、それが大規模構造へ、発達していったと考えられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Void%20%E8%B6%85%E7%A9%BA%E6%B4%9E","updated":1696223394,"position":[-31.0999,-71.6066,65.0478],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12682,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c218fe0742f20026f095cf","weight":0.12682,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1931c82750001cb4bf2d","weight":0.09082,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e326351c7d0c001c395248","weight":0.0873,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a50bee74f7b001bee4936","source":"ideaofintellection","title":"フィラメント状構造","excerpt":"大規模構造の細い紐状につながった部分をフィラメント状構造（あるいは単にフィラメント）と呼びます。 このフィラメントは長さが数億光年、直径は数百万光年あり、銀河団はこのフィラメントに沿って存在しています。 巨大な銀河団よりさらに巨大な構造、銀河団をつなげる道がこのフィラメントなのです","text":"フィラメント状構造\n[https://scrapbox.io/files/651a50e15708fa001cff2cfe.png]\n\n\n大規模構造の細い紐状につながった部分をフィラメント状構造（あるいは単にフィラメント）と呼びます。 このフィラメントは長さが数億光年、直径は数百万光年あり、銀河団はこのフィラメントに沿って存在しています。 巨大な銀河団よりさらに巨大な構造、銀河団をつなげる道がこのフィラメントなのです\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A3%E3%83%A9%E3%83%A1%E3%83%B3%E3%83%88%E7%8A%B6%E6%A7%8B%E9%80%A0","updated":1696223464,"position":[-5.5275,126.104,20.7409],"cluster":"c29","subgroup":"c29.01","degree":1,"referenceDegree":0,"maxSimilarity":0.396,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:651a50f65ec433001c828fa9","weight":0.396,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a50f65ec433001c828fa9","source":"ideaofintellection","title":"銀河フィラメント","excerpt":"銀河フィラメントまたは、超銀河団Complexあるいはグレートウォール は、宇宙物理学の用語であり、現在のところ、大クエーサー群と共に知られている宇宙の最大の構造の1つである。 これらは典型的な長さが 50から80 MPc /h の巨大なひも状構造の集まりであり、各超空洞を仕切る境界領域を形作っている。","text":"銀河フィラメント\n銀河フィラメントまたは、超銀河団Complexあるいはグレートウォール は、宇宙物理学の用語であり、現在のところ、大クエーサー群と共に知られている宇宙の最大の構造の1つである。 これらは典型的な長さが 50から80 MPc /h の巨大なひも状構造の集まりであり、各超空洞を仕切る境界領域を形作っている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%8A%80%E6%B2%B3%E3%83%95%E3%82%A3%E3%83%A9%E3%83%A1%E3%83%B3%E3%83%88","updated":1696223492,"position":[-5.748,126.2306,21.2533],"cluster":"c29","subgroup":"c29.01","degree":2,"referenceDegree":0,"maxSimilarity":0.396,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:651a50bee74f7b001bee4936","weight":0.396,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65741192282e290025e307c8","weight":0.10001,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a511f82f0a1001ca875bb","source":"ideaofintellection","title":"クラドニ図形","excerpt":"金属・プラスチック・ガラス・ボウルなどにピンと張ったラップなどの平面にスピーカーなどで振動を与え音程を変えると、共鳴周波数において平面の強く振動する部分と、振動の節となり振動しない部分が生じる。ここへ例えば塩や砂などの粒体を撒くと、振動によって弾き飛ばされた粒体が節へ集まることで、幾何学的な模様が観察される。","text":"クラドニ図形\n[https://scrapbox.io/files/651a51928b62b5001c9201a3.png]\n\n金属・プラスチック・ガラス・ボウルなどにピンと張ったラップなどの平面にスピーカーなどで振動を与え音程を変えると、共鳴周波数において平面の強く振動する部分と、振動の節となり振動しない部分が生じる。ここへ例えば塩や砂などの粒体を撒くと、振動によって弾き飛ばされた粒体が節へ集まることで、幾何学的な模様が観察される。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%83%A9%E3%83%89%E3%83%8B%E5%9B%B3%E5%BD%A2","updated":1696223638,"position":[51.194,-32.8917,1.4451],"cluster":"c10","subgroup":"c10.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12808,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64ce0d545058c8001cba4bec","weight":0.12808,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a51b738dbd9001b704b40","source":"ideaofintellection","title":"アートコレクティブ","excerpt":"アーティストによって形成された集団。 アートグループとほぼ同義である。","text":"アートコレクティブ\nアーティストによって形成された集団。 アートグループとほぼ同義である。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%BC%E3%83%88%E3%82%B3%E3%83%AC%E3%82%AF%E3%83%86%E3%82%A3%E3%83%96","updated":1696223693,"position":[16.269,-34.4508,20.5803],"cluster":"c05","subgroup":"c05.02","degree":8,"referenceDegree":0,"maxSimilarity":0.17302,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669e53ccf123a5001c88e942","weight":0.17302,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6680de1899b8b0001c398e26","weight":0.1366,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65924632e7ae7c0023aa8457","weight":0.13096,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0a0c3ab875001c462263","weight":0.12583,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67711f2a3de2ec4d2e79fcd4","weight":0.11386,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e30e905e65be420e701e","weight":0.11038,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65921a1774c3150022d1f8c2","weight":0.10501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5d90a9264fe5327f168","weight":0.0902,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a51fdc6bf20001cd5376c","source":"ideaofintellection","title":"Magenta","excerpt":"[https://scrapbox.io/files/651a5200574719001b4bd656.png]","text":"Magenta\n[https://scrapbox.io/files/651a5200574719001b4bd656.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Magenta","updated":1696223749,"position":[36.5461,114.748,76.7415],"cluster":"c31","subgroup":"c31.01","degree":3,"referenceDegree":0,"maxSimilarity":0.49748,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6592477c94272b00234bb69f","weight":0.49748,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c04135c130ce00247da670","weight":0.43725,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:642d1de779e782001b2361df","weight":0.37983,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a529514bf9e001b4733d2","source":"ideaofintellection","title":"Dream core","excerpt":"Dreamcore is a liminal space exploration and puzzle solving game, where the main objective is to reach the end of each level.","text":"Dream core\nDreamcore is a liminal space exploration and puzzle solving game, where the main objective is to reach the end of each level. \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Dream%20core","updated":1696223897,"position":[-9.6984,111.0092,5.9957],"cluster":"c13","subgroup":"c13.01","degree":8,"referenceDegree":0,"maxSimilarity":0.1863,"lowEvidence":false,"neighbors":[{"id":"NextResearch:674e971ff2a996507e477b96","weight":0.1863,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0ce79e7200025f1d876","weight":0.12929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb5f47644fd31759611a4","weight":0.12811,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a7d5d618adb7495a517b9f4","weight":0.12123,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6587e7d1981ddd0024064670","weight":0.11645,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69512132ebe9dc16ade76768","weight":0.1148,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e4780f3b507001cc35533","weight":0.10502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bc884a7a4b6001b6b8dcd","weight":0.09477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a52f338baa1001cc66795","source":"ideaofintellection","title":"フェムト秒レーザー","excerpt":"フェムト秒レーザーとは、フェムト（1×10-15）秒という超短いパルス幅をもつパルスレーザーであり、超短パルスレーザーと言われます。 光は1秒間に約30万km（地球7周半の距離）を進むほど高速でありますが、その光でさえも1フェムト秒の間には約0.3 μm程度しか進むことができません。","text":"フェムト秒レーザー\nフェムト秒レーザーとは、フェムト（1×10-15）秒という超短いパルス幅をもつパルスレーザーであり、超短パルスレーザーと言われます。 光は1秒間に約30万km（地球7周半の距離）を進むほど高速でありますが、その光でさえも1フェムト秒の間には約0.3 μm程度しか進むことができません。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A7%E3%83%A0%E3%83%88%E7%A7%92%E3%83%AC%E3%83%BC%E3%82%B6%E3%83%BC","updated":1696223997,"position":[-58.0535,45.5044,-141.1234],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08214,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:651a530f438236001b2190e8","source":"ideaofintellection","title":"フェーズドアレイ","excerpt":"フェーズドアレイ探触子とは、一筺体の中に超音波振動の素子（振動子）を、連続的に並 べた（例えば32個の素子）ものを言います。 個々の振動子に加えるパルスのタイミングを電 子的に制御することにより超音波ビームを任意の方向に偏向させたり、集束させたり、連続 的に移動させたりできます。","text":"フェーズドアレイ\n[https://scrapbox.io/files/651a532402dfa0001c477ba0.png]\n\nフェーズドアレイ探触子とは、一筺体の中に超音波振動の素子（振動子）を、連続的に並 べた（例えば32個の素子）ものを言います。 個々の振動子に加えるパルスのタイミングを電 子的に制御することにより超音波ビームを任意の方向に偏向させたり、集束させたり、連続 的に移動させたりできます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A7%E3%83%BC%E3%82%BA%E3%83%89%E3%82%A2%E3%83%AC%E3%82%A4","updated":1696224039,"position":[-37.2735,-84.145,-57.0047],"cluster":"c44","subgroup":"c44.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12937,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b2138eb1f46001cd17d70","weight":0.12937,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a534638baa1001cc67057","source":"ideaofintellection","title":"Towards Digital Nature: Bridging the Gap between Turing Machine Objects and Linguistic Objects in LLMMs for Universal Interaction of Object-Oriented Descriptions","excerpt":"https://arxiv.org/abs/2304.04498","text":"Towards Digital Nature: Bridging the Gap between Turing Machine Objects and Linguistic Objects in LLMMs for Universal Interaction of Object-Oriented Descriptions\nhttps://arxiv.org/abs/2304.04498\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Towards%20Digital%20Nature%3A%20Bridging%20the%20Gap%20between%20Turing%20Machine%20Objects%20and%20Linguistic%20Objects%20in%20LLMMs%20for%20Universal%20Interaction%20of%20Object-Oriented%20Descriptions","updated":1696224076,"position":[4.9597,56.1267,52.3636],"cluster":"c08","subgroup":"c08.01","degree":7,"referenceDegree":0,"maxSimilarity":0.25284,"lowEvidence":false,"neighbors":[{"id":"NextResearch:643bcfd9ecf33f001cf555a8","weight":0.25284,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65df0d9df75ef800242cbbcc","weight":0.19967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6810cc2539b9f9295f5aef18","weight":0.15183,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da65a6f8686beafd40036","weight":0.14489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67600418c1a196a56d3f0e85","weight":0.12426,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6979a2159efb2d6b3825824d","weight":0.10506,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695123e46dd1fcffaf923d04","weight":0.1042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:651a535b3d10fd001cf78e2e","source":"ideaofintellection","title":"吽","excerpt":"うん【吽】 〘名〙 (hūṃ の音訳) 仏語。 口を閉じた時の音声。 開いた時の音声「阿(あ)」に対するが、「阿吽」と熟合して、一切の音声言語はこの二字に包含されるとする。","text":"吽\nうん【吽】 〘名〙 (hūṃ の音訳) 仏語。 口を閉じた時の音声。 開いた時の音声「阿(あ)」に対するが、「阿吽」と熟合して、一切の音声言語はこの二字に包含されるとする。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%90%BD","updated":1696224106,"position":[-51.4138,17.4161,-153.0627],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08135,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:651e50a2eb92c3001bc0cc7c","source":"ideaofintellection","title":"あはれてふ言の葉ごとにおく露は 昔をこふる涙なりけり","excerpt":"−詠み人しらず","text":"あはれてふ言の葉ごとにおく露は 昔をこふる涙なりけり\n−詠み人しらず\nhttps://www.hitouta.com/post/__言の葉\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%81%82%E3%81%AF%E3%82%8C%E3%81%A6%E3%81%B5%E8%A8%80%E3%81%AE%E8%91%89%E3%81%94%E3%81%A8%E3%81%AB%E3%81%8A%E3%81%8F%E9%9C%B2%E3%81%AF%20%E6%98%94%E3%82%92%E3%81%93%E3%81%B5%E3%82%8B%E6%B6%99%E3%81%AA%E3%82%8A%E3%81%91%E3%82%8A","updated":1696485592,"position":[11.1085,-76.041,36.5857],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.1164,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64ce0a30685ab7001b9e590a","weight":0.1164,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bdd52257d3c001c009ac4","weight":0.10206,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65224abace56d4001cd91e15","source":"ideaofintellection","title":"サイマティクス","excerpt":"砂や水などの媒質によって物体の固有振動や音を可視化すること、またはその現象の研究。この語はギリシア語で波を意味する κῦμα に由来し、人智学思想を信奉していたスイス人のハンス・ジェニー（1904年-1972年）によって考案された。","text":"サイマティクス\n砂や水などの媒質によって物体の固有振動や音を可視化すること、またはその現象の研究。この語はギリシア語で波を意味する κῦμα に由来し、人智学思想を信奉していたスイス人のハンス・ジェニー（1904年-1972年）によって考案された。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%82%A4%E3%83%9E%E3%83%86%E3%82%A3%E3%82%AF%E3%82%B9","updated":1696746208,"position":[2.8264,-79.457,36.2012],"cluster":"c01","subgroup":"c01.01","degree":8,"referenceDegree":0,"maxSimilarity":0.25101,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659c7105bc7a8900244134ae","weight":0.25101,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c7148fa4e760025c2a8c5","weight":0.20347,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b786b921c7a90024b98189","weight":0.1413,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3750e229416001b3b27ef","weight":0.14054,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a27a33fd6027001cb7e6d2","weight":0.10648,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c559e071ec52002340dd47","weight":0.0939,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee855154aafb001c82be6e","weight":0.09141,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55948798207002476f295","weight":0.08626,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6524d1a61cce34001c05f177","source":"ideaofintellection","title":"ユクスキュル","excerpt":"生物が、それぞれ独自の時間・空間として知覚し、主体的に構築した世界のこと。","text":"ユクスキュル\n生物が、それぞれ独自の時間・空間として知覚し、主体的に構築した世界のこと。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A6%E3%82%AF%E3%82%B9%E3%82%AD%E3%83%A5%E3%83%AB","updated":1696911798,"position":[23.4322,-91.9087,30.985],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07312,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6532d249e2b87a001cd4aa8b","source":"ideaofintellection","title":"入我我入","excerpt":"入我我入とは、仏が我に入り我が仏に入ることです。 我と仏とが一体化することです。 どのようにすれば、我と仏とが一体化するのでしょうか。 それは、仏の身体と口と意識と自分の身体と口と意識を一体化することです。","text":"入我我入\n入我我入とは、仏が我に入り我が仏に入ることです。 我と仏とが一体化することです。 どのようにすれば、我と仏とが一体化するのでしょうか。 それは、仏の身体と口と意識と自分の身体と口と意識を一体化することです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%85%A5%E6%88%91%E6%88%91%E5%85%A5","updated":1697829467,"position":[-45.2349,28.0902,-93.6381],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04935,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6532d26a81a5cc001b21aa80","source":"ideaofintellection","title":"ジャック・デリダ","excerpt":"\"ジャック・デリダの名言として伝わる「死の気遣いにおいてのみ、魂は我れに返る」を、千言堂の専属書道家が気持ちを込めて直筆いたします。 この言葉（ひとこと）は名言として伝わる集や本・書籍などで紹介されることも多く、座右の銘にされている方も多いようです。","text":"ジャック・デリダ\n\"ジャック・デリダの名言として伝わる「死の気遣いにおいてのみ、魂は我れに返る」を、千言堂の専属書道家が気持ちを込めて直筆いたします。 この言葉（ひとこと）は名言として伝わる集や本・書籍などで紹介されることも多く、座右の銘にされている方も多いようです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A3%E3%83%83%E3%82%AF%E3%83%BB%E3%83%87%E3%83%AA%E3%83%80","updated":1697829508,"position":[16.509,-66.9735,2.9898],"cluster":"c03","subgroup":"c03.01","degree":4,"referenceDegree":0,"maxSimilarity":0.43322,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b7855a69f5fb0024e3b971","weight":0.43322,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658288a9f5683400223ac992","weight":0.15316,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678941e21e6a947a353d5df1","weight":0.13485,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893f96df90659bbd113f28","weight":0.12324,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6532d3073bd82f001cb21677","source":"ideaofintellection","title":"サーバーレスアーキテクチャ","excerpt":"「サーバーを必要としない」というのは、Lambda自体が「サーバーを使っていない」ということではありません。Lambdaをはじめ、実際のクラウドサービスはサーバー上で動いていますので、その言葉通りに解釈するのは若干違和感があります。そこで別の観点から表現すると、サーバーレスアーキテクチャの定義は「サーバーを必要とせず、かつ時間による従量課金サービスを利用しない（後述）アーキテクチャ」とも言い換えられるでしょう。","text":"サーバーレスアーキテクチャ\n「サーバーを必要としない」というのは、Lambda自体が「サーバーを使っていない」ということではありません。Lambdaをはじめ、実際のクラウドサービスはサーバー上で動いていますので、その言葉通りに解釈するのは若干違和感があります。そこで別の観点から表現すると、サーバーレスアーキテクチャの定義は「サーバーを必要とせず、かつ時間による従量課金サービスを利用しない（後述）アーキテクチャ」とも言い換えられるでしょう。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%83%BC%E3%83%90%E3%83%BC%E3%83%AC%E3%82%B9%E3%82%A2%E3%83%BC%E3%82%AD%E3%83%86%E3%82%AF%E3%83%81%E3%83%A3","updated":1697830538,"position":[30.4353,41.9515,14.4464],"cluster":"c17","subgroup":"c17.01","degree":4,"referenceDegree":0,"maxSimilarity":0.18477,"lowEvidence":false,"neighbors":[{"id":"NextResearch:640af0e94a29e9001c2be60e","weight":0.18477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6aba881eeb76c9b581ab59e7","weight":0.17286,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312f0a0aaff20024eef38e","weight":0.171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a5f3f57559050023cd63b1","weight":0.11825,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6532d6b1ab598e001b1615e2","source":"ideaofintellection","title":"ネグロポンテスイッチ","excerpt":"ニコラス・ネグロポンテ ネグロポンテ・スイッチ 2000年にネグロポンテが予測した未来事象。","text":"ネグロポンテスイッチ\nニコラス・ネグロポンテ ネグロポンテ・スイッチ 2000年にネグロポンテが予測した未来事象。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8D%E3%82%B0%E3%83%AD%E3%83%9D%E3%83%B3%E3%83%86%E3%82%B9%E3%82%A4%E3%83%83%E3%83%81","updated":1697830772,"position":[-34.9882,4.3003,-105.3296],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05184,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6532d7de807946001b29fdc2","source":"ideaofintellection","title":"グランドマザーセル","excerpt":"脳の中には自分のおばあさんを見たときだけに特異的に活動する単一または少数の細胞が存在し、この細胞の活動が自分のおばあさんの対象認識に対応するという仮説。 神経細胞活動による情報の符号化の議論において引用される概念である。","text":"グランドマザーセル\n脳の中には自分のおばあさんを見たときだけに特異的に活動する単一または少数の細胞が存在し、この細胞の活動が自分のおばあさんの対象認識に対応するという仮説。 神経細胞活動による情報の符号化の議論において引用される概念である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%A9%E3%83%B3%E3%83%89%E3%83%9E%E3%82%B6%E3%83%BC%E3%82%BB%E3%83%AB","updated":1697830927,"position":[25.0929,-80.563,22.7784],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07633,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6532d8477df50e001bd2ef80","source":"ideaofintellection","title":"弓状束","excerpt":"側頭-頭頂連結部(temporoparietal junction) の後部と脳の前頭皮質を結ぶ 神経経路 で、現在では上縦束の一部であると考えられている。","text":"弓状束\n側頭-頭頂連結部(temporoparietal junction) の後部と脳の前頭皮質を結ぶ 神経経路 で、現在では上縦束の一部であると考えられている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%BC%93%E7%8A%B6%E6%9D%9F","updated":1697831013,"position":[-46.712,-26.6611,76.6259],"cluster":"c28","subgroup":"c28.01","degree":1,"referenceDegree":0,"maxSimilarity":0.14507,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655643312a5dbe001cfb488b","weight":0.14507,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:653f149658d106001b4ddb93","source":"ideaofintellection","title":"自己組織化 量子宇宙","excerpt":"https://www.nikkei-science.com/page/magazine/0810/200810_022.html","text":"自己組織化 量子宇宙\nhttps://www.nikkei-science.com/page/magazine/0810/200810_022.html\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%87%AA%E5%B7%B1%E7%B5%84%E7%B9%94%E5%8C%96%20%E9%87%8F%E5%AD%90%E5%AE%87%E5%AE%99","updated":1698632871,"position":[-24.3545,-72.784,67.0615],"cluster":"c04","subgroup":"c04.01","degree":5,"referenceDegree":0,"maxSimilarity":0.49706,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65413d60f9fd93001c6a0599","weight":0.49706,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af0cc7a20a59001c12139c","weight":0.37464,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cca4fad46066002675f8fa","weight":0.22522,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf68043318b700257a791d","weight":0.17719,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fbf1a6d2ce3ddf653308d","weight":0.15611,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:653f14aa00f85e001c60d221","source":"ideaofintellection","title":"金剛界　胎蔵界","excerpt":"[https://scrapbox.io/files/653f14bd40c505001b297ac3.png]","text":"金剛界　胎蔵界\n[https://scrapbox.io/files/653f14bd40c505001b297ac3.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%87%91%E5%89%9B%E7%95%8C%E3%80%80%E8%83%8E%E8%94%B5%E7%95%8C","updated":1698632896,"position":[-79.1303,9.2235,-132.7379],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:654136c44c9563001c039c49","source":"ideaofintellection","title":"愛の爆弾　アインシュタイン","excerpt":"https://arashi.fanmo.jp/message/","text":"愛の爆弾　アインシュタイン\nhttps://arashi.fanmo.jp/message/\n創造の本質は愛である\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%84%9B%E3%81%AE%E7%88%86%E5%BC%BE%E3%80%80%E3%82%A2%E3%82%A4%E3%83%B3%E3%82%B7%E3%83%A5%E3%82%BF%E3%82%A4%E3%83%B3","updated":1698772748,"position":[-25.5307,-74.699,65.792],"cluster":"c04","subgroup":"c04.01","degree":10,"referenceDegree":0,"maxSimilarity":0.55538,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af8f18163b20001c67ca02","weight":0.55538,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2b69f12dd2001db4df17","weight":0.47807,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.32276,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659396130f4a210024c41d1f","weight":0.26874,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65caaf34daea0b0024cc77e4","weight":0.13453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648afe99828df0001b38ee71","weight":0.12106,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6f1fa34a04a4da8c73aa35","weight":0.1058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e38d64181050001c65ce9c","weight":0.10477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65413b6f89f92e001c911730","source":"ideaofintellection","title":"色即是空","excerpt":"この世にあるすべてのものは、実体ではなく、空無にほかならないという考え。 世間の欲望は無意味であるという意味にも使う。 「色」は、人間が知覚できる、この世のすべての事物や現象。 「空」は、何もなくむなしいこと、無であること。","text":"色即是空\nこの世にあるすべてのものは、実体ではなく、空無にほかならないという考え。 世間の欲望は無意味であるという意味にも使う。 「色」は、人間が知覚できる、この世のすべての事物や現象。 「空」は、何もなくむなしいこと、無であること。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%89%B2%E5%8D%B3%E6%98%AF%E7%A9%BA","updated":1698773886,"position":[-7.7239,-194.5238,15.7821],"cluster":"c37","subgroup":"c37.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13957,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649bcb067c1cfc001c4639e5","weight":0.13957,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65413b9ba374d4001babc243","source":"ideaofintellection","title":"変分法","excerpt":"変分法は、ある関数 によって決定される関数 の最適化問題を考える際に、その関数 を最小化・最大化するような を求めることである。 これは関数 、すなわち汎関数の微小変化を0にする関数 を探すことである。","text":"変分法\n変分法は、ある関数 によって決定される関数 の最適化問題を考える際に、その関数 を最小化・最大化するような を求めることである。 これは関数 、すなわち汎関数の微小変化を0にする関数 を探すことである。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%89%E5%88%86%E6%B3%95","updated":1698773925,"position":[18.5718,-69.3397,-0.932],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10876,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a5e670967b0a002429898b","weight":0.10876,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65413bb815e786001c84906e","source":"ideaofintellection","title":"五行思想","excerpt":"古代中国に端を発する自然哲学の思想。万物は火・水・木・金・土","text":"五行思想\n古代中国に端を発する自然哲学の思想。万物は火・水・木・金・土\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%94%E8%A1%8C%E6%80%9D%E6%83%B3","updated":1698773954,"position":[-49.6116,28.2952,-98.3359],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08695,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64c47954ebe588001bbff11f","weight":0.08695,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65413bd4c4cd4a001c3e9520","source":"ideaofintellection","title":"共時的","excerpt":"共時的観点とは、時間の流れや歴史的な変化を考慮せず,一定時期 における現象・構造について記述しようというやり方であり、 いっぽ う通時的観点とは、ある対象を時間的・歴史的な変化の相にしたがっ て記述しようというやり方のことである。","text":"共時的\n共時的観点とは、時間の流れや歴史的な変化を考慮せず,一定時期 における現象・構造について記述しようというやり方であり、 いっぽ う通時的観点とは、ある対象を時間的・歴史的な変化の相にしたがっ て記述しようというやり方のことである。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%85%B1%E6%99%82%E7%9A%84","updated":1698774095,"position":[9.8083,-57.7492,24.3611],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.13961,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69799f8cfecbb0701b67ebd5","weight":0.13961,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65413c9b00f059001cd6cd4d","source":"ideaofintellection","title":"チョムスキー言語獲得論","excerpt":"米国のチョムスキーを中心とする言語学者によって唱道された言語理論。 人間の言語能力の創造性を評価し、表現された形から入って、その奥深くに隠されている言語構造を理論的にとらえようとする。","text":"チョムスキー言語獲得論\n米国のチョムスキーを中心とする言語学者によって唱道された言語理論。 人間の言語能力の創造性を評価し、表現された形から入って、その奥深くに隠されている言語構造を理論的にとらえようとする。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%81%E3%83%A7%E3%83%A0%E3%82%B9%E3%82%AD%E3%83%BC%E8%A8%80%E8%AA%9E%E7%8D%B2%E5%BE%97%E8%AB%96","updated":1698774185,"position":[-18.3526,-12.53,-18.355],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08903,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6582d59f3863190023d0adf9","weight":0.08903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65413d60f9fd93001c6a0599","source":"ideaofintellection","title":"自己組織化","excerpt":"水の分子が集まって自然にできたものです。 このように、秩序や構造が自然にできあがる不思議な現象のことを自己組織化と言います。","text":"自己組織化\n水の分子が集まって自然にできたものです。 このように、秩序や構造が自然にできあがる不思議な現象のことを自己組織化と言います。\nイリヤプリゴジン\nチャーリーペスキン\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E8%87%AA%E5%B7%B1%E7%B5%84%E7%B9%94%E5%8C%96","updated":1722856719,"position":[-24.4031,-73.055,66.3403],"cluster":"c04","subgroup":"c04.02","degree":9,"referenceDegree":0,"maxSimilarity":0.49706,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:653f149658d106001b4ddb93","weight":0.49706,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af0cc7a20a59001c12139c","weight":0.48987,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cca4fad46066002675f8fa","weight":0.33884,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55a1d53995700250f62ed","weight":0.21305,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.20981,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5724d3ce05500249d2100","weight":0.20672,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3e5827132e001c2db7a0","weight":0.20455,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cca838687865002421d76f","weight":0.2,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65413d6b6d07fd001b70ea69","source":"ideaofintellection","title":"散逸構造","excerpt":"非平衡なのに定常状態であるもののことだ。 別の言葉で言い換えれば、流れがあるのに形が変化しないもののことだ。 散逸構造の例としては、ガスコンロの炎の他に、海の潮の変わり目にできる渦や、台風や、そして生物がある。 プリゴジンも生物が散逸構造の例であることには気づいていて、いろいろと考察している。","text":"散逸構造\n非平衡なのに定常状態であるもののことだ。 別の言葉で言い換えれば、流れがあるのに形が変化しないもののことだ。 散逸構造の例としては、ガスコンロの炎の他に、海の潮の変わり目にできる渦や、台風や、そして生物がある。 プリゴジンも生物が散逸構造の例であることには気づいていて、いろいろと考察している。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%95%A3%E9%80%B8%E6%A7%8B%E9%80%A0","updated":1698774408,"position":[-24.6984,31.7245,-116.6756],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06229,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65413dc0607101001bd18922","source":"ideaofintellection","title":"interpersonal synchronization network 3d","excerpt":"[https://www.researchgate.net/publication/364292346/figure/fig1/AS:11431281154137286@1682687068379/Overview-of-the-overall-adaptive-agent-model_Q320.jpg]","text":"interpersonal synchronization network 3d\n[https://www.researchgate.net/publication/364292346/figure/fig1/AS:11431281154137286@1682687068379/Overview-of-the-overall-adaptive-agent-model_Q320.jpg]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/interpersonal%20synchronization%20network%203d","updated":1698774485,"position":[-1.5627,98.9244,-1.7462],"cluster":"c13","subgroup":"c13.01","degree":5,"referenceDegree":0,"maxSimilarity":0.42282,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65413dea42958b001b46c2ba","weight":0.42282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6541ede589f92e001c9e3282","weight":0.21636,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65746539e9e001b563ed1","weight":0.11232,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67bedd76d501c9ed095d1bc9","weight":0.09936,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65d79f571b9001b5fbb6c","weight":0.0884,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65413dea42958b001b46c2ba","source":"ideaofintellection","title":"high interpersonal syncronization","excerpt":"https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcR29CTr3EOUChrbRdiYNmPo1l0Y1rAPkrgZjQ&usqp=CAU","text":"high interpersonal syncronization\nhttps://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcR29CTr3EOUChrbRdiYNmPo1l0Y1rAPkrgZjQ&usqp=CAU\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/high%20interpersonal%20syncronization","updated":1698774528,"position":[-0.9971,98.542,-3.3489],"cluster":"c13","subgroup":"c13.01","degree":2,"referenceDegree":0,"maxSimilarity":0.42282,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65413dc0607101001bd18922","weight":0.42282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69f05320ab773b09ffcbf7df","weight":0.08868,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65563fb2cddf97001c2fb785","source":"ideaofintellection","title":"エクリチュール","excerpt":"「エクリチュール」というものが存在する。","text":"エクリチュール\n「エクリチュール」というものが存在する。\nこれは「社会的に規定された言葉の使い方」である。\nある社会的立場にある人間は、それに相応しい言葉の使い方をしなければならない。\n発声法も語彙もイントネーションもピッチも音量も制式化される。\nさらに言語運用に準じて、表情、感情表現、服装、髪型、身のこなし、生活習慣、さらには政治イデオロギー、信教、死生観、宇宙観にいたるまでが影響される。\n中学生２年生が「やんきいのエクリチュール」を選択した場合、","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%82%AF%E3%83%AA%E3%83%81%E3%83%A5%E3%83%BC%E3%83%AB","updated":1700151226,"position":[10.7637,37.2113,3.6348],"cluster":"c17","subgroup":"c17.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07709,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6556400ced3156001ba804f1","source":"ideaofintellection","title":"サウンドロゴ","excerpt":"サウンドロゴとは、効果音やメロディーを使い、企業名や商品などを宣伝する楽曲のことです。 CMやラジオ、インターネット動画などの音を使った広告において、宣伝効果を高めるために利用されており、ブランドロゴを音で表現したものになります。","text":"サウンドロゴ\nサウンドロゴとは、効果音やメロディーを使い、企業名や商品などを宣伝する楽曲のことです。 CMやラジオ、インターネット動画などの音を使った広告において、宣伝効果を高めるために利用されており、ブランドロゴを音で表現したものになります。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%82%A6%E3%83%B3%E3%83%89%E3%83%AD%E3%82%B4","updated":1700151333,"position":[-29.1708,51.0486,25.4111],"cluster":"c06","subgroup":"c06.02","degree":7,"referenceDegree":0,"maxSimilarity":0.17521,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b143997fb3a001c71add4","weight":0.17521,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65079f649d61af001b220e8a","weight":0.1426,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69512993dfd438d027e7b482","weight":0.13902,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee842e76ffb8001c9c2d0b","weight":0.12562,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65800044f995ab0024cb1be6","weight":0.11262,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593911d13ab1e0024579828","weight":0.09183,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0be50275e002594c30c","weight":0.08731,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6556403b0f68a2001bd8e822","source":"ideaofintellection","title":"コーズ","excerpt":"コーズ（Cause）は原因、理由、動機、理想、信条といっ た意味の英語。","text":"コーズ\nコーズ（Cause）は原因、理由、動機、理想、信条といっ た意味の英語。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%BC%E3%82%BA","updated":1700151362,"position":[-40.5118,65.0787,35.2842],"cluster":"c06","subgroup":"c06.02","degree":3,"referenceDegree":0,"maxSimilarity":0.14903,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a27760b9900f001b46afa1","weight":0.14903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2a92130bdfd002516a5df","weight":0.10192,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b2138eb1f46001cd17d70","weight":0.09012,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6556405bac0a51001b6ffa75","source":"ideaofintellection","title":"六本木 玉椿","excerpt":"https://disco-memory.net/4325.html","text":"六本木 玉椿\nhttps://disco-memory.net/4325.html\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%85%AD%E6%9C%AC%E6%9C%A8%20%E7%8E%89%E6%A4%BF","updated":1700151398,"position":[-60.9532,-2.6676,-139.4005],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6556409f6ea6bc001b90516c","source":"ideaofintellection","title":"ジェントリフィケーション","excerpt":"「都市において、比較的低所得者層の居住地域が再開発や文化的活動などによって活性化し、その結果、地価が高騰すること」","text":"ジェントリフィケーション\n「都市において、比較的低所得者層の居住地域が再開発や文化的活動などによって活性化し、その結果、地価が高騰すること」\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%82%A7%E3%83%B3%E3%83%88%E3%83%AA%E3%83%95%E3%82%A3%E3%82%B1%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1700151641,"position":[50.4739,-38.8801,2.7903],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09285,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67bedd2a4dc6b8a4f5f3ac07","weight":0.09285,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64901a3e412066001c4050e1","weight":0.09201,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6556416eb44e70001b254bd0","source":"ideaofintellection","title":"ブリコラージュ","excerpt":"フランス語の「bricoler」（素人仕事をする、日曜大工をする）から。 ありあわせの手段・道具でやりくりすること。 通常「器用仕事」と訳される。","text":"ブリコラージュ\nフランス語の「bricoler」（素人仕事をする、日曜大工をする）から。 ありあわせの手段・道具でやりくりすること。 通常「器用仕事」と訳される。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%AA%E3%82%B3%E3%83%A9%E3%83%BC%E3%82%B8%E3%83%A5","updated":1700151676,"position":[13.2808,-52.1041,69.3155],"cluster":"c12","subgroup":"c12.01","degree":8,"referenceDegree":0,"maxSimilarity":0.70717,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bc15b64b1766002418daf8","weight":0.70717,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bc18a20cf0690025b02877","weight":0.44966,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a852d49d4ee00241e4147","weight":0.16589,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986caf760e6eed96b4b3aa2","weight":0.14953,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.1371,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a859149d4ee00241e4bde","weight":0.12318,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559f99ec7ba14001baf3c94","weight":0.11321,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.1058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655641a60f68a2001bd8f5e4","source":"ideaofintellection","title":"ミッテ","excerpt":"『ｍｉｔｔｅ（ミッテ）』の名称は、ドイツ語のｍｉｔｔｅで “中央”という意味があり、「家族が集まる場所」としてネーミングしています。","text":"ミッテ\n『ｍｉｔｔｅ（ミッテ）』の名称は、ドイツ語のｍｉｔｔｅで “中央”という意味があり、「家族が集まる場所」としてネーミングしています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9F%E3%83%83%E3%83%86","updated":1700151725,"position":[15.5408,-147.8773,90.0838],"cluster":"c42","subgroup":"c42.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09557,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b16634971d9001c0b3215","weight":0.09557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64df00775fbd45001ccae03d","weight":0.08761,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655641bcd1de8f001c4ba256","source":"ideaofintellection","title":"Give me a light","excerpt":"「もっと光を！」（Mehr Licht !）という言葉はヨハン・ヴォルフガング・フォン・ゲーテ（1749〜1832）が臨終の場で語ったとされる","text":"Give me a light \n「もっと光を！」（Mehr Licht !）という言葉はヨハン・ヴォルフガング・フォン・ゲーテ（1749〜1832）が臨終の場で語ったとされる\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Give%20me%20a%20light","updated":1700151786,"position":[0.4121,11.4632,14.2319],"cluster":"c07","subgroup":"c07.01","degree":3,"referenceDegree":0,"maxSimilarity":0.2355,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:669cc35a5687a2001cf4bc5c","weight":0.2355,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4dbf040d71b1503a6d9d","weight":0.18337,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4e07f350fa737335cfcb","weight":0.15576,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655641f21abe43001b298310","source":"ideaofintellection","title":"スツール","excerpt":"スツールとは、背もたれと肘掛けがない簡易的な椅子のことです。 洗面台や玄関、キッチンなど、少しの間座りたい際にぴったりです。 スツールの使い方としては短時間使用がメインのため、座り心地より機能性が優先されています。 コンパクトなため収納しやすく、持ち運びやすいのもメリットです。","text":"スツール\nスツールとは、背もたれと肘掛けがない簡易的な椅子のことです。 洗面台や玄関、キッチンなど、少しの間座りたい際にぴったりです。 スツールの使い方としては短時間使用がメインのため、座り心地より機能性が優先されています。 コンパクトなため収納しやすく、持ち運びやすいのもメリットです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%83%84%E3%83%BC%E3%83%AB","updated":1700151848,"position":[34.4061,41.2763,10.6349],"cluster":"c17","subgroup":"c17.01","degree":2,"referenceDegree":0,"maxSimilarity":0.27056,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659a659e7e6003002205708a","weight":0.27056,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659e70565dcb390025b4690b","weight":0.21787,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6556424d8fc53f001b0d5656","source":"ideaofintellection","title":"ユーダイモニア","excerpt":"ユーダイモニアはギリシャ語で「精神状態が良い こと（最良善）」を意味し，アリストテレスが人生で最大 の目的に掲げた幸福である． ユーダイモニアは「人生に おける意義と目的，または良好な精神的機能」といった 定義がなされ，「人生の意味」がその中心的な要素である と考えられている．","text":"ユーダイモニア\nユーダイモニアはギリシャ語で「精神状態が良い こと（最良善）」を意味し，アリストテレスが人生で最大 の目的に掲げた幸福である． ユーダイモニアは「人生に おける意義と目的，または良好な精神的機能」といった 定義がなされ，「人生の意味」がその中心的な要素である と考えられている．\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A6%E3%83%BC%E3%83%80%E3%82%A4%E3%83%A2%E3%83%8B%E3%82%A2","updated":1700151891,"position":[1.4664,-76.4575,35.655],"cluster":"c01","subgroup":"c01.03","degree":4,"referenceDegree":0,"maxSimilarity":0.1188,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.1188,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454a385c6102a339ba085","weight":0.11558,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69b0432ccd66f1e7c84aeecb","weight":0.09408,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454351bf828eab51092a4","weight":0.08868,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6556427dc5f534001c67e039","source":"ideaofintellection","title":"ベイズ推論","excerpt":"ベイズ推定（ベイズすいてい、英: Bayesian inference）とは、ベイズ確率の考え方に基づき、観測事象（観測された事実）から、推定したい事柄（それの起因である原因事象）を、確率的な意味で推論することを指す。 ベイズの定理が基本的な方法論として用いられ、名前の由来となっている","text":"ベイズ推論\nベイズ推定（ベイズすいてい、英: Bayesian inference）とは、ベイズ確率の考え方に基づき、観測事象（観測された事実）から、推定したい事柄（それの起因である原因事象）を、確率的な意味で推論することを指す。 ベイズの定理が基本的な方法論として用いられ、名前の由来となっている\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%99%E3%82%A4%E3%82%BA%E6%8E%A8%E8%AB%96","updated":1700151942,"position":[58.0937,-27.6313,34.7363],"cluster":"c23","subgroup":"c23.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06096,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:655642abf36495001bce5367","source":"ideaofintellection","title":"能動的推論","excerpt":"能動的推論 Active Inference とは,感覚状態に反応する行動 sentient behaviorを理解するための方法です。 あなたが何かを学べると信じて,この文章を読んでいるというこの事実は,まさに能動的推論を行っているということを意味しています。","text":"能動的推論\n能動的推論 Active Inference とは,感覚状態に反応する行動 sentient behaviorを理解するための方法です。 あなたが何かを学べると信じて,この文章を読んでいるというこの事実は,まさに能動的推論を行っているということを意味しています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%83%BD%E5%8B%95%E7%9A%84%E6%8E%A8%E8%AB%96","updated":1700151988,"position":[-44.1258,-29.6968,79.631],"cluster":"c28","subgroup":"c28.01","degree":1,"referenceDegree":0,"maxSimilarity":0.29331,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668261ccb0f3e0001d174a63","weight":0.29331,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655642c59efbd7001cfe03c9","source":"ideaofintellection","title":"自由エネルギー原理","excerpt":"自由エネルギー原理は、簡単にいうと「生物の知覚や学習、行動は自由エネルギーと呼ばれるコスト関数を最小化するように決まり、その結果生物は外界に適応できる」という理論","text":"自由エネルギー原理\n自由エネルギー原理は、簡単にいうと「生物の知覚や学習、行動は自由エネルギーと呼ばれるコスト関数を最小化するように決まり、その結果生物は外界に適応できる」という理論\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%87%AA%E7%94%B1%E3%82%A8%E3%83%8D%E3%83%AB%E3%82%AE%E3%83%BC%E5%8E%9F%E7%90%86","updated":1700152088,"position":[-43.831,-28.4132,79.1774],"cluster":"c28","subgroup":"c28.01","degree":4,"referenceDegree":0,"maxSimilarity":0.58176,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667e6a798a9c13001d16966b","weight":0.58176,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668261ccb0f3e0001d174a63","weight":0.52496,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d45400dfbadf0bee7e7428","weight":0.10173,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648afe99828df0001b38ee71","weight":0.09337,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655643312a5dbe001cfb488b","source":"ideaofintellection","title":"扁桃体","excerpt":"ヒトを含む高等脊椎動物の側頭葉内側の奥に存在する、アーモンド（扁桃）形の神経細胞の集まり。 情動反応の処理と記憶において主要な役割を持つことが示されており、大脳辺縁系の一部であると考えられている。 扁桃核（へんとうかく）とも言う。 ヒトの脳における扁桃体の位置。","text":"扁桃体\nヒトを含む高等脊椎動物の側頭葉内側の奥に存在する、アーモンド（扁桃）形の神経細胞の集まり。 情動反応の処理と記憶において主要な役割を持つことが示されており、大脳辺縁系の一部であると考えられている。 扁桃核（へんとうかく）とも言う。 ヒトの脳における扁桃体の位置。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%89%81%E6%A1%83%E4%BD%93","updated":1700152119,"position":[-45.6014,-26.5553,77.3353],"cluster":"c28","subgroup":"c28.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14507,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6532d8477df50e001bd2ef80","weight":0.14507,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.09846,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655643b76ef1e9001c228115","source":"ideaofintellection","title":"シンコペーション","excerpt":"アクセントや拍節の正規のパターンを変えることによって、リズムに不規則性（強拍部と弱拍部の位置の交替）を生じさせる効果のことで、それには主として次に示すような三つの方法がある。","text":"シンコペーション\nアクセントや拍節の正規のパターンを変えることによって、リズムに不規則性（強拍部と弱拍部の位置の交替）を生じさせる効果のことで、それには主として次に示すような三つの方法がある。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%B3%E3%82%B3%E3%83%9A%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1700152252,"position":[42.597,-51.1278,33.6515],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.12321,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a76b89555343341d0c683e8","weight":0.12321,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.08523,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655643ea21ce2f001be11cf4","source":"ideaofintellection","title":"レクイエム","excerpt":"日本語では、「鎮魂曲」と訳されるレクイエム。 亡くなった人を悼む内容の作品で、カトリックの典礼で歌われることを目的としています。 前回のミサの記事で紹介しましたが、ミサ曲とは、カトリックの典礼で歌われる音楽のことを言います。","text":"レクイエム\n日本語では、「鎮魂曲」と訳されるレクイエム。 亡くなった人を悼む内容の作品で、カトリックの典礼で歌われることを目的としています。 前回のミサの記事で紹介しましたが、ミサ曲とは、カトリックの典礼で歌われる音楽のことを言います。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%82%AF%E3%82%A4%E3%82%A8%E3%83%A0","updated":1700152306,"position":[47.5761,-47.4172,34.4898],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.18956,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663224956855af00258f20bc","weight":0.18956,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c63c118b78e4001bc5a98b","weight":0.11711,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a216999b90f0002374eae1","weight":0.09359,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6556444ff36495001bce6730","source":"ideaofintellection","title":"スキーマ理論","excerpt":"知識の構造を表現する手段であるスキーマに関する理論。 スキーマとは，いくつかの物事に共通して現れる型についての情報を表現したもので，その語源はイギリスの心理学者フレデリック・C. バートレットの 1932年の論文により提示された。","text":"スキーマ理論\n知識の構造を表現する手段であるスキーマに関する理論。 スキーマとは，いくつかの物事に共通して現れる型についての情報を表現したもので，その語源はイギリスの心理学者フレデリック・C. バートレットの 1932年の論文により提示された。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%82%AD%E3%83%BC%E3%83%9E%E7%90%86%E8%AB%96","updated":1700152409,"position":[-18.7882,-12.8158,-18.2437],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12196,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6582d59f3863190023d0adf9","weight":0.12196,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65564498b44e70001b256dce","source":"ideaofintellection","title":"脳幹","excerpt":"中枢神経系を構成する器官集合体の一つ。 広義には中脳、延髄、橋に間脳を含む部位。 狭義には中脳と延髄と橋のみを指す。 また、間脳を含まない狭義の括りを下位脳幹 (lower brainstem) と呼ぶ。","text":"脳幹\n中枢神経系を構成する器官集合体の一つ。 広義には中脳、延髄、橋に間脳を含む部位。 狭義には中脳と延髄と橋のみを指す。 また、間脳を含まない狭義の括りを下位脳幹 (lower brainstem) と呼ぶ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%84%B3%E5%B9%B9","updated":1700152477,"position":[-42.3874,-28.1732,77.1848],"cluster":"c28","subgroup":"c28.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10589,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668e25a77c5da7001d3ea051","weight":0.10589,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655644ce11a23e001c823f21","source":"ideaofintellection","title":"アングロサクソン","excerpt":"１ 5世紀ごろ、民族大移動でドイツの北西部からブリテン島に移住したアングル人とサクソン人の総称。 現在の英国民の根幹をなす。 ２ 英国民、また、英国系の人。","text":"アングロサクソン\n１ 5世紀ごろ、民族大移動でドイツの北西部からブリテン島に移住したアングル人とサクソン人の総称。 現在の英国民の根幹をなす。 ２ 英国民、また、英国系の人。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%82%B0%E3%83%AD%E3%82%B5%E3%82%AF%E3%82%BD%E3%83%B3","updated":1700152532,"position":[42.1411,-102.6115,-52.1866],"cluster":"c41","subgroup":"c41.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06988,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:655644f42a5dbe001cfb58d1","source":"ideaofintellection","title":"Uk ガラージ","excerpt":"UKガラージは、1990年代前期から中期にかけてイギリスで生まれたエレクトロニック・ミュージックのジャンル。","text":"Uk ガラージ\nUKガラージは、1990年代前期から中期にかけてイギリスで生まれたエレクトロニック・ミュージックのジャンル。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Uk%20%E3%82%AC%E3%83%A9%E3%83%BC%E3%82%B8","updated":1700152578,"position":[48.2192,-52.0098,33.9365],"cluster":"c02","subgroup":"c02.01","degree":8,"referenceDegree":0,"maxSimilarity":0.18978,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bd564e384fa00025fa6ad1","weight":0.18978,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b31d6b688fbd2f9a5bdb8","weight":0.16421,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be5fa1fe800024f7c419","weight":0.1492,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e324ff3f8c71001cae43f4","weight":0.14644,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.11881,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bc15b64b1766002418daf8","weight":0.11594,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a852d49d4ee00241e4147","weight":0.11429,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2f3a8378db8001bd9e1ea","weight":0.10616,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65564567d3e12b001c8ef1a0","source":"ideaofintellection","title":"ニュー・アカデミズム","excerpt":"ニュー・アカデミズムとは1980年代中頃に浅田彰、中沢新一の著作がベストセラーとなり、既存のアカデミズムの枠におさまらない新しい形の知のブームが生じたことを、マスメディアが社会現象として捉えて名付けた造語[1]であり、厳密な定義のない用語である。基本的に、記号論や構造主義、ポスト構造主義、ポスト・モダニズムといった西欧の当時の学問の潮流の日本への輸入と並行して生じた潮流を差していた。","text":"ニュー・アカデミズム\nニュー・アカデミズムとは1980年代中頃に浅田彰、中沢新一の著作がベストセラーとなり、既存のアカデミズムの枠におさまらない新しい形の知のブームが生じたことを、マスメディアが社会現象として捉えて名付けた造語[1]であり、厳密な定義のない用語である。基本的に、記号論や構造主義、ポスト構造主義、ポスト・モダニズムといった西欧の当時の学問の潮流の日本への輸入と並行して生じた潮流を差していた。\n\n既存のアカデミズムの学問領域の区分けを横断する学際的な思想である点、旧来的な学問の論述方法・作法から逸脱した自由な表現方法をとる場合がある点に、特徴がある。したがって学会や学術誌よりも、ジャーナリズムを主要な活動の舞台とした。ただし論者のほぼ全ては大学に籍を置いていた。\n","tags":[],"links":["1"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8B%E3%83%A5%E3%83%BC%E3%83%BB%E3%82%A2%E3%82%AB%E3%83%87%E3%83%9F%E3%82%BA%E3%83%A0","updated":1700152780,"position":[19.5298,-68.348,-0.215],"cluster":"c03","subgroup":"c03.02","degree":8,"referenceDegree":0,"maxSimilarity":0.15033,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d2aafe72a4fd0025276c66","weight":0.15033,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:655a02633d53fc001be347cc","weight":0.15016,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67fdb5588f3e74d9e9b838e2","weight":0.13367,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e15b62b8a983e8a4b7a9","weight":0.11508,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.10552,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c8a7cbbc528b7c41945f8b","weight":0.10423,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e877f968620023e548e8","weight":0.10102,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113da5848e89234962c31e","weight":0.09569,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655645e09efbd7001cfe2652","source":"ideaofintellection","title":"静謐","excerpt":"世の中がおだやかに治まること。 また、そのさま。 ② 静かで、落ち着いていること。","text":"静謐\n世の中がおだやかに治まること。 また、そのさま。 ② 静かで、落ち着いていること。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9D%99%E8%AC%90","updated":1700152811,"position":[-10.2091,-193.5328,14.0203],"cluster":"c37","subgroup":"c37.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10733,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662bd0a82c11680025f14657","weight":0.10733,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a142ce5a12230c1f0aa2bc9","weight":0.10556,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6556460d11a23e001c8249ac","source":"ideaofintellection","title":"マルクス主義","excerpt":"マルクス主義者はマルキスト（Marxist）と呼ばれる。 マルクス主義は、資本を社会の共有財産に変えることによって、労働者が資本を増殖するためだけに生きるという、賃労働の悲惨な性質を廃止し、階級のない協同社会を目指すとしている。","text":"マルクス主義\nマルクス主義者はマルキスト（Marxist）と呼ばれる。 マルクス主義は、資本を社会の共有財産に変えることによって、労働者が資本を増殖するためだけに生きるという、賃労働の悲惨な性質を廃止し、階級のない協同社会を目指すとしている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%AB%E3%82%AF%E3%82%B9%E4%B8%BB%E7%BE%A9","updated":1700152855,"position":[-40.2215,47.0812,-111.3398],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0659,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6556462eb00f43001b7812e8","source":"ideaofintellection","title":"面映い","excerpt":"相手と顔を合わせるとまぶしく感じるの意) 顔を合わせるのが恥ずかしい。 きまりが悪い。 てれくさい。","text":"面映い\n相手と顔を合わせるとまぶしく感じるの意) 顔を合わせるのが恥ずかしい。 きまりが悪い。 てれくさい。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9D%A2%E6%98%A0%E3%81%84","updated":1700152896,"position":[-50.1749,36.9036,-121.1961],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0594,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6559a37b7a4b13001caaa7e0","source":"ideaofintellection","title":"羅網","excerpt":"① 鳥を捕獲する網。 ② 仏語。 宝珠を編みつらねた網。 浄土や天界にあるとし、仏殿や仏像の上に掛けて荘厳具とする。","text":"羅網\n① 鳥を捕獲する網。 ② 仏語。 宝珠を編みつらねた網。 浄土や天界にあるとし、仏殿や仏像の上に掛けて荘厳具とする。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%BE%85%E7%B6%B2","updated":1700373406,"position":[-58.801,24.0962,-152.8399],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07642,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6559a62b390d1b001c02ebab","source":"ideaofintellection","title":"寿ぐ","excerpt":"「寿（ことほ）ぐ」は、ことばで祝福する、喜びを言う、祝いのことばを述べる、といった意味のことばである。 「言（こと）祝（ほ）く」から生まれた語で、現在でも「言祝ぐ」と書くこともある。 「ほく（ほぐ）」は、よい結果が得られるように、祝福のことばを唱えるという意味である。","text":"寿ぐ\n「寿（ことほ）ぐ」は、ことばで祝福する、喜びを言う、祝いのことばを述べる、といった意味のことばである。 「言（こと）祝（ほ）く」から生まれた語で、現在でも「言祝ぐ」と書くこともある。 「ほく（ほぐ）」は、よい結果が得られるように、祝福のことばを唱えるという意味である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%AF%BF%E3%81%90","updated":1700374074,"position":[30.417,1.3166,-13.2992],"cluster":"c18","subgroup":"c18.01","degree":4,"referenceDegree":0,"maxSimilarity":0.13031,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66825e622e5575001ce0a3cc","weight":0.13031,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cc882fbfc570027ead549","weight":0.09601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e375e5d0cf7e001bc33b4d","weight":0.08869,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b77ced5f8570002460678f","weight":0.08611,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559a8e25fe734001bcbd826","source":"ideaofintellection","title":"ポストモダン","excerpt":"｢ポストモダン｣の意味は、簡単にいうと｢近代(モダン)以後｣のことを指します。 個人個人がそれぞれの趣味に生きて、共通の価値観が無くなってきている現代の状況を表しています。 20世紀中盤から後半にかけて、近代から脱却することを目標に、文学・芸術・建築などの分野で流行した思想運動が盛んになりました。","text":"ポストモダン\n｢ポストモダン｣の意味は、簡単にいうと｢近代(モダン)以後｣のことを指します。 個人個人がそれぞれの趣味に生きて、共通の価値観が無くなってきている現代の状況を表しています。 20世紀中盤から後半にかけて、近代から脱却することを目標に、文学・芸術・建築などの分野で流行した思想運動が盛んになりました。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9D%E3%82%B9%E3%83%88%E3%83%A2%E3%83%80%E3%83%B3","updated":1700374763,"position":[40.1076,27.1266,64.5704],"cluster":"c30","subgroup":"c30.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12775,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659214d310adc0002483048c","weight":0.12775,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9efba360853bedff0edaa","weight":0.10815,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ff5690fa80c8001ccbe6e4","weight":0.09614,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559d9ba72a805001b496f03","source":"ideaofintellection","title":"忘己利他","excerpt":"「自分のことを忘れ、他の人々のために尽くせ」—これこそ仏教が理想とする人間の生き方です。 仏典の中にジャータカという物語集があります。 その中には釈尊が前世において、菩薩として悟りを求めて修行していたときの話が多く収められています。 そのなかで特に有名なもののひとつに、釈尊と飢えた虎の話があります。","text":"忘己利他\n「自分のことを忘れ、他の人々のために尽くせ」—これこそ仏教が理想とする人間の生き方です。 仏典の中にジャータカという物語集があります。 その中には釈尊が前世において、菩薩として悟りを求めて修行していたときの話が多く収められています。 そのなかで特に有名なもののひとつに、釈尊と飢えた虎の話があります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%BF%98%E5%B7%B1%E5%88%A9%E4%BB%96","updated":1700387283,"position":[8.1894,-77.4602,35.8786],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.1,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e39adef24c6e001c4633be","weight":0.1,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559d9f6bb9894001c53f85f","source":"ideaofintellection","title":"慧日","excerpt":"仏の智慧が煩悩や罪障を除くことを、太陽にたとえていう語。","text":"慧日\n仏の智慧が煩悩や罪障を除くことを、太陽にたとえていう語。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%85%A7%E6%97%A5","updated":1700387325,"position":[-54.9067,12.0318,-151.7835],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05336,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6559da10fae697001b59a92f","source":"ideaofintellection","title":"難転","excerpt":"南天は、「難を転じる」災いや困り事、不幸などを避ける力があると古くから言い伝えられています。","text":"難転\n南天は、「難を転じる」災いや困り事、不幸などを避ける力があると古くから言い伝えられています。\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9B%A3%E8%BB%A2","updated":1700388044,"position":[-17.9396,-212.8537,76.6177],"cluster":"c46","subgroup":"c46.01","degree":2,"referenceDegree":0,"maxSimilarity":0.28953,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6679b1c2706bb5001db5d31f","weight":0.28953,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e44441d0cf7e001bcc9f52","weight":0.10838,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559dce5956b98001c8feaad","source":"ideaofintellection","title":"大化の改新の起源","excerpt":"談山神社","text":"大化の改新の起源\n談山神社\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%A7%E5%8C%96%E3%81%AE%E6%94%B9%E6%96%B0%E3%81%AE%E8%B5%B7%E6%BA%90","updated":1700388086,"position":[-5.2025,-12.5758,15.7499],"cluster":"c07","subgroup":"c07.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12607,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312c803930f300251fd343","weight":0.12607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559dd2a57c2ac001c409aa0","source":"ideaofintellection","title":"大紫","excerpt":"オオムラサキが梢近くや木のまわりを力強く雄大に飛ぶ姿と、青紫色に輝くオスの翅が大変美しいことから、チョウの愛好者の間でオオムラサキを「国蝶」とする気運が高まり、1957年に昆虫学会によって決められたものです。","text":"大紫\nオオムラサキが梢近くや木のまわりを力強く雄大に飛ぶ姿と、青紫色に輝くオスの翅が大変美しいことから、チョウの愛好者の間でオオムラサキを「国蝶」とする気運が高まり、1957年に昆虫学会によって決められたものです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%A7%E7%B4%AB","updated":1700388145,"position":[-58.924,45.4214,-124.4508],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03777,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6559ddbbf58cf3001b4ee709","source":"ideaofintellection","title":"不邪淫戒","excerpt":"不貞行為（不倫）を行ってはいけない。 不妄語戒：妄言（嘘）をついけはいけない。 不飲酒戒：飲酒（お酒）をしてはいけない。 という意味を持っている。","text":"不邪淫戒\n不貞行為（不倫）を行ってはいけない。 不妄語戒：妄言（嘘）をついけはいけない。 不飲酒戒：飲酒（お酒）をしてはいけない。 という意味を持っている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%8D%E9%82%AA%E6%B7%AB%E6%88%92","updated":1700388309,"position":[3.4761,-74.7009,38.9311],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.29383,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559e2a1298438001b011ef0","weight":0.29383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559e11de86c0f001bd73ec8","weight":0.24601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559e11de86c0f001bd73ec8","source":"ideaofintellection","title":"不飲酒戒","excerpt":"酒を飲むことを禁じる戒","text":"不飲酒戒\n酒を飲むことを禁じる戒\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%8D%E9%A3%B2%E9%85%92%E6%88%92","updated":1700389179,"position":[3.3417,-74.8059,38.5693],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.3034,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c7380056c7e90025f19eeb","weight":0.3034,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559ddbbf58cf3001b4ee709","weight":0.24601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559e162c6bab9001c679dc4","source":"ideaofintellection","title":"波羅蜜多","excerpt":"生死の苦海を渡って涅槃の彼岸に達すること。→到彼岸。","text":"波羅蜜多\n生死の苦海を渡って涅槃の彼岸に達すること。→到彼岸。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B3%A2%E7%BE%85%E8%9C%9C%E5%A4%9A","updated":1700389240,"position":[22.0769,87.6664,1.3309],"cluster":"c22","subgroup":"c22.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08851,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6986cb3b4de47c4ce6981c0f","weight":0.08851,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559e2a1298438001b011ef0","source":"ideaofintellection","title":"不妄語戒","excerpt":"妄言（嘘）をついけはいけない。","text":"不妄語戒\n妄言（嘘）をついけはいけない。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%8D%E5%A6%84%E8%AA%9E%E6%88%92","updated":1700389567,"position":[3.5601,-74.621,39.1866],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.29383,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559ddbbf58cf3001b4ee709","weight":0.29383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559e2fff37f1c001b021bfb","source":"ideaofintellection","title":"不殺生戒","excerpt":"命あるものを殺してはいけません","text":"不殺生戒\n命あるものを殺してはいけません\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%8D%E6%AE%BA%E7%94%9F%E6%88%92","updated":1700389650,"position":[-70.7207,17.8249,-139.9669],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6559e395cd1ca9001b2c7271","source":"ideaofintellection","title":"アルスター伝説","excerpt":"アイルランドの伝承文学のアルスター物語群（アルスター伝説群、アルスター・サイクル）に関するカテゴリ。 含まれる諸作品、","text":"アルスター伝説\nアイルランドの伝承文学のアルスター物語群（アルスター伝説群、アルスター・サイクル）に関するカテゴリ。 含まれる諸作品、\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%AB%E3%82%B9%E3%82%BF%E3%83%BC%E4%BC%9D%E8%AA%AC","updated":1700389788,"position":[5.713,-78.8452,36.541],"cluster":"c01","subgroup":"c01.02","degree":4,"referenceDegree":0,"maxSimilarity":0.14451,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65800897a48ca600243d09aa","weight":0.14451,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734cb1f7d33a8b48492ce8f","weight":0.0966,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f78f27c71063001df5eb64","weight":0.08791,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:694fc377057a8ed2611b2d72","weight":0.0868,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559e3ba356f71001ca96f89","source":"ideaofintellection","title":"ケルト","excerpt":"ケルトとは古代ローマで「未知の人」を意味し、もともとは民族を示す言葉ではない。","text":"ケルト\nケルトとは古代ローマで「未知の人」を意味し、もともとは民族を示す言葉ではない。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B1%E3%83%AB%E3%83%88","updated":1700389824,"position":[5.4615,-77.9461,35.9673],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.15754,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658d29a479f55a00240f062a","weight":0.15754,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582aaed3863190023ce221c","weight":0.10852,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a213eaad2d1b002324e420","weight":0.09848,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559e40c9ed79f001bdcd155","source":"ideaofintellection","title":"クィア","excerpt":"性的マイノリティや、既存の性のカテゴリに当てはまらない人々の総称である。","text":"クィア\n性的マイノリティや、既存の性のカテゴリに当てはまらない人々の総称である。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%82%A3%E3%82%A2","updated":1700389906,"position":[3.8485,-80.0029,36.1491],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.09573,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e442efbf2d22001b96c8a1","weight":0.09573,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668256b4da4fea001d93b683","weight":0.09275,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b786b921c7a90024b98189","weight":0.08869,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559e5b5f507a3001cecbe3d","source":"ideaofintellection","title":"エッダ","excerpt":"、北欧神話の初期（ヴァイキング時代）の形態を伝える文書群である。 エッダと呼ばれる文書には『スノッリのエッダ』と『古エッダ』の2つがある。 『スノッリのエッダ』はアイスランドの詩人スノッリ・ストゥルルソンが1220年頃に著した書物である。","text":"エッダ\n、北欧神話の初期（ヴァイキング時代）の形態を伝える文書群である。 エッダと呼ばれる文書には『スノッリのエッダ』と『古エッダ』の2つがある。 『スノッリのエッダ』はアイスランドの詩人スノッリ・ストゥルルソンが1220年頃に著した書物である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%83%E3%83%80","updated":1700390332,"position":[32.6743,-60.0253,-16.8153],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05304,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6559e5fb57c2ac001c40dad5","source":"ideaofintellection","title":"言葉の幹と根は、沈黙である","excerpt":"吉本隆明","text":"言葉の幹と根は、沈黙である\n吉本隆明\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%A8%80%E8%91%89%E3%81%AE%E5%B9%B9%E3%81%A8%E6%A0%B9%E3%81%AF%E3%80%81%E6%B2%88%E9%BB%99%E3%81%A7%E3%81%82%E3%82%8B","updated":1700390414,"position":[45.9977,-54.59,32.5684],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.11135,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1348a55f3509720dc16018","weight":0.11135,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559eca272a805001b4a319d","source":"ideaofintellection","title":"球形嚢","excerpt":"球形嚢では矢状面内にあって感覚毛が外側を向いている。 そのため、エレベーターの昇降など上下方向の直線加速度は球形嚢が、電車などの水平方向の直線加速度は卵形嚢が受容器として働いている。","text":"球形嚢\n球形嚢では矢状面内にあって感覚毛が外側を向いている。 そのため、エレベーターの昇降など上下方向の直線加速度は球形嚢が、電車などの水平方向の直線加速度は卵形嚢が受容器として働いている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%90%83%E5%BD%A2%E5%9A%A2","updated":1700392125,"position":[-52.4852,36.2916,-149.8433],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07122,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6559ed3d390d1b001c056ae6","source":"ideaofintellection","title":"マージナル","excerpt":"周辺人，境界人と訳される。 二つ以上の異質な社会や集団に同時に属し，両方の影響を受けながらも，そのどちらにも完全には帰属していない人間のこと","text":"マージナル\n周辺人，境界人と訳される。 二つ以上の異質な社会や集団に同時に属し，両方の影響を受けながらも，そのどちらにも完全には帰属していない人間のこと\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%BC%E3%82%B8%E3%83%8A%E3%83%AB","updated":1700392261,"position":[-31.6837,41.6326,-113.5935],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09479,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64965bd4d4bd20001bda1c57","weight":0.09479,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559ed709b0779001c476de6","source":"ideaofintellection","title":"オリーブ核","excerpt":"運動中の誤差情報を小脳のプルキンエ細胞に伝送し、プルキンエ細胞における運動学習・内部モデルの生成に寄与している。","text":"オリーブ核\n運動中の誤差情報を小脳のプルキンエ細胞に伝送し、プルキンエ細胞における運動学習・内部モデルの生成に寄与している。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%AA%E3%83%BC%E3%83%96%E6%A0%B8","updated":1700392316,"position":[1.725,-75.4685,34.447],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10903,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55a68b42dde0024be8115","weight":0.10903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559ee2e67c3d4001c0c6f9e","source":"ideaofintellection","title":"前庭系","excerpt":"球形嚢と卵形嚢という液体で満たされた2つの袋と、半規管という同じく液体で満たされた3つの管で構成されています。","text":"前庭系\n球形嚢と卵形嚢という液体で満たされた2つの袋と、半規管という同じく液体で満たされた3つの管で構成されています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%89%8D%E5%BA%AD%E7%B3%BB","updated":1700392504,"position":[-23.341,-143.2713,57.2498],"cluster":"c36","subgroup":"c36.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07424,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6559ee63787791001c9af55e","source":"ideaofintellection","title":"transcendence","excerpt":"超越,卓越,優越,(神の)超絶性","text":"transcendence\n超越,卓越,優越,(神の)超絶性\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/transcendence","updated":1700392710,"position":[-43.4702,-153.8512,-47.1048],"cluster":"c39","subgroup":"c39.01","degree":2,"referenceDegree":0,"maxSimilarity":0.18072,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6789474c5b8738af563840f6","weight":0.18072,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bdefcf14a3e001c00e073","weight":0.1454,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559ef6a9f5cc5001b7fac92","source":"ideaofintellection","title":"プラトン イデア論","excerpt":"古典期ギリシアの代表的哲学者プラトンの中心的概念。 人間の認識の背後にある、完全な真実の世界をイデア界とし、その影が現実に或るものと考えた。 この観念論がヨーロッパ哲学の源流の一つとなった。","text":"プラトン イデア論\n古典期ギリシアの代表的哲学者プラトンの中心的概念。 人間の認識の背後にある、完全な真実の世界をイデア界とし、その影が現実に或るものと考えた。 この観念論がヨーロッパ哲学の源流の一つとなった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%97%E3%83%A9%E3%83%88%E3%83%B3%20%E3%82%A4%E3%83%87%E3%82%A2%E8%AB%96","updated":1700392822,"position":[32.8145,-60.4139,-39.3216],"cluster":"c26","subgroup":"c26.01","degree":5,"referenceDegree":0,"maxSimilarity":0.24184,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d2aafe72a4fd0025276c66","weight":0.24184,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e38c8b159d8c001b1bad34","weight":0.16185,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdf01eefeb96001d25751b","weight":0.14723,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac67a09ea8da5f8a7cf166d","weight":0.13405,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6760f5d97bb7807f53d08e0a","weight":0.11988,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559f002956b98001c907991","source":"ideaofintellection","title":"ピュシスとロゴス","excerpt":"その中にあって人間という生物は、ロゴスを生み出したことで他の生物と一線を画するようになりました。ロゴスというのは理性、言葉、論理、それらによってつくり出されるものすべてですが、ピュシスの掟の外側にロゴスの世界をつくることによって、人間はピュシスの現実から完全に逃れられないまでも、相対化することはできるようになりました。","text":"ピュシスとロゴス\nその中にあって人間という生物は、ロゴスを生み出したことで他の生物と一線を画するようになりました。ロゴスというのは理性、言葉、論理、それらによってつくり出されるものすべてですが、ピュシスの掟の外側にロゴスの世界をつくることによって、人間はピュシスの現実から完全に逃れられないまでも、相対化することはできるようになりました。\n\n例えば、ピュシスの現実では、生物にとって重要なのは個体よりも種全体の存続です。人間は、それではあまりにも残酷すぎると考え、個体の生命にも価値を置くという、基本的人権のような共通の約束をロゴスの世界につくりました。\n\nhttps://www.foresight.ext.hitachi.co.jp/_amp/_ct/17436775\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%83%A5%E3%82%B7%E3%82%B9%E3%81%A8%E3%83%AD%E3%82%B4%E3%82%B9","updated":1700393202,"position":[8.2423,-77.7443,35.9035],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09077,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e39adef24c6e001c4633be","weight":0.09077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559f12e356f71001ca9f8eb","source":"ideaofintellection","title":"arbeit macht frei","excerpt":"労働は自由にする、アウシュビッツのエントランス","text":"arbeit macht frei\n労働は自由にする、アウシュビッツのエントランス\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/arbeit%20macht%20frei","updated":1700393302,"position":[-22.5275,21.0115,70.1554],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.21998,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6582ab76fb0ab6002399ae31","weight":0.21998,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559f56514703c001cd79439","source":"ideaofintellection","title":"フーガ、フガート、ソナタ","excerpt":"交響曲や室内楽曲、ソナタなどの一部に現れるフーガ様の部分は、フーガの提示部やストレッタなどの様式・技法を用いて作曲されているが、フーガとしての要件を全て満たしているわけでもなく、また独立した曲ではなくて一つの曲や楽章の部分を成す。 こうしたものはフガート (fugato) と呼ばれる。","text":"フーガ、フガート、ソナタ\n交響曲や室内楽曲、ソナタなどの一部に現れるフーガ様の部分は、フーガの提示部やストレッタなどの様式・技法を用いて作曲されているが、フーガとしての要件を全て満たしているわけでもなく、また独立した曲ではなくて一つの曲や楽章の部分を成す。 こうしたものはフガート (fugato) と呼ばれる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%BC%E3%82%AC%E3%80%81%E3%83%95%E3%82%AC%E3%83%BC%E3%83%88%E3%80%81%E3%82%BD%E3%83%8A%E3%82%BF","updated":1700394519,"position":[43.8727,-48.4873,37.1338],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.25783,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734dbec060a796c189c76d0","weight":0.25783,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c63bf7fbf10e001cbcb82a","weight":0.25568,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559f6e225e5dc001b98bf41","source":"ideaofintellection","title":"ケープフェアウェル","excerpt":"ケープフェアウェルとは、地球温暖化による気候変動の認識を高めるために、アーティストや科学者からなる国際的なチームが、氷に覆われた高緯度の北極圏を 100 年前に建造されたオランダ製の帆船「ノーダーリッヒ」号に乗って航海を行うプロジェクトです。","text":"ケープフェアウェル\nケープフェアウェルとは、地球温暖化による気候変動の認識を高めるために、アーティストや科学者からなる国際的なチームが、氷に覆われた高緯度の北極圏を 100 年前に建造されたオランダ製の帆船「ノーダーリッヒ」号に乗って航海を行うプロジェクトです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B1%E3%83%BC%E3%83%97%E3%83%95%E3%82%A7%E3%82%A2%E3%82%A6%E3%82%A7%E3%83%AB","updated":1700394739,"position":[16.2075,-35.199,21.001],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09358,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669e53ccf123a5001c88e942","weight":0.09358,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559f867390d1b001c05db2c","source":"ideaofintellection","title":"白椿","excerpt":"","text":"白椿","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%99%BD%E6%A4%BF","updated":1700395117,"position":[-79.8675,17.1072,-136.7298],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6559f906c6bab9001c685918","source":"ideaofintellection","title":"カールハインツ・シュトックハウゼン","excerpt":"9.11テロについてのものであった。彼がこのテロを「アートの最大の作品」と。","text":"カールハインツ・シュトックハウゼン\n9.11テロについてのものであった。彼がこのテロを「アートの最大の作品」と。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%BC%E3%83%AB%E3%83%8F%E3%82%A4%E3%83%B3%E3%83%84%E3%83%BB%E3%82%B7%E3%83%A5%E3%83%88%E3%83%83%E3%82%AF%E3%83%8F%E3%82%A6%E3%82%BC%E3%83%B3","updated":1700395313,"position":[49.835,-48.7382,31.7464],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.25652,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af27b48c30b1001dd5dd1a","weight":0.25652,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559f99ec7ba14001baf3c94","source":"ideaofintellection","title":"Rhizome","excerpt":"フランス語の「根茎」を指す言葉で、転じて「横断的な関係で結びつくさま」を表します。","text":"Rhizome\nフランス語の「根茎」を指す言葉で、転じて「横断的な関係で結びつくさま」を表します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Rhizome","updated":1700395442,"position":[14.0933,-53.1738,69.0444],"cluster":"c12","subgroup":"c12.01","degree":8,"referenceDegree":0,"maxSimilarity":0.28012,"lowEvidence":false,"neighbors":[{"id":"NextResearch:690b758f5d55db9beed30417","weight":0.28012,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678941a83216fdce2dbe30e3","weight":0.16518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.15458,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.11929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580008a747cfc0023e90653","weight":0.11919,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556416eb44e70001b254bd0","weight":0.11321,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5f22f4b3bfa0024f9171a","weight":0.09652,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6584052d8b2b790024dc7bee","weight":0.08511,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559fa19788a50001c38c78a","source":"ideaofintellection","title":"ラスコーの壁画","excerpt":"ヨーロッパの洞窟壁画は星座を表し、天体現象を記録するためのものだったことが研究で明らかになった。 考古学者は、これらの洞窟壁画は人類が古代ギリシャ時代のはるか何千年も昔から、時間と空間の高度な知識を持っていたことを示していると考えている。","text":"ラスコーの壁画\nヨーロッパの洞窟壁画は星座を表し、天体現象を記録するためのものだったことが研究で明らかになった。 考古学者は、これらの洞窟壁画は人類が古代ギリシャ時代のはるか何千年も昔から、時間と空間の高度な知識を持っていたことを示していると考えている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%82%B9%E3%82%B3%E3%83%BC%E3%81%AE%E5%A3%81%E7%94%BB","updated":1700395559,"position":[-24.1458,19.3585,62.8632],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.53057,"lowEvidence":false,"neighbors":[{"id":"NextResearch:683ac7a2d6ce2ebd5553bd39","weight":0.53057,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559faa5f37f1c001b03122f","source":"ideaofintellection","title":"メティエ","excerpt":"メティエとはフランス語で“経験によって培われた熟練の技”という意味があり、瓶内2次発酵によるスパークリングワインの優れた作り手であるというラダチーニの自負を示しています。","text":"メティエ\nメティエとはフランス語で“経験によって培われた熟練の技”という意味があり、瓶内2次発酵によるスパークリングワインの優れた作り手であるというラダチーニの自負を示しています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%83%86%E3%82%A3%E3%82%A8","updated":1700395699,"position":[12.3442,-53.3148,67.9918],"cluster":"c12","subgroup":"c12.01","degree":3,"referenceDegree":0,"maxSimilarity":0.26602,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658a8338ae0d8a00242da8a6","weight":0.26602,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.15707,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d2ec9dcca000243fde21","weight":0.09625,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559fb5f298438001b01e8b8","source":"ideaofintellection","title":"対位法","excerpt":"音楽理論のひとつであり、複数の旋律を、それぞれの独立性を保ちつつ、互いによく調和させて重ね合わせる技法である。 対位法と並び、西洋音楽の音楽理論の根幹をなすものとして和声法がある。","text":"対位法\n音楽理論のひとつであり、複数の旋律を、それぞれの独立性を保ちつつ、互いによく調和させて重ね合わせる技法である。 対位法と並び、西洋音楽の音楽理論の根幹をなすものとして和声法がある。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%AF%BE%E4%BD%8D%E6%B3%95","updated":1700395910,"position":[49.6655,-48.221,33.4833],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.49489,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:672cc093df95107f47186a14","weight":0.49489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa64a84653b5001c65831a","weight":0.2759,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559fcb48dc7c9001c8ff6d5","source":"ideaofintellection","title":"ハイリゲンシュタットの遺書","excerpt":"ハイリゲンシュタットの遺書とは、ベートーヴェンが1802年に家族に綴った手紙です。 難聴などの体調不良や、人間関係への絶望など。 どん底を味わったベートーヴェンの苦痛を表す文面。 難聴は音楽家として致命的で、その絶望感は計り知れません。","text":"ハイリゲンシュタットの遺書\nハイリゲンシュタットの遺書とは、ベートーヴェンが1802年に家族に綴った手紙です。 難聴などの体調不良や、人間関係への絶望など。 どん底を味わったベートーヴェンの苦痛を表す文面。 難聴は音楽家として致命的で、その絶望感は計り知れません。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%82%A4%E3%83%AA%E3%82%B2%E3%83%B3%E3%82%B7%E3%83%A5%E3%82%BF%E3%83%83%E3%83%88%E3%81%AE%E9%81%BA%E6%9B%B8","updated":1700396225,"position":[-25.8828,-75.3229,65.7415],"cluster":"c04","subgroup":"c04.01","degree":5,"referenceDegree":0,"maxSimilarity":0.1599,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6582abe8781cc60024698dc5","weight":0.1599,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af8f18163b20001c67ca02","weight":0.10239,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:654136c44c9563001c039c49","weight":0.0939,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2b69f12dd2001db4df17","weight":0.09041,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734df36af3738f1300fff5a","weight":0.09003,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559fd1f525602001ce4de1e","source":"ideaofintellection","title":"ハイパースキャニング","excerpt":"ハイパースキャニングとは，コミュニケーション中の二者から同時に脳活動を計測し，二者間での脳活動相関といった 形でコミュニケーションを特徴づける脳活動のハイパーパラメータを計算することで，コミュニケーションの神経基盤を描出 することを目指す研究手法である","text":"ハイパースキャニング\nハイパースキャニングとは，コミュニケーション中の二者から同時に脳活動を計測し，二者間での脳活動相関といった 形でコミュニケーションを特徴づける脳活動のハイパーパラメータを計算することで，コミュニケーションの神経基盤を描出 することを目指す研究手法である\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%82%A4%E3%83%91%E3%83%BC%E3%82%B9%E3%82%AD%E3%83%A3%E3%83%8B%E3%83%B3%E3%82%B0","updated":1700396330,"position":[16.4339,-67.9678,1.3956],"cluster":"c03","subgroup":"c03.01","degree":7,"referenceDegree":0,"maxSimilarity":0.175,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678940fdc8084a826ca40bea","weight":0.175,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68ef36c8ce2d38d1d7d2d707","weight":0.12362,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6e804208b800259f474c","weight":0.11464,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789434fe0c60caa3c664963","weight":0.11377,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e603f6a2ec39d44c96ae","weight":0.10618,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf5eaacff96a00247aa241","weight":0.09857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c5f333a63530023c69167","weight":0.09502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6559fd5e332c6d001cea7284","source":"ideaofintellection","title":"カヤグム","excerpt":"日本のこと（ 箏 そう ）とよく 似 に た形をしていますが，ことがつめを使って 演奏 えんそう するのに対して，カヤグムはつめを使わず，右手の親指，人さし指，中指の３本の指を使って演奏します。 指の先で弦をおさえて，それをはなすことで音を出すこともできます。 左手で弦をゆらして音にゆれをつくることもできます。","text":"カヤグム\n日本のこと（ 箏 そう ）とよく 似 に た形をしていますが，ことがつめを使って 演奏 えんそう するのに対して，カヤグムはつめを使わず，右手の親指，人さし指，中指の３本の指を使って演奏します。 指の先で弦をおさえて，それをはなすことで音を出すこともできます。 左手で弦をゆらして音にゆれをつくることもできます。\n韓国の楽器。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%A4%E3%82%B0%E3%83%A0","updated":1700397038,"position":[15.8991,-65.4296,2.248],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10058,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d634a031b3e0024df4524","weight":0.10058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a001c14c156001ce08ad0","source":"ideaofintellection","title":"スキゾ、パラノ","excerpt":"パラノもスキゾも元々は精神医学に由来する用語であり、「パラノ」はパラノイア＝偏執型を指し、「スキゾ」とはスキゾフレニア＝分裂型を指しています。","text":"スキゾ、パラノ\nパラノもスキゾも元々は精神医学に由来する用語であり、「パラノ」はパラノイア＝偏執型を指し、「スキゾ」とはスキゾフレニア＝分裂型を指しています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%82%AD%E3%82%BE%E3%80%81%E3%83%91%E3%83%A9%E3%83%8E","updated":1700397094,"position":[30.7559,-39.3838,-3.4716],"cluster":"c10","subgroup":"c10.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08858,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a8f57c6d3451002324aec0","weight":0.08858,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a0040c75b1f001be99afc","source":"ideaofintellection","title":"アールデコ","excerpt":"アールデコという名称は、フランス語で「装飾美術」を意味し、アールヌーボーに代わり、1910年代半ばから1930年代にかけて流行したムーブメントです。 アールデコは、シンプルで合理的な、幾何学図形をモチーフにした直線的で記号的な表現が特徴の装飾美術です。","text":"アールデコ\nアールデコという名称は、フランス語で「装飾美術」を意味し、アールヌーボーに代わり、1910年代半ばから1930年代にかけて流行したムーブメントです。 アールデコは、シンプルで合理的な、幾何学図形をモチーフにした直線的で記号的な表現が特徴の装飾美術です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%BC%E3%83%AB%E3%83%87%E3%82%B3","updated":1700397126,"position":[12.2427,-54.0664,68.086],"cluster":"c12","subgroup":"c12.01","degree":4,"referenceDegree":0,"maxSimilarity":0.35242,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a0049ea7722001cbacb8e","weight":0.35242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6814e9ca515603ad006296c8","weight":0.20007,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.10751,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a8616fefc630024230a9a","weight":0.10067,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a0049ea7722001cbacb8e","source":"ideaofintellection","title":"アールヌーボ","excerpt":"アールヌーボーに続き、20世紀初頭（1910～1930年代）のヨーロッパおよびアメリカで流行した様式がアールデコ調。 花や植物など、自然のモチーフと自由な曲線を特徴としたアールヌーボーに対し、アールデコは直線や幾何学模様が使われるのが特徴です。 優美で装飾性の高いアールヌーボーに比べると、アールデコはモダンで機能的。","text":"アールヌーボ\nアールヌーボーに続き、20世紀初頭（1910～1930年代）のヨーロッパおよびアメリカで流行した様式がアールデコ調。 花や植物など、自然のモチーフと自由な曲線を特徴としたアールヌーボーに対し、アールデコは直線や幾何学模様が使われるのが特徴です。 優美で装飾性の高いアールヌーボーに比べると、アールデコはモダンで機能的。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%BC%E3%83%AB%E3%83%8C%E3%83%BC%E3%83%9C","updated":1700397180,"position":[12.0074,-54.4375,68.0019],"cluster":"c12","subgroup":"c12.01","degree":2,"referenceDegree":0,"maxSimilarity":0.51656,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6814e9ca515603ad006296c8","weight":0.51656,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0040c75b1f001be99afc","weight":0.35242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a00f5525602001ce50a80","source":"ideaofintellection","title":"fair","excerpt":"快晴の、公正な、美しい","text":"fair\n快晴の、公正な、美しい \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/fair","updated":1700397312,"position":[-45.3513,5.1714,-146.6377],"cluster":"c49","subgroup":"c49.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13108,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:649bdde6924d73001c25d1f5","weight":0.13108,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf648664b00d00246a83cd","weight":0.12393,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bd2e062f8b6001b7f7921","weight":0.10228,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a012f1e5425001b3c841a","source":"ideaofintellection","title":"常温超伝導","excerpt":"常温超伝導が現実になれば、電気エネルギーを全く無損失で転送することが可能になります。 現在の電力網では、電気抵抗によりエネルギーが損失しますが、この損失がゼロになれば、電力網全体の効率が大幅に向上します。","text":"常温超伝導\n常温超伝導が現実になれば、電気エネルギーを全く無損失で転送することが可能になります。 現在の電力網では、電気抵抗によりエネルギーが損失しますが、この損失がゼロになれば、電力網全体の効率が大幅に向上します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%B8%B8%E6%B8%A9%E8%B6%85%E4%BC%9D%E5%B0%8E","updated":1700397371,"position":[-25.5089,-75.7204,67.554],"cluster":"c04","subgroup":"c04.01","degree":5,"referenceDegree":0,"maxSimilarity":0.1382,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c214cf4424e00024a3f0ba","weight":0.1382,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678946ca832353e582d22c19","weight":0.11185,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648afe99828df0001b38ee71","weight":0.10608,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66472e2ec5d8e9001cfde1b3","weight":0.0863,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a509ee92770025dcee18","weight":0.0854,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a0187356f71001caa81f4","source":"ideaofintellection","title":"ヘーゲルの主張","excerpt":"ヘーゲルは人間は理性と感性を併せ持った存在なのだから必然的に道徳と宗教は不可分の関係にあると主張した。 理性の実体である道徳には感性（道徳感情）が重要で、感性から生じる宗教は道徳に霊感を与え、宗教によって道徳的に救われるという感覚を人々に与えているのだと理解した。","text":"ヘーゲルの主張\nヘーゲルは人間は理性と感性を併せ持った存在なのだから必然的に道徳と宗教は不可分の関係にあると主張した。 理性の実体である道徳には感性（道徳感情）が重要で、感性から生じる宗教は道徳に霊感を与え、宗教によって道徳的に救われるという感覚を人々に与えているのだと理解した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%83%BC%E3%82%B2%E3%83%AB%E3%81%AE%E4%B8%BB%E5%BC%B5","updated":1700397455,"position":[18.2665,85.0007,-2.8174],"cluster":"c22","subgroup":"c22.01","degree":2,"referenceDegree":0,"maxSimilarity":0.30543,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633ab9f405b350024108f70","weight":0.30543,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a01a4406163001bc3d116","weight":0.16373,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a01a4406163001bc3d116","source":"ideaofintellection","title":"精神現象学 ヘーゲル","excerpt":"「精神」は現実的な意識の「自己」であり、 意識に対しては、「精神」はむしろ対象として現実的に存在する世界として立ち現れて くる。 この「世界」は、しかし、自己にとって疎遠なものとしての意味を全くもって いないが、それと同じように、自己の方も、世界から切り離された形で存在する全て の対自存在という在り方をもはやしない。","text":"精神現象学 ヘーゲル\n「精神」は現実的な意識の「自己」であり、 意識に対しては、「精神」はむしろ対象として現実的に存在する世界として立ち現れて くる。 この「世界」は、しかし、自己にとって疎遠なものとしての意味を全くもって いないが、それと同じように、自己の方も、世界から切り離された形で存在する全て の対自存在という在り方をもはやしない。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%B2%BE%E7%A5%9E%E7%8F%BE%E8%B1%A1%E5%AD%A6%20%E3%83%98%E3%83%BC%E3%82%B2%E3%83%AB","updated":1700397488,"position":[18.1248,84.7758,-2.5613],"cluster":"c22","subgroup":"c22.01","degree":2,"referenceDegree":0,"maxSimilarity":0.26169,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633ab9f405b350024108f70","weight":0.26169,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0187356f71001caa81f4","weight":0.16373,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a0328788a50001c391520","source":"ideaofintellection","title":"シンフォニア","excerpt":"そこで、複数の楽章を持つシンフォニアは、モーツァルトやハイドンをはじめとするウィーン古典派の作曲家がこぞって作曲するようになり、この形式を持つ合奏曲を「シンフォニー（ジンフォニー）」と区別するようになりました。 イタリア語では、今でも交響曲のことをシンフォニアと呼びます。","text":"シンフォニア\nそこで、複数の楽章を持つシンフォニアは、モーツァルトやハイドンをはじめとするウィーン古典派の作曲家がこぞって作曲するようになり、この形式を持つ合奏曲を「シンフォニー（ジンフォニー）」と区別するようになりました。 イタリア語では、今でも交響曲のことをシンフォニアと呼びます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%B3%E3%83%95%E3%82%A9%E3%83%8B%E3%82%A2","updated":1700397872,"position":[47.561,-47.6593,34.3182],"cluster":"c02","subgroup":"c02.03","degree":6,"referenceDegree":0,"maxSimilarity":0.4792,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658c56d7ccfeab00249c72c3","weight":0.4792,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a2777ecb67e9001b61610b","weight":0.13292,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734dea3c1dadde248a0819f","weight":0.12441,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc0c4924cae7c52e36fbe","weight":0.11681,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663224956855af00258f20bc","weight":0.11408,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:676d5faf70372a1775c43e81","weight":0.08984,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a037caba1d5001b391f61","source":"ideaofintellection","title":"和声","excerpt":"ひとつの旋律＋伴奏、という形による音楽(ホモフォニー)の在り方こそ、西洋音楽を西洋音楽たらしめている大きな要素のひとつである。 この「伴奏」を担う音の組み合わせ、同時に鳴らされる2つ以上の音のつらなりを「和声」と呼ぶ。","text":"和声\nひとつの旋律＋伴奏、という形による音楽(ホモフォニー)の在り方こそ、西洋音楽を西洋音楽たらしめている大きな要素のひとつである。 この「伴奏」を担う音の組み合わせ、同時に鳴らされる2つ以上の音のつらなりを「和声」と呼ぶ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%92%8C%E5%A3%B0","updated":1700397957,"position":[48.7486,-47.5951,34.0148],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.08831,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.08831,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a0ad011a53d001ce2a677","source":"ideaofintellection","title":"シャノンエントロピー","excerpt":"情報エントロピーとは、ある事象の組み合わせで表される系で、各事象の情報量の平均のこと。 統計力学における無秩序さの指標であるエントロピーに似た概念であるためこのように呼ばれ、事象の不確かさの程度を表している。","text":"シャノンエントロピー\n情報エントロピーとは、ある事象の組み合わせで表される系で、各事象の情報量の平均のこと。 統計力学における無秩序さの指標であるエントロピーに似た概念であるためこのように呼ばれ、事象の不確かさの程度を表している。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%A3%E3%83%8E%E3%83%B3%E3%82%A8%E3%83%B3%E3%83%88%E3%83%AD%E3%83%94%E3%83%BC","updated":1700399833,"position":[12.8177,-69.4684,32.5529],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.68367,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a64612bb15bbf760a19598d","weight":0.68367,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1bf35236a0b0025bc9671","weight":0.19679,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633ad3e4bc89600245bf4e3","weight":0.10262,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a0bef525602001ce57c18","source":"ideaofintellection","title":"カオスアトラクター","excerpt":"ストレンジアトラクタはカオスアトラクタ（chaotic attractor）とも呼ばれ，力学系におけ るカオス的な軌道を含むアトラクタのことであり，幾何学的にはフラクタル構造という特徴 を一般に有している．","text":"カオスアトラクター\nストレンジアトラクタはカオスアトラクタ（chaotic attractor）とも呼ばれ，力学系におけ るカオス的な軌道を含むアトラクタのことであり，幾何学的にはフラクタル構造という特徴 を一般に有している．\nhttps://3oakleaves.com/2015/05/31/attractor-chaos/\n[https://scrapbox.io/files/655a0c3b9b0779001c48beb8.jpeg]\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%82%AA%E3%82%B9%E3%82%A2%E3%83%88%E3%83%A9%E3%82%AF%E3%82%BF%E3%83%BC","updated":1700400216,"position":[17.0441,-68.9721,0.1737],"cluster":"c03","subgroup":"c03.01","degree":5,"referenceDegree":0,"maxSimilarity":0.47086,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af2690d24048001cf526e8","weight":0.47086,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4cc943abdb6f0e8ffcc","weight":0.25856,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4a8f69c2a455680206c","weight":0.12761,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5eab73af249002221afca","weight":0.1078,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2f6604f819b001c6aa9a4","weight":0.09279,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a158ad9c8f5001c7e4c9c","source":"ideaofintellection","title":"ディリクレ分布","excerpt":"ディリクレ分布は多項分布の共役事前分布として知られており、一言でいうと「さいころの目の出やすさ」の分布です。 多項分布は「出る目の分布」でディリクレ分布が「目の出やすさの分布」ということで、ベイズ統計では多項分布の事前分布としてディリクレ分布がよく使われます。","text":"ディリクレ分布\nディリクレ分布は多項分布の共役事前分布として知られており、一言でいうと「さいころの目の出やすさ」の分布です。 多項分布は「出る目の分布」でディリクレ分布が「目の出やすさの分布」ということで、ベイズ統計では多項分布の事前分布としてディリクレ分布がよく使われます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%87%E3%82%A3%E3%83%AA%E3%82%AF%E3%83%AC%E5%88%86%E5%B8%83","updated":1700402603,"position":[-23.0647,-72.1002,66.8024],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13075,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667e7288aac46f001c0593ca","weight":0.13075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a168a72a805001b4bfa47","source":"ideaofintellection","title":"ヘップ型可塑性","excerpt":"人の姿とその声によって活動した神経細胞が同時に活動することが繰り返されると、声を聞いただけで、その人の姿を連想することができるようになる。 このような連想を支えているのがヘッブ型可塑性と考えられている。","text":"ヘップ型可塑性\n人の姿とその声によって活動した神経細胞が同時に活動することが繰り返されると、声を聞いただけで、その人の姿を連想することができるようになる。 このような連想を支えているのがヘッブ型可塑性と考えられている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%83%83%E3%83%97%E5%9E%8B%E5%8F%AF%E5%A1%91%E6%80%A7","updated":1700402838,"position":[-43.0243,-24.9403,74.6705],"cluster":"c28","subgroup":"c28.01","degree":2,"referenceDegree":0,"maxSimilarity":0.20571,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658b022086d7a80023dda5fe","weight":0.20571,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789472a6f78ebc36ee93049","weight":0.1008,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a17ca1c1222001c97b9d4","source":"ideaofintellection","title":"スパイクタイミング依存可塑性","excerpt":"スパイクタイミング依存可塑性 (STDP) は、脳内のニューロン間の接続の強さを調節する生物学的プロセスです。 このプロセスは、特定のニューロンの出力および入力における活動電位 (またはスパイク) の相対的なタイミングに基づいて接続の強度を調整します。","text":"スパイクタイミング依存可塑性\nスパイクタイミング依存可塑性 (STDP) は、脳内のニューロン間の接続の強さを調節する生物学的プロセスです。 このプロセスは、特定のニューロンの出力および入力における活動電位 (またはスパイク) の相対的なタイミングに基づいて接続の強度を調整します。\n\n (STDP) は、脳内のニューロン間の接続の強さを調節する生物学的プロセスです。 このプロセスは、特定のニューロンの出力および入力における活動電位 (またはスパイク) の相対的なタイミングに基づいて接続の強度を調整します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%83%91%E3%82%A4%E3%82%AF%E3%82%BF%E3%82%A4%E3%83%9F%E3%83%B3%E3%82%B0%E4%BE%9D%E5%AD%98%E5%8F%AF%E5%A1%91%E6%80%A7","updated":1703608914,"position":[-43.6942,-25.2579,74.5924],"cluster":"c28","subgroup":"c28.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10855,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658b022086d7a80023dda5fe","weight":0.10855,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a184cf36ce5001c434b7c","source":"ideaofintellection","title":"カルマンフィルター","excerpt":"カルマンフィルタとは、状態空間モデルと呼ばれる数理モデルにおいて、内部の見えない「状態」を効率的に推定するための計算手法です。 状態空間モデルでは、例えば、センサーなどから得られる情報を「観測値」として、そこから「状態」を推定し、これに基づいて制御を行います。","text":"カルマンフィルター\nカルマンフィルタとは、状態空間モデルと呼ばれる数理モデルにおいて、内部の見えない「状態」を効率的に推定するための計算手法です。 状態空間モデルでは、例えば、センサーなどから得られる情報を「観測値」として、そこから「状態」を推定し、これに基づいて制御を行います。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%AB%E3%83%9E%E3%83%B3%E3%83%95%E3%82%A3%E3%83%AB%E3%82%BF%E3%83%BC","updated":1700403295,"position":[29.1801,-1.9309,-16.3808],"cluster":"c18","subgroup":"c18.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10748,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65602fa0971d4e001b61e30c","weight":0.10748,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a18a93518db001cb99bad","source":"ideaofintellection","title":"誤差逆伝播法","excerpt":"誤差逆伝播法（BP）は多層パーセプトロンの学習に使われる学習アルゴリズムです． ある学習データが与えられたとき， 多層パーセプトロンの出力が学習データと一致するように各層の間の結合荷重を修正するという学習法です．","text":"誤差逆伝播法\n誤差逆伝播法（BP）は多層パーセプトロンの学習に使われる学習アルゴリズムです． ある学習データが与えられたとき， 多層パーセプトロンの出力が学習データと一致するように各層の間の結合荷重を修正するという学習法です．\n[https://scrapbox.io/files/655a18dce86c0f001bd983b7.jpeg]\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%AA%A4%E5%B7%AE%E9%80%86%E4%BC%9D%E6%92%AD%E6%B3%95","updated":1700403423,"position":[-0.3356,-19.7164,-6.7082],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.7692,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658b029d7af6a500252f10d1","weight":0.7692,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:655a1952390d1b001c073587","source":"ideaofintellection","title":"スパースモデリング","excerpt":"スパースモデリングはデータの冗長性を削減し、本質的な特徴を抽出することを重視します。 一方、機械学習・ディープラーニングは、データの複雑なパターンを学習し、新たなデータに対する予測を行います。 スパースモデリングと機械学習・ディープラーニングは相補的な関係にあります。","text":"スパースモデリング\nスパースモデリングはデータの冗長性を削減し、本質的な特徴を抽出することを重視します。 一方、機械学習・ディープラーニングは、データの複雑なパターンを学習し、新たなデータに対する予測を行います。 スパースモデリングと機械学習・ディープラーニングは相補的な関係にあります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%83%91%E3%83%BC%E3%82%B9%E3%83%A2%E3%83%87%E3%83%AA%E3%83%B3%E3%82%B0","updated":1700403557,"position":[-20.2393,-17.4344,-20.8181],"cluster":"c11","subgroup":"c11.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16096,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.16096,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6404717660e014001c48e18e","weight":0.0944,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65602fa0971d4e001b61e30c","source":"ideaofintellection","title":"コムフィルタリング効果","excerpt":"マルチレコーディングと位相","text":"コムフィルタリング効果\nマルチレコーディングと位相\nhttps://soundevotee.net/blog/2017/03/28/phase_issue_with_multitrack_recording/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%A0%E3%83%95%E3%82%A3%E3%83%AB%E3%82%BF%E3%83%AA%E3%83%B3%E3%82%B0%E5%8A%B9%E6%9E%9C","updated":1700802496,"position":[29.1917,-1.4928,-15.6489],"cluster":"c18","subgroup":"c18.01","degree":8,"referenceDegree":0,"maxSimilarity":0.17877,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65db531de92001c5fa56c","weight":0.17877,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65dbff6ed72001b6056b2","weight":0.16859,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54a82bf88df0025b66dc4","weight":0.14157,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68ef36c8ce2d38d1d7d2d707","weight":0.13286,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a198ff817098b9cd8e9a970","weight":0.11715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66825cfffb9d2a001c57173b","weight":0.10979,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f79079ceab8a001d0ff5bd","weight":0.10852,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a184cf36ce5001c434b7c","weight":0.10748,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65631cfd62b467001b840943","source":"ideaofintellection","title":"Japanesque","excerpt":"日本風であること。日本調であるさま。外国人の目から見た異国情調としての日本的な感じをいう。","text":"Japanesque\n日本風であること。日本調であるさま。外国人の目から見た異国情調としての日本的な感じをいう。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Japanesque","updated":1700994332,"position":[-35.852,21.1803,-126.9997],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05954,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65631d83a375af001b2e1fbb","source":"ideaofintellection","title":"クリシェ","excerpt":"クリシェ（フランス語: cliché）","text":"クリシェ\nクリシェ（フランス語: cliché）\n同じコードが続くとき単調さを避けるために、装飾的に加えられるラインのこと。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%83%AA%E3%82%B7%E3%82%A7","updated":1700994533,"position":[13.2452,-52.6874,67.9493],"cluster":"c12","subgroup":"c12.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12594,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.12594,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.09719,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65631dfff1a8bf001c412b69","source":"ideaofintellection","title":"コンセルヴァトワール","excerpt":"【(フランス)conservatoire】","text":"コンセルヴァトワール\n【(フランス)conservatoire】\n\n音楽・演劇などの専門学校。 特に、フランスのパリ国立高等音楽院をさす。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%B3%E3%82%BB%E3%83%AB%E3%83%B4%E3%82%A1%E3%83%88%E3%83%AF%E3%83%BC%E3%83%AB","updated":1700994707,"position":[13.0263,-52.3891,68.1658],"cluster":"c12","subgroup":"c12.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09593,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.09593,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.09247,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65631f22c5eab6001c81b563","source":"ideaofintellection","title":"混淆","excerpt":"異質なものが入り混じること。 意味の似た二つの語・句が混じり合い、新しい語・句ができること。","text":"混淆\n異質なものが入り混じること。 意味の似た二つの語・句が混じり合い、新しい語・句ができること。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B7%B7%E6%B7%86","updated":1700994917,"position":[-50.558,12.4834,-99.794],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07335,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656323630cebd0001c3e8504","source":"ideaofintellection","title":"フェルメールブルー","excerpt":"ラピスラズリという鉱物を細かく砕き、その中から特に青い粒子を集めたものでした。","text":"フェルメールブルー\n[https://scrapbox.io/files/65938fed93f05f00248bdec9.jpeg]\n\nラピスラズリという鉱物を細かく砕き、その中から特に青い粒子を集めたものでした。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A7%E3%83%AB%E3%83%A1%E3%83%BC%E3%83%AB%E3%83%96%E3%83%AB%E3%83%BC","updated":1704169456,"position":[30.4119,-36.9302,100.5176],"cluster":"c14","subgroup":"c14.01","degree":3,"referenceDegree":0,"maxSimilarity":0.26532,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631c0df11dbec002340719c","weight":0.26532,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659243f0b79ab3002315c142","weight":0.09548,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64b8cfde4b4d29001c3dd603","weight":0.09183,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656323a0d845cb001bd92160","source":"ideaofintellection","title":"上げ潮","excerpt":"潮の干満で、海面が上昇しつつある状態","text":"上げ潮\n潮の干満で、海面が上昇しつつある状態\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%8A%E3%81%92%E6%BD%AE","updated":1700996012,"position":[18.8339,-58.9274,33.9009],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.13779,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af90125d9242001db745a5","weight":0.13779,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631201240e6420024ce6709","weight":0.08635,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656323de62b467001b843edc","source":"ideaofintellection","title":"ウード","excerpt":"ウードはアラブの音楽、リュートはヨーロッパの音楽、古楽というジャンル、ギターはクラシック、琵琶は平家物語の語りとこの1枚でいろいろ体験できます。","text":"ウード\nウードはアラブの音楽、リュートはヨーロッパの音楽、古楽というジャンル、ギターはクラシック、琵琶は平家物語の語りとこの1枚でいろいろ体験できます。\n[https://scrapbox.io/files/656324337b2252001cbddac5.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A6%E3%83%BC%E3%83%89","updated":1700996150,"position":[41.3872,136.5464,79.0413],"cluster":"c31","subgroup":"c31.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10674,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bf5eda3f72870024292960","weight":0.10674,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64999f2b0938ea001ca17a88","weight":0.09993,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66339d0227b15a0023441a42","weight":0.09274,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6563253638016b001b252d12","source":"ideaofintellection","title":"classic","excerpt":"系譜","text":"classic\n系譜\nhttps://angel-zaidan.org/contents/baroque_classical_era/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/classic","updated":1700996423,"position":[-66.9862,14.7151,-149.1842],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03182,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656cacd1881aff002486e6bf","source":"ideaofintellection","title":"快哉(かいさい)","excerpt":"こころよい、愉快だと思うこと。痛快。善哉(ぜんざい)","text":"快哉(かいさい)\nこころよい、愉快だと思うこと。痛快。善哉(ぜんざい)\n「哉」は、感動の意を表わす助辞。こころよいことかなの意\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%BF%AB%E5%93%89%28%E3%81%8B%E3%81%84%E3%81%95%E3%81%84%29","updated":1701620981,"position":[18.9179,-69.7515,-1.4847],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1494,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55e83345b2e0026b3a05e","weight":0.1494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656caf4aef461900232548cb","source":"ideaofintellection","title":"Fine arts","excerpt":"ファインアートは日本語では一般的に、「純粋芸術」と訳されます。 平たく言うと、ファインアートは「美しい以外にとくに役に立たない芸術」を指します。","text":"Fine arts\nファインアートは日本語では一般的に、「純粋芸術」と訳されます。 平たく言うと、ファインアートは「美しい以外にとくに役に立たない芸術」を指します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Fine%20arts","updated":1701621587,"position":[-39.4095,60.8563,17.0527],"cluster":"c06","subgroup":"c06.02","degree":6,"referenceDegree":0,"maxSimilarity":0.39939,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:672cc491e5a820e36d06c4f6","weight":0.39939,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b3069651b76001c4d5c91","weight":0.11211,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6ddfde99a70022f79541","weight":0.09277,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b9dab1c3851a3d5fef126","weight":0.09129,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:650794275d0cec001c2a5db7","weight":0.08761,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64e37e338b4729001b953e3c","weight":0.08668,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656caffade5053002394e31d","source":"ideaofintellection","title":"5月革命","excerpt":"パリ郊外に1963年に新設されたパリ大学ナンテール校にて、1968年3月新左翼学生による占拠事件が発生し、同年5月10日には大学当局による学校閉鎖へ抗議する新左翼学生たちがパリ市内に結集し、警官隊と衝突した。同年5月13日には新左翼学生を支持する一部の労働者・市民が学生支援デモを行い、混迷は5月末まで続いた。ド＝ゴールは5月30日に国民議会を解散し、世論の実態を問う総選挙を行うことを宣言し、事態の収拾にあたった。","text":"5月革命\nパリ郊外に1963年に新設されたパリ大学ナンテール校にて、1968年3月新左翼学生による占拠事件が発生し、同年5月10日には大学当局による学校閉鎖へ抗議する新左翼学生たちがパリ市内に結集し、警官隊と衝突した。同年5月13日には新左翼学生を支持する一部の労働者・市民が学生支援デモを行い、混迷は5月末まで続いた。ド＝ゴールは5月30日に国民議会を解散し、世論の実態を問う総選挙を行うことを宣言し、事態の収拾にあたった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/5%E6%9C%88%E9%9D%A9%E5%91%BD","updated":1701621764,"position":[-41.382,29.5667,-128.1038],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10958,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:657413b06c20380023cb6719","weight":0.10958,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cb1527e002000266d85ee","source":"ideaofintellection","title":"Tableau","excerpt":"木板、もしくは枠に張った布（キャンヴァス）に描かれた絵のこと。 壁画に対するイーゼル画を指すフランス語。 語源はラテン語の「タブラ（tabula）」で、「木板」「書板」「文書」などを意味する。","text":"Tableau\n木板、もしくは枠に張った布（キャンヴァス）に描かれた絵のこと。 壁画に対するイーゼル画を指すフランス語。 語源はラテン語の「タブラ（tabula）」で、「木板」「書板」「文書」などを意味する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Tableau","updated":1701622106,"position":[13.3001,-53.3537,67.8794],"cluster":"c12","subgroup":"c12.01","degree":5,"referenceDegree":0,"maxSimilarity":0.47015,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f7902d2207f1001da4eb8e","weight":0.47015,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499a2e1af32bb001bf0c93c","weight":0.12943,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.12388,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.0956,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6584052d8b2b790024dc7bee","weight":0.08965,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cb34aed01c800228138c4","source":"ideaofintellection","title":"荘子　胡蝶の夢","excerpt":"《荘子が夢の中で胡蝶になり、自分が胡蝶か、胡蝶が自分か区別がつかなくなったという「荘子」斉物論の故事に基づく》自分と物との区別のつかない物我一体の境地、または現実と夢とが区別できないことのたとえ","text":"荘子　胡蝶の夢\n《荘子が夢の中で胡蝶になり、自分が胡蝶か、胡蝶が自分か区別がつかなくなったという「荘子」斉物論の故事に基づく》自分と物との区別のつかない物我一体の境地、または現実と夢とが区別できないことのたとえ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%8D%98%E5%AD%90%E3%80%80%E8%83%A1%E8%9D%B6%E3%81%AE%E5%A4%A2","updated":1701622613,"position":[-23.707,13.7263,-124.3731],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.51812,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:6582d4486fc13f0023b8ca1d","weight":0.51812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cb3d153eef900232699ab","source":"ideaofintellection","title":"エピクロス、アタラクシア　快楽主義","excerpt":"エピクロス派の思想を快楽主義と呼ぶことがあるが、彼らが求める快楽というのは、 身体がどうしても必要とする「飢えないこと、渇かないこと、寒くないこと」が満たさ れ、アタラクシアが追求できるということに過ぎない。 つまり極めて質素なものである。","text":"エピクロス、アタラクシア　快楽主義\nエピクロス派の思想を快楽主義と呼ぶことがあるが、彼らが求める快楽というのは、 身体がどうしても必要とする「飢えないこと、渇かないこと、寒くないこと」が満たさ れ、アタラクシアが追求できるということに過ぎない。 つまり極めて質素なものである。\nエピクロスを創始者とするエピクロス派は、「隠れて生きる」ことをモットーとした。 社会の混乱を避け、自給自足の共同生活を送りながら、身体の健康と精神の平安（アタ ラクシア）を追求しようとした。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%94%E3%82%AF%E3%83%AD%E3%82%B9%E3%80%81%E3%82%A2%E3%82%BF%E3%83%A9%E3%82%AF%E3%82%B7%E3%82%A2%E3%80%80%E5%BF%AB%E6%A5%BD%E4%B8%BB%E7%BE%A9","updated":1703671518,"position":[-26.6724,11.9323,-110.4989],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07486,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656cb487b5a98d0024d3f20e","source":"ideaofintellection","title":"タオイズム","excerpt":"道（タオ、Tao、どう、みち）とは、中国哲学上の用語の一つ。 人や物が通るべきところであり、宇宙自然の普遍的法則や根元的実在、道徳的な規範、美や真実の根元などを広く意味する言葉である。 道家や儒家によって説かれた。","text":"タオイズム\n道（タオ、Tao、どう、みち）とは、中国哲学上の用語の一つ。 人や物が通るべきところであり、宇宙自然の普遍的法則や根元的実在、道徳的な規範、美や真実の根元などを広く意味する言葉である。 道家や儒家によって説かれた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BF%E3%82%AA%E3%82%A4%E3%82%BA%E3%83%A0","updated":1701622926,"position":[-17.1456,-64.9702,45.1638],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07603,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656cb49fb5a98d0024d3f2c0","source":"ideaofintellection","title":"無為自然","excerpt":"老子が目指す「無為自然(むいしぜん)」とは、そ の「無」の道に従って、いっさいの作為を捨て自然のままに生きることであった。 老子は、知識・学問・ 欲望・技術・道徳・法律などの作為は、社会に混乱と争いを招くと考えたのである。","text":"無為自然\n老子が目指す「無為自然(むいしぜん)」とは、そ の「無」の道に従って、いっさいの作為を捨て自然のままに生きることであった。 老子は、知識・学問・ 欲望・技術・道徳・法律などの作為は、社会に混乱と争いを招くと考えたのである。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%84%A1%E7%82%BA%E8%87%AA%E7%84%B6","updated":1701622951,"position":[-30.1635,13.5394,-103.9392],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05093,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656cb66020dc22002374153d","source":"ideaofintellection","title":"マメールロワ","excerpt":"マ・メール・ロワは「眠れる森の美女のパヴァーヌ」「親指小僧」「パゴダの女王レドロネット」「美女と野獣の対話」「妖精の園」の５曲から成ります。 このうち，シャルル・ペローの童話集「過ぎし昔の物語並びに教訓」をモチーフにしているのは，１曲目「眠れる森の美女のパヴァーヌ」，２曲目「親指小僧」，５曲目「妖精の園」です。","text":"マメールロワ\nマ・メール・ロワは「眠れる森の美女のパヴァーヌ」「親指小僧」「パゴダの女王レドロネット」「美女と野獣の対話」「妖精の園」の５曲から成ります。 このうち，シャルル・ペローの童話集「過ぎし昔の物語並びに教訓」をモチーフにしているのは，１曲目「眠れる森の美女のパヴァーヌ」，２曲目「親指小僧」，５曲目「妖精の園」です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%A1%E3%83%BC%E3%83%AB%E3%83%AD%E3%83%AF","updated":1701623401,"position":[25.5158,-58.6183,87.5413],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06983,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656cb69b53df350023f68ec8","source":"ideaofintellection","title":"オートマティズム","excerpt":"オートマティスム（仏: Automatisme）とは、心理学用語で「筋肉性自動作用」という意味。あたかも、何か別の存在に憑依されて肉体を支配されているかのように、自分の意識とは無関係に動作を行ってしまう現象などを指す。自動作用によって筆記を行う現象を自動筆記(英: Automatic writing)、自動書記、自動記述などと呼ぶ","text":"オートマティズム\nオートマティスム（仏: Automatisme）とは、心理学用語で「筋肉性自動作用」という意味。あたかも、何か別の存在に憑依されて肉体を支配されているかのように、自分の意識とは無関係に動作を行ってしまう現象などを指す。自動作用によって筆記を行う現象を自動筆記(英: Automatic writing)、自動書記、自動記述などと呼ぶ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%BC%E3%83%88%E3%83%9E%E3%83%86%E3%82%A3%E3%82%BA%E3%83%A0","updated":1701623468,"position":[1.7836,-79.1619,35.804],"cluster":"c01","subgroup":"c01.01","degree":3,"referenceDegree":0,"maxSimilarity":0.22117,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3750e229416001b3b27ef","weight":0.22117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6699ec9e3c1a5e001cf1b4f6","weight":0.1486,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b06c6002fa7001c7205b9","weight":0.12234,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cb80cc51a86002c4aa4f9","source":"ideaofintellection","title":"キュビズム","excerpt":"キュビズムとは20世紀に起こった芸術運動、またはその様式を用いる画家の一派を指す。 写実的に描くことが重要であった絵画に対して、モチーフを幾何学的に変化させ、構成することで、絵画を抽象的な表現へと変化させた手法だ。 従来の絵画では一点透視法による絵の構造によって写実的に描かれていた。","text":"キュビズム\nキュビズムとは20世紀に起こった芸術運動、またはその様式を用いる画家の一派を指す。 写実的に描くことが重要であった絵画に対して、モチーフを幾何学的に変化させ、構成することで、絵画を抽象的な表現へと変化させた手法だ。 従来の絵画では一点透視法による絵の構造によって写実的に描かれていた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AD%E3%83%A5%E3%83%93%E3%82%BA%E3%83%A0","updated":1701623829,"position":[7.0579,-75.5874,11.3217],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.06779,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656cb898fbdf8400231d59d6","source":"ideaofintellection","title":"エラボレーション","excerpt":"エラボレーションとは、学習中の新しい情報を既存の知識と関連付けていくことで、新たにインプットしている情報に詳細を付け加えていくプロセスのことです。 エラボレーションのプロセスでは What (何を) 学習しているかよりも、学習中のトピックの背後にある How (どのように) や Why (なぜ) により重きを置きます。","text":"エラボレーション\nエラボレーションとは、学習中の新しい情報を既存の知識と関連付けていくことで、新たにインプットしている情報に詳細を付け加えていくプロセスのことです。 エラボレーションのプロセスでは What (何を) 学習しているかよりも、学習中のトピックの背後にある How (どのように) や Why (なぜ) により重きを置きます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%A9%E3%83%9C%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1701623975,"position":[50.9919,-36.1225,1.7618],"cluster":"c10","subgroup":"c10.01","degree":8,"referenceDegree":0,"maxSimilarity":0.19375,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.19375,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e7796a14781cdf78f8ac96","weight":0.17114,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e25a085bd685b44768ee","weight":0.14549,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f6fca2c4e9fde2d346357","weight":0.13941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65921638fc909000238ceba5","weight":0.12037,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648af81dabcedc001c17116d","weight":0.11851,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.1171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65079c4a2165bf001c616fc7","weight":0.11062,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cb8ca6cb35a002356d5ff","source":"ideaofintellection","title":"HSP","excerpt":"The Highly Sensitive Person","text":"HSP　\nThe Highly Sensitive Person\n生まれつき「扁桃体」が活発。\n環境の良い影響を受けやすい。\nエレイン・N・アーロン博士。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/HSP","updated":1701624666,"position":[-24.4111,14.16,-131.0913],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08026,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656cbc7ed208130026d9ed27","source":"ideaofintellection","title":"ニュークリティシズム","excerpt":"ニュー・クリティシズム（New Criticism）は、20世紀の英米で行われた文学批評の方法。作品を社会的、歴史的文脈から切り離し、また作者の伝記的事実と結びつけることをせず、純粋に作品そのものに即して論じようとした。","text":"ニュークリティシズム\nニュー・クリティシズム（New Criticism）は、20世紀の英米で行われた文学批評の方法。作品を社会的、歴史的文脈から切り離し、また作者の伝記的事実と結びつけることをせず、純粋に作品そのものに即して論じようとした。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8B%E3%83%A5%E3%83%BC%E3%82%AF%E3%83%AA%E3%83%86%E3%82%A3%E3%82%B7%E3%82%BA%E3%83%A0","updated":1701624973,"position":[-38.24,-7.5641,59.1901],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.12118,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659394b55beed80023631631","weight":0.12118,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cbcf6fbfc570027ea58ef","source":"ideaofintellection","title":"ワーグナーとナチスドイツ","excerpt":"ドイツのヒトラーはワーグナーの音楽を好み、そのリズムで国民を興奮させ、みずからの思想に取り込んでいったとされています。","text":"ワーグナーとナチスドイツ\nドイツのヒトラーはワーグナーの音楽を好み、そのリズムで国民を興奮させ、みずからの思想に取り込んでいったとされています。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AF%E3%83%BC%E3%82%B0%E3%83%8A%E3%83%BC%E3%81%A8%E3%83%8A%E3%83%81%E3%82%B9%E3%83%89%E3%82%A4%E3%83%84","updated":1701625109,"position":[-22.9916,-9.4514,43.7623],"cluster":"c09","subgroup":"c09.02","degree":2,"referenceDegree":0,"maxSimilarity":0.23385,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bf64f4987090002351bfd3","weight":0.23385,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67bedf4642f53f99e10227e0","weight":0.08734,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cbe44b5a98d0024d45846","source":"ideaofintellection","title":"ドビュッシーとモネ","excerpt":"https://opera-hearts.com/知られてない事実%EF%BC%81ドビュッシー-印象派%E3%80%9Cクラシ/3/#%EF%BC%93ドビュッシーとモネ","text":"ドビュッシーとモネ\nhttps://opera-hearts.com/知られてない事実%EF%BC%81ドビュッシー-印象派%E3%80%9Cクラシ/3/#%EF%BC%93ドビュッシーとモネ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%89%E3%83%93%E3%83%A5%E3%83%83%E3%82%B7%E3%83%BC%E3%81%A8%E3%83%A2%E3%83%8D","updated":1701625501,"position":[13.4688,-52.301,66.6323],"cluster":"c12","subgroup":"c12.01","degree":4,"referenceDegree":0,"maxSimilarity":0.58042,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a19957c81c3e7fb767a592d","weight":0.58042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656cb2c59ad4360024c714d0","weight":0.17721,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66798761c0d349001d59b25e","weight":0.1585,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580052a2028230024ba4224","weight":0.14062,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cbf0f9b67ff0023804f2a","source":"ideaofintellection","title":"インターメディア","excerpt":"文字の配列や大小を考慮して，視覚的な効果が意図された「視覚詩」や，それ自体無意味な言葉を用いるなどの方法によって，意味よりも音響的効果を狙う「音響詩」などは代表的な例である。 視覚的・演劇的要素と音楽的事象との融合を図った「ハプニング」や「イベント」といったパフォーマンスにも，インターメディア性は指摘できる。","text":"インターメディア\n文字の配列や大小を考慮して，視覚的な効果が意図された「視覚詩」や，それ自体無意味な言葉を用いるなどの方法によって，意味よりも音響的効果を狙う「音響詩」などは代表的な例である。 視覚的・演劇的要素と音楽的事象との融合を図った「ハプニング」や「イベント」といったパフォーマンスにも，インターメディア性は指摘できる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A4%E3%83%B3%E3%82%BF%E3%83%BC%E3%83%A1%E3%83%87%E3%82%A3%E3%82%A2","updated":1701627143,"position":[13.6961,-34.771,19.9472],"cluster":"c05","subgroup":"c05.01","degree":8,"referenceDegree":0,"maxSimilarity":0.55177,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6593940f8cf18d0024dc540c","weight":0.55177,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.11647,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6083c81972c1d3fd3e477b","weight":0.11515,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e217e75583cdc78b09d6","weight":0.11329,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a5f3f57559050023cd63b1","weight":0.10301,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e339360853bedff09694","weight":0.08919,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e527d09a200243dfd63","weight":0.08732,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67b4424a0c8a10ce0a272775","weight":0.08624,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cc882fbfc570027ead549","source":"ideaofintellection","title":"アインザッツ","excerpt":"「Einsatz」とはドイツ語で「出動」「配備」「投入」「全力をかけてあたること」といった意味で、音楽用語としては「楽節の出だし」を意味します。","text":"アインザッツ\n「Einsatz」とはドイツ語で「出動」「配備」「投入」「全力をかけてあたること」といった意味で、音楽用語としては「楽節の出だし」を意味します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%82%A4%E3%83%B3%E3%82%B6%E3%83%83%E3%83%84","updated":1701628043,"position":[30.3549,1.8378,-13.5807],"cluster":"c18","subgroup":"c18.01","degree":4,"referenceDegree":0,"maxSimilarity":0.09961,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6874a174d87e30ed16d8dde0","weight":0.09961,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559a62b390d1b001c02ebab","weight":0.09601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b77ced5f8570002460678f","weight":0.08875,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659243f0b79ab3002315c142","weight":0.08562,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cc8e553df350023f73fa2","source":"ideaofintellection","title":"イタコ","excerpt":"イタコは死者の霊魂を憑依させ、縁者と対話させる「口寄せ」で知られる。 日本の伝統的なシャーマン（呪術師、霊媒師）の一種だ。 イタコは口寄せのほかにも「お祓い」「占い」「神事」なども行う。 「見えざる世界」との媒介者である。","text":"イタコ\nイタコは死者の霊魂を憑依させ、縁者と対話させる「口寄せ」で知られる。 日本の伝統的なシャーマン（呪術師、霊媒師）の一種だ。 イタコは口寄せのほかにも「お祓い」「占い」「神事」なども行う。 「見えざる世界」との媒介者である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A4%E3%82%BF%E3%82%B3","updated":1701628139,"position":[25.7987,-58.4958,-38.0521],"cluster":"c26","subgroup":"c26.01","degree":1,"referenceDegree":0,"maxSimilarity":0.089,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f9717592429e0023b41962","weight":0.089,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cc94594e39d002379a19b","source":"ideaofintellection","title":"関係項　李禹煥","excerpt":"あらゆるものは世界との関係性によって成立し、それのみで存在しているものはない、と考えます。 この哲学は作品だけでなく、繰り返し言葉にも綴られ、もはや彼の生きる姿勢とも重なり合っています。","text":"関係項　李禹煥\nあらゆるものは世界との関係性によって成立し、それのみで存在しているものはない、と考えます。 この哲学は作品だけでなく、繰り返し言葉にも綴られ、もはや彼の生きる姿勢とも重なり合っています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%96%A2%E4%BF%82%E9%A0%85%E3%80%80%E6%9D%8E%E7%A6%B9%E7%85%A5","updated":1701628320,"position":[4.5904,-78.7463,34.8152],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.22023,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6083f484c2cb711751b373","weight":0.22023,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a95bc8588b3e0390fac6081","weight":0.11357,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656cc9d9472ec600244f6bc0","source":"ideaofintellection","title":"モアレ効果","excerpt":"印刷された写真をもとに原版を作成して再び印刷すると、網点のピッチの違いや、ピッチが同じでもわずかな傾きによって縞模様が発生することがあります。 それが「モアレ」という現象です。 つまり、点や線が幾何的に規則正しく分布されたものを重ね合わせるとき生じる干渉模様です。","text":"モアレ効果\n印刷された写真をもとに原版を作成して再び印刷すると、網点のピッチの違いや、ピッチが同じでもわずかな傾きによって縞模様が発生することがあります。 それが「モアレ」という現象です。 つまり、点や線が幾何的に規則正しく分布されたものを重ね合わせるとき生じる干渉模様です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A2%E3%82%A2%E3%83%AC%E5%8A%B9%E6%9E%9C","updated":1701628385,"position":[-38.3862,10.3518,50.8702],"cluster":"c09","subgroup":"c09.02","degree":2,"referenceDegree":0,"maxSimilarity":0.16628,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65079f819d61af001b221019","weight":0.16628,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507895e95e1ea001bb5ccd1","weight":0.13061,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656ccbdbc51a86002c4b5a52","source":"ideaofintellection","title":"しぬぶ","excerpt":"古くは「しのひ」) 過去のことや離れている人のことなどを思い慕うこと。 また、それを思い出す材料。","text":"しぬぶ\n 古くは「しのひ」) 過去のことや離れている人のことなどを思い慕うこと。 また、それを思い出す材料。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%81%97%E3%81%AC%E3%81%B6","updated":1701628901,"position":[-31.8,14.6149,-129.3544],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0543,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656d5be58e00550024612aeb","source":"ideaofintellection","title":"じゃんがら","excerpt":"ぢゃんがら福島県いわき地方を中心に、お盆に踊られる念仏踊りの一種。 十数名ほどの若者たちのグループが新盆の家々を訪れ、締め太鼓や鉦を手に威勢よく踊ります。 福島県を代表する民俗芸能の一つとされる、「ぢゃんがら」。","text":"じゃんがら\nぢゃんがら福島県いわき地方を中心に、お盆に踊られる念仏踊りの一種。 十数名ほどの若者たちのグループが新盆の家々を訪れ、締め太鼓や鉦を手に威勢よく踊ります。 福島県を代表する民俗芸能の一つとされる、「ぢゃんがら」。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%81%98%E3%82%83%E3%82%93%E3%81%8C%E3%82%89","updated":1701665776,"position":[-25.6933,-160.1204,72.885],"cluster":"c36","subgroup":"c36.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06388,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656d5f143f318f00230132b3","source":"ideaofintellection","title":"サスペンダー","excerpt":"https://encrypted-tbn0.gstatic.com/shopping?q=tbn:ANd9GcS_3ho1uSQm7pT6qXGwr5jE0XMX3nS-JG7AhpkqlyKuY6QtA3a7-7vbI_TFhmiIJ2k2YA3V-qKI&usqp=CAc","text":"サスペンダー\nhttps://encrypted-tbn0.gstatic.com/shopping?q=tbn:ANd9GcS_3ho1uSQm7pT6qXGwr5jE0XMX3nS-JG7AhpkqlyKuY6QtA3a7-7vbI_TFhmiIJ2k2YA3V-qKI&usqp=CAc\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%82%B9%E3%83%9A%E3%83%B3%E3%83%80%E3%83%BC","updated":1701666676,"position":[51.1736,-48.4883,36.3364],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.13698,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658d2830c3a7760023fc8ed6","weight":0.13698,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67026914c8b276001d07d3da","weight":0.11094,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeea6c54aafb001c84e0e7","weight":0.0874,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656d61812ff4c30023bcb975","source":"ideaofintellection","title":"マルジェラ","excerpt":"https://soen.tokyo/fashion/feature/martinmargiela230817/","text":"マルジェラ\nhttps://soen.tokyo/fashion/feature/martinmargiela230817/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%AB%E3%82%B8%E3%82%A7%E3%83%A9","updated":1701667207,"position":[13.5497,-48.6938,90.3173],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12392,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:657412f0f2a72b00242c5a13","weight":0.12392,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656d61a48e00550024621ae9","source":"ideaofintellection","title":"パンタロン","excerpt":"日本では「パンタロン」や「ラッパズボン」と呼ばれたこともある。 丈の長いブーツを下に履けることから「ブーツカット」という呼び方も一般的である。 現在は裾の広がり方によって区別するのが一般的になっており、やや広がっているものをブーツカット、大きく広がっているものをベルボトムとすることが多い。","text":"パンタロン\n日本では「パンタロン」や「ラッパズボン」と呼ばれたこともある。 丈の長いブーツを下に履けることから「ブーツカット」という呼び方も一般的である。 現在は裾の広がり方によって区別するのが一般的になっており、やや広がっているものをブーツカット、大きく広がっているものをベルボトムとすることが多い。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%83%B3%E3%82%BF%E3%83%AD%E3%83%B3","updated":1701667242,"position":[-46.7933,48.8212,-136.3582],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05133,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656d62fde0d46d0022cf1d77","source":"ideaofintellection","title":"Musique concrète","excerpt":"ミュジーク・コンクレートまたはミュージック・コンクレート (musique concrète)は、1940年代の後半にフランスでピエール・シェフェールによって作られた現代音楽のひとつのジャンルであり、音響・録音技術を使った電子音楽の一種。 具体音楽とも訳される。","text":"Musique concrète\nミュジーク・コンクレートまたはミュージック・コンクレート (musique concrète)は、1940年代の後半にフランスでピエール・シェフェールによって作られた現代音楽のひとつのジャンルであり、音響・録音技術を使った電子音楽の一種。 具体音楽とも訳される。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Musique%20concr%C3%A8te","updated":1701667633,"position":[47.8994,-51.2948,33.9084],"cluster":"c02","subgroup":"c02.01","degree":6,"referenceDegree":0,"maxSimilarity":0.48245,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.48245,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65532ebfbba001c2656f0","weight":0.32189,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d4e9cbd72bdd8cb32c07","weight":0.17984,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd564e384fa00025fa6ad1","weight":0.09755,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd503ccfa9920028804591","weight":0.08917,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c3ae16f05942e372b791e","weight":0.08878,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656d634a031b3e0024df4524","source":"ideaofintellection","title":"pipa 琵琶","excerpt":"琵琶（びわ、英語: pipa, 特に日本のものは biwa）は、東アジアの有棹（リュート属）弦楽器の一つ。弓を使わず、もっぱら弦をはじいて音を出す撥弦楽器である。","text":"pipa 琵琶\n琵琶（びわ、英語: pipa, 特に日本のものは biwa）は、東アジアの有棹（リュート属）弦楽器の一つ。弓を使わず、もっぱら弦をはじいて音を出す撥弦楽器である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/pipa%20%E7%90%B5%E7%90%B6","updated":1701667666,"position":[16.0224,-65.8755,2.2426],"cluster":"c03","subgroup":"c03.01","degree":4,"referenceDegree":0,"maxSimilarity":0.11985,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658008134e89d6002372d320","weight":0.11985,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65079e79e0c7b9001ba04f5b","weight":0.10317,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559fd5e332c6d001cea7284","weight":0.10058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bb5fbeb1f46001cd6440c","weight":0.09059,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656d63c6397b570022eaa292","source":"ideaofintellection","title":"El cant dels ocells","excerpt":"それはEl cant dels ocells-『鳥の歌』というものです。 空にいるとき、鳥たちはさえずります。 Peace, Peace, Peace（平和、平和、平和）と。","text":"El cant dels ocells\nそれはEl cant dels ocells-『鳥の歌』というものです。 空にいるとき、鳥たちはさえずります。 Peace, Peace, Peace（平和、平和、平和）と。\nカタルーニャ民謡\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/El%20cant%20dels%20ocells","updated":1701667828,"position":[11.8376,88.4471,29.2089],"cluster":"c21","subgroup":"c21.01","degree":1,"referenceDegree":0,"maxSimilarity":0.14994,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c642c0078f4c001bf62263","weight":0.14994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656d68c9a3b1d60027d3787d","source":"ideaofintellection","title":"オペラ　リブレット","excerpt":"オペラやオペレッタの歌詞，またそれを印刷した小冊子。 「台本」「台詞」と訳す。 イタリア語の本を意味する libroの縮小語で，初期のオペラでは楽譜は印刷されず，一般にテキストだけが小冊子の形に印刷され，配分されたことに由来する。","text":"オペラ　リブレット\nオペラやオペレッタの歌詞，またそれを印刷した小冊子。 「台本」「台詞」と訳す。 イタリア語の本を意味する libroの縮小語で，初期のオペラでは楽譜は印刷されず，一般にテキストだけが小冊子の形に印刷され，配分されたことに由来する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%9A%E3%83%A9%E3%80%80%E3%83%AA%E3%83%96%E3%83%AC%E3%83%83%E3%83%88","updated":1701669076,"position":[-8.0985,-67.4927,57.4534],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07063,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656d6d1e7f31220023c3afc4","source":"ideaofintellection","title":"アングラ演劇","excerpt":"あんぐらえんげき 「アングラ」は地下の意味を持つアンダーグラウンド【underground】を省略したもの。 1960年代にアメリカで生まれた地下運動で、根底には反体制主義、反商業主義の思想を持ったリアリズムを主体とした芝居、新劇に対するアンチテーゼ（哲学の考えのひとつ。","text":"アングラ演劇\nあんぐらえんげき 「アングラ」は地下の意味を持つアンダーグラウンド【underground】を省略したもの。 1960年代にアメリカで生まれた地下運動で、根底には反体制主義、反商業主義の思想を持ったリアリズムを主体とした芝居、新劇に対するアンチテーゼ（哲学の考えのひとつ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%82%B0%E3%83%A9%E6%BC%94%E5%8A%87","updated":1701670201,"position":[52.7839,-115.9525,-65.5018],"cluster":"c41","subgroup":"c41.01","degree":4,"referenceDegree":0,"maxSimilarity":0.11944,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64ce09516d1e27001bc76fc4","weight":0.11944,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649c0f02940591001b8f4d9c","weight":0.11209,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67894085a7574cc41139d61a","weight":0.08997,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657263eea054da00245fc854","weight":0.08813,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656d6d502ff4c30023be5909","source":"ideaofintellection","title":"Graphic notation 図形楽譜","excerpt":"図形譜（ずけいふ）とは、五線譜ではなく、自由な図形などを用い書かれた楽譜。 現代音楽の作曲現場でしばしば使われる。図形楽譜とも呼ばれる。","text":"Graphic notation 図形楽譜\n図形譜（ずけいふ）とは、五線譜ではなく、自由な図形などを用い書かれた楽譜。 現代音楽の作曲現場でしばしば使われる。図形楽譜とも呼ばれる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Graphic%20notation%20%E5%9B%B3%E5%BD%A2%E6%A5%BD%E8%AD%9C","updated":1701670266,"position":[-46.5325,35.119,-149.8652],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07216,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:656d6db23e64860025a24f80","source":"ideaofintellection","title":"未刊行図書録","excerpt":"坂本龍一と表紙のみの本","text":"未刊行図書録\n坂本龍一と表紙のみの本\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%9C%AA%E5%88%8A%E8%A1%8C%E5%9B%B3%E6%9B%B8%E9%8C%B2","updated":1701670343,"position":[53.0259,-32.0776,2.0303],"cluster":"c10","subgroup":"c10.01","degree":8,"referenceDegree":0,"maxSimilarity":0.36875,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6582d7e318568700244595f8","weight":0.36875,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6874ac339e41f828fe64c172","weight":0.32589,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a5f561607c001db2ee11","weight":0.24428,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6872536612ae09d29cde1ea2","weight":0.16745,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68b328c390e5ba951b555d72","weight":0.11745,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658b02c09f2c4f002494a648","weight":0.1093,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695bcd7c2db6383f70ff26b0","weight":0.10082,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65829f5b3b4a3900243d7634","weight":0.08703,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656d6ea392850c0022ed5c92","source":"ideaofintellection","title":"ポストヒューマンとファッション","excerpt":"https://www.asahi.com/and/article/20190614/400627223/","text":"ポストヒューマンとファッション\nhttps://www.asahi.com/and/article/20190614/400627223/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9D%E3%82%B9%E3%83%88%E3%83%92%E3%83%A5%E3%83%BC%E3%83%9E%E3%83%B3%E3%81%A8%E3%83%95%E3%82%A1%E3%83%83%E3%82%B7%E3%83%A7%E3%83%B3","updated":1701670583,"position":[42.5601,27.4839,64.5195],"cluster":"c30","subgroup":"c30.01","degree":6,"referenceDegree":0,"maxSimilarity":0.14868,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312d83c35528002399b864","weight":0.14868,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67c291485b244ecc106ac02e","weight":0.13287,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d6a244e2a60023388bb6","weight":0.12061,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9efba360853bedff0edaa","weight":0.10905,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b7fbcbc6c6fbed9928f3f","weight":0.10427,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b411197fb3a001c738496","weight":0.09367,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656d6f26063d9500243a7cd5","source":"ideaofintellection","title":"夾雑物","excerpt":"ある一つの物質の中にまじりこんでいるよけいな物。 不純物。 まじり物。","text":"夾雑物\nある一つの物質の中にまじりこんでいるよけいな物。 不純物。 まじり物。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%BE%E9%9B%91%E7%89%A9","updated":1701992635,"position":[8.6935,-77.2336,36.1438],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.16598,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e370e05e3839001b53d950","weight":0.16598,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e39adef24c6e001c4633be","weight":0.09207,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:656db569a98bfd0023cc67f6","source":"ideaofintellection","title":"predictive coding（予測符号化モデル）","excerpt":"脳が環境の「メンタル モデル」を絶えず生成および更新していると仮定する脳機能の理論です。理論によれば、そのようなメンタルモデルは、感覚からの入力信号を予測するために使用され、その後、それらの感覚からの実際の入力信号と比較されます。","text":"predictive coding（予測符号化モデル）\n脳が環境の「メンタル モデル」を絶えず生成および更新していると仮定する脳機能の理論です。理論によれば、そのようなメンタルモデルは、感覚からの入力信号を予測するために使用され、その後、それらの感覚からの実際の入力信号と比較されます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/predictive%20coding%EF%BC%88%E4%BA%88%E6%B8%AC%E7%AC%A6%E5%8F%B7%E5%8C%96%E3%83%A2%E3%83%87%E3%83%AB%EF%BC%89","updated":1701688712,"position":[15.5153,43.4759,-41.4286],"cluster":"c15","subgroup":"c15.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10609,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659a64abd7ed7a00220fd368","weight":0.10609,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6572632920d5a50022ed6cd1","source":"ideaofintellection","title":"12平均律","excerpt":"：ヨーロッパで発明され浸透した十二平均律と、中国で朱載堉が発明した十二平均律。 この2つは、1オクターブを等比数列で分割していくという発想に基づき、数学的に定義づけられたもので、理論的にほぼ同じものです。","text":"12平均律\n：ヨーロッパで発明され浸透した十二平均律と、中国で朱載堉が発明した十二平均律。 この2つは、1オクターブを等比数列で分割していくという発想に基づき、数学的に定義づけられたもので、理論的にほぼ同じものです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/12%E5%B9%B3%E5%9D%87%E5%BE%8B","updated":1701995314,"position":[47.0599,-46.9486,-52.3726],"cluster":"c26","subgroup":"c26.01","degree":1,"referenceDegree":0,"maxSimilarity":0.40784,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a2770472398b001b4318f0","weight":0.40784,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65726358ffc3180024d1e1f4","source":"ideaofintellection","title":"ガムラン","excerpt":"Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments.","text":"ガムラン\nGamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AC%E3%83%A0%E3%83%A9%E3%83%B3","updated":1701995379,"position":[-39.4684,81.2006,62.3687],"cluster":"c20","subgroup":"c20.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13411,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3276142055b001b95348f","weight":0.13411,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ce162f7a0e8f001b85eb7f","weight":0.13373,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.10398,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:657263eea054da00245fc854","source":"ideaofintellection","title":"黒テント","excerpt":"黒いテントで旅公演を行う劇団であったため「黒テント」の名が付いた。唐十郎の「状況劇場」、寺山修司の「天井桟敷」らとともに、60年代後半 - 70年代前半のアングラ演劇ブームを代表する存在であった。","text":"黒テント\n黒いテントで旅公演を行う劇団であったため「黒テント」の名が付いた。唐十郎の「状況劇場」、寺山修司の「天井桟敷」らとともに、60年代後半 - 70年代前半のアングラ演劇ブームを代表する存在であった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%BB%92%E3%83%86%E3%83%B3%E3%83%88","updated":1701995512,"position":[53.7241,-116.5606,-64.7709],"cluster":"c41","subgroup":"c41.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11392,"lowEvidence":false,"neighbors":[{"id":"NextResearch:656d6da0063d9500243a4605","weight":0.11392,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d6d1e7f31220023c3afc4","weight":0.08813,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:657264cccd71130024fd69d6","source":"ideaofintellection","title":"ピテカントロプス","excerpt":"今日では、ジャワで発見された原人段階の化石人類の通称として用いられる。 ジャワ原人ともいう。 ギリシア語のピテコスpithekos（サルの意）とアントロポスanthropos（ヒトの意）の合成語で「猿人」の意。","text":"ピテカントロプス\n今日では、ジャワで発見された原人段階の化石人類の通称として用いられる。 ジャワ原人ともいう。 ギリシア語のピテコスpithekos（サルの意）とアントロポスanthropos（ヒトの意）の合成語で「猿人」の意。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%83%86%E3%82%AB%E3%83%B3%E3%83%88%E3%83%AD%E3%83%97%E3%82%B9","updated":1701995735,"position":[35.8136,-62.4148,-40.059],"cluster":"c26","subgroup":"c26.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10273,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a27a33fd6027001cb7e6d2","weight":0.10273,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678944c9452a0a91e6e87be1","weight":0.1017,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6572652aef8e7c00235ce4f1","source":"ideaofintellection","title":"ニューロマンサー","excerpt":"タイトルの『ニューロマンサー』はニューロ・マンサー（神経的人間性）とニュー・ロマンサー（新浪漫派）が二重意味になっている。","text":"ニューロマンサー\nタイトルの『ニューロマンサー』はニューロ・マンサー（神経的人間性）とニュー・ロマンサー（新浪漫派）が二重意味になっている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8B%E3%83%A5%E3%83%BC%E3%83%AD%E3%83%9E%E3%83%B3%E3%82%B5%E3%83%BC","updated":1701995826,"position":[-27.6952,-70.7415,65.2378],"cluster":"c04","subgroup":"c04.01","degree":6,"referenceDegree":0,"maxSimilarity":0.15666,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65828d5d2958ba0023e8dec1","weight":0.15666,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67fdb5588f3e74d9e9b838e2","weight":0.13315,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67307e927b7c735d59aaa25d","weight":0.12462,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbc720776713b1716d142","weight":0.12052,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d5ee1df897100253e1938","weight":0.10167,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681d9d12a208f2966b96679b","weight":0.09208,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:657267a7ffc3180024d23c28","source":"ideaofintellection","title":"メビウスの輪","excerpt":"ドイツの数学者・天文学者の名前です。 メビウスの輪と言って細長い帯を1回ねじって両端を張り合わせると、表裏のない連続の1面となります。 そういう意味で終わりのない、連続したということになります。","text":"メビウスの輪\nドイツの数学者・天文学者の名前です。 メビウスの輪と言って細長い帯を1回ねじって両端を張り合わせると、表裏のない連続の1面となります。 そういう意味で終わりのない、連続したということになります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%83%93%E3%82%A6%E3%82%B9%E3%81%AE%E8%BC%AA","updated":1701996463,"position":[-79.432,-157.6962,3.2584],"cluster":"c48","subgroup":"c48.01","degree":2,"referenceDegree":0,"maxSimilarity":0.24053,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6592c4304793060024d50b95","weight":0.24053,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1408432791ef9d55972b08","weight":0.13613,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:657267d967cd8800222c3fcc","source":"ideaofintellection","title":"耽美","excerpt":"耽美とは、美を最高の価値とし、美のみに魅了されたことを言います。風景や作品など、その物事の美しさに魅了されたとき","text":"耽美\n耽美とは、美を最高の価値とし、美のみに魅了されたことを言います。風景や作品など、その物事の美しさに魅了されたとき\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%80%BD%E7%BE%8E","updated":1701996542,"position":[-37.2292,10.7283,-146.8015],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07413,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65726b0aef8e7c00235d817a","source":"ideaofintellection","title":"社会彫刻","excerpt":"「全ての人は芸術家である。」 という名言。 この言葉を改めて考えてみると、私たちひとり一人が、社会を変革する個人であるって解釈できるわよね。 「社会彫刻」と呼ばれる色んなアート活動をしたヨーゼフ・ボイスの代表的な大規模プロジェクトが「7000本の樫の木」。","text":"社会彫刻\n「全ての人は芸術家である。」 という名言。 この言葉を改めて考えてみると、私たちひとり一人が、社会を変革する個人であるって解釈できるわよね。 「社会彫刻」と呼ばれる色んなアート活動をしたヨーゼフ・ボイスの代表的な大規模プロジェクトが「7000本の樫の木」。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%A4%BE%E4%BC%9A%E5%BD%AB%E5%88%BB","updated":1701997344,"position":[-29.9999,-10.4405,53.5143],"cluster":"c09","subgroup":"c09.02","degree":2,"referenceDegree":0,"maxSimilarity":0.22929,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6582d79bf6a2b00023ad96e7","weight":0.22929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1406d783ecd56b5b0b8f12","weight":0.16739,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65726b4517304a0023e9260c","source":"ideaofintellection","title":"白い薔薇","excerpt":"一方、白いバラの花言葉には「心からの尊敬、無邪気、純潔、相思相愛、約束を守る、私はあなたにふさわしい、あなたの色に染まる」というものがあります。 青いバラで祝福を、白いバラで二人の愛を表すことができますので、青と白のバラを組み合わせてプレゼントすれば、喜ばれることうけあいです。 見た目にもとても上品ですね。","text":"白い薔薇\n\n一方、白いバラの花言葉には「心からの尊敬、無邪気、純潔、相思相愛、約束を守る、私はあなたにふさわしい、あなたの色に染まる」というものがあります。 青いバラで祝福を、白いバラで二人の愛を表すことができますので、青と白のバラを組み合わせてプレゼントすれば、喜ばれることうけあいです。 見た目にもとても上品ですね。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%99%BD%E3%81%84%E8%96%94%E8%96%87","updated":1703074425,"position":[-40.2882,39.2363,-132.0437],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06956,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65740f58b36a430024ce311b","source":"ideaofintellection","title":"石笛","excerpt":"","text":"石笛","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%9F%B3%E7%AC%9B","updated":1702104932,"position":[-66.6954,31.7822,-105.208],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:657410104e4f53002483ad34","source":"ideaofintellection","title":"ドラムフレア","excerpt":"","text":"ドラムフレア","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%89%E3%83%A9%E3%83%A0%E3%83%95%E3%83%AC%E3%82%A2","updated":1702105110,"position":[46.6655,-50.6707,34.4414],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.16767,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee0b940de8e0024e0e41e","weight":0.16767,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580070b0107940025468deb","weight":0.16331,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580049bc48041002355abfb","weight":0.14703,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:657410c64879c50022fbfc27","source":"ideaofintellection","title":"ラジオドラマ","excerpt":"ラジオドラマ（英: radio drama、独: Hörspiel）は、音声のみのメディア（主にラジオ放送）上で制作および発表されるドラマのことである。放送劇（ほうそうげき）、オーディオドラマ、サウンドドラマ、声劇（こえげき）とも。他にも、同種の用語としてボイスドラマがあるが、こちらは音系の同人活動やネット声優に関連して製作されるメディアを限定して指すことが多い。詳細は#ボイスドラマを参照。","text":"ラジオドラマ\nラジオドラマ（英: radio drama、独: Hörspiel）は、音声のみのメディア（主にラジオ放送）上で制作および発表されるドラマのことである。放送劇（ほうそうげき）、オーディオドラマ、サウンドドラマ、声劇（こえげき）とも。他にも、同種の用語としてボイスドラマがあるが、こちらは音系の同人活動やネット声優に関連して製作されるメディアを限定して指すことが多い。詳細は#ボイスドラマを参照。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%82%B8%E3%82%AA%E3%83%89%E3%83%A9%E3%83%9E","updated":1702105294,"position":[19.8532,-68.2521,-0.6526],"cluster":"c03","subgroup":"c03.01","degree":3,"referenceDegree":0,"maxSimilarity":0.32423,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f7ac11b71f88001d883399","weight":0.32423,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65e1f3d584823500241bb3a4","weight":0.1621,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d52d1a3bf3c9058e00c2","weight":0.09703,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:657410f97139ab0023004d03","source":"ideaofintellection","title":"ブレードランナー","excerpt":"『ブレードランナー』（原題：Blade Runner）は、1982年のアメリカ合衆国のSF映画。監督はリドリー・スコット、出演はハリソン・フォード、ルトガー・ハウアー、ショーン・ヤングなど。フィリップ・K・ディックのSF小説『アンドロイドは電気羊の夢を見るか?』を原作としている。","text":"ブレードランナー\n『ブレードランナー』（原題：Blade Runner）は、1982年のアメリカ合衆国のSF映画。監督はリドリー・スコット、出演はハリソン・フォード、ルトガー・ハウアー、ショーン・ヤングなど。フィリップ・K・ディックのSF小説『アンドロイドは電気羊の夢を見るか?』を原作としている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%AC%E3%83%BC%E3%83%89%E3%83%A9%E3%83%B3%E3%83%8A%E3%83%BC","updated":1702105374,"position":[46.8963,-54.5042,34.73],"cluster":"c02","subgroup":"c02.01","degree":1,"referenceDegree":0,"maxSimilarity":0.16241,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658404ff5f392e0025dbf45f","weight":0.16241,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65741143ae797e0023a01315","source":"ideaofintellection","title":"The Last Emperor","excerpt":"[https://youtu.be/A4cH6g1wD5g]","text":"The Last Emperor\n[https://youtu.be/A4cH6g1wD5g]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/The%20Last%20Emperor","updated":1702105464,"position":[-77.2492,33.3564,-107.9624],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65741192282e290025e307c8","source":"ideaofintellection","title":"グレートウォール","excerpt":"万里の長城を舞台に繰り広げられる壮絶な戦いを描いた歴史戦争アクション映画。","text":"グレートウォール\n万里の長城を舞台に繰り広げられる壮絶な戦いを描いた歴史戦争アクション映画。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%AC%E3%83%BC%E3%83%88%E3%82%A6%E3%82%A9%E3%83%BC%E3%83%AB","updated":1702105504,"position":[-6.3103,126.5507,22.5838],"cluster":"c29","subgroup":"c29.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16194,"lowEvidence":false,"neighbors":[{"id":"NextResearch:695128449a0923ebde122a13","weight":0.16194,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a50f65ec433001c828fa9","weight":0.10001,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:657411b54bdf1d0024f182f9","source":"ideaofintellection","title":"ccdv8","excerpt":"","text":"ccdv8","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/ccdv8","updated":1702105528,"position":[-67.5137,-5.2867,-123.9926],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:657411df818ad7002275c3c5","source":"ideaofintellection","title":"カシオトーン","excerpt":"","text":"カシオトーン","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%82%B7%E3%82%AA%E3%83%88%E3%83%BC%E3%83%B3","updated":1702105572,"position":[17.1935,-47.9567,103.7546],"cluster":"c14","subgroup":"c14.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12145,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f7a26e001020001c6b9326","weight":0.12145,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bb5b8f38e5c001c027f26","weight":0.09701,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6574123c88568700231a0dd5","source":"ideaofintellection","title":"Fairlight CMI","excerpt":"","text":"Fairlight CMI","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Fairlight%20CMI","updated":1702105665,"position":[-65.0602,9.1459,-97.4122],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:657412f0f2a72b00242c5a13","source":"ideaofintellection","title":"ブルジョワジー","excerpt":"語釈： 〔名〕（フランス bourgeoisie）階級としてのブルジョアをさす語。 市民階級。 有産階級。","text":"ブルジョワジー\n語釈： 〔名〕（フランス bourgeoisie）階級としてのブルジョアをさす語。 市民階級。 有産階級。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%AB%E3%82%B8%E3%83%A7%E3%83%AF%E3%82%B8%E3%83%BC","updated":1702105854,"position":[13.4473,-48.7883,90.0372],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12392,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d61812ff4c30023bcb975","weight":0.12392,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65741329aa3f7d002437d7d8","source":"ideaofintellection","title":"シニフィエとシニフィアン、シニフィアンの専制","excerpt":"シニフィエとは語によって表現される対象そのもの、シニフィアンは語の持つ表現です。 たとえば、表現される対象そのもの「腕」シニフィエに対して、「腕（という文字）」「うで（という音）」がシニフィアンです。 英語では、「arm（という文字）」「アーム（という音）」が対応します。","text":"シニフィエとシニフィアン、シニフィアンの専制\nシニフィエとは語によって表現される対象そのもの、シニフィアンは語の持つ表現です。 たとえば、表現される対象そのもの「腕」シニフィエに対して、「腕（という文字）」「うで（という音）」がシニフィアンです。 英語では、「arm（という文字）」「アーム（という音）」が対応します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%8B%E3%83%95%E3%82%A3%E3%82%A8%E3%81%A8%E3%82%B7%E3%83%8B%E3%83%95%E3%82%A3%E3%82%A2%E3%83%B3%E3%80%81%E3%82%B7%E3%83%8B%E3%83%95%E3%82%A3%E3%82%A2%E3%83%B3%E3%81%AE%E5%B0%82%E5%88%B6","updated":1702105928,"position":[12.6959,-24.831,-0.3353],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05799,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:657413b06c20380023cb6719","source":"ideaofintellection","title":"中国革命","excerpt":"文化大革命（ぶんかだいかくめい）とは、中華人民共和国で1966年から1976年まで続き、1977年に終結宣言がなされた、中国共産党中央委員会主席毛沢東主導による「文化改革運動」を装った劉少奇からの奪権運動、政治闘争である。","text":"中国革命\n文化大革命（ぶんかだいかくめい）とは、中華人民共和国で1966年から1976年まで続き、1977年に終結宣言がなされた、中国共産党中央委員会主席毛沢東主導による「文化改革運動」を装った劉少奇からの奪権運動、政治闘争である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%AD%E5%9B%BD%E9%9D%A9%E5%91%BD","updated":1702106040,"position":[-41.3045,28.3708,-124.7306],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10958,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:656caffade5053002394e31d","weight":0.10958,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:657fffbcb8646200238d9d4f","source":"ideaofintellection","title":"ヘルダーリン","excerpt":"(Johann Christian Friedrich Hölderlin ヨハン=クリスチャン=フリードリヒ━) ドイツの詩人。自然と人間の和合する世界を地上に招来することを詩人の使命として、抒情的な作品を書いた。書簡体小説「ヒュペーリオン」、劇詩「エンペドクレスの死」などがある。（一七七〇‐一八四三）","text":"ヘルダーリン\n(Johann Christian Friedrich Hölderlin ヨハン=クリスチャン=フリードリヒ━) ドイツの詩人。自然と人間の和合する世界を地上に招来することを詩人の使命として、抒情的な作品を書いた。書簡体小説「ヒュペーリオン」、劇詩「エンペドクレスの死」などがある。（一七七〇‐一八四三）\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%83%AB%E3%83%80%E3%83%BC%E3%83%AA%E3%83%B3","updated":1702887372,"position":[-18.5469,-12.2172,-17.3979],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.16351,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a608268d1a7749894b1010a","weight":0.16351,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:657fffe38bc5c20023210f53","source":"ideaofintellection","title":"ラスターノートン","excerpt":"Raster-Notonはドイツの電子音楽レコードレーベルでした。","text":"ラスターノートン\nRaster-Notonはドイツの電子音楽レコードレーベルでした。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%82%B9%E3%82%BF%E3%83%BC%E3%83%8E%E3%83%BC%E3%83%88%E3%83%B3","updated":1702887402,"position":[70.2993,-13.2809,22.0672],"cluster":"c23","subgroup":"c23.01","degree":11,"referenceDegree":0,"maxSimilarity":0.34538,"lowEvidence":false,"neighbors":[{"id":"NextResearch:656d68a8f4e6f800241a8f98","weight":0.34538,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d616da98bfd0023c2da99","weight":0.18682,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d71957b4c326001d0ff80a","weight":0.16424,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af30c438fbed001d0e287c","weight":0.15552,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a5768dae87001dfed042","weight":0.14134,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a26e001020001c6b9326","weight":0.1328,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c3ae16f05942e372b791e","weight":0.10769,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658006deed21450023f9589d","weight":0.10462,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6580002dc480410023553ee3","source":"ideaofintellection","title":"アモルフ","excerpt":"ギリシャ語で、「不定形の」「決まった形を持たない」の意味です。","text":"アモルフ\nギリシャ語で、「不定形の」「決まった形を持たない」の意味です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%A2%E3%83%AB%E3%83%95","updated":1702887478,"position":[1.5615,-76.9607,35.9745],"cluster":"c01","subgroup":"c01.03","degree":9,"referenceDegree":0,"maxSimilarity":0.36015,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b78253e36c760025dd4682","weight":0.36015,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.30614,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d4546bb14b40caf1e067b3","weight":0.13542,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893f26c8084a826ca406f1","weight":0.12809,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789437609c4fa271f78b1b7","weight":0.11257,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67894402680daed9a3ff24e8","weight":0.10906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a210af0c1b720024599b7f","weight":0.09928,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64957154471894001bb6a8f3","weight":0.09643,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65800044f995ab0024cb1be6","source":"ideaofintellection","title":"マリーシェーファー サウンドスケープ","excerpt":"サウンドスケープとは、1960年代終わりに、カナダの作曲家マリー・シェーファーによって提唱された概念で「音風景」、「音景」などと訳される。風景には音が欠かせないという考え方で、そこからサウンドスケープデザインが生まれた。","text":"マリーシェーファー サウンドスケープ\nサウンドスケープとは、1960年代終わりに、カナダの作曲家マリー・シェーファーによって提唱された概念で「音風景」、「音景」などと訳される。風景には音が欠かせないという考え方で、そこからサウンドスケープデザインが生まれた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%AA%E3%83%BC%E3%82%B7%E3%82%A7%E3%83%BC%E3%83%95%E3%82%A1%E3%83%BC%20%E3%82%B5%E3%82%A6%E3%83%B3%E3%83%89%E3%82%B9%E3%82%B1%E3%83%BC%E3%83%97","updated":1702887508,"position":[-29.9084,48.8946,21.9666],"cluster":"c06","subgroup":"c06.02","degree":7,"referenceDegree":0,"maxSimilarity":0.2851,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649e5b75156dc6001c7f2c90","weight":0.2851,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b143997fb3a001c71add4","weight":0.12736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65079f649d61af001b220e8a","weight":0.12427,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556400ced3156001ba804f1","weight":0.11262,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d292c8ff819011bbab6f","weight":0.11142,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69512993dfd438d027e7b482","weight":0.10566,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c5deeb21022002455e489","weight":0.10067,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6580008a747cfc0023e90653","source":"ideaofintellection","title":"tribute","excerpt":"敬意や感謝の意を示すために贈られるもの、またはその行為自体を指す言葉である。 贈り物や称賛の言葉、芸術作品など、さまざまな形で表現されることがある。","text":"tribute\n敬意や感謝の意を示すために贈られるもの、またはその行為自体を指す言葉である。 贈り物や称賛の言葉、芸術作品など、さまざまな形で表現されることがある。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/tribute","updated":1702887572,"position":[14.9267,-54.2963,69.0486],"cluster":"c12","subgroup":"c12.01","degree":3,"referenceDegree":0,"maxSimilarity":0.11919,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559f99ec7ba14001baf3c94","weight":0.11919,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d656da20740025b0cea0","weight":0.10795,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54be120c5c50023c372a9","weight":0.09451,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658000a468418c0024259c20","source":"ideaofintellection","title":"大団円","excerpt":"小説・芝居・事件が、めでたくおさまる最後の局面。大尾(たいび)。","text":"大団円\n小説・芝居・事件が、めでたくおさまる最後の局面。大尾(たいび)。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%A7%E5%9B%A3%E5%86%86","updated":1702887596,"position":[-58.2706,12.9503,-139.0426],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06592,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:658000bb747cfc0023e90bc0","source":"ideaofintellection","title":"フォルテピアノ","excerpt":"フォルテピアノは18世紀から19世紀前半の様式のピアノを、20世紀以降のピアノと区別する際に用いられる呼称である。これに対して現代のピアノを特に指す場合はモダンピアノという呼称が用いられる。","text":"フォルテピアノ\nフォルテピアノは18世紀から19世紀前半の様式のピアノを、20世紀以降のピアノと区別する際に用いられる呼称である。これに対して現代のピアノを特に指す場合はモダンピアノという呼称が用いられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A9%E3%83%AB%E3%83%86%E3%83%94%E3%82%A2%E3%83%8E","updated":1702887648,"position":[74.9629,-126.3525,-15.4133],"cluster":"c40","subgroup":"c40.01","degree":3,"referenceDegree":0,"maxSimilarity":0.18576,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669bf20d19f172001dbb0b6f","weight":0.18576,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6734da9778fbe3464837f360","weight":0.15562,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559dbbd14703c001cd6981c","weight":0.08927,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658000f560c8b100232bf9d7","source":"ideaofintellection","title":"イマヌエル・カント","excerpt":"イマヌエル・カントは、プロイセンの哲学者であり、ケーニヒスベルク大学の哲学教授である。 『純粋理性批判』、『実践理性批判』、『判断力批判』の三批判書を発表し、批判哲学を提唱して、認識論における、いわゆる「コペルニクス的転回」をもたらした。","text":"イマヌエル・カント\nイマヌエル・カントは、プロイセンの哲学者であり、ケーニヒスベルク大学の哲学教授である。 『純粋理性批判』、『実践理性批判』、『判断力批判』の三批判書を発表し、批判哲学を提唱して、認識論における、いわゆる「コペルニクス的転回」をもたらした。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A4%E3%83%9E%E3%83%8C%E3%82%A8%E3%83%AB%E3%83%BB%E3%82%AB%E3%83%B3%E3%83%88","updated":1702887699,"position":[3.7707,-73.9074,39.1307],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.18837,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65dd0b6f3b889e0024ad9769","weight":0.18837,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc1954db3e5cd51d5bac5","weight":0.10722,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67ab1854587d79daa491c83e","weight":0.09399,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658001824e89d60023721d84","source":"ideaofintellection","title":"ベルばら","excerpt":"通称「ベルばら」。フランス革命前から革命前期のベルサイユを舞台に、男装の麗人オスカルとフランス王妃マリー・アントワネットらの人生を描く、史実を基にしたフィクション作品。","text":"ベルばら\n通称「ベルばら」。フランス革命前から革命前期のベルサイユを舞台に、男装の麗人オスカルとフランス王妃マリー・アントワネットらの人生を描く、史実を基にしたフィクション作品。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%99%E3%83%AB%E3%81%B0%E3%82%89","updated":1702887815,"position":[16.1958,-40.9089,85.8118],"cluster":"c14","subgroup":"c14.01","degree":2,"referenceDegree":0,"maxSimilarity":0.2616,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6592127d879f360024ad89c9","weight":0.2616,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658001a02028230024b9df7a","weight":0.10013,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658001a02028230024b9df7a","source":"ideaofintellection","title":"バスティーユ襲撃","excerpt":"1789年7月14日にフランス王国パリの民衆が同市にあるバスティーユ牢獄を襲撃した事件である。フランス革命のはじまりの日とされる。","text":"バスティーユ襲撃\n1789年7月14日にフランス王国パリの民衆が同市にあるバスティーユ牢獄を襲撃した事件である。フランス革命のはじまりの日とされる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%90%E3%82%B9%E3%83%86%E3%82%A3%E3%83%BC%E3%83%A6%E8%A5%B2%E6%92%83","updated":1702887869,"position":[19.9399,-41.3515,89.4504],"cluster":"c14","subgroup":"c14.01","degree":5,"referenceDegree":0,"maxSimilarity":0.14295,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af1069c0f238001dd2def1","weight":0.14295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6592127d879f360024ad89c9","weight":0.13663,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d29c53403100024195449","weight":0.10865,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658001824e89d60023721d84","weight":0.10013,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a2a7d23baf002577996a","weight":0.09506,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658001eb68418c002425be9f","source":"ideaofintellection","title":"通奏低音","excerpt":"楽譜は原則として最低声部旋律の下または上に和声を示す数字が記され、和弦楽器奏者は低音旋律とともに即興的に和音を奏する。 バッソ‐コンティヌオ。 ② 比喩的に、物事の底流にあって、知らない間に全体に影響を与えるような雰囲気をいう。","text":"通奏低音\n楽譜は原則として最低声部旋律の下または上に和声を示す数字が記され、和弦楽器奏者は低音旋律とともに即興的に和音を奏する。 バッソ‐コンティヌオ。 ② 比喩的に、物事の底流にあって、知らない間に全体に影響を与えるような雰囲気をいう。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%80%9A%E5%A5%8F%E4%BD%8E%E9%9F%B3","updated":1702887920,"position":[4.3376,-53.3944,15.2221],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.078,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:658002111cdb100022f8b439","source":"ideaofintellection","title":"ユマニスト","excerpt":"人文主義者（じんぶんしゅぎしゃ）とは、ルネサンス期において、ギリシア・ローマの古典文芸や聖書原典の研究を元に、神や人間の本質を考察した知識人のこと。 特に、15世紀 - 16世紀に活動したフランス人の影響が大きいため、日本ではフランス語のまま「ユマニスト」（仏: humaniste）と表現されたりもする。","text":"ユマニスト\n人文主義者（じんぶんしゅぎしゃ）とは、ルネサンス期において、ギリシア・ローマの古典文芸や聖書原典の研究を元に、神や人間の本質を考察した知識人のこと。 特に、15世紀 - 16世紀に活動したフランス人の影響が大きいため、日本ではフランス語のまま「ユマニスト」（仏: humaniste）と表現されたりもする。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A6%E3%83%9E%E3%83%8B%E3%82%B9%E3%83%88","updated":1702887961,"position":[12.1849,-52.6197,68.1296],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09218,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.09218,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658003e060b07300239e99ba","source":"ideaofintellection","title":"バロック","excerpt":"16世紀末から18世紀に欧州で流行した芸術様式。 均整と調和のとれたルネサンス様式に対し、自由な感動表現、動的で量感あふれる装飾形式が特色。 同じ傾向の音楽・文学の様式をもいう。 バロック式","text":"バロック\n16世紀末から18世紀に欧州で流行した芸術様式。 均整と調和のとれたルネサンス様式に対し、自由な感動表現、動的で量感あふれる装飾形式が特色。 同じ傾向の音楽・文学の様式をもいう。 バロック式\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%90%E3%83%AD%E3%83%83%E3%82%AF","updated":1702888420,"position":[5.9301,-78.8957,36.9483],"cluster":"c01","subgroup":"c01.02","degree":4,"referenceDegree":0,"maxSimilarity":0.37602,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734cb1f7d33a8b48492ce8f","weight":0.37602,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.11779,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582d2d1ae7ee50024a05a67","weight":0.10077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339d6a98707b00238e40b1","weight":0.09316,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6580042d50e9f60024bdc1b8","source":"ideaofintellection","title":"p-funk","excerpt":"パーラメントとファンカデリックは、制作する音楽やレーベルは異なるが、構成メンバーは重複している部分がある。Pファンクの音楽は、ファンカデリックの作る、ヘヴィーなギターサウンドを中心にしたロックよりの音楽から、パーラメントの作る、ホーン、コーラス、シンセサイザーを基調とし、構成のよく練られたファンクまで幅がある。ライヴでは20人を超える人数が入れ替わり立ち替わり、4時間にも及ぶ長尺のステージを繰り広げる。深くワウワウのかかった歪んだエレキ・ベースやシンセベース、宇宙をさまようシンセサイザー、厚みのあるホーン・セクション、ユニゾンコーラスなどによる16ビートのファンクサウンドが特徴である。サウンドは、多数のメンバーによる複雑なサウンドで、シンセサイザーやシンセベースなども使用している。","text":"p-funk\nパーラメントとファンカデリックは、制作する音楽やレーベルは異なるが、構成メンバーは重複している部分がある。Pファンクの音楽は、ファンカデリックの作る、ヘヴィーなギターサウンドを中心にしたロックよりの音楽から、パーラメントの作る、ホーン、コーラス、シンセサイザーを基調とし、構成のよく練られたファンクまで幅がある。ライヴでは20人を超える人数が入れ替わり立ち替わり、4時間にも及ぶ長尺のステージを繰り広げる。深くワウワウのかかった歪んだエレキ・ベースやシンセベース、宇宙をさまようシンセサイザー、厚みのあるホーン・セクション、ユニゾンコーラスなどによる16ビートのファンクサウンドが特徴である。サウンドは、多数のメンバーによる複雑なサウンドで、シンセサイザーやシンセベースなども使用している。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/p-funk","updated":1702888502,"position":[97.2314,-46.6483,40.9591],"cluster":"c34","subgroup":"c34.01","degree":4,"referenceDegree":0,"maxSimilarity":0.176,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d718829db1ff001d533857","weight":0.176,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68b32911aa872b37265c2ba8","weight":0.14984,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658affe581ec8800246e5795","weight":0.13896,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f177dfb40930707821945","weight":0.11297,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6580049bc48041002355abfb","source":"ideaofintellection","title":"ドラム　フィルイン","excerpt":"フィルイン（Fill-In、「埋める」の意）とは、主にドラムセット（広義ではギターやピアノ等の伴奏も含まれる）における演奏技法である。 一定のパターン演奏を繰り返す中でパターンの最後、もしくは楽曲の繋ぎ目の1～2小節で即興的な演奏を入れ、変化をつけることを指し、楽曲のスパイス的な意味合いから日本ではオカズと呼ばれる。","text":"ドラム　フィルイン\nフィルイン（Fill-In、「埋める」の意）とは、主にドラムセット（広義ではギターやピアノ等の伴奏も含まれる）における演奏技法である。 一定のパターン演奏を繰り返す中でパターンの最後、もしくは楽曲の繋ぎ目の1～2小節で即興的な演奏を入れ、変化をつけることを指し、楽曲のスパイス的な意味合いから日本ではオカズと呼ばれる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%89%E3%83%A9%E3%83%A0%E3%80%80%E3%83%95%E3%82%A3%E3%83%AB%E3%82%A4%E3%83%B3","updated":1702888613,"position":[45.3465,-50.9807,34.0739],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.14703,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:657410104e4f53002483ad34","weight":0.14703,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76b89555343341d0c683e8","weight":0.12821,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580070b0107940025468deb","weight":0.09064,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658004cdafc1b50023529c42","source":"ideaofintellection","title":"カトリーナ","excerpt":"2005年にフロリダ州マイアミ周辺に上陸したカトリーナは、総被害額においてアメリカ史上最大のハリケーンです。","text":"カトリーナ\n2005年にフロリダ州マイアミ周辺に上陸したカトリーナは、総被害額においてアメリカ史上最大のハリケーンです。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%88%E3%83%AA%E3%83%BC%E3%83%8A","updated":1702888670,"position":[-33.5864,51.8718,21.6829],"cluster":"c06","subgroup":"c06.02","degree":2,"referenceDegree":0,"maxSimilarity":0.08658,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66338a723c96cf0024eebca4","weight":0.08658,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65079f649d61af001b220e8a","weight":0.08582,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6580052a2028230024ba4224","source":"ideaofintellection","title":"debussy","excerpt":"クロード・アシル・ドビュッシーは、フランスの作曲家。長音階・短音階以外の旋法と、機能和声にとらわれることのない自由な和声法などを用いて作曲し、その伝統から外れた音階と和声の用い方から、19世紀後半から20世紀初頭にかけて最も影響力を持った作曲家の一人。","text":"debussy\nクロード・アシル・ドビュッシーは、フランスの作曲家。長音階・短音階以外の旋法と、機能和声にとらわれることのない自由な和声法などを用いて作曲し、その伝統から外れた音階と和声の用い方から、19世紀後半から20世紀初頭にかけて最も影響力を持った作曲家の一人。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/debussy","updated":1702888767,"position":[13.2167,-52.2285,66.6582],"cluster":"c12","subgroup":"c12.01","degree":2,"referenceDegree":0,"maxSimilarity":0.22948,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a19957c81c3e7fb767a592d","weight":0.22948,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cbe44b5a98d0024d45846","weight":0.14062,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658005c61cdb100022f91c0d","source":"ideaofintellection","title":"ニューオリンズ","excerpt":"ニューオーリンズはルイジアナ州最大の都市です。 ジャズの発祥地としても有名で、ルイ・アームストロングなど著名なジャズミュージシャンの故郷でもあります。 また、カナダからやって来たアカーディアンの影響を受けたケイジャン料理や、ヨーロッパとアフリカの料理が融合したクレオール料理など、独特の文化とグルメを楽しめる都市です。","text":"ニューオリンズ\nニューオーリンズはルイジアナ州最大の都市です。 ジャズの発祥地としても有名で、ルイ・アームストロングなど著名なジャズミュージシャンの故郷でもあります。 また、カナダからやって来たアカーディアンの影響を受けたケイジャン料理や、ヨーロッパとアフリカの料理が融合したクレオール料理など、独特の文化とグルメを楽しめる都市です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8B%E3%83%A5%E3%83%BC%E3%82%AA%E3%83%AA%E3%83%B3%E3%82%BA","updated":1702888912,"position":[49.666,-52.6437,34.2115],"cluster":"c02","subgroup":"c02.01","degree":4,"referenceDegree":0,"maxSimilarity":0.15435,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734e074f446ad99c952f07d","weight":0.15435,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65924530eb20580023182ec7","weight":0.12043,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.09622,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55a68b42dde0024be8115","weight":0.08974,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658005f5c67daf0023fe4708","source":"ideaofintellection","title":"ベトナム戦争","excerpt":"ベトナム戦争とは、米国が、１９５４年のジュネーブ協定で取り決められたベトナム南北統一の実現を妨害して、南ベトナムに干渉し、かいらい政権（米政府の意のままになる政府）を樹立して、解放勢力を掃討し北ベトナム政府を屈服させるために南北ベトナムで進めた侵略戦争を言います。","text":"ベトナム戦争\nベトナム戦争とは、米国が、１９５４年のジュネーブ協定で取り決められたベトナム南北統一の実現を妨害して、南ベトナムに干渉し、かいらい政権（米政府の意のままになる政府）を樹立して、解放勢力を掃討し北ベトナム政府を屈服させるために南北ベトナムで進めた侵略戦争を言います。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%99%E3%83%88%E3%83%8A%E3%83%A0%E6%88%A6%E4%BA%89","updated":1702888956,"position":[2.7609,-81.3333,36.7521],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08549,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:676d8eb8dcc5674fa73465d9","weight":0.08549,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6580063966acf0002ddcd739","source":"ideaofintellection","title":"睡蓮 water lily","excerpt":"","text":"睡蓮 water lily","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%9D%A1%E8%93%AE%20water%20lily","updated":1702889031,"position":[-0.6023,17.8683,11.9168],"cluster":"c07","subgroup":"c07.01","degree":8,"referenceDegree":0,"maxSimilarity":0.55724,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64ce0f039a58c0001c63df3b","weight":0.55724,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a76c586a206fa8485294724","weight":0.29899,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76c60943b135a19547376b","weight":0.29899,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4dbf040d71b1503a6d9d","weight":0.29554,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e48e91b0ddb001d180009","weight":0.27518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bc52ffa4b4ba54e61aa81","weight":0.27186,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cf2b4ebebe9bf41eb85d","weight":0.13591,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce092c3779b8001b7351df","weight":0.1271,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6580066c2d3d7c0025b89c83","source":"ideaofintellection","title":"ピリオド楽器","excerpt":"古楽器（こがっき）は、その使用が現代に至る演奏史上で廃れた楽器、あるいは改良や変更を受ける以前の古い様式の楽器を指す。 英語では、original instruments（オリジナル楽器）もしくはperiod instruments（ピリオド楽器、時代楽器）などと呼ばれる。","text":"ピリオド楽器\n古楽器（こがっき）は、その使用が現代に至る演奏史上で廃れた楽器、あるいは改良や変更を受ける以前の古い様式の楽器を指す。 英語では、original instruments（オリジナル楽器）もしくはperiod instruments（ピリオド楽器、時代楽器）などと呼ばれる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%83%AA%E3%82%AA%E3%83%89%E6%A5%BD%E5%99%A8","updated":1702889117,"position":[-8.8962,-192.7261,15.4829],"cluster":"c37","subgroup":"c37.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09895,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659395aec1f2710023d93b45","weight":0.09895,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658006deed21450023f9589d","source":"ideaofintellection","title":"スタックスレコード","excerpt":"スタックス・レコード (Stax Records)は、米国テネシー州メンフィスに拠点を置いていたレコード・レーベルである。1957年に設立され、1975年末に倒産した。","text":"スタックスレコード\nスタックス・レコード (Stax Records)は、米国テネシー州メンフィスに拠点を置いていたレコード・レーベルである。1957年に設立され、1975年末に倒産した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%82%BF%E3%83%83%E3%82%AF%E3%82%B9%E3%83%AC%E3%82%B3%E3%83%BC%E3%83%89","updated":1702889189,"position":[70.672,-12.9655,21.6458],"cluster":"c23","subgroup":"c23.01","degree":7,"referenceDegree":0,"maxSimilarity":0.95874,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d71989de1bfe001d5ee33b","weight":0.95874,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65b790405ccf750026d8488b","weight":0.27529,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d71b0513c210001c375ed3","weight":0.14669,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67612ac6175bb969ce145d46","weight":0.12994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d68a8f4e6f800241a8f98","weight":0.12155,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657fffe38bc5c20023210f53","weight":0.10462,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a27bc5c52d97001b12a745","weight":0.09086,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6580070b0107940025468deb","source":"ideaofintellection","title":"ドラムンベース","excerpt":"ドラムンベース（英: Drum and bass）は、イギリスサウスロンドンで1990年代に誕生した電子音楽のジャンルの1つ。 非常に速いテンポの変則的なドラムビートに、うねる様なベースが重なるドラムとベースが主体となるダンスミュージック。","text":"ドラムンベース\nドラムンベース（英: Drum and bass）は、イギリスサウスロンドンで1990年代に誕生した電子音楽のジャンルの1つ。 非常に速いテンポの変則的なドラムビートに、うねる様なベースが重なるドラムとベースが主体となるダンスミュージック。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%89%E3%83%A9%E3%83%A0%E3%83%B3%E3%83%99%E3%83%BC%E3%82%B9","updated":1702889234,"position":[47.0753,-51.092,34.16],"cluster":"c02","subgroup":"c02.01","degree":7,"referenceDegree":0,"maxSimilarity":0.16331,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:657410104e4f53002483ad34","weight":0.16331,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd564e384fa00025fa6ad1","weight":0.11679,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e324ff3f8c71001cae43f4","weight":0.09921,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c3ae16f05942e372b791e","weight":0.09675,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580049bc48041002355abfb","weight":0.09064,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee0b940de8e0024e0e41e","weight":0.08964,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","weight":0.08534,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658007227a6f7e0025df6c47","source":"ideaofintellection","title":"12音技法","excerpt":"十二音技法は、一般にはアルノルト・シェーンベルクが「五つのピアノ曲」作品23で1921年に完全に体系化した作曲技法であり、ドデカフォニーや音列主義、セリエリズムなどとも呼ばれる。実際は「無調音楽」や「雑音音楽」「電子音楽」と同様に、同時代に複数の作曲家によって別々に独立して模索されてきた作曲技法である。","text":"12音技法\n十二音技法は、一般にはアルノルト・シェーンベルクが「五つのピアノ曲」作品23で1921年に完全に体系化した作曲技法であり、ドデカフォニーや音列主義、セリエリズムなどとも呼ばれる。実際は「無調音楽」や「雑音音楽」「電子音楽」と同様に、同時代に複数の作曲家によって別々に独立して模索されてきた作曲技法である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/12%E9%9F%B3%E6%8A%80%E6%B3%95","updated":1702889258,"position":[50.2211,-52.0898,32.582],"cluster":"c02","subgroup":"c02.03","degree":4,"referenceDegree":0,"maxSimilarity":0.15933,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633b49d9a60d70024bd2795","weight":0.15933,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734daa1bb41a76cfc6a82ca","weight":0.12929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734dfc000623ce430e3767f","weight":0.12348,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a14fecf09c001d26d11f","weight":0.10494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658007454e89d6002372bf78","source":"ideaofintellection","title":"水のブラウン運動","excerpt":"気体，液体中に浮遊する微小粒子が行う不規則なジグザグ運動。 1827年R. ブラウンが水中の花粉を顕微鏡で観察中に発見。 熱運動をしている流体の分子が絶えず粒子に衝突し，粒子が大きいうちは衝撃が平均化されるため動かないが，微小な粒子では分子の衝突が少ないため平均化されず不規則な運動を生じる","text":"水のブラウン運動\n気体，液体中に浮遊する微小粒子が行う不規則なジグザグ運動。 1827年R. ブラウンが水中の花粉を顕微鏡で観察中に発見。 熱運動をしている流体の分子が絶えず粒子に衝突し，粒子が大きいうちは衝撃が平均化されるため動かないが，微小な粒子では分子の衝突が少ないため平均化されず不規則な運動を生じる\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B0%B4%E3%81%AE%E3%83%96%E3%83%A9%E3%82%A6%E3%83%B3%E9%81%8B%E5%8B%95","updated":1702889294,"position":[66.4168,-14.4354,21.809],"cluster":"c23","subgroup":"c23.01","degree":4,"referenceDegree":0,"maxSimilarity":0.36161,"lowEvidence":false,"neighbors":[{"id":"NextResearch:669a707dbb0f76001c7db9cc","weight":0.36161,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1567c82750001cb49c53","weight":0.17106,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e5531b155430bd516a2a","weight":0.10802,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bb1392237001be7a60a","weight":0.10588,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6580077fc48041002355f4a4","source":"ideaofintellection","title":"ミシシッピ","excerpt":"ミシシッピ川はアメリカ合衆国最長の川。 「ミシシッピ」とは、先住民の言葉で「大きな川」を意味するという。","text":"ミシシッピ\nミシシッピ川はアメリカ合衆国最長の川。 「ミシシッピ」とは、先住民の言葉で「大きな川」を意味するという。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9F%E3%82%B7%E3%82%B7%E3%83%83%E3%83%94","updated":1702889349,"position":[71.8698,-13.478,22.5597],"cluster":"c23","subgroup":"c23.01","degree":3,"referenceDegree":0,"maxSimilarity":0.09439,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d71957b4c326001d0ff80a","weight":0.09439,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e9949d323bcd001c9d04e1","weight":0.09389,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a607f768a97e631d333f646","weight":0.09295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658007d25554ae0025cf9974","source":"ideaofintellection","title":"カンタータ","excerpt":"独唱・重唱・合唱などに器楽・管弦楽の伴奏がついた大規模な声楽曲。 もとはソナタ（器楽曲）に対する声楽曲一般を意味した。 教会用のものと演奏会用のものとがある。 交声曲。","text":"カンタータ\n独唱・重唱・合唱などに器楽・管弦楽の伴奏がついた大規模な声楽曲。 もとはソナタ（器楽曲）に対する声楽曲一般を意味した。 教会用のものと演奏会用のものとがある。 交声曲。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%B3%E3%82%BF%E3%83%BC%E3%82%BF","updated":1702889433,"position":[41.8159,-48.05,37.9994],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.09146,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c63bf7fbf10e001cbcb82a","weight":0.09146,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658008134e89d6002372d320","source":"ideaofintellection","title":"チェンバロ","excerpt":"チェンバロとピアノは形がよく似ていて、どちらも鍵盤を指で押さえて演奏します。 見た目に大きな違いはありませんが、性能にはさまざまな違いがあります。 例えば、チェンバロは、爪で弾くことで弦を振動させて音を出す「撥弦楽器」ですが、ピアノはハンマーで叩いて弦を振動させ音を出す「打弦楽器」であること。","text":"チェンバロ\nチェンバロとピアノは形がよく似ていて、どちらも鍵盤を指で押さえて演奏します。 見た目に大きな違いはありませんが、性能にはさまざまな違いがあります。 例えば、チェンバロは、爪で弾くことで弦を振動させて音を出す「撥弦楽器」ですが、ピアノはハンマーで叩いて弦を振動させ音を出す「打弦楽器」であること。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%81%E3%82%A7%E3%83%B3%E3%83%90%E3%83%AD","updated":1702889500,"position":[16.0975,-65.523,2.4313],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11985,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d634a031b3e0024df4524","weight":0.11985,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65800897a48ca600243d09aa","source":"ideaofintellection","title":"アイリッシュ","excerpt":"「アイルランドの」または「アイルランド人の」などを表す英語の形容詞・名詞。 または、人名。","text":"アイリッシュ\n「アイルランドの」または「アイルランド人の」などを表す英語の形容詞・名詞。 または、人名。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%82%A4%E3%83%AA%E3%83%83%E3%82%B7%E3%83%A5","updated":1702889642,"position":[5.247,-78.561,36.4549],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.20633,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734cb1f7d33a8b48492ce8f","weight":0.20633,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559e395cd1ca9001b2c7271","weight":0.14451,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d29a479f55a00240f062a","weight":0.11592,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658008fab4d8c500224a831b","source":"ideaofintellection","title":"バスク","excerpt":"バスク地方で前期旧石器時代の痕跡は見られず、バスク地方に人類が居住し始めたのは約15万年前の中期旧石器時代であるとされる。ネアンデルタール人は温暖な時代には河川に近い屋外の段丘面に住み、寒冷な時代になると奥行きのある洞窟に住んで寒さから身を守っていた","text":"バスク\nバスク地方で前期旧石器時代の痕跡は見られず、バスク地方に人類が居住し始めたのは約15万年前の中期旧石器時代であるとされる。ネアンデルタール人は温暖な時代には河川に近い屋外の段丘面に住み、寒冷な時代になると奥行きのある洞窟に住んで寒さから身を守っていた\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%90%E3%82%B9%E3%82%AF","updated":1702889736,"position":[49.286,-53.394,38.9354],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.14352,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c2a9bd75facf0025332316","weight":0.14352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2ac97a6d6700026c9d89a","weight":0.14117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6507a091db74eb001b231685","weight":0.10404,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65800942ce3fa100251e8b6f","source":"ideaofintellection","title":"9thの和音","excerpt":"三和音に３度上の第７音、その上さらに３度上の第９音を重ね、五和音としたもの。 この第９音は２度下行して解決する。 属音上の九の和音を「属九の和音」といい、四声体では１音を省略して使う。","text":"9thの和音\n三和音に３度上の第７音、その上さらに３度上の第９音を重ね、五和音としたもの。 この第９音は２度下行して解決する。 属音上の九の和音を「属九の和音」といい、四声体では１音を省略して使う。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/9th%E3%81%AE%E5%92%8C%E9%9F%B3","updated":1702889805,"position":[2.094,102.1872,-58.1601],"cluster":"c33","subgroup":"c33.01","degree":1,"referenceDegree":0,"maxSimilarity":0.14944,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659583a7b50f1a0024e52189","weight":0.14944,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658009af3cf5ea0022c3979a","source":"ideaofintellection","title":"蝶墜ちて大音響の結氷期","excerpt":"赤黄男が感じる戦時下の空気感を伝えています。","text":"蝶墜ちて大音響の結氷期\n赤黄男が感じる戦時下の空気感を伝えています。\n[https://scrapbox.io/files/65800a4a6d8afb0024213367.jpeg]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%9D%B6%E5%A2%9C%E3%81%A1%E3%81%A6%E5%A4%A7%E9%9F%B3%E9%9F%BF%E3%81%AE%E7%B5%90%E6%B0%B7%E6%9C%9F","updated":1702890063,"position":[-49.3231,38.7273,-104.5022],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03845,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:658013d985a8330023438fed","source":"ideaofintellection","title":"バウハウス","excerpt":"バウハウスは、1919年から1933年までの間に、ドイツのワイマールで始まった影響力のある芸術とデザインの運動です。 バウハウスは、個人の芸術性と大量生産・機能性を融合させ、あらゆる芸術的媒体を一つの統一的なアプローチで融合させることを目指しました。","text":"バウハウス\nバウハウスは、1919年から1933年までの間に、ドイツのワイマールで始まった影響力のある芸術とデザインの運動です。 バウハウスは、個人の芸術性と大量生産・機能性を融合させ、あらゆる芸術的媒体を一つの統一的なアプローチで融合させることを目指しました。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%90%E3%82%A6%E3%83%8F%E3%82%A6%E3%82%B9","updated":1702892514,"position":[50.9837,-51.6441,34.1536],"cluster":"c02","subgroup":"c02.03","degree":5,"referenceDegree":0,"maxSimilarity":0.14524,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67bed948e463b39a6c7630a1","weight":0.14524,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a198e2e147795e220deb2f7","weight":0.115,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a34b9efee400244825fa","weight":0.10024,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c632a766428f001ca16b9f","weight":0.0857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64b8ce3c1371c6001f0335a9","weight":0.08529,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658288a9f5683400223ac992","source":"ideaofintellection","title":"ジャックイン","excerpt":"immersiveのサイバーパンクライクな表現","text":"ジャックイン\nimmersiveのサイバーパンクライクな表現\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A3%E3%83%83%E3%82%AF%E3%82%A4%E3%83%B3","updated":1703053510,"position":[16.4199,-67.2481,2.3761],"cluster":"c03","subgroup":"c03.01","degree":4,"referenceDegree":0,"maxSimilarity":0.17349,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e59a4105ba9c2a89a441","weight":0.17349,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339d6a98707b00238e40b1","weight":0.16929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6532d26a81a5cc001b21aa80","weight":0.15316,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678940fdc8084a826ca40bea","weight":0.14041,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65828907f47190002285be6d","source":"ideaofintellection","title":"wine tasting","excerpt":"「外観」、「香り」、「味わい」です。濃いかどうか、澄んでいるかどうか。 ワインの香り、味わい。","text":"wine tasting\n「外観」、「香り」、「味わい」です。濃いかどうか、澄んでいるかどうか。 ワインの香り、味わい。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/wine%20tasting","updated":1703053607,"position":[-64.628,30.9436,-141.0377],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.14286,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65a21224cf6e180024973f25","weight":0.14286,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65828b681258bf0023990765","source":"ideaofintellection","title":"dexterity","excerpt":"器用さ、熟練、手法","text":"dexterity\n器用さ、熟練、手法\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/dexterity","updated":1703054217,"position":[-57.8719,37.2003,-148.6387],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05194,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65828be6950804002320e7b7","source":"ideaofintellection","title":"ハルシネーション","excerpt":"もっともらしいウソ（＝事実とは異なる内容や、文脈と無関係な内容）の出力が生成されることを指す。","text":"ハルシネーション\nもっともらしいウソ（＝事実とは異なる内容や、文脈と無関係な内容）の出力が生成されることを指す。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%83%AB%E3%82%B7%E3%83%8D%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1703054318,"position":[21.6453,39.389,-21.9455],"cluster":"c15","subgroup":"c15.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10154,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69f051e4984b33d9327a3bfc","weight":0.10154,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.09603,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65828d5d2958ba0023e8dec1","source":"ideaofintellection","title":"ニューロメラニン","excerpt":"中脳にはニューロメラニンという色素があるため黒く見える細胞があります。 この細胞（＝黒質細胞）が減る病気がパーキンソン病です。 ニューロメラニンはドーパという物質から出来ているため、この細胞が減るとドーパ、ドーパミン（脳内で働くのはドーパミン）が減ります。 歩くためには脳の働きが欠かせません。","text":"ニューロメラニン\n中脳にはニューロメラニンという色素があるため黒く見える細胞があります。 この細胞（＝黒質細胞）が減る病気がパーキンソン病です。 ニューロメラニンはドーパという物質から出来ているため、この細胞が減るとドーパ、ドーパミン（脳内で働くのはドーパミン）が減ります。 歩くためには脳の働きが欠かせません。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8B%E3%83%A5%E3%83%BC%E3%83%AD%E3%83%A1%E3%83%A9%E3%83%8B%E3%83%B3","updated":1703054720,"position":[-28.4232,-69.7676,65.4958],"cluster":"c04","subgroup":"c04.01","degree":4,"referenceDegree":0,"maxSimilarity":0.24844,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b7901a058cb70024105a9c","weight":0.24844,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6572652aef8e7c00235ce4f1","weight":0.15666,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1268894910f0025c3f19d","weight":0.1295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67fdb5588f3e74d9e9b838e2","weight":0.11489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65829af782b4720025676eef","source":"ideaofintellection","title":"黙れ小僧","excerpt":"もののけ姫","text":"黙れ小僧\nもののけ姫\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%BB%99%E3%82%8C%E5%B0%8F%E5%83%A7","updated":1703058187,"position":[-71.0797,11.7491,-145.4083],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06983,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65829b18829aed002238a3e7","source":"ideaofintellection","title":"千と千尋の神隠し","excerpt":"ジブリと残酷さと美しさ","text":"千と千尋の神隠し\nジブリと残酷さと美しさ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%8D%83%E3%81%A8%E5%8D%83%E5%B0%8B%E3%81%AE%E7%A5%9E%E9%9A%A0%E3%81%97","updated":1703058221,"position":[-42.6126,-4.3102,-135.6275],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07216,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582a01d9583c6002349bdb4","source":"ideaofintellection","title":"3人の会","excerpt":"3人の会（さんにんのかい）は、日本の作曲家芥川也寸志、團伊玖磨、黛敏郎が1953年に結成したグループ。1954年から1962年まで5回の演奏会を行い、自作を発表した。","text":"3人の会\n3人の会（さんにんのかい）は、日本の作曲家芥川也寸志、團伊玖磨、黛敏郎が1953年に結成したグループ。1954年から1962年まで5回の演奏会を行い、自作を発表した。\n\n結成当初は「3人の會」と表記、パンフレットやチラシなどでは「3人の会」と表記されており、「三人の会」という記載は見られない。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/3%E4%BA%BA%E3%81%AE%E4%BC%9A","updated":1703059518,"position":[-20.3987,62.7722,20.6187],"cluster":"c06","subgroup":"c06.02","degree":1,"referenceDegree":0,"maxSimilarity":0.14691,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65829fb8878ab7002493cde1","weight":0.14691,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582a4d74384fb0024faa9ab","source":"ideaofintellection","title":"古希・古稀","excerpt":"70歳を迎える方の長寿祝いのこと、また、その年齢を指しています。 古希・古稀の後は、喜寿（77歳）、傘寿（80歳）、米寿（88歳）と続き、それぞれが人生の節目のひとつにもなっています。J","text":"古希・古稀\n70歳を迎える方の長寿祝いのこと、また、その年齢を指しています。 古希・古稀の後は、喜寿（77歳）、傘寿（80歳）、米寿（88歳）と続き、それぞれが人生の節目のひとつにもなっています。J\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%8F%A4%E5%B8%8C%E3%83%BB%E5%8F%A4%E7%A8%80","updated":1703060755,"position":[-37.8861,17.4312,-134.6321],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04291,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582a55918568700244229cf","source":"ideaofintellection","title":"Funeral Playlist","excerpt":"葬儀曲","text":"Funeral Playlist\n葬儀曲\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Funeral%20Playlist","updated":1703060867,"position":[-74.1634,29.2868,-112.8949],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582a8a6ce09e00024e88de5","source":"ideaofintellection","title":"永井荷風 日和下駄","excerpt":"https://www.aozora.gr.jp/cards/001341/files/49658_37661.html","text":"永井荷風 日和下駄\nhttps://www.aozora.gr.jp/cards/001341/files/49658_37661.html\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B0%B8%E4%BA%95%E8%8D%B7%E9%A2%A8%20%E6%97%A5%E5%92%8C%E4%B8%8B%E9%A7%84","updated":1703061680,"position":[-72.2492,5.7576,-105.0023],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582a8d4da033c0023ea844b","source":"ideaofintellection","title":"観潮楼","excerpt":"1892（明治25)年鴎外が30歳のときから、(大正11)年60歳で亡くなるまで、家族とともに住んだ家です。 家の2階からは遠く海が見えたと言われ、鴎外により観潮楼と名づけられました。 観潮楼は、鴎外がひらいた歌会の会場としても使われました。","text":"観潮楼\n1892（明治25)年鴎外が30歳のときから、(大正11)年60歳で亡くなるまで、家族とともに住んだ家です。 家の2階からは遠く海が見えたと言われ、鴎外により観潮楼と名づけられました。 観潮楼は、鴎外がひらいた歌会の会場としても使われました。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%A6%B3%E6%BD%AE%E6%A5%BC","updated":1703061725,"position":[-43.5357,22.9246,-145.354],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04362,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582a9eda411e0002fdbbf02","source":"ideaofintellection","title":"Suga","excerpt":"piece done.","text":"Suga\npiece done.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Suga","updated":1703062045,"position":[13.4655,49.0079,63.8012],"cluster":"c08","subgroup":"c08.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09354,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6080cafdeca11bd570e9c8","weight":0.09354,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582aa84da033c0023eaafe9","source":"ideaofintellection","title":"システィナ礼拝堂","excerpt":"バチカン宮殿内にある24の美術館を総称して「バチカン美術館」と呼び、システィーナ礼拝堂はその中のひとつ。 盛期ルネサンスを代表するミケランジェロやボッティチェッリらの装飾絵画作品で世界的に有名です。","text":"システィナ礼拝堂\nバチカン宮殿内にある24の美術館を総称して「バチカン美術館」と呼び、システィーナ礼拝堂はその中のひとつ。 盛期ルネサンスを代表するミケランジェロやボッティチェッリらの装飾絵画作品で世界的に有名です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%82%B9%E3%83%86%E3%82%A3%E3%83%8A%E7%A4%BC%E6%8B%9D%E5%A0%82","updated":1703062156,"position":[-70.7469,-7.9709,38.5358],"cluster":"c35","subgroup":"c35.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12907,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6582a1759dc20b0023c50fca","weight":0.12907,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e7f215622001e3f98e1","weight":0.12135,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:658afe0781ec8800246e430a","weight":0.10628,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582aacc34a03d0025ce9bec","source":"ideaofintellection","title":"ヌマ歴","excerpt":"ヌマ暦 紀元前713年、ローマ国王ヌマ・ポンピリウスによって改暦が行われ、現在の1月にあたるJānuārius、2月にあたるFebruāriusがつけ加えられた。 このときヌマは、日数が30日だった月の日数をすべて29日に変えた。 平年の1年の長さは355日になる。","text":"ヌマ歴\n\nヌマ暦 紀元前713年、ローマ国王ヌマ・ポンピリウスによって改暦が行われ、現在の1月にあたるJānuārius、2月にあたるFebruāriusがつけ加えられた。 このときヌマは、日数が30日だった月の日数をすべて29日に変えた。 平年の1年の長さは355日になる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8C%E3%83%9E%E6%AD%B4","updated":1703062227,"position":[-41.2524,25.9681,-150.8876],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05351,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582aaed3863190023ce221c","source":"ideaofintellection","title":"ロムルス歴","excerpt":"古代ローマにおいて、初めて暦が作られたのは紀元前8世紀で、ローマ建国の祖と呼ばれるロムルス（Romulus）の手によるものとされている。 この「ロムルス暦」は10ケ月しかなく1年が304日であった。","text":"ロムルス歴\n古代ローマにおいて、初めて暦が作られたのは紀元前8世紀で、ローマ建国の祖と呼ばれるロムルス（Romulus）の手によるものとされている。 この「ロムルス暦」は10ケ月しかなく1年が304日であった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AD%E3%83%A0%E3%83%AB%E3%82%B9%E6%AD%B4","updated":1703062261,"position":[5.8895,-77.9315,35.8668],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10852,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559e3ba356f71001ca96f89","weight":0.10852,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582ab3188b2920022bdf848","source":"ideaofintellection","title":"松栄堂","excerpt":"お香","text":"松栄堂\nお香\nhttps://www.shoyeido.co.jp/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%9D%BE%E6%A0%84%E5%A0%82","updated":1703062341,"position":[-77.1358,27.7706,-140.8585],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582ab76fb0ab6002399ae31","source":"ideaofintellection","title":"アウシュビッツ","excerpt":"解放から75年 75年前の1945年1月27日、アウシュヴィッツ強制収容所は旧ソ連軍によって解放された。 第2次世界大戦中、ユダヤ人約600万人が殺害されたほか、多くのロマ人やソ連軍捕虜、同性愛者や障害者も犠牲になった。","text":"アウシュビッツ\n解放から75年 75年前の1945年1月27日、アウシュヴィッツ強制収容所は旧ソ連軍によって解放された。 第2次世界大戦中、ユダヤ人約600万人が殺害されたほか、多くのロマ人やソ連軍捕虜、同性愛者や障害者も犠牲になった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%82%A6%E3%82%B7%E3%83%A5%E3%83%93%E3%83%83%E3%83%84","updated":1703062397,"position":[-23.1431,19.9101,67.8359],"cluster":"c09","subgroup":"c09.02","degree":2,"referenceDegree":0,"maxSimilarity":0.21998,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559f12e356f71001ca9f8eb","weight":0.21998,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499488f8a0f88001bd9bcc0","weight":0.1001,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582abe8781cc60024698dc5","source":"ideaofintellection","title":"Symphony No. 9 (交響曲第9番)  Beethoven","excerpt":"交響曲第9番 ドイツ語: Sinfonie Nr. 9 d-moll op. 125）は、ルートヴィヒ・ヴァン・ベートーヴェンが1824年に作曲した独唱と合唱を伴う交響曲。ベートーヴェンの9番目にして最後の交響曲である","text":"Symphony No. 9 (交響曲第9番)  Beethoven\n交響曲第9番 ドイツ語: Sinfonie Nr. 9 d-moll op. 125）は、ルートヴィヒ・ヴァン・ベートーヴェンが1824年に作曲した独唱と合唱を伴う交響曲。ベートーヴェンの9番目にして最後の交響曲である\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Symphony%20No.%209%20%28%E4%BA%A4%E9%9F%BF%E6%9B%B2%E7%AC%AC9%E7%95%AA%29%20%20Beethoven","updated":1703071562,"position":[50.235,-48.9077,33.2313],"cluster":"c02","subgroup":"c02.03","degree":5,"referenceDegree":0,"maxSimilarity":0.235,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662f6a9d1a88a70023c3931d","weight":0.235,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559fcb48dc7c9001c8ff6d5","weight":0.1599,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734df36af3738f1300fff5a","weight":0.10396,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d58179393237bd80c6e1","weight":0.10328,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734cbd15606aa0f4adfe12b","weight":0.10252,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582d2d1ae7ee50024a05a67","source":"ideaofintellection","title":"パイレーツロック","excerpt":"『パイレーツ・ロック』（原題: The Boat That Rocked）は、2009年のイギリス・ドイツ映画。アメリカ公開時のタイトルは『Pirate Radio』。","text":"パイレーツロック\n『パイレーツ・ロック』（原題: The Boat That Rocked）は、2009年のイギリス・ドイツ映画。アメリカ公開時のタイトルは『Pirate Radio』。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%82%A4%E3%83%AC%E3%83%BC%E3%83%84%E3%83%AD%E3%83%83%E3%82%AF","updated":1703072471,"position":[6.1203,-78.9522,36.9633],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.12679,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734cb1f7d33a8b48492ce8f","weight":0.12679,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658003e060b07300239e99ba","weight":0.10077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582d2f929cb2800249ef918","source":"ideaofintellection","title":"母と暮らせば","excerpt":"山田洋次監督が作家・井上ひさしさんに捧げて長崎を舞台に描く『母と暮せば』、ついに映画化。","text":"母と暮らせば\n\n山田洋次監督が作家・井上ひさしさんに捧げて長崎を舞台に描く『母と暮せば』、ついに映画化。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%AF%8D%E3%81%A8%E6%9A%AE%E3%82%89%E3%81%9B%E3%81%B0","updated":1703072510,"position":[-20.2428,63.0304,21.9968],"cluster":"c06","subgroup":"c06.02","degree":1,"referenceDegree":0,"maxSimilarity":0.15741,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65829fb8878ab7002493cde1","weight":0.15741,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582d35529cb2800249efd70","source":"ideaofintellection","title":"11拍子","excerpt":"","text":"11拍子","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/11%E6%8B%8D%E5%AD%90","updated":1703072606,"position":[6.1159,-79.0835,37.1379],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09549,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734cb1f7d33a8b48492ce8f","weight":0.09549,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582d3dfdd34040023f87be6","source":"ideaofintellection","title":"グラントリノ","excerpt":"タイトルとなったグラン・トリノとはフォードの車種、フォード・トリノのうち、 1972年から1976年に生産されたものを指す。","text":"グラントリノ\nタイトルとなったグラン・トリノとはフォードの車種、フォード・トリノのうち、 1972年から1976年に生産されたものを指す。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%A9%E3%83%B3%E3%83%88%E3%83%AA%E3%83%8E","updated":1703072746,"position":[-24.0897,-73.4395,64.0164],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.17288,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65bf66ad5932db002632f4cc","weight":0.17288,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ccd0e4de2002613d6c4","weight":0.13438,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ce05e83ba0025e0c121","weight":0.10833,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582d412ce09e00024ebc169","source":"ideaofintellection","title":"ジュビリー2000","excerpt":"ジュビリー2000（ジュビリーにせん、Jubilee 2000）は、最貧国の債務帳消しを求めて1990年から世界的に広がった社会運動のキャンペーン、およびそれを推進する団体である。最貧国が抱える返済不能な累積債務を西暦2000年を機に帳消しすることを求めた。2001年以降は国別の組織に分かれて活動を継続している。","text":"ジュビリー2000\nジュビリー2000（ジュビリーにせん、Jubilee 2000）は、最貧国の債務帳消しを求めて1990年から世界的に広がった社会運動のキャンペーン、およびそれを推進する団体である。最貧国が抱える返済不能な累積債務を西暦2000年を機に帳消しすることを求めた。2001年以降は国別の組織に分かれて活動を継続している。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A5%E3%83%93%E3%83%AA%E3%83%BC2000","updated":1703072796,"position":[114.1258,-66.9901,-44.6763],"cluster":"c38","subgroup":"c38.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08254,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582d4486fc13f0023b8ca1d","source":"ideaofintellection","title":"胡蝶の夢","excerpt":"胡蝶の夢（こちょうのゆめ）は、中国の戦国時代の宋の蒙（現在の河南省商丘市民権県）生まれの思想家の荘子（荘周）による、夢の中の自分が現実か、現実のほうが夢なのかといった説話である。荘子の考えが顕著に表れている説話として、またその代表作として一般的にもよく知られている。","text":"胡蝶の夢\n胡蝶の夢（こちょうのゆめ）は、中国の戦国時代の宋の蒙（現在の河南省商丘市民権県）生まれの思想家の荘子（荘周）による、夢の中の自分が現実か、現実のほうが夢なのかといった説話である。荘子の考えが顕著に表れている説話として、またその代表作として一般的にもよく知られている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%83%A1%E8%9D%B6%E3%81%AE%E5%A4%A2","updated":1703072846,"position":[-24.147,12.3073,-123.6719],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.51812,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:656cb34aed01c800228138c4","weight":0.51812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582d4eb2d788d00244aa2c6","source":"ideaofintellection","title":"夏目漱石　夢十夜","excerpt":"こんな夢を見た。","text":"夏目漱石　夢十夜\nこんな夢を見た。\n　腕組をして枕元に坐すわっていると、仰向あおむきに寝た女が、静かな声でもう死にますと云う。女は長い髪を枕に敷いて、輪郭りんかくの柔やわらかな瓜実うりざね顔がおをその中に横たえている。真白な頬の底に温かい血の色がほどよく差して、唇くちびるの色は無論赤い。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%8F%E7%9B%AE%E6%BC%B1%E7%9F%B3%E3%80%80%E5%A4%A2%E5%8D%81%E5%A4%9C","updated":1703073019,"position":[-33.0975,-1.0326,-128.9404],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08311,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582d59f3863190023d0adf9","source":"ideaofintellection","title":"タルコフスキー 鏡","excerpt":"","text":"タルコフスキー 鏡","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BF%E3%83%AB%E3%82%B3%E3%83%95%E3%82%B9%E3%82%AD%E3%83%BC%20%E9%8F%A1","updated":1703073190,"position":[-18.479,-13.2784,-18.5895],"cluster":"c11","subgroup":"c11.01","degree":7,"referenceDegree":0,"maxSimilarity":0.15914,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a571f69c2a455680209e","weight":0.15914,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b41446a305b001ca69dcd","weight":0.14784,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556444ff36495001bce6730","weight":0.12196,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a608268d1a7749894b1010a","weight":0.1204,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c6580103e53e001c8bf7de","weight":0.11753,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499aa67ea038f001c24a74a","weight":0.10853,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65413c9b00f059001cd6cd4d","weight":0.08903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582d79bf6a2b00023ad96e7","source":"ideaofintellection","title":"ヨーゼフボイス、芸術","excerpt":"ヨーゼフ・ボイスの遺した「人間の行う活動は労働あれ、何であれ、すべて芸術であり、すべての人間は芸術家である」という言葉は、彼が活動を通して主張し続けた「社会彫刻」そのものを端的に表現している。 社会を作り上げていくべきだという考えに他ならない。","text":"ヨーゼフボイス、芸術\nヨーゼフ・ボイスの遺した「人間の行う活動は労働あれ、何であれ、すべて芸術であり、すべての人間は芸術家である」という言葉は、彼が活動を通して主張し続けた「社会彫刻」そのものを端的に表現している。 社会を作り上げていくべきだという考えに他ならない。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A8%E3%83%BC%E3%82%BC%E3%83%95%E3%83%9C%E3%82%A4%E3%82%B9%E3%80%81%E8%8A%B8%E8%A1%93","updated":1703073713,"position":[-31.0419,-8.1595,54.2317],"cluster":"c09","subgroup":"c09.02","degree":4,"referenceDegree":0,"maxSimilarity":0.5804,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a608860c4f363c1a4ae8322","weight":0.5804,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65726b0aef8e7c00235d817a","weight":0.22929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1406d783ecd56b5b0b8f12","weight":0.14562,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d45561ecbd14001345298d","weight":0.08612,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582d8848e99030023a28c29","source":"ideaofintellection","title":"邇芸速日命 ニギハヤヒ","excerpt":"物部氏の祖神。 物部氏は軍事と祭祀をもって大和朝廷を構成した一大雄族で,その面影は神武東征の伝承に登場するニギハヤヒノミコトの姿に痕跡をとどめている。 『日本書紀』によると,ニギハヤヒは天神の子とされ,神武天皇より先に天磐船に乗って大和に天降り,長髄彦(ナガスネヒコ)の妹三炊屋媛と結婚して可美真手命を生んだ。","text":"邇芸速日命 ニギハヤヒ\n\n物部氏の祖神。 物部氏は軍事と祭祀をもって大和朝廷を構成した一大雄族で,その面影は神武東征の伝承に登場するニギハヤヒノミコトの姿に痕跡をとどめている。 『日本書紀』によると,ニギハヤヒは天神の子とされ,神武天皇より先に天磐船に乗って大和に天降り,長髄彦(ナガスネヒコ)の妹三炊屋媛と結婚して可美真手命を生んだ。\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%82%87%E8%8A%B8%E9%80%9F%E6%97%A5%E5%91%BD%20%E3%83%8B%E3%82%AE%E3%83%8F%E3%83%A4%E3%83%92","updated":1703073948,"position":[-37.4612,-4.6668,-119.8545],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07948,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582d8b96bf37900233c9e14","source":"ideaofintellection","title":"辺野古 珊瑚礁","excerpt":"","text":"辺野古 珊瑚礁","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%BE%BA%E9%87%8E%E5%8F%A4%20%E7%8F%8A%E7%91%9A%E7%A4%81","updated":1703073988,"position":[-77.7788,21.8861,-105.0389],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582d947eaae7400220fb3f2","source":"ideaofintellection","title":"798芸術区","excerpt":"798芸術区（ななきゅうはちげいじゅつく、中国語: 798艺术区、拼音: 798 Yìshùqū、英語: 798 Art Zone）は、北京市の朝陽区に位置する地区である。大山子芸術区（Dashanzi Art District）とも呼ばれる。","text":"798芸術区\n798芸術区（ななきゅうはちげいじゅつく、中国語: 798艺术区、拼音: 798 Yìshùqū、英語: 798 Art Zone）は、北京市の朝陽区に位置する地区である。大山子芸術区（Dashanzi Art District）とも呼ばれる。\n\n1950年代初めに東ドイツの技術援助によって建設され、その後他の用途に転用された工廠が集中しており、その中に芸術家のアトリエや住居、中国や日本を始めとした外国から進出したギャラリーが多く立地している。芸術家のコミュニティーということでしばしばニューヨークのグリニッジ・ヴィレッジやソーホーと比較される。\n\n2007年にユーレンス現代芸術センター（尤伦斯当代艺术中心）が工廠「798廠」を改装して開業して以来、この地域は中国・北京の現代芸術の中心的な地区となっている。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/798%E8%8A%B8%E8%A1%93%E5%8C%BA","updated":1703074129,"position":[-34.2291,-3.726,57.4769],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.13056,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d45561ecbd14001345298d","weight":0.13056,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6582d9ec9759fe00240ed33b","source":"ideaofintellection","title":"ピアニカ","excerpt":"一般名称は「鍵盤ハーモニカ」で、製品名は「ピアニカ」「メロディオン」などだが、初等教育機関では、ヤマハ製品の場占有率が高いことから楽器名として広く「ピアニカ」と俗称される。","text":"ピアニカ\n一般名称は「鍵盤ハーモニカ」で、製品名は「ピアニカ」「メロディオン」などだが、初等教育機関では、ヤマハ製品の場占有率が高いことから楽器名として広く「ピアニカ」と俗称される。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%82%A2%E3%83%8B%E3%82%AB","updated":1703074287,"position":[86.8459,-110.5788,-21.4732],"cluster":"c40","subgroup":"c40.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07218,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582db1b347fdc002352e59f","source":"ideaofintellection","title":"世界史の構造","excerpt":"A.互酬、B.再分配、C.商品交換の結合態としての世界システムの変遷を語り、それらを越えたDという交換様式への道筋を示す。ミニ世界システム、世界=帝国、世界=経済（近代世界システム）そして現在と未来という順序で章立ててある。","text":"世界史の構造\nA.互酬、B.再分配、C.商品交換の結合態としての世界システムの変遷を語り、それらを越えたDという交換様式への道筋を示す。ミニ世界システム、世界=帝国、世界=経済（近代世界システム）そして現在と未来という順序で章立ててある。\n\n交換様式Dは普遍宗教の預言者によって開示されたものであるとする。マックス・ウェーバーの分類する預言者には倫理的預言者と模範的預言者があることを考えると、キリスト教、回教、仏教の各教祖だけでなく、イオニアの自然哲学者やソクラテスや孔子や老子などの思想家も、普遍宗教の預言者と同じであると言う。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%96%E7%95%8C%E5%8F%B2%E3%81%AE%E6%A7%8B%E9%80%A0","updated":1703074609,"position":[12.608,-93.0895,19.3782],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.06329,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582e35679efa300243b884a","source":"ideaofintellection","title":"ブヌン族","excerpt":"ブヌン族の伝統音楽として最も有名なのは、「Pasibutbut」（標準中国語で〈八部合音〉などと表記）と呼ばれる合唱である。 これは元来毎年二月の粟の種まき祭（「Minpinan」、播種祭）などの際に唱われる豊作祈願の歌であり、男性数人から十数人が円陣を組んで少しずつ違った音階をのせていく合唱法をとる。","text":"ブヌン族\n\nブヌン族の伝統音楽として最も有名なのは、「Pasibutbut」（標準中国語で〈八部合音〉などと表記）と呼ばれる合唱である。 これは元来毎年二月の粟の種まき祭（「Minpinan」、播種祭）などの際に唱われる豊作祈願の歌であり、男性数人から十数人が円陣を組んで少しずつ違った音階をのせていく合唱法をとる。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%8C%E3%83%B3%E6%97%8F","updated":1703076702,"position":[28.2916,-69.6443,-57.8208],"cluster":"c26","subgroup":"c26.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06236,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6582e6c83863190023d29c9a","source":"ideaofintellection","title":"ウェーベルン 新ウィーン楽派","excerpt":"シェーンベルクを師とし、ベルクとヴェーベルンはその弟子である。無調音楽および十二音技法を開拓し、クラシック音楽の分野において現代音楽と呼ばれている時代や様式の区分に、最も重要なかかわりを持つ。当時の音楽界において最も前衛的な立場にあり、美術家のワシリー・カンディンスキー、哲学思想家のテオドール・アドルノなどとも関わりを持った。","text":"ウェーベルン 新ウィーン楽派\nシェーンベルクを師とし、ベルクとヴェーベルンはその弟子である。無調音楽および十二音技法を開拓し、クラシック音楽の分野において現代音楽と呼ばれている時代や様式の区分に、最も重要なかかわりを持つ。当時の音楽界において最も前衛的な立場にあり、美術家のワシリー・カンディンスキー、哲学思想家のテオドール・アドルノなどとも関わりを持った。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A6%E3%82%A7%E3%83%BC%E3%83%99%E3%83%AB%E3%83%B3%20%E6%96%B0%E3%82%A6%E3%82%A3%E3%83%BC%E3%83%B3%E6%A5%BD%E6%B4%BE","updated":1703077611,"position":[50.3195,-51.5729,31.9118],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.84432,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734dfc000623ce430e3767f","weight":0.84432,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734dff7fbbf25cdda520142","weight":0.18245,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6583ff1734af180023f94a08","source":"ideaofintellection","title":"截金","excerpt":"截金は、細金とも呼ばれ金箔・銀箔・プラチナ箔を数枚焼き合わせ細く直線状に切ったものを、筆と接着剤を用いて貼ることによって文様を表現する伝統技法である。細い線状の截金と、三角形・菱形・丸型などの形に切った截箔・切箔、箔をある形に截り透かした裁文、これらを単独あるいは組み合わせて表した文様を截金文様と呼ぶ。","text":"截金\n截金は、細金とも呼ばれ金箔・銀箔・プラチナ箔を数枚焼き合わせ細く直線状に切ったものを、筆と接着剤を用いて貼ることによって文様を表現する伝統技法である。細い線状の截金と、三角形・菱形・丸型などの形に切った截箔・切箔、箔をある形に截り透かした裁文、これらを単独あるいは組み合わせて表した文様を截金文様と呼ぶ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%88%AA%E9%87%91","updated":1703149356,"position":[-44.6521,50.2672,-130.3593],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07436,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6584034c4183fb00239dd357","source":"ideaofintellection","title":"柿落とし","excerpt":"劇場が新築あるいは改築して初開場することをいう。 古くは劇場の屋根を柿葺き（こけらぶき）にしていたが，屋根や足場に残る柿(木片)を払い落としてはじめて完成に至った。 そこで柿落しが初開場を意味するようになったようであるが，語源ははっきりしない。 〈柿葺落し〉と書くのは誤り。","text":"柿落とし\n劇場が新築あるいは改築して初開場することをいう。 古くは劇場の屋根を柿葺き（こけらぶき）にしていたが，屋根や足場に残る柿(木片)を払い落としてはじめて完成に至った。 そこで柿落しが初開場を意味するようになったようであるが，語源ははっきりしない。 〈柿葺落し〉と書くのは誤り。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%9F%BF%E8%90%BD%E3%81%A8%E3%81%97","updated":1703150431,"position":[26.3659,-51.5755,98.5223],"cluster":"c14","subgroup":"c14.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10569,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ee834533d5b5001cd660ae","weight":0.10569,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6584040827c79b002384e1ce","source":"ideaofintellection","title":"シンギングボウル","excerpt":"[https://scrapbox.io/files/6584043f35f18500232df7ec.jpeg]","text":"シンギングボウル\n[https://scrapbox.io/files/6584043f35f18500232df7ec.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%B3%E3%82%AE%E3%83%B3%E3%82%B0%E3%83%9C%E3%82%A6%E3%83%AB","updated":1703150658,"position":[117.604,-42.1687,30.3674],"cluster":"c34","subgroup":"c34.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05924,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:658404ff5f392e0025dbf45f","source":"ideaofintellection","title":"テクノオリエンタリズム","excerpt":"最新のテクノロジーと伝統的な東洋・日本趣味とが融合した折衷的な様式・雰囲気の総称。ブレードランナー。","text":"テクノオリエンタリズム\n\n最新のテクノロジーと伝統的な東洋・日本趣味とが融合した折衷的な様式・雰囲気の総称。ブレードランナー。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%82%AF%E3%83%8E%E3%82%AA%E3%83%AA%E3%82%A8%E3%83%B3%E3%82%BF%E3%83%AA%E3%82%BA%E3%83%A0","updated":1703150869,"position":[47.3521,-53.4776,34.6995],"cluster":"c02","subgroup":"c02.01","degree":3,"referenceDegree":0,"maxSimilarity":0.46363,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:682c20bf8260a5b277db5df6","weight":0.46363,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657410f97139ab0023004d03","weight":0.16241,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.13311,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6584052d8b2b790024dc7bee","source":"ideaofintellection","title":"chanson","excerpt":"フランス語で「 歌謡 かよう 」を意味する言葉で，フランスの歌曲または流行歌のこと。 もとは，中世の 吟遊 ぎんゆう 詩人が歌った 武勲 ぶくん 詩（シャンソン＝ド＝ジェスト）などの物語詩で， 伝統的 でんとうてき に 歌詞 かし が重んじられ，語り物 的要素 てきようそ が強い。","text":"chanson\nフランス語で「 歌謡 かよう 」を意味する言葉で，フランスの歌曲または流行歌のこと。 もとは，中世の 吟遊 ぎんゆう 詩人が歌った 武勲 ぶくん 詩（シャンソン＝ド＝ジェスト）などの物語詩で， 伝統的 でんとうてき に 歌詞 かし が重んじられ，語り物 的要素 てきようそ が強い。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/chanson","updated":1703150904,"position":[13.4937,-53.1575,68.4721],"cluster":"c12","subgroup":"c12.01","degree":7,"referenceDegree":0,"maxSimilarity":0.21596,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.21596,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76c16d5e521fede15af99a","weight":0.12187,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a211a23eabc50024a39fce","weight":0.11494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649be15bbb3a70001c0e2830","weight":0.11108,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc327e5a820e36d06b8e0","weight":0.09941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cb1527e002000266d85ee","weight":0.08965,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559f99ec7ba14001baf3c94","weight":0.08511,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658405beb92c380023b1bd08","source":"ideaofintellection","title":"ゴルトベルク変奏曲","excerpt":"「ゴルトベルク変奏曲」の基礎となるのは、ト長調の「アリア」であり、事実上、２部分形式のサラバンドである（それぞれの部分で繰り返しがある）。 バッハはこの曲で、旋律ではなく、和声の構造に基づいて変奏させている。 これは変奏曲全体を通して一定であり、３つの短調で書かれた変奏でも同様である。","text":"ゴルトベルク変奏曲\n「ゴルトベルク変奏曲」の基礎となるのは、ト長調の「アリア」であり、事実上、２部分形式のサラバンドである（それぞれの部分で繰り返しがある）。 バッハはこの曲で、旋律ではなく、和声の構造に基づいて変奏させている。 これは変奏曲全体を通して一定であり、３つの短調で書かれた変奏でも同様である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B4%E3%83%AB%E3%83%88%E3%83%99%E3%83%AB%E3%82%AF%E5%A4%89%E5%A5%8F%E6%9B%B2","updated":1703151174,"position":[67.2489,-126.8855,29.2829],"cluster":"c43","subgroup":"c43.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05885,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6587e7d1981ddd0024064670","source":"ideaofintellection","title":"Do androids dream of electric sheep","excerpt":"人間とロボットの境界線は共感？","text":"Do androids dream of electric sheep\n人間とロボットの境界線は共感？\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Do%20androids%20dream%20of%20electric%20sheep","updated":1703405542,"position":[-9.0879,113.9271,7.959],"cluster":"c13","subgroup":"c13.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11645,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:651a529514bf9e001b4733d2","weight":0.11645,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a81b60234200023464953","source":"ideaofintellection","title":"エイジング加工","excerpt":"","text":"エイジング加工","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%82%A4%E3%82%B8%E3%83%B3%E3%82%B0%E5%8A%A0%E5%B7%A5","updated":1703576011,"position":[-22.5198,-74.3872,65.6353],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10033,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734cb6225fc4474a5acc919","weight":0.10033,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5724d3ce05500249d2100","weight":0.09947,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a82226f3a3d0023422ac4","source":"ideaofintellection","title":"寛解","excerpt":"病気が完全に治った「治癒（ちゆ）」という状態ではありませんが、病気による症状や検査異常が消失した状態を「寛解」と呼びます。","text":"寛解\n病気が完全に治った「治癒（ちゆ）」という状態ではありませんが、病気による症状や検査異常が消失した状態を「寛解」と呼びます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%AF%9B%E8%A7%A3","updated":1703576122,"position":[-44.5318,32.6688,-103.4154],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09102,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:649be11a97c383001b2d28b3","weight":0.09102,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a8257567eb400234ce6d6","source":"ideaofintellection","title":"サルベーションマウンテン","excerpt":"このサルベーションマウンテンは直訳すると「救済の山」。 このサルベーションマウンテンを通じて、レオナードさんは「神は愛」というメッセージを表現したんだそう。","text":"サルベーションマウンテン\nこのサルベーションマウンテンは直訳すると「救済の山」。 このサルベーションマウンテンを通じて、レオナードさんは「神は愛」というメッセージを表現したんだそう。\n\n[https://scrapbox.io/files/658a828f03843400239f7244.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%83%AB%E3%83%99%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3%E3%83%9E%E3%82%A6%E3%83%B3%E3%83%86%E3%83%B3","updated":1703576211,"position":[50.6254,-37.4457,2.1812],"cluster":"c10","subgroup":"c10.01","degree":1,"referenceDegree":0,"maxSimilarity":0.21538,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659395e0bee55e002532aae1","weight":0.21538,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a8338ae0d8a00242da8a6","source":"ideaofintellection","title":"ブリュット","excerpt":"シャンパンなどのスパークリングワインは辛口から甘口まで甘辛度が７種類あり、ブリュット（Brut）は、スパークリングワインの甘辛度の表示段階の一つで、「辛口」という意味があります。","text":"ブリュット\n\nシャンパンなどのスパークリングワインは辛口から甘口まで甘辛度が７種類あり、ブリュット（Brut）は、スパークリングワインの甘辛度の表示段階の一つで、「辛口」という意味があります。\n[https://scrapbox.io/files/658a83716d07bd002286431f.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%AA%E3%83%A5%E3%83%83%E3%83%88","updated":1703576437,"position":[12.0257,-53.5729,67.8582],"cluster":"c12","subgroup":"c12.01","degree":2,"referenceDegree":0,"maxSimilarity":0.36021,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658a8616fefc630024230a9a","weight":0.36021,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559faa5f37f1c001b03122f","weight":0.26602,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a83ad32cd4c002649dac4","source":"ideaofintellection","title":"デゴルジュマン","excerpt":"デゴルジュマンとは「澱抜き」を意味し、瓶口に集められた澱を取り除く作業のことを指します。 デゴルジュマンを行うためには、まず瓶口をマイナス27度の塩化カルシウム水溶液につけて澱を凍らせます。 この状態で栓を開けると内部の気圧により、凍った澱が弾き出されるのです。","text":"デゴルジュマン\nデゴルジュマンとは「澱抜き」を意味し、瓶口に集められた澱を取り除く作業のことを指します。 デゴルジュマンを行うためには、まず瓶口をマイナス27度の塩化カルシウム水溶液につけて澱を凍らせます。 この状態で栓を開けると内部の気圧により、凍った澱が弾き出されるのです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%87%E3%82%B4%E3%83%AB%E3%82%B8%E3%83%A5%E3%83%9E%E3%83%B3","updated":1703576506,"position":[12.8245,-50.3665,70.1337],"cluster":"c12","subgroup":"c12.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16636,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658a83ec8c763700222e46cf","weight":0.16636,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a84f11e356c00238fbf4e","weight":0.14731,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a83ec8c763700222e46cf","source":"ideaofintellection","title":"ドサージュ","excerpt":"ドサージュ（補糖）とは、シャンパーニュの製造過程で行われる”デゴルジュマン”（澱引き）の作業後に、目減りした容量を補う為に行われる工程です。 リキュール・デ・エクスペディション”（門出のリキュール）と呼ばれる糖分を加えます。","text":"ドサージュ\nドサージュ（補糖）とは、シャンパーニュの製造過程で行われる”デゴルジュマン”（澱引き）の作業後に、目減りした容量を補う為に行われる工程です。 リキュール・デ・エクスペディション”（門出のリキュール）と呼ばれる糖分を加えます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%89%E3%82%B5%E3%83%BC%E3%82%B8%E3%83%A5","updated":1703576749,"position":[12.9928,-50.9279,69.9455],"cluster":"c12","subgroup":"c12.01","degree":5,"referenceDegree":0,"maxSimilarity":0.28449,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658a852d49d4ee00241e4147","weight":0.28449,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a83ad32cd4c002649dac4","weight":0.16636,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a84f11e356c00238fbf4e","weight":0.09455,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bc15b64b1766002418daf8","weight":0.09258,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312273631b1500241242cd","weight":0.08642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a84f11e356c00238fbf4e","source":"ideaofintellection","title":"ルミアージュ","excerpt":"瓶内二次醗酵の熟成中に、発生する澱を瓶口に集める為、横に寝かせていた瓶を少しずつ揺らしながら、瓶口を下にして倒立（シュール・ポワント）させていく作業の事。 1か月半かけてほぼ毎日瓶を1/8回転ずつ両手で左右に揺らし、瓶の側面にたまっていた澱を瓶口に集めていく。","text":"ルミアージュ\n瓶内二次醗酵の熟成中に、発生する澱を瓶口に集める為、横に寝かせていた瓶を少しずつ揺らしながら、瓶口を下にして倒立（シュール・ポワント）させていく作業の事。 1か月半かけてほぼ毎日瓶を1/8回転ずつ両手で左右に揺らし、瓶の側面にたまっていた澱を瓶口に集めていく。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AB%E3%83%9F%E3%82%A2%E3%83%BC%E3%82%B8%E3%83%A5","updated":1703576835,"position":[12.892,-50.6156,69.9713],"cluster":"c12","subgroup":"c12.01","degree":4,"referenceDegree":0,"maxSimilarity":0.14731,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658a83ad32cd4c002649dac4","weight":0.14731,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a852d49d4ee00241e4147","weight":0.09785,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a83ec8c763700222e46cf","weight":0.09455,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312273631b1500241242cd","weight":0.08946,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a852d49d4ee00241e4147","source":"ideaofintellection","title":"ティラージュ","excerpt":"ティラージュは、シャン―パーニュ での作業で、 調合を終えた ワインを瓶詰め し、リキュールを加える作業のことを指す。 このリキュールはリキュールドティラージュ Liqueur de Tirage と呼ばれ、 ワイン がベースとなり、糖分と酵母を加えたものである。","text":"ティラージュ\nティラージュは、シャン―パーニュ での作業で、 調合を終えた ワインを瓶詰め し、リキュールを加える作業のことを指す。 このリキュールはリキュールドティラージュ Liqueur de Tirage と呼ばれ、 ワイン がベースとなり、糖分と酵母を加えたものである。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%82%A3%E3%83%A9%E3%83%BC%E3%82%B8%E3%83%A5","updated":1703576913,"position":[13.1024,-51.3422,69.7317],"cluster":"c12","subgroup":"c12.01","degree":7,"referenceDegree":0,"maxSimilarity":0.28449,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658a83ec8c763700222e46cf","weight":0.28449,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bc15b64b1766002418daf8","weight":0.20579,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556416eb44e70001b254bd0","weight":0.16589,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a859149d4ee00241e4bde","weight":0.15908,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bc18a20cf0690025b02877","weight":0.1312,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655644f42a5dbe001cfb58d1","weight":0.11429,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a84f11e356c00238fbf4e","weight":0.09785,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a859149d4ee00241e4bde","source":"ideaofintellection","title":"アッサンブラージュ","excerpt":"アッサンブラージュという言葉には「混ぜ合わせ、組み立て、組み合わせ、調合」といった意味があり、立体的な美術作品の制作技法としても使われます。","text":"アッサンブラージュ\nアッサンブラージュという言葉には「混ぜ合わせ、組み立て、組み合わせ、調合」といった意味があり、立体的な美術作品の制作技法としても使われます。\n\nワイン造りの技法としてのアッサンブラージュでは、複数のワイン原酒を調合し、立体的で芸術的な味わいを生み出しますから、「組み合わせて芸術的なものをつくる」という点で共通しているものがありますね。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%83%E3%82%B5%E3%83%B3%E3%83%96%E3%83%A9%E3%83%BC%E3%82%B8%E3%83%A5","updated":1703576983,"position":[13.0575,-51.5732,69.5774],"cluster":"c12","subgroup":"c12.01","degree":6,"referenceDegree":0,"maxSimilarity":0.15908,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658a852d49d4ee00241e4147","weight":0.15908,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bc15b64b1766002418daf8","weight":0.15747,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556416eb44e70001b254bd0","weight":0.12318,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee83d3cfd62e001d41dd47","weight":0.11007,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bc18a20cf0690025b02877","weight":0.09926,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a1ed1aeeed001de41546","weight":0.0916,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a8616fefc630024230a9a","source":"ideaofintellection","title":"アールブリュット","excerpt":"「アール・ブリュット」とは「生の芸術」を意味するフランス語である。 その解釈は人によって様々だが、「正規の美術教育を受けていない人による芸術」「既存の美術潮流に影響されない表現」などと説明されることが多い。 しかし、現在の日本ではその中の一部分でしかない「障害者の表現」としてアール・ブリュットが推進されている。","text":"アールブリュット\n「アール・ブリュット」とは「生の芸術」を意味するフランス語である。 その解釈は人によって様々だが、「正規の美術教育を受けていない人による芸術」「既存の美術潮流に影響されない表現」などと説明されることが多い。 しかし、現在の日本ではその中の一部分でしかない「障害者の表現」としてアール・ブリュットが推進されている。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%BC%E3%83%AB%E3%83%96%E3%83%AA%E3%83%A5%E3%83%83%E3%83%88","updated":1703577140,"position":[12.3005,-53.5992,68.0167],"cluster":"c12","subgroup":"c12.01","degree":3,"referenceDegree":0,"maxSimilarity":0.36021,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658a8338ae0d8a00242da8a6","weight":0.36021,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.10739,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0040c75b1f001be99afc","weight":0.10067,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a875e9a19510024835aa1","source":"ideaofintellection","title":"名画座","excerpt":"名画座とは、主にロードショーとしての公開を終えた作品や、過去に上映された作品をメインに上映する映画館のことをいいます。 ロードショーで何度も上映されたためにフィルムに傷がつき、画質があまりよくなかった名残りから、「二番館」「三番館」と呼ばれることもあります。","text":"名画座\n\n名画座とは、主にロードショーとしての公開を終えた作品や、過去に上映された作品をメインに上映する映画館のことをいいます。 ロードショーで何度も上映されたためにフィルムに傷がつき、画質があまりよくなかった名残りから、「二番館」「三番館」と呼ばれることもあります。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%90%8D%E7%94%BB%E5%BA%A7","updated":1703577455,"position":[-32.402,10.6605,-143.1593],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0566,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:658a8c33157f4f0024ae5890","source":"ideaofintellection","title":"Bösendorfer","excerpt":"この3つのピアノブランドは「世界三大ピアノ」といわれています。 スタインウェイはニューヨーク（アメリカ）、ベーゼンドルファーはウィーン（オーストリア）、ベヒシュタインはベルリン（ドイツ）で創業されており、大きく分ければ、スタインウェイはアメリカ生まれであとの2つはヨーロッパ生まれということになります。","text":"Bösendorfer\nこの3つのピアノブランドは「世界三大ピアノ」といわれています。 スタインウェイはニューヨーク（アメリカ）、ベーゼンドルファーはウィーン（オーストリア）、ベヒシュタインはベルリン（ドイツ）で創業されており、大きく分ければ、スタインウェイはアメリカ生まれであとの2つはヨーロッパ生まれということになります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/B%C3%B6sendorfer","updated":1703578753,"position":[-25.7291,-1.1256,45.2221],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08659,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67b43c96596605208609e2f6","weight":0.08659,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658a97e8ced4360023db7eaf","source":"ideaofintellection","title":"草月会館","excerpt":"日本の近代建築を牽引した建築家・丹下健三により、1977年に竣工。","text":"草月会館\n日本の近代建築を牽引した建築家・丹下健三により、1977年に竣工。\n世界的なアーティスト、イサム・ノグチによる石庭や、多目的ホールを備える草月会館は、いけばなはもとより、ジャンルを超えた創造活動の発信地となっています。\nカーテンウォールに赤坂御所の緑を映し、青山通りにひときわ映える草月会館で、静謐なひとときをお過ごしください。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%8D%89%E6%9C%88%E4%BC%9A%E9%A4%A8","updated":1703581690,"position":[36.226,-38.0524,11.0173],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08098,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:658a9a9afefc63002424b5f4","source":"ideaofintellection","title":"キンシャサの奇跡","excerpt":"キンシャサの奇跡は、1974年10月30日、ザイール共和国の首都キンシャサの「5月20日スタジアム 」で行われたプロボクシングWBA・WBC世界統一ヘビー級タイトルマッチの通称。王者ジョージ・フォアマンと挑戦者モハメド・アリが対戦し、アリが劇的な逆転KO勝利をおさめたことからこの名で呼ばれるようになった。","text":"キンシャサの奇跡\nキンシャサの奇跡は、1974年10月30日、ザイール共和国の首都キンシャサの「5月20日スタジアム 」で行われたプロボクシングWBA・WBC世界統一ヘビー級タイトルマッチの通称。王者ジョージ・フォアマンと挑戦者モハメド・アリが対戦し、アリが劇的な逆転KO勝利をおさめたことからこの名で呼ばれるようになった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AD%E3%83%B3%E3%82%B7%E3%83%A3%E3%82%B5%E3%81%AE%E5%A5%87%E8%B7%A1","updated":1703604926,"position":[126.1561,-53.004,-29.781],"cluster":"c45","subgroup":"c45.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05002,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:658affe581ec8800246e5795","source":"ideaofintellection","title":"アナログシンセサイザー","excerpt":"[https://scrapbox.io/files/658b0063a151f80023e25bd0.jpeg]","text":"アナログシンセサイザー\n[https://scrapbox.io/files/658b0063a151f80023e25bd0.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%8A%E3%83%AD%E3%82%B0%E3%82%B7%E3%83%B3%E3%82%BB%E3%82%B5%E3%82%A4%E3%82%B6%E3%83%BC","updated":1703608422,"position":[97.1943,-46.0323,40.9317],"cluster":"c34","subgroup":"c34.01","degree":8,"referenceDegree":0,"maxSimilarity":0.53063,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d718829db1ff001d533857","weight":0.53063,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68b32911aa872b37265c2ba8","weight":0.44689,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6734da4795f2459b5d1b061b","weight":0.21865,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be5fa1fe800024f7c419","weight":0.18475,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580042d50e9f60024bdc1b8","weight":0.13896,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f177dfb40930707821945","weight":0.12453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65ef4715ce0001bd168c2","weight":0.12226,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b3ec56788c0001badf75c","weight":0.10571,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658b0186ed24260024931213","source":"ideaofintellection","title":"キャラット","excerpt":"カフェキャラット、中目","text":"キャラット\nカフェキャラット、中目\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AD%E3%83%A3%E3%83%A9%E3%83%83%E3%83%88","updated":1703608720,"position":[115.7822,-55.6343,-11.6865],"cluster":"c45","subgroup":"c45.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06958,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:658b022086d7a80023dda5fe","source":"ideaofintellection","title":"ヘップ型シナプス可塑性","excerpt":"ヘッブの法則（ヘッブのほうそく）は、脳のシナプス可塑性についての法則である。 ヘッブ則、ヘブ則とも呼ばれる。 心理学者のドナルド・ヘッブによって提唱された。 ニューロン間の接合部であるシナプスにおいて、シナプス前ニューロンの繰り返し発火によってシナプス後ニューロンに発火が起こると、そのシナプスの伝達効率が増強される。","text":"ヘップ型シナプス可塑性\nヘッブの法則（ヘッブのほうそく）は、脳のシナプス可塑性についての法則である。 ヘッブ則、ヘブ則とも呼ばれる。 心理学者のドナルド・ヘッブによって提唱された。 ニューロン間の接合部であるシナプスにおいて、シナプス前ニューロンの繰り返し発火によってシナプス後ニューロンに発火が起こると、そのシナプスの伝達効率が増強される。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%83%83%E3%83%97%E5%9E%8B%E3%82%B7%E3%83%8A%E3%83%97%E3%82%B9%E5%8F%AF%E5%A1%91%E6%80%A7","updated":1703608877,"position":[-43.298,-25.5168,75.9268],"cluster":"c28","subgroup":"c28.01","degree":3,"referenceDegree":0,"maxSimilarity":0.20571,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a168a72a805001b4bfa47","weight":0.20571,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af14395ef4c4001c4416f0","weight":0.20558,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a17ca1c1222001c97b9d4","weight":0.10855,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658b029d7af6a500252f10d1","source":"ideaofintellection","title":"誤差逆伝搬法","excerpt":"誤差逆伝播法（BP）は多層パーセプトロンの学習に使われる学習アルゴリズムです． ある学習データが与えられたとき， 多層パーセプトロンの出力が学習データと一致するように各層の間の結合荷重を修正するという学習法です．","text":"誤差逆伝搬法\n誤差逆伝播法（BP）は多層パーセプトロンの学習に使われる学習アルゴリズムです． ある学習データが与えられたとき， 多層パーセプトロンの出力が学習データと一致するように各層の間の結合荷重を修正するという学習法です．\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%AA%A4%E5%B7%AE%E9%80%86%E4%BC%9D%E6%90%AC%E6%B3%95","updated":1703609000,"position":[-0.405,-19.6299,-6.8485],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.7692,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a18a93518db001cb99bad","weight":0.7692,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658b02c09f2c4f002494a648","source":"ideaofintellection","title":"ムジークエレクトロニクガイザイン","excerpt":"坂本龍一も愛用するスピーカー","text":"ムジークエレクトロニクガイザイン\n坂本龍一も愛用するスピーカー\nhttp://esfactory.co.jp/products/musikelectronic-geithain.html\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A0%E3%82%B8%E3%83%BC%E3%82%AF%E3%82%A8%E3%83%AC%E3%82%AF%E3%83%88%E3%83%AD%E3%83%8B%E3%82%AF%E3%82%AC%E3%82%A4%E3%82%B6%E3%82%A4%E3%83%B3","updated":1703609061,"position":[52.0628,-32.3944,2.1399],"cluster":"c10","subgroup":"c10.01","degree":11,"referenceDegree":0,"maxSimilarity":0.26869,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64f2f3a8378db8001bd9e1ea","weight":0.26869,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ce0d545058c8001cba4bec","weight":0.25442,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811cad03b98e2ed99f127ec","weight":0.23549,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a5f561607c001db2ee11","weight":0.14409,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68fa51aa0b87a56aca1de4b4","weight":0.13153,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d6db23e64860025a24f80","weight":0.1093,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582d7e318568700244595f8","weight":0.1081,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3fbedab3e4354dfb4801","weight":0.10761,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658bf37f8391240023470b9f","source":"ideaofintellection","title":"探驪獲珠","excerpt":"危険を冒して利益を得ること。 または詩や文章が優れていることのたとえ。 「驪（り）」とは黒のことで、ここでは黒い龍を意味する。 黒龍の顎の下についている宝石を取るくらい、危険を冒して欲しいものを得ようとする意味から来た言葉。","text":"探驪獲珠\n危険を冒して利益を得ること。 または詩や文章が優れていることのたとえ。 「驪（り）」とは黒のことで、ここでは黒い龍を意味する。 黒龍の顎の下についている宝石を取るくらい、危険を冒して欲しいものを得ようとする意味から来た言葉。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%8E%A2%E9%A9%AA%E7%8D%B2%E7%8F%A0","updated":1703670677,"position":[5.8515,-78.9961,61.4658],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.23019,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662f692951c9fe0024c53589","weight":0.23019,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658bf3eb26e2bc00256561cf","source":"ideaofintellection","title":"耽溺","excerpt":"夢中になって、それ以外の事を顧みないこと。","text":"耽溺\n夢中になって、それ以外の事を顧みないこと。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%80%BD%E6%BA%BA","updated":1703670772,"position":[1.3462,-74.7032,37.4435],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.14011,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649bdc84352234001ba5ec56","weight":0.14011,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658c3d69c9575b0024b58d9b","source":"ideaofintellection","title":"アフリカ　人類発祥","excerpt":"混血、純血、発展と途上と","text":"アフリカ　人類発祥\n混血、純血、発展と途上と\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%95%E3%83%AA%E3%82%AB%E3%80%80%E4%BA%BA%E9%A1%9E%E7%99%BA%E7%A5%A5","updated":1703689644,"position":[49.3021,-51.3183,36.6961],"cluster":"c02","subgroup":"c02.01","degree":6,"referenceDegree":0,"maxSimilarity":0.37565,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.37565,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf61fbfc989a0023ed83f6","weight":0.28244,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c40452516e700229629c6","weight":0.23508,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b78fce4dc9b90023749182","weight":0.19049,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.17482,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2a9bd75facf0025332316","weight":0.09495,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658c40452516e700229629c6","source":"ideaofintellection","title":"アフリカ音楽","excerpt":"鑑賞者も参加型、コールアンドレスポンス","text":"アフリカ音楽\n鑑賞者も参加型、コールアンドレスポンス\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%95%E3%83%AA%E3%82%AB%E9%9F%B3%E6%A5%BD","updated":1703690334,"position":[49.6001,-50.9245,36.4578],"cluster":"c02","subgroup":"c02.01","degree":7,"referenceDegree":0,"maxSimilarity":0.55994,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bf61fbfc989a0023ed83f6","weight":0.55994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7434355300001cbfa006","weight":0.34442,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.25037,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c3d69c9575b0024b58d9b","weight":0.23508,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b78fce4dc9b90023749182","weight":0.13887,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.12745,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65e2025da0d001cf19905","weight":0.12106,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658c562b657170002443bbfa","source":"ideaofintellection","title":"オンド・マルトノ","excerpt":"[https://scrapbox.io/files/658c56a383912400234ac5a0.jpeg]","text":"オンド・マルトノ\n[https://scrapbox.io/files/658c56a383912400234ac5a0.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%B3%E3%83%89%E3%83%BB%E3%83%9E%E3%83%AB%E3%83%88%E3%83%8E","updated":1703696038,"position":[100.6739,-45.2916,43.7173],"cluster":"c34","subgroup":"c34.01","degree":2,"referenceDegree":0,"maxSimilarity":0.67536,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f78f6ad6ba29001dff956f","weight":0.67536,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f4e406011c82001c49636d","weight":0.21966,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658c56d7ccfeab00249c72c3","source":"ideaofintellection","title":"シンフォニック","excerpt":"シンフォニーに関連があるか、独特であるか、を暗示する。","text":"シンフォニック\nシンフォニーに関連があるか、独特であるか、を暗示する。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%B3%E3%83%95%E3%82%A9%E3%83%8B%E3%83%83%E3%82%AF","updated":1703696106,"position":[47.752,-47.7789,34.1431],"cluster":"c02","subgroup":"c02.03","degree":7,"referenceDegree":0,"maxSimilarity":0.4792,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a0328788a50001c391520","weight":0.4792,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.22214,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a2777ecb67e9001b61610b","weight":0.13863,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734dea3c1dadde248a0819f","weight":0.13497,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc0c4924cae7c52e36fbe","weight":0.12821,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499aac16f05d7001c82b46c","weight":0.09163,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65939162a9a65b0022c6bd28","weight":0.09067,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658c56f4b26e75002225401b","source":"ideaofintellection","title":"ペンタトニック","excerpt":"ペンタトニックスケールとは、5音でできた音階（スケール）のことです。 メジャー・ペンタトニックスケールは、メジャースケール上の4，7番目を除いた5つの音で構成されているスケールです。 マイナー・ペンタトニックスケールはマイナースケールから2番目と6番目の音を除いた5音で構成されます。","text":"ペンタトニック\nペンタトニックスケールとは、5音でできた音階（スケール）のことです。 メジャー・ペンタトニックスケールは、メジャースケール上の4，7番目を除いた5つの音で構成されているスケールです。 マイナー・ペンタトニックスケールはマイナースケールから2番目と6番目の音を除いた5音で構成されます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9A%E3%83%B3%E3%82%BF%E3%83%88%E3%83%8B%E3%83%83%E3%82%AF","updated":1703696158,"position":[34.9158,-57.5893,-44.3074],"cluster":"c26","subgroup":"c26.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11198,"lowEvidence":false,"neighbors":[{"id":"NextResearch:699933e83b841a19d80a405a","weight":0.11198,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658c5727635d0d0023383d05","source":"ideaofintellection","title":"アニミスティック","excerpt":"精霊崇拝的な。","text":"アニミスティック\n精霊崇拝的な。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%8B%E3%83%9F%E3%82%B9%E3%83%86%E3%82%A3%E3%83%83%E3%82%AF","updated":1703696202,"position":[3.7301,-78.0723,35.8605],"cluster":"c01","subgroup":"c01.01","degree":8,"referenceDegree":0,"maxSimilarity":0.18459,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a8f60e128bf800248478bd","weight":0.18459,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678945246c6b2394574b48f3","weight":0.17216,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678944a67fa74485b2af7759","weight":0.15234,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659394408cf18d0024dc55fd","weight":0.13965,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d29a479f55a00240f062a","weight":0.13631,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bcd2043a3c7001c056ce2","weight":0.12609,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1400e5af070ee9c3be2dad","weight":0.11771,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e19b79da8d001dac207b","weight":0.107,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658c5761faef12002336ca3c","source":"ideaofintellection","title":"テルミン","excerpt":"[https://scrapbox.io/files/658c5797dd56760024f230eb.jpeg]","text":"テルミン\n[https://scrapbox.io/files/658c5797dd56760024f230eb.jpeg]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%83%AB%E3%83%9F%E3%83%B3","updated":1703696282,"position":[101.6137,-45.0371,44.2488],"cluster":"c34","subgroup":"c34.01","degree":3,"referenceDegree":0,"maxSimilarity":0.58088,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f7a3ce8dae87001dfec835","weight":0.58088,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f78f6ad6ba29001dff956f","weight":0.19337,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312273631b1500241242cd","weight":0.09775,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658c57a43609e70024f2c948","source":"ideaofintellection","title":"ヨーデル","excerpt":"ヨーデル（ドイツ語: jodeln）とは、ファルセット（裏声）と低音域の胸声（地声）を繰り返し切り替えて歌う、アルプス地方などの歌唱法である。","text":"ヨーデル\nヨーデル（ドイツ語: jodeln）とは、ファルセット（裏声）と低音域の胸声（地声）を繰り返し切り替えて歌う、アルプス地方などの歌唱法である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A8%E3%83%BC%E3%83%87%E3%83%AB","updated":1703696314,"position":[37.5341,-54.5877,-41.8414],"cluster":"c26","subgroup":"c26.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1097,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6986ca17e36b40f9818248c3","weight":0.1097,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b785999043200023a63af0","weight":0.09057,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658c5855c2740200223397aa","source":"ideaofintellection","title":"ハープ","excerpt":"[https://scrapbox.io/files/658c58ae657170002443d2e7.jpeg]","text":"ハープ\n[https://scrapbox.io/files/658c58ae657170002443d2e7.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%83%BC%E3%83%97","updated":1703696561,"position":[1.3165,-75.6585,34.8917],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.45639,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68d11bb22555d97be86e3c31","weight":0.45639,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b3e60828df0001b3b9410","weight":0.08843,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658d2830c3a7760023fc8ed6","source":"ideaofintellection","title":"アンダースコア","excerpt":"〔映画などの〕アンダースコア◆映画や演劇で、台詞などの背景として流れる音楽。","text":"アンダースコア\n〔映画などの〕アンダースコア◆映画や演劇で、台詞などの背景として流れる音楽。\n専門用語ではアンダースコアあるいは短くスコアと言いますが、セリフや効果音の下（アンダー）に流れているインストゥルメンタル・ナンバーがこれです。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%83%80%E3%83%BC%E3%82%B9%E3%82%B3%E3%82%A2","updated":1727712265,"position":[49.8272,-49.5258,35.4699],"cluster":"c02","subgroup":"c02.02","degree":14,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1d9b2e65f1c00241a3e2b","weight":0.2217,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e7150d15000239418af","weight":0.2185,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7434355300001cbfa006","weight":0.2164,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.21469,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a38bfa0a7b0023062b89","weight":0.21313,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f03820bb53f10024489df4","weight":0.2093,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee01fca852100255de2a4","weight":0.20377,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658d2859bf3c1200238b3429","source":"ideaofintellection","title":"トーキー","excerpt":"映像と音声が同期した映画のこと。サイレント映画の対義語として「トーキー映画」と呼ばれることもあるが冗語である。無声映画の対義語としては「発声映画」と呼ばれる。音声が同期した映画が一般的な現在では、あえて「トーキー」と呼ぶことはない。","text":"トーキー\n映像と音声が同期した映画のこと。サイレント映画の対義語として「トーキー映画」と呼ばれることもあるが冗語である。無声映画の対義語としては「発声映画」と呼ばれる。音声が同期した映画が一般的な現在では、あえて「トーキー」と呼ぶことはない。\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%BC%E3%82%AD%E3%83%BC","updated":1727694213,"position":[-9.3505,7.6797,14.3288],"cluster":"c07","subgroup":"c07.02","degree":10,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee842e76ffb8001c9c2d0b","weight":0.21544,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669bf22525fddc001d1b19a9","weight":0.20897,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c88b0bba84b001dc985a1","weight":0.2,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658d288dbf3c1200238b3850","source":"ideaofintellection","title":"ニューウェーブ","excerpt":"1970年代後半から1980年代前半にかけて流行したロックの一ジャンルである。","text":"ニューウェーブ\n1970年代後半から1980年代前半にかけて流行したロックの一ジャンルである。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8B%E3%83%A5%E3%83%BC%E3%82%A6%E3%82%A7%E3%83%BC%E3%83%96","updated":1703749778,"position":[50.0998,-50.5319,33.726],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.16477,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.16477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312d83c35528002399b864","weight":0.13498,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659218c24f0e4b0024ac59e3","weight":0.12657,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658d28e53403100024194942","source":"ideaofintellection","title":"サラバンド","excerpt":"緩やかな四分の三または二分の三拍子の曲で、一六世紀初頭スペインに流行したものがフランス、イギリスの宮廷に伝わり、バッハやヘンデルの組曲にも使われた。","text":"サラバンド\n緩やかな四分の三または二分の三拍子の曲で、一六世紀初頭スペインに流行したものがフランス、イギリスの宮廷に伝わり、バッハやヘンデルの組曲にも使われた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%83%A9%E3%83%90%E3%83%B3%E3%83%89","updated":1731515869,"position":[-10.6028,-88.5295,17.0019],"cluster":"c27","subgroup":"c27.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08457,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:658d28fd7e08ca0024e140d0","source":"ideaofintellection","title":"バンジョー","excerpt":"[https://scrapbox.io/files/658d2936192d17002c9f710f.png]","text":"バンジョー\n[https://scrapbox.io/files/658d2936192d17002c9f710f.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%90%E3%83%B3%E3%82%B8%E3%83%A7%E3%83%BC","updated":1703749946,"position":[-31.307,-70.1264,64.559],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09882,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b1931c82750001cb4bf2d","weight":0.09882,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7aad744310d001cd802fb","weight":0.08968,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658d295dc66181002487d26e","source":"ideaofintellection","title":"フィドル","excerpt":"「フィドル」とは基本的にバイオリンと同じものです。 アイリッシュ(ケルト)や北欧の民族音楽(民謡)や、アメリカのカントリー音楽など、クラシック音楽以外のジャンルで使われる「バイオリン」のことを「フィドル」と呼ぶ傾向が強いようです。","text":"フィドル\n「フィドル」とは基本的にバイオリンと同じものです。 アイリッシュ(ケルト)や北欧の民族音楽(民謡)や、アメリカのカントリー音楽など、クラシック音楽以外のジャンルで使われる「バイオリン」のことを「フィドル」と呼ぶ傾向が強いようです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A3%E3%83%89%E3%83%AB","updated":1703749988,"position":[71.2981,-12.1197,23.9711],"cluster":"c23","subgroup":"c23.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11839,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64999f2b0938ea001ca17a88","weight":0.11839,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658d29a479f55a00240f062a","source":"ideaofintellection","title":"ケルティック","excerpt":"「celtic」は、ケルト人やケルト語、ケルト文化に関連することを指す英語の形容詞である。 ケルト人は古代ヨーロッパの民族で、特にイギリス諸島やフランスの一部地域に広く分布していた。","text":"ケルティック\n「celtic」は、ケルト人やケルト語、ケルト文化に関連することを指す英語の形容詞である。 ケルト人は古代ヨーロッパの民族で、特にイギリス諸島やフランスの一部地域に広く分布していた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B1%E3%83%AB%E3%83%86%E3%82%A3%E3%83%83%E3%82%AF","updated":1703750066,"position":[4.3485,-78.0922,35.9997],"cluster":"c01","subgroup":"c01.01","degree":7,"referenceDegree":0,"maxSimilarity":0.15754,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559e3ba356f71001ca96f89","weight":0.15754,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678945246c6b2394574b48f3","weight":0.15115,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a8f60e128bf800248478bd","weight":0.1438,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678944a67fa74485b2af7759","weight":0.13867,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c5727635d0d0023383d05","weight":0.13631,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65800897a48ca600243d09aa","weight":0.11592,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf5eda3f72870024292960","weight":0.09579,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658d29c53403100024195449","source":"ideaofintellection","title":"スティールギター","excerpt":"スティール・ギターは、専用のバーを用いてスライド演奏するギターの一種でスチールギターとも言う。ギターを水平に置いたようなフォルムをしており、バーで弦を押さえ、サムピックとフィンガーピックで弾いてスライド演奏する。","text":"スティールギター\n[https://scrapbox.io/files/658d29f0d23c1100237f256d.jpeg]\n\nスティール・ギターは、専用のバーを用いてスライド演奏するギターの一種でスチールギターとも言う。ギターを水平に置いたようなフォルムをしており、バーで弦を押さえ、サムピックとフィンガーピックで弾いてスライド演奏する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%83%86%E3%82%A3%E3%83%BC%E3%83%AB%E3%82%AE%E3%82%BF%E3%83%BC","updated":1703750131,"position":[20.2632,-40.2679,88.158],"cluster":"c14","subgroup":"c14.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10865,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658001a02028230024b9df7a","weight":0.10865,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af1069c0f238001dd2def1","weight":0.1085,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d5e87063d9500243843ac","weight":0.10494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658e7b24ff147d002572f078","source":"ideaofintellection","title":"ホルン","excerpt":"[https://scrapbox.io/files/658e7b46374e9f00238586bb.jpeg]","text":"ホルン\n[https://scrapbox.io/files/658e7b46374e9f00238586bb.jpeg]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9B%E3%83%AB%E3%83%B3","updated":1703836489,"position":[15.8828,-68.9598,-1.5271],"cluster":"c03","subgroup":"c03.01","degree":5,"referenceDegree":0,"maxSimilarity":0.16572,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6559da9eea7722001cb95aa5","weight":0.16572,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b174b41bc7d001b0773aa","weight":0.11456,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fc673460f8604fee5e96f","weight":0.10882,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b0ec2db4d01001b9a2015","weight":0.09603,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d52d1a3bf3c9058e00c2","weight":0.09008,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658ed0ac699dd800242fbef9","source":"ideaofintellection","title":"ムッソリーニ ファシズム","excerpt":"ファシズムとは、簡単に言うと独裁主義のことです。 大衆動員を積極的に利用し、市民的自由や人権を無視する国家主義をかかげ、反対派を弾圧する、この政治体制や思想がファシズムです。 代表されるのが、ムッソリーニのファシスト党、ドイツのナチ党。 彼らは合法的に自分たち以外の政党をすべて解散させ、一党独裁体制を確立しました。","text":"ムッソリーニ ファシズム\nファシズムとは、簡単に言うと独裁主義のことです。 大衆動員を積極的に利用し、市民的自由や人権を無視する国家主義をかかげ、反対派を弾圧する、この政治体制や思想がファシズムです。 代表されるのが、ムッソリーニのファシスト党、ドイツのナチ党。 彼らは合法的に自分たち以外の政党をすべて解散させ、一党独裁体制を確立しました。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A0%E3%83%83%E3%82%BD%E3%83%AA%E3%83%BC%E3%83%8B%20%E3%83%95%E3%82%A1%E3%82%B7%E3%82%BA%E3%83%A0","updated":1703858379,"position":[7.9189,-66.9822,37.2949],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.68148,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ee84779d459b001d8a7d86","weight":0.68148,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:658ed0f6753af80024c0c993","source":"ideaofintellection","title":"リュミエール兄弟","excerpt":"フランスのリヨンで写真乾板を製造する会社を経営していたルイ・リュミエールとオーギュスト・リュミエールの兄弟は、時計の技術を応用して、連続写真が撮影でき、同時に映写もできる機械「シネマトグラフ」を開発しました。","text":"リュミエール兄弟\nフランスのリヨンで写真乾板を製造する会社を経営していたルイ・リュミエールとオーギュスト・リュミエールの兄弟は、時計の技術を応用して、連続写真が撮影でき、同時に映写もできる機械「シネマトグラフ」を開発しました。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AA%E3%83%A5%E3%83%9F%E3%82%A8%E3%83%BC%E3%83%AB%E5%85%84%E5%BC%9F","updated":1703858430,"position":[4.8661,-63.5523,85.502],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07177,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:658ed1150051c6002598dd5e","source":"ideaofintellection","title":"キタラ","excerpt":"キタラは、ツィターなどの系列にある古代ギリシアの弦楽器である。キタラーとも。ラテン語では「cithara」と綴られ、キタラまたは中世以降はチタラと発音される。近代ギリシア語では本来の意味を失って、ギターを意味する言葉になっている。","text":"キタラ\nキタラは、ツィターなどの系列にある古代ギリシアの弦楽器である。キタラーとも。ラテン語では「cithara」と綴られ、キタラまたは中世以降はチタラと発音される。近代ギリシア語では本来の意味を失って、ギターを意味する言葉になっている。\n[https://scrapbox.io/files/658ed1370e3e70002270dbdf.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AD%E3%82%BF%E3%83%A9","updated":1703858502,"position":[34.5002,-60.484,-39.9456],"cluster":"c26","subgroup":"c26.01","degree":4,"referenceDegree":0,"maxSimilarity":0.15603,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a27a33fd6027001cb7e6d2","weight":0.15603,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e38c8b159d8c001b1bad34","weight":0.1056,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf5faee597210027980d3c","weight":0.09721,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee855154aafb001c82be6e","weight":0.08609,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65918f1cf3eb56002329feac","source":"ideaofintellection","title":"コーパス","excerpt":"自然言語の文章や使い方を大規模に収集し、コンピュータで検索できるよう整理されたデータベースのことです。 日本語では「言語全集」などとも呼ばれます。 AIが自然言語を扱うためには、膨大な量のデータ学習が必要です。","text":"コーパス\n自然言語の文章や使い方を大規模に収集し、コンピュータで検索できるよう整理されたデータベースのことです。 日本語では「言語全集」などとも呼ばれます。 AIが自然言語を扱うためには、膨大な量のデータ学習が必要です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%BC%E3%83%91%E3%82%B9","updated":1704038193,"position":[14.5954,-36.5613,20.9113],"cluster":"c05","subgroup":"c05.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12124,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66339d0227b15a0023441a42","weight":0.12124,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.11677,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64994293129cfa001c483659","weight":0.10559,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65919015ed13e00025f1d555","source":"ideaofintellection","title":"ルソー","excerpt":"ルソーが、政治社会（国家）はすべての人間の自由と平等をこそ保障する仕組みでなければならないと考えていたためである。そのため、政治の一般意志への絶対服従によって、党派政治や一部の政治家による利権政治を排した真に民主的な「共和国」の樹立を求めた。ただし、ルソーが言う「共和国」とは一般的な意味での共和国ではなく、君主政体でも法治主義が徹底されていれば「共和国」ということになる","text":"ルソー\nルソーが、政治社会（国家）はすべての人間の自由と平等をこそ保障する仕組みでなければならないと考えていたためである。そのため、政治の一般意志への絶対服従によって、党派政治や一部の政治家による利権政治を排した真に民主的な「共和国」の樹立を求めた。ただし、ルソーが言う「共和国」とは一般的な意味での共和国ではなく、君主政体でも法治主義が徹底されていれば「共和国」ということになる\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AB%E3%82%BD%E3%83%BC","updated":1704038460,"position":[12.8012,-36.8275,7.8973],"cluster":"c05","subgroup":"c05.01","degree":2,"referenceDegree":0,"maxSimilarity":0.21666,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a06e0158bf0714c97acbeb6","weight":0.21666,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b77d254bda920024dcf00b","weight":0.19328,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65919045e14eb50023ece6be","source":"ideaofintellection","title":"大伽藍","excerpt":"大きな伽藍。 建物の大きな寺。","text":"大伽藍\n大きな伽藍。 建物の大きな寺。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%A7%E4%BC%BD%E8%97%8D","updated":1704038486,"position":[-50.0515,45.5042,-103.649],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0497,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:659191bdbab36700246d736e","source":"ideaofintellection","title":"ベイトソンの差異","excerpt":"「差異を作る差異(A difference which makes a difference)」です。 これはどういうことかというと、「(自分にとって)意味のあるものを自分で見分けていく」こと。 これは、生命体はみんなそうです。","text":"ベイトソンの差異\n「差異を作る差異(A difference which makes a difference)」です。 これはどういうことかというと、「(自分にとって)意味のあるものを自分で見分けていく」こと。 これは、生命体はみんなそうです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%99%E3%82%A4%E3%83%88%E3%82%BD%E3%83%B3%E3%81%AE%E5%B7%AE%E7%95%B0","updated":1704038860,"position":[-28.7091,35.266,-110.9038],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.22695,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65c506932b7d0400261f1c1b","weight":0.22695,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54c9a71ec52002340ad00","weight":0.18872,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6591921fb817060023640c2e","source":"ideaofintellection","title":"アリストテレス　人間は政治的生物である","excerpt":"善を目的因とする人間が、最高善を目的因とするポリスをもつのは自然なことだ、ということ","text":"アリストテレス　人間は政治的生物である\n善を目的因とする人間が、最高善を目的因とするポリスをもつのは自然なことだ、ということ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%AA%E3%82%B9%E3%83%88%E3%83%86%E3%83%AC%E3%82%B9%E3%80%80%E4%BA%BA%E9%96%93%E3%81%AF%E6%94%BF%E6%B2%BB%E7%9A%84%E7%94%9F%E7%89%A9%E3%81%A7%E3%81%82%E3%82%8B","updated":1704038988,"position":[-12.218,-83.866,18.119],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.08371,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6591926bb98f250024cf8629","source":"ideaofintellection","title":"cnc","excerpt":"CNCとは CNCとはコンピューター数値制御の意味で、Computer Numerical Controlの略語です。 ドリルやバイトといった工具や工作物の移動量、回転速度などを数値によって制御することを指します。 従来から使用している旋盤やフライス盤などの汎用工作機械は、作業員が手動で操作して加工を行います。","text":"cnc\nCNCとは CNCとはコンピューター数値制御の意味で、Computer Numerical Controlの略語です。 ドリルやバイトといった工具や工作物の移動量、回転速度などを数値によって制御することを指します。 従来から使用している旋盤やフライス盤などの汎用工作機械は、作業員が手動で操作して加工を行います。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/cnc","updated":1704039025,"position":[14.0495,-36.6901,20.9368],"cluster":"c05","subgroup":"c05.01","degree":3,"referenceDegree":0,"maxSimilarity":0.66853,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af8ad7724792001c03ce18","weight":0.66853,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65aa25510e3d9f002341cfd9","weight":0.42694,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.10736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6591928c10adc00024806ac2","source":"ideaofintellection","title":"表音文字","excerpt":"表音文字（ひょうおんもじ）は、音標文字（おんぴょうもじ）ともいい、一つの文字で音素または音節を表す文字体系のことをいう。前者を音素文字、後者を音節文字という。表音文字に対し、一つ一つの文字が語や形態素を表す文字を表語文字という。","text":"表音文字\n表音文字（ひょうおんもじ）は、音標文字（おんぴょうもじ）ともいい、一つの文字で音素または音節を表す文字体系のことをいう。前者を音素文字、後者を音節文字という。表音文字に対し、一つ一つの文字が語や形態素を表す文字を表語文字という。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%A1%A8%E9%9F%B3%E6%96%87%E5%AD%97","updated":1704039062,"position":[-13.4556,-11.9117,-24.8222],"cluster":"c11","subgroup":"c11.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10196,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a22a3f81fda097e03868383","weight":0.10196,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0fea0e2142001baa04d9","weight":0.08573,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659192bab8170600236412d3","source":"ideaofintellection","title":"ラジカル","excerpt":"急進的なさま。 過激なさま。 極端なさま。 根本的であるさま。","text":"ラジカル\n急進的なさま。 過激なさま。 極端なさま。 根本的であるさま。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%82%B8%E3%82%AB%E3%83%AB","updated":1704039107,"position":[-42.7889,34.4923,-119.342],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04832,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65919307670ff6002da3bee2","source":"ideaofintellection","title":"記号設置問題","excerpt":"人工知能において、実世界にある事物の名称と、コンピューター内部で扱う記号との結びつけに伴う問題。 シンボルグラウンディング問題。","text":"記号設置問題\n人工知能において、実世界にある事物の名称と、コンピューター内部で扱う記号との結びつけに伴う問題。 シンボルグラウンディング問題。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%A8%98%E5%8F%B7%E8%A8%AD%E7%BD%AE%E5%95%8F%E9%A1%8C","updated":1704039185,"position":[14.3305,-36.3756,20.9614],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.14576,"lowEvidence":false,"neighbors":[{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.14576,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6592127d879f360024ad89c9","source":"ideaofintellection","title":"マリーアントワネット","excerpt":"フランス王ルイ１６世の王妃。 オーストリアのマリア＝テレジアの娘。 宮廷での奢侈によって国民の反感を買い、フランス革命の最中の１７９３年に処刑された。","text":"マリーアントワネット\nフランス王ルイ１６世の王妃。 オーストリアのマリア＝テレジアの娘。 宮廷での奢侈によって国民の反感を買い、フランス革命の最中の１７９３年に処刑された。\nルイ16世の王妃であり、フランス革命でギロチン台の露に消えたマリー・アントワネットの発言として最も有名なセリフが「パンがなければケーキを食べればいいじゃない」です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%AA%E3%83%BC%E3%82%A2%E3%83%B3%E3%83%88%E3%83%AF%E3%83%8D%E3%83%83%E3%83%88","updated":1704071842,"position":[15.0033,-40.6176,84.6059],"cluster":"c14","subgroup":"c14.01","degree":3,"referenceDegree":0,"maxSimilarity":0.2616,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658001824e89d60023721d84","weight":0.2616,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658001a02028230024b9df7a","weight":0.13663,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c6427d31de92001c5e94b2","weight":0.11275,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659212d0b224b60023b39d5f","source":"ideaofintellection","title":"君子の交わり水の如し","excerpt":"「君子の交わりは淡きこと水のごとく、小人の交わりは甘きこと 醴 あまざけ のごとし（立派な人物は水のようにさっぱりした付き合いをするが、そうでない人物は、甘酒のようなうまみを求めてしか付き合わない）」と言って、利益で結びついた関係は信頼がおけないことを教えたのでした。","text":"君子の交わり水の如し\n「君子の交わりは淡きこと水のごとく、小人の交わりは甘きこと 醴 あまざけ のごとし（立派な人物は水のようにさっぱりした付き合いをするが、そうでない人物は、甘酒のようなうまみを求めてしか付き合わない）」と言って、利益で結びついた関係は信頼がおけないことを教えたのでした。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%90%9B%E5%AD%90%E3%81%AE%E4%BA%A4%E3%82%8F%E3%82%8A%E6%B0%B4%E3%81%AE%E5%A6%82%E3%81%97","updated":1704071910,"position":[-1.6805,123.6695,30.2045],"cluster":"c29","subgroup":"c29.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08674,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659561daa9a416002569375d","weight":0.08674,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6592130289d6d4002586b1f4","source":"ideaofintellection","title":"背に腹はかえられぬ","excerpt":"「背に腹はかえられぬ」は、本当に大切なものを守るためには、他の何かを犠牲にしてもやむを得ないことを意味する「ことわざ」です。 背中のために内臓を守るおなかを犠牲にすることはできないことから産まれた「ことわざ」のようです。","text":"背に腹はかえられぬ\n「背に腹はかえられぬ」は、本当に大切なものを守るためには、他の何かを犠牲にしてもやむを得ないことを意味する「ことわざ」です。 背中のために内臓を守るおなかを犠牲にすることはできないことから産まれた「ことわざ」のようです。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%83%8C%E3%81%AB%E8%85%B9%E3%81%AF%E3%81%8B%E3%81%88%E3%82%89%E3%82%8C%E3%81%AC","updated":1704071942,"position":[-2.0867,-66.7505,59.278],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.06954,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6592132fb78f5900240de3ed","source":"ideaofintellection","title":"few-shot","excerpt":"few-shot学習というのは、学習時とテスト時に異なるクラスのデータが与えられるという問題設定で、数枚(a few)のテストデータを使って上手くモデルをテストデータのクラスに適応させて、学習時には無かったクラスに属するテストデータに対して正確に予測を行えるようにすることを目指す手法です。","text":"few-shot\nfew-shot学習というのは、学習時とテスト時に異なるクラスのデータが与えられるという問題設定で、数枚(a few)のテストデータを使って上手くモデルをテストデータのクラスに適応させて、学習時には無かったクラスに属するテストデータに対して正確に予測を行えるようにすることを目指す手法です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/few-shot","updated":1704071992,"position":[-36.8375,-9.7414,-7.8532],"cluster":"c11","subgroup":"c11.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06155,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65921366c4344f00236c1844","source":"ideaofintellection","title":"寺田寅彦","excerpt":"物理学者としては、初期にX線に関する研究を行い、学士院恩賜賞受賞。 また、震災に関する研究も多く、「天災は忘れられたる頃来る」などの言葉で有名。","text":"寺田寅彦\n物理学者としては、初期にX線に関する研究を行い、学士院恩賜賞受賞。 また、震災に関する研究も多く、「天災は忘れられたる頃来る」などの言葉で有名。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%AF%BA%E7%94%B0%E5%AF%85%E5%BD%A6","updated":1704072047,"position":[-65.6583,-34.8612,-18.7612],"cluster":"c32","subgroup":"c32.01","degree":3,"referenceDegree":0,"maxSimilarity":0.41214,"lowEvidence":false,"neighbors":[{"id":"NextResearch:651a52d3c7c61c001ee9a874","weight":0.41214,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a607f4ccfae424082330a91","weight":0.25009,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64cb4669f7ba4a001bf95568","weight":0.1069,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659213bc4cabe70025f488e2","source":"ideaofintellection","title":"「SINIC理論」","excerpt":"創業者・立石一真が1970年国際未来学会で発表した未来予測理論です。","text":"「SINIC理論」\n創業者・立石一真が1970年国際未来学会で発表した未来予測理論です。\n「SINIC理論」とは、創業者・立石一真が1970年国際未来学会で発表した未来予測理論です。\n[https://scrapbox.io/files/659214aba4ef430024cd6c70.jpeg]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%80%8CSINIC%E7%90%86%E8%AB%96%E3%80%8D","updated":1704072366,"position":[-15.8297,-141.0447,76.4209],"cluster":"c36","subgroup":"c36.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08227,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:659214d310adc0002483048c","source":"ideaofintellection","title":"ソーカル事件","excerpt":"ソーカルはポストモダン思想家の文体をまねて科学用語と数式をちりばめた「無内容な論文」を作成し、これをポストモダン思想専門の学術誌に送ったところ、そのまま受理・掲載された。その後ソーカルは論文がでたらめな内容だったことを暴露し、それを見抜けず掲載した専門家を指弾するとともに、一部のポストモダン思想家が自分の疑似論文と同様に、数学・科学用語を権威付けとしてでたらめに使用していると主張した。","text":"ソーカル事件\nソーカルはポストモダン思想家の文体をまねて科学用語と数式をちりばめた「無内容な論文」を作成し、これをポストモダン思想専門の学術誌に送ったところ、そのまま受理・掲載された。その後ソーカルは論文がでたらめな内容だったことを暴露し、それを見抜けず掲載した専門家を指弾するとともに、一部のポストモダン思想家が自分の疑似論文と同様に、数学・科学用語を権威付けとしてでたらめに使用していると主張した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BD%E3%83%BC%E3%82%AB%E3%83%AB%E4%BA%8B%E4%BB%B6","updated":1704072415,"position":[39.388,26.993,64.6085],"cluster":"c30","subgroup":"c30.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12775,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559a8e25fe734001bcbd826","weight":0.12775,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65921555ac27b10023aa2a90","source":"ideaofintellection","title":"ハイデガーの哲学","excerpt":"ハイデガーが言う「哲学すること」とは一言で言えば、存在の思索である。 存在の思索とは、人間の存在や人間のさまざまな行為を成り立たせ、社会や歴 史、科学（学問）を存立させる基盤を問う営みである。 ハイデガーは哲学する ことを人間の根源的な行為とみなす。","text":"ハイデガーの哲学\nハイデガーが言う「哲学すること」とは一言で言えば、存在の思索である。 存在の思索とは、人間の存在や人間のさまざまな行為を成り立たせ、社会や歴 史、科学（学問）を存立させる基盤を問う営みである。 ハイデガーは哲学する ことを人間の根源的な行為とみなす。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%82%A4%E3%83%87%E3%82%AC%E3%83%BC%E3%81%AE%E5%93%B2%E5%AD%A6","updated":1704072544,"position":[2.9066,-77.5383,35.9279],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.34351,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b7849258bbac002499e18e","weight":0.34351,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678944a67fa74485b2af7759","weight":0.1261,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67894402680daed9a3ff24e8","weight":0.10513,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659215e776a6ae0022b6bd9d","source":"ideaofintellection","title":"哲学的ゾンビ","excerpt":"（英語: Philosophical zombie、略: p-zombie）とは、心の哲学で使われる言葉 である。 「物理的化学的電気的反応としては、普通の人間と全く同じであるが、意識（クオリ ア）を全く持っていない人間」と定義される。","text":"哲学的ゾンビ\n（英語: Philosophical zombie、略: p-zombie）とは、心の哲学で使われる言葉 である。 「物理的化学的電気的反応としては、普通の人間と全く同じであるが、意識（クオリ ア）を全く持っていない人間」と定義される。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%93%B2%E5%AD%A6%E7%9A%84%E3%82%BE%E3%83%B3%E3%83%93","updated":1704072688,"position":[46.5774,-50.2311,35.0933],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.08537,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee0b940de8e0024e0e41e","weight":0.08537,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65921638fc909000238ceba5","source":"ideaofintellection","title":"全脳エミュレーションの時代","excerpt":"(原題：The Age of Em: Work, Love and Life when Robots Rule the Earth)は、ジョージ・メイソン大学経済学准教ロビン・ハンソン（英語版）が2016年に出版した科学ノンフィクション 。","text":"全脳エミュレーションの時代 \n(原題：The Age of Em: Work, Love and Life when Robots Rule the Earth)は、ジョージ・メイソン大学経済学准教ロビン・ハンソン（英語版）が2016年に出版した科学ノンフィクション 。\n研究者がいちから作成した汎用人工知能ではなく、人間の脳をスキャンして作成する「エム(全脳エミュレーション)」によって、社会がどのように変化をするかを探る。邦訳版は2018年にNTT出版から出版された。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%85%A8%E8%84%B3%E3%82%A8%E3%83%9F%E3%83%A5%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3%E3%81%AE%E6%99%82%E4%BB%A3","updated":1704072815,"position":[51.0333,-35.7761,1.8511],"cluster":"c10","subgroup":"c10.01","degree":8,"referenceDegree":0,"maxSimilarity":0.3435,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.3435,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e25a085bd685b44768ee","weight":0.19699,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf4a5d2889ef385d4b594","weight":0.17533,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.14084,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbbcb607a00d463819ee9","weight":0.13568,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e7796a14781cdf78f8ac96","weight":0.13179,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cb898fbdf8400231d59d6","weight":0.12037,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648af81dabcedc001c17116d","weight":0.10264,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6592168ab224b60023b3b8c3","source":"ideaofintellection","title":"チューリングテスト","excerpt":"用語「チューリングテスト」について説明。 人工知能（「機械」や「コンピュータ」とも呼ばれる）が人間をどれだけ真似られるかをテストすること。 審査員は自然言語による会話を通じて、相手が人工知能か人間かを判定する。 ただし、人工知能の「知性」や「知覚力（感覚を通じた情報の認識・解釈能力）」を測定するものではない。","text":"チューリングテスト\n用語「チューリングテスト」について説明。 人工知能（「機械」や「コンピュータ」とも呼ばれる）が人間をどれだけ真似られるかをテストすること。 審査員は自然言語による会話を通じて、相手が人工知能か人間かを判定する。 ただし、人工知能の「知性」や「知覚力（感覚を通じた情報の認識・解釈能力）」を測定するものではない。\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%81%E3%83%A5%E3%83%BC%E3%83%AA%E3%83%B3%E3%82%B0%E3%83%86%E3%82%B9%E3%83%88","updated":1704072859,"position":[33.4104,41.3645,13.6786],"cluster":"c17","subgroup":"c17.01","degree":6,"referenceDegree":0,"maxSimilarity":0.33849,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.33849,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c509c1e80d4d0026de7c91","weight":0.24604,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d3db1713f80025b52836","weight":0.14531,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69105037331d77f44e6df83c","weight":0.11345,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663123e4c4255d00256caa2b","weight":0.09811,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.09518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6592171e21d3410024f14983","source":"ideaofintellection","title":"塵理論　順列都市","excerpt":"簡単に言うと、塵に例えられるような「真にランダムな数字の十分に大きな集合」（本文から引用）があれば、存在しうるすべての数値表現が含まれている、というものです。","text":"塵理論　順列都市\n簡単に言うと、塵に例えられるような「真にランダムな数字の十分に大きな集合」（本文から引用）があれば、存在しうるすべての数値表現が含まれている、というものです。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A1%B5%E7%90%86%E8%AB%96%E3%80%80%E9%A0%86%E5%88%97%E9%83%BD%E5%B8%82","updated":1704073052,"position":[-31.6869,21.8349,-111.4855],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08768,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:66825d84da4fea001d942a84","weight":0.08768,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6592177c3b09ce0024ae9f1f","source":"ideaofintellection","title":"近代印刷術","excerpt":"近代印刷術の祖といわれるのがドイツの金細工師ヨハネス・グーテンベルクです。 1450年頃、活字の開発とそれを使った活版印刷術を発明し、出回った数多くの書物が、人々の知識欲を満たし情報を広めたことが、ヨーロッパにおける文芸復興（ルネッサンス）、宗教改革、近世社会の到来に大きく貢献したのです。","text":"近代印刷術\n近代印刷術の祖といわれるのがドイツの金細工師ヨハネス・グーテンベルクです。 1450年頃、活字の開発とそれを使った活版印刷術を発明し、出回った数多くの書物が、人々の知識欲を満たし情報を広めたことが、ヨーロッパにおける文芸復興（ルネッサンス）、宗教改革、近世社会の到来に大きく貢献したのです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%BF%91%E4%BB%A3%E5%8D%B0%E5%88%B7%E8%A1%93","updated":1704073172,"position":[73.4708,-140.137,59.4443],"cluster":"c43","subgroup":"c43.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05179,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:659218106c203200227310fc","source":"ideaofintellection","title":"オントロジー","excerpt":"オントロジー（ontology）とは、元々は哲学の世界で言う「存在論（存在とは何かを研究する学問）」を示す単語ですが、ITの世界では知識の共有化や再利用の方法として研究開発が進み「対象世界をどの様に捉えた（概念化した）かを記述するもの」という意味で使われています。","text":"オントロジー\nオントロジー（ontology）とは、元々は哲学の世界で言う「存在論（存在とは何かを研究する学問）」を示す単語ですが、ITの世界では知識の共有化や再利用の方法として研究開発が進み「対象世界をどの様に捉えた（概念化した）かを記述するもの」という意味で使われています。\nオントロジーとは、人間の持つ「情報」をコンピュータが分かるように整理、記述すること、またそのフレームワーク自体を指します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%B3%E3%83%88%E3%83%AD%E3%82%B8%E3%83%BC","updated":1704085303,"position":[-26.2088,-72.967,9.3977],"cluster":"c27","subgroup":"c27.01","degree":4,"referenceDegree":0,"maxSimilarity":0.25193,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a9f96f7dcc2a0024c90bd9","weight":0.25193,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65ec9e5b4886a300258f6f04","weight":0.14031,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649305669759b5001bf4d6ab","weight":0.11646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b3ec56788c0001badf75c","weight":0.10151,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6592184ebab3670024702e71","source":"ideaofintellection","title":"ガスクロマトグラフィー","excerpt":"GCは主に気体、液体の試料の測定に適しており、多成分を迅速かつ同時に定性・定量が可能で、また分析値の再現性にも優れていることが特長です。 液体試料の場合は試料量が1 μL程度でも分析できることから、希少な試料の分析にも対応できます。","text":"ガスクロマトグラフィー\nGCは主に気体、液体の試料の測定に適しており、多成分を迅速かつ同時に定性・定量が可能で、また分析値の再現性にも優れていることが特長です。 液体試料の場合は試料量が1 μL程度でも分析できることから、希少な試料の分析にも対応できます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AC%E3%82%B9%E3%82%AF%E3%83%AD%E3%83%9E%E3%83%88%E3%82%B0%E3%83%A9%E3%83%95%E3%82%A3%E3%83%BC","updated":1704073305,"position":[-24.756,-72.2703,63.3649],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.14401,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c54c49bf88df0025b6766c","weight":0.14401,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d7feb647e70023407592","weight":0.13816,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.13742,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6592187eb81706002366cb70","source":"ideaofintellection","title":"理論記述","excerpt":"ストーリー・ラインから重要な部分を抜き出すことで、命題や定義のような端的な表現で理論を記述します。","text":"理論記述\nストーリー・ラインから重要な部分を抜き出すことで、命題や定義のような端的な表現で理論を記述します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%90%86%E8%AB%96%E8%A8%98%E8%BF%B0","updated":1704073350,"position":[26.0319,-79.4426,19.4713],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08227,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:659218c24f0e4b0024ac59e3","source":"ideaofintellection","title":"ジャンプブルース","excerpt":"ジャンプ・ブルースはブルースのサブ・ジャンルの一種。1940年代後半から、ルイ・ジョーダンらが演奏して流行した。アップテンポのブルースであり、ビッグ・バンド・ジャズに影響されている。速めのテンポでスウィングするリズムに特徴がある。","text":"ジャンプブルース\nジャンプ・ブルースはブルースのサブ・ジャンルの一種。1940年代後半から、ルイ・ジョーダンらが演奏して流行した。アップテンポのブルースであり、ビッグ・バンド・ジャズに影響されている。速めのテンポでスウィングするリズムに特徴がある。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A3%E3%83%B3%E3%83%97%E3%83%96%E3%83%AB%E3%83%BC%E3%82%B9","updated":1704073418,"position":[49.6983,-51.2529,34.2389],"cluster":"c02","subgroup":"c02.03","degree":4,"referenceDegree":0,"maxSimilarity":0.27397,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64b8cfde4b4d29001c3dd603","weight":0.27397,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d288dbf3c1200238b3850","weight":0.12657,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.10524,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","weight":0.09383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659219529372b700238c7e57","source":"ideaofintellection","title":"疑似コード","excerpt":"擬似コードは人間に対し、コード構文がどのようにはたらいているかを示す、あるいはコード設計のある項目の意図を表現するために広く用いられる、コードのような構文を意味します。 実際にコードとして実行しようとしても、うまく動作しないでしょう。","text":"疑似コード\n擬似コードは人間に対し、コード構文がどのようにはたらいているかを示す、あるいはコード設計のある項目の意図を表現するために広く用いられる、コードのような構文を意味します。 実際にコードとして実行しようとしても、うまく動作しないでしょう。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%96%91%E4%BC%BC%E3%82%B3%E3%83%BC%E3%83%89","updated":1704073561,"position":[71.1351,-12.4024,21.1724],"cluster":"c23","subgroup":"c23.01","degree":6,"referenceDegree":0,"maxSimilarity":0.12629,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e4456ae32972001b5c34ec","weight":0.12629,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67612ac6175bb969ce145d46","weight":0.10055,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d71b0513c210001c375ed3","weight":0.09945,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659587a8f5de6f002380a16a","weight":0.09446,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d71989de1bfe001d5ee33b","weight":0.09123,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65940974686ead00220c33d6","weight":0.08712,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659219a04cabe70025f4a6a0","source":"ideaofintellection","title":"遡行的","excerpt":"流れを上流にさかのぼって行くこと。","text":"遡行的\n流れを上流にさかのぼって行くこと。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%81%A1%E8%A1%8C%E7%9A%84","updated":1704073640,"position":[-63.6463,39.4632,-109.9715],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1914,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:6633abc0d61a250025d09425","weight":0.1914,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659219c33a35580023924220","source":"ideaofintellection","title":"アニマルライツ","excerpt":"「動物の権利」と訳され、それを擁護する思想あるいは運動を指すことが多い。 本来は動物にどのような道徳的配慮をすべきかという思想的・哲学的な倫理問題。 1980年代から活発に論議されるようになった。","text":"アニマルライツ\n「動物の権利」と訳され、それを擁護する思想あるいは運動を指すことが多い。 本来は動物にどのような道徳的配慮をすべきかという思想的・哲学的な倫理問題。 1980年代から活発に論議されるようになった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%8B%E3%83%9E%E3%83%AB%E3%83%A9%E3%82%A4%E3%83%84","updated":1704073697,"position":[32.6254,98.839,-23.3656],"cluster":"c24","subgroup":"c24.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08743,"lowEvidence":false,"neighbors":[{"id":"NextResearch:651a75f8dcab29001b9bfd21","weight":0.08743,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65921a1774c3150022d1f8c2","source":"ideaofintellection","title":"現代アートとは","excerpt":"現代アートとは、受動的でなく能動的に疑問を持つことで完成する、鑑賞者とアーティストとの対話です。作品に疑問を持つことで完成するアートです。","text":"現代アートとは\n現代アートとは、受動的でなく能動的に疑問を持つことで完成する、鑑賞者とアーティストとの対話です。作品に疑問を持つことで完成するアートです。\nhttps://casie.jp/media/contemporary-art/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%8F%BE%E4%BB%A3%E3%82%A2%E3%83%BC%E3%83%88%E3%81%A8%E3%81%AF","updated":1704073802,"position":[16.0028,-34.5579,20.5668],"cluster":"c05","subgroup":"c05.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10501,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e30e905e65be420e701e","weight":0.10501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a51b738dbd9001b704b40","weight":0.10501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e53ccf123a5001c88e942","weight":0.09814,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6592439f89d6d4002587ee11","source":"ideaofintellection","title":"イギリスの水","excerpt":"日本の水は軟水ですが、イギリスの水は硬水です","text":"イギリスの水\n日本の水は軟水ですが、イギリスの水は硬水です\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A4%E3%82%AE%E3%83%AA%E3%82%B9%E3%81%AE%E6%B0%B4","updated":1704084425,"position":[-22.7835,-73.7672,12.0306],"cluster":"c27","subgroup":"c27.01","degree":7,"referenceDegree":0,"maxSimilarity":0.32775,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6594f06d8f3c610023cd9ff4","weight":0.32775,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64e4451107558600205ef232","weight":0.19041,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683a69cb99420c820152ddc6","weight":0.15462,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663120e4f6e6ad0023b26f6f","weight":0.09693,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631c09a2223e00023cef0c9","weight":0.09369,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0cbc52cc0d001c044c0f","weight":0.08851,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e38c3bd0cf7e001bc3ef5f","weight":0.08591,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659243f0b79ab3002315c142","source":"ideaofintellection","title":"アイフェル火山群","excerpt":"ドイツ中央西","text":"アイフェル火山群\nドイツ中央西\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%82%A4%E3%83%95%E3%82%A7%E3%83%AB%E7%81%AB%E5%B1%B1%E7%BE%A4","updated":1704084491,"position":[-25.6765,-2.9114,46.979],"cluster":"c09","subgroup":"c09.02","degree":4,"referenceDegree":0,"maxSimilarity":0.10391,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67b43c96596605208609e2f6","weight":0.10391,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656323630cebd0001c3e8504","weight":0.09548,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67bedf4642f53f99e10227e0","weight":0.08906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cc882fbfc570027ead549","weight":0.08562,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65924419ab57fc00244587c3","source":"ideaofintellection","title":"ポリティカルコレクトネス","excerpt":"ポリティカル・コレクトネスとは、社会の特定のグループのメンバーに不快感や不利益を与えないように意図された政策などを表す言葉の総称であり、人種、信条、性別、体型などの違いによる偏見や差別を含まない中立的な表現や用語を使用することを指す。「政治的正しさ」「政治的妥当性」などと訳される。","text":"ポリティカルコレクトネス\nポリティカル・コレクトネスとは、社会の特定のグループのメンバーに不快感や不利益を与えないように意図された政策などを表す言葉の総称であり、人種、信条、性別、体型などの違いによる偏見や差別を含まない中立的な表現や用語を使用することを指す。「政治的正しさ」「政治的妥当性」などと訳される。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9D%E3%83%AA%E3%83%86%E3%82%A3%E3%82%AB%E3%83%AB%E3%82%B3%E3%83%AC%E3%82%AF%E3%83%88%E3%83%8D%E3%82%B9","updated":1704084524,"position":[-36.9907,-6.819,59.6876],"cluster":"c09","subgroup":"c09.02","degree":2,"referenceDegree":0,"maxSimilarity":0.19024,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659394b55beed80023631631","weight":0.19024,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee842e76ffb8001c9c2d0b","weight":0.10065,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659244e9fc909000238dd65c","source":"ideaofintellection","title":"オブジェクト指向存在論","excerpt":"Object-Oriented Ontologyの略で、オブジェクト指向存在論などと訳されます。 一言でいうと、人間抜きにモノとモノの関係性で世の中を捉える考え方です。 普段私たちは、人間、とりわけ自分を中心に世の中や状況を捉えます。","text":"オブジェクト指向存在論\nObject-Oriented Ontologyの略で、オブジェクト指向存在論などと訳されます。 一言でいうと、人間抜きにモノとモノの関係性で世の中を捉える考え方です。 普段私たちは、人間、とりわけ自分を中心に世の中や状況を捉えます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%96%E3%82%B8%E3%82%A7%E3%82%AF%E3%83%88%E6%8C%87%E5%90%91%E5%AD%98%E5%9C%A8%E8%AB%96","updated":1704084741,"position":[-26.0948,-73.2155,10.2933],"cluster":"c27","subgroup":"c27.01","degree":7,"referenceDegree":0,"maxSimilarity":0.29498,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a9f96f7dcc2a0024c90bd9","weight":0.29498,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113f3fee64ef5381c98bf7","weight":0.22512,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1349586a324084529fa7a8","weight":0.15765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a133c0d9f4a0b0de36b2969","weight":0.15058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a133b4638667c303f237bd8","weight":0.14883,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b0c8b8b327f001c48dbe2","weight":0.14422,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65ec9f30c0c94600257df877","weight":0.1232,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65924530eb20580023182ec7","source":"ideaofintellection","title":"ケイジャン","excerpt":"ケイジャンあるいはケージャン（英語: Cajun）とは、祖先が北米東部のアカディア地方（カナダ南東部のノバスコシア地方）に入植したフランス人の直系で、イギリス人によってアカディアから追放されたのち、最終的に主にアメリカ合衆国ルイジアナ州南部に永住した人々を指す。","text":"ケイジャン\nケイジャンあるいはケージャン（英語: Cajun）とは、祖先が北米東部のアカディア地方（カナダ南東部のノバスコシア地方）に入植したフランス人の直系で、イギリス人によってアカディアから追放されたのち、最終的に主にアメリカ合衆国ルイジアナ州南部に永住した人々を指す。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B1%E3%82%A4%E3%82%B8%E3%83%A3%E3%83%B3","updated":1704084790,"position":[49.5402,-51.9065,34.1036],"cluster":"c02","subgroup":"c02.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12043,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658005c61cdb100022f91c0d","weight":0.12043,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.09867,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c62839f6f040001b689d02","weight":0.0857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6592c4304793060024d50b95","source":"ideaofintellection","title":"メビウス変換","excerpt":"メビウス変換は通例、ガウス平面にただひとつの無限遠点を付け加えて得られる拡張複素平面","text":"メビウス変換\n[https://scrapbox.io/files/6592c488c0f6b30023da99c6.png]\n\nメビウス変換は通例、ガウス平面にただひとつの無限遠点を付け加えて得られる拡張複素平面\nˆ\nC\n = C ∪ {∞} 上で定義されるものとして扱われる。拡張複素平面はリーマン球面と呼ばれる球面とみることもできるし、複素射影直線 CP1 とみることもできる。どんなメビウス変換も、リーマン球面からそれ自身への全単射な共形変換になり、また逆にそのような変換は実際にメビウス変換とならねばならない。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%83%93%E3%82%A6%E3%82%B9%E5%A4%89%E6%8F%9B","updated":1704117387,"position":[-78.6525,-158.1616,2.6757],"cluster":"c48","subgroup":"c48.01","degree":1,"referenceDegree":0,"maxSimilarity":0.24053,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:657267a7ffc3180024d23c28","weight":0.24053,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659386d203c3060024a3fc5e","source":"ideaofintellection","title":"黄金比","excerpt":"1:1.618","text":"黄金比\n1:1.618\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%BB%84%E9%87%91%E6%AF%94","updated":1704167139,"position":[31.4942,-48.4506,102.7642],"cluster":"c14","subgroup":"c14.01","degree":3,"referenceDegree":0,"maxSimilarity":0.57989,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6699d9deb71340001c8bab70","weight":0.57989,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ff5690fa80c8001ccbe6e4","weight":0.15616,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6491c31dc12b02001ba6d98a","weight":0.10008,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65938737e959090026da3e3c","source":"ideaofintellection","title":"人体のヘルツ","excerpt":"視覚は10Hz, somatoは20Hz, 音は40Hz","text":"人体のヘルツ\n視覚は10Hz, somatoは20Hz, 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n 以下のすべての素数をすべて発見するアルゴリズムです。 素数判定とは、ある自然数 n が 素数か合成数かを判定する問題です。 素数は暗号鍵の生成等に大きくかかわるため、効率的な素数判定のアルゴリズムは非常に重要です。","text":"エラトステネスの篩\nエラトステネスの篩は、指定された数 n 以下のすべての素数をすべて発見するアルゴリズムです。 素数判定とは、ある自然数 n が 素数か合成数かを判定する問題です。 素数は暗号鍵の生成等に大きくかかわるため、効率的な素数判定のアルゴリズムは非常に重要です。\n[https://scrapbox.io/files/6593fc3684378a0022a64406.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%A9%E3%83%88%E3%82%B9%E3%83%86%E3%83%8D%E3%82%B9%E3%81%AE%E7%AF%A9","updated":1704197177,"position":[-18.2821,-16.0828,-20.8096],"cluster":"c11","subgroup":"c11.01","degree":3,"referenceDegree":0,"maxSimilarity":0.1437,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.1437,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033e3bdb393c001c8969de","weight":0.14247,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033df0e9011b001cb456ca","weight":0.13632,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65940974686ead00220c33d6","source":"ideaofintellection","title":"トライアドコード","excerpt":"メジャーM、マイナーm、オーギュメントaug、ディミニッシュdim","text":"トライアドコード\nメジャーM、マイナーm、オーギュメントaug、ディミニッシュdim\nオーギュメントはスパイス\n4つのトライアドコードは1オクターブ内の12音をそれぞれルートにして合計48ある。\nルート音は3つの和音の1番下の低い音。\nキーという基本となるコードがある。\nキーを基に使用できる7つのコード、ダイアトニックコードが決まる。\nキーはメジャーかマイナーのどちらか。\nダイアトニック以外を使用することを転調という。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%A9%E3%82%A4%E3%82%A2%E3%83%89%E3%82%B3%E3%83%BC%E3%83%89","updated":1704202702,"position":[2.0112,102.5906,-57.4401],"cluster":"c33","subgroup":"c33.01","degree":2,"referenceDegree":0,"maxSimilarity":0.27449,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659583a7b50f1a0024e52189","weight":0.27449,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659219529372b700238c7e57","weight":0.08712,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6594126149456200223c10e9","source":"ideaofintellection","title":"カノン進行","excerpt":"カノン進行とは、「パッヘルベルのカノン」という曲で出てくるコード進行のことです。","text":"カノン進行\nカノン進行とは、「パッヘルベルのカノン」という曲で出てくるコード進行のことです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%8E%E3%83%B3%E9%80%B2%E8%A1%8C","updated":1704202860,"position":[47.124,-49.5843,36.2218],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.25352,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734d0b995f2459b5d1ae358","weight":0.25352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e60188005001cefb883","weight":0.14975,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659413328477830024dc1b7b","source":"ideaofintellection","title":"平行調","excerpt":"平行調とは、調号が同じ長調（メジャーキー）と短調（マイナーキー）の関係。 調号とは、楽譜のト音記号やへ音記号の隣に書いてあるシャープやフラットのこと。 シャープやフラットの数によって調が決まります。 平行調を理解するために、例としてト長調とホ短調を比べてみましょう。","text":"平行調\n平行調とは、調号が同じ長調（メジャーキー）と短調（マイナーキー）の関係。 調号とは、楽譜のト音記号やへ音記号の隣に書いてあるシャープやフラットのこと。 シャープやフラットの数によって調が決まります。 平行調を理解するために、例としてト長調とホ短調を比べてみましょう。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%B9%B3%E8%A1%8C%E8%AA%BF","updated":1704203067,"position":[136.8995,-59.2683,-12.3913],"cluster":"c45","subgroup":"c45.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10894,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659588bb21dbba0023c3c3bf","weight":0.10894,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6594f06d8f3c610023cd9ff4","source":"ideaofintellection","title":"日本とイギリスのメロディー","excerpt":"GはFまたはAになるが、Cにはほぼならない","text":"日本とイギリスのメロディー\nGはFまたはAになるが、Cにはほぼならない\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%97%A5%E6%9C%AC%E3%81%A8%E3%82%A4%E3%82%AE%E3%83%AA%E3%82%B9%E3%81%AE%E3%83%A1%E3%83%AD%E3%83%87%E3%82%A3%E3%83%BC","updated":1704288723,"position":[-22.5409,-73.738,12.1859],"cluster":"c27","subgroup":"c27.01","degree":6,"referenceDegree":0,"maxSimilarity":0.32775,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6592439f89d6d4002587ee11","weight":0.32775,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64e4451107558600205ef232","weight":0.14542,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d06294e825eea44c9444","weight":0.13336,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683a69cb99420c820152ddc6","weight":0.11808,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559eb97787791001c9ac4a9","weight":0.10333,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ccac5b72b201002472a0be","weight":0.08736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659561daa9a416002569375d","source":"ideaofintellection","title":"文化の進化が世界について新しいことを教えてくれるかどうか","excerpt":"未開の断層のワクワク感","text":"文化の進化が世界について新しいことを教えてくれるかどうか\n未開の断層のワクワク感\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%96%87%E5%8C%96%E3%81%AE%E9%80%B2%E5%8C%96%E3%81%8C%E4%B8%96%E7%95%8C%E3%81%AB%E3%81%A4%E3%81%84%E3%81%A6%E6%96%B0%E3%81%97%E3%81%84%E3%81%93%E3%81%A8%E3%82%92%E6%95%99%E3%81%88%E3%81%A6%E3%81%8F%E3%82%8C%E3%82%8B%E3%81%8B%E3%81%A9%E3%81%86%E3%81%8B","updated":1704288753,"position":[-2.4736,124.1678,29.679],"cluster":"c29","subgroup":"c29.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09352,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e2c5360853bedff092a4","weight":0.09352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659212d0b224b60023b39d5f","weight":0.08674,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659583a7b50f1a0024e52189","source":"ideaofintellection","title":"7th code","excerpt":"4和音の基本となるコード、ダイアトニックコードが3和音と同様に存在する。","text":"7th code\n4和音の基本となるコード、ダイアトニックコードが3和音と同様に存在する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/7th%20code","updated":1704297438,"position":[2.8522,102.3611,-57.0698],"cluster":"c33","subgroup":"c33.01","degree":4,"referenceDegree":0,"maxSimilarity":0.27449,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65940974686ead00220c33d6","weight":0.27449,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65800942ce3fa100251e8b6f","weight":0.14944,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afcbc854be5001b641c93","weight":0.13292,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64250713889b1f001bda9eff","weight":0.12384,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659587a8f5de6f002380a16a","source":"ideaofintellection","title":"バッキングコード","excerpt":"バッキングコードは、通常、音楽の伴奏パートを支えるために使用される和音進行やコード進行を指す言葉です。楽曲の基本的なハーモニー構造を表すもので、メロディを補完し、音楽全体の響きを形成します。","text":"バッキングコード\nバッキングコードは、通常、音楽の伴奏パートを支えるために使用される和音進行やコード進行を指す言葉です。楽曲の基本的なハーモニー構造を表すもので、メロディを補完し、音楽全体の響きを形成します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%90%E3%83%83%E3%82%AD%E3%83%B3%E3%82%B0%E3%82%B3%E3%83%BC%E3%83%89","updated":1704298417,"position":[71.4798,-11.9641,20.7257],"cluster":"c23","subgroup":"c23.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09446,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659219529372b700238c7e57","weight":0.09446,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659587f297552a00235cb076","source":"ideaofintellection","title":"テンションノート","excerpt":"ルート音のオクターブを超えたコード構成音","text":"テンションノート\nルート音のオクターブを超えたコード構成音\nテンションノートを含むコードをテンションコードという。\n9th, 11th 13thでコードの累積が終了する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%B3%E3%83%8E%E3%83%BC%E3%83%88","updated":1704298634,"position":[137.1716,-58.196,-13.5485],"cluster":"c45","subgroup":"c45.01","degree":3,"referenceDegree":0,"maxSimilarity":0.55779,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659588bb21dbba0023c3c3bf","weight":0.55779,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659a64e583554c0024aa6dcf","weight":0.38021,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b78f6ebb4c520027a77db5","weight":0.09405,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659588bb21dbba0023c3c3bf","source":"ideaofintellection","title":"ナチュナルテンションノート","excerpt":"テンションノートに調号(シャープ、フラット)がつかないノート。","text":"ナチュナルテンションノート\nテンションノートに調号(シャープ、フラット)がつかないノート。\n調号がつくとオルタードテンションになる。\nオルタードは11度はシャープしかなく、13度はフラットしかない。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8A%E3%83%81%E3%83%A5%E3%83%8A%E3%83%AB%E3%83%86%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%B3%E3%83%8E%E3%83%BC%E3%83%88","updated":1704298815,"position":[137.0883,-58.4465,-13.0853],"cluster":"c45","subgroup":"c45.01","degree":3,"referenceDegree":0,"maxSimilarity":0.55779,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659587f297552a00235cb076","weight":0.55779,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659a64e583554c0024aa6dcf","weight":0.32147,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659413328477830024dc1b7b","weight":0.10894,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659a6415f5aad60024372bea","source":"ideaofintellection","title":"SSVEP-Based BCI","excerpt":"https://www.researchgate.net/figure/Functional-model-of-an-SSVEP-based-BCI_fig1_41911058","text":"SSVEP-Based BCI\nhttps://www.researchgate.net/figure/Functional-model-of-an-SSVEP-based-BCI_fig1_41911058\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/SSVEP-Based%20BCI","updated":1704616988,"position":[-14.9224,103.6127,3.2901],"cluster":"c13","subgroup":"c13.01","degree":1,"referenceDegree":0,"maxSimilarity":0.6336,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64c65615304871001ced3837","weight":0.6336,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659a6486afded2002380696e","source":"ideaofintellection","title":"self-attention","excerpt":"Self-Attentionとはある1文の単語だけを使って計算された、単語間の関連度スコアのようなもので、一つの文章のなかでの単語の関連づけをするための概念です。 入力された文章は単語ごとに区切られてから、エンコーダに入力されていきます。","text":"self-attention\nSelf-Attentionとはある1文の単語だけを使って計算された、単語間の関連度スコアのようなもので、一つの文章のなかでの単語の関連づけをするための概念です。 入力された文章は単語ごとに区切られてから、エンコーダに入力されていきます。\n[https://scrapbox.io/files/659a64cf15d31d0022565f96.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/self-attention","updated":1704617170,"position":[-26.2636,7.752,-128.351],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06452,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:659a64e583554c0024aa6dcf","source":"ideaofintellection","title":"マルチ ヘッド アテンション","excerpt":"https://cvml-expertguide.net/terms/dl/seq2seq-translation/transformer/multi-head-attention/","text":"マルチ ヘッド アテンション\nhttps://cvml-expertguide.net/terms/dl/seq2seq-translation/transformer/multi-head-attention/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%AB%E3%83%81%20%E3%83%98%E3%83%83%E3%83%89%20%E3%82%A2%E3%83%86%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%B3","updated":1704617200,"position":[137.3012,-57.8429,-13.2716],"cluster":"c45","subgroup":"c45.01","degree":3,"referenceDegree":0,"maxSimilarity":0.38021,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659587f297552a00235cb076","weight":0.38021,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659588bb21dbba0023c3c3bf","weight":0.32147,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b78f6ebb4c520027a77db5","weight":0.12794,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659a67503276650023c2d746","source":"ideaofintellection","title":"脳オルガノイド","excerpt":"ヒト脳オルガノイドとは、多能性幹細胞（ES細胞やiPS細胞）から分化誘導された、生体と類似の構造を持つ三次元脳組織のことである。 ヒト脳オルガノイドが意識をもつかどうかの判断は、多くの意識理論のうちどれを採用するかによって異なるが、意識は主観的現象であるため、どの意識理論が正しいかを実験的に検証することは困難である。","text":"脳オルガノイド\nヒト脳オルガノイドとは、多能性幹細胞（ES細胞やiPS細胞）から分化誘導された、生体と類似の構造を持つ三次元脳組織のことである。 ヒト脳オルガノイドが意識をもつかどうかの判断は、多くの意識理論のうちどれを採用するかによって異なるが、意識は主観的現象であるため、どの意識理論が正しいかを実験的に検証することは困難である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%84%B3%E3%82%AA%E3%83%AB%E3%82%AC%E3%83%8E%E3%82%A4%E3%83%89","updated":1704617819,"position":[-24.6226,-73.7105,67.6611],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.54778,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bf68043318b700257a791d","weight":0.54778,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbf9663ae65950731cf98","weight":0.10033,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a509ee92770025dcee18","weight":0.08556,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659a67721658c500246cb4ff","source":"ideaofintellection","title":"深部生体温センサ","excerpt":"レネックが初期を築き上げた人","text":"深部生体温センサ　\nレネックが初期を築き上げた人\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B7%B1%E9%83%A8%E7%94%9F%E4%BD%93%E6%B8%A9%E3%82%BB%E3%83%B3%E3%82%B5","updated":1704617858,"position":[-26.6643,-71.8364,65.7553],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09725,"lowEvidence":false,"neighbors":[{"id":"NextResearch:656d5ee1df897100253e1938","weight":0.09725,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a3e716f69000235f9df8","weight":0.08608,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659a694b9d8aed0023099c03","source":"ideaofintellection","title":"Flight404","excerpt":"https://vimeo.com/flight404","text":"Flight404\n[https://scrapbox.io/files/659a69636e3f0a0023bb78a2.png]\n\nhttps://vimeo.com/flight404\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Flight404","updated":1704618344,"position":[-83.1957,25.5262,-125.9485],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:659a69be7d71c400237a0110","source":"ideaofintellection","title":"terravision","excerpt":"https://en.wikipedia.org/wiki/Terravision_(computer_program)","text":"terravision\nhttps://en.wikipedia.org/wiki/Terravision_(computer_program)\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/terravision","updated":1704618458,"position":[-71.5382,37.1438,-127.1336],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:659c60e9ba3d5600247cd10e","source":"ideaofintellection","title":"ホットスタンバイ","excerpt":"ホットスタンバイでは、本番機と予備機を常に稼働させておく。 そして本番機の状態をリアルタイムで予備機に反映しておく。 これにより、本番機が故障した場合にすぐに切り替えられるので、システムやネットワークのダウンタイムを最小限に抑えられる。","text":"ホットスタンバイ\nホットスタンバイでは、本番機と予備機を常に稼働させておく。 そして本番機の状態をリアルタイムで予備機に反映しておく。 これにより、本番機が故障した場合にすぐに切り替えられるので、システムやネットワークのダウンタイムを最小限に抑えられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9B%E3%83%83%E3%83%88%E3%82%B9%E3%82%BF%E3%83%B3%E3%83%90%E3%82%A4","updated":1704747262,"position":[97.6133,-54.8044,-46.8424],"cluster":"c38","subgroup":"c38.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08647,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6760f5d97bb7807f53d08e0a","weight":0.08647,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659c61ce83df2700245bcb07","source":"ideaofintellection","title":"marcos alonso","excerpt":"http://marcosalonso.com/","text":"marcos alonso\nhttp://marcosalonso.com/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/marcos%20alonso","updated":1704747487,"position":[-73.2833,14.7304,-133.9762],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:659c6850ad14c70024d2cb05","source":"ideaofintellection","title":"Tool agent","excerpt":"真鍋さん所属","text":"Tool agent\n真鍋さん所属\nhttps://toolofna.com/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Tool%20agent","updated":1704749154,"position":[50.6835,-32.7721,2.5254],"cluster":"c10","subgroup":"c10.01","degree":7,"referenceDegree":0,"maxSimilarity":0.45225,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659c5e78de99a70022f697bf","weight":0.45225,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:679a46048c93615d82470e70","weight":0.41914,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c5fad2d85d700266e3d9a","weight":0.373,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6492dafe806076001bafa2e1","weight":0.20172,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6408228e6e40a1001b2f6c56","weight":0.17271,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b26bb4971d9001c0bd8d2","weight":0.15818,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811cad03b98e2ed99f127ec","weight":0.15638,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:659dfda959cba900243fa6a9","source":"ideaofintellection","title":"EISI","excerpt":"ELSIとは、倫理的・法的・社会的課題（Ethical, Legal and Social Issues）の頭文字をとったもので、エルシーと読まれています。 新規科学技術を研究開発し、社会実装する際に生じうる、技術的課題以外のあらゆる課題を含みます。","text":"EISI\n\nELSIとは、倫理的・法的・社会的課題（Ethical, Legal and Social Issues）の頭文字をとったもので、エルシーと読まれています。 新規科学技術を研究開発し、社会実装する際に生じうる、技術的課題以外のあらゆる課題を含みます。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/EISI","updated":1704852928,"position":[19.6515,-61.3103,48.0155],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09811,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b134cdb4d01001b9a527e","weight":0.09811,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a0c1b713219d0023418d72","source":"ideaofintellection","title":"サーカディアンリズム","excerpt":"人間においても体温やホルモン分泌などからだの基本的な機能は約24時間のリズムを示すことがわかっています。 この約24時間周期のリズムは概日リズム（サーカディアンリズム）と呼ばれます。","text":"サーカディアンリズム\n人間においても体温やホルモン分泌などからだの基本的な機能は約24時間のリズムを示すことがわかっています。 この約24時間周期のリズムは概日リズム（サーカディアンリズム）と呼ばれます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%83%BC%E3%82%AB%E3%83%87%E3%82%A3%E3%82%A2%E3%83%B3%E3%83%AA%E3%82%BA%E3%83%A0","updated":1705034179,"position":[48.6734,-51.7164,36.6597],"cluster":"c02","subgroup":"c02.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09545,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.09545,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.0887,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a0c1f2f4affd00239d8b2c","source":"ideaofintellection","title":"宇宙飛行士 7Hz","excerpt":"宇宙服に7Hzの音を流す","text":"宇宙飛行士 7Hz\n宇宙服に7Hzの音を流す\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%AE%87%E5%AE%99%E9%A3%9B%E8%A1%8C%E5%A3%AB%207Hz","updated":1705034247,"position":[34.1427,-54.6203,-39.3868],"cluster":"c26","subgroup":"c26.01","degree":3,"referenceDegree":0,"maxSimilarity":0.24934,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:68513a5a075d5c3f3c460d1d","weight":0.24934,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65938737e959090026da3e3c","weight":0.19826,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64b659dbd636b0001c7cbe86","weight":0.09592,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a210e3b1c82c0024b9281a","source":"ideaofintellection","title":"スプレッツァトゥーラ","excerpt":"スプレッツァトゥーラとは、 バルダッサーレ・カスティリオーネの『宮廷人』という作品に登場するイタリア語で、その作品の中では、「技巧を隠して、自分がしていることをあたかも労せずに無意識にできたかのように見せる、ある種の無造作さ」であると定義されている。","text":"スプレッツァトゥーラ\nスプレッツァトゥーラとは、 バルダッサーレ・カスティリオーネの『宮廷人』という作品に登場するイタリア語で、その作品の中では、「技巧を隠して、自分がしていることをあたかも労せずに無意識にできたかのように見せる、ある種の無造作さ」であると定義されている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%83%97%E3%83%AC%E3%83%83%E3%83%84%E3%82%A1%E3%83%88%E3%82%A5%E3%83%BC%E3%83%A9","updated":1705119990,"position":[22.1661,-55.7527,-4.2344],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12626,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6734cad9976ba51d0fef1239","weight":0.12626,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a211580692f00025af7274","source":"ideaofintellection","title":"リマレンス","excerpt":"「リマレンス」とは？ リマレンスとは特定の相手にロマンチックな感情を抱くこと。 通常は、その人に関する強迫観念や空想、その人と付き合いたい／このまま付き合い続けたいという強い願望を伴う。 どうしてもロマンチックなことばかり考えてしまい、それ以外は何も目に入らない状態。","text":"リマレンス\n「リマレンス」とは？ リマレンスとは特定の相手にロマンチックな感情を抱くこと。 通常は、その人に関する強迫観念や空想、その人と付き合いたい／このまま付き合い続けたいという強い願望を伴う。 どうしてもロマンチックなことばかり考えてしまい、それ以外は何も目に入らない状態。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AA%E3%83%9E%E3%83%AC%E3%83%B3%E3%82%B9","updated":1705120097,"position":[-38.55,-83.3096,-53.8213],"cluster":"c44","subgroup":"c44.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0901,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af114f4afaab001d5260a1","weight":0.0901,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a211a23eabc50024a39fce","source":"ideaofintellection","title":"パンスール","excerpt":"『考える人』という意味を持つフランス語","text":"パンスール\n『考える人』という意味を持つフランス語\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%83%B3%E3%82%B9%E3%83%BC%E3%83%AB","updated":1705120171,"position":[13.3323,-52.7723,68.4002],"cluster":"c12","subgroup":"c12.01","degree":14,"referenceDegree":0,"maxSimilarity":0.25992,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.25992,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559f99ec7ba14001baf3c94","weight":0.11929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3abca235171ef2a9ba71","weight":0.11774,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6584052d8b2b790024dc7bee","weight":0.11494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499462b2b54f1001c560148","weight":0.1111,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556416eb44e70001b254bd0","weight":0.1058,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bc7ad002fa7001c7b2b38","weight":0.10265,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65631d83a375af001b2e1fbb","weight":0.09719,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a211cf2fe314002305f072","source":"ideaofintellection","title":"ヒュッゲ","excerpt":"デンマーク語で「居心地がいい空間」や「楽しい時間」のことをさす言葉です。 ヒュゲリ（Hyggelig）は、その形容詞形で、今では単なる一単語にとどまらず、デンマーク人の大切な価値観やマインドセットのひとつとなっています。","text":"ヒュッゲ\nデンマーク語で「居心地がいい空間」や「楽しい時間」のことをさす言葉です。 ヒュゲリ（Hyggelig）は、その形容詞形で、今では単なる一単語にとどまらず、デンマーク人の大切な価値観やマインドセットのひとつとなっています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%92%E3%83%A5%E3%83%83%E3%82%B2","updated":1705120217,"position":[35.3512,-60.025,66.2725],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08363,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a211f7f99a630023ee26a6","source":"ideaofintellection","title":"aviothic","excerpt":"The strong desire to be up in the air or to fly.","text":"aviothic\nThe strong desire to be up in the air or to fly. \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/aviothic","updated":1705120258,"position":[-77.0829,36.76,-133.9697],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04053,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a21224cf6e180024973f25","source":"ideaofintellection","title":"mazarine","excerpt":"紺色（の）、濃い藍色（の）","text":"mazarine\n紺色（の）、濃い藍色（の）\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/mazarine","updated":1705120317,"position":[-62.9127,29.5822,-138.959],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.14286,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65828907f47190002285be6d","weight":0.14286,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a2127b110e0000231e2f29","source":"ideaofintellection","title":"drachenfutter","excerpt":"家で妻が待っているのに飲みに行った夫が罪滅ぼしで妻に買って帰るお土産","text":"drachenfutter\n家で妻が待っているのに飲みに行った夫が罪滅ぼしで妻に買って帰るお土産\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/drachenfutter","updated":1705120390,"position":[-51.0436,-1.7864,-142.6277],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06873,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a212b7259a5300233f7903","source":"ideaofintellection","title":"Dolce far niente","excerpt":"\"Dolce far niente\" 無為の甘美、なにもしないことに焦るのでなくて、何もしないことを楽しもうよ！ というようなニュアンスです。","text":"Dolce far niente\n\"Dolce far niente\" 無為の甘美、なにもしないことに焦るのでなくて、何もしないことを楽しもうよ！ というようなニュアンスです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Dolce%20far%20niente","updated":1705120473,"position":[0.4201,-75.2784,34.8189],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.16166,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:682aeb0fe804ca1529bc08e0","weight":0.16166,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69fc45362f4772382d757f41","weight":0.11029,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a212f85134e70024a9ac0b","source":"ideaofintellection","title":"l'appel du vide","excerpt":"「虚無の呼び声」と訳すことができ、高所に立ったときにそこから飛び降りたくなるような予期せぬ衝動を指す。","text":"l'appel du vide\n「虚無の呼び声」と訳すことができ、高所に立ったときにそこから飛び降りたくなるような予期せぬ衝動を指す。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/l%27appel%20du%20vide","updated":1705120539,"position":[-35.802,26.9968,-140.6634],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07707,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a2134e42deaf002459695e","source":"ideaofintellection","title":"Elysian","excerpt":"神によって創造性を連想させるずば抜けた優越。","text":"Elysian\n神によって創造性を連想させるずば抜けた優越。\nエーリュシオンは、ギリシア神話に登場する死後の楽園である。冥界の審判官を務めるアイアコス、ミーノース、ラダマンテュスが支配する世界で、神々に愛された英雄たちの魂が暮らすとされる。長母音を省略してエリュシオンとも表記される。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Elysian","updated":1705120687,"position":[23.498,-79.0008,-39.1372],"cluster":"c26","subgroup":"c26.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0725,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a213eaad2d1b002324e420","source":"ideaofintellection","title":"Tacenda","excerpt":"「言葉ではなく、音で伝えるのが一番です」. 静けさの中にいて、自分の中に深く入り込むこと。","text":"Tacenda\n「言葉ではなく、音で伝えるのが一番です」. 静けさの中にいて、自分の中に深く入り込むこと。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Tacenda","updated":1705120759,"position":[6.7473,-77.7601,35.9749],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.12306,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af310da5ccb3001df83023","weight":0.12306,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e39adef24c6e001c4633be","weight":0.11278,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559e3ba356f71001ca96f89","weight":0.09848,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a2141c3f8a1e0024ceeaab","source":"ideaofintellection","title":"Epiphany","excerpt":"悟り","text":"Epiphany\n悟り\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Epiphany","updated":1705120815,"position":[-52.8095,-8.2897,-115.7304],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06549,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a21456f6e41b0024bf8d5f","source":"ideaofintellection","title":"Sophrosyne","excerpt":"節度、穏健","text":"Sophrosyne\n節度、穏健\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Sophrosyne","updated":1705120884,"position":[-59.7932,-6.1324,-134.0434],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a214e670019e0023e62071","source":"ideaofintellection","title":"agathokakological","excerpt":"善悪両面を持つ","text":"agathokakological\n善悪両面を持つ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/agathokakological","updated":1705121127,"position":[-45.749,40.8502,-99.7871],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08037,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a215f467cd2d002399cfa5","source":"ideaofintellection","title":"manama","excerpt":"ペルシア湾西岸沿いの島国バーレーンの首都。 バーレーン島北岸に位置する。 アラビア語で「眠りの場所」の意。","text":"manama\nペルシア湾西岸沿いの島国バーレーンの首都。 バーレーン島北岸に位置する。 アラビア語で「眠りの場所」の意。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/manama","updated":1705121275,"position":[-50.0428,-68.7672,-62.1468],"cluster":"c44","subgroup":"c44.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0852,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a60828d1dc91b36cd1d21dc","weight":0.0852,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a216059d4d8000230831a8","source":"ideaofintellection","title":"marmoris","excerpt":"大理石の","text":"marmoris\n大理石の\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/marmoris","updated":1705121314,"position":[0.3893,-76.4861,36.1432],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.1047,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6789437609c4fa271f78b1b7","weight":0.1047,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a216549704de0024fdf305","source":"ideaofintellection","title":"Gluggaveour","excerpt":"Gluggaveour is Icelandic in origin and it describes the kind of weather that appears so picturesque","text":"Gluggaveour\nGluggaveour is Icelandic in origin and it describes the kind of weather that appears so picturesque\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Gluggaveour","updated":1705121380,"position":[10.7276,66.1089,50.4249],"cluster":"c08","subgroup":"c08.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13401,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6859c957e62b4c104472f696","weight":0.13401,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a3d5c4b2ccbd21e97ec26cb","weight":0.11197,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5f4960bb0aa0023a039c1","weight":0.09351,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a216999b90f0002374eae1","source":"ideaofintellection","title":"hiraeth","excerpt":"亡くなった人や亡くなった人に対する悲しみと悲しみを伴うホームシックに例えています。","text":"hiraeth\n亡くなった人や亡くなった人に対する悲しみと悲しみを伴うホームシックに例えています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/hiraeth","updated":1705121452,"position":[-20.2255,-17.2868,-21.7292],"cluster":"c11","subgroup":"c11.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09557,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af43aaca5069001df74ef2","weight":0.09557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655643ea21ce2f001be11cf4","weight":0.09359,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a216f240007e002270f80e","source":"ideaofintellection","title":"kalopsia","excerpt":"The delusion of things being more beautiful than they are.","text":"kalopsia\nThe delusion of things being more beautiful than they are.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/kalopsia","updated":1705121532,"position":[28.7053,50.0942,-37.8834],"cluster":"c15","subgroup":"c15.01","degree":2,"referenceDegree":0,"maxSimilarity":0.44194,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6693a80c804020001c0419f9","weight":0.44194,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68331632dbeddfd1e4e40183","weight":0.12853,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a217289b90f0002374ed9f","source":"ideaofintellection","title":"量子エンタングルメント","excerpt":"量子もつれ（エンタングルメント）とは、複数の量子の間で起こる現象で、量子状態の操作によりある量子を観測した際に、他の量子の状態に影響を与えてしまうという状態です。 どちらか一方さえも知らなければ何も確定しないが、一方さえわかればもう一方を確定することができるという性質が「量子のもつれ」です。","text":"量子エンタングルメント\n量子もつれ（エンタングルメント）とは、複数の量子の間で起こる現象で、量子状態の操作によりある量子を観測した際に、他の量子の状態に影響を与えてしまうという状態です。 どちらか一方さえも知らなければ何も確定しないが、一方さえわかればもう一方を確定することができるという性質が「量子のもつれ」です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%87%8F%E5%AD%90%E3%82%A8%E3%83%B3%E3%82%BF%E3%83%B3%E3%82%B0%E3%83%AB%E3%83%A1%E3%83%B3%E3%83%88","updated":1705121596,"position":[-3.5963,-75.668,10.2046],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08062,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a5e57e036a120024c80f50","source":"ideaofintellection","title":"Hodgkin-Huxley方程式","excerpt":"Alan Lloyd HodgkinとAndrew Fielding Huxleyはイカの巨大軸索の活動電位を、Na+チャネル、K+チャネルの開閉を実験的に測定し、開閉の非線形な動態を微分方程式を含む数式で表わす事に成功した。これをHodgkin-Huxley方程式という。比較的少ない数のパラメータで神経軸索の活動電位の発生と伝播を示す事に成功した。チャネルの開閉特性を比較的少ないパラメータでかなり正確に表すことができる点で、今でも高く評価されている。現在広く行われている興奮性細胞（神経細胞、心筋細胞、骨格筋など）の電位シミュレーションでは、Hodgkin-Huxley方程式や（Hodgkin-Huxleyモデル）、それに類似のモデルが用いられる。","text":"Hodgkin-Huxley方程式\nAlan Lloyd HodgkinとAndrew Fielding Huxleyはイカの巨大軸索の活動電位を、Na+チャネル、K+チャネルの開閉を実験的に測定し、開閉の非線形な動態を微分方程式を含む数式で表わす事に成功した。これをHodgkin-Huxley方程式という。比較的少ない数のパラメータで神経軸索の活動電位の発生と伝播を示す事に成功した。チャネルの開閉特性を比較的少ないパラメータでかなり正確に表すことができる点で、今でも高く評価されている。現在広く行われている興奮性細胞（神経細胞、心筋細胞、骨格筋など）の電位シミュレーションでは、Hodgkin-Huxley方程式や（Hodgkin-Huxleyモデル）、それに類似のモデルが用いられる。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Hodgkin-Huxley%E6%96%B9%E7%A8%8B%E5%BC%8F","updated":1705371016,"position":[16.2498,-70.0774,0.4514],"cluster":"c03","subgroup":"c03.01","degree":9,"referenceDegree":0,"maxSimilarity":0.1996,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65c24f6ed72001b604ca2","weight":0.1996,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65c0e47ef16001cdbfd6e","weight":0.18907,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65813304871001ced47b5","weight":0.13388,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5eab73af249002221afca","weight":0.12791,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55854798207002476eede","weight":0.12725,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fbf4c256ee4f876ab9b11","weight":0.12334,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.09964,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5ec037559050023cc6be3","weight":0.09541,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5e670967b0a002429898b","source":"ideaofintellection","title":"非線形計画法（ひせんけいけいかくほう、英: nonlinear programming, NLP）","excerpt":"制約条件群と未知の実変数群から成る一連の等式と不等式で、制約条件または目的関数の一部が非線形なものについて、目的関数を最小化または最大化するような解を求めるプロセスである。また、非線形計画法の対象となる問題を非線形計画問題と呼ぶ。","text":"非線形計画法（ひせんけいけいかくほう、英: nonlinear programming, NLP）\n制約条件群と未知の実変数群から成る一連の等式と不等式で、制約条件または目的関数の一部が非線形なものについて、目的関数を最小化または最大化するような解を求めるプロセスである。また、非線形計画法の対象となる問題を非線形計画問題と呼ぶ。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9D%9E%E7%B7%9A%E5%BD%A2%E8%A8%88%E7%94%BB%E6%B3%95%EF%BC%88%E3%81%B2%E3%81%9B%E3%82%93%E3%81%91%E3%81%84%E3%81%91%E3%81%84%E3%81%8B%E3%81%8F%E3%81%BB%E3%81%86%E3%80%81%E8%8B%B1%3A%20nonlinear%20programming%2C%20NLP%EF%BC%89","updated":1705371257,"position":[18.3973,-69.0234,-0.6573],"cluster":"c03","subgroup":"c03.01","degree":6,"referenceDegree":0,"maxSimilarity":0.2704,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb57003dd10d001c1caee8","weight":0.2704,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c6584c66428f001ca25ebc","weight":0.1724,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e69ca1982b002230d4f0","weight":0.15114,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65413b9ba374d4001babc243","weight":0.10876,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e828c6626900249a07c5","weight":0.09093,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55e83345b2e0026b3a05e","weight":0.08591,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5e69ca1982b002230d4f0","source":"ideaofintellection","title":"非線形物理学","excerpt":"線形な方程式では記述できない流体力学分野などがこの学問分野の対象となる。","text":"非線形物理学\n線形な方程式では記述できない流体力学分野などがこの学問分野の対象となる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9D%9E%E7%B7%9A%E5%BD%A2%E7%89%A9%E7%90%86%E5%AD%A6","updated":1705371305,"position":[18.2268,-68.776,-0.574],"cluster":"c03","subgroup":"c03.01","degree":6,"referenceDegree":0,"maxSimilarity":0.29537,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb57003dd10d001c1caee8","weight":0.29537,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e670967b0a002429898b","weight":0.15114,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e31f06586a58001c4ba898","weight":0.12623,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e877f968620023e548e8","weight":0.11,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e6dbdf7ef70023828b89","weight":0.1008,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e828c6626900249a07c5","weight":0.10033,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5e6dbdf7ef70023828b89","source":"ideaofintellection","title":"流体力学","excerpt":"力学の一分野であり、連続体力学の一部と見なされる。","text":"流体力学\n力学の一分野であり、連続体力学の一部と見なされる。\n\n下位分類としては、大きく分けると、静止状態を扱う流体静力学（fluid statics）と、運動状態を扱う流体動力学 (fluid dynamics) に分かれる。（ただし、日本では両者をはっきり区別していない人もいる。）工学分野では、水を対象とする水力学（水理学）や空気を対象とする空気力学という分野に分けて扱われることがある。\n\nまた、流体力学では電気的に中性で電離していない流体のみを扱い、一部ないし全部が電離した流体はプラズマ物理学や磁気流体力学で扱われる。ただし、磁場がない場合のレイリー・テイラー不安定性など、本質的に流体と変わりない部分も存在する。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B5%81%E4%BD%93%E5%8A%9B%E5%AD%A6","updated":1705371383,"position":[17.4306,-68.8758,-0.9441],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.15268,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a5e71d90f853002347f36f","weight":0.15268,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e69ca1982b002230d4f0","weight":0.1008,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5e71d90f853002347f36f","source":"ideaofintellection","title":"レイリーテイラー不安定性","excerpt":"レイリー・テイラー不安定性（レイリー・テイラーふあんていせい、英: Rayleigh-Taylor instability）とは、密度の異なる2つの流体が界面で接触する際に、密度の大きい流体から密度の小さい流体に力が働き、界面の微小な凹凸から擾乱が成長することにより、流体の運動が不安定化する現象である。1883年にレイリーが、1950年にG・I・テイラーが見出だした。","text":"レイリーテイラー不安定性\nレイリー・テイラー不安定性（レイリー・テイラーふあんていせい、英: Rayleigh-Taylor instability）とは、密度の異なる2つの流体が界面で接触する際に、密度の大きい流体から密度の小さい流体に力が働き、界面の微小な凹凸から擾乱が成長することにより、流体の運動が不安定化する現象である。1883年にレイリーが、1950年にG・I・テイラーが見出だした。\n\n例えば、水とそれより密度の低い油が上層の水と下層の油のように分離している場合、境界は不安定な平衡状態となり、わずかな外乱が加えられると瞬く間に両者の位置が入れ替わる。このように、重力等の作用によって密度の大きい流体が小さい流体を押すことにより生じる現象がレイリー・テイラー不安定性である。\n\nレイリー・テイラー不安定性は、レーザー核融合においては中心点火方式での球対称爆縮を阻害する最大の要因である。また、超新星爆発のような星内部の物質混合過程におけるレイリー・テイラー不安定性も盛んに研究されている\n[https://scrapbox.io/files/65a5e735036a120024c85605.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%82%A4%E3%83%AA%E3%83%BC%E3%83%86%E3%82%A4%E3%83%A9%E3%83%BC%E4%B8%8D%E5%AE%89%E5%AE%9A%E6%80%A7","updated":1705371470,"position":[16.7591,-68.9393,-1.1106],"cluster":"c03","subgroup":"c03.01","degree":6,"referenceDegree":0,"maxSimilarity":0.15268,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a5e6dbdf7ef70023828b89","weight":0.15268,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9f36723c3cdf9bf0e582f","weight":0.12736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a6497cfccd7c877044682d1","weight":0.11402,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fc673460f8604fee5e96f","weight":0.11054,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6465ca1e946c73349f0e15","weight":0.09717,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a6497f253e59a8bccd2bfe4","weight":0.09616,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5e828c6626900249a07c5","source":"ideaofintellection","title":"非線形光学","excerpt":"非線形光学（ひせんけいこうがく、英語：nonlinear optics）とは、非常に強い光と物質が相互作用する場合に起きる、非線形の（つまり、光の電磁場に比例しない）物質の多彩な応答（現象）を扱う分野。レーザーの出現によって発展した分野であるが、レーザー自体の中でも非線形光学効果は本質的な役割を果たし、その特性をも支配する。 量子光学と深く関連している。","text":"非線形光学\n非線形光学（ひせんけいこうがく、英語：nonlinear optics）とは、非常に強い光と物質が相互作用する場合に起きる、非線形の（つまり、光の電磁場に比例しない）物質の多彩な応答（現象）を扱う分野。レーザーの出現によって発展した分野であるが、レーザー自体の中でも非線形光学効果は本質的な役割を果たし、その特性をも支配する。 量子光学と深く関連している。\n\n屈折率や吸収率など光学材料の光学定数は、光が弱いときは定数とみなせる。しかし、光が強くなる（非線形性を考える必要がある）と光強度に依存して変化するようになる。このように、光の物質の相互作用の非線形性に由来する現象を非線形光学現象という。\n\n代表的な非線形光学現象\n光高調波発生\nある周波数の入射光によって、物質から整数倍の周波数の光が放出される現象。非線形光学効果の中でも最も早く観測された基本的な過程であり、中でも2倍（第二高調波発生：SHG）、および3倍（第三高調波発生：THG）の周波数の光を放出する過程は重要。主な応用はレーザー光の短波長領域への波長変換である。\n光混合\n位相整合条件下で、異なる複数の周波数の入射光によって、それらのいずれとも異なる結合周波数の光を物質から発生する現象。和周波発生、差周波発生ともいう。光混合は光高調波発生の一般化と取り扱えるが、周波数が異なる二つの光が入射するという点で区別される。\n差周波発生の過程は光パラメトリック増幅とも関連付けられる。これらの現象の発見により、様々な周波数に光を変換できるようになった。これらを考えるときに、Manley-Roweの関係式が用いられる。\n光パラメトリック効果\n放出される2つの光の周波数の和が入射光の周波数に等しい現象。周波数変換という観点において、光混合と共に語られることもある。光パラメトリック増幅器、光パラメトリック発振器、誘導ラマン散乱、コヒーレントラマン散乱、誘導ブリュアン散乱、誘導コンプトン散乱、四光波混合など。\n多光子遷移\n複数個の光子を同時に吸収または放出して、光子のエネルギーの和または差に相当する固有状態に遷移する現象。一般にn光子遷移は、nが奇数の場合は遷移の初期および終了状態の間に偶・奇、nが偶数なら偶・偶あるいは奇・奇のパリティ則がある。n=2の最も簡単な場合、2つの光子を同時に吸収する2光子吸収と、1つの光子を吸収して1つの光子を放出するラマン散乱がある。ただし、誘導ラマン散乱、コヒーレントラマン散乱は非線形光学過程であるが、通常のラマン散乱（自然放出ラマン散乱）は、非線形光学過程には分類されない。高感度、高分解能の分光法や同位体分離などに利用される。\n非線形屈折率変化\n通常は光強度に依存しない媒質の屈折率が、入射光強度が強いために媒質中に屈折率分布を作る現象。屈折率を複素数に拡張して議論することで、２光子吸収も非線形屈折率変化として扱える。ビームが媒質中で一点に収束したり（自己収束）、周波数が変調を受けたり（自己位相変調）、透過光の強度が入射光強度の履歴に依存したり（光双安定性）と、現象は多彩。自己収束は光学部品の破壊の原因ともなるので、大出力レーザーにおいては重要な技術的問題であり、自己位相変調はレーザーの超短パルス化や光ファイバーを用いた情報通信技術に、光双安定性は光スイッチング技術にそれぞれ重要。\n電場依存屈折率変化\n媒質の屈折率が、媒質にかけられた電場に依存して変化する現象。非線形屈折率変化の一種である。電気光学効果と呼ばれ、二次および三次の非線形光学効果としてポッケルス効果、カー効果が知られる。可動部品の不要な焦点可変レンズなどに利用される。\n位相共役鏡\nTBD。補償光学の実現法として研究されている。\n非線形光学効果はどんな物質にも現れるために、通常の気体、液体、固体はもとより、プラズマ、生体、粒子ビームなども対象となる。また非線形光学では現象そのものが研究対象になるだけでなく、光の発生、制御、測定などの光エレクトロニクス、非線形光学効果を通じて物性を探る非線形分光学、さらにはそれらの知識や技術を利用したレーザー工学など広い応用分野がある。\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9D%9E%E7%B7%9A%E5%BD%A2%E5%85%89%E5%AD%A6","updated":1705371725,"position":[18.4715,-68.7483,-0.4293],"cluster":"c03","subgroup":"c03.01","degree":4,"referenceDegree":0,"maxSimilarity":0.24563,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb57003dd10d001c1caee8","weight":0.24563,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e69ca1982b002230d4f0","weight":0.10033,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e877f968620023e548e8","weight":0.09391,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e670967b0a002429898b","weight":0.09093,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5e877f968620023e548e8","source":"ideaofintellection","title":"非線形生物学","excerpt":"非線形生物学（ひせんけいせいぶつがく）とは、非線型科学の一部門で、分子から種集団までをカバーする学問分野。数理生物学と重なる部分が多いが、モデルの非線型性を積極的に強調するところが特徴と言えるだろう[1]。","text":"非線形生物学\n非線形生物学（ひせんけいせいぶつがく）とは、非線型科学の一部門で、分子から種集団までをカバーする学問分野。数理生物学と重なる部分が多いが、モデルの非線型性を積極的に強調するところが特徴と言えるだろう[1]。\n\n先行研究として、アラン・チューリングによる反応拡散モデルによる形態形成の理論や、ホジキンとハックスレーによる活動電位のモデルなどを挙げることができる。また、システム神経科学に分類される非線型ネットワークモデルによる膨大な蓄積も非線型科学に分類することが可能だろう。\n\n大野克嗣らによって提案されている非線型科学の一般的な方法論、たとえば現象論や繰り込みなどを意識的に生物学の諸問題に適用することが、現時点でのこの分野の課題だが、実験と理論との溝が深いために日本ではまだこれといった成功例はない。","tags":[],"links":["1"],"url":"https://scrapbox.io/ideaofintellection/%E9%9D%9E%E7%B7%9A%E5%BD%A2%E7%94%9F%E7%89%A9%E5%AD%A6","updated":1705371781,"position":[18.9572,-68.5762,-0.336],"cluster":"c03","subgroup":"c03.02","degree":10,"referenceDegree":0,"maxSimilarity":0.22904,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb57003dd10d001c1caee8","weight":0.22904,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e94d42cb9f00259edbe4","weight":0.12498,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e69ca1982b002230d4f0","weight":0.11,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67fdb5588f3e74d9e9b838e2","weight":0.10411,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e15b62b8a983e8a4b7a9","weight":0.10395,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.10361,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65564567d3e12b001c8ef1a0","weight":0.10102,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e828c6626900249a07c5","weight":0.09391,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5e8fd347a7d002624eff9","source":"ideaofintellection","title":"ノンリニア編集","excerpt":"ノンリニア編集（ノンリニアへんしゅう、Non-linear editing）は、コンピュータを使用した非直線的（ノンリニア）な映像編集方式のこと。2台以上のデッキを使いテープからテープへ映像をコピーするリニア編集に比べ、編集箇所を自由に選択でき、映像データを即座に追加・削除・修正・並べ替えることができる利点がある。1990年代に登場し、PCと共に急速に普及した。","text":"ノンリニア編集\nノンリニア編集（ノンリニアへんしゅう、Non-linear editing）は、コンピュータを使用した非直線的（ノンリニア）な映像編集方式のこと。2台以上のデッキを使いテープからテープへ映像をコピーするリニア編集に比べ、編集箇所を自由に選択でき、映像データを即座に追加・削除・修正・並べ替えることができる利点がある。1990年代に登場し、PCと共に急速に普及した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8E%E3%83%B3%E3%83%AA%E3%83%8B%E3%82%A2%E7%B7%A8%E9%9B%86","updated":1705371913,"position":[-1.8715,-49.9551,14.9893],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09764,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e5b6a1686319c0ab258b","weight":0.09764,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5e94d42cb9f00259edbe4","source":"ideaofintellection","title":"非線形の語り口","excerpt":"非線形の語り口（ひせんけいのかたりくち、英: nonlinear narrative, disjointed narrative, disrupted narrative）は、文学、映画などに用いられる物語技法で、具体的には、出来事を時系列通りに記述しなかったり、因果関係が直接的でなかったり、並行したプロット、夢の挿入、劇中劇などがある。構造の模倣、記憶の再生、などを目的として使用される。","text":"非線形の語り口\n非線形の語り口（ひせんけいのかたりくち、英: nonlinear narrative, disjointed narrative, disrupted narrative）は、文学、映画などに用いられる物語技法で、具体的には、出来事を時系列通りに記述しなかったり、因果関係が直接的でなかったり、並行したプロット、夢の挿入、劇中劇などがある。構造の模倣、記憶の再生、などを目的として使用される。\n\n文学\n物語を最初からでなく途中から始める\"イン・メディアス・レス\"は古代からあり、紀元前8世紀のホメロスの叙事詩『イーリアス』で確立された[1]。紀元前5世紀頃に作られたインドの叙事詩『マハーバーラタ』はストーリーのほとんどをフラッシュバックで語っている。中世の『千夜一夜物語』のうち『シンドバッド』『真鍮の都』『三つの林檎』にはイン・メディアス・レスとフラッシュバックの両方が使われているが、これは『パンチャタントラ』にインスパイアされたものと言われる[2]。\n\n19世紀後半から20世紀初頭にかけて、モダニズム文学のジョゼフ・コンラッド、ヴァージニア・ウルフ、フォード・マドックス・フォード、マルセル・プルースト、ウィリアム・フォークナーらが前衛的な非線形の語り口を用いた","tags":[],"links":["1","2"],"url":"https://scrapbox.io/ideaofintellection/%E9%9D%9E%E7%B7%9A%E5%BD%A2%E3%81%AE%E8%AA%9E%E3%82%8A%E5%8F%A3","updated":1705371991,"position":[18.8377,-68.7767,-0.2563],"cluster":"c03","subgroup":"c03.02","degree":5,"referenceDegree":0,"maxSimilarity":0.19332,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb57003dd10d001c1caee8","weight":0.19332,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e877f968620023e548e8","weight":0.12498,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69105037331d77f44e6df83c","weight":0.09586,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af0f961e4524001d172d1d","weight":0.09423,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.08665,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5e9b78cb5e80022b09cdd","source":"ideaofintellection","title":"複雑系","excerpt":"複雑系（ふくざつけい、英: complex system）とは、相互に関連する複数の要因が合わさって全体としてなんらかの性質（あるいはそういった性質から導かれる振る舞い）を見せる系であって、しかしその全体としての挙動は個々の要因や部分からは明らかでないようなものをいう[1]。","text":"複雑系\n複雑系（ふくざつけい、英: complex system）とは、相互に関連する複数の要因が合わさって全体としてなんらかの性質（あるいはそういった性質から導かれる振る舞い）を見せる系であって、しかしその全体としての挙動は個々の要因や部分からは明らかでないようなものをいう[1]。\n\nこれらは狭い範囲かつ短期の予測は経験的要素から不可能ではないが、その予測の裏付けをより基本的な法則に還元して理解する（還元主義）のは困難である。系の持つ複雑性には非組織的複雑性と組織的複雑性の二つの種類がある[2]。これらの区別は本質的に、要因の多さに起因するものを「組織化されていない」(disorganized) といい、対象とする系が（場合によってはきわめて限定的な要因しか持たないかもしれないが）創発性を示すことを「組織化された」(organized) と言っているものである。\n\n複雑系は決して珍しいシステムというわけではなく、実際に人間にとって興味深く有用な多くの系が複雑系である。系の複雑性を研究するモデルとしての複雑系には、蟻の巣、人間経済・社会、気象現象、神経系、細胞、人間を含む生物などや現代的なエネルギーインフラや通信インフラなどが挙げられる。\n\n複雑系は自然科学、数学、社会科学などの多岐にわたる分野で研究されている。2021年度のノーベル物理学賞は、複雑系としての気象システムに対する先駆的研究に与えられた。[3]これは複雑系科学にノーベル賞が与えられた初めての事例である。また、複雑系科学の記事も参照のこと。","tags":[],"links":["1","2","3"],"url":"https://scrapbox.io/ideaofintellection/%E8%A4%87%E9%9B%91%E7%B3%BB","updated":1705372091,"position":[-23.2811,-72.9181,66.9906],"cluster":"c04","subgroup":"c04.01","degree":4,"referenceDegree":0,"maxSimilarity":0.37492,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cca838687865002421d76f","weight":0.37492,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69105037331d77f44e6df83c","weight":0.09449,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a3ce8dae87001dfec835","weight":0.09158,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cf2b4ebebe9bf41eb85d","weight":0.09091,"type":"similarity","reason":"共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5e9f18cb5e80022b0a3cd","source":"ideaofintellection","title":"ヘーシオドスの『神統記』によれば、世界の始まりにあって存在した原初の神である。世界（宇宙）が始まるとき、事物が存在を確保できる場所（コーラー）が必要であり、何もない「場」すなわち空隙として最初にカオスが存在し、そのなかにあって例えば大地（ガイア）などが存在を現した。また、ヘーシオドスはカオスのことをカズム（裂け目）とも呼んでいる。カオスの生成に続いてガイア（大地）が生まれ、次に暗冥の地下の奥底であるタルタロスが生まれた。また、いとも美しきエロース（原愛）が生まれた。しかし、こ","excerpt":"ヘーシオドスの『神統記』によれば、世界の始まりにあって存在した原初の神である。世界（宇宙）が始まるとき、事物が存在を確保できる場所（コーラー）が必要であり、何もない「場」すなわち空隙として最初にカオスが存在し、そのなかにあって例えば大地（ガイア）などが存在を現した。また、ヘーシオドスはカオスのことをカズム（裂け目）とも呼んでいる。カオスの生成に続いてガイア（大地）が生まれ、次に暗冥の地下の奥底であるタルタロスが生まれた。また、いとも美しきエロース（原愛）が生まれた。しかし、これらの原初の神々はカオスの子とはされていない。カオスより生まれたものは、エレボス（幽冥）と暗きニュクス（夜）である。更に、ニュクスよりアイテール（高天の気）とヘーメレー（ヘーメラー・昼光）が生まれた。世界はこのようにして始まったと、ヘーシオドスはうたっている。","text":"Untitled\nヘーシオドスの『神統記』によれば、世界の始まりにあって存在した原初の神である。世界（宇宙）が始まるとき、事物が存在を確保できる場所（コーラー）が必要であり、何もない「場」すなわち空隙として最初にカオスが存在し、そのなかにあって例えば大地（ガイア）などが存在を現した。また、ヘーシオドスはカオスのことをカズム（裂け目）とも呼んでいる。カオスの生成に続いてガイア（大地）が生まれ、次に暗冥の地下の奥底であるタルタロスが生まれた。また、いとも美しきエロース（原愛）が生まれた。しかし、これらの原初の神々はカオスの子とはされていない。カオスより生まれたものは、エレボス（幽冥）と暗きニュクス（夜）である。更に、ニュクスよりアイテール（高天の気）とヘーメレー（ヘーメラー・昼光）が生まれた。世界はこのようにして始まったと、ヘーシオドスはうたっている。\nカオス（古希: Χάος）\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%83%BC%E3%82%B7%E3%82%AA%E3%83%89%E3%82%B9%E3%81%AE%E3%80%8E%E7%A5%9E%E7%B5%B1%E8%A8%98%E3%80%8F%E3%81%AB%E3%82%88%E3%82%8C%E3%81%B0%E3%80%81%E4%B8%96%E7%95%8C%E3%81%AE%E5%A7%8B%E3%81%BE%E3%82%8A%E3%81%AB%E3%81%82%E3%81%A3%E3%81%A6%E5%AD%98%E5%9C%A8%E3%81%97%E3%81%9F%E5%8E%9F%E5%88%9D%E3%81%AE%E7%A5%9E%E3%81%A7%E3%81%82%E3%82%8B%E3%80%82%E4%B8%96%E7%95%8C%EF%BC%88%E5%AE%87%E5%AE%99%EF%BC%89%E3%81%8C%E5%A7%8B%E3%81%BE%E3%82%8B%E3%81%A8%E3%81%8D%E3%80%81%E4%BA%8B%E7%89%A9%E3%81%8C%E5%AD%98%E5%9C%A8%E3%82%92%E7%A2%BA%E4%BF%9D%E3%81%A7%E3%81%8D%E3%82%8B%E5%A0%B4%E6%89%80%EF%BC%88%E3%82%B3%E3%83%BC%E3%83%A9%E3%83%BC%EF%BC%89%E3%81%8C%E5%BF%85%E8%A6%81%E3%81%A7%E3%81%82%E3%82%8A%E3%80%81%E4%BD%95%E3%82%82%E3%81%AA%E3%81%84%E3%80%8C%E5%A0%B4%E3%80%8D%E3%81%99%E3%81%AA%E3%82%8F%E3%81%A1%E7%A9%BA%E9%9A%99%E3%81%A8%E3%81%97%E3%81%A6%E6%9C%80%E5%88%9D%E3%81%AB%E3%82%AB%E3%82%AA%E3%82%B9%E3%81%8C%E5%AD%98%E5%9C%A8%E3%81%97%E3%80%81%E3%81%9D%E3%81%AE%E3%81%AA%E3%81%8B%E3%81%AB%E3%81%82%E3%81%A3%E3%81%A6%E4%BE%8B%E3%81%88%E3%81%B0%E5%A4%A7%E5%9C%B0%EF%BC%88%E3%82%AC%E3%82%A4%E3%82%A2%EF%BC%89%E3%81%AA%E3%81%A9%E3%81%8C%E5%AD%98%E5%9C%A8%E3%82%92%E7%8F%BE%E3%81%97%E3%81%9F%E3%80%82%E3%81%BE%E3%81%9F%E3%80%81%E3%83%98%E3%83%BC%E3%82%B7%E3%82%AA%E3%83%89%E3%82%B9%E3%81%AF%E3%82%AB%E3%82%AA%E3%82%B9%E3%81%AE%E3%81%93%E3%81%A8%E3%82%92%E3%82%AB%E3%82%BA%E3%83%A0%EF%BC%88%E8%A3%82%E3%81%91%E7%9B%AE%EF%BC%89%E3%81%A8%E3%82%82%E5%91%BC%E3%82%93%E3%81%A7%E3%81%84%E3%82%8B%E3%80%82%E3%82%AB%E3%82%AA%E3%82%B9%E3%81%AE%E7%94%9F%E6%88%90%E3%81%AB%E7%B6%9A%E3%81%84%E3%81%A6%E3%82%AC%E3%82%A4%E3%82%A2%EF%BC%88%E5%A4%A7%E5%9C%B0%EF%BC%89%E3%81%8C%E7%94%9F%E3%81%BE%E3%82%8C%E3%80%81%E6%AC%A1%E3%81%AB%E6%9A%97%E5%86%A5%E3%81%AE%E5%9C%B0%E4%B8%8B%E3%81%AE%E5%A5%A5%E5%BA%95%E3%81%A7%E3%81%82%E3%82%8B%E3%82%BF%E3%83%AB%E3%82%BF%E3%83%AD%E3%82%B9%E3%81%8C%E7%94%9F%E3%81%BE%E3%82%8C%E3%81%9F%E3%80%82%E3%81%BE%E3%81%9F%E3%80%81%E3%81%84%E3%81%A8%E3%82%82%E7%BE%8E%E3%81%97%E3%81%8D%E3%82%A8%E3%83%AD%E3%83%BC%E3%82%B9%EF%BC%88%E5%8E%9F%E6%84%9B%EF%BC%89%E3%81%8C%E7%94%9F%E3%81%BE%E3%82%8C%E3%81%9F%E3%80%82%E3%81%97%E3%81%8B%E3%81%97%E3%80%81%E3%81%93","updated":1705372185,"position":[16.1112,-69.1273,-0.5579],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08864,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a6497cfccd7c877044682d1","weight":0.08864,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5eab73af249002221afca","source":"ideaofintellection","title":"カオス理論、ローレンツ方程式","excerpt":"カオス理論（カオスりろん、英: chaos theory、独: Chaosforschung、仏: théorie du chaos）とは、力学系の一部に見られる、数的誤差により予測できないとされている複雑な様子を示す現象を扱う理論である。カオス力学ともいう。","text":"カオス理論、ローレンツ方程式\nカオス理論（カオスりろん、英: chaos theory、独: Chaosforschung、仏: théorie du chaos）とは、力学系の一部に見られる、数的誤差により予測できないとされている複雑な様子を示す現象を扱う理論である。カオス力学ともいう。\n\nここで言う予測できないとは、決してランダムということではない。その振る舞いは決定論的法則に従うものの、積分法による解が得られないため、その未来（および過去）の振る舞いを知るには数値解析を用いざるを得ない。しかし、初期値鋭敏性ゆえに、ある時点における無限の精度の情報が必要であるうえ、（コンピューターでは無限桁を扱えないため必然的に発生する）数値解析の過程での誤差によっても、得られる値と真の値とのずれが増幅される。そのため予測が事実上不可能という意味である。\nローレンツ方程式（ローレンツほうていしき）とは、数学者・気象学者であるエドワード・ローレンツ（Edward Lorenz）が最初に研究した非線型常微分方程式である。特定のパラメータ値と初期条件に対してカオス的な解を持つことで注目されている。特に、ローレンツ方程式のカオス解の集合はローレンツ・アトラクターと呼ばれる。いわゆるバタフライ効果の説明に用いられることが多く、決定論的な連立常微分方程式が初期値鋭敏性を持つことは驚きをもって迎えられ、カオス研究の端緒となった。\n[https://scrapbox.io/files/65a5eadf6fa05f00239856d6.png]\nカオス性を持つローレンツ方程式の解軌道\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%82%AA%E3%82%B9%E7%90%86%E8%AB%96%E3%80%81%E3%83%AD%E3%83%BC%E3%83%AC%E3%83%B3%E3%83%84%E6%96%B9%E7%A8%8B%E5%BC%8F","updated":1705373801,"position":[16.5444,-69.3722,0.3444],"cluster":"c03","subgroup":"c03.01","degree":7,"referenceDegree":0,"maxSimilarity":0.1596,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a4f148758422d3695c5f","weight":0.1596,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4cc943abdb6f0e8ffcc","weight":0.15666,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4a8f69c2a455680206c","weight":0.15374,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e57e036a120024c80f50","weight":0.12791,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65bf684a720f900026bcded8","weight":0.12272,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65c24f6ed72001b604ca2","weight":0.11961,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0bef525602001ce57c18","weight":0.1078,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5eb853af249002221d057","source":"ideaofintellection","title":"電気音響学 歪み","excerpt":"限界を超えた音は増幅回路の限界値で発音される。すると音を波形として捕らえたときに、波形の頂点が頭打ち（ヒステリシス）した形になる。が、増幅回路の限界値を超えなくても歪みは発生する場合があり、またスピーカーの振動や電気音響工学にかかわらず人間の発声などについても起こりえる物理現象である。歪みはこれまで雑音として扱われてきたが、主にロックを中心に表現の一部として利用するようになった。それに伴い一部の増幅回路（ギターアンプなど）も歪み値を可変できるように設計されるようになった。","text":"電気音響学 歪み\n限界を超えた音は増幅回路の限界値で発音される。すると音を波形として捕らえたときに、波形の頂点が頭打ち（ヒステリシス）した形になる。が、増幅回路の限界値を超えなくても歪みは発生する場合があり、またスピーカーの振動や電気音響工学にかかわらず人間の発声などについても起こりえる物理現象である。歪みはこれまで雑音として扱われてきたが、主にロックを中心に表現の一部として利用するようになった。それに伴い一部の増幅回路（ギターアンプなど）も歪み値を可変できるように設計されるようになった。\n\nオーディオアンプなどの電子部品の性能を表すために全高調波歪（歪率、THD）やTHD+N、SINAD（信号対雑音＋歪み比）などの指標が使われる。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9B%BB%E6%B0%97%E9%9F%B3%E9%9F%BF%E5%AD%A6%20%E6%AD%AA%E3%81%BF","updated":1705372559,"position":[46.7893,-15.7489,-13.1785],"cluster":"c10","subgroup":"c10.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08118,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a5ec037559050023cc6be3","source":"ideaofintellection","title":"シュレーディンガー方程式","excerpt":"V(x) = 0, つまり相互作用しない粒子（自由粒子）の波動関数。波動関数は複素数値の関数であるが、画像では波動関数の実数部分のみが曲線として描かれている。波束の大きさは粒子の位置の不確定性を表す。","text":"シュレーディンガー方程式\nV(x) = 0, つまり相互作用しない粒子（自由粒子）の波動関数。波動関数は複素数値の関数であるが、画像では波動関数の実数部分のみが曲線として描かれている。波束の大きさは粒子の位置の不確定性を表す。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%A5%E3%83%AC%E3%83%BC%E3%83%87%E3%82%A3%E3%83%B3%E3%82%AC%E3%83%BC%E6%96%B9%E7%A8%8B%E5%BC%8F","updated":1705372691,"position":[29.3268,-2.3979,-14.6942],"cluster":"c18","subgroup":"c18.01","degree":4,"referenceDegree":0,"maxSimilarity":0.38285,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69b10b74c4487c8d76785249","weight":0.38285,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e57e036a120024c80f50","weight":0.09541,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65c24f6ed72001b604ca2","weight":0.09392,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66825cfffb9d2a001c57173b","weight":0.08685,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5ed0f4b3bfa0024f88b29","source":"ideaofintellection","title":"二重スリット","excerpt":"二重スリットにおいてスクリーンに到達した電子の個数が時間変化する様子。日立製作所・外村彰らによる実験。","text":"二重スリット\n二重スリットにおいてスクリーンに到達した電子の個数が時間変化する様子。日立製作所・外村彰らによる実験。\n\n[https://scrapbox.io/files/65a5ed1591eca100254d6cd4.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%8C%E9%87%8D%E3%82%B9%E3%83%AA%E3%83%83%E3%83%88","updated":1705372967,"position":[-49.9112,51.8931,-126.5961],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05514,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a5ee62cf0e5200239c7abf","source":"ideaofintellection","title":"ウロボロスの輪","excerpt":"ウロボロスには、1体が輪になって自分で自分を食むタイプと、2体が輪になって相食むタイプがある。2体のタイプの場合、1体は何も無い素のままの姿だが（王冠を被っているタイプもあり）、もう1体は1つの王冠と1対の翼と1対の肢がある。","text":"ウロボロスの輪\nウロボロスには、1体が輪になって自分で自分を食むタイプと、2体が輪になって相食むタイプがある。2体のタイプの場合、1体は何も無い素のままの姿だが（王冠を被っているタイプもあり）、もう1体は1つの王冠と1対の翼と1対の肢がある。\n\nヘビは、脱皮して大きく成長するさまや、長期の飢餓状態にも耐える強い生命力などから、「死と再生」「不老不死」などの象徴とされる。そのヘビがみずからの尾を食むことで、始まりも終わりも無い完全なものとしての象徴的意味が備わった。\n\n古代後期のアレクサンドリアなどヘレニズム文化圏では、世界創造が全であり一であるといった思想や、完全性、世界の霊などを表した。\n錬金術では、相反するもの（陰陽など）の統一を象徴するものとして用いられた。\nカール・グスタフ・ユングは、人間精神（プシケ）の元型を象徴するものとした。\nほかにも、循環性（悪循環・永劫回帰）、永続性（永遠・円運動・死と再生・破壊と創造）、始原性（宇宙の根源）、無限性（不老不死）、完全性（全知全能）など、意味するものは広く、多くの文化・宗教において用いられてきた。\n[https://scrapbox.io/files/65a5ee76421cae00236b23c6.png]\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A6%E3%83%AD%E3%83%9C%E3%83%AD%E3%82%B9%E3%81%AE%E8%BC%AA","updated":1705373304,"position":[-68.0399,-170.9254,22.4222],"cluster":"c48","subgroup":"c48.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0771,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a5ef9c421cae00236b4096","source":"ideaofintellection","title":"伝説の生物一覧","excerpt":"https://ja.wikipedia.org/wiki/伝説の生物一覧","text":"伝説の生物一覧\nhttps://ja.wikipedia.org/wiki/伝説の生物一覧\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BC%9D%E8%AA%AC%E3%81%AE%E7%94%9F%E7%89%A9%E4%B8%80%E8%A6%A7","updated":1705373607,"position":[-27.125,2.1804,45.8176],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.13126,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67bdc6102a17daa854e9ed30","weight":0.13126,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5f0f5ee93a20023826859","source":"ideaofintellection","title":"波generater","excerpt":"https://cemsim.com/","text":"波generater\n[https://scrapbox.io/files/65a5f10ecfcdca0024306cc0.png]\nhttps://cemsim.com/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B3%A2generater","updated":1705373985,"position":[-74.4108,17.9719,-101.3604],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a5f22f4b3bfa0024f9171a","source":"ideaofintellection","title":"good luck charm","excerpt":"「Good luck charm」は「幸運を呼ぶお守り」や「ラッキーチャーム」を指す言葉です。","text":"good luck charm\n\n「Good luck charm」は「幸運を呼ぶお守り」や「ラッキーチャーム」を指す言葉です。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/good%20luck%20charm","updated":1705374289,"position":[15.641,-52.9893,69.4789],"cluster":"c12","subgroup":"c12.01","degree":4,"referenceDegree":0,"maxSimilarity":0.17966,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65171387807c09001c31e90a","weight":0.17966,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65958fcca7a0950022007268","weight":0.14471,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e45dfac9157001c976dd8","weight":0.09816,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559f99ec7ba14001baf3c94","weight":0.09652,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5f2ad91eca100254e0c65","source":"ideaofintellection","title":"oneirataxia","excerpt":"Oneirataxia is a symptom where one person is incapable of distinguishing fantasy and reality.","text":"oneirataxia\nOneirataxia is a symptom where one person is incapable of distinguishing fantasy and reality.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/oneirataxia","updated":1705374398,"position":[27.5019,118.2682,84.1654],"cluster":"c31","subgroup":"c31.01","degree":3,"referenceDegree":0,"maxSimilarity":0.16788,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65f0387774a3e300259030dd","weight":0.16788,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640af7c5352155001c77dbd8","weight":0.10638,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5f501a5649700255c843a","weight":0.10314,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5f2f4cfcdca002430a11e","source":"ideaofintellection","title":"ポールエルディシュ","excerpt":"ポール・エルデシュ、エルデーシュ・パール（Erdős Pál, Paul Erdős; （本姓：Engländer）, 1913年3月26日 - 1996年9月20日）は、ハンガリー・ブダペスト出身のユダヤ系ハンガリー人の数学者である。 20世紀で最も多くの論文を書いた数学者である。","text":"ポールエルディシュ\nポール・エルデシュ、エルデーシュ・パール（Erdős Pál, Paul Erdős; （本姓：Engländer）, 1913年3月26日 - 1996年9月20日）は、ハンガリー・ブダペスト出身のユダヤ系ハンガリー人の数学者である。 20世紀で最も多くの論文を書いた数学者である。\n古びたブリーフケースには替えの下着とノートのみ。世界中を放浪しながら、数学の問題を解きつづけたという\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9D%E3%83%BC%E3%83%AB%E3%82%A8%E3%83%AB%E3%83%87%E3%82%A3%E3%82%B7%E3%83%A5","updated":1705374546,"position":[11.7423,-53.755,69.6002],"cluster":"c12","subgroup":"c12.01","degree":3,"referenceDegree":0,"maxSimilarity":0.27324,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af100e37aaa3001cf6dbe6","weight":0.27324,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d5e87063d9500243843ac","weight":0.09472,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bc7ad002fa7001c7b2b38","weight":0.09321,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5f43af7780700249af5aa","source":"ideaofintellection","title":"apodyopsis","excerpt":"The habit of \"undressing\" women mentally, in trying to visualize their naked bodies","text":"apodyopsis\nThe habit of \"undressing\" women mentally, in trying to visualize their naked bodies\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/apodyopsis","updated":1705374785,"position":[-60.796,12.6586,-150.9829],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07719,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a5f4960bb0aa0023a039c1","source":"ideaofintellection","title":"sundress","excerpt":"a dress for hot weather that exposes the shoulders, arms, and back, esp one with straps over the shoulders","text":"sundress\na dress for hot weather that exposes the shoulders, arms, and back, esp one with straps over the shoulders\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/sundress","updated":1705374874,"position":[10.2914,66.0746,49.3926],"cluster":"c08","subgroup":"c08.01","degree":3,"referenceDegree":0,"maxSimilarity":0.15955,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6859c957e62b4c104472f696","weight":0.15955,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a3d5c4b2ccbd21e97ec26cb","weight":0.13332,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a216549704de0024fdf305","weight":0.09351,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a5f501a5649700255c843a","source":"ideaofintellection","title":"lectiophile","excerpt":"Lectiophile a person who loves reading","text":"lectiophile\nLectiophile a person who loves reading\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/lectiophile","updated":1705374983,"position":[24.6268,116.9942,92.0859],"cluster":"c31","subgroup":"c31.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10314,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a5f2ad91eca100254e0c65","weight":0.10314,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a8f2d0e9777b0024ef448c","source":"ideaofintellection","title":"社会的サイモン効果","excerpt":"社会的サイモン効果とは 研究チームは、「社会的サイモン効果（SSE: social Simon effect）」という指標を利用した心理実験を行いました。 社会的サイモン効果を簡単に言えば、隣に人がいると感じることで、音の反応速度が一人で行う時よりはやくなる効果であると言えます。","text":"社会的サイモン効果\n社会的サイモン効果とは 研究チームは、「社会的サイモン効果（SSE: social Simon effect）」という指標を利用した心理実験を行いました。 社会的サイモン効果を簡単に言えば、隣に人がいると感じることで、音の反応速度が一人で行う時よりはやくなる効果であると言えます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%A4%BE%E4%BC%9A%E7%9A%84%E3%82%B5%E3%82%A4%E3%83%A2%E3%83%B3%E5%8A%B9%E6%9E%9C","updated":1705571039,"position":[-29.7433,28.2726,-120.0799],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08133,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a8f57c6d3451002324aec0","source":"ideaofintellection","title":"エスキス","excerpt":"Esquisse（仏）","text":"エスキス\n\nEsquisse（仏）\n\n素描、下絵、素案、概要を意味する仏語。 「エスキス」とも表記される。 作品を制作するための着想や構想、あるいは構図を描きとめた下描きのことで、作者のインスピレーションを吟味し、計画を（綿密に）練る作業や下絵そのものを指して使われる用語。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%82%B9%E3%82%AD%E3%82%B9","updated":1705571711,"position":[31.1877,-39.3133,-3.42],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09765,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64f2ee4d317b2e001c2425ed","weight":0.09765,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a001c14c156001ce08ad0","weight":0.08858,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a8f5c5aaf8950023277584","source":"ideaofintellection","title":"trustability","excerpt":"信頼性","text":"trustability\n信頼性\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/trustability","updated":1705571786,"position":[-20.3082,-17.0672,-20.0756],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.115,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee550d29c9c0025c68211","weight":0.115,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a8f5f04cd09b00241b30e2","source":"ideaofintellection","title":"汝の敵を愛せよ","excerpt":"悪意で中傷しようとするような人たちにこそ、神の慈悲慈愛をもって接しなければならぬという教訓。 好意で接する人に好意をもつのは当然である。","text":"汝の敵を愛せよ\n悪意で中傷しようとするような人たちにこそ、神の慈悲慈愛をもって接しなければならぬという教訓。 好意で接する人に好意をもつのは当然である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B1%9D%E3%81%AE%E6%95%B5%E3%82%92%E6%84%9B%E3%81%9B%E3%82%88","updated":1705571834,"position":[-57.2091,33.0098,-133.5696],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06331,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a8f60e128bf800248478bd","source":"ideaofintellection","title":"セマンティック","excerpt":"セマンティック（semantic）とは、「意味の、語義の、意味論の、意味的な」などと訳される形容詞です。 なので、この言葉単体では意味をなさす、セマンティック○○などのように、何らかの言葉に紐づいて意味をなします。","text":"セマンティック\nセマンティック（semantic）とは、「意味の、語義の、意味論の、意味的な」などと訳される形容詞です。 なので、この言葉単体では意味をなさす、セマンティック○○などのように、何らかの言葉に紐づいて意味をなします。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BB%E3%83%9E%E3%83%B3%E3%83%86%E3%82%A3%E3%83%83%E3%82%AF","updated":1705571869,"position":[3.722,-78.1324,35.9763],"cluster":"c01","subgroup":"c01.01","degree":7,"referenceDegree":0,"maxSimilarity":0.28726,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678944a67fa74485b2af7759","weight":0.28726,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c5727635d0d0023383d05","weight":0.18459,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678945246c6b2394574b48f3","weight":0.17322,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d29a479f55a00240f062a","weight":0.1438,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659394408cf18d0024dc55fd","weight":0.10903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1400e5af070ee9c3be2dad","weight":0.10063,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e19b79da8d001dac207b","weight":0.09821,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a8f7143e21a6002360cc40","source":"ideaofintellection","title":"Gemini と著者","excerpt":"https://arxiv.org/abs/2312.11805","text":"Gemini と著者\nhttps://arxiv.org/abs/2312.11805\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Gemini%20%E3%81%A8%E8%91%97%E8%80%85","updated":1705572142,"position":[-57.7908,19.933,-93.1913],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.54391,"lowEvidence":true,"neighbors":[{"id":"NextResearch:6596de3265bf170024af02e7","weight":0.54391,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69f0537ea5fd66a8d6848750","weight":0.54391,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a8f753f65e1e0023c38936","source":"ideaofintellection","title":"頓智","excerpt":"気転, 頓智(とんち).","text":" 頓智\n 気転, 頓智(とんち).","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%A0%93%E6%99%BA","updated":1705572192,"position":[-53.077,-8.7792,-126.7233],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.02519,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65a9f96f7dcc2a0024c90bd9","source":"ideaofintellection","title":"グレアムハーマン オブジェクト指向オントロジー","excerpt":"オブジェクト指向オントロジー（しばしばOOOと略される）は、オブジェクトが人間の知覚とは無関係に存在し、伝統的な哲学における人間の視点の中心的な役割に疑問を投げかける哲学的な立場です。","text":"グレアムハーマン オブジェクト指向オントロジー\nオブジェクト指向オントロジー（しばしばOOOと略される）は、オブジェクトが人間の知覚とは無関係に存在し、伝統的な哲学における人間の視点の中心的な役割に疑問を投げかける哲学的な立場です。\n\n形而上学では、オブジェクト指向オントロジー（OOO）は、21世紀のハイデガーの影響を受けた学派で、人間以外のオブジェクトの存在に対する人間の存在の特権を拒否します。これは、他のほとんどの現在の形而上学で受け入れられている、カントのコペルニクス革命の「人間中心主義」と呼ばれるものとは対照的です。他のほとんどの形而上学では、驚異的な物体が被験者の心に順応し、ひいては人間の認知の産物になると言われています。オブジェクト指向のオントロジーは、オブジェクトが人間の知覚とは独立して（Kantian noumenaとして）存在し、人間や他のオブジェクトとの関係によってオントロジー的に使い果たされないことを維持します。オブジェクト指向のオントロジストにとって、人間以外の関係を含むすべての関係は、\n\nオブジェクト指向のオントロジーは、投機的リアリズムの一部と見なされることがよくあります。これは、カント後の哲学的探究の思考と存在の相関への批判であり、この相関の外にあるものの現実は認識できないものです。ただし、オブジェクト指向オントロジーは、投機的リアリズムよりも古く、すべての投機的リアリストが同意するわけではないオブジェクト関係の性質と同等性について明確な主張をしています。「オブジェクト指向の哲学」という用語は、ムーブメントの創設者であるグラハムハーマンが1999年の博士論文「Tool-Being：Elements in a Theory of Objectory」で作成したものです。2009年、リーバイブライアントはハーマンの当初の指定を「オブジェクト指向オントロジー」と言い換え、ムーブメントに現在の名前を付けました。\n知識に現れる概念やそれらの関係をツリー状に記述したものです。 概念の包含関係や構成要素を階層構造として表します。 概念に属性を与え、それらを明示することにより、各概念の意味の違いが明確になります。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%AC%E3%82%A2%E3%83%A0%E3%83%8F%E3%83%BC%E3%83%9E%E3%83%B3%20%E3%82%AA%E3%83%96%E3%82%B8%E3%82%A7%E3%82%AF%E3%83%88%E6%8C%87%E5%90%91%E3%82%AA%E3%83%B3%E3%83%88%E3%83%AD%E3%82%B8%E3%83%BC","updated":1723052112,"position":[-26.1918,-73.1354,10.0146],"cluster":"c27","subgroup":"c27.01","degree":8,"referenceDegree":0,"maxSimilarity":0.29498,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659244e9fc909000238dd65c","weight":0.29498,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659218106c203200227310fc","weight":0.25193,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113f3fee64ef5381c98bf7","weight":0.17004,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b0c8b8b327f001c48dbe2","weight":0.12774,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a133b4638667c303f237bd8","weight":0.12169,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a133c0d9f4a0b0de36b2969","weight":0.12117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65ec9f30c0c94600257df877","weight":0.09979,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1349586a324084529fa7a8","weight":0.08503,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65a9f9dc07de1c00237a8eed","source":"ideaofintellection","title":"野生の思考, ストロース","excerpt":"野生の思考とは、ありあわせの素材を用いて入り用の物を作る場合（ブリコラージュ）に例えられ、器用人の思考様式と特徴づけられる。 それは、眼前の事象を考える際に、その事象と別の事象との間にある関係に注目し、それと類似する関係性を持つ別の事象群を連想しつつ、それらを再構成することである。","text":"野生の思考, ストロース\n野生の思考とは、ありあわせの素材を用いて入り用の物を作る場合（ブリコラージュ）に例えられ、器用人の思考様式と特徴づけられる。 それは、眼前の事象を考える際に、その事象と別の事象との間にある関係に注目し、それと類似する関係性を持つ別の事象群を連想しつつ、それらを再構成することである。\nレヴィ＝ストロースによれば、人間の思考や文化は特定の構造によって形成され、その構造は普遍的な法則に基づいている、というものです。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%87%8E%E7%94%9F%E3%81%AE%E6%80%9D%E8%80%83%2C%20%E3%82%B9%E3%83%88%E3%83%AD%E3%83%BC%E3%82%B9","updated":1705638432,"position":[13.1418,-51.0665,70.7513],"cluster":"c12","subgroup":"c12.01","degree":2,"referenceDegree":0,"maxSimilarity":0.29933,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a76ba4e78f29562f937efe3","weight":0.29933,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bc15b64b1766002418daf8","weight":0.14133,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65aa21d7ce7ba10024469fbc","source":"ideaofintellection","title":"DLPFC","excerpt":"「DLPFC（背外側前頭前野）」は脳の各部位で喜怒哀楽の感情や、睡眠、食欲をコントロールしています。 ※頭蓋骨に近い脳の表面の前頭部の一部がDLPFCです。 機能が低下すると、やる気がなくなる。","text":"DLPFC\n「DLPFC（背外側前頭前野）」は脳の各部位で喜怒哀楽の感情や、睡眠、食欲をコントロールしています。 ※頭蓋骨に近い脳の表面の前頭部の一部がDLPFCです。 機能が低下すると、やる気がなくなる。\n[https://scrapbox.io/files/65aa21fe9b1723002278a95b.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/DLPFC","updated":1705648641,"position":[-46.4451,20.6834,-152.3023],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19073,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65aa2275fad1d90022b97d3c","weight":0.19073,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65aa2243af031b002463192b","source":"ideaofintellection","title":"VLPFC","excerpt":"この VLPFC は、運動反応指令を大脳基底核へ出力する扁桃体や、線条体などの脳内報酬系回路との相互抑制的関係に基づき、行動の制御を司る領域である。 衝動的行動は、脳内報酬系回路の過活性化によって生じるのに対し、VLPFC","text":"VLPFC\nこの VLPFC は、運動反応指令を大脳基底核へ出力する扁桃体や、線条体などの脳内報酬系回路との相互抑制的関係に基づき、行動の制御を司る領域である。 衝動的行動は、脳内報酬系回路の過活性化によって生じるのに対し、VLPFC \nはそのブレーキとしての役割を果たす脳領域に相当するといえよう。\n[https://scrapbox.io/files/65aa225fc2ea9b0022c960d0.png]\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/VLPFC","updated":1723052138,"position":[-43.3419,-26.3929,78.7062],"cluster":"c28","subgroup":"c28.01","degree":15,"referenceDegree":0,"maxSimilarity":0.2344,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:664f27b9770624001d2c03f0","weight":0.2344,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.23331,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1268894910f0025c3f19d","weight":0.21749,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.20981,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d7983f0c730024ad454d","weight":0.20636,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af14395ef4c4001c4416f0","weight":0.20421,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668e25a77c5da7001d3ea051","weight":0.20409,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3092bcd48d001dd05bae","weight":0.20371,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65aa2275fad1d90022b97d3c","source":"ideaofintellection","title":"MPFC","excerpt":"内側前頭前野（MPFC）","text":"MPFC \n内側前頭前野（MPFC）\n[https://scrapbox.io/files/65aa22fb5404e80024a008db.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/MPFC","updated":1705648896,"position":[-44.183,19.5528,-151.9188],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19073,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65aa21d7ce7ba10024469fbc","weight":0.19073,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65aa233fdc6f2400255d7a89","source":"ideaofintellection","title":"コホート研究","excerpt":"「コホート研究」とは、あるグループを追跡して、病気の発生などの健康状態の変化を調べる研究のこと。 コホートとは、そもそもラテン語で「数百人の兵隊の単位」を示す言葉であり、「集団」を意味する。 横断研究ではなく、時間的な経過を追う縦断研究の1種である*。","text":"コホート研究\n「コホート研究」とは、あるグループを追跡して、病気の発生などの健康状態の変化を調べる研究のこと。 コホートとは、そもそもラテン語で「数百人の兵隊の単位」を示す言葉であり、「集団」を意味する。 横断研究ではなく、時間的な経過を追う縦断研究の1種である*。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%9B%E3%83%BC%E3%83%88%E7%A0%94%E7%A9%B6","updated":1705648967,"position":[-38.2687,54.3748,25.323],"cluster":"c06","subgroup":"c06.02","degree":3,"referenceDegree":0,"maxSimilarity":0.85299,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66552c6192022d001cc62644","weight":0.85299,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:665850a05e2728001de313be","weight":0.20582,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d616da98bfd0023c2da99","weight":0.19146,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65aa30ebaf031b00246462a4","source":"ideaofintellection","title":"Data driven art 2023 まとめ","excerpt":"https://github.com/tmhglnd/chatgpt-n4m","text":"Data driven art 2023 まとめ\nhttps://github.com/tmhglnd/chatgpt-n4m\nGitHub - nickgillian/grt: gesture recognition toolkit\nhttps://and-engineer.com/articles/Ys53IhAAACEAqGoE\nhttps://github.com/nickgillian/grt\nhttps://www.ebosuite.com/\nhttps://data-drivenart2023.slack.com/archives/C05GF5KDGJ3/p1705205964229719 \nhttps://paper.dropbox.com/doc/Liam-Young--CHigqAYogH8LKaWZtppHlDxcAg-AqUHWjFyvcN96HdkmKqTw\nhttps://paper.dropbox.com/doc/lecture-performance-survey--CHhvHoypAyrPUA0s9m7tBWVOAg-StCn5IT7fEvnIugqywoKs\nhttps://scrapbox.io/artresearch/lecture-performance\nhttps://ja.neuronmocap.com/pn3/ < 安くて良く使うもの\nhttps://www.youtube.com/watch?v=Qo4FKYMeOa8\nhttps://www.notch.one/ \nLiam Young\nhttps://www.youtube.com/watch?v=rE_c0hmx9Fg\nhttps://masaki-yamabe.gitbook.io/dda2023-vie-visualization/\nhttps://lowly-replace-a32.notion.site/480404d1dbc74290965d1e06efee69b5\nhttps://tsukurukids.com/4363\nhttps://scrapbox.io/sogenhanda/Data_Driven_Art_2024_-_Touchdesigner%E8%AC%9B%E6%BC%94 （\nhttps://lowly-replace-a32.notion.site/Neuro-Music-6083ccfa38414f768b06efdf9d48f7bb\nhttps://paper.dropbox.com/doc/2023-oct-dec--CHFI4kLu~kJ3A_YhYw25CGIaAg-CIvJ6RZLlb2X1MyejDsOc\nhttps://docs.google.com/spreadsheets/d/1ygSkIBXAaMCeklBsmF-HWImkj1pgpnSCLkMvxemKndM/edit#gid=0\n\n12:35\nhttps://www.netflix.com/jp/title/81503864\n\nhttps://lowly-replace-a32.notion.site/2023-SFC-Data-Driven-Art-88004296720a40918acdccb9ddff8865\n\n照岡さん\n以前にとった脳波で、rawが生脳波です。ほぼβ帯域の脳波で、30HzLPFしています。\nmul16は、時間軸を1/16に早送りしたもので、16倍の周波数になっています。\npitchshiftは、MSPのピッチシフトで周波数を上げています。うなり（うねり）のような感じですが、これはMSPのつぎはぎノイズが入っています。作品的にきっちりとされるにはrawを基にピッチシフトされることをお勧めします。\n\n脳波録音関係のTIPSです、ご参考までにです！\nその１\nVIEさんのセンサでは残念ながら首筋電の混入が避けられないので、生波形をL-RもしくはR-Lの処理をする必要があります。20年ほど前に流行った簡易カラオケ（ボーカル削除）のやり方ですね。ちょっと手間ですが「Audacity（日本語版）」を例にやり方を書いてみます。\n※以下SS1～SS6は添付のスクリーンショットのファイル名です。文と合わせて参照ください。\n(1)SS1は録音した脳波Waveファイルを読み込んだ所です、生なので筋電のノイズが入っています\n(2)「トラック」→「新しく追加」→「ステレオトラック」で枠を確保してから、今のトラックを丸ごと選択してコピペしてください（SS2参照、元ファイルを壊さないための処理です）\n(3)そのコピペしたトラック（2ch）を選択して「トラック」→「ミックス」→「ステレオからモノラルへ」を選択して、モノラルのトラック×２に分割します\n(4)分割した２つのトラックの「どちらか」を選択して「エフェクト」→「上下を反転」をします（プラスマイナスが入れ替わります）\n　※それがSS3ですが上下（LR）を比較してみてください\n(5)２つの分割トラックで、反転したものとしていないものの「両方を選択し」、「トラック」→「ミックス」→「新しいトラックにミックスして作成」をします\n(6)SS4のように、差分により大きなノイズはとれますが、ひげ状のノイズが残っています\n(7)この差分トラックを選択して、「エフェクト」→「クラシックフィルター」で、例えばSS5のような急峻なローパスフィルターをかけます\n(8)そうすれば、SS6のように脳波成分が現れてきますので、後はこちらを自由に加工してください！\nその２\nWindowsだけの現象かもしれませんが、Bluetooth「オーディオ」が「VIECHILL(Data)」に自動でつなげようとするため、VIEストリーマとBluetoothオーディオの間でアクセス権の取合いになって（VIEストリーマが負けて）上手くいかないことがありました。その場合、そのままでは競合が続くので、設定の「Bluetoothとデバイス」で「VIECHILL(Data)のデバイス削除」をする必要があります。\nその３\nパフォーマンスなどで急いで脳波を採る必要がある時は、市販の「コンタクトレンズの保存液」で耳穴や首筋（電極のあたる反対側）を拭うと効果的です。なお、パフォーマンスが終わったら、４つの電極はアルコールなどで清拭しておいてください。ほっとくとカビが生えることがありますので。\n※内緒ですが、以前、実際の緊急事態の際に、自分の天然涙で湿らせて上手く行ったこともあります（苦笑）。 （編集済み） \n#media\n\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Data%20driven%20art%202023%20%E3%81%BE%E3%81%A8%E3%82%81","updated":1722921194,"position":[-8.2266,7.7412,11.8771],"cluster":"c07","subgroup":"c07.02","degree":8,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee842e76ffb8001c9c2d0b","weight":0.22389,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c8969da4bb2001d7104ba","weight":0.20828,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669bf3192516d1001c6a8536","weight":0.20739,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b0d1263864830027f5e20d","source":"ideaofintellection","title":"pathos","excerpt":"ギリシャ語で衝動","text":"pathos\nギリシャ語で衝動\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/pathos","updated":1706086710,"position":[1.7047,-76.7985,35.8947],"cluster":"c01","subgroup":"c01.03","degree":16,"referenceDegree":0,"maxSimilarity":0.30614,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6580002dc480410023553ee3","weight":0.30614,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d4546bb14b40caf1e067b3","weight":0.24423,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893f26c8084a826ca406f1","weight":0.23101,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67894402680daed9a3ff24e8","weight":0.1967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64957154471894001bb6a8f3","weight":0.17391,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c478ea87951d001c228898","weight":0.17225,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454351bf828eab51092a4","weight":0.15144,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454a385c6102a339ba085","weight":0.14993,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b0d14b96d47500239a3df3","source":"ideaofintellection","title":"ATCG","excerpt":"ヌクレオチド とは、ヌクレオシドにリン酸基が結合した物質である。ヌクレオシドは五炭糖の1位にプリン塩基またはピリミジン塩基がグリコシド結合したもの。DNAやRNAを構成する単位でもある。 ヌクレオチドが鎖のように連なりポリヌクレオチドになる。","text":"ATCG\nヌクレオチド とは、ヌクレオシドにリン酸基が結合した物質である。ヌクレオシドは五炭糖の1位にプリン塩基またはピリミジン塩基がグリコシド結合したもの。DNAやRNAを構成する単位でもある。 ヌクレオチドが鎖のように連なりポリヌクレオチドになる。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/ATCG","updated":1706086749,"position":[1.691,-75.6709,34.4449],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.14595,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55a68b42dde0024be8115","weight":0.14595,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b0d16e680a0b002489ee03","source":"ideaofintellection","title":"Element","excerpt":"『Element』は英語で自然界を形成すると考えられた基本要素・構成要素を言っています。 「構成をする要素・成分」という意味です。","text":"Element\n『Element』は英語で自然界を形成すると考えられた基本要素・構成要素を言っています。 「構成をする要素・成分」という意味です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Element","updated":1706086772,"position":[-30.5257,-128.2022,64.6639],"cluster":"c36","subgroup":"c36.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06297,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b0d22fbec35100245f9aaf","source":"ideaofintellection","title":"マトゥラー","excerpt":"マトゥラー（またはマトゥーラ）はデリーの南、ガンジス川の支流ヤムナー川の中流西岸にあり古くからの宗教都市で「神々のまち」としてローマにも知られていた。マトゥーラにはガンダーラと同じ時期に仏像彫刻が始まっており、それがガンダーラ彫刻と違ってヘレニズムの影響を受けていないところから、仏像彫刻の起源をインド独自のものとする説があり、ガンダーラ起源説と対立している。","text":"マトゥラー\nマトゥラー（またはマトゥーラ）はデリーの南、ガンジス川の支流ヤムナー川の中流西岸にあり古くからの宗教都市で「神々のまち」としてローマにも知られていた。マトゥーラにはガンダーラと同じ時期に仏像彫刻が始まっており、それがガンダーラ彫刻と違ってヘレニズムの影響を受けていないところから、仏像彫刻の起源をインド独自のものとする説があり、ガンダーラ起源説と対立している。\nhttps://www.y-history.net/appendix/wh0201-064_2.html\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%88%E3%82%A5%E3%83%A9%E3%83%BC","updated":1706086979,"position":[-0.5406,-98.5538,26.3135],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.0734,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b0d24d16a6f30025da98a8","source":"ideaofintellection","title":"複式夢幻能","excerpt":"「複式夢幻能」は、能の演出形式のことで、複式とは前場と後場の二場面を指します。 主人公は同一人物であり、前場でその人物の化身（前シテ）が僧侶などの役（ワキ）に出会い、後場では真の正体（後シテ）を現します。","text":"複式夢幻能\n「複式夢幻能」は、能の演出形式のことで、複式とは前場と後場の二場面を指します。 主人公は同一人物であり、前場でその人物の化身（前シテ）が僧侶などの役（ワキ）に出会い、後場では真の正体（後シテ）を現します。\n夢幻能が、死者の霊、怨霊などこの世の者ではないものをシテとする能であるのに対し、実際に存在する人たちが登場し、時間の経過とともに話が展開する能の形式を「現在能」と呼びます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%A4%87%E5%BC%8F%E5%A4%A2%E5%B9%BB%E8%83%BD","updated":1706087053,"position":[-8.7044,-212.3638,18.6144],"cluster":"c37","subgroup":"c37.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05735,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b0d2b609dafc00238fa762","source":"ideaofintellection","title":"ポアンカレ予想","excerpt":"境界を持たないコンパクトな2次元曲面が、どのようなループであっても連続的に引き絞れば回収できるようであれば、その曲面は2次元球面に同相である。ポアンカレ予想は同様のことが3次元についても成り立つと主張する。","text":"ポアンカレ予想\n境界を持たないコンパクトな2次元曲面が、どのようなループであっても連続的に引き絞れば回収できるようであれば、その曲面は2次元球面に同相である。ポアンカレ予想は同様のことが3次元についても成り立つと主張する。\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9D%E3%82%A2%E3%83%B3%E3%82%AB%E3%83%AC%E4%BA%88%E6%83%B3","updated":1706087186,"position":[-38.2023,17.9845,-110.8814],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09552,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65c5567a1bcc5f0025d749b6","weight":0.09552,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b0d32b2307c300236c201a","source":"ideaofintellection","title":"二項動態","excerpt":"対立しながらも一つの事象を共存させる。 つまり、どちらか一方ということではなく、あれもこれもを両立させて「二項動態」と捉えるのです。","text":"二項動態\n対立しながらも一つの事象を共存させる。 つまり、どちらか一方ということではなく、あれもこれもを両立させて「二項動態」と捉えるのです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%8C%E9%A0%85%E5%8B%95%E6%85%8B","updated":1706087226,"position":[-36.1279,12.9963,-98.5144],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08482,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b0d3509ca92400238c7d2b","source":"ideaofintellection","title":"二項同体","excerpt":"清沢満之（きよさわまんし）という、司馬遼太郎が生涯愛した仏教者は、「二項同体」と表現しました。 これはAとB、あるいはCとDなど矛盾しているものを矛盾のまま、次のものに引き継いで変革しようじゃないかということです。","text":"二項同体\n清沢満之（きよさわまんし）という、司馬遼太郎が生涯愛した仏教者は、「二項同体」と表現しました。 これはAとB、あるいはCとDなど矛盾しているものを矛盾のまま、次のものに引き継いで変革しようじゃないかということです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%8C%E9%A0%85%E5%90%8C%E4%BD%93","updated":1706087257,"position":[8.9706,-58.399,-0.2439],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12388,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67893cd743008644046edfaf","weight":0.12388,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b0d37ec903320025eb108f","source":"ideaofintellection","title":"アウフヘーベン","excerpt":"〘名〙 (aufheben 元来、「拾い上げる」「保存する」「中止する」「破棄する」の意) 弁証法の基本概念の一つ。 「否定する」「たかめる」「保存する」という三つの意味あいを含めて物事についての矛盾や対立をより高","text":"アウフヘーベン\n〘名〙 (aufheben 元来、「拾い上げる」「保存する」「中止する」「破棄する」の意) 弁証法の基本概念の一つ。 「否定する」「たかめる」「保存する」という三つの意味あいを含めて物事についての矛盾や対立をより高\n次の段階で統一すること。 止揚(しよう)。\n\nアウフヘーベンの日本語訳は｢止揚｣です。 ｢しよう｣と読みます。 思想の対立をいったん止め、互いの考えの要素の一部を保持したままより高い次元へと引き上げ、新たな一つの概念にするという哲学の用語です。 日本語訳には｢揚棄(ようき)｣という言葉もあります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%82%A6%E3%83%95%E3%83%98%E3%83%BC%E3%83%99%E3%83%B3","updated":1706087343,"position":[31.8974,-116.1052,-68.5948],"cluster":"c41","subgroup":"c41.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05252,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b0d3c0cabe1200236ff2b0","source":"ideaofintellection","title":"三叉路","excerpt":"道がみつまたに分かれているところ。Ｙ字路","text":"三叉路\n道がみつまたに分かれているところ。Ｙ字路\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%89%E5%8F%89%E8%B7%AF","updated":1706087367,"position":[-59.3784,34.1363,-103.8393],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12866,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64999fdfe03d5c001b3073db","weight":0.12866,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b34d9fbef2c60026911cfe","source":"ideaofintellection","title":"トポス","excerpt":"ギリシア語で〈場所〉を意味し，アリストテレスや古代修辞学では，議論に関係した事柄や話題を発見すべき場所（論点，観点）を表した語。 またその〈場所〉は，空間的な配置を含むものとして古代記憶術で重視され，言葉やイメージの記憶に役立てられた。","text":"トポス\nギリシア語で〈場所〉を意味し，アリストテレスや古代修辞学では，議論に関係した事柄や話題を発見すべき場所（論点，観点）を表した語。 またその〈場所〉は，空間的な配置を含むものとして古代記憶術で重視され，言葉やイメージの記憶に役立てられた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%9D%E3%82%B9","updated":1706249639,"position":[1.4062,-75.9004,35.7856],"cluster":"c01","subgroup":"c01.03","degree":5,"referenceDegree":0,"maxSimilarity":0.10488,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a27a33fd6027001cb7e6d2","weight":0.10488,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d456b6ea6fc067accbd203","weight":0.09234,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454351bf828eab51092a4","weight":0.08822,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454a385c6102a339ba085","weight":0.08811,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a7923462cc00257041d8","weight":0.0879,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b34dc6806a62002674df7e","source":"ideaofintellection","title":"去来","excerpt":"行ったり来たりすること。 ゆきき。 往来。 感情や記憶などが浮かんだり消えたりすること。","text":"去来\n行ったり来たりすること。 ゆきき。 往来。 感情や記憶などが浮かんだり消えたりすること。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%8E%BB%E6%9D%A5","updated":1706249676,"position":[-40.5777,-5.3126,-114.3668],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07583,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b34de30cc165002471561f","source":"ideaofintellection","title":"Anarchy","excerpt":"無政府状態のこと。また自己決定のこと。","text":"Anarchy\n無政府状態のこと。また自己決定のこと。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Anarchy","updated":1706249721,"position":[-26.5451,-73.1774,6.9877],"cluster":"c27","subgroup":"c27.01","degree":2,"referenceDegree":0,"maxSimilarity":0.31174,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c50a36d5a30800255fd174","weight":0.31174,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789411943008644046ef8f4","weight":0.08892,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b34e686ddc440025796c56","source":"ideaofintellection","title":"アフォーダンス","excerpt":"アフォーダンスとは、動物（人間）に対して環境が提供するために備えているものであるとする。 すなわち、物体、物質、場所、事象、他の動物、人工物などといった環境のなかにあるすべてのものが、動物（人間）の知覚や行為をうながす契機をつねに内包している（アフォーダンスをもつ）。","text":"アフォーダンス\nアフォーダンスとは、動物（人間）に対して環境が提供するために備えているものであるとする。 すなわち、物体、物質、場所、事象、他の動物、人工物などといった環境のなかにあるすべてのものが、動物（人間）の知覚や行為をうながす契機をつねに内包している（アフォーダンスをもつ）。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%95%E3%82%A9%E3%83%BC%E3%83%80%E3%83%B3%E3%82%B9","updated":1706249859,"position":[18.8686,-147.8648,91.33],"cluster":"c42","subgroup":"c42.01","degree":3,"referenceDegree":0,"maxSimilarity":0.66329,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a27c5d116a19001bb70635","weight":0.66329,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b06d9fe04b2001b618e82","weight":0.1358,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a3d5b99b83671ec9ce95898","weight":0.09251,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b34ea8bb7ded0025eafa9f","source":"ideaofintellection","title":"a.k.a","excerpt":"\"Also Known As\"の略で、「別名」「またの名を」という意味。","text":"a.k.a\n\"Also Known As\"の略で、「別名」「またの名を」という意味。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/a.k.a","updated":1706249916,"position":[-64.5656,43.2542,-141.2028],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07131,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b77c829a75b400244a6bba","source":"ideaofintellection","title":"少年老い易く学成り難し","excerpt":"少年老い易く学成り難しとは、若いうちはまだ先があると思って勉強に必死になれないが、すぐに年月が過ぎて年をとり、何も学べないで終わってしまう、だから若いうちから勉学に励まなければならない、という意味のことわざである。同じ出典による「一寸の光陰軽んずべからず」もことわざとして用いられる。","text":"少年老い易く学成り難し\n少年老い易く学成り難しとは、若いうちはまだ先があると思って勉強に必死になれないが、すぐに年月が過ぎて年をとり、何も学べないで終わってしまう、だから若いうちから勉学に励まなければならない、という意味のことわざである。同じ出典による「一寸の光陰軽んずべからず」もことわざとして用いられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%B0%91%E5%B9%B4%E8%80%81%E3%81%84%E6%98%93%E3%81%8F%E5%AD%A6%E6%88%90%E3%82%8A%E9%9B%A3%E3%81%97","updated":1706523800,"position":[-53.5062,25.6104,-139.6065],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0413,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b77ced5f8570002460678f","source":"ideaofintellection","title":"メメント・モリ","excerpt":"ラテン語で「自分がいつか必ず死ぬことを忘れるな」「人に訪れる死を忘ることなかれ」といった意味の警句。芸術作品のモチーフとして広く使われる。","text":"メメント・モリ\nラテン語で「自分がいつか必ず死ぬことを忘れるな」「人に訪れる死を忘ることなかれ」といった意味の警句。芸術作品のモチーフとして広く使われる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%83%A1%E3%83%B3%E3%83%88%E3%83%BB%E3%83%A2%E3%83%AA","updated":1706523900,"position":[30.4692,1.0198,-13.5261],"cluster":"c18","subgroup":"c18.01","degree":3,"referenceDegree":0,"maxSimilarity":0.08964,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e375e5d0cf7e001bc33b4d","weight":0.08964,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cc882fbfc570027ead549","weight":0.08875,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559a62b390d1b001c02ebab","weight":0.08611,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b77d254bda920024dcf00b","source":"ideaofintellection","title":"ルソー 孤独な散歩者の夢想","excerpt":"「黙想なさい。孤独を求めなさい......哲理を考えるにはなによりも自省することが必要です......一人でいても退屈しないことを学びなさい。人は孤独に生きると、ますます人間がすきになるものです」と書いたルソー晩年の自我探求の書。","text":"ルソー 孤独な散歩者の夢想\n「黙想なさい。孤独を求めなさい......哲理を考えるにはなによりも自省することが必要です......一人でいても退屈しないことを学びなさい。人は孤独に生きると、ますます人間がすきになるものです」と書いたルソー晩年の自我探求の書。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AB%E3%82%BD%E3%83%BC%20%E5%AD%A4%E7%8B%AC%E3%81%AA%E6%95%A3%E6%AD%A9%E8%80%85%E3%81%AE%E5%A4%A2%E6%83%B3","updated":1706523965,"position":[12.8313,-36.8868,7.6718],"cluster":"c05","subgroup":"c05.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19328,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65919015ed13e00025f1d555","weight":0.19328,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b77e6cac77a80024360037","source":"ideaofintellection","title":"フリップフロップ","excerpt":"フリップフロップ（ＦＦ：flip-flop)回路は二進法の基本である情報を一時的に\"0\"または\"1\"の状態として保持する（記憶する）ことができる論理回路で順序回路の基本要素である。 出力状態をリセット（R）又はセット（S）された状態に保持するRS‐ｆｆ回路、及びＪＫ-ＦＦ回路の回路構成と真理値表について解説する。","text":"フリップフロップ\nフリップフロップ（ＦＦ：flip-flop)回路は二進法の基本である情報を一時的に\"0\"または\"1\"の状態として保持する（記憶する）ことができる論理回路で順序回路の基本要素である。 出力状態をリセット（R）又はセット（S）された状態に保持するRS‐ｆｆ回路、及びＪＫ-ＦＦ回路の回路構成と真理値表について解説する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%AA%E3%83%83%E3%83%97%E3%83%95%E3%83%AD%E3%83%83%E3%83%97","updated":1706524274,"position":[37.1914,-48.159,98.5278],"cluster":"c14","subgroup":"c14.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10343,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ef84386b3135001d4447d2","weight":0.10343,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b77e862391620024bae63a","source":"ideaofintellection","title":"天水農業","excerpt":"雨水のみで足りない場合は用水路などから水を補給し、過剰な水は排水することで、より効率的且つ安定的な作物生産を行うことができるため、干ばつの有効な対策手段です。 一方、雨水のみにより作物を育てる農業を「天水農業」と呼びます。 乾燥地域は、一般に日照環境に恵まれ、水が確保できればより安定的で高品質な作物の生産ができます。","text":"天水農業\n雨水のみで足りない場合は用水路などから水を補給し、過剰な水は排水することで、より効率的且つ安定的な作物生産を行うことができるため、干ばつの有効な対策手段です。 一方、雨水のみにより作物を育てる農業を「天水農業」と呼びます。 乾燥地域は、一般に日照環境に恵まれ、水が確保できればより安定的で高品質な作物の生産ができます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%A9%E6%B0%B4%E8%BE%B2%E6%A5%AD","updated":1706524306,"position":[-35.4753,38.6264,-118.6337],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03559,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b77eba69f5fb0024e3669d","source":"ideaofintellection","title":"縄文海進","excerpt":"縄文海進は、地質学的には完新世海進、後氷期海進を指す海進である。すなわち最終氷期の最寒冷期後から始まった温暖化にともなう海水準上昇を指す。日本では縄文時代の始まりに近い。海水準上昇は約120メートルにおよんだ。 ピーク時である約6,500年 - 約6,000年前まで上昇が続いた。","text":"縄文海進\n縄文海進は、地質学的には完新世海進、後氷期海進を指す海進である。すなわち最終氷期の最寒冷期後から始まった温暖化にともなう海水準上昇を指す。日本では縄文時代の始まりに近い。海水準上昇は約120メートルにおよんだ。 ピーク時である約6,500年 - 約6,000年前まで上昇が続いた。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%B8%84%E6%96%87%E6%B5%B7%E9%80%B2","updated":1706524367,"position":[-32.3996,39.9507,-136.077],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07783,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b77f1b937c020024c064b7","source":"ideaofintellection","title":"fyi","excerpt":"ご参考までに","text":"fyi\nご参考までに","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/fyi","updated":1706524489,"position":[-54.0989,-7.2233,-132.8018],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05502,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b77f8858edcf0024adc64f","source":"ideaofintellection","title":"holla","excerpt":"連絡する、電話する","text":"holla\n連絡する、電話する","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/holla","updated":1706524563,"position":[-49.3865,-5.1861,-137.22],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05288,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b77fd6980fa700244b89fc","source":"ideaofintellection","title":"六字大明呪","excerpt":"六字大明呪とは、仏教の陀羅尼の1つ。サンスクリットの6つの音節からなる観世音菩薩の陀羅尼であり、チベット語で六文字となることから六字真言ともいう。特に、チベット仏教圏のチベットやモンゴルの仏教徒が頻繁に唱える陀羅尼である。","text":"六字大明呪\n六字大明呪とは、仏教の陀羅尼の1つ。サンスクリットの6つの音節からなる観世音菩薩の陀羅尼であり、チベット語で六文字となることから六字真言ともいう。特に、チベット仏教圏のチベットやモンゴルの仏教徒が頻繁に唱える陀羅尼である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%85%AD%E5%AD%97%E5%A4%A7%E6%98%8E%E5%91%AA","updated":1706524751,"position":[-50.0563,38.0206,-134.3618],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08297,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b78253e36c760025dd4682","source":"ideaofintellection","title":"アモルファス","excerpt":"結晶構造を持たない物質の状態のことを言います。 固体では、原子が規則正しく並んだ結晶と呼ばれるものと、原子が不規則に配列したアモルファス(非晶質)と呼ばれるものの2種類があります。 一般に、氷や金属、水晶等の鉱物は結晶構造で、ガラス等はアモルファス構造です。","text":"アモルファス\n結晶構造を持たない物質の状態のことを言います。 固体では、原子が規則正しく並んだ結晶と呼ばれるものと、原子が不規則に配列したアモルファス(非晶質)と呼ばれるものの2種類があります。 一般に、氷や金属、水晶等の鉱物は結晶構造で、ガラス等はアモルファス構造です。\n金属も溶融した原料の状態から冷却していくのですが、その状態において原子の配列はキチンと並んだ状態です。 しかし溶融した状態から一気に「急冷」させると、バラバラの状態の原子のまま構成されてしまいます。 この状態を「アモルファス」というのです。 特徴として高強度・耐腐食性もあり・磁気特性に富んでいます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%A2%E3%83%AB%E3%83%95%E3%82%A1%E3%82%B9","updated":1706525358,"position":[1.3044,-77.1492,35.9789],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.36015,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6580002dc480410023553ee3","weight":0.36015,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a858c9387a00245facc3","weight":0.14275,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b782d01ef37d00261e03e2","source":"ideaofintellection","title":"博覧強記","excerpt":"広範囲にわたって書物を読み、読んだ事柄を後までしっかり覚えていること。","text":"博覧強記\n広範囲にわたって書物を読み、読んだ事柄を後までしっかり覚えていること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%8D%9A%E8%A6%A7%E5%BC%B7%E8%A8%98","updated":1722920980,"position":[-57.2548,36.3398,-116.407],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07308,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b78342e523f900231c182f","source":"ideaofintellection","title":"ホモ・デウス テクノロジーとサピエンスの未来","excerpt":"ユヴァル・ノア・ハラリ","text":"ホモ・デウス テクノロジーとサピエンスの未来\nユヴァル・ノア・ハラリ\nちなみに「ホモ・デウス」とは、「神のヒト」という意味だそうです。 前著の「サピエンス全史」で、歴史学者であるHarari氏は、取るに足らない類人猿だったホモ・サピエンスがどのようにして地球の支配者になったのかを描きましたが、今回の著作では人類が今後、どこに向かうのかを考察しています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9B%E3%83%A2%E3%83%BB%E3%83%87%E3%82%A6%E3%82%B9%20%E3%83%86%E3%82%AF%E3%83%8E%E3%83%AD%E3%82%B8%E3%83%BC%E3%81%A8%E3%82%B5%E3%83%94%E3%82%A8%E3%83%B3%E3%82%B9%E3%81%AE%E6%9C%AA%E6%9D%A5","updated":1706525544,"position":[46.3532,-53.6928,33.2235],"cluster":"c02","subgroup":"c02.01","degree":3,"referenceDegree":0,"maxSimilarity":0.5668,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a07829a6db48457337bb066","weight":0.5668,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.14777,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1348a55f3509720dc16018","weight":0.13327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b784121ef37d00261e158c","source":"ideaofintellection","title":"柳宗悦","excerpt":"柳宗悦は、日本民芸運動の創始者である。 白樺派の文人でもあり、日韓併合（１９１０年）以降の日本の植民地政策を断固として批判した思想家でもある。 １９２６年４月に「日本民芸美術館設立趣旨」を発表し、それから１０年後の１９３６年１０月、東京の目黒区に日本民芸館が完成し、宗悦はその初代館長に就任した。","text":"柳宗悦\n柳宗悦は、日本民芸運動の創始者である。 白樺派の文人でもあり、日韓併合（１９１０年）以降の日本の植民地政策を断固として批判した思想家でもある。 １９２６年４月に「日本民芸美術館設立趣旨」を発表し、それから１０年後の１９３６年１０月、東京の目黒区に日本民芸館が完成し、宗悦はその初代館長に就任した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%9F%B3%E5%AE%97%E6%82%A6","updated":1706525739,"position":[-56.9025,-23.1258,32.5036],"cluster":"c35","subgroup":"c35.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06885,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b78456b471c2002359b90e","source":"ideaofintellection","title":"アナキズム","excerpt":"アナキズム（英: anarchism、仏: anarchisme、露: анархизм、アナーキズムとも）は、国家や宗教など一切の政治的権威と権力を否定し、自由な諸個人の合意のもとに個人の自由が重視される社会を運営していくことを理想とする思想。","text":"アナキズム\nアナキズム（英: anarchism、仏: anarchisme、露: анархизм、アナーキズムとも）は、国家や宗教など一切の政治的権威と権力を否定し、自由な諸個人の合意のもとに個人の自由が重視される社会を運営していくことを理想とする思想。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%8A%E3%82%AD%E3%82%BA%E3%83%A0","updated":1706525790,"position":[-46.0575,21.357,-99.543],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12365,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:6679b0cfb1dc28001d11b1ea","weight":0.12365,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b7849258bbac002499e18e","source":"ideaofintellection","title":"ハイデガー現存在","excerpt":"ハイデガーの用語。 人間は自己が人間であることを知っている。 人間は比類のない事態的近さにおいて存在と関係しているがゆえにハイデガーは，存在者一般を超越した存在者としてそれを「現存在」と呼んだ。","text":"ハイデガー現存在\nハイデガーの用語。 人間は自己が人間であることを知っている。 人間は比類のない事態的近さにおいて存在と関係しているがゆえにハイデガーは，存在者一般を超越した存在者としてそれを「現存在」と呼んだ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%82%A4%E3%83%87%E3%82%AC%E3%83%BC%E7%8F%BE%E5%AD%98%E5%9C%A8","updated":1706525849,"position":[2.9371,-77.4627,35.8682],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.34351,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65921555ac27b10023aa2a90","weight":0.34351,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678944a67fa74485b2af7759","weight":0.12029,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67894402680daed9a3ff24e8","weight":0.10585,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b7855a69f5fb0024e3b971","source":"ideaofintellection","title":"グレン・グールド","excerpt":"グレン・グールドの名言とされる「みずからが自分にとっての、いちばん厳しい先生たれ」を、千言堂の専属書道家が気持ちを込めて直筆いたします。 この言葉（ひとこと）は名言とされる集や本・書籍などで紹介されることも多く、座右の銘にされている方も多いようです。","text":"グレン・グールド\nグレン・グールドの名言とされる「みずからが自分にとっての、いちばん厳しい先生たれ」を、千言堂の専属書道家が気持ちを込めて直筆いたします。 この言葉（ひとこと）は名言とされる集や本・書籍などで紹介されることも多く、座右の銘にされている方も多いようです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%AC%E3%83%B3%E3%83%BB%E3%82%B0%E3%83%BC%E3%83%AB%E3%83%89","updated":1706526060,"position":[16.6112,-66.9048,3.1434],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.43322,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6532d26a81a5cc001b21aa80","weight":0.43322,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b785999043200023a63af0","source":"ideaofintellection","title":"ゲーデルの不完全性定理","excerpt":"ゲーデルの不完全性定理または不完全性定理とは、数学基礎論とコンピュータ科学の重要な基本定理。 不完全性定理は厳密には「数学」そのものについての定理ではなく、「形式化された数学」についての定理である。クルト・ゲーデルが1931年の論文で証明した定理であり、有限の立場では自然数論の無矛盾性の証明が成立しないことを示す。","text":"ゲーデルの不完全性定理\nゲーデルの不完全性定理または不完全性定理とは、数学基礎論とコンピュータ科学の重要な基本定理。 不完全性定理は厳密には「数学」そのものについての定理ではなく、「形式化された数学」についての定理である。クルト・ゲーデルが1931年の論文で証明した定理であり、有限の立場では自然数論の無矛盾性の証明が成立しないことを示す。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B2%E3%83%BC%E3%83%87%E3%83%AB%E3%81%AE%E4%B8%8D%E5%AE%8C%E5%85%A8%E6%80%A7%E5%AE%9A%E7%90%86","updated":1706526329,"position":[36.8247,-54.9963,-41.6243],"cluster":"c26","subgroup":"c26.01","degree":4,"referenceDegree":0,"maxSimilarity":0.11667,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6986ca17e36b40f9818248c3","weight":0.11667,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c57a43609e70024f2c948","weight":0.09057,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c640eb0c64a4001b672696","weight":0.08557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e3001dd09ec1fb2fce4d","weight":0.08512,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b7869cfb9a970025f34725","source":"ideaofintellection","title":"cybernetic art.","excerpt":"音や声，光，風，温度の変化など外部環境の刺激によって動く，フィードバック機構を備えた芸術作品。 キネティック・アートの一種だが，作品自体の装置によって動くのでないところが異なる。","text":"cybernetic art.\n音や声，光，風，温度の変化など外部環境の刺激によって動く，フィードバック機構を備えた芸術作品。 キネティック・アートの一種だが，作品自体の装置によって動くのでないところが異なる。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/cybernetic%20art.","updated":1706526374,"position":[3.6378,-78.7256,36.4412],"cluster":"c01","subgroup":"c01.01","degree":6,"referenceDegree":0,"maxSimilarity":0.13123,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668e25a77c5da7001d3ea051","weight":0.13123,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1400e5af070ee9c3be2dad","weight":0.10542,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6d85c551db002540b64d","weight":0.10189,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a472e906c9002354eaf3","weight":0.09228,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67b438806a5cf0ae7833f694","weight":0.09203,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e19b79da8d001dac207b","weight":0.08866,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b786b921c7a90024b98189","source":"ideaofintellection","title":"サイバネティクス","excerpt":"サイバネティクスとは、機械の自動制御や動物の神経系機能の類似性や関連性をテーマに研究する、心理学、生物学、物理学、数学等を包括した科学の総称である。","text":"サイバネティクス\nサイバネティクスとは、機械の自動制御や動物の神経系機能の類似性や関連性をテーマに研究する、心理学、生物学、物理学、数学等を包括した科学の総称である。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%82%A4%E3%83%90%E3%83%8D%E3%83%86%E3%82%A3%E3%82%AF%E3%82%B9","updated":1706526504,"position":[3.3193,-79.2162,36.2929],"cluster":"c01","subgroup":"c01.01","degree":9,"referenceDegree":0,"maxSimilarity":0.31091,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1400e5af070ee9c3be2dad","weight":0.31091,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e19b79da8d001dac207b","weight":0.28682,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c559e071ec52002340dd47","weight":0.19134,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55948798207002476f295","weight":0.17586,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c7105bc7a8900244134ae","weight":0.15094,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65224abace56d4001cd91e15","weight":0.1413,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c7148fa4e760025c2a8c5","weight":0.13358,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6591915d4cabe70025f201ea","weight":0.13306,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b7884883df960025f6a353","source":"ideaofintellection","title":"類体論","excerpt":"数学における類体論（るいたいろん、英: class field theory, 独: Klassenkörpertheorie）は、代数的整数論の理論。代数体のアーベル拡大を一般化されたイデアル類群やイデール類群といったその体に内在的な数学的対象と関係付け分類・記述する。","text":"類体論\n数学における類体論（るいたいろん、英: class field theory, 独: Klassenkörpertheorie）は、代数的整数論の理論。代数体のアーベル拡大を一般化されたイデアル類群やイデール類群といったその体に内在的な数学的対象と関係付け分類・記述する。\n[https://scrapbox.io/files/65b788924bda920024dddb9c.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%A1%9E%E4%BD%93%E8%AB%96","updated":1706526869,"position":[11.8212,-73.5278,23.1881],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07527,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b788d6f811b100286124c2","source":"ideaofintellection","title":"割れ目、斑模様","excerpt":"寺田寅彦は、一般にはその随筆で知られた物理学者で、非常に広い視点からの科学エッセーをたくさん書き遺しています。この寺田寅彦の弟子の一人が、キリンの斑模様は粘土などが乾くときに見られる割れ目とよく形が似ていることを指摘し、斑の形成過程にも割れ目と同じような物理現象が関与しているのではないか、という仮説を提唱したところから論争がはじまります。","text":"割れ目、斑模様\n寺田寅彦は、一般にはその随筆で知られた物理学者で、非常に広い視点からの科学エッセーをたくさん書き遺しています。この寺田寅彦の弟子の一人が、キリンの斑模様は粘土などが乾くときに見られる割れ目とよく形が似ていることを指摘し、斑の形成過程にも割れ目と同じような物理現象が関与しているのではないか、という仮説を提唱したところから論争がはじまります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%89%B2%E3%82%8C%E7%9B%AE%E3%80%81%E6%96%91%E6%A8%A1%E6%A7%98","updated":1706527070,"position":[-68.9304,-32.6722,-15.2266],"cluster":"c32","subgroup":"c32.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12178,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb4669f7ba4a001bf95568","weight":0.12178,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:651a52d3c7c61c001ee9a874","weight":0.09631,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b78a3dfb9a970025f372eb","source":"ideaofintellection","title":"人工的な雪の結晶","excerpt":"中谷宇吉郎","text":"人工的な雪の結晶\n中谷宇吉郎\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%BA%E5%B7%A5%E7%9A%84%E3%81%AA%E9%9B%AA%E3%81%AE%E7%B5%90%E6%99%B6","updated":1706527331,"position":[-39.0231,36.066,-109.9671],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08755,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64a55de40ca8a9001bf3d9d8","weight":0.08755,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b78ab547e4070025eaf125","source":"ideaofintellection","title":"Om Mani Padme Hum","excerpt":"蓮華の宝珠よ、幸いあれ","text":"Om Mani Padme Hum\n蓮華の宝珠よ、幸いあれ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Om%20Mani%20Padme%20Hum","updated":1706527431,"position":[23.0355,116.8639,54.2842],"cluster":"c31","subgroup":"c31.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12103,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686b46675fa028cd058d3e37","weight":0.12103,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b78afb653fd10025e7704d","source":"ideaofintellection","title":"雲母","excerpt":"胡粉のように真っ白ではなく半透明な色のため、白の絵具としてではなく他の顔料と混ぜたり、エフェクト顔料のように基底材に薄く塗って煌めきを出す用途で使われています。 それ以外にも効果は多岐に及び、電気絶縁や耐熱材料、古代では漢方薬や防虫材としても使われていたそうです。","text":"雲母\n胡粉のように真っ白ではなく半透明な色のため、白の絵具としてではなく他の顔料と混ぜたり、エフェクト顔料のように基底材に薄く塗って煌めきを出す用途で使われています。 それ以外にも効果は多岐に及び、電気絶縁や耐熱材料、古代では漢方薬や防虫材としても使われていたそうです。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9B%B2%E6%AF%8D","updated":1706902493,"position":[-30.1597,16.1165,-142.2436],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06186,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b78b7dbb4c520027a72fe2","source":"ideaofintellection","title":"エンザイム","excerpt":"酵素（エンザイム）というのは、化学的にいえば、「生物の細胞内で作られるタンパク質性の触媒の総称」。 人の体を「家」に例えると、ビタミン、ミネラルなどの栄養分は家を建てる材料で、材料を使って組み立てる大工のような役割を果たすのが「酵素」です。","text":"エンザイム\n酵素（エンザイム）というのは、化学的にいえば、「生物の細胞内で作られるタンパク質性の触媒の総称」。 人の体を「家」に例えると、ビタミン、ミネラルなどの栄養分は家を建てる材料で、材料を使って組み立てる大工のような役割を果たすのが「酵素」です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%B3%E3%82%B6%E3%82%A4%E3%83%A0","updated":1706527660,"position":[-29.6695,41.391,-120.5793],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08119,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65b78bd7c990810025b91dd3","source":"ideaofintellection","title":"世界は脳ではない","excerpt":"ガブリエル","text":"世界は脳ではない\nガブリエル\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%96%E7%95%8C%E3%81%AF%E8%84%B3%E3%81%A7%E3%81%AF%E3%81%AA%E3%81%84","updated":1706527851,"position":[15.8461,-70.9842,0.5997],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09893,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:680fbf4c256ee4f876ab9b11","weight":0.09893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b78f6ebb4c520027a77db5","source":"ideaofintellection","title":"丹波篠山 デカンショ節","excerpt":"数多の歌詞","text":"丹波篠山 デカンショ節\n数多の歌詞\nhttps://hitotokoto.com/lyrics/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%B9%E6%B3%A2%E7%AF%A0%E5%B1%B1%20%E3%83%87%E3%82%AB%E3%83%B3%E3%82%B7%E3%83%A7%E7%AF%80","updated":1706528698,"position":[137.5458,-57.3885,-13.9206],"cluster":"c45","subgroup":"c45.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12794,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659a64e583554c0024aa6dcf","weight":0.12794,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659587f297552a00235cb076","weight":0.09405,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b78fce4dc9b90023749182","source":"ideaofintellection","title":"アフリカとポリリズム","excerpt":"https://note.com/rolling_stone69/n/nf6b296f5cd31","text":"アフリカとポリリズム\nhttps://note.com/rolling_stone69/n/nf6b296f5cd31\nハイパーソニックエフェクトとリラクゼーション\nアフリカ的ポリリズム、別の拍のリズムが入っては出ると輸入的なクロスリズムの違い\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%95%E3%83%AA%E3%82%AB%E3%81%A8%E3%83%9D%E3%83%AA%E3%83%AA%E3%82%BA%E3%83%A0","updated":1706901378,"position":[49.2153,-51.3683,37.0095],"cluster":"c02","subgroup":"c02.01","degree":9,"referenceDegree":0,"maxSimilarity":0.30489,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.30489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf5eaacff96a00247aa241","weight":0.23942,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c3d69c9575b0024b58d9b","weight":0.19049,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf61fbfc989a0023ed83f6","weight":0.16249,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c40452516e700229629c6","weight":0.13887,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.10522,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.10136,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c478ea87951d001c228898","weight":0.09831,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65b7901a058cb70024105a9c","source":"ideaofintellection","title":"Neuromelanin","excerpt":"ニューロメラニンは、黒質や青斑核などの特定の脳部分に独特の色を与えます。これはメラニンの一種であり、他の形態の末梢メラニンに似ています。有機化合物に不溶性であり、銀染色により標識することができます。それは、その機能と、それを含む組織に現れる色の変化のため、ニューロメラニンと呼ばれます。黒/茶色の色素顆粒が含まれています。ニューロメラニンは加齢に伴い、特に生後2 ～ 3 年後に蓄積することがわかっています。黒質のニューロンを鉄誘発性の酸化ストレスから保護すると考えられています。それは安定したフリーラジカル構造により真のメラニンであると考えられており、金属を強力にキレートします。","text":"Neuromelanin\nニューロメラニンは、黒質や青斑核などの特定の脳部分に独特の色を与えます。これはメラニンの一種であり、他の形態の末梢メラニンに似ています。有機化合物に不溶性であり、銀染色により標識することができます。それは、その機能と、それを含む組織に現れる色の変化のため、ニューロメラニンと呼ばれます。黒/茶色の色素顆粒が含まれています。ニューロメラニンは加齢に伴い、特に生後2 ～ 3 年後に蓄積することがわかっています。黒質のニューロンを鉄誘発性の酸化ストレスから保護すると考えられています。それは安定したフリーラジカル構造により真のメラニンであると考えられており、金属を強力にキレートします。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Neuromelanin","updated":1706632920,"position":[-28.8347,-69.1902,65.6443],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.24844,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65828d5d2958ba0023e8dec1","weight":0.24844,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65ba1506a1b1dc002598fd5c","source":"ideaofintellection","title":"リゾーム","excerpt":"リゾームは、地下茎を意味する哲学用語。 ツリー（木）構造と対比して語られる。 ツリー（木）が、ひとつの根を基礎とし、太い幹に支えられて多くの枝葉を成していく構造をもつのに対して、リゾームは、構造全体の代謝を支える中心をもたず、地中を自在にのび広がって、様々な場所に生成の拠点を形成する。","text":"リゾーム\nリゾームは、地下茎を意味する哲学用語。 ツリー（木）構造と対比して語られる。 ツリー（木）が、ひとつの根を基礎とし、太い幹に支えられて多くの枝葉を成していく構造をもつのに対して、リゾームは、構造全体の代謝を支える中心をもたず、地中を自在にのび広がって、様々な場所に生成の拠点を形成する。\n概念が軸となる構造に共通点を見出す。\nリゾームは根ではなく、地下に潜っている茎のことをさす。遊牧民とリゾーム。\nドゥルーズに語源あり。ポストモダンとリゾーム。リゾームに自然の法則があるか。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AA%E3%82%BE%E3%83%BC%E3%83%A0","updated":1706888544,"position":[14.3905,-53.8969,69.9109],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.45819,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678941a83216fdce2dbe30e3","weight":0.45819,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65ba90f326ba5a0025a0e1f5","source":"ideaofintellection","title":"one hot encoding","excerpt":"one-hot は、デジタル回路のビット列において、1ビットだけHighであり、他はLowである状態を指す。類似のものとして、0が1つだけで、他がすべて1であるようなビット列をone-coldと呼ぶことがある。","text":"one hot encoding\none-hot は、デジタル回路のビット列において、1ビットだけHighであり、他はLowである状態を指す。類似のものとして、0が1つだけで、他がすべて1であるようなビット列をone-coldと呼ぶことがある。\n[https://scrapbox.io/files/65ba914aa1b1dc00259e0086.webp]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/one%20hot%20encoding","updated":1706725708,"position":[1.7665,-74.9963,36.8909],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.13125,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a559a40ca8a9001bf336fe","weight":0.13125,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bb240aa418660025abc21a","source":"ideaofintellection","title":"極彩色","excerpt":"種々の鮮やかな色を用いた濃密な彩り。","text":"極彩色\n種々の鮮やかな色を用いた濃密な彩り。\nごく‐だみ【極彩】 〘名〙 色に変化をもたせて多彩に塗ること。\n\n[https://scrapbox.io/files/65bb244fd859ea0025730e06.jpeg]\n蜷川実花と極彩色。\n毒毒しさ。\nハイテクスト故の選択の必要性。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%A5%B5%E5%BD%A9%E8%89%B2","updated":1706888147,"position":[-43.8274,44.3055,-125.8655],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03509,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65bc15b64b1766002418daf8","source":"ideaofintellection","title":"ブリコラージュ math","excerpt":"","text":"ブリコラージュ math ","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%AA%E3%82%B3%E3%83%A9%E3%83%BC%E3%82%B8%E3%83%A5%20math","updated":1706825299,"position":[13.2102,-51.6711,69.7601],"cluster":"c12","subgroup":"c12.01","degree":8,"referenceDegree":0,"maxSimilarity":0.70717,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6556416eb44e70001b254bd0","weight":0.70717,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bc18a20cf0690025b02877","weight":0.59727,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a852d49d4ee00241e4147","weight":0.20579,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a859149d4ee00241e4bde","weight":0.15747,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a9f9dc07de1c00237a8eed","weight":0.14133,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655644f42a5dbe001cfb58d1","weight":0.11594,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312273631b1500241242cd","weight":0.11215,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a83ec8c763700222e46cf","weight":0.09258,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bc18a20cf0690025b02877","source":"ideaofintellection","title":"エナジーブリコラージュ","excerpt":"Energy Bricolage","text":"エナジーブリコラージュ\nEnergy Bricolage\nエナジーの創発、新たな産物を発見していくこと。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%8A%E3%82%B8%E3%83%BC%E3%83%96%E3%83%AA%E3%82%B3%E3%83%A9%E3%83%BC%E3%82%B8%E3%83%A5","updated":1706888262,"position":[13.2398,-51.7763,69.5786],"cluster":"c12","subgroup":"c12.01","degree":4,"referenceDegree":0,"maxSimilarity":0.59727,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bc15b64b1766002418daf8","weight":0.59727,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556416eb44e70001b254bd0","weight":0.44966,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a852d49d4ee00241e4147","weight":0.1312,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a859149d4ee00241e4bde","weight":0.09926,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bcbf94bf333200258d0788","source":"ideaofintellection","title":"技術を習得するときは一瞬","excerpt":"何かの技能を鍛錬していく。あるときその概念は非線形的に臨界点を超えて習得となる。","text":"技術を習得するときは一瞬\n何かの技能を鍛錬していく。あるときその概念は非線形的に臨界点を超えて習得となる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%8A%80%E8%A1%93%E3%82%92%E7%BF%92%E5%BE%97%E3%81%99%E3%82%8B%E3%81%A8%E3%81%8D%E3%81%AF%E4%B8%80%E7%9E%AC","updated":1706888208,"position":[18.2948,-68.7647,0.0111],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.14581,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb57003dd10d001c1caee8","weight":0.14581,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bd0d720347cf00259cb7fb","source":"ideaofintellection","title":"ダビンチと創作","excerpt":"未来を想像しそこから逆算するプロセス。","text":"ダビンチと創作\n未来を想像しそこから逆算するプロセス。\n一文を細かく読むよう細部にこだわるプロセス。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%80%E3%83%93%E3%83%B3%E3%83%81%E3%81%A8%E5%89%B5%E4%BD%9C","updated":1706888625,"position":[2.7837,-77.8477,35.0725],"cluster":"c01","subgroup":"c01.02","degree":5,"referenceDegree":0,"maxSimilarity":0.10755,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678945246c6b2394574b48f3","weight":0.10755,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789468a3216fdce2dbe3d45","weight":0.10626,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678946ee33574ada83fa3478","weight":0.09642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68a674aad1f4caaeef784f01","weight":0.08967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678941733d3fe3110a6062bb","weight":0.08631,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bd1fb73edb6100247c4715","source":"ideaofintellection","title":"ソクラテスの弁明","excerpt":"自分の浅はかさに気づく存在でありたい","text":"ソクラテスの弁明\n自分の浅はかさに気づく存在でありたい\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BD%E3%82%AF%E3%83%A9%E3%83%86%E3%82%B9%E3%81%AE%E5%BC%81%E6%98%8E","updated":1706893256,"position":[-59.1259,-145.1934,12.1384],"cluster":"c48","subgroup":"c48.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06329,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65bd503ccfa9920028804591","source":"ideaofintellection","title":"La musique brute","excerpt":"seredipitious brute","text":"La musique brute\nseredipitious brute\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/La%20musique%20brute","updated":1706905943,"position":[-16.3098,105.5471,2.0758],"cluster":"c13","subgroup":"c13.01","degree":5,"referenceDegree":0,"maxSimilarity":0.24723,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67c09c825ae6b903b2e56aee","weight":0.24723,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986ce2c308539201b0bd26a","weight":0.17727,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf621f5932db002632c98f","weight":0.10664,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3abca235171ef2a9ba71","weight":0.09343,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d62fde0d46d0022cf1d77","weight":0.08917,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bd564e384fa00025fa6ad1","source":"ideaofintellection","title":"脊髄ミュージック","excerpt":"","text":"脊髄ミュージック","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%84%8A%E9%AB%84%E3%83%9F%E3%83%A5%E3%83%BC%E3%82%B8%E3%83%83%E3%82%AF","updated":1706907228,"position":[47.6477,-51.8986,33.915],"cluster":"c02","subgroup":"c02.01","degree":11,"referenceDegree":0,"maxSimilarity":0.47342,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.47342,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e324ff3f8c71001cae43f4","weight":0.46427,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.26383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d4e9cbd72bdd8cb32c07","weight":0.2064,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655644f42a5dbe001cfb58d1","weight":0.18978,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65079f15b7700f001cf67f7c","weight":0.18812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a0a2ea7e2b001c281c79","weight":0.13191,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580070b0107940025468deb","weight":0.11679,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf5eaacff96a00247aa241","source":"ideaofintellection","title":"ハイパーソニックエフェクト","excerpt":"ハイパーソニック・エフェクトとは、［周波数が高すぎて音として聴こえない高複雑性超高周波（40kHz以上）を含む音］が人間の脳の最深部（中脳・視床・視床下部などの領域。 以下、「基幹脳」と呼ぶ）を活性化して惹き起こす現象です。","text":"ハイパーソニックエフェクト\nハイパーソニック・エフェクトとは、［周波数が高すぎて音として聴こえない高複雑性超高周波（40kHz以上）を含む音］が人間の脳の最深部（中脳・視床・視床下部などの領域。 以下、「基幹脳」と呼ぶ）を活性化して惹き起こす現象です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%82%A4%E3%83%91%E3%83%BC%E3%82%BD%E3%83%8B%E3%83%83%E3%82%AF%E3%82%A8%E3%83%95%E3%82%A7%E3%82%AF%E3%83%88","updated":1707040457,"position":[49.1906,-52.0773,38.4563],"cluster":"c02","subgroup":"c02.03","degree":5,"referenceDegree":0,"maxSimilarity":0.23942,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b78fce4dc9b90023749182","weight":0.23942,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454ec7afccc50824197dc","weight":0.15515,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789434fe0c60caa3c664963","weight":0.10504,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559fd1f525602001ce4de1e","weight":0.09857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695128919429e9af437fb073","weight":0.09362,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf5eda3f72870024292960","source":"ideaofintellection","title":"微分音","excerpt":"半音より狭い音のこと。 理論的には無限に存在するが，全音を分割する度合いによって，3分音，4分音，6分音，8分音，16分音などと呼ばれ，アジアの音楽や，東洋の影響のより強いヨーロッパの民俗音楽 (ジプシー音楽や東ヨーロッパの民俗音楽) にしばしばみられる。","text":"微分音\n半音より狭い音のこと。 理論的には無限に存在するが，全音を分割する度合いによって，3分音，4分音，6分音，8分音，16分音などと呼ばれ，アジアの音楽や，東洋の影響のより強いヨーロッパの民俗音楽 (ジプシー音楽や東ヨーロッパの民俗音楽) にしばしばみられる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%BE%AE%E5%88%86%E9%9F%B3","updated":1707040492,"position":[41.2156,137.5382,75.9092],"cluster":"c31","subgroup":"c31.01","degree":4,"referenceDegree":0,"maxSimilarity":0.10674,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656323de62b467001b843edc","weight":0.10674,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d29a479f55a00240f062a","weight":0.09579,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66339d0227b15a0023441a42","weight":0.09328,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bd4baef72cf001c4cfc73","weight":0.08805,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf5faee597210027980d3c","source":"ideaofintellection","title":"テトラコルド","excerpt":"古代ギリシアの音組織理論の基本となる単位。 完全４度の枠内に４つの音をあてはめた音列。 二つの全音，一つの半音の音程を含むものが代表的。","text":"テトラコルド\n古代ギリシアの音組織理論の基本となる単位。 完全４度の枠内に４つの音をあてはめた音列。 二つの全音，一つの半音の音程を含むものが代表的。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%83%88%E3%83%A9%E3%82%B3%E3%83%AB%E3%83%89","updated":1707040697,"position":[34.3087,-59.1557,-40.1798],"cluster":"c26","subgroup":"c26.01","degree":4,"referenceDegree":0,"maxSimilarity":0.11256,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e38c8b159d8c001b1bad34","weight":0.11256,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc13eb77583d262fb2283","weight":0.10832,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658ed1150051c6002598dd5e","weight":0.09721,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c63f64d7fd03001c212cc5","weight":0.09226,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf5fc6cc40b10025be556f","source":"ideaofintellection","title":"ヨナ抜き音階","excerpt":"ヨナ抜き音階は「ファ」と「シ」がなし","text":"ヨナ抜き音階\nヨナ抜き音階は「ファ」と「シ」がなし\nヨナ抜き音階とは「5音」で構成する音階だ。 そもそもヨナとは何か。 明治時代の楽譜の読み方にその答えがある。 「ド・レ・ミ・ファ・ソ・ラ・シ」を当時は「ヒ・フ・ミ・ヨ・イ・ム・ナ」と呼んでいた。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A8%E3%83%8A%E6%8A%9C%E3%81%8D%E9%9F%B3%E9%9A%8E","updated":1707040719,"position":[53.7542,-52.5182,-34.718],"cluster":"c26","subgroup":"c26.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07509,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65bf61928c093200245a34c0","source":"ideaofintellection","title":"マハーバラタ","excerpt":"「マハー」は「偉大な」、「バーラタ」は「バラタ族」を意味し、直訳すると「偉大なバラタ族の物語」。 インドの宗教や哲学の原典としての価値も非常に高い。 内容人類が増えすぎて、大地の女神がその重みに耐えられなくなったことを発端に起こる大戦争を描く。","text":"マハーバラタ\n「マハー」は「偉大な」、「バーラタ」は「バラタ族」を意味し、直訳すると「偉大なバラタ族の物語」。 インドの宗教や哲学の原典としての価値も非常に高い。 内容人類が増えすぎて、大地の女神がその重みに耐えられなくなったことを発端に起こる大戦争を描く。\n『マハーバーラタ』（サンスクリット語: महाभारतम् Mahābhāratam） バラタ族にまつわる大叙事詩。バラタ族とは物語の中心となるクル族の別称である。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%8F%E3%83%BC%E3%83%90%E3%83%A9%E3%82%BF","updated":1707041180,"position":[-5.6779,-95.0565,49.7542],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.08307,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65bf61ab15b1ad00293b000b","source":"ideaofintellection","title":"ラーマーヤナ","excerpt":"『マハーバーラタ』には全編を貫く絶対的な主人公がおらず多数の英雄たちが過去から現在まで長大な歴史のなかで現れては消えていくのに対し、『ラーマーヤナ』はラーマというひとりの英雄的主人公をめぐる物語で、そのストーリーもラーマの苦難と戦い、勝利まで、直線的に、比較的短い時間軸で展開します。","text":"ラーマーヤナ\n『マハーバーラタ』には全編を貫く絶対的な主人公がおらず多数の英雄たちが過去から現在まで長大な歴史のなかで現れては消えていくのに対し、『ラーマーヤナ』はラーマというひとりの英雄的主人公をめぐる物語で、そのストーリーもラーマの苦難と戦い、勝利まで、直線的に、比較的短い時間軸で展開します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%83%BC%E3%83%9E%E3%83%BC%E3%83%A4%E3%83%8A","updated":1707041204,"position":[24.5201,-55.2918,-19.4712],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08307,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65bf61fbfc989a0023ed83f6","source":"ideaofintellection","title":"アフリカ音楽音源","excerpt":"https://www.ongakunotomo.co.jp/web_content/africa/","text":"アフリカ音楽音源\nhttps://www.ongakunotomo.co.jp/web_content/africa/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%95%E3%83%AA%E3%82%AB%E9%9F%B3%E6%A5%BD%E9%9F%B3%E6%BA%90","updated":1707041284,"position":[49.5363,-51.2074,36.7491],"cluster":"c02","subgroup":"c02.01","degree":6,"referenceDegree":0,"maxSimilarity":0.55994,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658c40452516e700229629c6","weight":0.55994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.33363,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c3d69c9575b0024b58d9b","weight":0.28244,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b78fce4dc9b90023749182","weight":0.16249,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.15614,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d44429509f3d6a83f0b3","weight":0.10306,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf621f5932db002632c98f","source":"ideaofintellection","title":"La gioconda","excerpt":"モナ・リザ〔絵画〕 イタリア、ルネサンスの芸術家・科学者レオナルド・ダ・ヴィンチの絵画（1503-1505）。 原題《Mona Lisa》。 『ラ・ジョコンダ』とも呼ばれる","text":"La gioconda\nモナ・リザ〔絵画〕 イタリア、ルネサンスの芸術家・科学者レオナルド・ダ・ヴィンチの絵画（1503-1505）。 原題《Mona Lisa》。 『ラ・ジョコンダ』とも呼ばれる\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/La%20gioconda","updated":1707041325,"position":[-54.5174,-33.0525,-20.6569],"cluster":"c32","subgroup":"c32.01","degree":8,"referenceDegree":0,"maxSimilarity":0.18613,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a60a7268a97e631d33407e3","weight":0.18613,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a8d2ac40c09441d8069a613","weight":0.15962,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a607f4ccfae424082330a91","weight":0.14822,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67c09c825ae6b903b2e56aee","weight":0.13184,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6aba881eeb76c9b581ab59e7","weight":0.11316,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c0a26e16d4ccec3ac60b5","weight":0.11147,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd503ccfa9920028804591","weight":0.10664,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6491c31dc12b02001ba6d98a","weight":0.09497,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf62df868ce500240dd29b","source":"ideaofintellection","title":"アポロン神殿","excerpt":"現在は紀元前370年頃の遺構があり、6本の柱が復元されている。 幅23メートル、長さ60メートルのドリス式の神殿で、古代ギリシャで最も重要な神託所となった。 1987年に「デルフォイの考古遺跡」として世界遺産（文化遺産）に登録された。","text":"アポロン神殿\n現在は紀元前370年頃の遺構があり、6本の柱が復元されている。 幅23メートル、長さ60メートルのドリス式の神殿で、古代ギリシャで最も重要な神託所となった。 1987年に「デルフォイの考古遺跡」として世界遺産（文化遺産）に登録された。\n\n[https://scrapbox.io/files/65bf636200a91300253120e1.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%9D%E3%83%AD%E3%83%B3%E7%A5%9E%E6%AE%BF","updated":1707041637,"position":[2.2738,-65.6657,45.1933],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.1884,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bf63aa730e1b0025927b2e","weight":0.1884,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a60886ed1d19549b1414c8f","weight":0.15161,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a37b81519ff8001b559563","weight":0.09,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf63814ba3e6002464ba0e","source":"ideaofintellection","title":"デマゴーグ","excerpt":"デマゴーグは、刺激的な嘘を発信するなどの方法により、人々の行動や考え方に影響を与えようとする政治家をいう。古代ギリシアにおいて、煽動的民衆指導者のことを表した言葉が語源とされる。","text":"デマゴーグ\nデマゴーグは、刺激的な嘘を発信するなどの方法により、人々の行動や考え方に影響を与えようとする政治家をいう。古代ギリシアにおいて、煽動的民衆指導者のことを表した言葉が語源とされる。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%87%E3%83%9E%E3%82%B4%E3%83%BC%E3%82%B0","updated":1707041671,"position":[-15.4894,-89.4329,26.0988],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.0672,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65bf63aa730e1b0025927b2e","source":"ideaofintellection","title":"デルフォイの信託","excerpt":"アポロン神殿があり、神殿の巫女の口をかりて伝えられる神託（神の預言）は、すべてのギリシア人（ヘレネス）にとって真実のものと尊ばれ、人々の運命とポリスの命運を左右するものとされた。 そのため、殖民の可否や戦争など、ポリスの重要な決定はこの神託によってなさるようになった。","text":"デルフォイの信託\nアポロン神殿があり、神殿の巫女の口をかりて伝えられる神託（神の預言）は、すべてのギリシア人（ヘレネス）にとって真実のものと尊ばれ、人々の運命とポリスの命運を左右するものとされた。 そのため、殖民の可否や戦争など、ポリスの重要な決定はこの神託によってなさるようになった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%87%E3%83%AB%E3%83%95%E3%82%A9%E3%82%A4%E3%81%AE%E4%BF%A1%E8%A8%97","updated":1707041719,"position":[2.2987,-65.8621,44.9997],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.65303,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a60886ed1d19549b1414c8f","weight":0.65303,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf62df868ce500240dd29b","weight":0.1884,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf648664b00d00246a83cd","source":"ideaofintellection","title":"ゴッホ","excerpt":"美しい景色を探すな。 景色の中に美しいものを見つけるんだ。","text":"ゴッホ\n美しい景色を探すな。 景色の中に美しいものを見つけるんだ。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B4%E3%83%83%E3%83%9B","updated":1707041933,"position":[-43.327,5.0556,-145.6606],"cluster":"c49","subgroup":"c49.01","degree":3,"referenceDegree":0,"maxSimilarity":0.19191,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:649bdde6924d73001c25d1f5","weight":0.19191,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a00f5525602001ce50a80","weight":0.12393,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bd2e062f8b6001b7f7921","weight":0.12035,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf649dc027f6002585523c","source":"ideaofintellection","title":"古代文明の数字","excerpt":"https://www.shuzan.jp/gakushu/history/02.html","text":"古代文明の数字\nhttps://www.shuzan.jp/gakushu/history/02.html\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%8F%A4%E4%BB%A3%E6%96%87%E6%98%8E%E3%81%AE%E6%95%B0%E5%AD%97","updated":1707041959,"position":[-22.6471,-73.9818,65.52],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.14871,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c5724d3ce05500249d2100","weight":0.14871,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf64f4987090002351bfd3","source":"ideaofintellection","title":"ワグネリズム","excerpt":"リヒャルト・ワーグナーによって推進された、さまざまな哲学的理念。 総合芸術やオペラ改革、芸術宗教という美学的概念や、「真にドイツ的なるもの」「反ユダヤ主義」という社会的・政治的概念の追究を含む。 ワーグナーの音楽に対する支持の姿勢。","text":"ワグネリズム\nリヒャルト・ワーグナーによって推進された、さまざまな哲学的理念。 総合芸術やオペラ改革、芸術宗教という美学的概念や、「真にドイツ的なるもの」「反ユダヤ主義」という社会的・政治的概念の追究を含む。 ワーグナーの音楽に対する支持の姿勢。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AF%E3%82%B0%E3%83%8D%E3%83%AA%E3%82%BA%E3%83%A0","updated":1707042048,"position":[-22.0281,-11.1342,42.3807],"cluster":"c09","subgroup":"c09.02","degree":2,"referenceDegree":0,"maxSimilarity":0.23385,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656cbcf6fbfc570027ea58ef","weight":0.23385,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.1221,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf65b8987090002351c5d5","source":"ideaofintellection","title":"アンチオイディプス","excerpt":"『アンチ・オイディプス』は、1972年に哲学者ジル・ドゥルーズと精神分析家フェリックス・ガタリによって発表された著作であり、また『資本主義と分裂症』のシリーズの第1巻である。","text":"アンチオイディプス\n『アンチ・オイディプス』は、1972年に哲学者ジル・ドゥルーズと精神分析家フェリックス・ガタリによって発表された著作であり、また『資本主義と分裂症』のシリーズの第1巻である。\n無意識の欲望の概念を再検討し、欲望とはそれ自体で成立している実体ではなく、ある関係の中で存在するものであると考えた。そして、欲望をさまざまな事物を生産する機械として定義している。この見解によれば、エディプスコンプレックスは、フロイトの弟子ラカンが言うように人間が原初的に備えているものではなく、社会的な発明によるものである。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%83%81%E3%82%AA%E3%82%A4%E3%83%87%E3%82%A3%E3%83%97%E3%82%B9","updated":1723052155,"position":[15.8786,-68.7064,1.2555],"cluster":"c03","subgroup":"c03.01","degree":3,"referenceDegree":0,"maxSimilarity":0.22346,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a2e59bf713d6659b1ac880e","weight":0.22346,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a3c31d11b636d7cb5a29","weight":0.18646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6680de1899b8b0001c398e26","weight":0.10127,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf65daac5a7b002696287d","source":"ideaofintellection","title":"ミッシングリンク","excerpt":"ミッシングリンク・ミシングリンク（Missing link）とは、生物の進化過程を連なる鎖として見た時に、連続性が欠けた部分（間隙）を指し、祖先群と子孫群の間にいるであろう進化の中間期にあたる生物・化石が見つかっていない状況を指す語。","text":"ミッシングリンク\nミッシングリンク・ミシングリンク（Missing link）とは、生物の進化過程を連なる鎖として見た時に、連続性が欠けた部分（間隙）を指し、祖先群と子孫群の間にいるであろう進化の中間期にあたる生物・化石が見つかっていない状況を指す語。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9F%E3%83%83%E3%82%B7%E3%83%B3%E3%82%B0%E3%83%AA%E3%83%B3%E3%82%AF","updated":1723052167,"position":[27.6291,118.2703,12.356],"cluster":"c25","subgroup":"c25.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12566,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64e4449841b34e001b1f32d3","weight":0.12566,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf6798c3b40e0024bbce7c","source":"ideaofintellection","title":"秩序変数","excerpt":"気体・液体・固体相転移","text":"秩序変数\n気体・液体・固体相転移\n物質の状態は温度や圧力によって変化し、固体・液体・気体などの相を持つ。 このような異なる相の間を温度や圧力などの外的なパラメータによって移る現象が相転移であり、異なる相を区別する指標となる量が秩序変数である。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%A7%A9%E5%BA%8F%E5%A4%89%E6%95%B0","updated":1707042719,"position":[3.306,-66.4358,-5.1842],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11131,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64d0b420c21f5b001c04adcd","weight":0.11131,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bf68043318b700257a791d","source":"ideaofintellection","title":"オルガノイド","excerpt":"オルガノイド（Organoid）とは試験管の中で幹細胞から作るミニチュアの臓器です。 幹細胞のもつ自己複製能と分化能を利用して自己組織化させることで3次元的な組織様構造として形成されます。","text":"オルガノイド\nオルガノイド（Organoid）とは試験管の中で幹細胞から作るミニチュアの臓器です。 幹細胞のもつ自己複製能と分化能を利用して自己組織化させることで3次元的な組織様構造として形成されます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%AB%E3%82%AC%E3%83%8E%E3%82%A4%E3%83%89","updated":1707042829,"position":[-24.5675,-73.4432,67.4502],"cluster":"c04","subgroup":"c04.01","degree":4,"referenceDegree":0,"maxSimilarity":0.54778,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659a67503276650023c2d746","weight":0.54778,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:653f149658d106001b4ddb93","weight":0.17719,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a509ee92770025dcee18","weight":0.12639,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbf9663ae65950731cf98","weight":0.1179,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65bfea31fc779b002385b9ef","source":"ideaofintellection","title":"レトロトランスポゾン","excerpt":"ゲノムの中で飛び回って、ゲノムのあちこちにどんどん自分のコピーを挿入していく。そういう恐ろしい配列です。","text":"レトロトランスポゾン\nゲノムの中で飛び回って、ゲノムのあちこちにどんどん自分のコピーを挿入していく。そういう恐ろしい配列です。\n「4.5SH」というRNAが、このコピペ配列を見つけ出して、スプライシングの際に成熟したmRNAの中に入らないようにしているということです。\nコピペ配列が挿入された100個以上の遺伝子を、一括して「治療」する。いわば天然の遺伝子治療薬のように働いているということが分かってきたのです。\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%83%88%E3%83%AD%E3%83%88%E3%83%A9%E3%83%B3%E3%82%B9%E3%83%9D%E3%82%BE%E3%83%B3","updated":1707076297,"position":[-51.4218,-99.5881,-50.6459],"cluster":"c44","subgroup":"c44.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0577,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65bfeb9d46e67b0024415429","source":"ideaofintellection","title":"クリスパー・キャス9","excerpt":"「クリスパー・キャス9」は、ご存じの方も多いと思います。クリスパーは元々、バクテリアが持っている、外来の病原菌のゲノムを切るための道具でしたが、その標的配列を入れ替えることで、ターゲットを好きに選んで切れるようにしたのです。","text":"クリスパー・キャス9\n「クリスパー・キャス9」は、ご存じの方も多いと思います。クリスパーは元々、バクテリアが持っている、外来の病原菌のゲノムを切るための道具でしたが、その標的配列を入れ替えることで、ターゲットを好きに選んで切れるようにしたのです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%83%AA%E3%82%B9%E3%83%91%E3%83%BC%E3%83%BB%E3%82%AD%E3%83%A3%E3%82%B99","updated":1707076549,"position":[-30.311,5.5948,-17.1758],"cluster":"c11","subgroup":"c11.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07123,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65bfeccd720f900026c1063a","source":"ideaofintellection","title":"クォーク・反クォーク対","excerpt":"空気などの物質を取り去った空っぽの空間に満ちている、‟見えない何か”","text":"クォーク・反クォーク対\n空気などの物質を取り去った空っぽの空間に満ちている、‟見えない何か”\n原子核は水の100兆倍もの大きな密度を持つため、原子核の中ではクォーク凝縮の量が減少すると考えられている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%82%A9%E3%83%BC%E3%82%AF%E3%83%BB%E5%8F%8D%E3%82%AF%E3%82%A9%E3%83%BC%E3%82%AF%E5%AF%BE","updated":1707111753,"position":[-35.0676,-144.7778,72.3958],"cluster":"c36","subgroup":"c36.01","degree":3,"referenceDegree":0,"maxSimilarity":0.35481,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c216b4a6d6700026c57561","weight":0.35481,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c215ae79d17b00246cd33e","weight":0.33447,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d25a25fc4474a5acf031","weight":0.08948,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c07604dce7c70024721a6c","source":"ideaofintellection","title":"247ゼプト秒","excerpt":"独ゲーテ大学のReinhard Dörner教授らの研究グループは16日(現地時間)、世界でもっとも短い時間、247ゼプト秒の計測に成功したと発表した。 ちなみにゼプトは10の-21乗(10垓分の1、あるいは1清浄)という単位である。","text":"247ゼプト秒\n独ゲーテ大学のReinhard Dörner教授らの研究グループは16日(現地時間)、世界でもっとも短い時間、247ゼプト秒の計測に成功したと発表した。 ちなみにゼプトは10の-21乗(10垓分の1、あるいは1清浄)という単位である。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/247%E3%82%BC%E3%83%97%E3%83%88%E7%A7%92","updated":1728009999,"position":[-18.7454,-18.2934,-20.0866],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10484,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d33a678aadce00241ddd16","weight":0.10484,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c079d1868ce500241a924b","source":"ideaofintellection","title":"リチウムイオン電子","excerpt":"リチウムイオン電池は、過充電すると金属リチウムが析出（固体化すること）して、ショート（短絡）や発火の原因になります。ナトリウムイオン電池はその反応がリチウムイオン電池よりも0.3 V低いところで起きるんです。","text":"リチウムイオン電子\nリチウムイオン電池は、過充電すると金属リチウムが析出（固体化すること）して、ショート（短絡）や発火の原因になります。ナトリウムイオン電池はその反応がリチウムイオン電池よりも0.3 V低いところで起きるんです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AA%E3%83%81%E3%82%A6%E3%83%A0%E3%82%A4%E3%82%AA%E3%83%B3%E9%9B%BB%E5%AD%90","updated":1707112929,"position":[-57.507,49.8619,-134.3214],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06295,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c0800a8ee5990025c0c64e","source":"ideaofintellection","title":"杏","excerpt":"ばら科の落葉小高木。花も葉も梅に似る。実は梅より大きく黄赤色で、紫っぽい斑点(はんてん)ができる。食用。","text":"杏\nばら科の落葉小高木。花も葉も梅に似る。実は梅より大きく黄赤色で、紫っぽい斑点(はんてん)ができる。食用。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%9D%8F","updated":1707114559,"position":[-22.8497,23.5531,52.273],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.14621,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6836995e2e629f324b306254","weight":0.14621,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c0a9b149354700248a45df","source":"ideaofintellection","title":"オウムアムア","excerpt":"謎の天体は「オウムアムア」と名付けられた。天体を発見したのがハワイのマウイ島にある望遠鏡だったことにちなみ、ハワイの言葉で「遠方からの初めての使者」を意味している。","text":"オウムアムア\n謎の天体は「オウムアムア」と名付けられた。天体を発見したのがハワイのマウイ島にある望遠鏡だったことにちなみ、ハワイの言葉で「遠方からの初めての使者」を意味している。\nそれだけでも大きな衝撃だったのだが、明るさが激しく変動したり、謎の加速をしていたりと、非常に奇妙な性質をもっていたため、「地球とは別の文明が送り出した探査機なのではないか」という説すら飛び出した。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%82%A6%E3%83%A0%E3%82%A2%E3%83%A0%E3%82%A2","updated":1707125208,"position":[-38.0822,34.8894,-145.6023],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05666,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c14e45b946230025add1f7","source":"ideaofintellection","title":"45°/ - 45°","excerpt":"","text":"45°/ - 45°","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/45%C2%B0%2F%20-%2045%C2%B0","updated":1707167358,"position":[-63.5618,0.3732,-121.7615],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c21036d769a00025d61fbc","source":"ideaofintellection","title":"母国情緒","excerpt":"","text":"母国情緒","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%AF%8D%E5%9B%BD%E6%83%85%E7%B7%92","updated":1707216953,"position":[-60.9185,20.5992,-118.1697],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06571,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c2105bb7135a0024b78d47","source":"ideaofintellection","title":"エクスタシー","excerpt":"快感が最高潮に達して無我夢中の状態になること。 恍惚 こうこつ 。 忘我。","text":"エクスタシー\n快感が最高潮に達して無我夢中の状態になること。 恍惚 こうこつ 。 忘我。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%82%AF%E3%82%B9%E3%82%BF%E3%82%B7%E3%83%BC","updated":1707216998,"position":[90.1109,-104.824,101.3462],"cluster":"c47","subgroup":"c47.01","degree":3,"referenceDegree":0,"maxSimilarity":0.1116,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67893c8e7a1f7df21d8bcbc3","weight":0.1116,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bd05642dbe00242db8f1","weight":0.10921,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54c333fdde100251d5c33","weight":0.10472,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c21080e1bbea00263baf6e","source":"ideaofintellection","title":"雷雪","excerpt":"雷雪は、発達した積乱雲から降る雷を伴った雪のこと。","text":"雷雪\n雷雪は、発達した積乱雲から降る雷を伴った雪のこと。 \n[https://scrapbox.io/files/65c210bb4424e00024a3bf8f.jpeg]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9B%B7%E9%9B%AA","updated":1707217086,"position":[8.1903,-77.616,36.1607],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10569,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e39adef24c6e001c4633be","weight":0.10569,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c2111374c9ea0024747368","source":"ideaofintellection","title":"toroidal geometry","excerpt":"[https://scrapbox.io/files/65c21133e3d0c00024c6b22b.jpeg]","text":"toroidal geometry\n[https://scrapbox.io/files/65c21133e3d0c00024c6b22b.jpeg]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/toroidal%20geometry","updated":1707217205,"position":[3.7917,75.5896,43.4556],"cluster":"c19","subgroup":"c19.01","degree":2,"referenceDegree":0,"maxSimilarity":0.19327,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69b12aa6410e0b44e4213a69","weight":0.19327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ec9ff1ba97f200232a72c7","weight":0.13333,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c2120766e2fb0024a1a9cc","source":"ideaofintellection","title":"Holoflux","excerpt":"https://www.artmajeur.com/ja/magazine/2-atonyusu/atisutikkunainsutareshonga-man-zainokochera-2023/333271","text":"Holoflux\nhttps://www.artmajeur.com/ja/magazine/2-atonyusu/atisutikkunainsutareshonga-man-zainokochera-2023/333271\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Holoflux","updated":1707217426,"position":[-71.4842,17.8388,-146.8698],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c2127266e2fb0024a1ac98","source":"ideaofintellection","title":"Self-similarity matrix","excerpt":"In data analysis, the self-similarity matrix is a graphical representation of similar sequences in a data series.","text":"Self-similarity matrix\nIn data analysis, the self-similarity matrix is a graphical representation of similar sequences in a data series.","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Self-similarity%20matrix","updated":1707217541,"position":[10.9926,62.1731,45.9248],"cluster":"c08","subgroup":"c08.01","degree":7,"referenceDegree":0,"maxSimilarity":0.23783,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c212ae4424e00024a3d32c","weight":0.23783,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669a70fbfa5abc001ca8ed31","weight":0.19606,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb530e6b208aad3c7390d","weight":0.11953,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64e3821da7822a001cf64077","weight":0.11434,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640fd7d3e85ec7001beb280c","weight":0.09888,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559fdcc2a258a001cb5b554","weight":0.0984,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67ff29bf0758e336c87d93b1","weight":0.09648,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c212ae4424e00024a3d32c","source":"ideaofintellection","title":"self-similarity","excerpt":"自己相似（じこそうじ、英: self-similar）とは何らかの意味で、全体と部分とが相似（再帰）であることをさす言葉である。 すべてのスケールにおいて自己相似となる図形は、スケール不変性を有する。","text":"self-similarity\n[https://scrapbox.io/files/65c2130c06dbbd0024c6fd55.jpeg]\n自己相似（じこそうじ、英: self-similar）とは何らかの意味で、全体と部分とが相似（再帰）であることをさす言葉である。 すべてのスケールにおいて自己相似となる図形は、スケール不変性を有する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/self-similarity","updated":1707217725,"position":[12.8059,64.7282,43.3817],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.23783,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c2127266e2fb0024a1ac98","weight":0.23783,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e36fab83ce2b001b3b0784","weight":0.14053,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c214208dff720025fadadc","source":"ideaofintellection","title":"固有周期","excerpt":"「固有周期」とは、建物が一方に揺れて反対側に戻ってくるまでの時間のことです。 建物を振り子にたとえて考えてみると、わかりやすいかもしれません。 振り子を揺らすと、片側に揺れ、戻ってきます。 そのときの、行って戻ってくるまでの時間が固有周期です。","text":"固有周期\n「固有周期」とは、建物が一方に揺れて反対側に戻ってくるまでの時間のことです。 建物を振り子にたとえて考えてみると、わかりやすいかもしれません。 振り子を揺らすと、片側に揺れ、戻ってきます。 そのときの、行って戻ってくるまでの時間が固有周期です。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%9B%BA%E6%9C%89%E5%91%A8%E6%9C%9F","updated":1728010064,"position":[18.5233,44.3085,-51.6134],"cluster":"c15","subgroup":"c15.01","degree":2,"referenceDegree":0,"maxSimilarity":0.15991,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b18e16788c0001bac50c2","weight":0.15991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c469a1e6420a001b0e3764","weight":0.10342,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c214389ded0c00247570d2","source":"ideaofintellection","title":"グラファイト","excerpt":"グラファイト（graphite)はダイヤモンド・石炭などと同様の炭素の結晶型のひとつです。 グラファイトは、純粋な炭素原子の固まりとしてある物質の素。 黒鉛化（※1）という高温熱処理をされることによりでき、規則的な配列をしているカーボンの塊のことです。","text":"グラファイト\n[https://scrapbox.io/files/65c2149960b2ae00236592c4.jpeg]\n\nグラファイト（graphite)はダイヤモンド・石炭などと同様の炭素の結晶型のひとつです。 グラファイトは、純粋な炭素原子の固まりとしてある物質の素。 黒鉛化（※1）という高温熱処理をされることによりでき、規則的な配列をしているカーボンの塊のことです。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%A9%E3%83%95%E3%82%A1%E3%82%A4%E3%83%88","updated":1728010047,"position":[-25.9297,-71.4461,63.1494],"cluster":"c04","subgroup":"c04.01","degree":7,"referenceDegree":0,"maxSimilarity":0.12429,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a55d950ca8a9001bf3d445","weight":0.12429,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1904e1f9a2001b9a1114","weight":0.11716,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d828a40253002425cfa1","weight":0.09678,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc491e5a820e36d06c4f6","weight":0.09404,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d7feb647e70023407592","weight":0.09351,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e946985ec4850024689952","weight":0.0932,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10a60c4487c8d76784141","weight":0.09157,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c214cf4424e00024a3f0ba","source":"ideaofintellection","title":"超伝導サイクロトロン","excerpt":"[https://scrapbox.io/files/65c214e7de11a400259ca84c.jpeg] #word","text":"超伝導サイクロトロン\n[https://scrapbox.io/files/65c214e7de11a400259ca84c.jpeg]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%B6%85%E4%BC%9D%E5%B0%8E%E3%82%B5%E3%82%A4%E3%82%AF%E3%83%AD%E3%83%88%E3%83%AD%E3%83%B3","updated":1728010011,"position":[-26.0347,-76.7809,68.265],"cluster":"c04","subgroup":"c04.01","degree":4,"referenceDegree":0,"maxSimilarity":0.1382,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a012f1e5425001b3c841a","weight":0.1382,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af1e92d4a03d001dad51db","weight":0.10188,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2762d08d30001ce47a0e","weight":0.09622,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b0f0d3bf046001c595148","weight":0.0958,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c215ae79d17b00246cd33e","source":"ideaofintellection","title":"クォーク","excerpt":"クォーク (quark) とは、素粒子のグループの一つである。レプトン、ボソンとともに物質の基本的な構成要素であり、クォークはハドロンを構成する。クオークと表記することもある","text":"クォーク\nクォーク (quark) とは、素粒子のグループの一つである。レプトン、ボソンとともに物質の基本的な構成要素であり、クォークはハドロンを構成する。クオークと表記することもある\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%82%A9%E3%83%BC%E3%82%AF","updated":1728009969,"position":[-35.3783,-145.003,72.2362],"cluster":"c36","subgroup":"c36.01","degree":4,"referenceDegree":0,"maxSimilarity":0.36657,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c216b4a6d6700026c57561","weight":0.36657,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bfeccd720f900026c1063a","weight":0.33447,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d25a25fc4474a5acf031","weight":0.15626,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b03cd41bc7d001b0670ab","weight":0.14367,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c2163d22365600243ddd93","source":"ideaofintellection","title":"光子","excerpt":"光は、波であると同時に粒子でもありますが、その粒子、光子（フォトン）の重さはどのくらいなのでしょうか。 結論からいうと、光子は質量をもちません。 光子は、質量ゼロ、電荷をもたず、スピン（自転）の値が1という粒子なのです。","text":"光子\n光は、波であると同時に粒子でもありますが、その粒子、光子（フォトン）の重さはどのくらいなのでしょうか。 結論からいうと、光子は質量をもちません。 光子は、質量ゼロ、電荷をもたず、スピン（自転）の値が1という粒子なのです。\nクォークという質量を生み出すものをもたない。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%85%89%E5%AD%90","updated":1728009962,"position":[-37.2887,-143.9555,55.3979],"cluster":"c36","subgroup":"c36.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0727,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c2168a63318b002492b70a","source":"ideaofintellection","title":"秒速30万キロメートル","excerpt":"光の速さは、秒速約30万キロメートルです。 これは、1秒間に約30万キロメートルの距離を進むことを意味します。 例えて言うと、1秒間で地球を7周半もしてしまう速度です。 光が1年をかけて到達する距離のことを「1光年（こうねん）」と呼びます。","text":"秒速30万キロメートル\n光の速さは、秒速約30万キロメートルです。 これは、1秒間に約30万キロメートルの距離を進むことを意味します。 例えて言うと、1秒間で地球を7周半もしてしまう速度です。 光が1年をかけて到達する距離のことを「1光年（こうねん）」と呼びます。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%A7%92%E9%80%9F30%E4%B8%87%E3%82%AD%E3%83%AD%E3%83%A1%E3%83%BC%E3%83%88%E3%83%AB","updated":1728009954,"position":[-25.0617,-73.5374,63.4907],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10073,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55ccd0e4de2002613d6c4","weight":0.10073,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c216b4a6d6700026c57561","source":"ideaofintellection","title":"クォーク凝縮","excerpt":"真空に秘められた構造。","text":"クォーク凝縮\n真空に秘められた構造。\n現代物理学の理論によると真空は、約138億年前のビッグバン直後の高温・高密度状態から広がり冷えていく過程で、クォーク（原子核を構成する素粒子）と反クォーク（クォークの反粒子）の対が空間に凝縮した状態（「クォーク凝縮」と呼ぶ）で満たされるようになったとされている\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%82%A9%E3%83%BC%E3%82%AF%E5%87%9D%E7%B8%AE","updated":1728009945,"position":[-35.0261,-144.9019,72.075],"cluster":"c36","subgroup":"c36.01","degree":4,"referenceDegree":0,"maxSimilarity":0.36657,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c215ae79d17b00246cd33e","weight":0.36657,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bfeccd720f900026c1063a","weight":0.35481,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d25a25fc4474a5acf031","weight":0.0893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65079fef7aa600001c4e41ac","weight":0.0874,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c218fe0742f20026f095cf","source":"ideaofintellection","title":"ヒッグス粒子","excerpt":"「神の粒子」とも呼ばれ、宇宙が誕生して間もない頃、他の素粒子に質量を与えたとされる粒子。 1964年に素粒子の質量獲得モデル(ヒッグス機構)を提唱したイギリスの物理学者ピーター・ヒッグス氏の名にちなむ。","text":"ヒッグス粒子\n「神の粒子」とも呼ばれ、宇宙が誕生して間もない頃、他の素粒子に質量を与えたとされる粒子。 1964年に素粒子の質量獲得モデル(ヒッグス機構)を提唱したイギリスの物理学者ピーター・ヒッグス氏の名にちなむ。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%92%E3%83%83%E3%82%B0%E3%82%B9%E7%B2%92%E5%AD%90","updated":1728009879,"position":[-30.23,-72.3718,65.2486],"cluster":"c04","subgroup":"c04.01","degree":4,"referenceDegree":0,"maxSimilarity":0.60791,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6940023eba4bd3d96e762dea","weight":0.60791,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:694003374196c714ce46e097","weight":0.14453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a508ab0c2de001bf2159d","weight":0.12682,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64e4451107558600205ef232","weight":0.08887,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c219106319c60025c89e41","source":"ideaofintellection","title":"最小ノルム推定","excerpt":"### 最少ノルム推定とは？","text":"最小ノルム推定\n\n### 最少ノルム推定とは？\n\n**最少ノルム推定**は、あるデータを使って「最適な結果」を求める方法の一つです。特に、いくつかの答えが考えられるとき、最も「小さな値」を持つ解を選ぶ手法です。具体的には、モデルのパラメータ（重み）を求めるときに使います。\n\n### どういうときに使うの？\n\n- **データがノイズだらけ**のとき。たとえば、センサーのデータや測定値が少し不正確な場合、ノイズを考慮しながら解を求めたいときに役立ちます。\n- 複数の解が存在する場合、ノルム（大きさ）が最小になる解を選びたいとき。\n\n### 数学的な背景は？\n\n1. **データとモデル**:\n   - 観測したデータ（結果）を \\( \\mathbf{y} \\) とし、それに関連する特徴（入力データ）を \\( \\mathbf{X} \\) とします。\n   - 目指すのは、\\( \\mathbf{X} \\) を使って得られるパラメータ \\( \\mathbf{w} \\) を見つけることです。\n\n2. **通常のアプローチ**:\n   - 一般的な方法は、観測した結果とモデルの予測の差を小さくすること（最小二乗法）です。\n\n3. **最少ノルム推定**:\n   - もし解がいくつもあって、同じように結果が出るなら、最も小さい「大きさ」を持つ解を選ぶのが最少ノルム推定です。これにより、安定した結果が得られます。\n\n### どんなメリットがあるの？\n\n- **安定性**: データが少し変わっても、推定結果が大きく変わらない。\n- **過剰適合の防止**: モデルがデータにぴったり合いすぎる（過剰適合）ことを避け、より一般化できる。\n\n### どうやって使うの？\n\n- **信号処理**: ノイズのある信号をきれいにしたりするのに使われます。\n- **機械学習**: モデルを作るときに、安定したパラメータを求めるために用います。\n\n### まとめ\n\n最少ノルム推定は、データが不正確でも安定した解を得るための方法で、特に複数の解が考えられるときに役立ちます。これにより、より信頼性の高いモデルが作れるようになります。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%9C%80%E5%B0%8F%E3%83%8E%E3%83%AB%E3%83%A0%E6%8E%A8%E5%AE%9A","updated":1728009860,"position":[7.3988,-69.5103,-14.0028],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.18127,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6499aa3fba3965001c6c706b","weight":0.18127,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c21a6ee3d0c00024c71797","source":"ideaofintellection","title":"Shape of sound","excerpt":"音楽を視る","text":"Shape of sound\n音楽を視る\n心の3時限視覚化、EEG\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Shape%20of%20sound","updated":1707219607,"position":[16.6682,100.2702,59.05],"cluster":"c19","subgroup":"c19.01","degree":7,"referenceDegree":0,"maxSimilarity":0.17271,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6693a7485b4875001d73d6bb","weight":0.17271,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10d50c3f7cddd977cd69f","weight":0.16924,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68b32558d3053edde5f42c01","weight":0.15659,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6652ff79846d48001d8482f1","weight":0.14903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6872536612ae09d29cde1ea2","weight":0.14732,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6492f765e67c82001bfcac70","weight":0.14459,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695126ccb10762200c4d9b32","weight":0.13663,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c2227d9ded0c0024762d0b","source":"ideaofintellection","title":"雪桜","excerpt":"","text":"雪桜","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%9B%AA%E6%A1%9C","updated":1707221635,"position":[-73.571,8.9601,-122.8672],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c228381ed2940023ea912a","source":"ideaofintellection","title":"御神木の中の虚","excerpt":"ミューオン原子核看板","text":"御神木の中の虚\nミューオン原子核看板\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%BE%A1%E7%A5%9E%E6%9C%A8%E3%81%AE%E4%B8%AD%E3%81%AE%E8%99%9A","updated":1728009499,"position":[-23.7016,-73.0527,62.9513],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12907,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a198eef18e1e32033627d22","weight":0.12907,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.10606,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c22a5f0d24130026ed2a1b","source":"ideaofintellection","title":"シアノバクテリアと葉緑体","excerpt":"すべての植物の祖先にあたる生物が、シアノバクテリアを細胞内に取り込んで共生させるようになり、取り込まれたシアノバクテリアは退化して葉緑体になった","text":"シアノバクテリアと葉緑体\nすべての植物の祖先にあたる生物が、シアノバクテリアを細胞内に取り込んで共生させるようになり、取り込まれたシアノバクテリアは退化して葉緑体になった\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%82%A2%E3%83%8E%E3%83%90%E3%82%AF%E3%83%86%E3%83%AA%E3%82%A2%E3%81%A8%E8%91%89%E7%B7%91%E4%BD%93","updated":1728009486,"position":[26.9109,38.5067,-24.9038],"cluster":"c15","subgroup":"c15.01","degree":4,"referenceDegree":0,"maxSimilarity":0.18453,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55da39618780025decc41","weight":0.18453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a130ad11f29a100a57058d0","weight":0.17628,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bcb42e2a648001c63fb26","weight":0.09323,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5721cdf85d80025285dd8","weight":0.09019,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c22e72d2fed10025cf72ae","source":"ideaofintellection","title":"this is love","excerpt":"冷たい言葉と温かいキス","text":"this is love \n冷たい言葉と温かいキス\nhikaru utada\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/this%20is%20love","updated":1707224734,"position":[0.3818,95.315,2.0916],"cluster":"c13","subgroup":"c13.01","degree":3,"referenceDegree":0,"maxSimilarity":0.38077,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6752a7a26f724cd99ae22ec1","weight":0.38077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65829d9395e67b0022467c1e","weight":0.33576,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b30ccf86c325629309002","weight":0.20162,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c230bb5d9c390024bccb57","source":"ideaofintellection","title":"ホワイトスモーカー","excerpt":"「ホワイトスモーカー」と呼ばれる海底の熱水噴出孔＝南太平洋のラウ海盆で2004年10月10日撮影","text":"ホワイトスモーカー\n「ホワイトスモーカー」と呼ばれる海底の熱水噴出孔＝南太平洋のラウ海盆で2004年10月10日撮影\n[https://scrapbox.io/files/65c230f1d7147e0026205bfc.png]\n\n地球の海底下では、岩石に含まれる鉄と熱水が触れ合うと、化学反応で水素が生じます。その水素を“食糧”としてエネルギーを得ている生物がいます。\n\nエウロパの海底でも同様の過程で水素が生じている可能性があり、似たような生物が存在するかもしれません。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9B%E3%83%AF%E3%82%A4%E3%83%88%E3%82%B9%E3%83%A2%E3%83%BC%E3%82%AB%E3%83%BC","updated":1728009468,"position":[32.6901,38.8932,16.0239],"cluster":"c17","subgroup":"c17.01","degree":4,"referenceDegree":0,"maxSimilarity":0.13886,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a70aca29410026635aec","weight":0.13886,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bfffe04b2001b62993c","weight":0.13422,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55c0a6258b30024511c78","weight":0.12635,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64ce0d545058c8001cba4bec","weight":0.09295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c2a1a00d24130026f0ebc4","source":"ideaofintellection","title":"真鍋淑郎","excerpt":"大気海洋結合モデル","text":"真鍋淑郎\n大気海洋結合モデル\n[https://scrapbox.io/files/65c2a1d07ccd2e00260a5ad2.png]\nhttps://www.jstage.jst.go.jp/article/jmsj/85B/0/85B_0_385/_article\n#analysis\n","tags":["analysis"],"links":["analysis"],"url":"https://scrapbox.io/ideaofintellection/%E7%9C%9F%E9%8D%8B%E6%B7%91%E9%83%8E","updated":1723054488,"position":[-19.7198,-16.5705,-20.9682],"cluster":"c11","subgroup":"c11.01","degree":12,"referenceDegree":0,"maxSimilarity":0.21538,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65e7234ada047f0026479afe","weight":0.21538,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ec9ff1ba97f200232a72c7","weight":0.21523,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.21352,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee357eb552a0028561d6e","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee550d29c9c0025c68211","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fb7eb66cf90026613b1f","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af374a6b9ef6001ce225b3","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c2a7ac06dbbd0024cc2d64","source":"ideaofintellection","title":"Dimorphos","excerpt":"[https://scrapbox.io/files/65c2a7c76a2d3c0024857d80.png] #word","text":"Dimorphos\n[https://scrapbox.io/files/65c2a7c76a2d3c0024857d80.png]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/Dimorphos","updated":1728009453,"position":[-82.5781,29.19,-119.7551],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c2a92130bdfd002516a5df","source":"ideaofintellection","title":"不気味の谷","excerpt":"[https://scrapbox.io/files/65c2a933183a830025e5d993.png] #word","text":"不気味の谷\n[https://scrapbox.io/files/65c2a933183a830025e5d993.png]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%8D%E6%B0%97%E5%91%B3%E3%81%AE%E8%B0%B7","updated":1723054913,"position":[-42.4487,67.1121,38.1146],"cluster":"c06","subgroup":"c06.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10192,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6556403b0f68a2001bd8e822","weight":0.10192,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c2a9bd75facf0025332316","source":"ideaofintellection","title":"ネアンデルタールとゲノム","excerpt":"約6万年前にアフリカから移住してきた現生人類に、絶滅したネアンデルタール人から遺伝子が受け継がれていることも突き止めた。","text":"ネアンデルタールとゲノム\n約6万年前にアフリカから移住してきた現生人類に、絶滅したネアンデルタール人から遺伝子が受け継がれていることも突き止めた。\nこれは現生人類とネアンデルタール人が共存していた時代に、両者の間で混血が起きていたこと示す成果だった。しかもその「痕跡」は、日本人を含む、アフリカ以外のすべての現生人類のDNAにも残っているという。\n日本と東アジアとアフリカはネアンデルタールのタイプA DNAをほぼもたない。アメリカも割とない。インドが多い。\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8D%E3%82%A2%E3%83%B3%E3%83%87%E3%83%AB%E3%82%BF%E3%83%BC%E3%83%AB%E3%81%A8%E3%82%B2%E3%83%8E%E3%83%A0","updated":1723054852,"position":[49.2444,-52.3931,37.8896],"cluster":"c02","subgroup":"c02.01","degree":4,"referenceDegree":0,"maxSimilarity":0.6028,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c2ac97a6d6700026c9d89a","weight":0.6028,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658008fab4d8c500224a831b","weight":0.14352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.09999,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c3d69c9575b0024b58d9b","weight":0.09495,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c2ac97a6d6700026c9d89a","source":"ideaofintellection","title":"ネアンデルタールとインカ","excerpt":"DNAは、ネアンデルタール人から現生人類に流れ込んだ。ということは、ネアンデルタール人がスペイン人の立場であり、現生人類はインカ人の立場だった可能性が高い。","text":"ネアンデルタールとインカ\nDNAは、ネアンデルタール人から現生人類に流れ込んだ。ということは、ネアンデルタール人がスペイン人の立場であり、現生人類はインカ人の立場だった可能性が高い。\n現生人類は生き残り、ネアンデルタール人は絶滅したから、私たちは現生人類のほうが優勢な集団だったと考えたくなる。でも、実際にはその逆だったかもしれないのだ。\nネアンデルタール人の遺伝子は、普通現生人類の身体の中ではうまく働かない。おそらく、ネアンデルタール人と現生人類の混血第一世代は、あまり健康には生きられなかっただろう。\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8D%E3%82%A2%E3%83%B3%E3%83%87%E3%83%AB%E3%82%BF%E3%83%BC%E3%83%AB%E3%81%A8%E3%82%A4%E3%83%B3%E3%82%AB","updated":1723054892,"position":[49.2591,-52.8745,38.3923],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.6028,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c2a9bd75facf0025332316","weight":0.6028,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658008fab4d8c500224a831b","weight":0.14117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c2b067afa2050024dde6a6","source":"ideaofintellection","title":"オキシトシン濃度","excerpt":"オキシトシン濃度の高さというのは、集団内で協力し合って結束を高めることに影響している。","text":"オキシトシン濃度\nオキシトシン濃度の高さというのは、集団内で協力し合って結束を高めることに影響している。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%82%AD%E3%82%B7%E3%83%88%E3%82%B7%E3%83%B3%E6%BF%83%E5%BA%A6","updated":1723054831,"position":[97.5653,-46.6952,37.2893],"cluster":"c34","subgroup":"c34.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16096,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648afc416ddf7f001c1a3914","weight":0.16096,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b070c70a87d001b717e6e","weight":0.09715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c506932b7d0400261f1c1b","source":"ideaofintellection","title":"spontinuity","excerpt":"目的と自然","text":"spontinuity \n目的と自然\nベイトソン\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/spontinuity","updated":1723054821,"position":[-28.3313,33.2347,-110.2338],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.22695,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:659191bdbab36700246d736e","weight":0.22695,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54c9a71ec52002340ad00","weight":0.12346,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c506f61398e000259c7400","source":"ideaofintellection","title":"人間の感覚外のことを受け入れて創作をする","excerpt":"strange loop simon","text":"人間の感覚外のことを受け入れて創作をする\nstrange loop simon\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%BA%E9%96%93%E3%81%AE%E6%84%9F%E8%A6%9A%E5%A4%96%E3%81%AE%E3%81%93%E3%81%A8%E3%82%92%E5%8F%97%E3%81%91%E5%85%A5%E3%82%8C%E3%81%A6%E5%89%B5%E4%BD%9C%E3%82%92%E3%81%99%E3%82%8B","updated":1723054811,"position":[-30.3045,56.778,36.2982],"cluster":"c06","subgroup":"c06.02","degree":2,"referenceDegree":0,"maxSimilarity":0.18211,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65078fd70360dd001b42590a","weight":0.18211,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bc7ad002fa7001c7b2b38","weight":0.11274,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","source":"ideaofintellection","title":"ラグタイム","excerpt":"「ラグタイム」は、黒人音楽を基礎として19世紀末から20世紀初頭に従来とは違う、ラグした（ズレた）リズムのシンコペーション、時に裏拍の強調を特徴として生まれました。","text":"ラグタイム\n「ラグタイム」は、黒人音楽を基礎として19世紀末から20世紀初頭に従来とは違う、ラグした（ズレた）リズムのシンコペーション、時に裏拍の強調を特徴として生まれました。\n\nラグタイムとジャズの違いは、楽譜どおりに演奏するかどうか、即興性があるかどうかです。\nラグタイムは、1870年代から主にアフリカ系アメリカ人のピアノ奏者によって酒場などで演奏されていた音楽の様式で、楽譜どおりに演奏することを特徴としています。2/4拍子や4/4拍子の曲で、シンコペーションを多く用いたリズムが特徴です。伴奏部の左手が安定した2拍子を刻み、右手はリズミカルな旋律を演奏するというスタイルが一般的です。\n一方、ジャズは即興性を重視しており、その場で音楽をつくりながら演奏することを特徴としています。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%82%B0%E3%82%BF%E3%82%A4%E3%83%A0","updated":1731513537,"position":[49.5195,-49.9641,35.4372],"cluster":"c02","subgroup":"c02.02","degree":18,"referenceDegree":0,"maxSimilarity":0.28402,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.28402,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.2578,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24083,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b4e8761b6f0023a9a1a0","weight":0.23802,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a38bfa0a7b0023062b89","weight":0.23379,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b33433ca160023df08a1","weight":0.23044,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6a87107ff40025aea461","weight":0.2228,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ccac5b72b201002472a0be","weight":0.22162,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c507828c989100249d1dbd","source":"ideaofintellection","title":"sacrament","excerpt":"キリストによって定められた神の恩恵にあずかる儀式。 カトリック教会では秘跡といい、洗礼・堅信・聖体・ゆるし・病者の塗油・叙階・婚姻の七つ。 プロテスタント諸教派では聖礼典（礼典）と称し、洗礼と聖餐(せいさん)式とをいう。","text":"sacrament\nキリストによって定められた神の恩恵にあずかる儀式。 カトリック教会では秘跡といい、洗礼・堅信・聖体・ゆるし・病者の塗油・叙階・婚姻の七つ。 プロテスタント諸教派では聖礼典（礼典）と称し、洗礼と聖餐(せいさん)式とをいう。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/sacrament","updated":1723054790,"position":[45.8758,-44.9581,33.6478],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.1087,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c63c118b78e4001bc5a98b","weight":0.1087,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c507cd03b73d00237b3569","source":"ideaofintellection","title":"sakuranism","excerpt":"","text":"sakuranism","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/sakuranism","updated":1707411415,"position":[-78.6915,31.6577,-136.1685],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c508434a095e00231bf662","source":"ideaofintellection","title":"サイケデリックロック","excerpt":"サイケデリック・ロック（英: psychedelic rock）は、1960年代後半に発生し流行したロック音楽の派生ジャンル。","text":"サイケデリックロック\nサイケデリック・ロック（英: psychedelic rock）は、1960年代後半に発生し流行したロック音楽の派生ジャンル。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%82%A4%E3%82%B1%E3%83%87%E3%83%AA%E3%83%83%E3%82%AF%E3%83%AD%E3%83%83%E3%82%AF","updated":1723054774,"position":[49.4612,-49.8995,34.5824],"cluster":"c02","subgroup":"c02.02","degree":15,"referenceDegree":0,"maxSimilarity":0.48054,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c50a9ae80d4d0026de817c","weight":0.48054,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a33ce0d53700245258e4","weight":0.25614,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f668ffb6d2400239ce545","weight":0.24799,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.23241,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.22922,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.22218,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","weight":0.21736,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c508a2fa441a0024dfc0ab","source":"ideaofintellection","title":"パブロフの犬","excerpt":"条件反射とは、動物において、訓練や経験によって後天的に獲得される反射行動のこと。ソビエト連邦の生理学者イワン・パブロフによって発見され、パブロフの犬の実験で有名になった。","text":"パブロフの犬\n条件反射とは、動物において、訓練や経験によって後天的に獲得される反射行動のこと。ソビエト連邦の生理学者イワン・パブロフによって発見され、パブロフの犬の実験で有名になった。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%83%96%E3%83%AD%E3%83%95%E3%81%AE%E7%8A%AC","updated":1723054764,"position":[-43.9557,44.275,-104.6687],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11199,"lowEvidence":true,"neighbors":[{"id":"NextResearch:69fc4352d0bbac9379d8cb2d","weight":0.11199,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c509c1e80d4d0026de7c91","source":"ideaofintellection","title":"チューリングマシン","excerpt":"チューリングマシン（チューリング機械）とは、1936年にアラン・チューリングが発表した論文の中で「計算する」ことを定義した仮想的な計算機です。 構造は単純で、この計算機で計算をして、機械がデータを出力できるならば計算できる、データの出力が不可能ならば計算できないと定義されています。","text":"チューリングマシン\nチューリングマシン（チューリング機械）とは、1936年にアラン・チューリングが発表した論文の中で「計算する」ことを定義した仮想的な計算機です。 構造は単純で、この計算機で計算をして、機械がデータを出力できるならば計算できる、データの出力が不可能ならば計算できないと定義されています。\nチューリング機械の驚嘆すべきところは，その極端なまでの単純さです。 1本のテープと読み取りヘッドが1つあるだけです。 そして出来ることは，ヘッドを右か左に1文字分移動することと，テープに文字を書き込むこと，そして文字を読み取ることのみです。 これだけの機構で，アルゴリズムすべてが実現できるのです。\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%81%E3%83%A5%E3%83%BC%E3%83%AA%E3%83%B3%E3%82%B0%E3%83%9E%E3%82%B7%E3%83%B3","updated":1723054736,"position":[32.9367,41.8559,13.8211],"cluster":"c17","subgroup":"c17.01","degree":11,"referenceDegree":0,"maxSimilarity":0.47355,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.47355,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663123e4c4255d00256caa2b","weight":0.2915,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d3db1713f80025b52836","weight":0.24659,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6592168ab224b60023b3b8c3","weight":0.24604,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a953b4b1f90023be8472","weight":0.22912,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312bc02875590023d95a32","weight":0.2282,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6679430bcf8d99001c604a78","weight":0.22361,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662f6c4f910a0a002435b8ea","weight":0.21217,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c50a36d5a30800255fd174","source":"ideaofintellection","title":"anarchy major","excerpt":"","text":"anarchy major","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/anarchy%20major","updated":1707412063,"position":[-26.6261,-73.2788,6.6843],"cluster":"c27","subgroup":"c27.01","degree":2,"referenceDegree":0,"maxSimilarity":0.31174,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b34de30cc165002471561f","weight":0.31174,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695fe8dca37b004975473771","weight":0.08504,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c50a9ae80d4d0026de817c","source":"ideaofintellection","title":"ヒッピー、サイケデリック","excerpt":"グレイトフル・デッドはヒッピー文化、サイケデリック文化を代表するアーティストである。","text":"ヒッピー、サイケデリック\nグレイトフル・デッドはヒッピー文化、サイケデリック文化を代表するアーティストである。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%92%E3%83%83%E3%83%94%E3%83%BC%E3%80%81%E3%82%B5%E3%82%A4%E3%82%B1%E3%83%87%E3%83%AA%E3%83%83%E3%82%AF","updated":1723054698,"position":[49.9067,-49.642,33.9523],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.48054,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.48054,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e53ccf123a5001c88e942","weight":0.10963,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a607f768a97e631d333f646","weight":0.10169,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c54a351bcc5f0025d718fc","source":"ideaofintellection","title":"angels fear","excerpt":"天使が足を踏み入れるのを恐れる場所◇賢明な者なら近づかない危険な場所。","text":"angels fear\n 天使が足を踏み入れるのを恐れる場所◇賢明な者なら近づかない危険な場所。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/angels%20fear","updated":1723054684,"position":[-44.1374,6.6403,-97.7815],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04753,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c54a82bf88df0025b66dc4","source":"ideaofintellection","title":"メタバーコーディング","excerpt":"メタバーコーディングとは、あるDNAが何の生物種かを判別する手法です。 環境中には様々な生き物のDNAが漂っているため、環境DNAに対してメタバーコーディングを行うことで、そこにどんな生物が生息しているのか？ということが簡単に判別できます。","text":"メタバーコーディング\nメタバーコーディングとは、あるDNAが何の生物種かを判別する手法です。 環境中には様々な生き物のDNAが漂っているため、環境DNAに対してメタバーコーディングを行うことで、そこにどんな生物が生息しているのか？ということが簡単に判別できます。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%82%BF%E3%83%90%E3%83%BC%E3%82%B3%E3%83%BC%E3%83%87%E3%82%A3%E3%83%B3%E3%82%B0","updated":1723054675,"position":[30.355,-1.4166,-14.1202],"cluster":"c18","subgroup":"c18.01","degree":9,"referenceDegree":0,"maxSimilarity":0.25029,"lowEvidence":false,"neighbors":[{"id":"NextResearch:640af70376c71a001cb7fdbd","weight":0.25029,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640af6c2c126f8001c6c2417","weight":0.23908,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e4456ae32972001b5c34ec","weight":0.23834,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66825cfffb9d2a001c57173b","weight":0.21607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113e0f9e4316916c6b0319","weight":0.17434,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65602fa0971d4e001b61e30c","weight":0.14157,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e375e5d0cf7e001bc33b4d","weight":0.10325,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce15bb57369a001cf5db8c","weight":0.09973,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c54ae8708597002535d050","source":"ideaofintellection","title":"チュクシュルーブクレーター","excerpt":"メキシコ・ユカタン半島の海底下には、約6600万年前の小惑星衝突によって形成された、直径200kmに及ぶ巨大な「チクシュルーブ・クレーター（チチュルブ・クレーターとも呼ばれる）」が埋没している。","text":"チュクシュルーブクレーター\nメキシコ・ユカタン半島の海底下には、約6600万年前の小惑星衝突によって形成された、直径200kmに及ぶ巨大な「チクシュルーブ・クレーター（チチュルブ・クレーターとも呼ばれる）」が埋没している。\n[https://scrapbox.io/files/65c54b87fde0e000261a23d9.jpeg]\n\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%81%E3%83%A5%E3%82%AF%E3%82%B7%E3%83%A5%E3%83%AB%E3%83%BC%E3%83%96%E3%82%AF%E3%83%AC%E3%83%BC%E3%82%BF%E3%83%BC","updated":1723054662,"position":[-24.3583,-73.2694,66.0869],"cluster":"c04","subgroup":"c04.02","degree":15,"referenceDegree":0,"maxSimilarity":0.22041,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cca4fad46066002675f8fa","weight":0.22041,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af0e2185b796001de382e4","weight":0.21579,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3e952ce788001de41d02","weight":0.21576,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55a1d53995700250f62ed","weight":0.21546,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d6a244e2a60023388bb6","weight":0.21054,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","weight":0.20699,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.20663,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a509ee92770025dcee18","weight":0.20639,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c54b970e911f002343962c","source":"ideaofintellection","title":"メタメッセージ","excerpt":"あるメッセージがもっている本来の意味をこえて、別の見方・立場からの意味を与えるメッセージ。","text":"メタメッセージ\nあるメッセージがもっている本来の意味をこえて、別の見方・立場からの意味を与えるメッセージ。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%82%BF%E3%83%A1%E3%83%83%E3%82%BB%E3%83%BC%E3%82%B8","updated":1723054647,"position":[13.3913,-34.4572,19.2687],"cluster":"c05","subgroup":"c05.01","degree":3,"referenceDegree":0,"maxSimilarity":0.36564,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66339e527d09a200243dfd63","weight":0.36564,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a0c388a7d12600242c1480","weight":0.09822,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e375e5d0cf7e001bc33b4d","weight":0.08715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c54bc120c5c50023c37263","source":"ideaofintellection","title":"ビート運動","excerpt":"ビート運動は，抑圧的で非人間的な機能をもつ社会体制と，そこに安住しようとするスクエアsquareすなわち保守的で中産階級的な価値観とに反逆し，人間性の無条件な解放のために積極的に貧困に甘んじ，原始的なコミューン生活を行おうとする一種の生活運動である。","text":"ビート運動\nビート運動は，抑圧的で非人間的な機能をもつ社会体制と，そこに安住しようとするスクエアsquareすなわち保守的で中産階級的な価値観とに反逆し，人間性の無条件な解放のために積極的に貧困に甘んじ，原始的なコミューン生活を行おうとする一種の生活運動である。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%93%E3%83%BC%E3%83%88%E9%81%8B%E5%8B%95","updated":1723054634,"position":[21.1939,-27.4762,-0.6568],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07713,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c54be120c5c50023c372a9","source":"ideaofintellection","title":"ボヘミアン","excerpt":"１ ジプシーの異称。 ２ 社会の規範にとらわれず、自由で放浪的な生活をする人。","text":"ボヘミアン\n１ ジプシーの異称。 ２ 社会の規範にとらわれず、自由で放浪的な生活をする人。\n伝統的な価値観や社会的な規範にとらわれず、自由で個性的な生き方をする人々を指す言葉である。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9C%E3%83%98%E3%83%9F%E3%82%A2%E3%83%B3","updated":1723054617,"position":[15.6728,-55.2947,69.009],"cluster":"c12","subgroup":"c12.01","degree":3,"referenceDegree":0,"maxSimilarity":0.0988,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d4554d2122564c001b0db2","weight":0.0988,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580008a747cfc0023e90653","weight":0.09451,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67894249c8084a826ca40ea4","weight":0.0862,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c54c333fdde100251d5c33","source":"ideaofintellection","title":"ホメオスタシス","excerpt":"ホメオスタシス（生体恒常性）とは、私たちが、身体の外から受ける環境や内部の変化にかかわらず、身体の状態（体温・血糖・免疫）を一定に保つこと","text":"ホメオスタシス\nホメオスタシス（生体恒常性）とは、私たちが、身体の外から受ける環境や内部の変化にかかわらず、身体の状態（体温・血糖・免疫）を一定に保つこと\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9B%E3%83%A1%E3%82%AA%E3%82%B9%E3%82%BF%E3%82%B7%E3%82%B9","updated":1723054607,"position":[88.6799,-104.6592,101.8389],"cluster":"c47","subgroup":"c47.01","degree":2,"referenceDegree":0,"maxSimilarity":0.34754,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6783ec560ea4b2f95208db9d","weight":0.34754,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2105bb7135a0024b78d47","weight":0.10472,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c54c49bf88df0025b6766c","source":"ideaofintellection","title":"エスノグラフィー","excerpt":"ある民族の特徴を調査するためにその民族の生活に入り込み、長期間にわたって彼らの生活スタイルを観察し、対話して、文化や行動様式の詳細を記録していくアプローチです","text":"エスノグラフィー\nある民族の特徴を調査するためにその民族の生活に入り込み、長期間にわたって彼らの生活スタイルを観察し、対話して、文化や行動様式の詳細を記録していくアプローチです\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%82%B9%E3%83%8E%E3%82%B0%E3%83%A9%E3%83%95%E3%82%A3%E3%83%BC","updated":1723054596,"position":[-24.4457,-72.5792,63.6012],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16805,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.16805,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6592184ebab3670024702e71","weight":0.14401,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c54c9a71ec52002340ad00","source":"ideaofintellection","title":"デカルトからベイトソンへ","excerpt":"17世紀、デカルトとニュートンのパラダイム成立によって、世界から魔術が失われた。 貨幣による資本主義と合理的な科学思考によってできあがった近代的な世界。 魔術は科学に置き換えられてしまった。しかし、科学的に再編成される過程で色あせていったパワフルな知を取り戻すために、今こそ「世界の再魔術化」が必要だ！ デカルト・パラダイムに反旗を翻し、1960年代のカウンター・カルチャーの空気をひっさげ、「世界の再魔術化」への道筋を探った知的冒険の書、待望の復刊！ オカルト学の山々を乗り越え、たどり着いたひとつのヒントはグレゴリー・ベイトソン。 ロボティクス、アンドロイド、VR的な現実世界の出現を前に、今こそ再読されるべき書。","text":"デカルトからベイトソンへ\n17世紀、デカルトとニュートンのパラダイム成立によって、世界から魔術が失われた。 貨幣による資本主義と合理的な科学思考によってできあがった近代的な世界。 魔術は科学に置き換えられてしまった。しかし、科学的に再編成される過程で色あせていったパワフルな知を取り戻すために、今こそ「世界の再魔術化」が必要だ！ デカルト・パラダイムに反旗を翻し、1960年代のカウンター・カルチャーの空気をひっさげ、「世界の再魔術化」への道筋を探った知的冒険の書、待望の復刊！ オカルト学の山々を乗り越え、たどり着いたひとつのヒントはグレゴリー・ベイトソン。 ロボティクス、アンドロイド、VR的な現実世界の出現を前に、今こそ再読されるべき書。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%87%E3%82%AB%E3%83%AB%E3%83%88%E3%81%8B%E3%82%89%E3%83%99%E3%82%A4%E3%83%88%E3%82%BD%E3%83%B3%E3%81%B8","updated":1728009406,"position":[-30.2099,35.1183,-109.0897],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.18872,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:659191bdbab36700246d736e","weight":0.18872,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c506932b7d0400261f1c1b","weight":0.12346,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c54d1a0b739500254e1b53","source":"ideaofintellection","title":"人工嗅覚デバイス","excerpt":"嗅覚のデジタル化が極めて困難だとされてきた理由は、40万種類に及ぶにおい成分の膨大さと、味との比較で言えば1000分の1にも満たない、におい物質の濃度の低さ。","text":"人工嗅覚デバイス\n嗅覚のデジタル化が極めて困難だとされてきた理由は、40万種類に及ぶにおい成分の膨大さと、味との比較で言えば1000分の1にも満たない、におい物質の濃度の低さ。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%BA%E5%B7%A5%E5%97%85%E8%A6%9A%E3%83%87%E3%83%90%E3%82%A4%E3%82%B9","updated":1723054563,"position":[41.5446,83.7516,10.3998],"cluster":"c25","subgroup":"c25.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08596,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65cbdebfbba001c2699ee","weight":0.08596,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c555fe7dc7e7002570a3c5","source":"ideaofintellection","title":"地球シュミレーター","excerpt":"地球シミュレータは、NEC SXシリーズベースのスーパーコンピュータシステムである。 神奈川県横浜市金沢区の海洋研究開発機構 横浜研究所に設置されている。","text":"地球シュミレーター\n地球シミュレータは、NEC SXシリーズベースのスーパーコンピュータシステムである。 神奈川県横浜市金沢区の海洋研究開発機構 横浜研究所に設置されている。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%9C%B0%E7%90%83%E3%82%B7%E3%83%A5%E3%83%9F%E3%83%AC%E3%83%BC%E3%82%BF%E3%83%BC","updated":1728009378,"position":[50.8639,-36.233,2.2488],"cluster":"c10","subgroup":"c10.01","degree":6,"referenceDegree":0,"maxSimilarity":0.26072,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e7796a14781cdf78f8ac96","weight":0.26072,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695f6fca2c4e9fde2d346357","weight":0.21143,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.11705,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.11657,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54ae8708597002535d050","weight":0.09314,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640af64ec885d6001ce47182","weight":0.0899,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c5561c27cb5100255fe98f","source":"ideaofintellection","title":"プラネタリーディフェンス","excerpt":"天体の地球衝突から人類を守ろうとする活動のこと。スペースガード（spaceguard）と呼ばれることもある。","text":"プラネタリーディフェンス\n天体の地球衝突から人類を守ろうとする活動のこと。スペースガード（spaceguard）と呼ばれることもある。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%97%E3%83%A9%E3%83%8D%E3%82%BF%E3%83%AA%E3%83%BC%E3%83%87%E3%82%A3%E3%83%95%E3%82%A7%E3%83%B3%E3%82%B9","updated":1728009361,"position":[27.8664,-1.7629,-14.2101],"cluster":"c18","subgroup":"c18.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11863,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66825cfffb9d2a001c57173b","weight":0.11863,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6679b125cfc7ba001d9d8ea0","weight":0.10607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c5567a1bcc5f0025d749b6","source":"ideaofintellection","title":"アンカー構造","excerpt":"アンカー構造が多い肌では顔の形状がしっかりと保持されており、たるみが少ないことを確認しました。この結果、アンカー構造は肌を縦方向に保持してたるみを防ぐ機能を持つことがわかりました。","text":"アンカー構造\nアンカー構造が多い肌では顔の形状がしっかりと保持されており、たるみが少ないことを確認しました。この結果、アンカー構造は肌を縦方向に保持してたるみを防ぐ機能を持つことがわかりました。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%82%AB%E3%83%BC%E6%A7%8B%E9%80%A0","updated":1728009347,"position":[-36.0879,13.8318,-106.5926],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09552,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65b0d2b609dafc00238fa762","weight":0.09552,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6596dee7d5cb5d00234dc53b","weight":0.09329,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c556a03fdde100251d837c","source":"ideaofintellection","title":"色を付与することで愛着が湧く","excerpt":"#word","text":"色を付与することで愛着が湧く\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%89%B2%E3%82%92%E4%BB%98%E4%B8%8E%E3%81%99%E3%82%8B%E3%81%93%E3%81%A8%E3%81%A7%E6%84%9B%E7%9D%80%E3%81%8C%E6%B9%A7%E3%81%8F","updated":1723054522,"position":[31.7465,-2.6179,-16.6173],"cluster":"c18","subgroup":"c18.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10463,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6758da5902613d1638b0dc61","weight":0.10463,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c557249dfdca0025084ef3","source":"ideaofintellection","title":"アルゴフロート","excerpt":"アルゴフロートには自身の浮力を調整する機能が内蔵され、 海中に投入されると先ず予め設定された漂流深度（通常1000m）まで沈みます。 一定期間（通常10日間程度）その深さで漂流した後、いったん観測最深層（通常2000m）まで降下してから 海面に向かって浮上します。","text":"アルゴフロート\nアルゴフロートには自身の浮力を調整する機能が内蔵され、 海中に投入されると先ず予め設定された漂流深度（通常1000m）まで沈みます。 一定期間（通常10日間程度）その深さで漂流した後、いったん観測最深層（通常2000m）まで降下してから 海面に向かって浮上します。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%AB%E3%82%B4%E3%83%95%E3%83%AD%E3%83%BC%E3%83%88","updated":1728009309,"position":[-18.8125,-17.3295,-21.2275],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08875,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.08875,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c557734a912000244f4301","source":"ideaofintellection","title":"ダイポールモード減少","excerpt":"ダイポールモード現象とは、インド洋熱帯域において初夏から晩秋にかけて東部で海水温が低くなり、西部で海水温が高くなる大気海洋現象の事を言う。それに伴って起こる風や気候の変化を含み、エルニーニョ現象と同様に世界の気候に大きな影響を与える事が明らかになった。","text":"ダイポールモード減少\nダイポールモード現象とは、インド洋熱帯域において初夏から晩秋にかけて東部で海水温が低くなり、西部で海水温が高くなる大気海洋現象の事を言う。それに伴って起こる風や気候の変化を含み、エルニーニョ現象と同様に世界の気候に大きな影響を与える事が明らかになった。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%80%E3%82%A4%E3%83%9D%E3%83%BC%E3%83%AB%E3%83%A2%E3%83%BC%E3%83%89%E6%B8%9B%E5%B0%91","updated":1728009295,"position":[34.4232,-50.936,59.7556],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08168,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c557de27cb5100255fef6a","source":"ideaofintellection","title":"マッデンジュリアン振動","excerpt":"マッデン・ジュリアン振動（Madden Julian Oscillation: MJO）とは、数千kmスケールの巨大雲群が5m/s程度の速度で熱帯のインド洋から太平洋を東進する大気変動である。 熱帯では、雲群が通過している対流活発期と雲群が存在しない不活発期が繰り返され、その影響は日本の天候にも及ぶ。","text":"マッデンジュリアン振動\nマッデン・ジュリアン振動（Madden Julian Oscillation: MJO）とは、数千kmスケールの巨大雲群が5m/s程度の速度で熱帯のインド洋から太平洋を東進する大気変動である。 熱帯では、雲群が通過している対流活発期と雲群が存在しない不活発期が繰り返され、その影響は日本の天候にも及ぶ。\n[https://scrapbox.io/files/65c55839e5b9de002684c27d.jpeg]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%83%E3%83%87%E3%83%B3%E3%82%B8%E3%83%A5%E3%83%AA%E3%82%A2%E3%83%B3%E6%8C%AF%E5%8B%95","updated":1728009266,"position":[42.0818,104.0315,-5.0854],"cluster":"c25","subgroup":"c25.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13454,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6493069b48c7db001c56920a","weight":0.13454,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55854798207002476eede","source":"ideaofintellection","title":"ドレイクの方程式","excerpt":"ドレイクの方程式とは、我々の銀河系に存在し人類とコンタクトする可能性のある地球外文明の数を推定する算術的な式である。「方程式」と通例として呼ばれてはいるが、代数方程式などのような、いわゆる方程式ではない。","text":"ドレイクの方程式\nドレイクの方程式とは、我々の銀河系に存在し人類とコンタクトする可能性のある地球外文明の数を推定する算術的な式である。「方程式」と通例として呼ばれてはいるが、代数方程式などのような、いわゆる方程式ではない。 \n[https://scrapbox.io/files/65c5589e798207002476f09c.jpeg]\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%89%E3%83%AC%E3%82%A4%E3%82%AF%E3%81%AE%E6%96%B9%E7%A8%8B%E5%BC%8F","updated":1723054447,"position":[16.1732,-70.3633,0.6067],"cluster":"c03","subgroup":"c03.01","degree":5,"referenceDegree":0,"maxSimilarity":0.14766,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65c24f6ed72001b604ca2","weight":0.14766,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e57e036a120024c80f50","weight":0.12725,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65c0e47ef16001cdbfd6e","weight":0.11553,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65813304871001ced47b5","weight":0.09776,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fbf4c256ee4f876ab9b11","weight":0.08782,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c558c327cb5100255ff308","source":"ideaofintellection","title":"ダイソン球、部分的ダイソン球","excerpt":"1960年に米国の物理学者ダイソンが考案した、恒星を覆う巨大な球殻状の、仮想の人工構造物。 高度に発達した文明により、恒星が発するすべてのエネルギーを利用するために建設されると提唱した。 SF小説などで、未来の地球や架空の世界の設定としてしばしば登場する。","text":"ダイソン球、部分的ダイソン球\n1960年に米国の物理学者ダイソンが考案した、恒星を覆う巨大な球殻状の、仮想の人工構造物。 高度に発達した文明により、恒星が発するすべてのエネルギーを利用するために建設されると提唱した。 SF小説などで、未来の地球や架空の世界の設定としてしばしば登場する。\n[https://scrapbox.io/files/65c55919fde0e000261a5277.jpeg]\n\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%80%E3%82%A4%E3%82%BD%E3%83%B3%E7%90%83%E3%80%81%E9%83%A8%E5%88%86%E7%9A%84%E3%83%80%E3%82%A4%E3%82%BD%E3%83%B3%E7%90%83","updated":1723054414,"position":[-24.161,-73.391,65.8871],"cluster":"c04","subgroup":"c04.02","degree":11,"referenceDegree":0,"maxSimilarity":0.23213,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668261ccb0f3e0001d174a63","weight":0.23213,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a509ee92770025dcee18","weight":0.23166,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.21225,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af891602ab32001dccade0","weight":0.21171,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5724d3ce05500249d2100","weight":0.2077,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af12d7b51b23001c1174d4","weight":0.20605,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54ae8708597002535d050","weight":0.20592,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668259ac56a9c5001c295a7c","weight":0.20492,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55948798207002476f295","source":"ideaofintellection","title":"フォワードジェネティクス","excerpt":"フォワードジェネティクス（順遺伝学）は、遺伝性がみられる形質（表現型）からその原因となる遺伝子を探り当てる研究を指します。 これは本来の遺伝学の手法でもあります。 “phenotype-driven”アプローチと呼ばれることもある。","text":"フォワードジェネティクス\nフォワードジェネティクス（順遺伝学）は、遺伝性がみられる形質（表現型）からその原因となる遺伝子を探り当てる研究を指します。 これは本来の遺伝学の手法でもあります。 “phenotype-driven”アプローチと呼ばれることもある。\n#bio\n","tags":["bio"],"links":["bio"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A9%E3%83%AF%E3%83%BC%E3%83%89%E3%82%B8%E3%82%A7%E3%83%8D%E3%83%86%E3%82%A3%E3%82%AF%E3%82%B9","updated":1723054332,"position":[3.2549,-79.775,36.408],"cluster":"c01","subgroup":"c01.01","degree":7,"referenceDegree":0,"maxSimilarity":0.25494,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c559e071ec52002340dd47","weight":0.25494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5597878d68900249e40c3","weight":0.20826,"type":"similarity","reason":"共通タグ #bio / 共通参照 bio / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66b0b572eab5f6001cb3c0ec","weight":0.1894,"type":"similarity","reason":"共通タグ #bio / 共通参照 bio / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b786b921c7a90024b98189","weight":0.17586,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c7105bc7a8900244134ae","weight":0.10559,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c7148fa4e760025c2a8c5","weight":0.08902,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65224abace56d4001cd91e15","weight":0.08626,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c5597878d68900249e40c3","source":"ideaofintellection","title":"オーファン受容体","excerpt":"オーファン受容体とはリガンドが同定されていない受容体タンパク質である。孤児受容体ともいう。遺伝子配列の解析により既知の受容体タンパク質のファミリーとアミノ酸配列の一部が類似しているが、そのリガンド・機能が不明なものが多く存在することが分かりこのように呼ばれている。","text":"オーファン受容体\nオーファン受容体とはリガンドが同定されていない受容体タンパク質である。孤児受容体ともいう。遺伝子配列の解析により既知の受容体タンパク質のファミリーとアミノ酸配列の一部が類似しているが、そのリガンド・機能が不明なものが多く存在することが分かりこのように呼ばれている。 \n#bio\n","tags":["bio"],"links":["bio"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%BC%E3%83%95%E3%82%A1%E3%83%B3%E5%8F%97%E5%AE%B9%E4%BD%93","updated":1723054342,"position":[3.4642,-80.2253,36.5949],"cluster":"c01","subgroup":"c01.02","degree":4,"referenceDegree":0,"maxSimilarity":0.20826,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55948798207002476f295","weight":0.20826,"type":"similarity","reason":"共通タグ #bio / 共通参照 bio / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66b0b572eab5f6001cb3c0ec","weight":0.1894,"type":"similarity","reason":"共通タグ #bio / 共通参照 bio / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69fc42a27d1d1f9a75801a27","weight":0.1042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1337502e3d4eb606226d6c","weight":0.09162,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c559bc71ec52002340dcd9","source":"ideaofintellection","title":"1.42ギガヘルツ","excerpt":"銀河系内の知的生命体探査が1.42ギガヘルツ帯を中心にどんな領域で進んでいる かを図に示した。この種の試みとしては初めてのものだ。","text":"1.42ギガヘルツ\n銀河系内の知的生命体探査が1.42ギガヘルツ帯を中心にどんな領域で進んでいる かを図に示した。この種の試みとしては初めてのものだ。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/1.42%E3%82%AE%E3%82%AC%E3%83%98%E3%83%AB%E3%83%84","updated":1723054305,"position":[33.38,-53.7107,-38.4182],"cluster":"c26","subgroup":"c26.01","degree":2,"referenceDegree":0,"maxSimilarity":0.68154,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6852cc6c6253d4fff17de174","weight":0.68154,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65938737e959090026da3e3c","weight":0.14875,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c559e071ec52002340dd47","source":"ideaofintellection","title":"オプトジェネティクス","excerpt":"近年開発されたオプトジェネティクスは、光照射のオン／オフによって細胞の活動を制御する技術で、特定の細胞群や特定の神経経路のみに光で活性化する物質を発現させることにより、これらの活動を制御（興奮、あるいは場合によっては抑制）することが可能となりました","text":"オプトジェネティクス\n近年開発されたオプトジェネティクスは、光照射のオン／オフによって細胞の活動を制御する技術で、特定の細胞群や特定の神経経路のみに光で活性化する物質を発現させることにより、これらの活動を制御（興奮、あるいは場合によっては抑制）することが可能となりました\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%97%E3%83%88%E3%82%B8%E3%82%A7%E3%83%8D%E3%83%86%E3%82%A3%E3%82%AF%E3%82%B9","updated":1723054276,"position":[-23.7378,-73.1691,65.5132],"cluster":"c04","subgroup":"c04.02","degree":12,"referenceDegree":0,"maxSimilarity":0.25494,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55948798207002476f295","weight":0.25494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee4a9832d2000259ae99b","weight":0.20844,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af0e2185b796001de382e4","weight":0.20812,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66471de9675d91001c2cf435","weight":0.20569,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","weight":0.20553,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c572c752ab3d00268ac57a","weight":0.20551,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ce05e83ba0025e0c121","weight":0.20383,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cca838687865002421d76f","weight":0.2,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55a1d53995700250f62ed","source":"ideaofintellection","title":"原始惑星系円盤","excerpt":"分子ガスと塵からなる分子雲が自己重力により収縮することで星は誕生するが、その際、大きな角運動量を持ったガスが直接中心には到達できず、原始星の周りに円盤が形成される。 これを原始星円盤と呼ぶ。","text":"原始惑星系円盤\n分子ガスと塵からなる分子雲が自己重力により収縮することで星は誕生するが、その際、大きな角運動量を持ったガスが直接中心には到達できず、原始星の周りに円盤が形成される。 これを原始星円盤と呼ぶ。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E5%8E%9F%E5%A7%8B%E6%83%91%E6%98%9F%E7%B3%BB%E5%86%86%E7%9B%A4","updated":1723054251,"position":[-24.5413,-72.7795,65.8378],"cluster":"c04","subgroup":"c04.02","degree":11,"referenceDegree":0,"maxSimilarity":0.26853,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.26853,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54ae8708597002535d050","weight":0.21546,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65413d60f9fd93001c6a0599","weight":0.21305,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.21005,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cca4fad46066002675f8fa","weight":0.20883,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af0e2185b796001de382e4","weight":0.20678,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668259ac56a9c5001c295a7c","weight":0.20661,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3dae5f438c001c44252a","weight":0.2064,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55a68b42dde0024be8115","source":"ideaofintellection","title":"オリ","excerpt":"オリ(ori)とはDNA複製開始のシグナルであるDNA塩基配列のことであり、単にオリジンともよばれる。E. coli の染色体のオリ（oriC）は長さおよそ250組のヌクレオチドで成り立っている。プラスミドのオリの塩基配列は oriC に類似している。これに対し、複製の終結点はter(termination)と呼ばれる。","text":"オリ\nオリ(ori)とはDNA複製開始のシグナルであるDNA塩基配列のことであり、単にオリジンともよばれる。E. coli の染色体のオリ（oriC）は長さおよそ250組のヌクレオチドで成り立っている。プラスミドのオリの塩基配列は oriC に類似している。これに対し、複製の終結点はter(termination)と呼ばれる。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%AA","updated":1723054205,"position":[1.7782,-75.8662,34.8458],"cluster":"c01","subgroup":"c01.02","degree":7,"referenceDegree":0,"maxSimilarity":0.14595,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b0d14b96d47500239a3df3","weight":0.14595,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454a385c6102a339ba085","weight":0.13447,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3748d5cb0df001bc718b5","weight":0.10941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559ed709b0779001c476de6","weight":0.10903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68d11bb22555d97be86e3c31","weight":0.09948,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:682c20bf8260a5b277db5df6","weight":0.09197,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658005c61cdb100022f91c0d","weight":0.08974,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55aa17e63bf0025f39478","source":"ideaofintellection","title":"月の氷","excerpt":"月の氷の用語解説 - 澄んで氷のように見える月。また、月の光が水に映って、きらきら輝くさまのたとえ。《季・秋‐冬》※山家集","text":"月の氷\n月の氷の用語解説 - 澄んで氷のように見える月。また、月の光が水に映って、きらきら輝くさまのたとえ。《季・秋‐冬》※山家集\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%9C%88%E3%81%AE%E6%B0%B7","updated":1723054195,"position":[8.9989,-58.9086,-0.143],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09995,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67893cd743008644046edfaf","weight":0.09995,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893ff4e89464287b5ccc66","weight":0.09399,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55ac13398c100256d316a","source":"ideaofintellection","title":"バイオシグナチャー","excerpt":"惑星を外部から観測したときに、生命が存在することの証拠と考えられる指標となるデータを指す。","text":"バイオシグナチャー\n惑星を外部から観測したときに、生命が存在することの証拠と考えられる指標となるデータを指す。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%90%E3%82%A4%E3%82%AA%E3%82%B7%E3%82%B0%E3%83%8A%E3%83%81%E3%83%A3%E3%83%BC","updated":1723054175,"position":[-22.4787,26.0158,-119.9557],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07427,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c55ae97085970025360276","source":"ideaofintellection","title":"ラグランジュ点","excerpt":"ラグランジュ点は、天体力学における円制限三体問題の5つの平衡解であり、二つの天体系から見て第三の天体が安定して滞在し得る位置座標点である。ラグランジュ点において第三の天体は、二つの天体から受ける重力と慣性力の釣り合いが取れており、外力による加速を受けない。","text":"ラグランジュ点\nラグランジュ点は、天体力学における円制限三体問題の5つの平衡解であり、二つの天体系から見て第三の天体が安定して滞在し得る位置座標点である。ラグランジュ点において第三の天体は、二つの天体から受ける重力と慣性力の釣り合いが取れており、外力による加速を受けない。\nhttps://academic-accelerator.com/encyclopedia/jp/joseph-louis-lagrange\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%82%B0%E3%83%A9%E3%83%B3%E3%82%B8%E3%83%A5%E7%82%B9","updated":1723052227,"position":[-23.8941,-72.7111,65.0167],"cluster":"c04","subgroup":"c04.02","degree":12,"referenceDegree":0,"maxSimilarity":0.27926,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c63ff600c58d001c5ea8d5","weight":0.27926,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.21297,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ccd0e4de2002613d6c4","weight":0.21083,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af12d7b51b23001c1174d4","weight":0.20906,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668259ac56a9c5001c295a7c","weight":0.20868,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f67e8d94d9900242299bd","weight":0.20567,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ce05e83ba0025e0c121","weight":0.20537,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee4a9832d2000259ae99b","weight":0.20447,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55b15bf88df0025b6a890","source":"ideaofintellection","title":"セントラルドグマ","excerpt":"「遺伝情報がDNAからRNAを経てタンパク質へと流れる」という概念を分子生物学ではセントラルドグマといいます。","text":"セントラルドグマ\n「遺伝情報がDNAからRNAを経てタンパク質へと流れる」という概念を分子生物学ではセントラルドグマといいます。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BB%E3%83%B3%E3%83%88%E3%83%A9%E3%83%AB%E3%83%89%E3%82%B0%E3%83%9E","updated":1723054156,"position":[50.6539,-45.9474,31.4391],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.18174,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734d5b3930bbcbb2a7c2731","weight":0.18174,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55b382f54b900254ad660","source":"ideaofintellection","title":"ATP","excerpt":"ATPとは、すべての植物、動物および微生物の細胞内に存在するエネルギ分子です。 ATPは、細胞の増殖、筋肉の収縮、植物の光合成、菌類の呼吸および酵母菌の発酵などの代謝過程にエネルギを供給するためにすべての生物が使用する化合物です。","text":"ATP\nATPとは、すべての植物、動物および微生物の細胞内に存在するエネルギ分子です。 ATPは、細胞の増殖、筋肉の収縮、植物の光合成、菌類の呼吸および酵母菌の発酵などの代謝過程にエネルギを供給するためにすべての生物が使用する化合物です。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/ATP","updated":1723054147,"position":[1.8311,-77.9105,33.5125],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08781,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667e6f99d5f660001c67c2ff","weight":0.08781,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55b753510f200250a1b9b","source":"ideaofintellection","title":"キメラ","excerpt":"同一個体内に異なった遺伝的背景を持つ細胞が混じっていること、または、そのような状態の個体のことをいう。 キメラという言葉はギリシャ神話中の「体の前の部分はライオン、胴の部分は山羊、後ろは蛇、口からはさかんに火炎を吹く」という想像上の動物の名（キマイラ）に由来する。","text":"キメラ\n同一個体内に異なった遺伝的背景を持つ細胞が混じっていること、または、そのような状態の個体のことをいう。 キメラという言葉はギリシャ神話中の「体の前の部分はライオン、胴の部分は山羊、後ろは蛇、口からはさかんに火炎を吹く」という想像上の動物の名（キマイラ）に由来する。\n[https://scrapbox.io/files/65c55b9452ab3d002689db9e.jpeg]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AD%E3%83%A1%E3%83%A9","updated":1723054128,"position":[2.7147,-81.0185,36.7406],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.11501,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:676d8eb8dcc5674fa73465d9","weight":0.11501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9f26a2a4ed5e0d4501234","weight":0.09559,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55be378d68900249e503c","source":"ideaofintellection","title":"ガルバノミラー","excerpt":"ガルバノミラーとはレーザ光を反射する部品です。 特に検討すべき要素は、サイズとコーティングで、どちらもレーザ仕様により決まります。","text":"ガルバノミラー\nガルバノミラーとはレーザ光を反射する部品です。 特に検討すべき要素は、サイズとコーティングで、どちらもレーザ仕様により決まります。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AC%E3%83%AB%E3%83%90%E3%83%8E%E3%83%9F%E3%83%A9%E3%83%BC","updated":1723054069,"position":[-24.4133,-73.5558,65.9203],"cluster":"c04","subgroup":"c04.02","degree":8,"referenceDegree":0,"maxSimilarity":0.23434,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","weight":0.23434,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3e952ce788001de41d02","weight":0.2174,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f67e8d94d9900242299bd","weight":0.2068,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54ae8708597002535d050","weight":0.20422,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a509ee92770025dcee18","weight":0.20346,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d6a244e2a60023388bb6","weight":0.20325,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af8ff4dc14a4001c88a2d1","weight":0.20285,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a198f639c73c91c0a33a230","weight":0.10102,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55c0a6258b30024511c78","source":"ideaofintellection","title":"エウロパ","excerpt":"木星の衛星エウロパには、火山のある衛星イオから届くはずの硫酸が見られないが、エウロパの地下海に熱水活動があれば硫酸が除去できることが実験で示された。これは生命に適した環境でもある。","text":"エウロパ\n木星の衛星エウロパには、火山のある衛星イオから届くはずの硫酸が見られないが、エウロパの地下海に熱水活動があれば硫酸が除去できることが実験で示された。これは生命に適した環境でもある。\nエウロパの海は太陽系で最大だ。 生物もいる可能性がある。\n[https://scrapbox.io/files/65c55c568630450023270a73.jpeg]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%82%A6%E3%83%AD%E3%83%91","updated":1723054048,"position":[32.6005,37.8807,16.6359],"cluster":"c17","subgroup":"c17.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12635,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c230bb5d9c390024bccb57","weight":0.12635,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55c88576ffc0023cdf37f","source":"ideaofintellection","title":"DNA 水平転移","excerpt":"DNAは、世代を超えて伝播する（垂直伝播）以外に、種を超えて伝播（水平伝播）する。 種ごとのDNAが世代から世代へと垂直に伝えられるのに対し、異なる種のDNAが侵入してゲノムに付加されたり、その一部が置き換わったりすることがある。","text":"DNA 水平転移\nDNAは、世代を超えて伝播する（垂直伝播）以外に、種を超えて伝播（水平伝播）する。 種ごとのDNAが世代から世代へと垂直に伝えられるのに対し、異なる種のDNAが侵入してゲノムに付加されたり、その一部が置き換わったりすることがある。 \n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/DNA%20%E6%B0%B4%E5%B9%B3%E8%BB%A2%E7%A7%BB","updated":1723054038,"position":[3.3843,-66.0009,-5.4951],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0872,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64d0b271472664001b9378b4","weight":0.0872,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55ccd0e4de2002613d6c4","source":"ideaofintellection","title":"ニュートリノ","excerpt":"スイス・ジュネーブの欧州合同原子核研究機関（CERN）からニュートリノを発射し、約730キロメートル離れたイタリアのグランサッソ研究所にある観測装置で検出した。 約1万6000回のデータから、ニュートリノは光よりも60ナノ（ナノは10億分の1）秒早く到達し光速を上回ったと結論づけた。","text":"ニュートリノ\nスイス・ジュネーブの欧州合同原子核研究機関（CERN）からニュートリノを発射し、約730キロメートル離れたイタリアのグランサッソ研究所にある観測装置で検出した。 約1万6000回のデータから、ニュートリノは光よりも60ナノ（ナノは10億分の1）秒早く到達し光速を上回ったと結論づけた。\nhttps://ja.wikipedia.org/wiki/ニュートリノ\nhttps://www.google.com/search?q=ニュートリノ&rlz=1C5CHFA_enJP954JP954&oq=ニュートリノ&gs_lcrp=EgZjaHJvbWUqCQgAEEUYOxiABDIJCAAQRRg7GIAEMgcIARAAGIAEMgcIAhAAGIAEMgcIAxAAGIAEMgcIBBAAGIAEMgcIBRAAGIAEMgcIBhAAGIAEMgYIBxBFGDzSAQcxNjhqMGo3qAIAsAIA&sourceid=chrome&ie=UTF-8\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8B%E3%83%A5%E3%83%BC%E3%83%88%E3%83%AA%E3%83%8E","updated":1723052238,"position":[-24.7371,-73.1043,64.8491],"cluster":"c04","subgroup":"c04.02","degree":12,"referenceDegree":0,"maxSimilarity":0.56305,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55ce05e83ba0025e0c121","weight":0.56305,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65caaf34daea0b0024cc77e4","weight":0.34824,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66471de9675d91001c2cf435","weight":0.29793,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d6a244e2a60023388bb6","weight":0.21514,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ae97085970025360276","weight":0.21083,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2b1b06757a001d4263fa","weight":0.20603,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.20583,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a3e716f69000235f9df8","weight":0.205,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55ce05e83ba0025e0c121","source":"ideaofintellection","title":"タウニュートリノ","excerpt":"タウニュートリノは、素粒子標準模型における第三世代のニュートリノである。レプトンの三世代構造において、同じく第三世代の荷電レプトンであるタウ粒子と対をなすため、タウニュートリノと名付けられた。","text":"タウニュートリノ\nタウニュートリノは、素粒子標準模型における第三世代のニュートリノである。レプトンの三世代構造において、同じく第三世代の荷電レプトンであるタウ粒子と対をなすため、タウニュートリノと名付けられた。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BF%E3%82%A6%E3%83%8B%E3%83%A5%E3%83%BC%E3%83%88%E3%83%AA%E3%83%8E","updated":1723054023,"position":[-24.3356,-73.2806,64.8893],"cluster":"c04","subgroup":"c04.02","degree":13,"referenceDegree":0,"maxSimilarity":0.56305,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55ccd0e4de2002613d6c4","weight":0.56305,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66471de9675d91001c2cf435","weight":0.32431,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65caaf34daea0b0024cc77e4","weight":0.302,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d6a244e2a60023388bb6","weight":0.21156,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.21007,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f67e8d94d9900242299bd","weight":0.20919,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.20912,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2b1b06757a001d4263fa","weight":0.20843,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55d6077488900235be53a","source":"ideaofintellection","title":"丹","excerpt":"あか。に。あかい色。「丹朱」「丹頂」 ②まごころ。","text":"丹\nあか。に。あかい色。「丹朱」「丹頂」 ②まごころ。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%B9","updated":1723052479,"position":[-67.7744,39.3657,-102.8381],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04291,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c55da39618780025decc41","source":"ideaofintellection","title":"細胞内共生説","excerpt":"細胞内共生説とは、真核生物の起源を説明する仮説。真核生物がもつ細胞小器官、特にミトコンドリアや葉緑体は細胞内共生した好気性細菌およびシアノバクテリアに由来するとする。1883年にフランスの植物学者アンドレアス・シンパーが葉緑体の起源に関連して、2つの生物の共生という概念を提唱した。","text":"細胞内共生説\n細胞内共生説とは、真核生物の起源を説明する仮説。真核生物がもつ細胞小器官、特にミトコンドリアや葉緑体は細胞内共生した好気性細菌およびシアノバクテリアに由来するとする。1883年にフランスの植物学者アンドレアス・シンパーが葉緑体の起源に関連して、2つの生物の共生という概念を提唱した。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%B4%B0%E8%83%9E%E5%86%85%E5%85%B1%E7%94%9F%E8%AA%AC","updated":1723052472,"position":[28.9624,38.144,-24.004],"cluster":"c15","subgroup":"c15.01","degree":2,"referenceDegree":0,"maxSimilarity":0.18453,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c22a5f0d24130026ed2a1b","weight":0.18453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a13383e1e800988e55e8b4f","weight":0.1656,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55e1f0b739500254e67c6","source":"ideaofintellection","title":"シンカイサクウオ","excerpt":"「スネイルフィッシュ」は、和名を「シンカイクサウオ」","text":"シンカイサクウオ\n「スネイルフィッシュ」は、和名を「シンカイクサウオ」\nこれまで魚の生息が確認された最深の場所は、世界で最も深い海として知られるマリアナ海溝の水深8178ｍでした。今回発見された場所はそれよりも150ｍ以上深く、ギネス記録として登録されることになりました。\n\nなお、浸透圧などの理論上、魚が生存できるは水深8200～8400mくらいまでだろうと推測されており、今後記録が更新されるとしても数m前後であろうと専門家は予測しています。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%B3%E3%82%AB%E3%82%A4%E3%82%B5%E3%82%AF%E3%82%A6%E3%82%AA","updated":1723052462,"position":[-38.0017,40.1859,-125.2338],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08256,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c55e83345b2e0026b3a05e","source":"ideaofintellection","title":"潔","excerpt":"水と、音符絜(ケツ)とから成る。水のきれいなさま、ひいて「いさぎよい」意を表す。","text":"潔\n水と、音符絜(ケツ)とから成る。水のきれいなさま、ひいて「いさぎよい」意を表す。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%BD%94","updated":1723052450,"position":[18.7305,-69.4906,-1.1901],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1494,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656cacd1881aff002486e6bf","weight":0.1494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e670967b0a002429898b","weight":0.08591,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c55ecd8630450023271898","source":"ideaofintellection","title":"ラパザ","excerpt":"「ラパザ（Rapaza viridis）」という生き物が、まさに”現在進行形の植物化”を体現する生物でした。","text":"ラパザ\n「ラパザ（Rapaza viridis）」という生き物が、まさに”現在進行形の植物化”を体現する生物でした。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%83%91%E3%82%B6","updated":1723052439,"position":[-18.1917,15.4383,14.0707],"cluster":"c07","subgroup":"c07.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13893,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312c1440eb0d00250dd24e","weight":0.13893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c5635877488900235c0887","source":"ideaofintellection","title":"vice versa","excerpt":"逆も然り","text":"vice versa\n逆も然り\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/vice%20versa","updated":1723052427,"position":[-76.3165,15.5649,-126.9805],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03046,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65c5636c6fde0c0026b40334","source":"ideaofintellection","title":"cosmic prasticity","excerpt":"[https://scrapbox.io/files/65f990aa95767400264907ba.mp4]","text":"cosmic prasticity\n[https://scrapbox.io/files/65f990aa95767400264907ba.mp4]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/cosmic%20prasticity","updated":1722964882,"position":[32.0401,-43.9262,99.8354],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 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題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1e31828df0001b3a3e11","weight":0.23974,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c5639777488900235c0b86","source":"ideaofintellection","title":"a priori","excerpt":"アプリオリ（羅: a priori）とは、「より先のものから」を意味するラテン語表現。 中世スコラ学においては「原因・原理から始める演繹的な（推論・議論・認識方法）」という意味で用いられていたが、カント以降は「経験に先立つ先天的・生得的・先験的な（人間の認識条件・認識構造）」という意味で用いられるようになった。","text":"a priori\nアプリオリ（羅: a priori）とは、「より先のものから」を意味するラテン語表現。 中世スコラ学においては「原因・原理から始める演繹的な（推論・議論・認識方法）」という意味で用いられていたが、カント以降は「経験に先立つ先天的・生得的・先験的な（人間の認識条件・認識構造）」という意味で用いられるようになった。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/a%20priori","updated":1723052419,"position":[2.7301,-76.2574,34.5948],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.54894,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3748d5cb0df001bc718b5","weight":0.54894,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a18a59a03708001cec784c","weight":0.08662,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c57174a130540025280884","source":"ideaofintellection","title":"凍ったテムズ川","excerpt":"凍ったテムズ川を描いた絵画（1677年、アブラハム・ホンディウス作","text":"凍ったテムズ川\n凍ったテムズ川を描いた絵画（1677年、アブラハム・ホンディウス作\n[https://scrapbox.io/files/65c57198f505e6002578d1c7.jpeg]\n\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E5%87%8D%E3%81%A3%E3%81%9F%E3%83%86%E3%83%A0%E3%82%BA%E5%B7%9D","updated":1723052404,"position":[28.2084,-44.3567,98.5664],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c5721cdf85d80025285dd8","source":"ideaofintellection","title":"ストロマトライト","excerpt":"ストロマトライトは、光合成バクテリア（以前はラン藻類と呼ばれていた）のコロニーが水中で構築したドーム状あるいは柱状の構造体である。 光合成バクテリアが分泌する粘液に細かい堆積物が海水中の炭酸カルシウムとともに沈着される。","text":"ストロマトライト\nストロマトライトは、光合成バクテリア（以前はラン藻類と呼ばれていた）のコロニーが水中で構築したドーム状あるいは柱状の構造体である。 光合成バクテリアが分泌する粘液に細かい堆積物が海水中の炭酸カルシウムとともに沈着される。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%83%88%E3%83%AD%E3%83%9E%E3%83%88%E3%83%A9%E3%82%A4%E3%83%88","updated":1723052390,"position":[27.9978,37.7608,-22.9391],"cluster":"c15","subgroup":"c15.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09019,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c22a5f0d24130026ed2a1b","weight":0.09019,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65c5724d3ce05500249d2100","source":"ideaofintellection","title":"古代文明と宇宙線イメージング","excerpt":"宇宙線イメージングにより、2016年に切妻型の石組み構造「シェブロン」の背後に通路状の空間を発見。","text":"古代文明と宇宙線イメージング\n宇宙線イメージングにより、2016年に切妻型の石組み構造「シェブロン」の背後に通路状の空間を発見。\n[https://scrapbox.io/files/66b3b4dc0bd0f6001cda428a.png]\n\nhttps://project.nikkeibp.co.jp/onestep/nextculture/00019/\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E5%8F%A4%E4%BB%A3%E6%96%87%E6%98%8E%E3%81%A8%E5%AE%87%E5%AE%99%E7%B7%9A%E3%82%A4%E3%83%A1%E3%83%BC%E3%82%B8%E3%83%B3%E3%82%B0","updated":1723053452,"position":[-23.8162,-73.5441,65.5415],"cluster":"c04","subgroup":"c04.02","degree":12,"referenceDegree":0,"maxSimilarity":0.21114,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.21114,"type":"similarity","reason":"共通タグ 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題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cede322d037e0025837bb1","source":"ideaofintellection","title":"西行桜","excerpt":"[https://scrapbox.io/files/65cede43ed206b0023f1989a.jpeg] #visual","text":"西行桜\n[https://scrapbox.io/files/65cede43ed206b0023f1989a.jpeg]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E8%A5%BF%E8%A1%8C%E6%A1%9C","updated":1722968966,"position":[29.7198,-43.3576,99.178],"cluster":"c14","subgroup":"c14.01","degree":40,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5636c6fde0c0026b40334","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c57174a130540025280884","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cede7ec9dd0e00255b42c9","source":"ideaofintellection","title":"禁裏御用","excerpt":"明治以前、幕末までは、御所から直々に注文（これを「御用」という）を受け、商品を納入する許可を得た特定の業者を「禁裏御用」といった。 商人や職人からしてみれば、御所からの御用を務めるということは非常に栄誉なことだった。 明治以降、禁裏御用は「宮内省御用達」へと呼称が変わる。","text":"禁裏御用\n明治以前、幕末までは、御所から直々に注文（これを「御用」という）を受け、商品を納入する許可を得た特定の業者を「禁裏御用」といった。 商人や職人からしてみれば、御所からの御用を務めるということは非常に栄誉なことだった。 明治以降、禁裏御用は「宮内省御用達」へと呼称が変わる。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%A6%81%E8%A3%8F%E5%BE%A1%E7%94%A8","updated":1722968956,"position":[-36.0963,20.1102,-141.1638],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04118,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65cedeaf832d2000259a916b","source":"ideaofintellection","title":"烏帽子えぼし","excerpt":"古代以来の男性の冠物(かぶりもの)の一種。 字義は黒塗りの帽子ということ。","text":"烏帽子えぼし\n古代以来の男性の冠物(かぶりもの)の一種。 字義は黒塗りの帽子ということ。\n[https://scrapbox.io/files/65cedef8c9dd0e00255b4a0c.jpeg]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%83%8F%E5%B8%BD%E5%AD%90%E3%81%88%E3%81%BC%E3%81%97","updated":1722968945,"position":[-39.7646,15.1972,-150.0981],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04744,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65cedf18c9dd0e00255b4be6","source":"ideaofintellection","title":"神・男・女・狂・鬼","excerpt":"企画展 能の世界―神・男・女・狂・鬼― 能楽は日本の伝統芸能のひとつであり、600年の歴史を刻んだ舞台芸術です。 200曲以上あると言われる能の演目を分類する言葉に「神・男・女・狂・鬼(しん・なん・にょ・きょう・き)」があります。","text":"神・男・女・狂・鬼\n企画展 能の世界―神・男・女・狂・鬼― 能楽は日本の伝統芸能のひとつであり、600年の歴史を刻んだ舞台芸術です。 200曲以上あると言われる能の演目を分類する言葉に「神・男・女・狂・鬼(しん・なん・にょ・きょう・き)」があります。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%A5%9E%E3%83%BB%E7%94%B7%E3%83%BB%E5%A5%B3%E3%83%BB%E7%8B%82%E3%83%BB%E9%AC%BC","updated":1722968929,"position":[-33.1715,4.3953,-138.7862],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05275,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65cedf4ce9f5100024deee8b","source":"ideaofintellection","title":"松風は琴の調べ","excerpt":"松の葉を擦るように通る風の音が琴の様である。","text":"松風は琴の調べ\n松の葉を擦るように通る風の音が琴の様である。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E6%9D%BE%E9%A2%A8%E3%81%AF%E7%90%B4%E3%81%AE%E8%AA%BF%E3%81%B9","updated":1722968914,"position":[49.8672,-49.717,35.3749],"cluster":"c02","subgroup":"c02.02","degree":9,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee84a69b1ef4001d8f4438","weight":0.21597,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f03820bb53f10024489df4","weight":0.21514,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7434355300001cbfa006","weight":0.21417,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971ad970fe70025ea4a20","weight":0.21132,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6b1baac46f001c052de1","weight":0.20681,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c17225c0310024e2eb6d","weight":0.20679,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a3682eff4700237ba72e","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cedf860d78230024723f8d","source":"ideaofintellection","title":"草木国土悉皆成仏","excerpt":"草木や国土のような心識をもたないものも，すべて仏性を有するので，ことごとく仏となりうる","text":"草木国土悉皆成仏\n草木や国土のような心識をもたないものも，すべて仏性を有するので，ことごとく仏となりうる\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%8D%89%E6%9C%A8%E5%9B%BD%E5%9C%9F%E6%82%89%E7%9A%86%E6%88%90%E4%BB%8F","updated":1722968903,"position":[-49.3969,8.7524,-94.8696],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08262,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65cedfb1634dd60024d57a93","source":"ideaofintellection","title":"円空仏","excerpt":"円空は、江戸時代前期の修験僧・仏師・歌人。特に、各地に「円空仏」と呼ばれる独特の作風を持った木彫りの仏像を残したことで知られる。 円空は一説に生涯に約12万体の仏像を彫ったと推定され、現在までに約5,300体以上の像が発見されている。円空仏は全国に所在し、北は北海道・青森県、南は三重県、奈良県までおよぶ。","text":"円空仏\n円空は、江戸時代前期の修験僧・仏師・歌人。特に、各地に「円空仏」と呼ばれる独特の作風を持った木彫りの仏像を残したことで知られる。 円空は一説に生涯に約12万体の仏像を彫ったと推定され、現在までに約5,300体以上の像が発見されている。円空仏は全国に所在し、北は北海道・青森県、南は三重県、奈良県までおよぶ。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%86%86%E7%A9%BA%E4%BB%8F","updated":1722968889,"position":[-40.6228,47.3621,-134.2133],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03873,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65cedfcbcd47500024cfba45","source":"ideaofintellection","title":"室町時代の田植え","excerpt":"踊り、鼓動","text":"室町時代の田植え\n踊り、鼓動\n[https://scrapbox.io/files/65cedfde4805030023124e7f.jpeg]\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E5%AE%A4%E7%94%BA%E6%99%82%E4%BB%A3%E3%81%AE%E7%94%B0%E6%A4%8D%E3%81%88","updated":1722968876,"position":[48.4493,-49.5351,35.7749],"cluster":"c02","subgroup":"c02.02","degree":10,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b33433ca160023df08a1","weight":0.21498,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a38bfa0a7b0023062b89","weight":0.21264,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b4e8761b6f0023a9a1a0","weight":0.21159,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b2804538eb00237f7830","weight":0.21143,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663224956855af00258f20bc","weight":0.20729,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.20345,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a3682eff4700237ba72e","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee01fca852100255de2a4","source":"ideaofintellection","title":"一ツ頭","excerpt":"一ツ頭（ヒトツガシラ）…能の掛け声「イヤー」と音の種類","text":"一ツ頭\n一ツ頭（ヒトツガシラ）…能の掛け声「イヤー」と音の種類\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%80%E3%83%84%E9%A0%AD","updated":1722968865,"position":[49.3038,-49.9129,35.8619],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.24822,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24822,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b4e8761b6f0023a9a1a0","weight":0.22843,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.21947,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7434355300001cbfa006","weight":0.21121,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee26ee33845002540cc07","weight":0.20969,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.20693,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2830c3a7760023fc8ed6","weight":0.20377,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee079bbecb500252873e4","source":"ideaofintellection","title":"円熟","excerpt":"十分に熟達して、ゆたかな中身をもつに至ること。","text":"円熟\n十分に熟達して、ゆたかな中身をもつに至ること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%86%86%E7%86%9F","updated":1722968846,"position":[-45.2656,14.8013,-113.302],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06079,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65cee0b940de8e0024e0e41e","source":"ideaofintellection","title":"トーキングドラム","excerpt":"ふだんの生活で使われる言葉の中で，まるで音楽のように上がり下がりのある言葉の長短や強弱，高低などをドラムでまねして，聞き手に伝えようとしています。","text":"トーキングドラム\nふだんの生活で使われる言葉の中で，まるで音楽のように上がり下がりのある言葉の長短や強弱，高低などをドラムでまねして，聞き手に伝えようとしています。\n[https://scrapbox.io/files/65cee0ee832e620024bfc801.jpeg]\n\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%BC%E3%82%AD%E3%83%B3%E3%82%B0%E3%83%89%E3%83%A9%E3%83%A0","updated":1722968838,"position":[48.2682,-50.2053,34.9419],"cluster":"c02","subgroup":"c02.02","degree":11,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.23293,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a33ce0d53700245258e4","weight":0.22649,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee26ee33845002540cc07","weight":0.21954,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee19901baf80025e26aa3","weight":0.2181,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.21707,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.21606,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7211863754001df743aa","weight":0.20863,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee13d0b539d0025c74e48","source":"ideaofintellection","title":"声調言語","excerpt":"tone language","text":"声調言語\ntone language\n社会習慣として一定した声調の型をもち，それらが弁別的体系をなす，すなわち声調素を有すると認定される言語をいう。 中国語，ベトナム語，タイ語，セルボ＝クロアチア語，アフリカのエフィク語，イボ語，ヨルバ語，メキシコのミシュテカ語，マサテカ語\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E5%A3%B0%E8%AA%BF%E8%A8%80%E8%AA%9E","updated":1722968827,"position":[49.2403,-50.522,35.668],"cluster":"c02","subgroup":"c02.02","degree":9,"referenceDegree":0,"maxSimilarity":0.35359,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee26ee33845002540cc07","weight":0.35359,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.27228,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.23113,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.22819,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","weight":0.21312,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.21311,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c1a3f0a4890024ab6a4b","weight":0.20896,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee19901baf80025e26aa3","source":"ideaofintellection","title":"チャングー　楽器","excerpt":"[https://scrapbox.io/files/65cee1a80eb32f00247b4525.jpeg] #sound","text":"チャングー　楽器\n[https://scrapbox.io/files/65cee1a80eb32f00247b4525.jpeg]\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%81%E3%83%A3%E3%83%B3%E3%82%B0%E3%83%BC%E3%80%80%E6%A5%BD%E5%99%A8","updated":1722968819,"position":[49.2175,-50.7007,35.081],"cluster":"c02","subgroup":"c02.02","degree":10,"referenceDegree":0,"maxSimilarity":0.35036,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.35036,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.22478,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be1d35892400245552b9","weight":0.22098,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","weight":0.22019,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee0b940de8e0024e0e41e","weight":0.2181,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee84a69b1ef4001d8f4438","weight":0.21515,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659395aec1f2710023d93b45","weight":0.15022,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee1e73fb71e002473b525","source":"ideaofintellection","title":"吉野蔵王堂","excerpt":"[https://scrapbox.io/files/65cee209a9bd2700271743e3.jpeg] #visual","text":"吉野蔵王堂\n[https://scrapbox.io/files/65cee209a9bd2700271743e3.jpeg]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E5%90%89%E9%87%8E%E8%94%B5%E7%8E%8B%E5%A0%82","updated":1722968809,"position":[29.8093,-43.4716,99.4472],"cluster":"c14","subgroup":"c14.01","degree":40,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5636c6fde0c0026b40334","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c57174a130540025280884","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee22ccd47500024cfd9a3","source":"ideaofintellection","title":"2022 四天王寺","excerpt":"聖徳太子（574～622）が開いた四天王寺（大阪市天王寺区）で22日、太子の1400年遠忌法要を締めくくる結願（けちがん）法要があった。 境内の六時堂の前に設けた舞台で、お経に節をつけた声明（しょうみょう）や舞楽を奉納して太子の遺徳をしのんだ。","text":"2022 四天王寺\n聖徳太子（574～622）が開いた四天王寺（大阪市天王寺区）で22日、太子の1400年遠忌法要を締めくくる結願（けちがん）法要があった。 境内の六時堂の前に設けた舞台で、お経に節をつけた声明（しょうみょう）や舞楽を奉納して太子の遺徳をしのんだ。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/2022%20%E5%9B%9B%E5%A4%A9%E7%8E%8B%E5%AF%BA","updated":1722968796,"position":[-5.9203,79.2747,75.5133],"cluster":"c19","subgroup":"c19.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10961,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6680d1c6aa4d8b001cca5945","weight":0.10961,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee26ee33845002540cc07","source":"ideaofintellection","title":"音調言語","excerpt":"１ 音の高低。 ２ 話し言葉における音の高低や調子。 アクセントやイントネーションなど。 ３ 詩文における韻律。","text":"音調言語\n１ 音の高低。 ２ 話し言葉における音の高低や調子。 アクセントやイントネーションなど。 ３ 詩文における韻律。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E9%9F%B3%E8%AA%BF%E8%A8%80%E8%AA%9E","updated":1722968787,"position":[48.806,-50.1537,35.7787],"cluster":"c02","subgroup":"c02.02","degree":11,"referenceDegree":0,"maxSimilarity":0.35359,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee13d0b539d0025c74e48","weight":0.35359,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f97264ba8bf90023e98a98","weight":0.25473,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a33ce0d53700245258e4","weight":0.23708,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.22957,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.22112,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee0b940de8e0024e0e41e","weight":0.21954,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7434355300001cbfa006","weight":0.21153,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee29291052e00252acacb","source":"ideaofintellection","title":"謡","excerpt":"能の声楽部分が「謡」です。 シテやワキなどの登場人物によって謡われるものと地謡（じうたい）によって謡われるものがあります。 せりふにも独特の節回しがあり、せりふも含めて声によって謡われるもの全体を「謡」と呼んでいます。 謡の発声は、腹式呼吸を基本とし、あごを引き、のどぼとけを下げるようにして、息とともに声を出します。","text":"謡\n能の声楽部分が「謡」です。 シテやワキなどの登場人物によって謡われるものと地謡（じうたい）によって謡われるものがあります。 せりふにも独特の節回しがあり、せりふも含めて声によって謡われるもの全体を「謡」と呼んでいます。 謡の発声は、腹式呼吸を基本とし、あごを引き、のどぼとけを下げるようにして、息とともに声を出します。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E8%AC%A1","updated":1722968780,"position":[49.2332,-50.0161,35.1105],"cluster":"c02","subgroup":"c02.02","degree":73,"referenceDegree":0,"maxSimilarity":0.24957,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631bf3a47448c002598d2f1","weight":0.24957,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f03820bb53f10024489df4","weight":0.24904,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa64a84653b5001c65831a","weight":0.24836,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee01fca852100255de2a4","weight":0.24822,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","weight":0.24778,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fbf2cb588d0024bd3cad","weight":0.2434,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee821a53dc94001ca081fb","weight":0.24336,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b2804538eb00237f7830","weight":0.24193,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee2fe832e620024bfe99f","source":"ideaofintellection","title":"構造方程式モデリング","excerpt":"構造方程式モデリング（SEM：Structural Equation Modeling）とは、仮説として設定した多数の変数間の関係を、線形結合の形にモデリングして行う分析をいう。仮説の妥当性を検証する際に、特に有用な分析手法である。構造方程式モデリングでは、相関分析、回帰分析、因子分析を統合した分析が可能であり、メリットとして、潜在変数と呼ばれる直接は観測できない因子を含めての分析を行える点や、一つの分析内で複数の従属変数を設定できる点が挙げられる。","text":"構造方程式モデリング\n構造方程式モデリング（SEM：Structural Equation Modeling）とは、仮説として設定した多数の変数間の関係を、線形結合の形にモデリングして行う分析をいう。仮説の妥当性を検証する際に、特に有用な分析手法である。構造方程式モデリングでは、相関分析、回帰分析、因子分析を統合した分析が可能であり、メリットとして、潜在変数と呼ばれる直接は観測できない因子を含めての分析を行える点や、一つの分析内で複数の従属変数を設定できる点が挙げられる。\n[https://scrapbox.io/files/65cee32940de8e0024e11139.png]\n#analysis\n","tags":["analysis"],"links":["analysis"],"url":"https://scrapbox.io/ideaofintellection/%E6%A7%8B%E9%80%A0%E6%96%B9%E7%A8%8B%E5%BC%8F%E3%83%A2%E3%83%87%E3%83%AA%E3%83%B3%E3%82%B0","updated":1722968771,"position":[-19.8043,-16.79,-20.8662],"cluster":"c11","subgroup":"c11.01","degree":12,"referenceDegree":0,"maxSimilarity":0.26361,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee357eb552a0028561d6e","weight":0.26361,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ec9ff1ba97f200232a72c7","weight":0.25007,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2a1a00d24130026f0ebc4","weight":0.21352,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1bdaa2083cc002353c730","weight":0.21214,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e7234ada047f0026479afe","weight":0.20914,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee550d29c9c0025c68211","weight":0.2059,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af374a6b9ef6001ce225b3","weight":0.20241,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fb7eb66cf90026613b1f","weight":0.20233,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee357eb552a0028561d6e","source":"ideaofintellection","title":"カイザー基準","excerpt":"カイザー基準とは、相関行列の固有値1以上の数を因子数とするものを指します。 因子分析では観測変数の相関行列を扱い、相関行列に対して固有値という値が計算されます。 相関行列とは、「複数の変数間の相関係数を行列の形式でまとめたもの」であり、統計学の分野で広く使われます","text":"カイザー基準\nカイザー基準とは、相関行列の固有値1以上の数を因子数とするものを指します。 因子分析では観測変数の相関行列を扱い、相関行列に対して固有値という値が計算されます。 相関行列とは、「複数の変数間の相関係数を行列の形式でまとめたもの」であり、統計学の分野で広く使われます\n#analysis\n","tags":["analysis"],"links":["analysis"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%82%A4%E3%82%B6%E3%83%BC%E5%9F%BA%E6%BA%96","updated":1722968760,"position":[-19.7453,-16.5687,-20.8368],"cluster":"c11","subgroup":"c11.01","degree":10,"referenceDegree":0,"maxSimilarity":0.26361,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.26361,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1bdaa2083cc002353c730","weight":0.23308,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee550d29c9c0025c68211","weight":0.21485,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e7234ada047f0026479afe","weight":0.20481,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fb7eb66cf90026613b1f","weight":0.20388,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ec9ff1ba97f200232a72c7","weight":0.20277,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2a1a00d24130026f0ebc4","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee37ce9f5100024df3a58","source":"ideaofintellection","title":"純粋記憶","excerpt":"ベルグソンは，習慣も過去に定着した運動機構の保持と再生であるとして，それを〈習慣‐記憶〉と呼んだ。 さらに彼は，事物の時間的生成が過去の絶えざる累積であることを〈純粋記憶〉と言い表している。","text":"純粋記憶\nベルグソンは，習慣も過去に定着した運動機構の保持と再生であるとして，それを〈習慣‐記憶〉と呼んだ。 さらに彼は，事物の時間的生成が過去の絶えざる累積であることを〈純粋記憶〉と言い表している。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%B4%94%E7%B2%8B%E8%A8%98%E6%86%B6","updated":1722968737,"position":[10.9457,-76.8852,36.2933],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10495,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65939714ca22e00023404a85","weight":0.10495,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee3aa01baf80025e29777","source":"ideaofintellection","title":"大倉源次郎","excerpt":"能楽 囃子方 大倉流小鼓方十六世宗家、大鼓方宗家 人間国宝","text":"大倉源次郎\n能楽 囃子方 大倉流小鼓方十六世宗家、大鼓方宗家 人間国宝\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%A7%E5%80%89%E6%BA%90%E6%AC%A1%E9%83%8E","updated":1722968727,"position":[-51.6964,13.9064,-107.6206],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10312,"lowEvidence":true,"neighbors":[{"id":"NextResearch:656cc577ef461900232637ef","weight":0.10312,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee4a9832d2000259ae99b","source":"ideaofintellection","title":"アンティキティラ島の機械","excerpt":"アンティキティラ島の機械は、アンティキティラ島近海の沈没船から発見された古代ギリシア時代の遺物で、天体運行を計算するため作られた手回し式の太陽系儀であると推定されている。オーパーツの一つ。","text":"アンティキティラ島の機械\n[https://scrapbox.io/files/65cee4f685da9a0024aee6f7.webp]\n\nアンティキティラ島の機械は、アンティキティラ島近海の沈没船から発見された古代ギリシア時代の遺物で、天体運行を計算するため作られた手回し式の太陽系儀であると推定されている。オーパーツの一つ。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%83%86%E3%82%A3%E3%82%AD%E3%83%86%E3%82%A3%E3%83%A9%E5%B3%B6%E3%81%AE%E6%A9%9F%E6%A2%B0","updated":1723053442,"position":[-23.9076,-73.2522,65.6446],"cluster":"c04","subgroup":"c04.02","degree":8,"referenceDegree":0,"maxSimilarity":0.20844,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c559e071ec52002340dd47","weight":0.20844,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66471de9675d91001c2cf435","weight":0.20828,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","weight":0.20803,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ae97085970025360276","weight":0.20447,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a509ee92770025dcee18","weight":0.20387,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54ae8708597002535d050","weight":0.20383,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5724d3ce05500249d2100","weight":0.20314,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e38c8b159d8c001b1bad34","weight":0.08507,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee550d29c9c0025c68211","source":"ideaofintellection","title":"クロンバックのαの係数","excerpt":"クロンバックのα係数：","text":"クロンバックのαの係数\nクロンバックのα係数：\n信頼性が高いと見るには少なくとも0.7以上は必要とされています。\n複数の検者によって検査・測定されたデータの信頼性（精度，再現性）を意味します． つまり，複数の検者が検査・測定を行ったときに値がどれくらい一致するか，検者どうしの一貫性およびバラツキを表す指標になります．\n#analysis\n","tags":["analysis"],"links":["analysis"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%83%AD%E3%83%B3%E3%83%90%E3%83%83%E3%82%AF%E3%81%AE%CE%B1%E3%81%AE%E4%BF%82%E6%95%B0","updated":1722968705,"position":[-19.7833,-16.6883,-20.7134],"cluster":"c11","subgroup":"c11.01","degree":11,"referenceDegree":0,"maxSimilarity":0.21485,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee357eb552a0028561d6e","weight":0.21485,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1bdaa2083cc002353c730","weight":0.21209,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.2059,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ec9ff1ba97f200232a72c7","weight":0.20211,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e7234ada047f0026479afe","weight":0.20174,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2a1a00d24130026f0ebc4","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fb7eb66cf90026613b1f","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65cee58df253600025d13298","source":"ideaofintellection","title":"春日若宮御祭","excerpt":"春日若宮おん祭 (春日大社) かすがわかみやおんまつり","text":"春日若宮御祭\n春日若宮おん祭 (春日大社) かすがわかみやおんまつり\n春日大社摂社若宮神社の例祭。 平安末期の保延2年(1136年)に、関白藤原忠通が五穀豊穣を祈って始めた祭りといわれ、以来一度も途切れることなく行われています。 12月17日正午からの「お渡り式」では、時代行列をご覧いただくことができます。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%98%A5%E6%97%A5%E8%8B%A5%E5%AE%AE%E5%BE%A1%E7%A5%AD","updated":1722968690,"position":[-64.3406,39.0105,-121.4267],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.03626,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65cee5df83dbd90024576c40","source":"ideaofintellection","title":"五番立","excerpt":"能の正式上演形式の一つ。 一日の番組を脇能物（神能）、修羅物、鬘(かずら)物（女能）、雑物（物狂能など）、切能物（鬼能）の順に上演すること。 また、その能番組。 通常、脇能物の前に「翁」が、能と能との間に狂言が演じられる。","text":"五番立\n能の正式上演形式の一つ。 一日の番組を脇能物（神能）、修羅物、鬘(かずら)物（女能）、雑物（物狂能など）、切能物（鬼能）の順に上演すること。 また、その能番組。 通常、脇能物の前に「翁」が、能と能との間に狂言が演じられる。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%94%E7%95%AA%E7%AB%8B","updated":1722968681,"position":[-33.6654,27.3352,-133.5088],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06474,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65d2aafe72a4fd0025276c66","source":"ideaofintellection","title":"プラトン・アカデミー","excerpt":"メディチ家当主のコジモ（1389年-1464年）は、古代ギリシア哲学、特にプラトンの思想に強い関心を持っていた。1439年のフィレンツェ公会議の際に東ローマ帝国の代表団の一人としてやってきた哲学者プレトンが行ったプラトン講義をきっかけに、フィレンツェではプラトン哲学への関心が高まっていたのである。","text":"プラトン・アカデミー\nメディチ家当主のコジモ（1389年-1464年）は、古代ギリシア哲学、特にプラトンの思想に強い関心を持っていた。1439年のフィレンツェ公会議の際に東ローマ帝国の代表団の一人としてやってきた哲学者プレトンが行ったプラトン講義をきっかけに、フィレンツェではプラトン哲学への関心が高まっていたのである。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%97%E3%83%A9%E3%83%88%E3%83%B3%E3%83%BB%E3%82%A2%E3%82%AB%E3%83%87%E3%83%9F%E3%83%BC","updated":1722968669,"position":[32.257,-60.5027,-39.0975],"cluster":"c26","subgroup":"c26.01","degree":6,"referenceDegree":0,"maxSimilarity":0.24184,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559ef6a9f5cc5001b7fac92","weight":0.24184,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:655a02633d53fc001be347cc","weight":0.22602,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65564567d3e12b001c8ef1a0","weight":0.15033,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e38c8b159d8c001b1bad34","weight":0.14577,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc46ffd1cf7bda0a920d2","weight":0.14307,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659393f1cd595d002588f415","weight":0.11421,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65d2ab365a53600024e49f11","source":"ideaofintellection","title":"聖ルカ組合","excerpt":"聖ルカ組合とは、近代初期のヨーロッパ、特にネーデルラントで画家など芸術家のギルドのほとんどに共通してつけられた名称である。聖ルカの名称はダマスコのヨハネによって聖母の肖像を描いたとされた芸術家の守護聖人ルカにちなむ。","text":"聖ルカ組合\n聖ルカ組合とは、近代初期のヨーロッパ、特にネーデルラントで画家など芸術家のギルドのほとんどに共通してつけられた名称である。聖ルカの名称はダマスコのヨハネによって聖母の肖像を描いたとされた芸術家の守護聖人ルカにちなむ。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%81%96%E3%83%AB%E3%82%AB%E7%B5%84%E5%90%88","updated":1722968660,"position":[-37.2623,-3.3817,56.5523],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08704,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d45561ecbd14001345298d","weight":0.08704,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65d2b1536bf13800231041f7","source":"ideaofintellection","title":"ウィトルウィウス","excerpt":"古代ローマ時代の建築家ヴィトルヴィウス(建築十書)から提唱される建築の3大要素『用・強・美』ですが、現代の表現で表すと… 用(機能性・使いやすさ)、強(安全性・耐久性)、美(美しさ・こだわりのデザイン)などになります。","text":"ウィトルウィウス\n古代ローマ時代の建築家ヴィトルヴィウス(建築十書)から提唱される建築の3大要素『用・強・美』ですが、現代の表現で表すと… 用(機能性・使いやすさ)、強(安全性・耐久性)、美(美しさ・こだわりのデザイン)などになります。\n『ウィトルウィウス的人体図』は、「人間の普遍的なプロポーション」をビジュアル化したものです。 成人の裸の男性が、両手、両足のポーズを変えると、正方形と円のどちらにも収まるように描かれています。 30代だったダ・ヴィンチ自身ではないかという説もありますが、強い根拠があるわけではありません。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A6%E3%82%A3%E3%83%88%E3%83%AB%E3%82%A6%E3%82%A3%E3%82%A6%E3%82%B9","updated":1722965686,"position":[28.4763,41.5579,14.3917],"cluster":"c17","subgroup":"c17.01","degree":2,"referenceDegree":0,"maxSimilarity":0.51327,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6aba881eeb76c9b581ab59e7","weight":0.51327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6680d16301bab8001c01ba67","weight":0.09363,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65d2cef0c204dd00254ffa56","source":"ideaofintellection","title":"Leonardo da Vinci","excerpt":"椎名林檎, Gottfired Schlug","text":"Leonardo da Vinci\n椎名林檎, Gottfired Schlug\n[https://scrapbox.io/files/65d2cf1d0d988000256c5802.jpeg]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/Leonardo%20da%20Vinci","updated":1722965658,"position":[51.2714,-48.6787,34.8765],"cluster":"c02","subgroup":"c02.03","degree":4,"referenceDegree":0,"maxSimilarity":0.42661,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6680dbc6a757a7001c2c1de2","weight":0.42661,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:680fbeb160ddf1a7895c9fca","weight":0.32372,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6a4fa06db50024c03a6e","weight":0.22568,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68fed3d204882cceb1f2acc5","weight":0.18998,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65d33a678aadce00241ddd16","source":"ideaofintellection","title":"量子誤り訂正","excerpt":"米Google（グーグル）は2023年2月22日（米国時間）、量子ビットのエラーを訂正する「量子誤り訂正」の実験に成功したと発表した。 「表面符号」と呼ばれるアルゴリズムを使用し、量子ゲート操作のエラー率を低減させたとする。 量子誤り訂正は実用的な量子コンピューターを生み出すために不可欠な技術である","text":"量子誤り訂正\n\n米Google（グーグル）は2023年2月22日（米国時間）、量子ビットのエラーを訂正する「量子誤り訂正」の実験に成功したと発表した。 「表面符号」と呼ばれるアルゴリズムを使用し、量子ゲート操作のエラー率を低減させたとする。 量子誤り訂正は実用的な量子コンピューターを生み出すために不可欠な技術である\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%87%8F%E5%AD%90%E8%AA%A4%E3%82%8A%E8%A8%82%E6%AD%A3","updated":1722965649,"position":[-18.7609,-17.4956,-20.4341],"cluster":"c11","subgroup":"c11.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12013,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.12013,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c07604dce7c70024721a6c","weight":0.10484,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65d33aa2485ae3002557bbe3","source":"ideaofintellection","title":"量子テレポーテーション","excerpt":"未知の量子状態を未知のまま遠隔地に転送する手段が量子テレポーテーションです。 送受信者間であらかじめ量子もつれ状態と呼ばれる特殊な光のビーム対を共有し、送信者は手元にある光子と送りたい量子状態を一括して測定し、その結果を古典通信で受信者に伝えます。","text":"量子テレポーテーション\n未知の量子状態を未知のまま遠隔地に転送する手段が量子テレポーテーションです。 送受信者間であらかじめ量子もつれ状態と呼ばれる特殊な光のビーム対を共有し、送信者は手元にある光子と送りたい量子状態を一括して測定し、その結果を古典通信で受信者に伝えます。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%87%8F%E5%AD%90%E3%83%86%E3%83%AC%E3%83%9D%E3%83%BC%E3%83%86%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1722965642,"position":[97.4162,-52.7259,-48.5156],"cluster":"c38","subgroup":"c38.01","degree":3,"referenceDegree":0,"maxSimilarity":0.22065,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6734cf9dc131604e684dc160","weight":0.22065,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:671f120389304b42220ea738","weight":0.20556,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d65e5606aa0f4ae01ac0","weight":0.13928,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65d33f668aadce00241e0940","source":"ideaofintellection","title":"量子 NISQアルゴリズム","excerpt":"Noisy Intermediate-Scale Quantum device","text":"量子 NISQアルゴリズム\nNoisy Intermediate-Scale Quantum device\nhttps://colab.research.google.com/github/qulacs/quantum-native-dojo/blob/master/notebooks/2.1_NISQ_and_long_term.ipynb\n#analysis\n","tags":["analysis"],"links":["analysis"],"url":"https://scrapbox.io/ideaofintellection/%E9%87%8F%E5%AD%90%20NISQ%E3%82%A2%E3%83%AB%E3%82%B4%E3%83%AA%E3%82%BA%E3%83%A0","updated":1722965633,"position":[-18.8174,-16.437,-20.906],"cluster":"c11","subgroup":"c11.01","degree":17,"referenceDegree":0,"maxSimilarity":0.38273,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662f6811fb6d2400239ced3e","weight":0.38273,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c657a38b78e4001bc677b4","weight":0.37078,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033e3bdb393c001c8969de","weight":0.317,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033df0e9011b001cb456ca","weight":0.30332,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2a1a00d24130026f0ebc4","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee357eb552a0028561d6e","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee550d29c9c0025c68211","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65d3f91f8dc56a0025808e22","source":"ideaofintellection","title":"フォールトトレラントシステム","excerpt":"フォールトトレラントシステムは、その構成部品の一部が故障しても正常に処理を続行するシステムである。本項目はフォールトトレラントシステムの特定の実装方法に関して記述する。一般的な理論についてはフォールトトレラント設計を参照されたい。","text":"フォールトトレラントシステム\nフォールトトレラントシステムは、その構成部品の一部が故障しても正常に処理を続行するシステムである。本項目はフォールトトレラントシステムの特定の実装方法に関して記述する。一般的な理論についてはフォールトトレラント設計を参照されたい。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A9%E3%83%BC%E3%83%AB%E3%83%88%E3%83%88%E3%83%AC%E3%83%A9%E3%83%B3%E3%83%88%E3%82%B7%E3%82%B9%E3%83%86%E3%83%A0","updated":1722965612,"position":[-29.4421,-153.3907,87.2775],"cluster":"c36","subgroup":"c36.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06688,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65d3f9492f76860025fecaf7","source":"ideaofintellection","title":"tetration 累々乗  超冪","excerpt":"テトレーション（英: tetration）とは、冪乗の次となる4番目のハイパー演算である。 つまり、自らの冪乗を指定された回数反復する二項演算である。 超冪（ちょうべき）ともいう。","text":"tetration 累々乗  超冪\nテトレーション（英: tetration）とは、冪乗の次となる4番目のハイパー演算である。 つまり、自らの冪乗を指定された回数反復する二項演算である。 超冪（ちょうべき）ともいう。\n\n[https://scrapbox.io/files/65d3f9844f415e00273a772b.png]\n[https://scrapbox.io/files/65d3f9938cddc80025ec959a.png]\ntetration\nテトレーション（英: tetration）とは、冪乗の次となる4番目のハイパー演算である。つまり、自らの冪乗を指定された回数反復する二項演算である。超冪（ちょうべき）ともいう。テトレーションという語はルーベン・グッドスタイン（英語版）によって、を意味する接頭辞 tetra- と「繰り返し」を意味する iteration から作り出された\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/tetration%20%E7%B4%AF%E3%80%85%E4%B9%97%20%20%E8%B6%85%E5%86%AA","updated":1722921163,"position":[67.4268,-51.7423,-1.825],"cluster":"c10","subgroup":"c10.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05445,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","source":"ideaofintellection","title":"グレーティングカプラ","excerpt":"グレーティングカプラは、光ファイバとシリコン基板上のSOI導波路を効率的に結合するためのデバイスです。","text":"グレーティングカプラ\nグレーティングカプラは、光ファイバとシリコン基板上のSOI導波路を効率的に結合するためのデバイスです。\n基板導波路に回折格子状の適切な周期構造を与えることによって、光ファイバから入射した光を基導波路板内に回折させ、光を結合します。\nグレーティングカプラの設計では、入射光はファイバモードとなるため、モード分布を考慮した設計が必要です。 これを考慮するために、回折格子の特性を局所的に変調させ、実効屈折率分布とモード分布を整合させる方法(アポダイゼーション)が取られます。\n[https://scrapbox.io/files/65d3face6971d40024459169.png]\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%AC%E3%83%BC%E3%83%86%E3%82%A3%E3%83%B3%E3%82%B0%E3%82%AB%E3%83%97%E3%83%A9","updated":1722965602,"position":[-23.9475,-73.1872,65.9105],"cluster":"c04","subgroup":"c04.02","degree":12,"referenceDegree":0,"maxSimilarity":0.23434,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55be378d68900249e503c","weight":0.23434,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af8ff4dc14a4001c88a2d1","weight":0.21537,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f67e8d94d9900242299bd","weight":0.21507,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.21066,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7288aac46f001c0593ca","weight":0.21002,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5724d3ce05500249d2100","weight":0.20846,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee4a9832d2000259ae99b","weight":0.20803,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af0e2185b796001de382e4","weight":0.20744,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65d3fb7eb66cf90026613b1f","source":"ideaofintellection","title":"ヒルベルト空間","excerpt":"数学におけるヒルベルト空間は、ダフィット・ヒルベルトにその名を因む、ユークリッド空間の概念を一般化したものである。これにより、二次元のユークリッド平面や三次元のユークリッド空間における線型代数学や微分積分学の方法論を、任意の有限または無限次元の空間へ拡張して持ち込むことができる。","text":"ヒルベルト空間\n数学におけるヒルベルト空間は、ダフィット・ヒルベルトにその名を因む、ユークリッド空間の概念を一般化したものである。これにより、二次元のユークリッド平面や三次元のユークリッド空間における線型代数学や微分積分学の方法論を、任意の有限または無限次元の空間へ拡張して持ち込むことができる。\n#analysis\n","tags":["analysis"],"links":["analysis"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%92%E3%83%AB%E3%83%99%E3%83%AB%E3%83%88%E7%A9%BA%E9%96%93","updated":1722965541,"position":[-20.3723,-16.7491,-20.9378],"cluster":"c11","subgroup":"c11.01","degree":10,"referenceDegree":0,"maxSimilarity":0.28564,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6492a21bf1b45a001c985394","weight":0.28564,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ec9ff1ba97f200232a72c7","weight":0.21608,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e7234ada047f0026479afe","weight":0.20394,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee357eb552a0028561d6e","weight":0.20388,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.20233,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2a1a00d24130026f0ebc4","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee550d29c9c0025c68211","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af43aaca5069001df74ef2","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65d3fbf2cb588d0024bd3cad","source":"ideaofintellection","title":"多声音楽","excerpt":"二つ以上の独立した声部からなり、それぞれの声部が対等の立場でからみあっていく様式の音楽。 多声部音楽。 複音楽。 ポリフォニー。","text":"多声音楽\n二つ以上の独立した声部からなり、それぞれの声部が対等の立場でからみあっていく様式の音楽。 多声部音楽。 複音楽。 ポリフォニー。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%9A%E5%A3%B0%E9%9F%B3%E6%A5%BD","updated":1722965516,"position":[48.5576,-49.1144,34.5859],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.27905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66fa64a84653b5001c65831a","weight":0.27905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a2777ecb67e9001b61610b","weight":0.27422,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.26067,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.2434,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971ad970fe70025ea4a20","weight":0.23628,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.22486,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971f668d34d0024b0c1af","weight":0.22459,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65dab5c65d44230025671de3","source":"ideaofintellection","title":"ホモフォニック音楽","excerpt":"homophony. 音楽用語。 ポリフォニーと対比して用いられる言葉で，音の垂直的な重なりを重視する音楽をさす。 主旋律が最上声におかれ，他の声部は和声的に伴奏する形態をとることが多い。","text":"ホモフォニック音楽\nhomophony. 音楽用語。 ポリフォニーと対比して用いられる言葉で，音の垂直的な重なりを重視する音楽をさす。 主旋律が最上声におかれ，他の声部は和声的に伴奏する形態をとることが多い。\nホモフォニックとは、分かりやすくいうと、メロディーに伴奏がついた形の音楽。 ピアノを学ぶには、この二本立てでやる事が必要です。 勿論、伴奏でありメロディーである場合もあるにので、よく楽譜を見る事が大切です。 よく楽譜を見ると、作曲者の意図が隠されているので、それを探る醍醐味があります。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9B%E3%83%A2%E3%83%95%E3%82%A9%E3%83%8B%E3%83%83%E3%82%AF%E9%9F%B3%E6%A5%BD","updated":1722965507,"position":[48.7613,-49.1398,34.6461],"cluster":"c02","subgroup":"c02.02","degree":16,"referenceDegree":0,"maxSimilarity":0.26067,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d3fbf2cb588d0024bd3cad","weight":0.26067,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ccac5b72b201002472a0be","weight":0.24503,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24134,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa64a84653b5001c65831a","weight":0.22617,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.22218,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c56d7ccfeab00249c72c3","weight":0.22214,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6a9d1a88a70023c3931d","weight":0.22167,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971f668d34d0024b0c1af","weight":0.21949,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","source":"ideaofintellection","title":"黒質","excerpt":"黒質（こくしつ、substantia nigra = ラテン語で「黒い物質」の意）は中脳の一部を占める神経核である。 黒質は、緻密部と、網様部（および外側部）とによって、大きく二群に大別されるが、いずれも大脳基底核を構成する中心的な要素である。 上丘を通過する冠状断面。 濃い灰色の所が黒質。","text":"黒質\n[https://scrapbox.io/files/65dab77b1bf1aa0024606a7f.jpeg]\n\n黒質（こくしつ、substantia nigra = ラテン語で「黒い物質」の意）は中脳の一部を占める神経核である。 黒質は、緻密部と、網様部（および外側部）とによって、大きく二群に大別されるが、いずれも大脳基底核を構成する中心的な要素である。 上丘を通過する冠状断面。 濃い灰色の所が黒質。\nドパミンは中脳にある黒質という組織でつくられています。 黒質のドパミン神経細胞は、線条体という部分に突起を伸ばして、この突起の先（シナプス）からドパミンを放出します。 ドパミンが充分つくられ、運動の命令が伝わっている。 ドパミンが不足して、運動の命令がうまく伝わらない。\n#neuroscience \n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E9%BB%92%E8%B3%AA","updated":1722965492,"position":[-43.5871,-26.226,78.7749],"cluster":"c28","subgroup":"c28.01","degree":16,"referenceDegree":0,"maxSimilarity":0.25191,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65e1268894910f0025c3f19d","weight":0.25191,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:664f27b9770624001d2c03f0","weight":0.25158,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af14395ef4c4001c4416f0","weight":0.23527,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.23331,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66552d245f9d58002253cae0","weight":0.23084,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.22865,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3092bcd48d001dd05bae","weight":0.22165,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6603017e232a7600269e9805","weight":0.21158,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65dad4ca7784720024209025","source":"ideaofintellection","title":"楽器訓練と作業記憶","excerpt":"「作業記憶」とは、どのような記憶なのでしょうか？ 作業記憶とは、何かの作業をするときに必要な情報を記憶から取り出して、情報を一時的に保つ能力です。 記憶の内容を検索したり、参照したりするなど、現在進行中の作業に深くかかわっていると考えられています。","text":"楽器訓練と作業記憶\n「作業記憶」とは、どのような記憶なのでしょうか？ 作業記憶とは、何かの作業をするときに必要な情報を記憶から取り出して、情報を一時的に保つ能力です。 記憶の内容を検索したり、参照したりするなど、現在進行中の作業に深くかかわっていると考えられています。\n楽器訓練は作業記憶を向上させると示唆されている。\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E6%A5%BD%E5%99%A8%E8%A8%93%E7%B7%B4%E3%81%A8%E4%BD%9C%E6%A5%AD%E8%A8%98%E6%86%B6","updated":1722965476,"position":[-43.5227,-26.2687,79.1139],"cluster":"c28","subgroup":"c28.01","degree":12,"referenceDegree":0,"maxSimilarity":0.24507,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66530413e892de001c67d19c","weight":0.24507,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.21081,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31dc4574ef500241dd9a5","weight":0.20261,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3092bcd48d001dd05bae","weight":0.20166,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f0376b98989e0023daf6ab","weight":0.20165,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.20098,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dd0bd7f2dbd400249b6424","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65dd0b6f3b889e0024ad9769","source":"ideaofintellection","title":"コペルニクス的転回","excerpt":"物事の見方が180度変わってしまう事を比喩した言葉。","text":"コペルニクス的転回\n物事の見方が180度変わってしまう事を比喩した言葉。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%9A%E3%83%AB%E3%83%8B%E3%82%AF%E3%82%B9%E7%9A%84%E8%BB%A2%E5%9B%9E","updated":1722965461,"position":[3.5589,-74.2917,38.7562],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.18837,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658000f560c8b100232bf9d7","weight":0.18837,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c7380056c7e90025f19eeb","weight":0.09761,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65dd0bd7f2dbd400249b6424","source":"ideaofintellection","title":"ウェルカムトラスト","excerpt":"イギリス・ロンドンに本拠地を置く、医学への研究支援を行う公益信託団体。世界で初めて錠剤薬を販売","text":"ウェルカムトラスト\nイギリス・ロンドンに本拠地を置く、医学への研究支援を行う公益信託団体。世界で初めて錠剤薬を販売\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A6%E3%82%A7%E3%83%AB%E3%82%AB%E3%83%A0%E3%83%88%E3%83%A9%E3%82%B9%E3%83%88","updated":1722965453,"position":[-43.6012,-25.8936,79.3629],"cluster":"c28","subgroup":"c28.01","degree":10,"referenceDegree":0,"maxSimilarity":0.21086,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f0376b98989e0023daf6ab","weight":0.21086,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dad4ca7784720024209025","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1268894910f0025c3f19d","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19bdab2038a00259377e2","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66530413e892de001c67d19c","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","source":"ideaofintellection","title":"腹側被蓋野ドーパミン（VTA DA）と側底扁桃体（BLA）","excerpt":"腹側被蓋野ドーパミン（VTA DA）が側底扁桃体（BLA）に投射していることを明らかにした。","text":"腹側被蓋野ドーパミン（VTA DA）と側底扁桃体（BLA）\n腹側被蓋野ドーパミン（VTA DA）が側底扁桃体（BLA）に投射していることを明らかにした。\nドーパミンは、刺激と報酬のペアリング中に BLA で放出されます。\n報酬の識別特徴を予測キューに結び付けるのに必要かつ十分ですが、一般的なインセンティブ特性をキューに割り当てたり強化を仲介したりするものではありません。\nドーパミンが学習に寄与することは古くから知られています。\nこれらの学習シグナルは、報酬の一般的な値を予測変数にキャッシュし、特定の結果を事前に考慮するのではなく、過去の成功に依存する対応ポリシーを強化すると標準的に解釈されてきました4、5、6。しかし、適応的な意思決定には、多くの場合、そのような事前の考慮が必要です。\n柔軟な行動を確保するために、人間や他の動物は、予測イベントの一般的な値を学習するだけでなく、これらの手がかりと、それに関連する結果の識別特徴との間の関係もコード化します\n側坐核や前頭前皮質へのより一般的な VTA DA投影ほど注目されていないため、その機能についてはほとんど知られていません。BLA 自体は、詳細なアイデンティティ固有の手がかり報酬記憶の形成に重要であることが最近示されました。\nドーパミンは、刺激と報酬の学習中に BLA で放出されます。\n非特異的な動機をサポートするために一般的なインセンティブ特性を合図に割り当てたりすることはありません。これらのデータは、VTA DA →BLA 経路が、柔軟な意思決定をサポートする、環境関係の内部モデル (認知マップとしても知られる) の基本的な構成要素である、詳細でアイデンティティ固有の合図報酬記憶の形成に重要な貢献者であることを明らかにしています。\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E8%85%B9%E5%81%B4%E8%A2%AB%E8%93%8B%E9%87%8E%E3%83%89%E3%83%BC%E3%83%91%E3%83%9F%E3%83%B3%EF%BC%88VTA%20DA%EF%BC%89%E3%81%A8%E5%81%B4%E5%BA%95%E6%89%81%E6%A1%83%E4%BD%93%EF%BC%88BLA%EF%BC%89","updated":1722965433,"position":[-43.6567,-26.4294,78.5907],"cluster":"c28","subgroup":"c28.01","degree":16,"referenceDegree":0,"maxSimilarity":0.37204,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65e1268894910f0025c3f19d","weight":0.37204,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:664f27b9770624001d2c03f0","weight":0.26376,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.22865,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dad4ca7784720024209025","weight":0.21081,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66552d245f9d58002253cae0","weight":0.21019,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.20981,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31dc4574ef500241dd9a5","weight":0.20942,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f0376b98989e0023daf6ab","weight":0.20898,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65e1268894910f0025c3f19d","source":"ideaofintellection","title":"ドーパミンの経路","excerpt":"二つ目のドーパミンの経路","text":"ドーパミンの経路\n二つ目のドーパミンの経路\n扁桃体ドーパミンと前頭皮質ドーパミン\nほかにもあるかも\n扁桃体は予測報酬に関連したドーパミンが報告された\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%89%E3%83%BC%E3%83%91%E3%83%9F%E3%83%B3%E3%81%AE%E7%B5%8C%E8%B7%AF","updated":1722965422,"position":[-43.1921,-26.1318,78.6266],"cluster":"c28","subgroup":"c28.01","degree":12,"referenceDegree":0,"maxSimilarity":0.37204,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.37204,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:664f27b9770624001d2c03f0","weight":0.33451,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.25191,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66552d245f9d58002253cae0","weight":0.22063,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.21749,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668e25a77c5da7001d3ea051","weight":0.21125,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af14395ef4c4001c4416f0","weight":0.20244,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dd0bd7f2dbd400249b6424","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65e126f2463b5300248802d0","source":"ideaofintellection","title":"知の定着","excerpt":"#word","text":"知の定着\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%9F%A5%E3%81%AE%E5%AE%9A%E7%9D%80","updated":1722965409,"position":[-59.0637,44.6313,-117.1059],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07736,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65e1d9b2e65f1c00241a3e2b","source":"ideaofintellection","title":"Congruency of scent and music as a driver of in-store evaluations and behavior","excerpt":"店内の香りを低覚醒の香り（ラベンダー）とスローテンポの音楽を組み合わせたほうが、高覚醒の音楽と組み合わせた場合よりも高い評価につながりました。あるいは、店内がラベンダーよりもグレープフルーツ（高覚醒の香り）の香りの場合、速いテンポの音楽を流すと、接近行動により良い効果が得られました。","text":"Congruency of scent and music as a driver of in-store evaluations and behavior\n店内の香りを低覚醒の香り（ラベンダー）とスローテンポの音楽を組み合わせたほうが、高覚醒の音楽と組み合わせた場合よりも高い評価につながりました。あるいは、店内がラベンダーよりもグレープフルーツ（高覚醒の香り）の香りの場合、速いテンポの音楽を流すと、接近行動により良い効果が得られました。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/Congruency%20of%20scent%20and%20music%20as%20a%20driver%20of%20in-store%20evaluations%20and%20behavior","updated":1722965402,"position":[49.102,-49.3914,35.3979],"cluster":"c02","subgroup":"c02.02","degree":8,"referenceDegree":0,"maxSimilarity":0.24304,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.24304,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971ad970fe70025ea4a20","weight":0.22486,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2830c3a7760023fc8ed6","weight":0.2217,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b4e8761b6f0023a9a1a0","weight":0.21996,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31b78044f410025896169","weight":0.21977,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e7150d15000239418af","weight":0.21932,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663224956855af00258f20bc","weight":0.21248,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65e424f01fb270002588be20","source":"ideaofintellection","title":"中目黒 tap room","excerpt":"お手頃で美味しいクラフトビール屋","text":"中目黒 tap room\nお手頃で美味しいクラフトビール屋\n日本でクラフトビールを始めたひとが複数店舗を構えた店\n[https://scrapbox.io/files/65e42549db26d100240f0495.png]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%AD%E7%9B%AE%E9%BB%92%20tap%20room","updated":1722965388,"position":[-15.7781,-16.2079,-22.0384],"cluster":"c11","subgroup":"c11.01","degree":3,"referenceDegree":0,"maxSimilarity":0.19,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64ce109f7a0e8f001b85c9bc","weight":0.19,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312dd8ea293e0024b0d10f","weight":0.10502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76b7c38edf98dc0e9d875a","weight":0.08683,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65e7234ada047f0026479afe","source":"ideaofintellection","title":"カーネル密度推定値","excerpt":"カーネル密度推定は、有限の標本点から全体の分布を推定する手法の1つです。","text":"カーネル密度推定値\nカーネル密度推定は、有限の標本点から全体の分布を推定する手法の1つです。\n\nある分布の密度関数を推定したい場合は、パラメトリックモデル（正規分布、指数分布、ガンマ分布など）を想定した手法が使われます。\n\n分布をパラメトリックモデルで記述できない場合は、ノンパラメトリック推定という手法が使われます。カーネル密度推定はノンパラメトリック推定の代表例です。\n[https://scrapbox.io/files/65e723ba7115b60024040ac6.png]\n#analysis\n","tags":["analysis"],"links":["analysis"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%BC%E3%83%8D%E3%83%AB%E5%AF%86%E5%BA%A6%E6%8E%A8%E5%AE%9A%E5%80%A4","updated":1722965377,"position":[-20.0463,-16.6616,-20.9633],"cluster":"c11","subgroup":"c11.01","degree":11,"referenceDegree":0,"maxSimilarity":0.25481,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65ec9ff1ba97f200232a72c7","weight":0.25481,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af374a6b9ef6001ce225b3","weight":0.21595,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2a1a00d24130026f0ebc4","weight":0.21538,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1bdaa2083cc002353c730","weight":0.21104,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.20914,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee357eb552a0028561d6e","weight":0.20481,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fb7eb66cf90026613b1f","weight":0.20394,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee550d29c9c0025c68211","weight":0.20174,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65e946985ec4850024689952","source":"ideaofintellection","title":"黒ダイアモンド","excerpt":"エニグマを含め、ブラックダイヤモンドと呼ばれる鉱物「カーボナード」はすべて38億〜26億年前に形成されたが、そのメカニズムは謎に包まれている。 漆黒、不透明、穴だらけで、物理的にも化学的にも他のダイヤモンドと異なるユニークな特徴をもつ。 カーボナードは世界でもブラジルと中央アフリカ共和国でしか見つかっていない。[https://scrapbox.io/files/65e946da8f372a0026884ff6.jpeg]","text":"黒ダイアモンド\nエニグマを含め、ブラックダイヤモンドと呼ばれる鉱物「カーボナード」はすべて38億〜26億年前に形成されたが、そのメカニズムは謎に包まれている。 漆黒、不透明、穴だらけで、物理的にも化学的にも他のダイヤモンドと異なるユニークな特徴をもつ。 カーボナードは世界でもブラジルと中央アフリカ共和国でしか見つかっていない。[https://scrapbox.io/files/65e946da8f372a0026884ff6.jpeg]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%BB%92%E3%83%80%E3%82%A4%E3%82%A2%E3%83%A2%E3%83%B3%E3%83%89","updated":1722965360,"position":[-26.487,-71.3242,63.6984],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16441,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69b10a60c4487c8d76784141","weight":0.16441,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c214389ded0c00247570d2","weight":0.0932,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65e9c17225c0310024e2eb6d","source":"ideaofintellection","title":"室内インパルス応答","excerpt":"室内インパルス応答（RIR）は、音響工学や信号処理などの分野で使用される重要な概念です。これは、ある音源から発せられた音が、ある特定の空間内で反射、散乱、吸収された後に観測される音の応答を表します。","text":"室内インパルス応答\n室内インパルス応答（RIR）は、音響工学や信号処理などの分野で使用される重要な概念です。これは、ある音源から発せられた音が、ある特定の空間内で反射、散乱、吸収された後に観測される音の応答を表します。\n\n具体的には、RIRは次のように定義されます：ある音源から発せられた短い音響信号（インパルス）が、室内の壁、床、天井などの表面で反射し、それらの反射音が観測点（例えば、マイクロフォンの位置）で録音される際の時間変化と振幅変化を示します。これにより、特定の空間の音響特性を評価し、音響シミュレーションや音声処理アルゴリズムの開発などに活用されます。\n\nRIRは、音声や音楽の録音や再生、ノイズ除去、音場合理化、さらには音声認識や音声合成などの音声信号処理アプリケーションにおいて重要な役割を果たします。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E5%AE%A4%E5%86%85%E3%82%A4%E3%83%B3%E3%83%91%E3%83%AB%E3%82%B9%E5%BF%9C%E7%AD%94","updated":1722965351,"position":[49.4706,-50.468,35.4301],"cluster":"c02","subgroup":"c02.02","degree":12,"referenceDegree":0,"maxSimilarity":0.39376,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a2779b2de8ed001c5900c4","weight":0.39376,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.23699,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.22466,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b2804538eb00237f7830","weight":0.22315,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f03820bb53f10024489df4","weight":0.22051,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.21737,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d828a40253002425cfa1","weight":0.21572,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65e9c1a3f0a4890024ab6a4b","source":"ideaofintellection","title":"Csound","excerpt":"Csoundはオーディオプログラミングのためのドメイン固有言語である。名称は、Csound以前の言語とは異なりC言語で書かれていることに由来する。 フリーソフトウェアであり、LGPL-2.1またはそれ以降のライセンスで利用可能である。","text":"Csound\nCsoundはオーディオプログラミングのためのドメイン固有言語である。名称は、Csound以前の言語とは異なりC言語で書かれていることに由来する。 フリーソフトウェアであり、LGPL-2.1またはそれ以降のライセンスで利用可能である。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/Csound","updated":1722965339,"position":[49.3112,-51.0722,35.6459],"cluster":"c02","subgroup":"c02.02","degree":8,"referenceDegree":0,"maxSimilarity":0.44131,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66ff6cbdae3c81001d77b8ec","weight":0.44131,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6a87107ff40025aea461","weight":0.22483,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be1d35892400245552b9","weight":0.22181,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.21726,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.20991,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee13d0b539d0025c74e48","weight":0.20896,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631da6e0173410025989a29","weight":0.0967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65ec9ff1ba97f200232a72c7","source":"ideaofintellection","title":"Constructive Solid Geometry","excerpt":"空間領域構成法（英: Constructive Solid Geometry, CSG）はソリッドモデリングで使われる技法のひとつである。CSGは手続き的モデリング技法として3次元コンピュータグラフィックスやCADでしばしば使われる。ブーリアン演算を使って複雑な表面やオブジェクトを生成することができる。CSGで生成されるモデルや表面は視覚的には複雑だが、オブジェクト群をうまく組み合わせたものでしかない。CSGはポリゴンの格子上で実行されることもあり、手続き的な場合もあるし、パラメトリックな場合もある。","text":"Constructive Solid Geometry\n空間領域構成法（英: Constructive Solid Geometry, CSG）はソリッドモデリングで使われる技法のひとつである。CSGは手続き的モデリング技法として3次元コンピュータグラフィックスやCADでしばしば使われる。ブーリアン演算を使って複雑な表面やオブジェクトを生成することができる。CSGで生成されるモデルや表面は視覚的には複雑だが、オブジェクト群をうまく組み合わせたものでしかない。CSGはポリゴンの格子上で実行されることもあり、手続き的な場合もあるし、パラメトリックな場合もある。\nhttps://ja.wikipedia.org/wiki/Constructive_Solid_Geometry\n#analysis\n","tags":["analysis"],"links":["analysis"],"url":"https://scrapbox.io/ideaofintellection/Constructive%20Solid%20Geometry","updated":1723052716,"position":[-20.101,-16.7077,-20.8123],"cluster":"c11","subgroup":"c11.01","degree":10,"referenceDegree":0,"maxSimilarity":0.25481,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65e7234ada047f0026479afe","weight":0.25481,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.25007,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fb7eb66cf90026613b1f","weight":0.21608,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2a1a00d24130026f0ebc4","weight":0.21523,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1bdaa2083cc002353c730","weight":0.20891,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee357eb552a0028561d6e","weight":0.20277,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee550d29c9c0025c68211","weight":0.20211,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af374a6b9ef6001ce225b3","weight":0.20079,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65eca046425bcc0025d3aa32","source":"ideaofintellection","title":"Depth of Field; DOF","excerpt":"レンズの被写界深度 (Depth of Field; DOF)とは、レンズのベストフォーカス位置に置かれた物体がレンズ位置に対して前後に移動する場合に、レンズのピントを再調整することなく、所望の画質 (特定のコントラスト性能における空間周波数)を維持する能力を差します。","text":"Depth of Field; DOF\nレンズの被写界深度 (Depth of Field; DOF)とは、レンズのベストフォーカス位置に置かれた物体がレンズ位置に対して前後に移動する場合に、レンズのピントを再調整することなく、所望の画質 (特定のコントラスト性能における空間周波数)を維持する能力を差します。\n[https://scrapbox.io/files/65eca05ee53e74002380bf8b.png]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/Depth%20of%20Field%3B%20DOF","updated":1722965303,"position":[22.8737,48.4267,-36.1104],"cluster":"c15","subgroup":"c15.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14302,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686bb8e35d2f9603a77659e1","weight":0.14302,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3f7d56b7829bee7edad8","weight":0.08534,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f0376b98989e0023daf6ab","source":"ideaofintellection","title":"ヘルシンキ宣言","excerpt":"1964年、世界医師会総会で採択された「ヒトを対象とする生物医学的研究に携わる医師のための勧告」をいう。 生物医学的研究は、最終的にヒトを対象とした試験によらなければ、実際の医療に寄与するものにならない。 現在の臨床試験は、1964年のヘルシンキ宣言を倫理的基盤としている。","text":"ヘルシンキ宣言\n1964年、世界医師会総会で採択された「ヒトを対象とする生物医学的研究に携わる医師のための勧告」をいう。 生物医学的研究は、最終的にヒトを対象とした試験によらなければ、実際の医療に寄与するものにならない。 現在の臨床試験は、1964年のヘルシンキ宣言を倫理的基盤としている。\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%83%AB%E3%82%B7%E3%83%B3%E3%82%AD%E5%AE%A3%E8%A8%80","updated":1722965294,"position":[-43.4275,-26.7939,78.8084],"cluster":"c28","subgroup":"c28.01","degree":7,"referenceDegree":0,"maxSimilarity":0.21086,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65dd0bd7f2dbd400249b6424","weight":0.21086,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.20898,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af14395ef4c4001c4416f0","weight":0.2042,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6a798a9c13001d16966b","weight":0.20276,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dad4ca7784720024209025","weight":0.20165,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3092bcd48d001dd05bae","weight":0.20125,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31dc4574ef500241dd9a5","weight":0.20049,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f037e20d41a3002544870e","source":"ideaofintellection","title":"アルペジオ","excerpt":"アルペッジョあるいはアルペジオ (伊: Arpeggio) とは、和音を構成する音を一音ずつ低いものから（または、高いものから）順番に弾いていくことで、リズム感や深みを演出する演奏方法。 日本においては順番に弾くことだけではなく、コードを押さえた状態で弦を一本ずつ弾く事全般を言う場合もある。","text":"アルペジオ\nアルペッジョあるいはアルペジオ (伊: Arpeggio) とは、和音を構成する音を一音ずつ低いものから（または、高いものから）順番に弾いていくことで、リズム感や深みを演出する演奏方法。 日本においては順番に弾くことだけではなく、コードを押さえた状態で弦を一本ずつ弾く事全般を言う場合もある。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%AB%E3%83%9A%E3%82%B8%E3%82%AA","updated":1722889020,"position":[48.9628,-49.8838,35.2983],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.22027,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d38a19c0b80024f7ffee","weight":0.21803,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6a9d1a88a70023c3931d","weight":0.21614,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.21447,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e60188005001cefb883","weight":0.21055,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f97264ba8bf90023e98a98","weight":0.20934,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f03820bb53f10024489df4","source":"ideaofintellection","title":"PSG音源","excerpt":"Programmable Sound Generator（プログラマブル・サウンド・ジェネレーター、PSG）は、音を作り出す電子回路の一種。狭義には、ゼネラル・インスツルメンツ（GI）のAY-3-8910および相当品。広義には、それらと基本原理が同じ回路の総称。単一の音源チップないし、より多機能なチップの機能の一つとして供給される。","text":"PSG音源\nProgrammable Sound Generator（プログラマブル・サウンド・ジェネレーター、PSG）は、音を作り出す電子回路の一種。狭義には、ゼネラル・インスツルメンツ（GI）のAY-3-8910および相当品。広義には、それらと基本原理が同じ回路の総称。単一の音源チップないし、より多機能なチップの機能の一つとして供給される。\n\n複数の基本波形（AY-3-8910では矩形波×3+ホワイトノイズ）を合成してさまざまな音色を出し、エンベロープ・ジェネレーターでADSR（立ち上がりや余韻などのパターン）を変化させる。\n\nファミリーコンピュータに搭載されている音源は次のような仕様である。\n\nパルス波（矩形波）発生装置 2系統（デューティー比3:1、1:1、1:3、1:7切り替え）\n三角波発生装置 1系統（4bit波形、音量は仕様上固定だが、DPCMと絡んだバグに近い挙動が存在し、これを利用するといじることが出来る）\nノイズ発生装置 1系統（擬似乱数雑音・短周期ノイズ切り替え、周波数変更が可能。ただし、最初期型（コントローラのボタンが四角いゴム）のファミコンでは短周期ノイズは出せない）\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/PSG%E9%9F%B3%E6%BA%90","updated":1722965275,"position":[49.7671,-50.1433,35.1194],"cluster":"c02","subgroup":"c02.02","degree":10,"referenceDegree":0,"maxSimilarity":0.24904,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24904,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65fbd7b0b1816200256cb207","weight":0.22222,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c17225c0310024e2eb6d","weight":0.22051,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6626b91c6900249bfdb0","weight":0.2197,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633ad3e4bc89600245bf4e3","weight":0.21941,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be5fa1fe800024f7c419","weight":0.21539,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339f1281213e00247177cb","weight":0.21522,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cedf4ce9f5100024deee8b","weight":0.21514,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f039675170d900234b512b","source":"ideaofintellection","title":"死地に勢あり","excerpt":"#word","text":"死地に勢あり\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%AD%BB%E5%9C%B0%E3%81%AB%E5%8B%A2%E3%81%82%E3%82%8A","updated":1722965262,"position":[-74.5664,34.9404,-139.9218],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0227,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65f039b4e3ab3d0025c3b50f","source":"ideaofintellection","title":"一蓮托生","excerpt":"結果のよしあしにかかわらず、行動・運命を共にすること。","text":"一蓮托生\n結果のよしあしにかかわらず、行動・運命を共にすること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%80%E8%93%AE%E6%89%98%E7%94%9F","updated":1722965255,"position":[46.0185,-46.7901,40.1772],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.16983,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a2939bd41985fdc5072bf7c","weight":0.16983,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f19afecf15480026c4edbf","source":"ideaofintellection","title":"川瀬巴水","excerpt":"[https://scrapbox.io/files/65f19b51c9137b00274e3b95.jpeg] #visual","text":"川瀬巴水\n[https://scrapbox.io/files/65f19b51c9137b00274e3b95.jpeg]\n\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E5%B7%9D%E7%80%AC%E5%B7%B4%E6%B0%B4","updated":1722965247,"position":[29.8216,-43.6743,99.2247],"cluster":"c14","subgroup":"c14.01","degree":40,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5636c6fde0c0026b40334","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c57174a130540025280884","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f19bdab2038a00259377e2","source":"ideaofintellection","title":"Gottfried Schlaug","excerpt":"https://www.musicianbrain.com/#index","text":"Gottfried Schlaug\nhttps://www.musicianbrain.com/#index\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/Gottfried%20Schlaug","updated":1722965227,"position":[-42.6305,-25.7076,79.5098],"cluster":"c28","subgroup":"c28.01","degree":7,"referenceDegree":0,"maxSimilarity":0.5157,"lowEvidence":false,"neighbors":[{"id":"NextResearch:681314901f2c92f69cfd2171","weight":0.5157,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dad4ca7784720024209025","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dd0bd7f2dbd400249b6424","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1268894910f0025c3f19d","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f1bdaa2083cc002353c730","source":"ideaofintellection","title":"ボンフェローニ修正","excerpt":"統計学。 複数の統計学的検定を同時に行う場合における、多重検定の統計学的な調整。 多数の偽陽性（第1種の過誤）が生じるのを避けるため、行う比較の数を考慮して有意水準（α値）を下げる必要がある。","text":"ボンフェローニ修正\n統計学。 複数の統計学的検定を同時に行う場合における、多重検定の統計学的な調整。 多数の偽陽性（第1種の過誤）が生じるのを避けるため、行う比較の数を考慮して有意水準（α値）を下げる必要がある。\n多重比較問題に対抗するために使われるいくつかの手法のうちの1つである。 \n#analysis\n","tags":["analysis"],"links":["analysis"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9C%E3%83%B3%E3%83%95%E3%82%A7%E3%83%AD%E3%83%BC%E3%83%8B%E4%BF%AE%E6%AD%A3","updated":1722965217,"position":[-20.075,-16.6505,-20.6158],"cluster":"c11","subgroup":"c11.01","degree":8,"referenceDegree":0,"maxSimilarity":0.23308,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee357eb552a0028561d6e","weight":0.23308,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6758ef55f5e2e5aef7095a76","weight":0.2174,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.21214,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee550d29c9c0025c68211","weight":0.21209,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e7234ada047f0026479afe","weight":0.21104,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ec9ff1ba97f200232a72c7","weight":0.20891,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af374a6b9ef6001ce225b3","weight":0.20113,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e53ccf123a5001c88e942","weight":0.11477,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","source":"ideaofintellection","title":"長い間隔が最後に来るリズム知覚","excerpt":"文化間で共通するデータのもう 1 つの特徴は、応答分布が周期的置換全体で対称になる傾向があることです (図3 )。たとえば、1:1:2、1:2:1、および 2:1:1 のモードは、特定の参加者グループでほぼ同じように顕著です。ただし、最も頻繁に発生する順列は、長い間隔が最後に発生する順列43、44、45であると考える理由がありました。これは、この構成が循環的に再生される場合、長い間隔がパターンをグループ化するのに役立つギャップを提供するためです。ゲシュタルト原理による４３．各参加者グループの各巡回置換の頻度を比較したところ、実際にこの方向に一貫した傾向が見つかりました。最後に長い間隔を持つ置換は、39 グループ中 31 のグループでより頻繁に発生しました (拡張データ図3 )。同様に、39 グループ中 33 グループで、参加者は長いインターバルの直後に最初のタップを行いました。これは、ほとんどのグループのほとんどの参加者が、この開始をパターンの「始まり」として聞く傾向があることを示唆しています。さらなる分析については、拡張データ図3 (および「方法」の「循環順列と対称性の分析」 ) を参照してください。","text":"長い間隔が最後に来るリズム知覚\n文化間で共通するデータのもう 1 つの特徴は、応答分布が周期的置換全体で対称になる傾向があることです (図3 )。たとえば、1:1:2、1:2:1、および 2:1:1 のモードは、特定の参加者グループでほぼ同じように顕著です。ただし、最も頻繁に発生する順列は、長い間隔が最後に発生する順列43、44、45であると考える理由がありました。これは、この構成が循環的に再生される場合、長い間隔がパターンをグループ化するのに役立つギャップを提供するためです。ゲシュタルト原理による４３．各参加者グループの各巡回置換の頻度を比較したところ、実際にこの方向に一貫した傾向が見つかりました。最後に長い間隔を持つ置換は、39 グループ中 31 のグループでより頻繁に発生しました (拡張データ図3 )。同様に、39 グループ中 33 グループで、参加者は長いインターバルの直後に最初のタップを行いました。これは、ほとんどのグループのほとんどの参加者が、この開始をパターンの「始まり」として聞く傾向があることを示唆しています。さらなる分析については、拡張データ図3 (および「方法」の「循環順列と対称性の分析」 ) を参照してください。\nhttps://www.nature.com/articles/s41562-023-01800-9\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E9%95%B7%E3%81%84%E9%96%93%E9%9A%94%E3%81%8C%E6%9C%80%E5%BE%8C%E3%81%AB%E6%9D%A5%E3%82%8B%E3%83%AA%E3%82%BA%E3%83%A0%E7%9F%A5%E8%A6%9A","updated":1722965204,"position":[49.3964,-50.3297,35.7388],"cluster":"c02","subgroup":"c02.02","degree":12,"referenceDegree":0,"maxSimilarity":0.29157,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.29157,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31c78f2b97600256b52c7","weight":0.2584,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.25509,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31b78044f410025896169","weight":0.24432,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","weight":0.24189,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24032,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d828a40253002425cfa1","weight":0.2291,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a38bfa0a7b0023062b89","weight":0.22523,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f1bf10ac2696002459e1ed","source":"ideaofintellection","title":"ファセットカット","excerpt":"[https://scrapbox.io/files/65f1bf17eba5010027d3334d.png] #word","text":"ファセットカット\n[https://scrapbox.io/files/65f1bf17eba5010027d3334d.png]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A1%E3%82%BB%E3%83%83%E3%83%88%E3%82%AB%E3%83%83%E3%83%88","updated":1722965194,"position":[13.2387,-69.1828,32.4547],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.11949,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f1bf35236a0b0025bc9671","weight":0.11949,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f1bf35236a0b0025bc9671","source":"ideaofintellection","title":"ジェンセンシャノン情報量","excerpt":"ジェンセンシャノン情報量 (JS) は、異なるファセットのラベル分布がエントロピー的に互いにどの程度離れるかを測定します。これは、カルバックライブラー情報量に基づいていますが、対称的です。","text":"ジェンセンシャノン情報量 \nジェンセンシャノン情報量 (JS) は、異なるファセットのラベル分布がエントロピー的に互いにどの程度離れるかを測定します。これは、カルバックライブラー情報量に基づいていますが、対称的です。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%82%A7%E3%83%B3%E3%82%BB%E3%83%B3%E3%82%B7%E3%83%A3%E3%83%8E%E3%83%B3%E6%83%85%E5%A0%B1%E9%87%8F","updated":1722965185,"position":[12.9972,-69.3656,32.5472],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.20205,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a64612bb15bbf760a19598d","weight":0.20205,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0ad011a53d001ce2a677","weight":0.19679,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1bf10ac2696002459e1ed","weight":0.11949,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","source":"ideaofintellection","title":"3:3:2 リズム","excerpt":"マリのサゲレ村のダンサーでは 3:3:2 モードが最も強かった (図5bおよび7e )。彼らの音楽レパートリーの代表的なコーパスを記録したところ、コーパスに記録された抜粋の 46% に顕著な 3:3:2 パターンが含まれていることがわかりました (詳細については「方法」を参照)。同様に、アフリカおよびアフロ・ディアスポラの伝統に由来するミュージシャンとダンサーの他のすべてのグループ（ボツワナ、マリ、ウルグアイ、ブラジルのミュージシャン、および米国と英国の両方のジャズミュージシャン）でも、3:3:2という強いウェイトが見つかりました。図7f、大幅に高かったです。","text":"3:3:2 リズム\nマリのサゲレ村のダンサーでは 3:3:2 モードが最も強かった (図5bおよび7e )。彼らの音楽レパートリーの代表的なコーパスを記録したところ、コーパスに記録された抜粋の 46% に顕著な 3:3:2 パターンが含まれていることがわかりました (詳細については「方法」を参照)。同様に、アフリカおよびアフロ・ディアスポラの伝統に由来するミュージシャンとダンサーの他のすべてのグループ（ボツワナ、マリ、ウルグアイ、ブラジルのミュージシャン、および米国と英国の両方のジャズミュージシャン）でも、3:3:2という強いウェイトが見つかりました。図7f、大幅に高かったです。\nhttps://www.nature.com/articles/s41562-023-01800-9\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/3%3A3%3A2%20%E3%83%AA%E3%82%BA%E3%83%A0","updated":1722965165,"position":[48.924,-50.9892,35.5945],"cluster":"c02","subgroup":"c02.02","degree":21,"referenceDegree":0,"maxSimilarity":0.38281,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.38281,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.31371,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e60188005001cefb883","weight":0.31152,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31c78f2b97600256b52c7","weight":0.30373,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","weight":0.29157,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","weight":0.28653,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31b78044f410025896169","weight":0.28253,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.27992,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","source":"ideaofintellection","title":"言語とリズム","excerpt":"最新の証拠は脳内での音声分析と音楽分析の分離を示しています。私たちの研究から得られたいくつかの結果は、言語がリズム表現に強い影響を与えないことを示唆しています。","text":"言語とリズム\n最新の証拠は脳内での音声分析と音楽分析の分離を示しています。私たちの研究から得られたいくつかの結果は、言語がリズム表現に強い影響を与えないことを示唆しています。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E8%A8%80%E8%AA%9E%E3%81%A8%E3%83%AA%E3%82%BA%E3%83%A0","updated":1722965154,"position":[49.0147,-50.4812,35.867],"cluster":"c02","subgroup":"c02.02","degree":14,"referenceDegree":0,"maxSimilarity":0.31704,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f31b78044f410025896169","weight":0.31704,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.31371,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.28151,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e60188005001cefb883","weight":0.25868,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","weight":0.25509,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31c78f2b97600256b52c7","weight":0.23328,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee13d0b539d0025c74e48","weight":0.23113,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f31b78044f410025896169","source":"ideaofintellection","title":"生物学的制約と文化とリズム","excerpt":"音楽がすべての既知の社会に存在するが、文化によって大きく異なることを考えると、音楽は生物学的制約と文化特有の経験の間の相互作用から生じるに違いありません。","text":"生物学的制約と文化とリズム\n音楽がすべての既知の社会に存在するが、文化によって大きく異なることを考えると、音楽は生物学的制約と文化特有の経験の間の相互作用から生じるに違いありません。\n別の要素の組み合わせとしての音楽の概念が単に西洋の学問と音楽の伝統の発明ではなく、世界中の人間の音楽体験の基礎であることを示唆しています。\n私たちが観察した特定のカテゴリも恣意的なものではありませんでした。カテゴリはテストされたすべてのグループに小さな整数比のリズムで存在しており、したがって人間の精神的表象の広範な特徴であると考えられます。\n整数比のリズムを好む生来のバイアスを反映している可能性があります。\n異文化間のカテゴリ認識の他の例との違いの 1 つは、リズム カテゴリが通常は非言語的であることであり、これは離散表現が必ずしも言語ラベルに依存しないという考えと一致します。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E7%94%9F%E7%89%A9%E5%AD%A6%E7%9A%84%E5%88%B6%E7%B4%84%E3%81%A8%E6%96%87%E5%8C%96%E3%81%A8%E3%83%AA%E3%82%BA%E3%83%A0","updated":1722965147,"position":[48.947,-50.3356,35.7352],"cluster":"c02","subgroup":"c02.02","degree":12,"referenceDegree":0,"maxSimilarity":0.31704,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.31704,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31c78f2b97600256b52c7","weight":0.31331,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.28253,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.24652,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","weight":0.24432,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.2404,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e60188005001cefb883","weight":0.23743,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b2804538eb00237f7830","weight":0.2362,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f31c78f2b97600256b52c7","source":"ideaofintellection","title":"簡素な整数リズムと知覚","excerpt":"すべてのグループに共通する知覚カテゴリーが、数学的に考えられる最も単純なものであることを発見しました (1:1:1 および 1:1:2)。また、より複雑なリズムが等時性に近づくようにシフトされる、異文化間に存在する体系的なバイアスも見つかりました（図4b）。ただし、比較的複雑な比率 (7:2:3 など) のカテゴリのインスタンスも見つかりました。","text":"簡素な整数リズムと知覚\nすべてのグループに共通する知覚カテゴリーが、数学的に考えられる最も単純なものであることを発見しました (1:1:1 および 1:1:2)。また、より複雑なリズムが等時性に近づくようにシフトされる、異文化間に存在する体系的なバイアスも見つかりました（図4b）。ただし、比較的複雑な比率 (7:2:3 など) のカテゴリのインスタンスも見つかりました。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E7%B0%A1%E7%B4%A0%E3%81%AA%E6%95%B4%E6%95%B0%E3%83%AA%E3%82%BA%E3%83%A0%E3%81%A8%E7%9F%A5%E8%A6%9A","updated":1722965122,"position":[48.8824,-50.4467,35.8796],"cluster":"c02","subgroup":"c02.02","degree":9,"referenceDegree":0,"maxSimilarity":0.31331,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f31b78044f410025896169","weight":0.31331,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.30373,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","weight":0.2584,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.25198,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e60188005001cefb883","weight":0.23683,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.23328,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a38bfa0a7b0023062b89","weight":0.23084,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f31dc4574ef500241dd9a5","source":"ideaofintellection","title":"知覚と中枢運動プロセス","excerpt":"知覚と中枢運動プロセスを完全に分離することは音楽にとって無駄である可能性があります。たとえば、音楽を聴くと必然的に同調のための運動プロセスが呼び出される可能性があります。","text":"知覚と中枢運動プロセス\n知覚と中枢運動プロセスを完全に分離することは音楽にとって無駄である可能性があります。たとえば、音楽を聴くと必然的に同調のための運動プロセスが呼び出される可能性があります。\n最近のグローバリゼーションの急激な高まりを考えると、均一なサンプリングによって音楽の多様性に関する根本的な何かが明らかになるかどうかは明らかではありません。\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E7%9F%A5%E8%A6%9A%E3%81%A8%E4%B8%AD%E6%9E%A2%E9%81%8B%E5%8B%95%E3%83%97%E3%83%AD%E3%82%BB%E3%82%B9","updated":1722965111,"position":[-43.9727,-26.9212,79.0156],"cluster":"c28","subgroup":"c28.01","degree":9,"referenceDegree":0,"maxSimilarity":0.20942,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.20942,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6a798a9c13001d16966b","weight":0.20728,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6603017e232a7600269e9805","weight":0.20655,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3092bcd48d001dd05bae","weight":0.20638,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d7983f0c730024ad454d","weight":0.20309,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.20308,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dad4ca7784720024209025","weight":0.20261,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f0376b98989e0023daf6ab","weight":0.20049,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f41d1090b91800265c6add","source":"ideaofintellection","title":"混合ガウスモデル","excerpt":"混合ガウスモデルとは、クラスタリングの手法の1つで、データが複数の正規分布(ガウス分布)から生成されたと考えて分析する手法です。 混合ガウスモデルでは、それぞれの正規分布の平均と分散を変化させて、どの正規分布に属するかを推定していくことになります。","text":"混合ガウスモデル\n混合ガウスモデルとは、クラスタリングの手法の1つで、データが複数の正規分布(ガウス分布)から生成されたと考えて分析する手法です。 混合ガウスモデルでは、それぞれの正規分布の平均と分散を変化させて、どの正規分布に属するかを推定していくことになります。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%B7%B7%E5%90%88%E3%82%AC%E3%82%A6%E3%82%B9%E3%83%A2%E3%83%87%E3%83%AB","updated":1722965082,"position":[16.393,41.5791,-41.5501],"cluster":"c15","subgroup":"c15.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0982,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659a64abd7ed7a00220fd368","weight":0.0982,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f41d74aefa2b00246117ab","source":"ideaofintellection","title":"トレシージョ、ヘミオラ","excerpt":"最新ヒット曲にも使われている有名な4つのリズムパターン","text":"トレシージョ、ヘミオラ\n最新ヒット曲にも使われている有名な4つのリズムパターン\nhttps://trivisionstudio.com/4-famous-rhythmic-patterns-from-around-the-world/\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%AC%E3%82%B7%E3%83%BC%E3%82%B8%E3%83%A7%E3%80%81%E3%83%98%E3%83%9F%E3%82%AA%E3%83%A9","updated":1722965062,"position":[49.2489,-50.3488,35.843],"cluster":"c02","subgroup":"c02.02","degree":9,"referenceDegree":0,"maxSimilarity":0.336,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633b2804538eb00237f7830","weight":0.336,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.23423,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31b78044f410025896169","weight":0.2191,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.21898,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.2188,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","weight":0.218,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6626b91c6900249bfdb0","weight":0.21335,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f41d9e2e24a700250f0b1d","source":"ideaofintellection","title":"ウィルコクソン順位和検定","excerpt":"ウィルコクソンの順位和検定は観測値を順位に置き換えるため，t検定に比べ，外れ値の影響を受けにくいという利点がある．","text":"ウィルコクソン順位和検定\nウィルコクソンの順位和検定は観測値を順位に置き換えるため，t検定に比べ，外れ値の影響を受けにくいという利点がある．\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A6%E3%82%A3%E3%83%AB%E3%82%B3%E3%82%AF%E3%82%BD%E3%83%B3%E9%A0%86%E4%BD%8D%E5%92%8C%E6%A4%9C%E5%AE%9A","updated":1722965006,"position":[-29.8381,3.3759,-131.4605],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07159,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65f956fa8d301000265a677b","source":"ideaofintellection","title":"西アフリカ マリ リズム","excerpt":"https://mojatracks.com/archives/534","text":"西アフリカ マリ リズム\nhttps://mojatracks.com/archives/534\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E8%A5%BF%E3%82%A2%E3%83%95%E3%83%AA%E3%82%AB%20%E3%83%9E%E3%83%AA%20%E3%83%AA%E3%82%BA%E3%83%A0","updated":1722964996,"position":[49.1518,-50.7286,36.1696],"cluster":"c02","subgroup":"c02.02","degree":25,"referenceDegree":0,"maxSimilarity":0.43178,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.43178,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.38281,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c3d69c9575b0024b58d9b","weight":0.37565,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf61fbfc989a0023ed83f6","weight":0.33363,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b78fce4dc9b90023749182","weight":0.30489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e60188005001cefb883","weight":0.29531,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.28151,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee13d0b539d0025c74e48","weight":0.27228,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","source":"ideaofintellection","title":"ジャンベ、カンドンベ","excerpt":"プロのジェンベ ドラマーとウルグアイのカンドンベ ドラマー（MA-LM と UY-LM に採用された集団）はどちらも比較的小規模なグループ（50 名未満）で、高度なスキルを持つ専門家で構成されており、大部分が男性でした。どちらの場合も、各グループの参加者のうち女性は 1 人だけでした。これらのグループのメンバーになるには相当な経験が必要とされるため、参加者の年齢も高くなっています（マリ: 平均年齢 40.5 歳、標準偏差 11.9 歳、ウルグアイ: 平均年齢 45.5 歳、標準偏差 12.8 歳）。対極にあるのは、マリのサゲレ村 (MA-DA) のダンサーは主に女性でした。","text":"ジャンベ、カンドンベ\nプロのジェンベ ドラマーとウルグアイのカンドンベ ドラマー（MA-LM と UY-LM に採用された集団）はどちらも比較的小規模なグループ（50 名未満）で、高度なスキルを持つ専門家で構成されており、大部分が男性でした。どちらの場合も、各グループの参加者のうち女性は 1 人だけでした。これらのグループのメンバーになるには相当な経験が必要とされるため、参加者の年齢も高くなっています（マリ: 平均年齢 40.5 歳、標準偏差 11.9 歳、ウルグアイ: 平均年齢 45.5 歳、標準偏差 12.8 歳）。対極にあるのは、マリのサゲレ村 (MA-DA) のダンサーは主に女性でした。\n\nカンドンベとは太鼓を基にしたウルグアイの音楽様式である。カンドンベはモンテビデオのアフリカ系住民によって開始され、バントゥー・アフリカ系のドラムを基に、ヨーロッパ人と、タンゴの息遣いの影響からなっている。2009年、「カンドンベとその社会・文化的空間」がユネスコ無形文化遺産に登録された。\n\n[https://scrapbox.io/files/65f95b893d46d200240ee4fc.png]\n\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A3%E3%83%B3%E3%83%99%E3%80%81%E3%82%AB%E3%83%B3%E3%83%89%E3%83%B3%E3%83%99","updated":1722964987,"position":[49.1265,-50.16,35.2923],"cluster":"c02","subgroup":"c02.02","degree":13,"referenceDegree":0,"maxSimilarity":0.28653,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.28653,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.26967,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.26682,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.26237,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24778,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","weight":0.24189,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312744561af50023ac0100","weight":0.23617,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971ad970fe70025ea4a20","weight":0.2291,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f969551e677d00260effbe","source":"ideaofintellection","title":"アフリカ マリ とジャズのスイング","excerpt":"アフリカおよびアフリカ系アメリカ人の音楽ジャンル (たとえば、マリのジェンベ音楽や米国の「スイング」ジャズ) における非等時性のビート細分化の現象にも関連している可能性があります。","text":"アフリカ マリ とジャズのスイング\nアフリカおよびアフリカ系アメリカ人の音楽ジャンル (たとえば、マリのジェンベ音楽や米国の「スイング」ジャズ) における非等時性のビート細分化の現象にも関連している可能性があります。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%95%E3%83%AA%E3%82%AB%20%E3%83%9E%E3%83%AA%20%E3%81%A8%E3%82%B8%E3%83%A3%E3%82%BA%E3%81%AE%E3%82%B9%E3%82%A4%E3%83%B3%E3%82%B0","updated":1722964977,"position":[49.3108,-50.7716,35.5943],"cluster":"c02","subgroup":"c02.02","degree":17,"referenceDegree":0,"maxSimilarity":0.43178,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.43178,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.28402,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.27992,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.27971,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","weight":0.26967,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31b78044f410025896169","weight":0.23368,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","weight":0.23178,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f9717592429e0023b41962","source":"ideaofintellection","title":"シャーマニズム","excerpt":"神や霊魂と直接に接触・交流し、託宣、予言、病気治しなどを行う宗教的職能者をシャーマン(shaman)、シャーマンを中心とした信仰をシャーマニズムという。 シャーマンが神や霊魂と接触・交流する形態は、「憑依(ひょうい)」(possession)と「脱魂(だつこん)」(ecstasy)の2種類ある。","text":"シャーマニズム\n\n神や霊魂と直接に接触・交流し、託宣、予言、病気治しなどを行う宗教的職能者をシャーマン(shaman)、シャーマンを中心とした信仰をシャーマニズムという。 シャーマンが神や霊魂と接触・交流する形態は、「憑依(ひょうい)」(possession)と「脱魂(だつこん)」(ecstasy)の2種類ある。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%A3%E3%83%BC%E3%83%9E%E3%83%8B%E3%82%BA%E3%83%A0","updated":1722964970,"position":[26.6826,-58.6192,-38.2163],"cluster":"c26","subgroup":"c26.01","degree":3,"referenceDegree":0,"maxSimilarity":0.1717,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ee80964bc5c1001cea626e","weight":0.1717,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67bed948e463b39a6c7630a1","weight":0.14664,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cc8e553df350023f73fa2","weight":0.089,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f971ad970fe70025ea4a20","source":"ideaofintellection","title":"バルカン半島の音楽","excerpt":"https://ja.wikipedia.org/wiki/バルカン半島の音楽","text":"バルカン半島の音楽\nhttps://ja.wikipedia.org/wiki/バルカン半島の音楽\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%90%E3%83%AB%E3%82%AB%E3%83%B3%E5%8D%8A%E5%B3%B6%E3%81%AE%E9%9F%B3%E6%A5%BD","updated":1722964960,"position":[49.0744,-49.347,35.0753],"cluster":"c02","subgroup":"c02.02","degree":11,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fbf2cb588d0024bd3cad","weight":0.23628,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","weight":0.2291,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1d9b2e65f1c00241a3e2b","weight":0.22486,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971f668d34d0024b0c1af","weight":0.22091,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663224956855af00258f20bc","weight":0.22032,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.21881,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cedf4ce9f5100024deee8b","weight":0.21132,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f971f668d34d0024b0c1af","source":"ideaofintellection","title":"トルコ スーフィー音楽","excerpt":"[https://www.youtube.com/watch?v=FmSrhKQtItU]","text":"トルコ スーフィー音楽\n[https://www.youtube.com/watch?v=FmSrhKQtItU]\n\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%AB%E3%82%B3%20%E3%82%B9%E3%83%BC%E3%83%95%E3%82%A3%E3%83%BC%E9%9F%B3%E6%A5%BD","updated":1722964952,"position":[48.959,-49.7002,34.7871],"cluster":"c02","subgroup":"c02.02","degree":11,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a33ce0d53700245258e4","weight":0.2295,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633ad3e4bc89600245bf4e3","weight":0.22947,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee821a53dc94001ca081fb","weight":0.22682,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fbf2cb588d0024bd3cad","weight":0.22459,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971ad970fe70025ea4a20","weight":0.22091,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.21949,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339f1281213e00247177cb","weight":0.2086,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f97264ba8bf90023e98a98","source":"ideaofintellection","title":"アナクルーシス　クルーシス","excerpt":"アナクルーシス 【アナクルーシス】 anacrusis 〔英〕","text":"アナクルーシス　クルーシス\n\nアナクルーシス 【アナクルーシス】 anacrusis 〔英〕\n\n「アウフタクト」の意味。 元は強拍（アクセント）の前にある、単にアクセントのない音（または音群、リズム・グループ）を指す。 一般的にアナクルーシスは、歌い出す前に息を吸う時や、足を踏み出す時にその足を持ち上げるような、一種の準備であり、緊張した状態をいう。\n『アナクルーシス』は“準備”(緊張の高まり)を、『クルーシクス』は“到達点”(頂点に達した瞬間)を意味します。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%8A%E3%82%AF%E3%83%AB%E3%83%BC%E3%82%B7%E3%82%B9%E3%80%80%E3%82%AF%E3%83%AB%E3%83%BC%E3%82%B7%E3%82%B9","updated":1722964945,"position":[49.0001,-50.0728,35.9521],"cluster":"c02","subgroup":"c02.02","degree":10,"referenceDegree":0,"maxSimilarity":0.25473,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee26ee33845002540cc07","weight":0.25473,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a33ce0d53700245258e4","weight":0.2295,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a38bfa0a7b0023062b89","weight":0.2224,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.2152,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","weight":0.21448,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.21356,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f037e20d41a3002544870e","weight":0.20934,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65f972e57e4c5e0025a9e245","source":"ideaofintellection","title":"ブルガリア ラチェニッツァ","excerpt":"https://balkankokkaimusic.hatenablog.com/entry/2024/01/12/230000","text":" ブルガリア ラチェニッツァ\n[https://scrapbox.io/files/65f9730dc4e0ab0026b857cb.png]\n\nhttps://balkankokkaimusic.hatenablog.com/entry/2024/01/12/230000\nブルガリア各地でとてもポピュラーな伝統舞踊にホロ（Horo / Хоро）があります。ホロについては、クリヴォ・サドフスコ・ホロ、ガンキノ・ホロ、パイドゥシュコ・ホロなど、これまでにも度々取り上げてきました。\n\n今回はホロと並んでおそらく最もポピュラーな伝統舞踊とされるラチェニッツァ（Rachenitsa / Rǎčenica / Ръченица / ルチェニッツァ）*1 について取り上げます。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%AB%E3%82%AC%E3%83%AA%E3%82%A2%20%E3%83%A9%E3%83%81%E3%82%A7%E3%83%8B%E3%83%83%E3%83%84%E3%82%A1","updated":1722964927,"position":[-46.973,29.9123,-147.2717],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06049,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:65f973a54dc2a70024678466","source":"ideaofintellection","title":"なずき","excerpt":"「なずき」とは\"人の脳\"の古称であり、「人のように日本語テキスト情報に含まれる多様な表現や感情、意図等を理解した上で、適切な処理ができる」という意味が込められています。","text":"なずき\n「なずき」とは\"人の脳\"の古称であり、「人のように日本語テキスト情報に含まれる多様な表現や感情、意図等を理解した上で、適切な処理ができる」という意味が込められています。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%81%AA%E3%81%9A%E3%81%8D","updated":1723052864,"position":[14.1328,-68.7083,2.838],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10108,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c64cd0809274001cf20897","weight":0.10108,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:65fbd7b0b1816200256cb207","source":"ideaofintellection","title":"音階周波数","excerpt":"https://tomari.org/main/java/oto.html#google_vignette","text":"音階周波数\nhttps://tomari.org/main/java/oto.html#google_vignette\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E9%9F%B3%E9%9A%8E%E5%91%A8%E6%B3%A2%E6%95%B0","updated":1722964867,"position":[49.9608,-49.705,35.0618],"cluster":"c02","subgroup":"c02.02","degree":13,"referenceDegree":0,"maxSimilarity":0.39257,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64a5531687651d001ce4684b","weight":0.39257,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ccac5b72b201002472a0be","weight":0.22539,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f03820bb53f10024489df4","weight":0.22222,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2830c3a7760023fc8ed6","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6492a199ba72a5001cf2b870","weight":0.19031,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6603017e232a7600269e9805","source":"ideaofintellection","title":"音楽と神経科学","excerpt":"[https://scrapbox.io/files/660301829c7451002768a3eb.jpg] #neuroscience","text":"音楽と神経科学\n[https://scrapbox.io/files/660301829c7451002768a3eb.jpg]\n\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E9%9F%B3%E6%A5%BD%E3%81%A8%E7%A5%9E%E7%B5%8C%E7%A7%91%E5%AD%A6","updated":1722964860,"position":[-44.296,-26.5243,78.7698],"cluster":"c28","subgroup":"c28.01","degree":9,"referenceDegree":0,"maxSimilarity":0.23392,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d7983f0c730024ad454d","weight":0.23392,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66552d245f9d58002253cae0","weight":0.21699,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.21158,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3092bcd48d001dd05bae","weight":0.20817,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31dc4574ef500241dd9a5","weight":0.20655,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dad4ca7784720024209025","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c477c0cfea16001bf49fa8","weight":0.17594,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66093580aae96100299d9cb7","source":"ideaofintellection","title":"Mutualism","excerpt":"共生関係にある生物種のいずれにも有利な点のある共生関係。","text":"Mutualism\n共生関係にある生物種のいずれにも有利な点のある共生関係。\nhttps://otherpeople.bandcamp.com/album/mutualismx\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/Mutualism","updated":1722964850,"position":[-13.6162,-10.9454,-24.7072],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09115,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c6590bd96758001b027e76","weight":0.09115,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:660935c462918000242b01b5","source":"ideaofintellection","title":"rhythm-ism","excerpt":"#word","text":"rhythm-ism\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/rhythm-ism","updated":1722964838,"position":[-63.6717,5.1437,-109.1036],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:660fdbd79e6f2d002572b441","source":"ideaofintellection","title":"クレショフ効果","excerpt":"クレショフ効果とは、 無関係の画像や映像を連続して見た場合、無意識に関連づけて考えてしまう心理作用 のこと","text":"クレショフ効果\nクレショフ効果とは、 無関係の画像や映像を連続して見た場合、無意識に関連づけて考えてしまう心理作用 のこと\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%83%AC%E3%82%B7%E3%83%A7%E3%83%95%E5%8A%B9%E6%9E%9C","updated":1722964825,"position":[-45.5405,35.393,-96.4546],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06069,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:660fdc053b4bd30024a680ad","source":"ideaofintellection","title":"マゴニア","excerpt":"初期中世フランスにおける、伝説上の土地である。 空中の大陸ともされる。","text":"マゴニア\n初期中世フランスにおける、伝説上の土地である。 空中の大陸ともされる。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%82%B4%E3%83%8B%E3%82%A2","updated":1722964817,"position":[4.6325,-72.8222,68.0727],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07695,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:660fdc4a268ba30025cae9d4","source":"ideaofintellection","title":"土蜘蛛","excerpt":"近世以後は、蜘蛛のすがたの妖怪であると広くみなされるようになった。 土蜘蛛は古代、ヤマト王権側から異族視されていており、『日本書紀』や各国の風土記などでは「狼の性、梟の情」を持ち強暴であり、山野に石窟(いわむろ)・土窟・堡塁を築いて住み、朝命に従わず誅滅される存在として表現されている。","text":"土蜘蛛\n近世以後は、蜘蛛のすがたの妖怪であると広くみなされるようになった。 土蜘蛛は古代、ヤマト王権側から異族視されていており、『日本書紀』や各国の風土記などでは「狼の性、梟の情」を持ち強暴であり、山野に石窟(いわむろ)・土窟・堡塁を築いて住み、朝命に従わず誅滅される存在として表現されている。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%9C%9F%E8%9C%98%E8%9B%9B","updated":1722964810,"position":[-36.0261,22.4451,-119.0904],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.02859,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:660fdc5ae100df0023a6400d","source":"ideaofintellection","title":"環境共生","excerpt":"environmental symbiosis","text":"環境共生\nenvironmental symbiosis\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%92%B0%E5%A2%83%E5%85%B1%E7%94%9F","updated":1722964801,"position":[-51.219,15.5164,-92.737],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07732,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66156cb47d53d600263ddbec","source":"ideaofintellection","title":"recursive subdivision","excerpt":"[https://scrapbox.io/files/66156cc9f2225200232b686a.png] #visual","text":"recursive subdivision\n[https://scrapbox.io/files/66156cc9f2225200232b686a.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/recursive%20subdivision","updated":1722964772,"position":[29.4822,-43.4479,99.3648],"cluster":"c14","subgroup":"c14.01","degree":40,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5636c6fde0c0026b40334","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c57174a130540025280884","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662b2bbece4079002603cae0","source":"ideaofintellection","title":"試金石","excerpt":"ある物事の価値、人物の力量を見きわめる試験になるような物事。","text":"試金石\nある物事の価値、人物の力量を見きわめる試験になるような物事。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%A9%A6%E9%87%91%E7%9F%B3","updated":1722964761,"position":[3.2183,-74.4689,38.4263],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.15973,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c7380056c7e90025f19eeb","weight":0.15973,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee85baa511ff001c18d07d","weight":0.10612,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af29640664db001d70a04c","weight":0.08771,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662bd0a82c11680025f14657","source":"ideaofintellection","title":"隔世の感","excerpt":"世の中がすっかり変わってしまったと感じる気持ちのこと。 「隔世」は、世を隔てる、時代を異にする。 同義語の「隔世の思い」のときは、「かくせ」と読む。","text":"隔世の感\n世の中がすっかり変わってしまったと感じる気持ちのこと。 「隔世」は、世を隔てる、時代を異にする。 同義語の「隔世の思い」のときは、「かくせ」と読む。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%9A%94%E4%B8%96%E3%81%AE%E6%84%9F","updated":1722953722,"position":[-9.5194,-193.5567,14.7552],"cluster":"c37","subgroup":"c37.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14683,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659395aec1f2710023d93b45","weight":0.14683,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655645e09efbd7001cfe2652","weight":0.10733,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662bd0b655535700246ee957","source":"ideaofintellection","title":"ダートマス会議 人工知能","excerpt":"Dartmouth Conference）は、人工知能という学術研究分野を確立した会議の通称である。1956年7月から8月にかけて開催された[1]。当時、ダートマス大学に在籍していたジョン・マッカーシーが主催した会議で、会議のコンセプト自体はマービン・ミンスキー、ネイサン・ロチェスター、クロード・シャノンらと共に構想した。その会議の提案書において、人類史上初めて「人工知能（Artificial Intelligence）」という用語が使われたとされる[2]。","text":"ダートマス会議 人工知能\nDartmouth Conference）は、人工知能という学術研究分野を確立した会議の通称である。1956年7月から8月にかけて開催された[1]。当時、ダートマス大学に在籍していたジョン・マッカーシーが主催した会議で、会議のコンセプト自体はマービン・ミンスキー、ネイサン・ロチェスター、クロード・シャノンらと共に構想した。その会議の提案書において、人類史上初めて「人工知能（Artificial Intelligence）」という用語が使われたとされる[2]。\n会議は一ヶ月に及ぶもので、基本的にブレインストーミングの場であった。ダートマス大学の数学学科が入居していたビルの最上階を数学者とコンピュータサイエンティスト達が引き継いでから8週間が経過していた[2]。\n#machinelearning\n","tags":["machinelearning"],"links":["1","2","machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%80%E3%83%BC%E3%83%88%E3%83%9E%E3%82%B9%E4%BC%9A%E8%AD%B0%20%E4%BA%BA%E5%B7%A5%E7%9F%A5%E8%83%BD","updated":1722953656,"position":[33.4551,42.0489,14.4043],"cluster":"c17","subgroup":"c17.01","degree":8,"referenceDegree":0,"maxSimilarity":0.20484,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631286063f35e0023949b8a","weight":0.20484,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.2026,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d9d4631b15002417a61f","weight":0.19235,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0ce79e7200025f1d876","weight":0.18834,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d3db1713f80025b52836","weight":0.18671,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd10d887c360024e112d4","weight":0.18657,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 1・machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663127e3a402530024207122","weight":0.18414,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633ad8b5f66080023b3b747","weight":0.15089,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662bd0be50275e002594c30c","source":"ideaofintellection","title":"レイモンドローウィ","excerpt":"ローウィは、20世紀最高のデザイナーと言われた人物で、口紅、飛行機、機関車、駅など、さまざまなものをデザインしました。 日本でもおなじみの、お菓子のナビスコ、不二家、タバコのピースなどのロゴを手がけています。","text":"レイモンドローウィ\nローウィは、20世紀最高のデザイナーと言われた人物で、口紅、飛行機、機関車、駅など、さまざまなものをデザインしました。 日本でもおなじみの、お菓子のナビスコ、不二家、タバコのピースなどのロゴを手がけています。\n[https://scrapbox.io/files/66b22f73cc08d4001da5a822.jpeg]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%82%A4%E3%83%A2%E3%83%B3%E3%83%89%E3%83%AD%E3%83%BC%E3%82%A6%E3%82%A3","updated":1722953596,"position":[-8.4236,5.8986,13.1113],"cluster":"c07","subgroup":"c07.02","degree":9,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669bf22525fddc001d1b19a9","weight":0.21768,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a858c9387a00245facc3","weight":0.2108,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556400ced3156001ba804f1","weight":0.08731,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662bd0ce79e7200025f1d876","source":"ideaofintellection","title":"Deep Dream","excerpt":"GoogleのエンジニアであるAlexander Mordvintsevによって作成されたコンピュータービジョンプログラムである。","text":"Deep Dream\nGoogleのエンジニアであるAlexander Mordvintsevによって作成されたコンピュータービジョンプログラムである。\n\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/Deep%20Dream","updated":1722953520,"position":[33.3812,42.1754,13.8951],"cluster":"c17","subgroup":"c17.01","degree":14,"referenceDegree":0,"maxSimilarity":0.35271,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d9d4631b15002417a61f","weight":0.35271,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631286063f35e0023949b8a","weight":0.27939,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663123e4c4255d00256caa2b","weight":0.2492,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312bc02875590023d95a32","weight":0.24869,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.23931,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6e804208b800259f474c","weight":0.23804,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663127e3a402530024207122","weight":0.20847,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a953b4b1f90023be8472","weight":0.20557,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662bd0d9c46f470025cbbe12","source":"ideaofintellection","title":"ジョンフォンノイマン","excerpt":"現在採用されているパソコンの基本的構造である、「ノイマン型コンピュータ」と称される設計を考案した人物として知られている。 1957年2月8日没。 第2次世界大戦中のマンハッタン計画に参加した際、ノイマンは爆縮レンズの開発に従事し、爆薬を32面体に配置することによって効率的な核爆弾が製造できることを導き出した。","text":"ジョンフォンノイマン\n現在採用されているパソコンの基本的構造である、「ノイマン型コンピュータ」と称される設計を考案した人物として知られている。 1957年2月8日没。 第2次世界大戦中のマンハッタン計画に参加した際、ノイマンは爆縮レンズの開発に従事し、爆薬を32面体に配置することによって効率的な核爆弾が製造できることを導き出した。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A7%E3%83%B3%E3%83%95%E3%82%A9%E3%83%B3%E3%83%8E%E3%82%A4%E3%83%9E%E3%83%B3","updated":1722953466,"position":[-26.1067,-76.8835,65.2246],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.15357,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e38d64181050001c65ce9c","weight":0.15357,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.08583,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662bd0f1f691990024037e65","source":"ideaofintellection","title":"univac1","excerpt":"UNIVAC I は米国で作られたビジネスアプリケーション向けとして世界初の汎用電子デジタルコンピュータ。","text":"univac1\nUNIVAC I は米国で作られたビジネスアプリケーション向けとして世界初の汎用電子デジタルコンピュータ。\n1号機は1951年3月31日に米国国勢調査局が契約し、その年の6月14日に納品された。\n[https://scrapbox.io/files/66b22e2fd106e600223339fe.webp]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/univac1","updated":1722953296,"position":[14.0806,-36.0127,20.2772],"cluster":"c05","subgroup":"c05.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12506,"lowEvidence":false,"neighbors":[{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.12506,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a5f3f57559050023cd63b1","weight":0.11704,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649be38097c383001b2d78fa","weight":0.11195,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662bd0f7ed88500025dbe5eb","source":"ideaofintellection","title":"不可分","excerpt":"分けようにも分けられないほど、密接に結びついていること。","text":"不可分\n分けようにも分けられないほど、密接に結びついていること。\n 「―の関係」\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%8D%E5%8F%AF%E5%88%86","updated":1722953216,"position":[-49.902,32.7628,-93.7776],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04861,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:662bd1065fdd8f002556baf7","source":"ideaofintellection","title":"イアン・グッドフェロー","excerpt":"Google Brainを経て2019年3月よりAppleの機械学習研究チームにいる。ニューラルネットワークを用いた生成モデルの一種である敵対的生成ネットワークを提案したことで知られる。","text":"イアン・グッドフェロー\nGoogle Brainを経て2019年3月よりAppleの機械学習研究チームにいる。ニューラルネットワークを用いた生成モデルの一種である敵対的生成ネットワークを提案したことで知られる。\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A4%E3%82%A2%E3%83%B3%E3%83%BB%E3%82%B0%E3%83%83%E3%83%89%E3%83%95%E3%82%A7%E3%83%AD%E3%83%BC","updated":1722953190,"position":[32.8859,41.4505,14.5732],"cluster":"c17","subgroup":"c17.01","degree":14,"referenceDegree":0,"maxSimilarity":0.34832,"lowEvidence":false,"neighbors":[{"id":"NextResearch:662f6c4f910a0a002435b8ea","weight":0.34832,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a953b4b1f90023be8472","weight":0.2214,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65f01964abb1760025d1c99b","weight":0.21772,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631db0824943a00247bae91","weight":0.21216,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312bc02875590023d95a32","weight":0.21092,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.2097,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631286063f35e0023949b8a","weight":0.20862,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312f0a0aaff20024eef38e","weight":0.20667,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662bd10d887c360024e112d4","source":"ideaofintellection","title":"edmond de belamy","excerpt":"エドモン・ド・ベラミーは、エドモン・ド・ベラミーの肖像画とも呼ばれ、2018年にパリに拠点を置く芸術集団ObviousによってWikiArtのアートワークデータベースから構築されたagenerative adversarial network（GAN）肖像画です。[1]キャンバスに印刷されたこの作品は、La Famille de Belamyと呼ばれる一連の生成画像に属しています。","text":"edmond de belamy\nエドモン・ド・ベラミーは、エドモン・ド・ベラミーの肖像画とも呼ばれ、2018年にパリに拠点を置く芸術集団ObviousによってWikiArtのアートワークデータベースから構築されたagenerative adversarial network（GAN）肖像画です。[1]キャンバスに印刷されたこの作品は、La Famille de Belamyと呼ばれる一連の生成画像に属しています。\n[https://scrapbox.io/files/66b22db33a5113001c9a8d00.png]\n\n#machinelearning\n","tags":["machinelearning"],"links":["1","machinelearning"],"url":"https://scrapbox.io/ideaofintellection/edmond%20de%20belamy","updated":1722953149,"position":[32.6012,42.0625,14.5168],"cluster":"c17","subgroup":"c17.01","degree":7,"referenceDegree":0,"maxSimilarity":0.19686,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312ecba1fe800024f41b62","weight":0.19686,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd1065fdd8f002556baf7","weight":0.19094,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662f6c4f910a0a002435b8ea","weight":0.18754,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0b655535700246ee957","weight":0.18657,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 1・machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a953b4b1f90023be8472","weight":0.18601,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d9d4631b15002417a61f","weight":0.18523,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312f0a0aaff20024eef38e","weight":0.18121,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f64c3c411710025fbf395","source":"ideaofintellection","title":"スーツケースワード","excerpt":"Minsky は「意識」や「感情」といった，複雑な事象を一括りに. した言葉を「スーツケースワード(suitcase-words)」と定義している.","text":" スーツケースワード\nMinsky は「意識」や「感情」といった，複雑な事象を一括りに. した言葉を「スーツケースワード(suitcase-words)」と定義している.\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%83%BC%E3%83%84%E3%82%B1%E3%83%BC%E3%82%B9%E3%83%AF%E3%83%BC%E3%83%89","updated":1722953066,"position":[-34.2091,16.7084,-146.6609],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0609,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:662f650be254bd0025dc1495","source":"ideaofintellection","title":"岡本太郎","excerpt":"芸術家の岡本太郎（1911～96）は絵画や彫刻、大阪万博の「太陽の塔」や「明日の神話」といった幅広い作品で知られています。 その岡本太郎が残した言葉や芸術がいま、改めて注目を集めています。","text":"岡本太郎\n芸術家の岡本太郎（1911～96）は絵画や彫刻、大阪万博の「太陽の塔」や「明日の神話」といった幅広い作品で知られています。 その岡本太郎が残した言葉や芸術がいま、改めて注目を集めています。 \n[https://scrapbox.io/files/662f6523169c0d0023ff41fa.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E5%B2%A1%E6%9C%AC%E5%A4%AA%E9%83%8E","updated":1722953055,"position":[30.7522,-42.1003,99.0075],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f65a9b96a8f00250fb246","source":"ideaofintellection","title":"フランシス・ベーコン","excerpt":"1561年1月22日 - 1626年4月9日","text":"フランシス・ベーコン\n1561年1月22日 - 1626年4月9日\n初代セント・オールバン子爵フランシス・ベーコンは、イギリスの哲学者、神学者、法学者、政治家、貴族である。イングランド近世の人物。イギリス経験主義の祖。 「知識は力なり」の名言や、「イドラ」の概念で有名。\n[https://scrapbox.io/files/662f65c72548a500244cd4b6.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%A9%E3%83%B3%E3%82%B7%E3%82%B9%E3%83%BB%E3%83%99%E3%83%BC%E3%82%B3%E3%83%B3","updated":1722953045,"position":[27.9331,-43.3104,98.863],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663120e4f6e6ad0023b26f6f","weight":0.09153,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f6626b91c6900249bfdb0","source":"ideaofintellection","title":"digital vinyl system","excerpt":"DVSとは. Digital Vinyl Systemsの略です。つまりターンテーブルでパソコン内の音源を操ること","text":"digital vinyl system\nDVSとは. Digital Vinyl Systemsの略です。つまりターンテーブルでパソコン内の音源を操ること\n[https://scrapbox.io/files/662f6670a06ab80024af6771.png]\n\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/digital%20vinyl%20system","updated":1722953398,"position":[49.4615,-49.6883,35.6851],"cluster":"c02","subgroup":"c02.02","degree":8,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a27bc5c52d97001b12a745","weight":0.23176,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c6549b5e217400218cef6f","weight":0.22103,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f03820bb53f10024489df4","weight":0.2197,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b2804538eb00237f7830","weight":0.21748,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f41d74aefa2b00246117ab","weight":0.21335,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971ad970fe70025ea4a20","weight":0.20847,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695126879429e9af437fa6aa","weight":0.10117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f668ffb6d2400239ce545","source":"ideaofintellection","title":"ジミヘンドリックス","excerpt":"没後50年経った現在でも、ロック史上最高のギタリストとして評価されており、ローリング・ストーン誌は歴史上最も偉大なギタリスト第一位として何度も選んでいる","text":"ジミヘンドリックス\n没後50年経った現在でも、ロック史上最高のギタリストとして評価されており、ローリング・ストーン誌は歴史上最も偉大なギタリスト第一位として何度も選んでいる\n[https://www.youtube.com/watch?v=TLV4_xaYynY]\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%9F%E3%83%98%E3%83%B3%E3%83%89%E3%83%AA%E3%83%83%E3%82%AF%E3%82%B9","updated":1722953371,"position":[49.0646,-50.2646,34.3602],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.24799,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.24799,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d919642dbe00242ef4ff","weight":0.22724,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667948201426b4001cc4402c","weight":0.22591,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e7f215622001e3f98e1","weight":0.21366,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","weight":0.21167,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bf3a47448c002598d2f1","weight":0.21104,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f66de6a304300254bd9ff","source":"ideaofintellection","title":"ジャクソン・ポロック","excerpt":"1912年1月28日","text":"ジャクソン・ポロック\n1912年1月28日\nジャクソン・ポロックは、20世紀のアメリカの画家。抽象表現主義の代表的な画家であり、彼の画法はアクション・ペインティングとも呼ばれた。抽象表現主義の画家たちの活躍により、1950年ごろから美術の中心地はパリではなくニューヨークであると考えられるようになった。\n[https://scrapbox.io/files/662f66e99e2f8d0025817e96.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A3%E3%82%AF%E3%82%BD%E3%83%B3%E3%83%BB%E3%83%9D%E3%83%AD%E3%83%83%E3%82%AF","updated":1722953001,"position":[31.7918,-42.4894,98.5798],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734e038ca082f606b780c36","weight":0.15528,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f6755968dbf002303e467","source":"ideaofintellection","title":"マーシャル・マクルーハン","excerpt":"1911年7月21日","text":"マーシャル・マクルーハン\n\n1911年7月21日\n身体環境における様々なモノを身体を拡張する道具であると捉えました。衣服も皮膚の拡張である。\n[https://scrapbox.io/files/662f6789020f3c002585269a.png]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%BC%E3%82%B7%E3%83%A3%E3%83%AB%E3%83%BB%E3%83%9E%E3%82%AF%E3%83%AB%E3%83%BC%E3%83%8F%E3%83%B3","updated":1722952988,"position":[13.7266,-34.8275,19.4964],"cluster":"c05","subgroup":"c05.01","degree":5,"referenceDegree":0,"maxSimilarity":0.35762,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6083c81972c1d3fd3e477b","weight":0.35762,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e339360853bedff09694","weight":0.25491,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a140089e4ffadd545d6b11e","weight":0.24137,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e527d09a200243dfd63","weight":0.15144,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65079c4a2165bf001c616fc7","weight":0.13692,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f67a2cfac070023e5f037","source":"ideaofintellection","title":"バベルの図書館","excerpt":"1941年","text":"バベルの図書館\n1941年\nこのボルヘスに「バベルの図書館」という掌編があります． この作品で彼は宇宙を無限に拡がる図書館になぞらえています． 蜂の巣のように，六角形の閲覧室が上下左右にはるかに積み重なって，決して出口の見つからない図書館です． 司書たちはそこに住み着き，そこで生涯を終えます．\nLa biblioteca de Babel\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%90%E3%83%99%E3%83%AB%E3%81%AE%E5%9B%B3%E6%9B%B8%E9%A4%A8","updated":1722952974,"position":[60.1313,-131.4853,47.2721],"cluster":"c43","subgroup":"c43.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07078,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:662f67e8d94d9900242299bd","source":"ideaofintellection","title":"エディントン数","excerpt":"イギリスの天文学者アーサー・スタンレー・エディントン (Sir Arthur Stanley Eddington, 1882–1944) は、1938年にケンブリッジ大学のトリニティ・カレッジでの講義(Tarner lecture)で、宇宙に存在する全陽子の数が正確に136×2^256個あり、全電子数も同じ数だけある","text":"エディントン数\nイギリスの天文学者アーサー・スタンレー・エディントン (Sir Arthur Stanley Eddington, 1882–1944) は、1938年にケンブリッジ大学のトリニティ・カレッジでの講義(Tarner lecture)で、宇宙に存在する全陽子の数が正確に136×2^256個あり、全電子数も同じ数だけある\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%87%E3%82%A3%E3%83%B3%E3%83%88%E3%83%B3%E6%95%B0","updated":1722952967,"position":[-24.3543,-73.0969,65.1957],"cluster":"c04","subgroup":"c04.02","degree":12,"referenceDegree":0,"maxSimilarity":0.21507,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","weight":0.21507,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.21053,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ce05e83ba0025e0c121","weight":0.20919,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d6a244e2a60023388bb6","weight":0.20841,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66471de9675d91001c2cf435","weight":0.20686,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55be378d68900249e503c","weight":0.2068,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ae97085970025360276","weight":0.20567,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af25b926616b001c28f259","weight":0.20523,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f67fe8d19e00025c6dc8f","source":"ideaofintellection","title":"探索空間","excerpt":"探索活動が行われる場， つまり探索者が目標物の存在する可能性のある範囲として認知している場のことである． 離散空間と連続空間があり，数学的取り扱いが異なる． 離散空間では探索努力配分が， 個々の地点への配分努力量で示されるが， 連続空間では密度関数として表される．","text":"探索空間\n探索活動が行われる場， つまり探索者が目標物の存在する可能性のある範囲として認知している場のことである． 離散空間と連続空間があり，数学的取り扱いが異なる． 離散空間では探索努力配分が， 個々の地点への配分努力量で示されるが， 連続空間では密度関数として表される．\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%8E%A2%E7%B4%A2%E7%A9%BA%E9%96%93","updated":1722952952,"position":[-26.1636,27.0632,-108.5039],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07446,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:662f6811fb6d2400239ced3e","source":"ideaofintellection","title":"遺伝的アルゴリズム","excerpt":"遺伝的アルゴリズムとは？ 遺伝的アルゴリズムは、自然界における生物の適応進化のメカニズムを工学的にモデル化したアルゴリズムです。 自然界では、生活環境に適応できない個体は死滅し、環境に適応した個体は生き残り子孫を増やしていきます（図：適応進化のメカニズムのイメージ）。","text":"遺伝的アルゴリズム\n遺伝的アルゴリズムとは？ 遺伝的アルゴリズムは、自然界における生物の適応進化のメカニズムを工学的にモデル化したアルゴリズムです。 自然界では、生活環境に適応できない個体は死滅し、環境に適応した個体は生き残り子孫を増やしていきます（図：適応進化のメカニズムのイメージ）。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%81%BA%E4%BC%9D%E7%9A%84%E3%82%A2%E3%83%AB%E3%82%B4%E3%83%AA%E3%82%BA%E3%83%A0","updated":1722952943,"position":[-18.3899,-16.3329,-20.9989],"cluster":"c11","subgroup":"c11.01","degree":5,"referenceDegree":0,"maxSimilarity":0.38273,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.38273,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c657a38b78e4001bc677b4","weight":0.24736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033e3bdb393c001c8969de","weight":0.16322,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033df0e9011b001cb456ca","weight":0.15617,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.09142,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f684582d10d0026636702","source":"ideaofintellection","title":"kj法","excerpt":"KJ法とは思いついたキーワードや情報をカードなどに挙げていき、関連性のあるものをグルーピングすることで、解決方法やアイデアを発想する手法です。 文化人類学者の川喜田二郎氏が考案したメソッドで、同氏の名字のKと名前のJからとってKJ法と名付けました。","text":"kj法\nKJ法とは思いついたキーワードや情報をカードなどに挙げていき、関連性のあるものをグルーピングすることで、解決方法やアイデアを発想する手法です。 文化人類学者の川喜田二郎氏が考案したメソッドで、同氏の名字のKと名前のJからとってKJ法と名付けました。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/kj%E6%B3%95","updated":1722952932,"position":[-4.7074,53.3591,51.3645],"cluster":"c08","subgroup":"c08.01","degree":2,"referenceDegree":0,"maxSimilarity":0.13848,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659246f943d3fa00263b5723","weight":0.13848,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6507a02daa65f4001bee2ffd","weight":0.08758,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f686bfb6d2400239ceed0","source":"ideaofintellection","title":"創造性　探索的、変革的、結合的","excerpt":"探索的創造性　バッハとサイコロ","text":"創造性　探索的、変革的、結合的\n探索的創造性　バッハとサイコロ\n変革的創造性　デュシャン\n結合的創造性　ピーナッツ&ジャム サンドイッチ\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%89%B5%E9%80%A0%E6%80%A7%E3%80%80%E6%8E%A2%E7%B4%A2%E7%9A%84%E3%80%81%E5%A4%89%E9%9D%A9%E7%9A%84%E3%80%81%E7%B5%90%E5%90%88%E7%9A%84","updated":1722952924,"position":[28.2474,-41.9517,109.6857],"cluster":"c14","subgroup":"c14.01","degree":3,"referenceDegree":0,"maxSimilarity":0.14438,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:683bf5bf3e1761f10cdcff90","weight":0.14438,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66826124d2ef7d001c5bec10","weight":0.14255,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668a382db77532001cf876d7","weight":0.09457,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f68c2a8553c00238017df","source":"ideaofintellection","title":"nonfasial portrait","excerpt":"https://www.ntticc.or.jp/ja/archive/works/nonfacial-portrait/","text":"nonfasial portrait\nhttps://www.ntticc.or.jp/ja/archive/works/nonfacial-portrait/\n[https://scrapbox.io/files/662f68dfebf69700258b6a2d.png]\n\n[https://scrapbox.io/files/662f69016bc833002338148d.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/nonfasial%20portrait","updated":1722952914,"position":[28.0197,-45.1761,100.5049],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.66355,"lowEvidence":false,"neighbors":[{"id":"NextResearch:687267b08c030b8d9b99b039","weight":0.66355,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f692951c9fe0024c53589","source":"ideaofintellection","title":"hellbent","excerpt":"「hellbent」の意味・翻訳・日本語 - 必死になって、(危険を冒しても)決意して、なんとしても心に決めて、猛烈なスピードで飛ばす","text":"hellbent\n「hellbent」の意味・翻訳・日本語 - 必死になって、(危険を冒しても)決意して、なんとしても心に決めて、猛烈なスピードで飛ばす\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/hellbent","updated":1722952902,"position":[5.832,-78.9658,61.2764],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.23019,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658bf37f8391240023470b9f","weight":0.23019,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f693f2fcf4d00231a70b1","source":"ideaofintellection","title":"emergent rhythm","excerpt":"https://naotokui.net/ja/works/emergent-rhythm-2/","text":"emergent rhythm\n[https://scrapbox.io/files/662f695df037d8002471136c.png]\n\nhttps://naotokui.net/ja/works/emergent-rhythm-2/\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/emergent%20rhythm","updated":1722952894,"position":[32.17,44.1294,15.4844],"cluster":"c17","subgroup":"c17.01","degree":7,"referenceDegree":0,"maxSimilarity":0.64101,"lowEvidence":false,"neighbors":[{"id":"NextResearch:689c3682f91e4693c3b9644c","weight":0.64101,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6633abffb4b1f90023be8e8c","weight":0.26657,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f82fd252e65a001ccbdc24","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c8fe7de99a70022f88e11","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65bf5febe597210027980fea","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cee418e385ca00265c9cd6","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65eca1696869e60025219174","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f697db5630f0024c5e5e2","source":"ideaofintellection","title":"帯化","excerpt":"帯化（たいか、Fasciation）は、植物で見られる奇形である。 綴化（てっか）、石化（せっか、いしか）などともいう。 帯化はエンドウ、タバコ、ジャガイモ、イチゴ、アスパラガス、トウモロコシなど、農作物で多くの事例が報告されている。 また、多肉植物でもよく見られる。","text":"帯化\n帯化（たいか、Fasciation）は、植物で見られる奇形である。 綴化（てっか）、石化（せっか、いしか）などともいう。 帯化はエンドウ、タバコ、ジャガイモ、イチゴ、アスパラガス、トウモロコシなど、農作物で多くの事例が報告されている。 また、多肉植物でもよく見られる。\n[https://scrapbox.io/files/662f69905158ee00258ee32d.png]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%B8%AF%E5%8C%96","updated":1722952884,"position":[-36.8246,5.3209,-143.033],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04418,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:662f6a4850edcc0025ad23b8","source":"ideaofintellection","title":"アンドレ・ブルトン","excerpt":"1896年","text":"アンドレ・ブルトン\n1896年\nアンドレ・ブルトンは、フランスの詩人、文学者、シュルレアリスト。誕生日について、ブルトンはしばしば2月18日とも公言しているが、それは詩的な意味であり、書類などでは2月19日生まれとはっきり記されている。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%83%89%E3%83%AC%E3%83%BB%E3%83%96%E3%83%AB%E3%83%88%E3%83%B3","updated":1723052747,"position":[35.2475,41.7688,13.8099],"cluster":"c17","subgroup":"c17.01","degree":2,"referenceDegree":0,"maxSimilarity":0.09333,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667e7434355300001cbfa006","weight":0.09333,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631286063f35e0023949b8a","weight":0.08686,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f6a87107ff40025aea461","source":"ideaofintellection","title":"クオンタイズ","excerpt":"「クオンタイズ」とは、録音されたオーディオまたは MIDI を移動し、音楽的に意味のある最も近いクオンタイズグリッド位置に置くこと","text":"クオンタイズ\n「クオンタイズ」とは、録音されたオーディオまたは MIDI を移動し、音楽的に意味のある最も近いクオンタイズグリッド位置に置くこと\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%82%AA%E3%83%B3%E3%82%BF%E3%82%A4%E3%82%BA","updated":1722952830,"position":[49.2417,-50.3598,35.4501],"cluster":"c02","subgroup":"c02.02","degree":8,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c1a3f0a4890024ab6a4b","weight":0.22483,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.2228,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c17225c0310024e2eb6d","weight":0.2132,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a33ce0d53700245258e4","weight":0.21036,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d828a40253002425cfa1","weight":0.20844,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31c78f2b97600256b52c7","weight":0.20797,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7211863754001df743aa","weight":0.20758,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f6a9d1a88a70023c3931d","source":"ideaofintellection","title":"エリーゼのために","excerpt":"バガテル『エリーゼのために』は、ルートヴィヒ・ヴァン・ベートーヴェンが1810年4月27日に作曲したピアノ曲。「WoO 59」の番号が与えられているほか、通し番号をつけて『バガテル第25番』と称される場合もある。 日本の一般人にとって、名前と曲が一致するピアノ曲として名高い。","text":"エリーゼのために\nバガテル『エリーゼのために』は、ルートヴィヒ・ヴァン・ベートーヴェンが1810年4月27日に作曲したピアノ曲。「WoO 59」の番号が与えられているほか、通し番号をつけて『バガテル第25番』と称される場合もある。 日本の一般人にとって、名前と曲が一致するピアノ曲として名高い。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%AA%E3%83%BC%E3%82%BC%E3%81%AE%E3%81%9F%E3%82%81%E3%81%AB","updated":1722952817,"position":[49.4459,-49.5516,34.2817],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582abe8781cc60024698dc5","weight":0.235,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.22167,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee8293fa4f38001dbb9a18","weight":0.21787,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f037e20d41a3002544870e","weight":0.21614,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66338a723c96cf0024eebca4","weight":0.21529,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa64a84653b5001c65831a","weight":0.21255,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","source":"ideaofintellection","title":"アーティキュレーション","excerpt":"アーティキュレーション（articulation）とは、音楽の演奏技法において、音の形を整え、音と音のつながりに様々な強弱や表情をつけることで旋律などを区分すること。 フレーズより短い単位で使われることが多い。 強弱法、スラー、スタッカート、レガートなどの記号やそれによる表現のことを指すこともある。","text":"アーティキュレーション\nアーティキュレーション（articulation）とは、音楽の演奏技法において、音の形を整え、音と音のつながりに様々な強弱や表情をつけることで旋律などを区分すること。 フレーズより短い単位で使われることが多い。 強弱法、スラー、スタッカート、レガートなどの記号やそれによる表現のことを指すこともある。\n[https://scrapbox.io/files/662f6b2235c24b0026e08ffc.png]\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%BC%E3%83%86%E3%82%A3%E3%82%AD%E3%83%A5%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1722952800,"position":[48.7591,-50.1115,35.3971],"cluster":"c02","subgroup":"c02.02","degree":17,"referenceDegree":0,"maxSimilarity":0.24997,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.24997,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee0b940de8e0024e0e41e","weight":0.23293,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c17225c0310024e2eb6d","weight":0.22466,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e724d7da0d7001ce26ad6","weight":0.2243,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee26ee33845002540cc07","weight":0.22112,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee01fca852100255de2a4","weight":0.21947,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e7f215622001e3f98e1","weight":0.21427,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","source":"ideaofintellection","title":"アラン・チューリング","excerpt":"「コンピュータ科学の父」および（チューリング・テストなど）からは「人工知能（AI）の父」とも言われる。","text":"アラン・チューリング\n「コンピュータ科学の父」および（チューリング・テストなど）からは「人工知能（AI）の父」とも言われる。\n[https://scrapbox.io/files/662f6e32e254bd0025dc420b.png]\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%A9%E3%83%B3%E3%83%BB%E3%83%81%E3%83%A5%E3%83%BC%E3%83%AA%E3%83%B3%E3%82%B0","updated":1722952792,"position":[33.2879,41.8055,14.1128],"cluster":"c17","subgroup":"c17.01","degree":15,"referenceDegree":0,"maxSimilarity":0.47355,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c509c1e80d4d0026de7c91","weight":0.47355,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d3db1713f80025b52836","weight":0.36027,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663123e4c4255d00256caa2b","weight":0.35808,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6592168ab224b60023b3b8c3","weight":0.33849,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631286063f35e0023949b8a","weight":0.25139,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d9d4631b15002417a61f","weight":0.24451,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0ce79e7200025f1d876","weight":0.23931,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312bc02875590023d95a32","weight":0.23549,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f6e804208b800259f474c","source":"ideaofintellection","title":"対話型進化計算","excerpt":"対話型進化計算は，人とコンピュータがコミュニケーションをとりながら，人の感性に合ったものを作成していく手法です．","text":"対話型進化計算\n対話型進化計算は，人とコンピュータがコミュニケーションをとりながら，人の感性に合ったものを作成していく手法です．\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E5%AF%BE%E8%A9%B1%E5%9E%8B%E9%80%B2%E5%8C%96%E8%A8%88%E7%AE%97","updated":1722952783,"position":[33.1975,42.2509,13.7269],"cluster":"c17","subgroup":"c17.01","degree":9,"referenceDegree":0,"maxSimilarity":0.24301,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631286063f35e0023949b8a","weight":0.24301,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6679430bcf8d99001c604a78","weight":0.2428,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0ce79e7200025f1d876","weight":0.23804,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663123e4c4255d00256caa2b","weight":0.23772,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d9d4631b15002417a61f","weight":0.23362,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.22855,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312bc02875590023d95a32","weight":0.22398,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a953b4b1f90023be8472","weight":0.20405,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:662f74e6485260002462e34b","source":"ideaofintellection","title":"評価関数","excerpt":"評価関数（ひょうかかんすう、英: evaluation function）とは、コンピュータにゲームをプレーさせるソフトウェアを開発する際に使われるプログラミング技術のひとつで、ゲームの局面の状態を静的に評価し数値に変換する関数のこと。","text":"評価関数\n評価関数（ひょうかかんすう、英: evaluation function）とは、コンピュータにゲームをプレーさせるソフトウェアを開発する際に使われるプログラミング技術のひとつで、ゲームの局面の状態を静的に評価し数値に変換する関数のこと。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%A9%95%E4%BE%A1%E9%96%A2%E6%95%B0","updated":1722952775,"position":[-14.7522,-14.2464,-23.3395],"cluster":"c11","subgroup":"c11.01","degree":3,"referenceDegree":0,"maxSimilarity":0.15714,"lowEvidence":false,"neighbors":[{"id":"NextResearch:682c2159227944f4a38d7cbe","weight":0.15714,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.09879,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669a70b6d204fd001d7a3dbf","weight":0.08743,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631201240e6420024ce6709","source":"ideaofintellection","title":"如何 いか","excerpt":"こうだと決めかねる、または他に可能性のある状態・様子であることを表す語。","text":"如何 いか\nこうだと決めかねる、または他に可能性のある状態・様子であることを表す語。\nどのよう。どんな仕方・あり方。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%A6%82%E4%BD%95%20%E3%81%84%E3%81%8B","updated":1722952749,"position":[18.703,-58.7188,33.8148],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08635,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656323a0d845cb001bd92160","weight":0.08635,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:663120b11b24430025c91e56","source":"ideaofintellection","title":"リチャード・ドーキンス","excerpt":"1941年","text":"リチャード・ドーキンス\n1941年\n文化の伝播を遺伝子になぞらえた「ミーム」という語を考案した。スティーヴン・ジェイ・グールドとの論争でも知られる。この論争は社会生物学を受容するグループと拒絶するグループの象徴となったが、二人は創造論に対しては共闘関係にあった。\n\n動物や人間社会で見られる親子の対立や保護、雄雌の争い、攻撃やなわばり行動などが、どのように進化していったのかを、「遺伝子の利己性」という観点から鮮やかに描き出している。 その主張は世界中に大きな衝撃を与え、思想界や教育会を巻きこんだ大論争を巻き起こした。\n\nリチャード・ドーキンスは『利己的な遺伝子』『神は妄想である』などの世界的ベストセラーで知られる進化生物学者だ。 特に、自然界は人智を超えた「何者か」によって創造されたとするインテリジェント・デザイン説を痛切に批判し続けている。\n[https://scrapbox.io/files/6633aeecb3b2740024ba2edb.png]\n\n#word\n\n動物や人間社会で見られる親子の対立や保護、雄雌の争い、攻撃やなわばり行動などが、どのように進化していったのかを、「遺伝子の利己性」という観点から鮮やかに描き出している。 その主張は世界中に大きな衝撃を与え、思想界や教育会を巻きこんだ大論争を巻き起こした。\n\nリチャード・ドーキンスは『利己的な遺伝子』『神は妄想である』などの世界的ベストセラーで知られる進化生物学者だ。 特に、自然界は人智を超えた「何者か」によって創造されたとするインテリジェント・デザイン説を痛切に批判し続けている。\n\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AA%E3%83%81%E3%83%A3%E3%83%BC%E3%83%89%E3%83%BB%E3%83%89%E3%83%BC%E3%82%AD%E3%83%B3%E3%82%B9","updated":1722922821,"position":[32.8898,39.94,9.1719],"cluster":"c17","subgroup":"c17.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13681,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e468ce51106867ac88ed","weight":0.13681,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:663120e4f6e6ad0023b26f6f","source":"ideaofintellection","title":"適者生存","excerpt":"生物は、環境に最も適したものが生き残り、適していないものは滅びるということ。 ▽イギリスの哲学者・社会学者ハーバード＝スペンサーによって提唱された生物進化論。","text":"適者生存\n生物は、環境に最も適したものが生き残り、適していないものは滅びるということ。 ▽イギリスの哲学者・社会学者ハーバード＝スペンサーによって提唱された生物進化論。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%81%A9%E8%80%85%E7%94%9F%E5%AD%98","updated":1722952755,"position":[-22.6908,-73.6122,11.7088],"cluster":"c27","subgroup":"c27.01","degree":3,"referenceDegree":0,"maxSimilarity":0.09693,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6592439f89d6d4002587ee11","weight":0.09693,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f65a9b96a8f00250fb246","weight":0.09153,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64e4451107558600205ef232","weight":0.08907,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:663121171b24430025c91feb","source":"ideaofintellection","title":"レンブラント・ファン・レイン","excerpt":"1606年","text":"レンブラント・ファン・レイン\n1606年\nレンブラント・ハルメンソーン・ファン・レイン（1606-1669年）は現在のオランダで活躍した画家です。 大きな画面にはっきりとした明暗を表現する技法が特徴で、バロックを代表する芸術家として知られます。\n[https://scrapbox.io/files/663121482025e0002315af0e.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%83%B3%E3%83%96%E3%83%A9%E3%83%B3%E3%83%88%E3%83%BB%E3%83%95%E3%82%A1%E3%83%B3%E3%83%BB%E3%83%AC%E3%82%A4%E3%83%B3","updated":1722952705,"position":[28.4774,-42.0569,99.7601],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.29585,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631c0df11dbec002340719c","weight":0.29585,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 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#media","text":"エルミタージュ洞窟\n[https://scrapbox.io/files/6631229836cd37002586b72d.png]\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%AB%E3%83%9F%E3%82%BF%E3%83%BC%E3%82%B8%E3%83%A5%E6%B4%9E%E7%AA%9F","updated":1722952690,"position":[-11.0183,11.6172,12.305],"cluster":"c07","subgroup":"c07.02","degree":14,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media 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p197\n1977-1979\n[https://scrapbox.io/files/663122ea89ba2900243c8dc3.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/manfred%20mohr%20p197","updated":1722952680,"position":[29.6123,-43.7334,99.4266],"cluster":"c14","subgroup":"c14.01","degree":40,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 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klee\n2005\n[https://scrapbox.io/files/6631232ec3d061002474e49d.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/homma%20ge%20%C3%A0%20paul%20klee","updated":1722952670,"position":[29.0962,-44.4463,100.8413],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.34143,"lowEvidence":false,"neighbors":[{"id":"NextResearch:690b0d6cffb51708b904e4bd","weight":0.34143,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 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schotter\n1965\n[https://scrapbox.io/files/6631236e19cf6d00240018bb.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/georg%20nees%20schotter","updated":1722952660,"position":[29.4981,-43.6518,98.9951],"cluster":"c14","subgroup":"c14.01","degree":38,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5636c6fde0c0026b40334","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c57174a130540025280884","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:663123e4c4255d00256caa2b","source":"ideaofintellection","title":"エイダ・ラブレスの反論","excerpt":"エイダ・ラブレスは、コンピュータは「何か独創するようには作られていない。それは、私たちがどのような実行を命令するか知っていることに限り、何でも実行することができる」","text":"エイダ・ラブレスの反論\nエイダ・ラブレスは、コンピュータは「何か独創するようには作られていない。それは、私たちがどのような実行を命令するか知っていることに限り、何でも実行することができる」\nとの文章を残している。のちにアラン・チューリングによって、コンピュータが思考するかという命題に対する「ラブレス夫人の反論」として取り上げられ、有名になった一文である。この反論に対してチューリングは、ラブレスの言葉の変種として、コンピュータは（その作り手である）「人を驚かせることができない」を挙げ、即座に反論している。\nチューリングによると「そもそも機械は、きわめて頻繁に私を驚かせている」とする。\n[https://scrapbox.io/files/66312b8d4e1e400024a74f72.png]\n世界初のプログラマー\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%82%A4%E3%83%80%E3%83%BB%E3%83%A9%E3%83%96%E3%83%AC%E3%82%B9%E3%81%AE%E5%8F%8D%E8%AB%96","updated":1722952424,"position":[33.2525,41.6529,13.8745],"cluster":"c17","subgroup":"c17.01","degree":10,"referenceDegree":0,"maxSimilarity":0.38368,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d3db1713f80025b52836","weight":0.38368,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.35808,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c509c1e80d4d0026de7c91","weight":0.2915,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0ce79e7200025f1d876","weight":0.2492,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d9d4631b15002417a61f","weight":0.23824,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6e804208b800259f474c","weight":0.23772,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631286063f35e0023949b8a","weight":0.23531,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312bc02875590023d95a32","weight":0.22891,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:663124ef62f0320023135959","source":"ideaofintellection","title":"まねぶ 学ぶ","excerpt":"１ まねをする。 まねをしていう。 ２ 見たこと聞いたことをそのまま人に語る。 ３ 教えを受けて身につける。","text":"まねぶ 学ぶ\n１ まねをする。 まねをしていう。 ２ 見たこと聞いたことをそのまま人に語る。 ３ 教えを受けて身につける。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%81%BE%E3%81%AD%E3%81%B6%20%E5%AD%A6%E3%81%B6","updated":1722952650,"position":[-32.8992,-1.8515,-122.8889],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06226,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6631251b50485400246575fa","source":"ideaofintellection","title":"誤謬 ごびゅう","excerpt":"誤謬とは、財務諸表の意図的でない虚偽の表示であって、金額又は開示の脱漏を含む。 不正とは、財務諸表の意図的な虚偽の表示であって、不当又は違法な利益を得るために他者を欺く行為を含み、経営者、取締役等、監査役等、従業員又は第三者による意図的な行為をいう。","text":"誤謬 ごびゅう\n誤謬とは、財務諸表の意図的でない虚偽の表示であって、金額又は開示の脱漏を含む。 不正とは、財務諸表の意図的な虚偽の表示であって、不当又は違法な利益を得るために他者を欺く行為を含み、経営者、取締役等、監査役等、従業員又は第三者による意図的な行為をいう。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%AA%A4%E8%AC%AC%20%E3%81%94%E3%81%B3%E3%82%85%E3%81%86","updated":1722952643,"position":[-31.3521,3.0305,-111.1654],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04341,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6631253d467a88002425966a","source":"ideaofintellection","title":"淘汰圧 とうたあつ","excerpt":"淘汰圧も、生物学用語の一つです。 ｢とうたあつ｣と読みます。 生物の進化において、環境条件や他種との競合など、淘汰のきっかけになりうるもので逆らうことのできない圧力のことを言います。","text":"淘汰圧 とうたあつ\n淘汰圧も、生物学用語の一つです。 ｢とうたあつ｣と読みます。 生物の進化において、環境条件や他種との競合など、淘汰のきっかけになりうるもので逆らうことのできない圧力のことを言います。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%B7%98%E6%B1%B0%E5%9C%A7%20%E3%81%A8%E3%81%86%E3%81%9F%E3%81%82%E3%81%A4","updated":1722952631,"position":[-40.3501,36.0445,-98.7754],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0617,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:663125a5561af50023abf7e6","source":"ideaofintellection","title":"サルバドール・ダリ","excerpt":"1904","text":"サルバドール・ダリ\n1904\n[https://scrapbox.io/files/663125b46282470023d67e72.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%83%AB%E3%83%90%E3%83%89%E3%83%BC%E3%83%AB%E3%83%BB%E3%83%80%E3%83%AA","updated":1722952620,"position":[31.1774,-44.4395,97.4218],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc327e5a820e36d06b8e0","weight":0.12435,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:663126f74a9c10002e0c6072","source":"ideaofintellection","title":"マーガレット・ボーデン","excerpt":"1936年","text":"マーガレット・ボーデン\n1936年\nマーガレット・ボーデンは創造性の研究において重要な貢献をしました。彼女の理論は創造性を三つの主要なカテゴリーに分けます：組み合わせ型、探索型、そして変革型。\n[https://scrapbox.io/files/6631272fb1561a002468a997.png]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%BC%E3%82%AC%E3%83%AC%E3%83%83%E3%83%88%E3%83%BB%E3%83%9C%E3%83%BC%E3%83%87%E3%83%B3","updated":1722952609,"position":[-44.2022,50.9932,-124.3711],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05741,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66312744561af50023ac0100","source":"ideaofintellection","title":"ハイドン","excerpt":"17322年","text":"ハイドン\n17322年\nフランツ・ヨーゼフ・ハイドンは、現在のオーストリア出身の音楽家であり、古典派を代表する作曲家。また、弟ミヒャエル・ハイドンも作曲家として名を残している。 数多くの交響曲、弦楽四重奏曲を作曲し、交響曲の父、弦楽四重奏曲の父と呼ばれている。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%82%A4%E3%83%89%E3%83%B3","updated":1722952598,"position":[49.2543,-49.6322,34.2683],"cluster":"c02","subgroup":"c02.02","degree":10,"referenceDegree":0,"maxSimilarity":0.31959,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663224956855af00258f20bc","weight":0.31959,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b49d9a60d70024bd2795","weight":0.25019,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24043,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","weight":0.23617,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d828a40253002425cfa1","weight":0.23054,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6b1baac46f001c052de1","weight":0.21704,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee8293fa4f38001dbb9a18","weight":0.21465,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e724d7da0d7001ce26ad6","weight":0.21106,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631278248b3bb0023783b82","source":"ideaofintellection","title":"アビニヨンの娘たち","excerpt":"『アビニヨンの娘たち』は、1907年にパブロ・ピカソがアフリカ彫刻に興味を持ち描いた絵画作品。 これが後に起こる「キュビスム革命」の発端となった。「アビニヨンの女たち」ともいう。描かれた当時のバルセロナのアビニョ通りには売春宿があり、そこの売春婦たち5人を描いたものである。ニューヨーク近代美術館蔵。","text":"アビニヨンの娘たち\n『アビニヨンの娘たち』は、1907年にパブロ・ピカソがアフリカ彫刻に興味を持ち描いた絵画作品。 これが後に起こる「キュビスム革命」の発端となった。「アビニヨンの女たち」ともいう。描かれた当時のバルセロナのアビニョ通りには売春宿があり、そこの売春婦たち5人を描いたものである。ニューヨーク近代美術館蔵。\n[https://scrapbox.io/files/6631279548b3bb0023783c56.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%93%E3%83%8B%E3%83%A8%E3%83%B3%E3%81%AE%E5%A8%98%E3%81%9F%E3%81%A1","updated":1722952572,"position":[31.3054,-42.7798,100.14],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.29776,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312e18f2d0920024caa757","weight":0.29776,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:663127e3a402530024207122","source":"ideaofintellection","title":"AI Dungeon","excerpt":"2019年","text":"AI Dungeon\n2019年\nAI Dungeon は、人工知能を使用してコンテンツを生成し、プレイヤーがアドベンチャーやカスタム プロンプトを作成および共有できるようにする、シングルプレイヤー/マルチプレイヤーのテキスト アドベンチャー ゲームです。\n[https://scrapbox.io/files/6631280acab3fe0023c1870a.png]\n\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/AI%20Dungeon","updated":1722952507,"position":[33.0827,42.3881,14.5692],"cluster":"c17","subgroup":"c17.01","degree":11,"referenceDegree":0,"maxSimilarity":0.24493,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659c8fe7de99a70022f88e11","weight":0.24493,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631db0824943a00247bae91","weight":0.23315,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d3db1713f80025b52836","weight":0.22619,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.2219,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d9d4631b15002417a61f","weight":0.21874,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cee418e385ca00265c9cd6","weight":0.21633,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631286063f35e0023949b8a","weight":0.21551,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312f0a0aaff20024eef38e","weight":0.21178,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631286063f35e0023949b8a","source":"ideaofintellection","title":"アンドレイ・カルパシー","excerpt":"1986年","text":"アンドレイ・カルパシー\n1986年\nアンドレイ・カルパシーはスロバキア系カナダ人のコンピューター科学者で、テスラで人工知能とオートパイロット ビジョンのディレクターを務めました。彼は OpenAI の共同設立者であり、以前は OpenAI で働いており、ディープ ラーニングとコンピューター ビジョンを専門としていました。\n[https://scrapbox.io/files/663128867bb5a200255b5cd1.png]\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%83%89%E3%83%AC%E3%82%A4%E3%83%BB%E3%82%AB%E3%83%AB%E3%83%91%E3%82%B7%E3%83%BC","updated":1722952497,"position":[33.5939,41.8921,14.0379],"cluster":"c17","subgroup":"c17.01","degree":11,"referenceDegree":0,"maxSimilarity":0.27939,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662bd0ce79e7200025f1d876","weight":0.27939,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d9d4631b15002417a61f","weight":0.26356,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.25139,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 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scrapbox","excerpt":"[/computational-creativity]","text":"徳井さん scrapbox\n[/computational-creativity]\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E5%BE%B3%E4%BA%95%E3%81%95%E3%82%93%20scrapbox","updated":1722952485,"position":[32.6683,43.0225,15.9434],"cluster":"c17","subgroup":"c17.01","degree":7,"referenceDegree":0,"maxSimilarity":0.55902,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686b494b92a24e06269522dd","weight":0.55902,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f82fd252e65a001ccbdc24","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c8fe7de99a70022f88e11","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65bf5febe597210027980fea","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cee418e385ca00265c9cd6","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65eca1696869e60025219174","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65f01964abb1760025d1c99b","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631293a95eed7002461e913","source":"ideaofintellection","title":"Douglas Eck","excerpt":"https://scholar.google.co.jp/citations?user=bLb3VdIAAAAJ&hl=ja","text":"Douglas Eck\nhttps://scholar.google.co.jp/citations?user=bLb3VdIAAAAJ&hl=ja\nhttps://people.idsia.ch/~juergen/blues/IDSIA-07-02.pdf\n[https://scrapbox.io/files/6631295602c25d0024fc06f4.png]\n\ngoogle brain\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/Douglas%20Eck","updated":1722952465,"position":[-10.522,81.7697,32.2955],"cluster":"c16","subgroup":"c16.01","degree":7,"referenceDegree":0,"maxSimilarity":0.2926,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6951278bd8a8cd93d0704855","weight":0.2926,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559fd7672a805001b4ad986","weight":0.28186,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:643d1c1f322962001b9127e2","weight":0.26171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b24e04971d9001c0bc9c0","weight":0.26171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6d85c551db002540b64d","weight":0.22753,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:663129c7d05c8c0023e392da","source":"ideaofintellection","title":"transformar music","excerpt":"https://qiita.com/NayuSato/items/e193ea8b8fc5db560431","text":"transformar music\nhttps://qiita.com/NayuSato/items/e193ea8b8fc5db560431\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/transformar%20music","updated":1722952438,"position":[20.4016,87.4766,29.1138],"cluster":"c21","subgroup":"c21.01","degree":34,"referenceDegree":0,"maxSimilarity":0.37414,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659c69b71b6dd400221b1b8f","weight":0.37414,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bd2ee8b327f001c51ec2b","weight":0.33415,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499407cfb9e1d001b2ded0f","weight":0.33185,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afcbc854be5001b641c93","weight":0.32221,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f82fd252e65a001ccbdc24","weight":0.31418,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499aaffb7c14a001bff47d5","weight":0.31054,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e7150d15000239418af","weight":0.30882,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:671f1192a5895fbd7f3ac6b2","weight":0.2926,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66312bc02875590023d95a32","source":"ideaofintellection","title":"チャールズ・バベッジ","excerpt":"1791年","text":"チャールズ・バベッジ\n[https://scrapbox.io/files/66312bdd2577560024e72539.png]\n\n1791年\nチャールズ・バベッジは、イギリスの数学者。哲学者、計算機科学者でもあり、世界で初めて「プログラム可能」な計算機を考案した。検眼鏡の発明者。 「コンピュータの父」と言われることもあり、初期の機械式計算機を発明し、さらに複雑な設計に到達した。\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%81%E3%83%A3%E3%83%BC%E3%83%AB%E3%82%BA%E3%83%BB%E3%83%90%E3%83%99%E3%83%83%E3%82%B8","updated":1722952395,"position":[33.3021,41.8128,13.3629],"cluster":"c17","subgroup":"c17.01","degree":12,"referenceDegree":0,"maxSimilarity":0.24869,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662bd0ce79e7200025f1d876","weight":0.24869,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.23549,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d9d4631b15002417a61f","weight":0.23297,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 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題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66312c1440eb0d00250dd24e","source":"ideaofintellection","title":"ガラパゴス","excerpt":"https://www.ntticc.or.jp/ja/archive/works/galapagos/","text":"ガラパゴス\n[https://scrapbox.io/files/66312c632875590023d95e91.png]\n\n\nhttps://www.ntticc.or.jp/ja/archive/works/galapagos/\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AC%E3%83%A9%E3%83%91%E3%82%B4%E3%82%B9","updated":1722952380,"position":[-12.4336,11.2016,12.9686],"cluster":"c07","subgroup":"c07.02","degree":8,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c8969da4bb2001d7104ba","weight":0.21065,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507923f0360dd001b426133","weight":0.2,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ecd8630450023271898","weight":0.13893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66312c803930f300251fd343","source":"ideaofintellection","title":"ダーウィン 種の起源","excerpt":"ダーウィンのもっとも有名な著書『種の起源』でダーウィンは、自然選択によって種から変種ができることを提唱し、この本では明言はしていないものの、ヒトも進化によって他の動物と同じ祖先種から進化してきたことを示唆しました。","text":"ダーウィン 種の起源\nダーウィンのもっとも有名な著書『種の起源』でダーウィンは、自然選択によって種から変種ができることを提唱し、この本では明言はしていないものの、ヒトも進化によって他の動物と同じ祖先種から進化してきたことを示唆しました。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%80%E3%83%BC%E3%82%A6%E3%82%A3%E3%83%B3%20%E7%A8%AE%E3%81%AE%E8%B5%B7%E6%BA%90","updated":1723053432,"position":[-6.1645,-6.5095,14.8881],"cluster":"c07","subgroup":"c07.01","degree":3,"referenceDegree":0,"maxSimilarity":0.35564,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66825d23063ce9001dde4a5a","weight":0.35564,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559dce5956b98001c8feaad","weight":0.12607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0be50275e002594c30c","weight":0.08559,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66312ca4fec9c300251787d7","source":"ideaofintellection","title":"Evolved Virtual Creatures","excerpt":"1994年","text":"Evolved Virtual Creatures\n1994年\n仮想生物といえばKarl SimsのVirtual Creaturesが有名です。物理法則に従った仮想世界の中で、泳いだり、歩いたり、跳ねたり\n[https://scrapbox.io/files/66312cae5048540024659c95.png]\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Evolved%20Virtual%20Creatures","updated":1722952342,"position":[-11.4295,7.7296,14.8333],"cluster":"c07","subgroup":"c07.02","degree":9,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c88699b79ac001c82bd3f","weight":0.20747,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631da4111dbec0023418ebc","weight":0.20415,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65078e5f6c5a91001cae026b","weight":0.14833,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66312d00023561002400d191","source":"ideaofintellection","title":"象る かたどる","excerpt":"「暮らしを象る」「葉っぱを象った模様」などのように「写し取る」や「似せて作る」、「象徴する」ことを「象る」と言います。 ぱっと見た目の印象で、つい「ぞうる」「しょうる」などと読み間違えてしまうことが少なくありません。 「象」というと「ぞう」もしくは「しょう」と読む言葉が多いですが、今回はまた別の読み方をします。","text":"象る かたどる\n「暮らしを象る」「葉っぱを象った模様」などのように「写し取る」や「似せて作る」、「象徴する」ことを「象る」と言います。 ぱっと見た目の印象で、つい「ぞうる」「しょうる」などと読み間違えてしまうことが少なくありません。 「象」というと「ぞう」もしくは「しょう」と読む言葉が多いですが、今回はまた別の読み方をします。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%B1%A1%E3%82%8B%20%E3%81%8B%E3%81%9F%E3%81%A9%E3%82%8B","updated":1722952335,"position":[-1.7465,-213.3562,64.0616],"cluster":"c46","subgroup":"c46.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07277,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66312d5cb9d7b4002525db4c","source":"ideaofintellection","title":"翻案 ほんあん","excerpt":"前にだれかがした事柄の大筋をまね、細かい点を造り変えること。","text":"翻案 ほんあん\n前にだれかがした事柄の大筋をまね、細かい点を造り変えること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%BF%BB%E6%A1%88%20%E3%81%BB%E3%82%93%E3%81%82%E3%82%93","updated":1722952324,"position":[-61.529,41.7441,-101.5641],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0764,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66312d83c35528002399b864","source":"ideaofintellection","title":"モッズ","excerpt":"モッズは、イギリスの労働者階級の若者の間で1950年代後半から1960年代中頃にかけて流行した音楽やファッション、それらをベースとしたライフスタイル、およびその支持者を指すユース・カルチャーである。特にファッションや音楽愛好のあり方への影響は現在においても大きい。","text":"モッズ \nモッズは、イギリスの労働者階級の若者の間で1950年代後半から1960年代中頃にかけて流行した音楽やファッション、それらをベースとしたライフスタイル、およびその支持者を指すユース・カルチャーである。特にファッションや音楽愛好のあり方への影響は現在においても大きい。\n[https://scrapbox.io/files/66312dc9e83287002517e341.png]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A2%E3%83%83%E3%82%BA","updated":1722952314,"position":[42.2734,27.0856,64.7697],"cluster":"c30","subgroup":"c30.01","degree":3,"referenceDegree":0,"maxSimilarity":0.14868,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d6ea392850c0022ed5c92","weight":0.14868,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d288dbf3c1200238b3850","weight":0.13498,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67c291485b244ecc106ac02e","weight":0.09236,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66312dd8ea293e0024b0d10f","source":"ideaofintellection","title":"アイビールック","excerpt":"[https://scrapbox.io/files/66312de9a228d60023ecb355.png] #word","text":"アイビールック\n[https://scrapbox.io/files/66312de9a228d60023ecb355.png]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%82%A4%E3%83%93%E3%83%BC%E3%83%AB%E3%83%83%E3%82%AF","updated":1722952304,"position":[-38.1057,56.6608,23.2349],"cluster":"c06","subgroup":"c06.02","degree":2,"referenceDegree":0,"maxSimilarity":0.27521,"lowEvidence":false,"neighbors":[{"id":"NextResearch:650796aa060204001cd66911","weight":0.27521,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e424f01fb270002588be20","weight":0.10502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66312e18f2d0920024caa757","source":"ideaofintellection","title":"泣く女","excerpt":"『泣く女』は、パブロ・ピカソが1937年に描いた絵画作品。ピカソが写真家であり絵も描いた愛人ドラ・マールをモデルにした、有名な作品の一つ。 ドラ・マールをモデルに描かれた作品には『ドラ・マールの肖像』など油彩に限らず他にもあるが、最もよく知られるのはこの「泣く女」である。","text":"泣く女\n『泣く女』は、パブロ・ピカソが1937年に描いた絵画作品。ピカソが写真家であり絵も描いた愛人ドラ・マールをモデルにした、有名な作品の一つ。 ドラ・マールをモデルに描かれた作品には『ドラ・マールの肖像』など油彩に限らず他にもあるが、最もよく知られるのはこの「泣く女」である。 \n[https://scrapbox.io/files/66312e22b1561a002468da09.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E6%B3%A3%E3%81%8F%E5%A5%B3","updated":1722952293,"position":[30.6156,-42.4541,100.5914],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.29776,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631278248b3bb0023783b82","weight":0.29776,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66312e81938a1d002477e611","source":"ideaofintellection","title":"Wiki art","excerpt":"https://www.wikiart.org/","text":"Wiki art\nhttps://www.wikiart.org/\nWikiArt は、2010 年から活動しているビジュアル アート Wiki です。 開発者はウクライナに拠点を置いています。 2010 年以来、WikiArt の編集長はウクライナの美術評論家クセニア・ビラシュ氏です。\n\n[https://scrapbox.io/files/66312ebdd14cdc0024fdc0ce.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/Wiki%20art","updated":1722952279,"position":[28.8003,-41.09,99.0014],"cluster":"c14","subgroup":"c14.01","degree":11,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67612b264cc280beb3bb937e","weight":0.23617,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66312ecba1fe800024f41b62","source":"ideaofintellection","title":"CAN Creative Adversarial Networks","excerpt":"https://arxiv.org/abs/1706.07068","text":"CAN Creative Adversarial Networks\nhttps://arxiv.org/abs/1706.07068\nhttps://www.ntticc.or.jp/ja/archive/works/creative-adversarial-networks-for-rhythms/\nGANの改良版\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/CAN%20Creative%20Adversarial%20Networks","updated":1722952267,"position":[32.0968,43.148,14.6768],"cluster":"c17","subgroup":"c17.01","degree":10,"referenceDegree":0,"maxSimilarity":0.3167,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a953b4b1f90023be8472","weight":0.3167,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64037a8c18877f0021180af3","weight":0.24174,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312f0a0aaff20024eef38e","weight":0.22444,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6734c9dd9aa3aaf34e06684f","weight":0.21702,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f82fd252e65a001ccbdc24","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c8fe7de99a70022f88e11","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65bf5febe597210027980fea","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd10d887c360024e112d4","weight":0.19686,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66312f0a0aaff20024eef38e","source":"ideaofintellection","title":"RhythmCAN","excerpt":"あいまいさ誤差を利用して、創造性の高いリズム生成を目指すGANアーキテクチャの研究","text":"RhythmCAN\nあいまいさ誤差を利用して、創造性の高いリズム生成を目指すGANアーキテクチャの研究\nhttps://cclab.sfc.keio.ac.jp/projects/rhythmcan-ja/\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/RhythmCAN","updated":1722952257,"position":[32.1722,42.3099,14.5006],"cluster":"c17","subgroup":"c17.01","degree":10,"referenceDegree":0,"maxSimilarity":0.22444,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312ecba1fe800024f41b62","weight":0.22444,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a953b4b1f90023be8472","weight":0.21491,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631db0824943a00247bae91","weight":0.21184,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663127e3a402530024207122","weight":0.21178,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d3db1713f80025b52836","weight":0.2097,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd1065fdd8f002556baf7","weight":0.20667,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c509c1e80d4d0026de7c91","weight":0.20395,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd10d887c360024e112d4","weight":0.18121,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66312f2d079df00024e52757","source":"ideaofintellection","title":"カリカチュア","excerpt":"人物または擬人化された動植物を題材にして、滑稽、ユーモア、諷刺などの効果をねらった絵。 ペンや絵筆による略画か、版画やイラストレーションなどの形式をとり、外観の特徴を誇張あるいは歪曲して描き、説明の寸言が付される場合もある。 戯画、諷刺画、漫画などと実際には重複し、区別しがたい。","text":"カリカチュア\n人物または擬人化された動植物を題材にして、滑稽、ユーモア、諷刺などの効果をねらった絵。 ペンや絵筆による略画か、版画やイラストレーションなどの形式をとり、外観の特徴を誇張あるいは歪曲して描き、説明の寸言が付される場合もある。 戯画、諷刺画、漫画などと実際には重複し、区別しがたい。\n[https://scrapbox.io/files/66312f3d3f13c500241480f2.png]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%AA%E3%82%AB%E3%83%81%E3%83%A5%E3%82%A2","updated":1722952239,"position":[50.5246,-36.7402,2.5429],"cluster":"c10","subgroup":"c10.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10265,"lowEvidence":false,"neighbors":[{"id":"NextResearch:695f6fca2c4e9fde2d346357","weight":0.10265,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631bb60b9d7b40025293b26","source":"ideaofintellection","title":"階段を降りる裸体","excerpt":"『階段を降りる裸体No.2』 は、マルセル・デュシャンの1912年の絵画。モダニズムの古典と広く見なされており、その時代の最も有名な作品の1つになっている。","text":"階段を降りる裸体\n『階段を降りる裸体No.2』 は、マルセル・デュシャンの1912年の絵画。モダニズムの古典と広く見なされており、その時代の最も有名な作品の1つになっている。\n[https://scrapbox.io/files/6631bc5b3f13c50024182745.png]\n\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E9%9A%8E%E6%AE%B5%E3%82%92%E9%99%8D%E3%82%8A%E3%82%8B%E8%A3%B8%E4%BD%93","updated":1722952227,"position":[29.2639,-43.1247,101.4068],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.3449,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d3114a9c10002e110dbe","weight":0.3449,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf5bf3e1761f10cdcff90","weight":0.10174,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631bcca0765080024d199c9","source":"ideaofintellection","title":"翻って ひるがえって","excerpt":"今までとは別の方面に目を転じて。","text":"翻って ひるがえって\n今までとは別の方面に目を転じて。\n「―今日の日本を見るに」\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%BF%BB%E3%81%A3%E3%81%A6%20%E3%81%B2%E3%82%8B%E3%81%8C%E3%81%88%E3%81%A3%E3%81%A6","updated":1722952216,"position":[-51.8321,17.9751,-131.4589],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11151,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:66af34120a8b6d001d37080e","weight":0.11151,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631bd05642dbe00242db8f1","source":"ideaofintellection","title":"ピクトリアリズム","excerpt":"ピクトリアリスムとは、乾板写真が広く導入された後、1885年ころから流行した写真の潮流に与えられる名前である。20世紀の初期に最高潮に達して、モダニズム写真が広い範囲にわたって出現した後の1914年以後急速に衰退した。","text":"ピクトリアリズム\nピクトリアリスムとは、乾板写真が広く導入された後、1885年ころから流行した写真の潮流に与えられる名前である。20世紀の初期に最高潮に達して、モダニズム写真が広い範囲にわたって出現した後の1914年以後急速に衰退した。\n[https://scrapbox.io/files/6631bd65ff05d600262b0e3c.png]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%82%AF%E3%83%88%E3%83%AA%E3%82%A2%E3%83%AA%E3%82%BA%E3%83%A0","updated":1722952206,"position":[-10.8483,10.7939,9.493],"cluster":"c07","subgroup":"c07.02","degree":9,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631c03589ba2900244083ae","weight":0.21746,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631c11d47d15b0024525196","weight":0.21017,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678945eed7802cd77c06366e","weight":0.11772,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631bd7e1713f80025b427c2","source":"ideaofintellection","title":"芸術写真運動","excerpt":"[https://scrapbox.io/files/6631bdd6b647e700233f1648.png] #visual","text":"芸術写真運動\n[https://scrapbox.io/files/6631bdd6b647e700233f1648.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E8%8A%B8%E8%A1%93%E5%86%99%E7%9C%9F%E9%81%8B%E5%8B%95","updated":1722952191,"position":[30.5419,-45.81,98.9198],"cluster":"c14","subgroup":"c14.01","degree":10,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d45561ecbd14001345298d","weight":0.12665,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631bde90235610024046142","source":"ideaofintellection","title":"ウォルター・シッカート","excerpt":"1860年","text":"ウォルター・シッカート\n1860年\nウォルター・リチャード・シッカートは、イギリスヴィクトリア朝時代の画家である。 印象派の影響を受け、20世紀のアバンギャルド芸術のブリティッシュ・スタイルに影響を与えた。著名人の写真などから描いた肖像画なども発表している。\n[https://scrapbox.io/files/6631be07da20740025af94e8.png]\n\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A6%E3%82%A9%E3%83%AB%E3%82%BF%E3%83%BC%E3%83%BB%E3%82%B7%E3%83%83%E3%82%AB%E3%83%BC%E3%83%88","updated":1722952182,"position":[28.6066,-42.5495,98.211],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631be1d35892400245552b9","source":"ideaofintellection","title":"クリプトン・フューチャー・メディア","excerpt":"1995年","text":"クリプトン・フューチャー・メディア\n1995年\nクリプトン・フューチャー・メディア株式会社は、北海道札幌市中央区に本社を置く「音」に関連する製品を開発・販売する企業。バーチャルシンガー「初音ミク」の権利元としても知られ、ライセンス管理やライブコンサート等のイベント、デジタルコンテンツ、ローカルプロジェクトも展開している。\n[https://scrapbox.io/files/6631be4b642dbe00242dc648.png]\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%83%AA%E3%83%97%E3%83%88%E3%83%B3%E3%83%BB%E3%83%95%E3%83%A5%E3%83%BC%E3%83%81%E3%83%A3%E3%83%BC%E3%83%BB%E3%83%A1%E3%83%87%E3%82%A3%E3%82%A2","updated":1722952169,"position":[49.0908,-50.8744,34.8908],"cluster":"c02","subgroup":"c02.02","degree":8,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c1a3f0a4890024ab6a4b","weight":0.22181,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee19901baf80025e26aa3","weight":0.22098,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.21233,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d919642dbe00242ef4ff","weight":0.2114,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339f1281213e00247177cb","weight":0.21087,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66338a723c96cf0024eebca4","weight":0.20918,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b069bd241df001cb8f598","weight":0.10987,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631be5fa1fe800024f7c419","source":"ideaofintellection","title":"アシッド・ハウス","excerpt":"アシッド・ハウスとは、狭義にはアナログシンセサイザーの変調効果を多用したエレクトロニック・ミュージックを指す。広義では、1987年頃からシカゴやロンドンで同時多発的に始まった、電子音楽、ファッション、クラブ・カルチャーをミックスしたカルト現象を意味する。","text":"アシッド・ハウス\nアシッド・ハウスとは、狭義にはアナログシンセサイザーの変調効果を多用したエレクトロニック・ミュージックを指す。広義では、1987年頃からシカゴやロンドンで同時多発的に始まった、電子音楽、ファッション、クラブ・カルチャーをミックスしたカルト現象を意味する。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%82%B7%E3%83%83%E3%83%89%E3%83%BB%E3%83%8F%E3%82%A6%E3%82%B9","updated":1722952160,"position":[49.4108,-50.9377,34.4733],"cluster":"c02","subgroup":"c02.02","degree":13,"referenceDegree":0,"maxSimilarity":0.3333,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a34b9efee400244825fa","weight":0.3333,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","weight":0.23167,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.23136,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.22089,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d919642dbe00242ef4ff","weight":0.21781,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f03820bb53f10024489df4","weight":0.21539,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658affe581ec8800246e5795","weight":0.18475,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631be996282470023da80dd","source":"ideaofintellection","title":"ジャングル 音楽","excerpt":"ジャングルは、1990年代に興ったサンプラーを多用して制作される音楽ジャンルのひとつ。","text":"ジャングル 音楽\nジャングルは、1990年代に興ったサンプラーを多用して制作される音楽ジャンルのひとつ。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A3%E3%83%B3%E3%82%B0%E3%83%AB%20%E9%9F%B3%E6%A5%BD","updated":1722952144,"position":[49.1979,-50.205,34.7594],"cluster":"c02","subgroup":"c02.02","degree":15,"referenceDegree":0,"maxSimilarity":0.35036,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee19901baf80025e26aa3","weight":0.35036,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.27971,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","weight":0.26829,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","weight":0.26237,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e7150d15000239418af","weight":0.23207,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.22922,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fbf2cb588d0024bd3cad","weight":0.22486,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","source":"ideaofintellection","title":"ビッグ・ビート","excerpt":"ビッグ・ビートは、電子音楽のジャンルの一種で、テクノの細分類の一つである。バンドサウンド重視の音作りとサンプリングによるループを多用したブレイクビーツが特徴である。","text":"ビッグ・ビート\nビッグ・ビートは、電子音楽のジャンルの一種で、テクノの細分類の一つである。バンドサウンド重視の音作りとサンプリングによるループを多用したブレイクビーツが特徴である。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%93%E3%83%83%E3%82%B0%E3%83%BB%E3%83%93%E3%83%BC%E3%83%88","updated":1722952136,"position":[48.7264,-50.5653,34.6597],"cluster":"c02","subgroup":"c02.02","degree":14,"referenceDegree":0,"maxSimilarity":0.26829,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.26829,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.23822,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.23178,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be5fa1fe800024f7c419","weight":0.23167,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b4e8761b6f0023a9a1a0","weight":0.22479,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.21736,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e7f215622001e3f98e1","weight":0.21558,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631bf3a47448c002598d2f1","source":"ideaofintellection","title":"his master's voice","excerpt":"HMV record","text":"his master's voice\n[https://scrapbox.io/files/6631bf4f40e6420024d29c54.png]\n\nHMV record\nビクターマークの原画は、1889年にイギリスの画家フランシス・バラウドによって画かれました。\nフランシスの兄マーク・H・バラウドは「ニッパー」と呼ぶ非常に賢いフォックス・テリアをかわいがっていましたが、\n彼が世を去ったため、彼の息子とともにニッパーをひきとりフランシスが育てました。たまたま家にあった蓄音器で、\nかつて吹き込まれていた兄の声を聞かせたところ、ニッパーはラッパの前でけげんそうに耳を傾けて、\nなつかしい主人の声に聞き入っているようでした。\nそのニッパーの姿に心を打たれたフランシスは早速筆をとって一枚の絵を描き上げました。\nその時の蓄音器は録音・再生ができるシリンダー式でしたが、その後円盤式に画き変えられました。\nそして、「His Master's Voice」とタイトルをつけたのです。\n亡き主人の声を懐かしそうに聞いているニッパーの可憐な姿は、円盤式蓄音器の発明者ベルリナーを感動させ、\n彼はこの名画をそのまま商標として1900年に登録しました。それ以来この由緒あるマークは最高の技術と品質の象徴として\nみなさまから深く信頼され、愛されています。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/his%20master%27s%20voice","updated":1722952124,"position":[48.9441,-50.0076,34.5055],"cluster":"c02","subgroup":"c02.02","degree":8,"referenceDegree":0,"maxSimilarity":0.24957,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24957,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee84a69b1ef4001d8f4438","weight":0.21467,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa64a84653b5001c65831a","weight":0.21157,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f668ffb6d2400239ce545","weight":0.21104,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d919642dbe00242ef4ff","weight":0.21103,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7211863754001df743aa","weight":0.21085,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.20967,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695128c9ecb9d429b302b2c3","weight":0.08818,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631c013f9842a0024525e30","source":"ideaofintellection","title":"ダゲレオタイプ","excerpt":"ダゲレオタイプとは、ルイ・ジャック・マンデ・ダゲールにより発明され、1839年8月19日にフランス学士院で発表された世界初の実用的写真撮影法であり、湿板写真技法が確立するまでの間、最も普及した写真技法。銀メッキをした銅板などを感光材料として使うため、日本語では銀板写真とも呼ばれる。","text":"ダゲレオタイプ\nダゲレオタイプとは、ルイ・ジャック・マンデ・ダゲールにより発明され、1839年8月19日にフランス学士院で発表された世界初の実用的写真撮影法であり、湿板写真技法が確立するまでの間、最も普及した写真技法。銀メッキをした銅板などを感光材料として使うため、日本語では銀板写真とも呼ばれる。\n[https://scrapbox.io/files/6631c02de8328700251c3423.png]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%80%E3%82%B2%E3%83%AC%E3%82%AA%E3%82%BF%E3%82%A4%E3%83%97","updated":1722952110,"position":[-15.8823,8.5271,4.813],"cluster":"c07","subgroup":"c07.01","degree":1,"referenceDegree":0,"maxSimilarity":0.23143,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631c03589ba2900244083ae","weight":0.23143,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631c03589ba2900244083ae","source":"ideaofintellection","title":"カロタイプ","excerpt":"カロタイプ（Callotype ）は、イギリスの科学者ウィリアム・ヘンリー・フォックス・タルボットが発明した写真技法である。ギリシア語のΚαλος（Kalos 、美しい）から命名された。史上初のネガ - ポジ法であり、複製が可能という点でダゲレオタイプに優っていた。","text":"カロタイプ\nカロタイプ（Callotype ）は、イギリスの科学者ウィリアム・ヘンリー・フォックス・タルボットが発明した写真技法である。ギリシア語のΚαλος（Kalos 、美しい）から命名された。史上初のネガ - ポジ法であり、複製が可能という点でダゲレオタイプに優っていた。\n[https://scrapbox.io/files/6631c0782025e0002319dda7.png]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%AD%E3%82%BF%E3%82%A4%E3%83%97","updated":1722952092,"position":[-12.4399,9.2086,8.9095],"cluster":"c07","subgroup":"c07.02","degree":10,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631c013f9842a0024525e30","weight":0.23143,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bd05642dbe00242db8f1","weight":0.21746,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a994ca0654001cba5060","weight":0.21362,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631c09a2223e00023cef0c9","source":"ideaofintellection","title":"ネガーポジ方式","excerpt":"写真システムにおいてネガ像から焼付けによって任意の大きさのポジ像を所望の枚数作成する方法をネガポジ法と呼び，1841年イギリスのF. タルボットが考案した。","text":"ネガーポジ方式\n写真システムにおいてネガ像から焼付けによって任意の大きさのポジ像を所望の枚数作成する方法をネガポジ法と呼び，1841年イギリスのF. タルボットが考案した。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8D%E3%82%AC%E3%83%BC%E3%83%9D%E3%82%B8%E6%96%B9%E5%BC%8F","updated":1722952007,"position":[-18.3149,9.8477,3.6176],"cluster":"c07","subgroup":"c07.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11178,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631c03589ba2900244083ae","weight":0.11178,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6592439f89d6d4002587ee11","weight":0.09369,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631c0df11dbec002340719c","source":"ideaofintellection","title":"ヨハネス・フェルメール","excerpt":"ヨハネス・フェルメールは、ネーデルラント連邦共和国の画家で、バロック期を代表する画家の1人である。映像のような写実的な手法と綿密な空間構成そして光による巧みな質感表現を特徴とする。フェルメールの通称で広く知られる。本名ヤン・ファン・デル・メール・ファン・デルフト 。","text":"ヨハネス・フェルメール\nヨハネス・フェルメールは、ネーデルラント連邦共和国の画家で、バロック期を代表する画家の1人である。映像のような写実的な手法と綿密な空間構成そして光による巧みな質感表現を特徴とする。フェルメールの通称で広く知られる。本名ヤン・ファン・デル・メール・ファン・デルフト 。\n[https://scrapbox.io/files/6631c10b467a88002429cf17.png]\n\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A8%E3%83%8F%E3%83%8D%E3%82%B9%E3%83%BB%E3%83%95%E3%82%A7%E3%83%AB%E3%83%A1%E3%83%BC%E3%83%AB","updated":1722951993,"position":[29.7874,-41.0519,99.7963],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.29585,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663121171b24430025c91feb","weight":0.29585,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656323630cebd0001c3e8504","weight":0.26532,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631c11d47d15b0024525196","source":"ideaofintellection","title":"カメラオブスクラ","excerpt":"カメラ・オブスクラ（ラテン語: camera obscura、「暗い部屋」の意味。 カメラ・オブスキュラ、カメラ・オブスクーラとも）は、写真の原理による投影像を得る装置で、実用的な用途としてはもっぱら素描などのために使われた。 写真術の歴史においても重要で、写真機を「カメラ」と呼ぶのはカメラ・オブスクラに由来する。","text":"カメラオブスクラ\nカメラ・オブスクラ（ラテン語: camera obscura、「暗い部屋」の意味。 カメラ・オブスキュラ、カメラ・オブスクーラとも）は、写真の原理による投影像を得る装置で、実用的な用途としてはもっぱら素描などのために使われた。 写真術の歴史においても重要で、写真機を「カメラ」と呼ぶのはカメラ・オブスクラに由来する。\n[https://scrapbox.io/files/6631c12fa1fe800024f7e9b9.png]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%A1%E3%83%A9%E3%82%AA%E3%83%96%E3%82%B9%E3%82%AF%E3%83%A9","updated":1722951982,"position":[-9.7451,9.7557,9.933],"cluster":"c07","subgroup":"c07.02","degree":10,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bd05642dbe00242db8f1","weight":0.21017,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c8969da4bb2001d7104ba","weight":0.20824,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:676d8eb8dcc5674fa73465d9","weight":0.13037,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631c143c3d061002478b530","source":"ideaofintellection","title":"ポール・ドラローシュ","excerpt":"ポール・ドラローシュは、フランスの画家。本名はイッポリト・ド・ラ・ローシュ。日本ではドラロッシュ、ドラロシュとも表記される。","text":"ポール・ドラローシュ\nポール・ドラローシュは、フランスの画家。本名はイッポリト・ド・ラ・ローシュ。日本ではドラロッシュ、ドラロシュとも表記される。\n[https://scrapbox.io/files/6631c15c3f0c730024abf21c.png]\n\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9D%E3%83%BC%E3%83%AB%E3%83%BB%E3%83%89%E3%83%A9%E3%83%AD%E3%83%BC%E3%82%B7%E3%83%A5","updated":1722951971,"position":[29.1445,-44.0704,97.5057],"cluster":"c14","subgroup":"c14.01","degree":9,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bc7ad002fa7001c7b2b38","weight":0.08539,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d22fea293e0024b5598b","source":"ideaofintellection","title":"エドガー・ドガ","excerpt":"1834年","text":"エドガー・ドガ\n1834年\nエドガー・ドガは、フランスの印象派の画家、彫刻家。フルネームはイレール・ジェルマン・エドガー・ド・ガ。\n[https://scrapbox.io/files/6631d254a6f1ec0024c1b5d8.png]\n\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%89%E3%82%AC%E3%83%BC%E3%83%BB%E3%83%89%E3%82%AC","updated":1722951960,"position":[29.9949,-43.1192,97.4269],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d26aa402530024256b01","source":"ideaofintellection","title":"ギュスターヴ・カイユボット","excerpt":"1848年","text":"ギュスターヴ・カイユボット\n1848年\nギュスターヴ・カイユボットは、フランスの画家、絵画収集家。画家としては写実主義的な傾向が強いが、第2回以降の印象派グループ展の開催に経済的・精神的に大きく貢献し、自らもグループ展に作品を出品したことから、印象派の画家として挙げられるのが通例である。\n[https://scrapbox.io/files/6631d28b3930f30025247d92.png]\n\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AE%E3%83%A5%E3%82%B9%E3%82%BF%E3%83%BC%E3%83%B4%E3%83%BB%E3%82%AB%E3%82%A4%E3%83%A6%E3%83%9C%E3%83%83%E3%83%88","updated":1722951947,"position":[31.4274,-43.8123,98.6816],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d2a2c3c1d90024928787","source":"ideaofintellection","title":"エドワード・マイブリッジ","excerpt":"1830年","text":"エドワード・マイブリッジ\n1830年\nエドワード・マイブリッジは、イギリス生まれの写真家。本名はエドワード・ジェームズ・マガーリッジ。 イングランド、現在のキングストン・アポン・テムズ区キングストン・アポン・テムズ で生まれた。1855年にアメリカに移住し、カリフォルニア州サンフランシスコで出版業界に身を置くようになった。\n[https://scrapbox.io/files/6631d2b4a4849c0026f12a24.png]\n\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%89%E3%83%AF%E3%83%BC%E3%83%89%E3%83%BB%E3%83%9E%E3%82%A4%E3%83%96%E3%83%AA%E3%83%83%E3%82%B8","updated":1722951937,"position":[30.1566,-45.4293,97.6918],"cluster":"c14","subgroup":"c14.01","degree":9,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e4bbcf270ea001c386c34","weight":0.14526,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d2ec9dcca000243fde21","source":"ideaofintellection","title":"エティエンヌ＝ジュール・マレー","excerpt":"1882年","text":"エティエンヌ＝ジュール・マレー\n1882年\n[https://scrapbox.io/files/6631d2fa842329002527ea06.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%86%E3%82%A3%E3%82%A8%E3%83%B3%E3%83%8C%EF%BC%9D%E3%82%B8%E3%83%A5%E3%83%BC%E3%83%AB%E3%83%BB%E3%83%9E%E3%83%AC%E3%83%BC","updated":1722951928,"position":[31.2686,-43.04,97.3808],"cluster":"c14","subgroup":"c14.01","degree":9,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67ab17b2af8308776010c13e","weight":0.18001,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d3114a9c10002e110dbe","source":"ideaofintellection","title":"列車の中の悲しみの青年","excerpt":"《裸体、汽車上の 悲しげな青年》は、1911年から1912年にかけてマルセル・デュシャンによって制作された油彩作品。","text":"列車の中の悲しみの青年\n《裸体、汽車上の 悲しげな青年》は、1911年から1912年にかけてマルセル・デュシャンによって制作された油彩作品。\n[https://scrapbox.io/files/6631d32b11dbec0023413ce4.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E5%88%97%E8%BB%8A%E3%81%AE%E4%B8%AD%E3%81%AE%E6%82%B2%E3%81%97%E3%81%BF%E3%81%AE%E9%9D%92%E5%B9%B4","updated":1722951905,"position":[29.7429,-42.2628,102.3581],"cluster":"c14","subgroup":"c14.01","degree":11,"referenceDegree":0,"maxSimilarity":0.3449,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631bb60b9d7b40025293b26","weight":0.3449,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668a382db77532001cf876d7","weight":0.30649,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf5bf3e1761f10cdcff90","weight":0.16258,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d38a19c0b80024f7ffee","source":"ideaofintellection","title":"Holly Herndon 人工知能アルバム","excerpt":"2019年","text":"Holly Herndon 人工知能アルバム\n2019年\nHolly Herndon（ホリー・ハーンダン）人工知能と共作した挑戦的な最新アルバム『Proto』\n[https://scrapbox.io/files/6631d3b847d15b0024534dae.png]\n\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/Holly%20Herndon%20%E4%BA%BA%E5%B7%A5%E7%9F%A5%E8%83%BD%E3%82%A2%E3%83%AB%E3%83%90%E3%83%A0","updated":1722951889,"position":[49.5226,-50.3518,34.9615],"cluster":"c02","subgroup":"c02.02","degree":9,"referenceDegree":0,"maxSimilarity":0.26518,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66339e7150d15000239418af","weight":0.26518,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69981aa3799132755e29de82","weight":0.23082,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f037e20d41a3002544870e","weight":0.21803,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f41d74aefa2b00246117ab","weight":0.21179,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b49d9a60d70024bd2795","weight":0.20958,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee13d0b539d0025c74e48","weight":0.20775,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65828c13829aed002236d684","weight":0.10639,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d3db1713f80025b52836","source":"ideaofintellection","title":"ラブレステスト","excerpt":"AGI（強いAI）はチューリング・テストをパスしなければいけません。しかし、マーカス・デュ・ソートイは人工知能がオリジナルを創造するかチューリング・テストではわからないと言います。そこでデュ・ソートイが提唱するのがラブレス・テストです。ラブレス・テストはエイダ・ラブレスから名付けられました。ラブレス・テストで人工知能は全くオリジナルで価値のあるものを創造しなければいけません。そして、その人工知能を開発した開発者にとっても、その創造性はブラックボックスでなければいけません。","text":"ラブレステスト\nAGI（強いAI）はチューリング・テストをパスしなければいけません。しかし、マーカス・デュ・ソートイは人工知能がオリジナルを創造するかチューリング・テストではわからないと言います。そこでデュ・ソートイが提唱するのがラブレス・テストです。ラブレス・テストはエイダ・ラブレスから名付けられました。ラブレス・テストで人工知能は全くオリジナルで価値のあるものを創造しなければいけません。そして、その人工知能を開発した開発者にとっても、その創造性はブラックボックスでなければいけません。 \n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%83%96%E3%83%AC%E3%82%B9%E3%83%86%E3%82%B9%E3%83%88","updated":1722951850,"position":[33.017,41.7724,14.2371],"cluster":"c17","subgroup":"c17.01","degree":10,"referenceDegree":0,"maxSimilarity":0.38368,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663123e4c4255d00256caa2b","weight":0.38368,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.36027,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c509c1e80d4d0026de7c91","weight":0.24659,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663127e3a402530024207122","weight":0.22619,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631286063f35e0023949b8a","weight":0.22348,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d9d4631b15002417a61f","weight":0.2132,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312f0a0aaff20024eef38e","weight":0.2097,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662f6c4f910a0a002435b8ea","weight":0.20889,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d4044ab50900240560e7","source":"ideaofintellection","title":"階差機関","excerpt":"階差機関は、歴史上の機械式用途固定計算機で、多項式の数表を作成するよう設計された。対数も三角関数も多項式で近似できるため、そのようなマシンはかなりの汎用性があった。","text":"階差機関\n階差機関は、歴史上の機械式用途固定計算機で、多項式の数表を作成するよう設計された。対数も三角関数も多項式で近似できるため、そのようなマシンはかなりの汎用性があった。\n[https://scrapbox.io/files/6631d4312657a90023eb0b95.png]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E9%9A%8E%E5%B7%AE%E6%A9%9F%E9%96%A2","updated":1722951877,"position":[-8.1353,11.1395,11.5713],"cluster":"c07","subgroup":"c07.02","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e715f174976001cb63188","weight":0.21832,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a8d0ec24f10024d632f3","weight":0.20744,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d443a6f1ec0024c1d3f7","source":"ideaofintellection","title":"メアリー・シェリー","excerpt":"1797年","text":"メアリー・シェリー\n1797年\nゴシック小説『フランケンシュタイン』で名を残した。同作品によってメアリーはブライアン・オールディス他多くの作家・文芸評論家らにより、SFの先駆者、あるいは創始者と呼ばれた。\n[https://scrapbox.io/files/6631d4854e1e400024ac348a.png]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%82%A2%E3%83%AA%E3%83%BC%E3%83%BB%E3%82%B7%E3%82%A7%E3%83%AA%E3%83%BC","updated":1722951863,"position":[-36.6918,-22.73,83.3392],"cluster":"c28","subgroup":"c28.01","degree":2,"referenceDegree":0,"maxSimilarity":0.18096,"lowEvidence":false,"neighbors":[{"id":"NextResearch:689c691a6fd2a4902adbcc93","weight":0.18096,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af8f18163b20001c67ca02","weight":0.0869,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d5256faec3002343a28d","source":"ideaofintellection","title":"biomorph the blind watchmaker","excerpt":"2006年","text":"biomorph the blind watchmaker\n2006年\n[https://scrapbox.io/files/6631d526a6f1ec0024c1e077.png]\nhttps://www.rennard.org/alife/english/biomintrgb.html\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/biomorph%20the%20blind%20watchmaker","updated":1722951837,"position":[-9.6655,9.2602,12.6831],"cluster":"c07","subgroup":"c07.02","degree":41,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507923f0360dd001b426133","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2859bf3c1200238b3429","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa30ebaf031b00246462a4","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0be50275e002594c30c","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d5b814bd3a00257cbfcc","source":"ideaofintellection","title":"ヴント曲線","excerpt":"ヴント曲線(Wundt curve)と言われるものがある。ブント曲線とは、感覚の快適さ. と刺激の強さを関係づける逆U字型の曲線","text":"ヴント曲線\nヴント曲線(Wundt curve)と言われるものがある。ブント曲線とは、感覚の快適さ. と刺激の強さを関係づける逆U字型の曲線\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%B4%E3%83%B3%E3%83%88%E6%9B%B2%E7%B7%9A","updated":1722951826,"position":[-50.7657,50.7502,-113.5516],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04606,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6631d656da20740025b0cea0","source":"ideaofintellection","title":"fetish","excerpt":"fetishとは、一般的には特定の物や状況に対する過度な興奮や執着を指す言葉である。 この言葉は、性的な文脈でよく使われるが、それ以外の文脈でも使用される。 例えば、ある人が特定のブランドの製品に異常なまでにこだわる場合、「fetish」と表現することができる。","text":"fetish\nfetishとは、一般的には特定の物や状況に対する過度な興奮や執着を指す言葉である。 この言葉は、性的な文脈でよく使われるが、それ以外の文脈でも使用される。 例えば、ある人が特定のブランドの製品に異常なまでにこだわる場合、「fetish」と表現することができる。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/fetish","updated":1722951815,"position":[15.2872,-54.8344,69.1174],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10795,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6580008a747cfc0023e90653","weight":0.10795,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d6a244e2a60023388bb6","source":"ideaofintellection","title":"シューマン共振","excerpt":"シューマン共振あるいはシューマン共鳴は、地球の地表と電離層との間で極極超長波 が反射をして、その波長がちょうど地球一周の距離の整数分の一に一致したものをいう。その周波数は7.83 Hz、 14.1 Hz、 20.3 Hz、……と多数存在する。","text":"シューマン共振\nシューマン共振あるいはシューマン共鳴は、地球の地表と電離層との間で極極超長波 が反射をして、その波長がちょうど地球一周の距離の整数分の一に一致したものをいう。その周波数は7.83 Hz、 14.1 Hz、 20.3 Hz、……と多数存在する。\n[https://scrapbox.io/files/6631d6bfb9d7b400252a6e25.png]\n\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%A5%E3%83%BC%E3%83%9E%E3%83%B3%E5%85%B1%E6%8C%AF","updated":1722951803,"position":[-24.6954,-73.3774,65.4356],"cluster":"c04","subgroup":"c04.02","degree":11,"referenceDegree":0,"maxSimilarity":0.21963,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af3e5827132e001c2db7a0","weight":0.21963,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ccd0e4de2002613d6c4","weight":0.21514,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af891602ab32001dccade0","weight":0.21506,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.2133,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ce05e83ba0025e0c121","weight":0.21156,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54ae8708597002535d050","weight":0.21054,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f67e8d94d9900242299bd","weight":0.20841,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65caaf34daea0b0024cc77e4","weight":0.20586,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d7983f0c730024ad454d","source":"ideaofintellection","title":"Jazz musician フロー状態の脳科学","excerpt":"https://theconversation.com/brain-scans-of-philly-jazz-musicians-reveal-secrets-to-reaching-creative-flow-225747?utm_source=twitter&utm_medium=bylinetwitterbutton","text":"Jazz musician フロー状態の脳科学\nhttps://theconversation.com/brain-scans-of-philly-jazz-musicians-reveal-secrets-to-reaching-creative-flow-225747?utm_source=twitter&utm_medium=bylinetwitterbutton\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/Jazz%20musician%20%E3%83%95%E3%83%AD%E3%83%BC%E7%8A%B6%E6%85%8B%E3%81%AE%E8%84%B3%E7%A7%91%E5%AD%A6","updated":1722951789,"position":[-43.8916,-27.0836,78.492],"cluster":"c28","subgroup":"c28.01","degree":8,"referenceDegree":0,"maxSimilarity":0.23392,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6603017e232a7600269e9805","weight":0.23392,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668e25a77c5da7001d3ea051","weight":0.22341,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3092bcd48d001dd05bae","weight":0.2065,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.20636,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6a798a9c13001d16966b","weight":0.20622,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31dc4574ef500241dd9a5","weight":0.20309,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3e693e106847269e23a9","weight":0.1715,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d7feb647e70023407592","source":"ideaofintellection","title":"リトグラフ","excerpt":"リトグラフ（石版画）とは？ 語源はlithos（ギリシャ語で石の意味）から出来たとされています。 言葉の通り、平らな石の上に描画（現在では金属板等も使用）し、印刷する版画です。 平らな版面の上に描き（版面を彫ったりしません）、平らな版面のまま印刷する為に平版と呼ばれています。","text":"リトグラフ\nリトグラフ（石版画）とは？ 語源はlithos（ギリシャ語で石の意味）から出来たとされています。 言葉の通り、平らな石の上に描画（現在では金属板等も使用）し、印刷する版画です。 平らな版面の上に描き（版面を彫ったりしません）、平らな版面のまま印刷する為に平版と呼ばれています。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AA%E3%83%88%E3%82%B0%E3%83%A9%E3%83%95","updated":1722951774,"position":[-25.2637,-71.6574,62.65],"cluster":"c04","subgroup":"c04.01","degree":7,"referenceDegree":0,"maxSimilarity":0.13816,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6592184ebab3670024702e71","weight":0.13816,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.12773,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1904e1f9a2001b9a1114","weight":0.11746,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6425032a1536ae001cc27290","weight":0.11338,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a55d950ca8a9001bf3d445","weight":0.11282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af179237aaa3001cf705be","weight":0.10618,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c214389ded0c00247570d2","weight":0.09351,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d828a40253002425cfa1","source":"ideaofintellection","title":"Hi-Fi (ハイファイ)","excerpt":"Hi-Fi(ハイファイ)とは、字義的には”High Fidelity”(高忠実度、高再現性)の略語です。 音響機器などにおいて「原音や原画に忠実な再現」という意味を持ち、録音や録画し再生する場合に発生するノイズやひずみが最小限に抑えられていることを指します。","text":"Hi-Fi (ハイファイ)\nHi-Fi(ハイファイ)とは、字義的には”High Fidelity”(高忠実度、高再現性)の略語です。 音響機器などにおいて「原音や原画に忠実な再現」という意味を持ち、録音や録画し再生する場合に発生するノイズやひずみが最小限に抑えられていることを指します。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/Hi-Fi%20%28%E3%83%8F%E3%82%A4%E3%83%95%E3%82%A1%E3%82%A4%29","updated":1722951712,"position":[49.5541,-49.846,34.9373],"cluster":"c02","subgroup":"c02.02","degree":11,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312744561af50023ac0100","weight":0.23054,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","weight":0.2291,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e7150d15000239418af","weight":0.22075,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c17225c0310024e2eb6d","weight":0.21572,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa64a84653b5001c65831a","weight":0.21561,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f03820bb53f10024489df4","weight":0.21277,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633ad3e4bc89600245bf4e3","weight":0.21147,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d919642dbe00242ef4ff","source":"ideaofintellection","title":"ローランド・TR-808","excerpt":"TR-808はローランドが1980年に発売したリズムマシン。名機として高く評価されている。「808」という名から日本では俗に「やおや」とも呼ばれる。1980年から1983年にかけて製造され、製造台数は1万2千台。当時の価格は15万円だった。","text":"ローランド・TR-808\nTR-808はローランドが1980年に発売したリズムマシン。名機として高く評価されている。「808」という名から日本では俗に「やおや」とも呼ばれる。1980年から1983年にかけて製造され、製造台数は1万2千台。当時の価格は15万円だった。\n[https://scrapbox.io/files/6631d937feb660002432f73a.png]\n\n梯　郁太郎\n1930年大阪生まれ。1954年カケハシ無線（電器店）を開業。1960年に電子楽器製造会社のエース電子工業（株）を、1968年に米国ハモンド社との合弁会社を設立。1972年両社を退社し、ローランドを設立。世界初を含む革新的な電子楽器を次々と発表。1991年には米国バークリー音楽大学から名誉音楽博士号を授与される。1994年に、ローランド芸術文化振興財団を設立して、理事長に就任。2000年電子楽器の技術革新による音楽界への多大な貢献により、アメリカHollywood’s RockWalkに手形と署名を残す。2002年世界各国の音楽／楽器専門誌で構成されるm.i.p.aの「Lifetime Achievement Award」を受賞。2005年には、電子楽器の開発で世界に貢献し、また中国国内の電子楽器の普及にも大きな影響を与えたその功績に対し、中国の中央音楽学院より名誉教授称号を授与される。音楽家以外の人物に同校の名誉教授号が授与されるのは初めてであり、日本人としては指揮者の小澤征爾氏に次いで二人目の授与となった。2008年には、音楽業界と音楽教育への貢献が称えられ、英国グラモーガン大学より名誉教授の称号を授与される。2013年2月にはThe Recording Academyから「Technical GRAMMY Award(テクニカル・グラミー・アワード)」を、Mr. Dave Smith（元シーケンシャル・サーキット社 社長）と連名で受賞。メーカーを問わない電子楽器の世界共通規格として「MIDI（ミディ）」の制定に尽力し、MIDI規格が、その後の音楽産業に貢献したことが評価された。著書「ライフワークは音楽～電子楽器の開発にかけた夢～」（音楽之友社）は、アメリカ、ドイツ、台湾、中国でも出版されている。モットーは「シンプル＆ストレート」。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AD%E3%83%BC%E3%83%A9%E3%83%B3%E3%83%89%E3%83%BBTR-808","updated":1722951694,"position":[49.4629,-50.3656,34.7395],"cluster":"c02","subgroup":"c02.02","degree":14,"referenceDegree":0,"maxSimilarity":0.24039,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24039,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f668ffb6d2400239ce545","weight":0.22724,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","weight":0.22397,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee8293fa4f38001dbb9a18","weight":0.22323,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66798761c0d349001d59b25e","weight":0.21946,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be5fa1fe800024f7c419","weight":0.21781,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b49d9a60d70024bd2795","weight":0.21776,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee84a69b1ef4001d8f4438","weight":0.21594,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d99c48edf7002579f706","source":"ideaofintellection","title":"檜舞台","excerpt":"檜舞台とは、自らの腕前を披露する晴れの場所のこと。 その語源は、能舞台にあります。 檜舞台とは、文字通り、檜を張った舞台のこと。 劇場の舞台を見ると、古代ギリシャには平土間の舞台もありますが、ほとんどが木材でできています。","text":"檜舞台\n檜舞台とは、自らの腕前を披露する晴れの場所のこと。 その語源は、能舞台にあります。 檜舞台とは、文字通り、檜を張った舞台のこと。 劇場の舞台を見ると、古代ギリシャには平土間の舞台もありますが、ほとんどが木材でできています。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%AA%9C%E8%88%9E%E5%8F%B0","updated":1722951682,"position":[0.6694,-77.0909,36.0782],"cluster":"c01","subgroup":"c01.03","degree":1,"referenceDegree":0,"maxSimilarity":0.09183,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c478ea87951d001c228898","weight":0.09183,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631d9d4631b15002417a61f","source":"ideaofintellection","title":"ハロルド・コーエン","excerpt":"1928年","text":"ハロルド・コーエン\n1928年\nハロルド・コーエンは英国生まれの芸術家で、自律的に絵画や図面を作成するように設計されたコンピュータープログラムである AARON の作成者として知られていました。コンピューター人工知能と絵画の交差点における彼の作品は、ロンドンのテート ギャラリーを含む多くの美術館での展覧会につながりました。\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%83%AD%E3%83%AB%E3%83%89%E3%83%BB%E3%82%B3%E3%83%BC%E3%82%A8%E3%83%B3","updated":1722951673,"position":[33.1419,42.0943,14.0099],"cluster":"c17","subgroup":"c17.01","degree":11,"referenceDegree":0,"maxSimilarity":0.35271,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662bd0ce79e7200025f1d876","weight":0.35271,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631286063f35e0023949b8a","weight":0.26356,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6bb7f99fe90024d9dba3","weight":0.24451,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663123e4c4255d00256caa2b","weight":0.23824,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6e804208b800259f474c","weight":0.23362,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312bc02875590023d95a32","weight":0.23297,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663127e3a402530024207122","weight":0.21874,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d3db1713f80025b52836","weight":0.2132,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631da4111dbec0023418ebc","source":"ideaofintellection","title":"ジェフ・ラスキン","excerpt":"1943年","text":"ジェフ・ラスキン\n1943年\nジェフ・ラスキンは、アメリカのコンピュータ技術者。Apple Computerのマッキントッシュの開発を立ち上げたことで有名である。\n[https://scrapbox.io/files/6631da5da4849c0026f1858b.png]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%82%A7%E3%83%95%E3%83%BB%E3%83%A9%E3%82%B9%E3%82%AD%E3%83%B3","updated":1722951649,"position":[-12.1283,8.6657,13.0231],"cluster":"c07","subgroup":"c07.02","degree":9,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d7227cfaa223001c48dc6f","weight":0.22474,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c88699b79ac001c82bd3f","weight":0.20654,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312ca4fec9c300251787d7","weight":0.20415,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631da6e0173410025989a29","source":"ideaofintellection","title":"LISP言語","excerpt":"LISPは、関数型プログラミング言語である。S式と前置記法などが特徴である。 1958年秋から開発を始め、1960年3月にLISP Iのマニュアルが書かれ、1960年4月に初めて論文発表されたLISPは、現在でも広範囲に使用されている高水準プログラミング言語の中ではFORTRAN、COBOLに次いで3番目に古い。","text":"LISP言語 \nLISPは、関数型プログラミング言語である。S式と前置記法などが特徴である。 1958年秋から開発を始め、1960年3月にLISP Iのマニュアルが書かれ、1960年4月に初めて論文発表されたLISPは、現在でも広範囲に使用されている高水準プログラミング言語の中ではFORTRAN、COBOLに次いで3番目に古い。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/LISP%E8%A8%80%E8%AA%9E","updated":1722951637,"position":[-15.5875,-14.6893,-22.8983],"cluster":"c11","subgroup":"c11.01","degree":7,"referenceDegree":0,"maxSimilarity":0.31221,"lowEvidence":false,"neighbors":[{"id":"NextResearch:683bf78664c634d2eab64206","weight":0.31221,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c2159227944f4a38d7cbe","weight":0.23609,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cee3f12c0c22002566e469","weight":0.18507,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633ad8b5f66080023b3b747","weight":0.10293,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c1a3f0a4890024ab6a4b","weight":0.0967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6680d16301bab8001c01ba67","weight":0.09206,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65ec9f30c0c94600257df877","weight":0.09052,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631db0824943a00247bae91","source":"ideaofintellection","title":"デスメタル生成AI「Dadabots」","excerpt":"https://musica-terra.com/2019/07/24/dadabots/","text":"デスメタル生成AI「Dadabots」\n[https://scrapbox.io/files/6631db1d36cd3700258c4383.png]\nhttps://musica-terra.com/2019/07/24/dadabots/\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%87%E3%82%B9%E3%83%A1%E3%82%BF%E3%83%AB%E7%94%9F%E6%88%90AI%E3%80%8CDadabots%E3%80%8D","updated":1722951619,"position":[32.7737,42.4461,14.9796],"cluster":"c17","subgroup":"c17.01","degree":8,"referenceDegree":0,"maxSimilarity":0.31342,"lowEvidence":false,"neighbors":[{"id":"NextResearch:647cb02bff5b30001b2b307c","weight":0.31342,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c8fe7de99a70022f88e11","weight":0.25586,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cee418e385ca00265c9cd6","weight":0.24748,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663127e3a402530024207122","weight":0.23315,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:660fdcaebbd7330025d90ef4","weight":0.22049,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd1065fdd8f002556baf7","weight":0.21216,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312f0a0aaff20024eef38e","weight":0.21184,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e375e5d0cf7e001bc33b4d","weight":0.09867,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6631dc9b017341002598b8ec","source":"ideaofintellection","title":"Magical of RNN","excerpt":"the unreasonable effectiveness of recurrent neural networ","text":"Magical of RNN\nthe unreasonable effectiveness of recurrent neural networ\nhttps://karpathy.github.io/2015/05/21/rnn-effectiveness/\n\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/Magical%20of%20RNN","updated":1722951570,"position":[-1.1642,96.4941,-0.6134],"cluster":"c13","subgroup":"c13.01","degree":11,"referenceDegree":0,"maxSimilarity":0.49559,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65ec9e9a530db70025a45206","weight":0.49559,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662f6c641d33d500258ce15c","weight":0.36808,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65829d9395e67b0022467c1e","weight":0.25699,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f82fd252e65a001ccbdc24","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c8fe7de99a70022f88e11","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65bf5febe597210027980fea","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cee418e385ca00265c9cd6","weight":0.2,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734e1082902b8002be67779","weight":0.19983,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6632246f1595990024f329ab","source":"ideaofintellection","title":"The Coded Gaze","excerpt":"[https://www.youtube.com/watch?v=162VzSzzoPs]","text":"The Coded Gaze\n[https://www.youtube.com/watch?v=162VzSzzoPs]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/The%20Coded%20Gaze","updated":1722951473,"position":[-9.906,9.4953,12.4125],"cluster":"c07","subgroup":"c07.02","degree":41,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507923f0360dd001b426133","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2859bf3c1200238b3429","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa30ebaf031b00246462a4","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0be50275e002594c30c","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:663224956855af00258f20bc","source":"ideaofintellection","title":"モーツァルトとハイドンのレクイエムの類似性","excerpt":"曲は教会の音楽として誰が作ったかがあまり明示されていなかったモーツァルトあたりの時代","text":"モーツァルトとハイドンのレクイエムの類似性\n曲は教会の音楽として誰が作ったかがあまり明示されていなかったモーツァルトあたりの時代\n[https://www.youtube.com/watch?v=qllREi8QMp4]\n[https://www.youtube.com/watch?v=hhJw0DZzcKY]\n\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A2%E3%83%BC%E3%83%84%E3%82%A1%E3%83%AB%E3%83%88%E3%81%A8%E3%83%8F%E3%82%A4%E3%83%89%E3%83%B3%E3%81%AE%E3%83%AC%E3%82%AF%E3%82%A4%E3%82%A8%E3%83%A0%E3%81%AE%E9%A1%9E%E4%BC%BC%E6%80%A7","updated":1722951467,"position":[48.5633,-48.8787,34.9009],"cluster":"c02","subgroup":"c02.02","degree":11,"referenceDegree":0,"maxSimilarity":0.31959,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312744561af50023ac0100","weight":0.31959,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:676d5faf70372a1775c43e81","weight":0.31645,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971ad970fe70025ea4a20","weight":0.22032,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e724d7da0d7001ce26ad6","weight":0.2178,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f95b5b843eff002582dbe2","weight":0.21416,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1d9b2e65f1c00241a3e2b","weight":0.21248,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cedfcbcd47500024cfba45","weight":0.20729,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66338a723c96cf0024eebca4","source":"ideaofintellection","title":"Google ストリートビュー環境音","excerpt":"https://shiropen.com/2018/01/11/31412/","text":"Google ストリートビュー環境音\nhttps://shiropen.com/2018/01/11/31412/\n\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/Google%20%E3%82%B9%E3%83%88%E3%83%AA%E3%83%BC%E3%83%88%E3%83%93%E3%83%A5%E3%83%BC%E7%92%B0%E5%A2%83%E9%9F%B3","updated":1722951454,"position":[49.1373,-50.4631,34.6576],"cluster":"c02","subgroup":"c02.02","degree":11,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.23517,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.21778,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b49d9a60d70024bd2795","weight":0.21622,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6a9d1a88a70023c3931d","weight":0.21529,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667948201426b4001cc4402c","weight":0.21437,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b33433ca160023df08a1","weight":0.21431,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633ad3e4bc89600245bf4e3","weight":0.21408,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66339d384a682100242b4fb9","source":"ideaofintellection","title":"共進化","excerpt":"複数の種が互いに影響しあいながら、相互に進化していくこと。 虫媒花の構造と、昆虫の口器の形態の進化などがその例である。","text":"共進化\n複数の種が互いに影響しあいながら、相互に進化していくこと。 虫媒花の構造と、昆虫の口器の形態の進化などがその例である。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%85%B1%E9%80%B2%E5%8C%96","updated":1722951445,"position":[-24.3296,21.1645,-111.7197],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09242,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:651a4ef638dbd9001b700a50","weight":0.09242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66339d597265c6002426d337","source":"ideaofintellection","title":"ランナウェイ説","excerpt":"ランナウェイとは「どんどん限りなく」という意味で、初期の段階で優れた遺伝子を求めて雌による選り好みがなされていても、それが長く続くと、雌の選り好みと雄の形質は共進化を遂げ、雄の生存を脅かすまで止まらなくなるというものだ。","text":"ランナウェイ説\nランナウェイとは「どんどん限りなく」という意味で、初期の段階で優れた遺伝子を求めて雌による選り好みがなされていても、それが長く続くと、雌の選り好みと雄の形質は共進化を遂げ、雄の生存を脅かすまで止まらなくなるというものだ。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%83%B3%E3%83%8A%E3%82%A6%E3%82%A7%E3%82%A4%E8%AA%AC","updated":1722951437,"position":[-55.3709,52.1854,-123.5378],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06746,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66339d6a98707b00238e40b1","source":"ideaofintellection","title":"ロックイン効果","excerpt":"ある商品やサービスを購入した顧客が、何らかの理由でその商品やサービスから離れづらくなり、顧客との継続的関係が維持される効果のこと。","text":"ロックイン効果\nある商品やサービスを購入した顧客が、何らかの理由でその商品やサービスから離れづらくなり、顧客との継続的関係が維持される効果のこと。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AD%E3%83%83%E3%82%AF%E3%82%A4%E3%83%B3%E5%8A%B9%E6%9E%9C","updated":1722951421,"position":[16.4272,-67.1319,2.6602],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16929,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658288a9f5683400223ac992","weight":0.16929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658003e060b07300239e99ba","weight":0.09316,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66339e1ed55ca6002427a521","source":"ideaofintellection","title":"複製時代のアウラの消失","excerpt":"機械的複製技術の誕生により、芸術作品を大量生産する. ことが可能になった時代において、オリジナルなものから失われた歴史の証人としての権. 威性","text":"複製時代のアウラの消失\n機械的複製技術の誕生により、芸術作品を大量生産する. ことが可能になった時代において、オリジナルなものから失われた歴史の証人としての権. 威性\nヴァルター・ベンヤミン\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%A4%87%E8%A3%BD%E6%99%82%E4%BB%A3%E3%81%AE%E3%82%A2%E3%82%A6%E3%83%A9%E3%81%AE%E6%B6%88%E5%A4%B1","updated":1722951410,"position":[-23.5546,19.0482,-128.5955],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06409,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66339e387938d600242c2f55","source":"ideaofintellection","title":"万世不朽 ばんせいふきゅう","excerpt":"永久に朽ちないこと。","text":"万世不朽 ばんせいふきゅう\n永久に朽ちないこと。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%87%E4%B8%96%E4%B8%8D%E6%9C%BD%20%E3%81%B0%E3%82%93%E3%81%9B%E3%81%84%E3%81%B5%E3%81%8D%E3%82%85%E3%81%86","updated":1722951403,"position":[-60.9077,17.7731,-108.8589],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04833,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66339e527d09a200243dfd63","source":"ideaofintellection","title":"メディアはメッセージである","excerpt":"マクルーハン","text":"メディアはメッセージである\nマクルーハン \n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%83%87%E3%82%A3%E3%82%A2%E3%81%AF%E3%83%A1%E3%83%83%E3%82%BB%E3%83%BC%E3%82%B8%E3%81%A7%E3%81%82%E3%82%8B","updated":1722951395,"position":[13.7427,-34.6458,19.6014],"cluster":"c05","subgroup":"c05.01","degree":10,"referenceDegree":0,"maxSimilarity":0.44512,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a6083c81972c1d3fd3e477b","weight":0.44512,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54b970e911f002343962c","weight":0.36564,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e339360853bedff09694","weight":0.33151,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6755968dbf002303e467","weight":0.15144,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a140089e4ffadd545d6b11e","weight":0.14294,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e67b3f77d2b5a3493908","weight":0.1328,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593940f8cf18d0024dc540c","weight":0.10885,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b25ed97fb3a001c72454d","weight":0.09184,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66339e7150d15000239418af","source":"ideaofintellection","title":"Brian Eno's Generative music","excerpt":"Generative Musicとはリアルタイムに生成される音楽のことを指し、Brian Eno(ブライアンイーノ)が1975年に発表したDiscreet Musicというアルバムが原点になっています。","text":"Brian Eno's Generative music\nGenerative Musicとはリアルタイムに生成される音楽のことを指し、Brian Eno(ブライアンイーノ)が1975年に発表したDiscreet Musicというアルバムが原点になっています。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/Brian%20Eno%27s%20Generative%20music","updated":1722951386,"position":[49.5479,-49.607,34.85],"cluster":"c02","subgroup":"c02.02","degree":11,"referenceDegree":0,"maxSimilarity":0.35945,"lowEvidence":false,"neighbors":[{"id":"NextResearch:690da6d31bcda5949d673241","weight":0.35945,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.30882,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d38a19c0b80024f7ffee","weight":0.26518,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633ad3e4bc89600245bf4e3","weight":0.23574,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.23207,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa64a84653b5001c65831a","weight":0.2278,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d828a40253002425cfa1","weight":0.22075,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66339f1281213e00247177cb","source":"ideaofintellection","title":"フロッピーディスク","excerpt":"パーソナルコンピューターなどの情報を記録する磁気ディスクの一種で、磁性体を塗布・蒸着した樹脂製小円盤を樹脂製の保護ケースに入れたものである。「フロッピー」「FD」と略称されることもある。 主に1980年代から2000年代半ばにかけて使われた。","text":"フロッピーディスク\nパーソナルコンピューターなどの情報を記録する磁気ディスクの一種で、磁性体を塗布・蒸着した樹脂製小円盤を樹脂製の保護ケースに入れたものである。「フロッピー」「FD」と略称されることもある。 主に1980年代から2000年代半ばにかけて使われた。\n[https://scrapbox.io/files/66339f256aef0c00260cb9ee.png]\n#sound\n\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%AD%E3%83%83%E3%83%94%E3%83%BC%E3%83%87%E3%82%A3%E3%82%B9%E3%82%AF","updated":1722951376,"position":[49.15,-50.4609,34.9084],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.24158,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24158,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.2159,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f03820bb53f10024489df4","weight":0.21522,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.21182,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be1d35892400245552b9","weight":0.21087,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","weight":0.21049,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971f668d34d0024b0c1af","weight":0.2086,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66339f624e34ac0024bc2ed1","source":"ideaofintellection","title":"prosumer","excerpt":"プロシューマーとは、1980年未来学者アルビン・トフラーの著書「第三の波」の中に登場する生産＝消費者（Producer＋Consumer）という造語です。","text":"prosumer\nプロシューマーとは、1980年未来学者アルビン・トフラーの著書「第三の波」の中に登場する生産＝消費者（Producer＋Consumer）という造語です。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/prosumer","updated":1722951354,"position":[15.7791,-69.2037,-1.5925],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08784,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:680fc673460f8604fee5e96f","weight":0.08784,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a1831f8a48002449ee99","source":"ideaofintellection","title":"嬉々","excerpt":"嬉しそうな様子。","text":"嬉々\n嬉しそうな様子。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%AC%89%E3%80%85","updated":1722951360,"position":[64.2678,-13.4652,22.4224],"cluster":"c23","subgroup":"c23.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11751,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b131846dc58001b302102","weight":0.11751,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a20676029d00237e6e4e","source":"ideaofintellection","title":"t-SNE map","excerpt":"https://experiments.withgoogle.com/t-sne-map","text":"t-SNE map\n[https://scrapbox.io/files/6633a2187d09a200243e0fa7.png]\n\nhttps://experiments.withgoogle.com/t-sne-map\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/t-SNE%20map","updated":1722951346,"position":[-13.4645,7.4273,14.3552],"cluster":"c07","subgroup":"c07.02","degree":10,"referenceDegree":0,"maxSimilarity":0.38431,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d72115b83176001c77fc26","weight":0.38431,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67af0280f67ecbbe74f555fd","weight":0.30184,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c88699b79ac001c82bd3f","weight":0.28366,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1148cbea0dfe9883c9f961","weight":0.22413,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a22b88f0be00231d7645","source":"ideaofintellection","title":"X Degrees of Separation","excerpt":"https://artsexperiments.withgoogle.com/xdegrees/4wGYTxLdv3c32w/UAGsuoFcmmRiTg","text":"X Degrees of Separation\n[https://scrapbox.io/files/6633a2472621f200249a5cff.png]\n\nhttps://artsexperiments.withgoogle.com/xdegrees/4wGYTxLdv3c32w/UAGsuoFcmmRiTg\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/X%20Degrees%20of%20Separation","updated":1722951336,"position":[-9.7735,9.5192,12.6573],"cluster":"c07","subgroup":"c07.02","degree":41,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507923f0360dd001b426133","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2859bf3c1200238b3429","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa30ebaf031b00246462a4","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0be50275e002594c30c","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a289e0c1aa0023c2833d","source":"ideaofintellection","title":"六次の隔たり","excerpt":"六次の隔たりとは、全ての人や物事は6ステップ以内で繋がっていて、友達の友達…を介して世界中の人々と間接的な知り合いになることができる、という仮説。多くの人数からなる世界が比較的少ない人数を介して繋がるスモール・ワールド現象の一例とされる。","text":"六次の隔たり\n六次の隔たりとは、全ての人や物事は6ステップ以内で繋がっていて、友達の友達…を介して世界中の人々と間接的な知り合いになることができる、という仮説。多くの人数からなる世界が比較的少ない人数を介して繋がるスモール・ワールド現象の一例とされる。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%85%AD%E6%AC%A1%E3%81%AE%E9%9A%94%E3%81%9F%E3%82%8A","updated":1722951322,"position":[44.1725,30.4369,60.3265],"cluster":"c30","subgroup":"c30.01","degree":1,"referenceDegree":0,"maxSimilarity":0.2111,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af10ad9fa6e3001c2b5b9a","weight":0.2111,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a2a7d23baf002577996a","source":"ideaofintellection","title":"スティーブンウィルシャー","excerpt":"記憶だけで緻密で繊細な世界の絵を描く","text":"スティーブンウィルシャー\n記憶だけで緻密で繊細な世界の絵を描く\n[https://scrapbox.io/files/6633a2c4b657d30024b5fcd5.png]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%83%86%E3%82%A3%E3%83%BC%E3%83%96%E3%83%B3%E3%82%A6%E3%82%A3%E3%83%AB%E3%82%B7%E3%83%A3%E3%83%BC","updated":1722951313,"position":[26.9455,-42.627,96.4274],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.34534,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66af1069c0f238001dd2def1","weight":0.34534,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658001a02028230024b9df7a","weight":0.09506,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a30298707b00238e58ee","source":"ideaofintellection","title":"B2B","excerpt":"Back to Backの略称で、2人のDJが1曲ずつ交互に演奏すること。","text":"B2B \nBack to Backの略称で、2人のDJが1曲ずつ交互に演奏すること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/B2B","updated":1722951299,"position":[76.0725,-128.5227,-15.1661],"cluster":"c40","subgroup":"c40.01","degree":6,"referenceDegree":0,"maxSimilarity":0.22126,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64993eb2c52b95001bdbc7f3","weight":0.22126,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d2dc8acfd2db75aa267c","weight":0.14587,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c6423be03e38001b18037a","weight":0.14258,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.09912,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc43bf82dbe7d3efb19a1","weight":0.09906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6734da9778fbe3464837f360","weight":0.09066,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a33ce0d53700245258e4","source":"ideaofintellection","title":"レゲエ","excerpt":"レゲエ（英: reggae）とは、1960年代後半に、ジャマイカに発生したポピュラー音楽の形式である。 4分の4拍子の2・4拍目をギターのカッティング奏法で刻む、3拍目にドラムのアクセントを置く、ベースがうねるようなベースラインを奏でるといった音楽的特徴が見られる。","text":"レゲエ\nレゲエ（英: reggae）とは、1960年代後半に、ジャマイカに発生したポピュラー音楽の形式である。 4分の4拍子の2・4拍目をギターのカッティング奏法で刻む、3拍目にドラムのアクセントを置く、ベースがうねるようなベースラインを奏でるといった音楽的特徴が見られる。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%82%B2%E3%82%A8","updated":1722951292,"position":[49.1245,-50.1104,35.1422],"cluster":"c02","subgroup":"c02.02","degree":11,"referenceDegree":0,"maxSimilarity":0.25614,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.25614,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee26ee33845002540cc07","weight":0.23708,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971f668d34d0024b0c1af","weight":0.2295,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f97264ba8bf90023e98a98","weight":0.2295,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee0b940de8e0024e0e41e","weight":0.22649,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.21753,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ccac5b72b201002472a0be","weight":0.21565,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a34b9efee400244825fa","source":"ideaofintellection","title":"シカゴ・ハウス","excerpt":"シカゴ・ハウスはハウス音楽の初期のスタイルで、その名が語るとおりアメリカ合衆国のシカゴで誕生した音楽である。","text":"シカゴ・ハウス\nシカゴ・ハウスはハウス音楽の初期のスタイルで、その名が語るとおりアメリカ合衆国のシカゴで誕生した音楽である。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%82%AB%E3%82%B4%E3%83%BB%E3%83%8F%E3%82%A6%E3%82%B9","updated":1722951280,"position":[49.8498,-50.7581,34.7111],"cluster":"c02","subgroup":"c02.02","degree":11,"referenceDegree":0,"maxSimilarity":0.3333,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631be5fa1fe800024f7c419","weight":0.3333,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee8293fa4f38001dbb9a18","weight":0.25285,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.22105,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.21769,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a33ce0d53700245258e4","weight":0.21506,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d919642dbe00242ef4ff","weight":0.21054,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c632a766428f001ca16b9f","weight":0.15098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a3682eff4700237ba72e","source":"ideaofintellection","title":"AKAI MPC","excerpt":"[https://scrapbox.io/files/6633a36afa0a7b0023062a98.png] #sound","text":"AKAI MPC\n[https://scrapbox.io/files/6633a36afa0a7b0023062a98.png]\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/AKAI%20MPC","updated":1722951269,"position":[49.3872,-49.427,35.3826],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2830c3a7760023fc8ed6","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ccac5b72b201002472a0be","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cedf4ce9f5100024deee8b","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cedfcbcd47500024cfba45","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a38bfa0a7b0023062b89","source":"ideaofintellection","title":"サパテアード","excerpt":"サパテアード（〈スペイン〉zapateado）. スペイン、アンダルシア地方の踊り、およびその曲。8分の6拍子で足拍子をとる。","text":"サパテアード\nサパテアード（〈スペイン〉zapateado）. スペイン、アンダルシア地方の踊り、およびその曲。8分の6拍子で足拍子をとる。\n\nサパテアードは複数の異なるリズムが同時に演奏されるポリリズムのグループに属するフラメンコの曲です。 フラメンコの典型的な踊りの一つです。 主な特徴はパーカッションとしての基本的なサパテオ（足を踏み鳴らすこと）の使い方です。\n[https://www.youtube.com/watch?v=EzrjP6uq1oM]\n\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%83%91%E3%83%86%E3%82%A2%E3%83%BC%E3%83%89","updated":1722922783,"position":[49.1501,-49.7833,35.8418],"cluster":"c02","subgroup":"c02.02","degree":10,"referenceDegree":0,"maxSimilarity":0.30664,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633b4e8761b6f0023a9a1a0","weight":0.30664,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b2804538eb00237f7830","weight":0.28751,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b33433ca160023df08a1","weight":0.2765,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24093,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.23379,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31c78f2b97600256b52c7","weight":0.23084,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","weight":0.22523,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f97264ba8bf90023e98a98","weight":0.2224,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a3c830d09f002440bdeb","source":"ideaofintellection","title":"ドンキホーテ - サンチョパンサ","excerpt":"サンチョ・パンサ. セルバンテスの《ドン・キホーテ》の登場人物で，主人公ドン・キホーテの従士。無学ではあるが，諺を得意とする世故にたけた農民。","text":"ドンキホーテ - サンチョパンサ\nサンチョ・パンサ. セルバンテスの《ドン・キホーテ》の登場人物で，主人公ドン・キホーテの従士。無学ではあるが，諺を得意とする世故にたけた農民。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%89%E3%83%B3%E3%82%AD%E3%83%9B%E3%83%BC%E3%83%86%20-%20%E3%82%B5%E3%83%B3%E3%83%81%E3%83%A7%E3%83%91%E3%83%B3%E3%82%B5","updated":1722951258,"position":[15.3657,-68.8523,-0.6815],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10921,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a06e3001dd09ec1fb2fce4d","weight":0.10921,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a3e716f69000235f9df8","source":"ideaofintellection","title":"ピエゾセンサー","excerpt":"圧電素子（ピエゾ）：「ひずみ」や「ゆがみ」を感知することにより、信号出力を行うセンサ。 非常に僅かな筋運動でもご利用いただくことが出来ます。","text":"ピエゾセンサー\n圧電素子（ピエゾ）：「ひずみ」や「ゆがみ」を感知することにより、信号出力を行うセンサ。 非常に僅かな筋運動でもご利用いただくことが出来ます。\n[https://scrapbox.io/files/6633a4bebc889600237cf5e1.png]\n\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%82%A8%E3%82%BE%E3%82%BB%E3%83%B3%E3%82%B5%E3%83%BC","updated":1722951250,"position":[-25.5767,-72.5342,65.4513],"cluster":"c04","subgroup":"c04.02","degree":12,"referenceDegree":0,"maxSimilarity":0.34669,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a4d2597e3c0023d44918","weight":0.34669,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a509ee92770025dcee18","weight":0.21406,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.20615,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ccd0e4de2002613d6c4","weight":0.205,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af25b926616b001c28f259","weight":0.20491,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55a1d53995700250f62ed","weight":0.20341,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3dae5f438c001c44252a","weight":0.20324,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d5ee1df897100253e1938","weight":0.18962,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a4d2597e3c0023d44918","source":"ideaofintellection","title":"ジャイロセンサー","excerpt":"ジャイロセンサー（角速度センサー）とは、回転角速度の測定を実現する慣性センサーの一種です。","text":"ジャイロセンサー\nジャイロセンサー（角速度センサー）とは、回転角速度の測定を実現する慣性センサーの一種です。\n[https://scrapbox.io/files/6633a4e74538eb00237f395c.png]\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A3%E3%82%A4%E3%83%AD%E3%82%BB%E3%83%B3%E3%82%B5%E3%83%BC","updated":1722951234,"position":[-25.541,-72.597,65.2894],"cluster":"c04","subgroup":"c04.02","degree":11,"referenceDegree":0,"maxSimilarity":0.34669,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a3e716f69000235f9df8","weight":0.34669,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3e5827132e001c2db7a0","weight":0.20685,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cca4fad46066002675f8fa","weight":0.20683,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65caaf34daea0b0024cc77e4","weight":0.20481,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f67e8d94d9900242299bd","weight":0.20434,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ccd0e4de2002613d6c4","weight":0.20414,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.20394,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d5ee1df897100253e1938","weight":0.18983,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a509ee92770025dcee18","source":"ideaofintellection","title":"ソレノイド","excerpt":"ソレノイドとは電磁力を利用して、電気エネルギーを機械的運動に変換する機能部品です。 モータと同様なアクチュエータですが、構造・動作は単純で機械負荷を直接駆動できることが多く、装置全体をシンプルに構成することが可能です。","text":"ソレノイド\nソレノイドとは電磁力を利用して、電気エネルギーを機械的運動に変換する機能部品です。 モータと同様なアクチュエータですが、構造・動作は単純で機械負荷を直接駆動できることが多く、装置全体をシンプルに構成することが可能です。\n[https://scrapbox.io/files/6633a54016f69000235fa41d.png]\n\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BD%E3%83%AC%E3%83%8E%E3%82%A4%E3%83%89","updated":1722951219,"position":[-24.7792,-73.6158,66.2306],"cluster":"c04","subgroup":"c04.02","degree":12,"referenceDegree":0,"maxSimilarity":0.23683,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668261ccb0f3e0001d174a63","weight":0.23683,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c558c327cb5100255ff308","weight":0.23166,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af891602ab32001dccade0","weight":0.21792,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a3e716f69000235f9df8","weight":0.21406,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.21291,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2b1b06757a001d4263fa","weight":0.2108,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54ae8708597002535d050","weight":0.20639,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee4a9832d2000259ae99b","weight":0.20387,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a5d1f43bb80024cd8b60","source":"ideaofintellection","title":"Israel & イスラエル","excerpt":"[https://vimeo.com/333882403]","text":"Israel & イスラエル\n[https://scrapbox.io/files/66b3b44bcf2cb2001dc5bdde.png]\n\n[https://vimeo.com/333882403]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Israel%20%26%20%E3%82%A4%E3%82%B9%E3%83%A9%E3%82%A8%E3%83%AB","updated":1723053135,"position":[-10.9721,10.9684,11.0196],"cluster":"c07","subgroup":"c07.02","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312273631b1500241242cd","weight":0.24969,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c8969da4bb2001d7104ba","weight":0.21198,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a6577a47b800267506fa","source":"ideaofintellection","title":"alien intelligence","excerpt":"AI（人工知能）を中心としたテクノロジーを駆使した作品を制作。AIを「Artificial Intelligence」ではなく「Alien Intelligence」（異質な知性）としてとらえる","text":"alien intelligence\nAI（人工知能）を中心としたテクノロジーを駆使した作品を制作。AIを「Artificial Intelligence」ではなく「Alien Intelligence」（異質な知性）としてとらえる\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/alien%20intelligence","updated":1722951191,"position":[-16.0358,84.8516,31.1678],"cluster":"c16","subgroup":"c16.01","degree":4,"referenceDegree":0,"maxSimilarity":0.17819,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6951235843e804b5b57c8da9","weight":0.17819,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10fa95b1d6c42556455df","weight":0.11488,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.10678,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d56a9c444bc93ee6c9d3","weight":0.09248,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a6aa16c2060025ef99bd","source":"ideaofintellection","title":"タブラオ","excerpt":"タブラオはフラメンコショーが行われる場所であり、タブラオはフラメンコダンサーが踊るプラットフォームフロアに使用される用語です。","text":"タブラオ\nタブラオはフラメンコショーが行われる場所であり、タブラオはフラメンコダンサーが踊るプラットフォームフロアに使用される用語です。\n[https://scrapbox.io/files/6633a6c1bc2d0600254cd105.png]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BF%E3%83%96%E3%83%A9%E3%82%AA","updated":1722951181,"position":[48.8836,-48.9905,37.5429],"cluster":"c02","subgroup":"c02.03","degree":5,"referenceDegree":0,"maxSimilarity":0.15274,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a09649652149045063d02ed","weight":0.15274,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a37ac5e826ce001c7b0415","weight":0.12298,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b4e8761b6f0023a9a1a0","weight":0.11922,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65828c5f829aed002236e180","weight":0.09369,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b2804538eb00237f7830","weight":0.08793,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a6cdc3e5ba0024a4d8ea","source":"ideaofintellection","title":"タベルナ","excerpt":"タベルナはイタリア語で大衆食堂・居酒屋という意味を持ちます。 料理はトラットリアに近いものを提供しています。 中世あたりの古い時代からあるお店で、旅行者を対象にした飲食店として知られていました。","text":"タベルナ\nタベルナはイタリア語で大衆食堂・居酒屋という意味を持ちます。 料理はトラットリアに近いものを提供しています。 中世あたりの古い時代からあるお店で、旅行者を対象にした飲食店として知られていました。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BF%E3%83%99%E3%83%AB%E3%83%8A","updated":1722951140,"position":[-23.7693,37.1157,13.5916],"cluster":"c06","subgroup":"c06.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08592,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f78cd800fb7f001d14ccc8","weight":0.08592,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a6defb531b0024f0d472","source":"ideaofintellection","title":"不文律","excerpt":"文章の形をとっていない、きまり。","text":"不文律\n文章の形をとっていない、きまり。\n成文化されていないが、成文法に準ずる効力を持つ規則・習慣。\n比喩的に、暗黙の了解事項となっているきまり。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%8D%E6%96%87%E5%BE%8B","updated":1722923030,"position":[10.09,-76.7095,36.3415],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.10077,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65939714ca22e00023404a85","weight":0.10077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e370e05e3839001b53d950","weight":0.09531,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bdd52257d3c001c009ac4","weight":0.09231,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a70aca29410026635aec","source":"ideaofintellection","title":"トムホワイト perception","excerpt":"畳み込みニューラルネットワークの識別能力を用いて抽象画を描く","text":"トムホワイト perception\n畳み込みニューラルネットワークの識別能力を用いて抽象画を描く\n[https://scrapbox.io/files/6633a71e4538eb00237f4387.png]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%A0%E3%83%9B%E3%83%AF%E3%82%A4%E3%83%88%20perception","updated":1722923019,"position":[32.8484,40.2654,15.1594],"cluster":"c17","subgroup":"c17.01","degree":7,"referenceDegree":0,"maxSimilarity":0.27205,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65d79f571b9001b5fbb6c","weight":0.27205,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:662f6c4f910a0a002435b8ea","weight":0.2113,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd1065fdd8f002556baf7","weight":0.18292,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1bfffe04b2001b62993c","weight":0.17383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c230bb5d9c390024bccb57","weight":0.13886,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559a5dda0e111001ce3978a","weight":0.12959,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a8d29f50c09441d8069a511","weight":0.12574,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a7923462cc00257041d8","source":"ideaofintellection","title":"イメージの裏切り (The Treachery of Images)","excerpt":"1928年","text":"イメージの裏切り (The Treachery of Images)\n1928年\nルネ・マグリット\n[https://scrapbox.io/files/6633a7f1d559360024bb3a6d.png]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A4%E3%83%A1%E3%83%BC%E3%82%B8%E3%81%AE%E8%A3%8F%E5%88%87%E3%82%8A%20%28The%20Treachery%20of%20Images%29","updated":1722923004,"position":[-11.8387,10.0296,11.456],"cluster":"c07","subgroup":"c07.02","degree":10,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312273631b1500241242cd","weight":0.22187,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c8969da4bb2001d7104ba","weight":0.22017,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113f3fee64ef5381c98bf7","weight":0.12682,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a8175bda3600244da31c","source":"ideaofintellection","title":"見立て","excerpt":"見立てとは、 見て、選び定めること。 選定、鑑定 診断 なぞらえること。 対象を、他のものになぞらえて表現すること。 丸谷才一は山崎正和との対談『半日の客 一夜の友』は「日本人の見立て好き」を論じている。","text":"見立て\n[https://scrapbox.io/files/6633a830fb531b0024f0de37.png]\n\n見立てとは、 見て、選び定めること。 選定、鑑定 診断 なぞらえること。 対象を、他のものになぞらえて表現すること。 丸谷才一は山崎正和との対談『半日の客 一夜の友』は「日本人の見立て好き」を論じている。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%A6%8B%E7%AB%8B%E3%81%A6","updated":1722922994,"position":[-34.3324,31.8885,-116.9809],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0408,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6633a858c9387a00245facc3","source":"ideaofintellection","title":"鈴木廉広 ファスナー","excerpt":"2021年","text":"鈴木廉広 ファスナー\n[https://scrapbox.io/files/6633a8a2dc79960023bd2ee7.png]\n\n2021年\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E9%88%B4%E6%9C%A8%E5%BB%89%E5%BA%83%20%E3%83%95%E3%82%A1%E3%82%B9%E3%83%8A%E3%83%BC","updated":1722922980,"position":[-7.031,9.9849,12.7177],"cluster":"c07","subgroup":"c07.02","degree":9,"referenceDegree":0,"maxSimilarity":0.32706,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:669e48e91b0ddb001d180009","weight":0.32706,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:650771019f6394001baaa6d7","weight":0.23557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0be50275e002594c30c","weight":0.2108,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a8d0ec24f10024d632f3","source":"ideaofintellection","title":"アルタミラ洞窟","excerpt":"19世紀末にスペイン北部で偶然に発見されたアルタミラ洞窟壁画は1万数千年前に造形された先史時代を代表する芸術である． イノシシ，バイソン，ウマなどの動物を描く天井画のたしかなデッサン，色彩対比，ぼかしや線刻，巧みな陰影処理など，その絵画表現は人類の歴史上最高水準のものである．","text":"アルタミラ洞窟\n19世紀末にスペイン北部で偶然に発見されたアルタミラ洞窟壁画は1万数千年前に造形された先史時代を代表する芸術である． イノシシ，バイソン，ウマなどの動物を描く天井画のたしかなデッサン，色彩対比，ぼかしや線刻，巧みな陰影処理など，その絵画表現は人類の歴史上最高水準のものである．\n[https://scrapbox.io/files/6633a8e459c3c700241ad859.png]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%AB%E3%82%BF%E3%83%9F%E3%83%A9%E6%B4%9E%E7%AA%9F","updated":1722922967,"position":[-9.4153,11.9609,11.849],"cluster":"c07","subgroup":"c07.02","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312273631b1500241242cd","weight":0.23242,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d4044ab50900240560e7","weight":0.20744,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a953b4b1f90023be8472","source":"ideaofintellection","title":"adversarial examples","excerpt":"このような画像の作成が微小なノイズ（Adversarial Perturbation; 敵対的摂動）を足すだけで実現できることが報告され、そこから数々の研究が発表されています。","text":"adversarial examples\nこのような画像の作成が微小なノイズ（Adversarial Perturbation; 敵対的摂動）を足すだけで実現できることが報告され、そこから数々の研究が発表されています。\n[https://scrapbox.io/files/6633a96586930c0024d4ed75.png]\n#machinelearning\n","tags":["machinelearning"],"links":["machinelearning"],"url":"https://scrapbox.io/ideaofintellection/adversarial%20examples","updated":1723053311,"position":[32.5631,42.3801,14.1412],"cluster":"c17","subgroup":"c17.01","degree":9,"referenceDegree":0,"maxSimilarity":0.3167,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312ecba1fe800024f41b62","weight":0.3167,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c509c1e80d4d0026de7c91","weight":0.22912,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd1065fdd8f002556baf7","weight":0.2214,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312f0a0aaff20024eef38e","weight":0.21491,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d9d4631b15002417a61f","weight":0.21175,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0ce79e7200025f1d876","weight":0.20557,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6e804208b800259f474c","weight":0.20405,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd10d887c360024e112d4","weight":0.18601,"type":"similarity","reason":"共通タグ #machinelearning / 共通参照 machinelearning / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633a9ec81213e002471a2a6","source":"ideaofintellection","title":"剪定","excerpt":"剪定（せんてい）とは、樹木の枝を切り、形を整えたり、風通しを良くすること。","text":"剪定\n剪定（せんてい）とは、樹木の枝を切り、形を整えたり、風通しを良くすること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%89%AA%E5%AE%9A","updated":1722922940,"position":[-48.1331,6.3613,-131.3159],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05843,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6633aa07d61a250025d08a18","source":"ideaofintellection","title":"委譲","excerpt":"権限などを他の人や機関にゆずってまかせること。","text":"委譲\n権限などを他の人や機関にゆずってまかせること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%A7%94%E8%AD%B2","updated":1722922933,"position":[-40.4247,0.7028,-116.8677],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04809,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6633aaa916c2060025efb2d3","source":"ideaofintellection","title":"華やぐ","excerpt":"はなやかになる。はでになる。","text":"華やぐ\nはなやかになる。はでになる。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%8F%AF%E3%82%84%E3%81%90","updated":1722922915,"position":[-62.3069,18.4064,-151.555],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05588,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6633aac22784f000233df7cc","source":"ideaofintellection","title":"馬なし馬車","excerpt":"馬なし馬車は、自動車や自動車の初期の名前です。自動車が発明される前は、馬車は通常、動物、通常は馬によって引っ張られていました。この用語は、無線電話などの他の移行用語と比較できます。これらは、新しいテクノロジーにないものを説明することによって、新しいテクノロジーを古いテクノロジーと比較する場合です。","text":"馬なし馬車\n馬なし馬車は、自動車や自動車の初期の名前です。自動車が発明される前は、馬車は通常、動物、通常は馬によって引っ張られていました。この用語は、無線電話などの他の移行用語と比較できます。これらは、新しいテクノロジーにないものを説明することによって、新しいテクノロジーを古いテクノロジーと比較する場合です。\n#word\n\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%A6%AC%E3%81%AA%E3%81%97%E9%A6%AC%E8%BB%8A","updated":1722922905,"position":[46.9898,-53.6546,33.2738],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.12505,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.12505,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633ab9f405b350024108f70","source":"ideaofintellection","title":"ヘーゲル 歴史","excerpt":"ドイツの哲学者ヘーゲルの言葉に、次のような警句がある。 「歴史から学ぶことができるただ一つのことは、人間は歴史から何も学ばないということだ」。","text":"ヘーゲル 歴史\nドイツの哲学者ヘーゲルの言葉に、次のような警句がある。 「歴史から学ぶことができるただ一つのことは、人間は歴史から何も学ばないということだ」。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%83%BC%E3%82%B2%E3%83%AB%20%E6%AD%B4%E5%8F%B2","updated":1722922893,"position":[18.8782,85.1465,-2.3576],"cluster":"c22","subgroup":"c22.01","degree":4,"referenceDegree":0,"maxSimilarity":0.30543,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a0187356f71001caa81f4","weight":0.30543,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a01a4406163001bc3d116","weight":0.26169,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6821e03c07e1bb01232fd4b1","weight":0.12384,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64d4d967a6fc51001cf11385","weight":0.09462,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633abc0d61a250025d09425","source":"ideaofintellection","title":"パドルアウト","excerpt":"沖のピークに向けてパドルで波を越えて出て行くこと。","text":"パドルアウト\n沖のピークに向けてパドルで波を越えて出て行くこと。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%83%89%E3%83%AB%E3%82%A2%E3%82%A6%E3%83%88","updated":1722922882,"position":[-64.1358,40.1504,-112.4342],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1914,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:659219a04cabe70025f4a6a0","weight":0.1914,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633ad3e4bc89600245bf4e3","source":"ideaofintellection","title":"surf on entropy","excerpt":"エントロピーをサーフィンする. ブライアン・イーノがインタビューで語った「surf on entropy」","text":"surf on entropy\nエントロピーをサーフィンする. ブライアン・イーノがインタビューで語った「surf on entropy」\n完全に制御された状態（コスモス）と果てしないカオスの中間にあるものがもっとも興味深くなるということでした。主体と客体が入れ替わり可能で、能動と受動のどちらでもあり、コントロールできることとコントロールできないことが同時にある場所。イーノが「surf on entropy」という言葉で伝えたかったのは、その場所で発生するエントロピーをサーフィンするように乗りこなす身体感覚だったのだと思います。\n\n[https://scrapbox.io/files/6633ad6f4bc89600245bf61f.png]\n\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/surf%20on%20entropy","updated":1722922866,"position":[49.6049,-50.0433,34.8958],"cluster":"c02","subgroup":"c02.02","degree":9,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e7150d15000239418af","weight":0.23574,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971f668d34d0024b0c1af","weight":0.22947,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f03820bb53f10024489df4","weight":0.21941,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66338a723c96cf0024eebca4","weight":0.21408,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d828a40253002425cfa1","weight":0.21147,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1be7e7b62b20025f2e80b","weight":0.20764,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0ad011a53d001ce2a677","weight":0.10262,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633ad8b5f66080023b3b747","source":"ideaofintellection","title":"ジョン・マッカーシー","excerpt":"ジョン・マッカーシーは、アメリカ合衆国の計算機科学者で認知科学者。マービン・ミンスキーとならぶ初期の人工知能研究の第一人者。1955年に提出した提案書で初めて「人工知能」という用語を使用した。また、ALGOL言語の設計に触発され、LISPというプログラミング言語を開発し、タイムシェアリングの概念を一般化させた。サーフィンを好んだ","text":"ジョン・マッカーシー\nジョン・マッカーシーは、アメリカ合衆国の計算機科学者で認知科学者。マービン・ミンスキーとならぶ初期の人工知能研究の第一人者。1955年に提出した提案書で初めて「人工知能」という用語を使用した。また、ALGOL言語の設計に触発され、LISPというプログラミング言語を開発し、タイムシェアリングの概念を一般化させた。サーフィンを好んだ\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A7%E3%83%B3%E3%83%BB%E3%83%9E%E3%83%83%E3%82%AB%E3%83%BC%E3%82%B7%E3%83%BC","updated":1722922855,"position":[-15.3211,-14.6943,-22.779],"cluster":"c11","subgroup":"c11.01","degree":5,"referenceDegree":0,"maxSimilarity":0.15089,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662bd0b655535700246ee957","weight":0.15089,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c2159227944f4a38d7cbe","weight":0.11935,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631da6e0173410025989a29","weight":0.10293,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.09565,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cee3f12c0c22002566e469","weight":0.08871,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633b2804538eb00237f7830","source":"ideaofintellection","title":"フラメンコ コンパス","excerpt":"コンパスというのは、基本のリズムにいくつかのリズムパターンが組み合わさってできているフラメンコ特有のリズムのことです。 コンパスによって、ギター、カンテ（歌）、踊りが結ばれます。","text":"フラメンコ コンパス\nコンパスというのは、基本のリズムにいくつかのリズムパターンが組み合わさってできているフラメンコ特有のリズムのことです。 コンパスによって、ギター、カンテ（歌）、踊りが結ばれます。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%A9%E3%83%A1%E3%83%B3%E3%82%B3%20%E3%82%B3%E3%83%B3%E3%83%91%E3%82%B9","updated":1722922793,"position":[48.9949,-49.9345,36.0148],"cluster":"c02","subgroup":"c02.02","degree":12,"referenceDegree":0,"maxSimilarity":0.48121,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633b4e8761b6f0023a9a1a0","weight":0.48121,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b33433ca160023df08a1","weight":0.43943,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f41d74aefa2b00246117ab","weight":0.336,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a38bfa0a7b0023062b89","weight":0.28751,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.24609,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24193,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31b78044f410025896169","weight":0.2362,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e60188005001cefb883","weight":0.22399,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633b33433ca160023df08a1","source":"ideaofintellection","title":"フラメンコ シギリーシャ","excerpt":"シギリージャの踊りはまるでカンテに応えるように、とても深みがあり重厚である。一方ギターは控えめで、悲壮で儀式的であり、容易な飾り付けをしないで演奏される。","text":"フラメンコ シギリーシャ\nシギリージャの踊りはまるでカンテに応えるように、とても深みがあり重厚である。一方ギターは控えめで、悲壮で儀式的であり、容易な飾り付けをしないで演奏される。\n\n[https://www.youtube.com/watch?v=fxxl9gE2wAo]\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%A9%E3%83%A1%E3%83%B3%E3%82%B3%20%E3%82%B7%E3%82%AE%E3%83%AA%E3%83%BC%E3%82%B7%E3%83%A3","updated":1722922774,"position":[49.0047,-49.8281,35.541],"cluster":"c02","subgroup":"c02.02","degree":8,"referenceDegree":0,"maxSimilarity":0.43943,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633b2804538eb00237f7830","weight":0.43943,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b4e8761b6f0023a9a1a0","weight":0.42931,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a38bfa0a7b0023062b89","weight":0.2765,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.23044,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cedfcbcd47500024cfba45","weight":0.21498,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66338a723c96cf0024eebca4","weight":0.21431,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee84a69b1ef4001d8f4438","weight":0.21252,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633b49d9a60d70024bd2795","source":"ideaofintellection","title":"アーノルド・シェーンバーグ","excerpt":"アルノルト・フランツ・ヴァルター・シェーンベルク（Arnold Franz Walter Schönberg, 1874年9月13日 - 1951年7月13日）は、オーストリアの作曲家、指揮者、教育者。 調性音楽を脱し無調に入り、「十二音技法」を創始したことで知られる。","text":"アーノルド・シェーンバーグ\nアルノルト・フランツ・ヴァルター・シェーンベルク（Arnold Franz Walter Schönberg, 1874年9月13日 - 1951年7月13日）は、オーストリアの作曲家、指揮者、教育者。 調性音楽を脱し無調に入り、「十二音技法」を創始したことで知られる。\n[https://scrapbox.io/files/6633b4ac16c2060025efe4db.png]\n\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%BC%E3%83%8E%E3%83%AB%E3%83%89%E3%83%BB%E3%82%B7%E3%82%A7%E3%83%BC%E3%83%B3%E3%83%90%E3%83%BC%E3%82%B0","updated":1722922761,"position":[49.5904,-50.7663,33.8583],"cluster":"c02","subgroup":"c02.02","degree":13,"referenceDegree":0,"maxSimilarity":0.25019,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312744561af50023ac0100","weight":0.25019,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee8293fa4f38001dbb9a18","weight":0.22104,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66798761c0d349001d59b25e","weight":0.21778,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d919642dbe00242ef4ff","weight":0.21776,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66338a723c96cf0024eebca4","weight":0.21622,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.2128,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667948201426b4001cc4402c","weight":0.21072,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6633b4e8761b6f0023a9a1a0","source":"ideaofintellection","title":"フラメンコ ブレリア","excerpt":"明るく、にぎやかで陽気な曲です。 早いテンポと力強いリズムが特徴で、他の曲よりも手拍子、掛け声がよく似合う曲です。 ブレリアはフラメンコのお祭り騒ぎの締めくくりの踊りとして用いられることが多いです（半円になって、一人ずつ前に出て音楽の一部を踊る）。","text":"フラメンコ ブレリア\n\n明るく、にぎやかで陽気な曲です。 早いテンポと力強いリズムが特徴で、他の曲よりも手拍子、掛け声がよく似合う曲です。 ブレリアはフラメンコのお祭り騒ぎの締めくくりの踊りとして用いられることが多いです（半円になって、一人ずつ前に出て音楽の一部を踊る）。\n#Sound\n","tags":["Sound"],"links":["Sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%A9%E3%83%A1%E3%83%B3%E3%82%B3%20%E3%83%96%E3%83%AC%E3%83%AA%E3%82%A2","updated":1722921545,"position":[48.9122,-49.7213,35.8145],"cluster":"c02","subgroup":"c02.02","degree":10,"referenceDegree":0,"maxSimilarity":0.48121,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633b2804538eb00237f7830","weight":0.48121,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b33433ca160023df08a1","weight":0.42931,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a38bfa0a7b0023062b89","weight":0.30664,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.23802,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee01fca852100255de2a4","weight":0.22843,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","weight":0.22479,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1d9b2e65f1c00241a3e2b","weight":0.21996,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66471de9675d91001c2cf435","source":"ideaofintellection","title":"カイラル乱流、カイラリティー","excerpt":"左巻きのみのニュートリノ","text":"カイラル乱流、カイラリティー\n左巻きのみのニュートリノ\n宇宙の進化と関係している？\nhttps://www2.kek.jp/imss/cmrc/other/workshop20190114/16-6_yamamoto.pdf\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%82%A4%E3%83%A9%E3%83%AB%E4%B9%B1%E6%B5%81%E3%80%81%E3%82%AB%E3%82%A4%E3%83%A9%E3%83%AA%E3%83%86%E3%82%A3%E3%83%BC","updated":1722921532,"position":[-24.0309,-72.981,64.8953],"cluster":"c04","subgroup":"c04.02","degree":11,"referenceDegree":0,"maxSimilarity":0.42796,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9f213ac50e1ad4b3c40e7","weight":0.42796,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ce05e83ba0025e0c121","weight":0.32431,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ccd0e4de2002613d6c4","weight":0.29793,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65caaf34daea0b0024cc77e4","weight":0.28024,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3dae5f438c001c44252a","weight":0.21207,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.21045,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee4a9832d2000259ae99b","weight":0.20828,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f67e8d94d9900242299bd","weight":0.20686,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66472e2ec5d8e9001cfde1b3","source":"ideaofintellection","title":"フォノン（phonon）","excerpt":"固体における原子振動を量子化することによって現れるエネルギー量子。 比熱や熱伝導はフォノン間の相互作用として、金属の電気抵抗や低温での超伝導はフォノンと電子との相互作用として説明される。 音響量子。 音子。","text":"フォノン（phonon）\n固体における原子振動を量子化することによって現れるエネルギー量子。 比熱や熱伝導はフォノン間の相互作用として、金属の電気抵抗や低温での超伝導はフォノンと電子との相互作用として説明される。 音響量子。 音子。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A9%E3%83%8E%E3%83%B3%EF%BC%88phonon%EF%BC%89","updated":1722921518,"position":[-25.3001,-76.9021,68.8285],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10492,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65cabe03e38001b18e49c","weight":0.10492,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a012f1e5425001b3c841a","weight":0.0863,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:664aeeace0dc3b001c00cd6b","source":"ideaofintellection","title":"Cat palys piano","excerpt":"#word","text":"Cat palys piano\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/Cat%20palys%20piano","updated":1722921500,"position":[37.9153,119.9613,64.4559],"cluster":"c31","subgroup":"c31.01","degree":3,"referenceDegree":0,"maxSimilarity":0.42216,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65c040cb78c0bd0024547cb4","weight":0.42216,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b110413bfa4b87ee46a064","weight":0.25135,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c8a7cbbc528b7c41945f8b","weight":0.09653,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:664f27b9770624001d2c03f0","source":"ideaofintellection","title":"groove 報酬 2つの回路","excerpt":"wanting to move","text":"groove 報酬 2つの回路\nwanting to move\nPlesureble\n\n側坐核、びじょうかく　報酬そのもの 経験\n\n基底核　期待（予測）ありの報酬groove間\nモータの予測とはまた別？\n黒質でのドーパミンはどっちに含まれるか？えたにさんの議論\n\n2011 salimpoor\n\nwanting to move の回路。報酬はまた違う回路がある。\n[https://scrapbox.io/files/664f28786275cc001c11f35a.png]\n[https://scrapbox.io/files/664f28ed6275cc001c11f58d.png]\n[https://scrapbox.io/files/664f290d5f3b7d001d50d296.png]\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/groove%20%E5%A0%B1%E9%85%AC%202%E3%81%A4%E3%81%AE%E5%9B%9E%E8%B7%AF","updated":1722921490,"position":[-43.3634,-25.9278,78.3127],"cluster":"c28","subgroup":"c28.01","degree":7,"referenceDegree":0,"maxSimilarity":0.33451,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65e1268894910f0025c3f19d","weight":0.33451,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.26376,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.25158,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.2344,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af14395ef4c4001c4416f0","weight":0.20729,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66552d245f9d58002253cae0","weight":0.20567,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dad4ca7784720024209025","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6652ff79846d48001d8482f1","source":"ideaofintellection","title":"視覚知","excerpt":"#word","text":"視覚知\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%A6%96%E8%A6%9A%E7%9F%A5","updated":1722921475,"position":[20.8761,102.3521,60.5354],"cluster":"c19","subgroup":"c19.01","degree":3,"referenceDegree":0,"maxSimilarity":0.2265,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6693a7485b4875001d73d6bb","weight":0.2265,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c21a6ee3d0c00024c71797","weight":0.14903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65938737e959090026da3e3c","weight":0.12905,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66530413e892de001c67d19c","source":"ideaofintellection","title":"海馬は感情と記憶","excerpt":"https://pubmed.ncbi.nlm.nih.gov/25891321/","text":"海馬は感情と記憶\nhttps://pubmed.ncbi.nlm.nih.gov/25891321/\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E6%B5%B7%E9%A6%AC%E3%81%AF%E6%84%9F%E6%83%85%E3%81%A8%E8%A8%98%E6%86%B6","updated":1722921462,"position":[-43.407,-26.6668,79.2402],"cluster":"c28","subgroup":"c28.01","degree":7,"referenceDegree":0,"maxSimilarity":0.24507,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65dad4ca7784720024209025","weight":0.24507,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6a798a9c13001d16966b","weight":0.20995,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.20736,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dd0bd7f2dbd400249b6424","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1268894910f0025c3f19d","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66552c6192022d001cc62644","source":"ideaofintellection","title":"コホート","excerpt":"コホート研究」とは、あるグループを追跡して、病気の発生などの健康状態の変化を調べる研究のこと。 コホートとは、そもそもラテン語で「数百人の兵隊の単位」を示す言葉であり、「集団」を意味する。 横断研究ではなく、時間的な経過を追う縦断研究の1種である。","text":"コホート\nコホート研究」とは、あるグループを追跡して、病気の発生などの健康状態の変化を調べる研究のこと。 コホートとは、そもそもラテン語で「数百人の兵隊の単位」を示す言葉であり、「集団」を意味する。 横断研究ではなく、時間的な経過を追う縦断研究の1種である。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%9B%E3%83%BC%E3%83%88","updated":1722921258,"position":[-37.5657,54.399,25.2162],"cluster":"c06","subgroup":"c06.02","degree":2,"referenceDegree":0,"maxSimilarity":0.85299,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65aa233fdc6f2400255d7a89","weight":0.85299,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:665850a05e2728001de313be","weight":0.26232,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66552d00ebe738001d081982","source":"ideaofintellection","title":"岡ノ谷さん GABA","excerpt":"https://journals.lww.com/neuroreport/abstract/2018/12010/reduced___aminobutyric_acid_in_the_superior.10.aspx","text":"岡ノ谷さん GABA\nhttps://journals.lww.com/neuroreport/abstract/2018/12010/reduced___aminobutyric_acid_in_the_superior.10.aspx\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E5%B2%A1%E3%83%8E%E8%B0%B7%E3%81%95%E3%82%93%20GABA","updated":1722921242,"position":[-43.6463,-25.7048,78.8068],"cluster":"c28","subgroup":"c28.01","degree":7,"referenceDegree":0,"maxSimilarity":0.24705,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66552d245f9d58002253cae0","weight":0.24705,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dad4ca7784720024209025","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dd0bd7f2dbd400249b6424","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1268894910f0025c3f19d","weight":0.2,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66552d245f9d58002253cae0","source":"ideaofintellection","title":"本多栞さん グルタミン酸","excerpt":"https://www.frontiersin.org/articles/10.3389/fnins.2023.1196805/pdf","text":"本多栞さん グルタミン酸\nhttps://www.frontiersin.org/articles/10.3389/fnins.2023.1196805/pdf\n興奮性の神経伝達物質\nGABAは血液脳関門を通過できないため、神経細胞内でグルタミン酸からグルタミン酸脱炭酸酵素(GAD)によって生合成される。\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E6%9C%AC%E5%A4%9A%E6%A0%9E%E3%81%95%E3%82%93%20%E3%82%B0%E3%83%AB%E3%82%BF%E3%83%9F%E3%83%B3%E9%85%B8","updated":1722921225,"position":[-43.851,-25.9208,78.2906],"cluster":"c28","subgroup":"c28.01","degree":7,"referenceDegree":0,"maxSimilarity":0.24705,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66552d00ebe738001d081982","weight":0.24705,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.23084,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1268894910f0025c3f19d","weight":0.22063,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 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tunnel\nhttps://aoyama-tunnel.com\n#place\n","tags":["place"],"links":["place"],"url":"https://scrapbox.io/ideaofintellection/Aoyama%20tunnel","updated":1722921211,"position":[-70.4175,-7.8842,40.4729],"cluster":"c35","subgroup":"c35.01","degree":4,"referenceDegree":0,"maxSimilarity":0.2,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667e8897a66acb001c19343c","weight":0.2,"type":"similarity","reason":"共通タグ #place / 共通参照 place / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680d3eb109565001d40942d","weight":0.2,"type":"similarity","reason":"共通タグ #place / 共通参照 place / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66b0b572eab5f6001cb3c0ec","weight":0.1839,"type":"similarity","reason":"共通タグ #place / 共通参照 place / 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ableton製作者, france label, geek\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AD%E3%83%90%E3%83%BC%E3%83%88%E3%83%98%E3%83%B3%E3%82%B1","updated":1722921142,"position":[48.9893,-50.6115,34.2854],"cluster":"c02","subgroup":"c02.02","degree":10,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f668ffb6d2400239ce545","weight":0.22591,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66338a723c96cf0024eebca4","weight":0.21437,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e7f215622001e3f98e1","weight":0.21163,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 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satie\n「音楽界の異端児」「音楽界の変わり者」の異名で知られる。ドビュッシーやラヴェルに影響を与えた。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/erik%20satie","updated":1722921127,"position":[13.6211,-52.1501,66.1794],"cluster":"c12","subgroup":"c12.01","degree":9,"referenceDegree":0,"maxSimilarity":0.89443,"lowEvidence":false,"neighbors":[{"id":"NextResearch:656cb2c59ad4360024c714d0","weight":0.89443,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986cdf1ef853faef61c4421","weight":0.33755,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6986ce2c308539201b0bd26a","weight":0.28769,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.22491,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d919642dbe00242ef4ff","weight":0.21946,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b49d9a60d70024bd2795","weight":0.21778,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cbe44b5a98d0024d45846","weight":0.1585,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6679b0cfb1dc28001d11b1ea","source":"ideaofintellection","title":"無手勝流","excerpt":"むてかつりゅう","text":"無手勝流\nむてかつりゅう\n【無手勝流】\n1.\n戦わないで勝つことを理想とする流儀。\n2.\n自分勝手の流儀。自己流。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%84%A1%E6%89%8B%E5%8B%9D%E6%B5%81","updated":1722921118,"position":[-49.1354,20.3,-98.9847],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12365,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65b78456b471c2002359b90e","weight":0.12365,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6679b125cfc7ba001d9d8ea0","source":"ideaofintellection","title":"公徳心","excerpt":"公徳を重んじて守ろうとする精神","text":"公徳心\n公徳を重んじて守ろうとする精神\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%85%AC%E5%BE%B3%E5%BF%83","updated":1722921110,"position":[26.5603,-1.7576,-13.9668],"cluster":"c18","subgroup":"c18.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14501,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:687fd5d6d6c39e58ae86d9a1","weight":0.14501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5561c27cb5100255fe98f","weight":0.10607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6679b17b522096001d656ca4","source":"ideaofintellection","title":"果が行く はかがゆく","excerpt":"仕事などが順調に進む。 効果があがる。 はかどる。","text":"果が行く はかがゆく\n仕事などが順調に進む。 効果があがる。 はかどる。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%9E%9C%E3%81%8C%E8%A1%8C%E3%81%8F%20%E3%81%AF%E3%81%8B%E3%81%8C%E3%82%86%E3%81%8F","updated":1722921103,"position":[-56.0879,26.4855,-125.7118],"cluster":"c49","subgroup":"c49.01","degree":3,"referenceDegree":0,"maxSimilarity":0.1675,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:66af90a2e41c65001d992674","weight":0.1675,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6682603349afdc001d5dfd96","weight":0.11381,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659395ec518822002466538a","weight":0.11165,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6679b1c2706bb5001db5d31f","source":"ideaofintellection","title":"蒐　あかね","excerpt":"死者の血のあとに生えると言い伝えられる草","text":"蒐　あかね\n死者の血のあとに生えると言い伝えられる草\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%92%90%E3%80%80%E3%81%82%E3%81%8B%E3%81%AD","updated":1722921096,"position":[-17.4321,-212.3618,76.5363],"cluster":"c46","subgroup":"c46.01","degree":3,"referenceDegree":0,"maxSimilarity":0.28953,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559da10fae697001b59a92f","weight":0.28953,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e44441d0cf7e001bcc9f52","weight":0.1786,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e702593aa40001d87f44d","weight":0.08533,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6679b1ffa6e3fa001d2429e8","source":"ideaofintellection","title":"蒐集　しゅうしゅう","excerpt":"ある種の物をいろいろ集めること。","text":"蒐集　しゅうしゅう\nある種の物をいろいろ集めること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%92%90%E9%9B%86%E3%80%80%E3%81%97%E3%82%85%E3%81%86%E3%81%97%E3%82%85%E3%81%86","updated":1722921088,"position":[-55.3306,29.4737,-93.0082],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06646,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6679b247014832001dcaaa8d","source":"ideaofintellection","title":"校了ゲラ","excerpt":"ゲラとは、誤字・脱字、表現の揺れやデザイン上の不備などのチェック（校正）が完了した紙面を指し、「校了紙」とも言います。","text":"校了ゲラ\nゲラとは、誤字・脱字、表現の揺れやデザイン上の不備などのチェック（校正）が完了した紙面を指し、「校了紙」とも言います。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%A0%A1%E4%BA%86%E3%82%B2%E3%83%A9","updated":1722921078,"position":[-33.5328,31.9939,-144.1981],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06955,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6679b2797192f2001c233393","source":"ideaofintellection","title":"刺戟 しげき","excerpt":"生物・心理","text":"刺戟 しげき\n生物・心理\n生物、またその感覚器官に作用してその状態を変化あるいは興奮させ、何らかの反応を起こさせること。また起こさせるもの。\n「脳を―する」\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%88%BA%E6%88%9F%20%E3%81%97%E3%81%92%E3%81%8D","updated":1722921070,"position":[-30.432,26.752,-102.6142],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08684,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64cb176c318387001b2be376","weight":0.08684,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6679b2c28c1705001c6611c0","source":"ideaofintellection","title":"セレンディピティの由来","excerpt":"は、イギリスの政治家にして小説家であるホレス・ウォルポールが1754年に生み出した造語であり、彼が子供のときに読んだ『セレンディップの3人の王子 (The Three Princes of Serendip)』という童話にちなんだものである。","text":"セレンディピティの由来\nは、イギリスの政治家にして小説家であるホレス・ウォルポールが1754年に生み出した造語であり、彼が子供のときに読んだ『セレンディップの3人の王子 (The Three Princes of Serendip)』という童話にちなんだものである。\nセレンディップの3人の王子 (The Three Princes of Serendip)』という童話にちなんだものである。セレンディップとはセイロン島、現在のスリランカのこと\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BB%E3%83%AC%E3%83%B3%E3%83%87%E3%82%A3%E3%83%94%E3%83%86%E3%82%A3%E3%81%AE%E7%94%B1%E6%9D%A5","updated":1722921063,"position":[3.3299,-78.2476,36.5142],"cluster":"c01","subgroup":"c01.01","degree":3,"referenceDegree":0,"maxSimilarity":0.44075,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b18a86ddf7f001c1b8f16","weight":0.44075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e19b79da8d001dac207b","weight":0.3235,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1400e5af070ee9c3be2dad","weight":0.08665,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6679b38910dbc9001ca634eb","source":"ideaofintellection","title":"残曳 ざんえい","excerpt":"消えていったもののなごり。","text":"残曳 ざんえい\n消えていったもののなごり。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%AE%8B%E6%9B%B3%20%E3%81%96%E3%82%93%E3%81%88%E3%81%84","updated":1722921048,"position":[-20.9343,47.4092,30.8129],"cluster":"c06","subgroup":"c06.02","degree":2,"referenceDegree":0,"maxSimilarity":0.28874,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667a11829d88bd001d6c4c08","weight":0.28874,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593911d13ab1e0024579828","weight":0.19077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6679b3eee02e0d001c745f60","source":"ideaofintellection","title":"琴の六段の調べ","excerpt":"筝曲「六段の調」は，日本の音楽の特徴である「序破急」や「間」を知覚 することができる曲である。 また，曲中にさまざまな奏法が使われているため，音色に着目しやすい。","text":"琴の六段の調べ\n筝曲「六段の調」は，日本の音楽の特徴である「序破急」や「間」を知覚 することができる曲である。 また，曲中にさまざまな奏法が使われているため，音色に着目しやすい。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%90%B4%E3%81%AE%E5%85%AD%E6%AE%B5%E3%81%AE%E8%AA%BF%E3%81%B9","updated":1722921040,"position":[51.1375,-49.2516,35.78],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.14644,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cedf4ce9f5100024deee8b","weight":0.14644,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6679b471f55b5b001cd2b14b","source":"ideaofintellection","title":"インパーソナルセオリー","excerpt":"「インパーソナルセオリー」（Impersonal Theory）とは、「没個性説」と言われているもの。","text":"インパーソナルセオリー\n「インパーソナルセオリー」（Impersonal Theory）とは、「没個性説」と言われているもの。\n個性は触媒にする。\nT•S エリオット\n芸術の発達は不断の自己犠牲であり不断の個性の消滅。芸術とは脱個性化。\n自己より価値のあるものへの服従。\n個性は触媒にする。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A4%E3%83%B3%E3%83%91%E3%83%BC%E3%82%BD%E3%83%8A%E3%83%AB%E3%82%BB%E3%82%AA%E3%83%AA%E3%83%BC","updated":1722921031,"position":[-40.5802,42.5587,-141.9913],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06711,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6679b4d04a90f9001d987ee6","source":"ideaofintellection","title":"活潑","excerpt":"元気で勢いがいいさま。","text":"活潑\n元気で勢いがいいさま。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%B4%BB%E6%BD%91","updated":1722921019,"position":[0.1356,-76.0544,35.4292],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.17191,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67b43e0721e28766d4caa7d7","weight":0.17191,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6679b4ebf8af67001c0135d9","source":"ideaofintellection","title":"全体は部分の総和にあらず","excerpt":"非線形力学","text":"全体は部分の総和にあらず\n非線形力学\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%85%A8%E4%BD%93%E3%81%AF%E9%83%A8%E5%88%86%E3%81%AE%E7%B7%8F%E5%92%8C%E3%81%AB%E3%81%82%E3%82%89%E3%81%9A","updated":1722921008,"position":[18.2747,-68.3393,-0.7097],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.25535,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64cb57003dd10d001c1caee8","weight":0.25535,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c62839f6f040001b689d02","weight":0.11114,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667a11829d88bd001d6c4c08","source":"ideaofintellection","title":"雲散霧消","excerpt":"雲や霧が消えてしまうように、物事が一度に消えてなくなること。","text":"雲散霧消\n雲や霧が消えてしまうように、物事が一度に消えてなくなること。\n 「悩みが―した」\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%9B%B2%E6%95%A3%E9%9C%A7%E6%B6%88","updated":1722920991,"position":[-19.3696,46.8378,31.1944],"cluster":"c06","subgroup":"c06.02","degree":3,"referenceDegree":0,"maxSimilarity":0.28874,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6679b38910dbc9001ca634eb","weight":0.28874,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66825f0a4594f7001c8377a1","weight":0.12426,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593911d13ab1e0024579828","weight":0.08813,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667a11cd2143e5001c2b397c","source":"ideaofintellection","title":"額縁物語","excerpt":"導入部の物語を外枠として、その内側に、短い物語を埋め込んでいく入れ子構造の物語形式である。 大きな物語の中に異なる短編小説などが次々と語られるこの技法で描かれた小説を「額縁小説」とも呼ぶこともある。","text":"額縁物語\n導入部の物語を外枠として、その内側に、短い物語を埋め込んでいく入れ子構造の物語形式である。 大きな物語の中に異なる短編小説などが次々と語られるこの技法で描かれた小説を「額縁小説」とも呼ぶこともある。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%A1%8D%E7%B8%81%E7%89%A9%E8%AA%9E","updated":1722920971,"position":[-30.6687,40.9159,-130.3712],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04707,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:667a11f070a9d1001d937f95","source":"ideaofintellection","title":"調和折衷","excerpt":"相異なる哲学・思想体系のうちから真理あるいは長所と思われるものを抽出し、折衷・調和させて新しい体系を作る","text":"調和折衷\n相異なる哲学・思想体系のうちから真理あるいは長所と思われるものを抽出し、折衷・調和させて新しい体系を作る\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%AA%BF%E5%92%8C%E6%8A%98%E8%A1%B7","updated":1722920959,"position":[-27.2618,7.2725,-114.2975],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0805,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:667a1255f1d348001c7b6c9d","source":"ideaofintellection","title":"訓詁の学問","excerpt":"訓詁学（くんこがく）または訓詁とは、主に儒学の下位分野で、儒教の経典（経書）に出てくる難解な語句の意味を解釈・説明する行為をさす。 具体的には、経典の注釈書を著したり、経典の言語（古代漢語）の辞書を編纂したりする行為をさす。","text":"訓詁の学問\n訓詁学（くんこがく）または訓詁とは、主に儒学の下位分野で、儒教の経典（経書）に出てくる難解な語句の意味を解釈・説明する行為をさす。 具体的には、経典の注釈書を著したり、経典の言語（古代漢語）の辞書を編纂したりする行為をさす。\n#word \n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%A8%93%E8%A9%81%E3%81%AE%E5%AD%A6%E5%95%8F","updated":1722920944,"position":[-36.1352,18.2279,-97.1607],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07602,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:667e6a798a9c13001d16966b","source":"ideaofintellection","title":"脳も自由エネルギー原理","excerpt":"最近感情を含む脳の多くの機能を捉えるための大統一理論が提案されました。 それが「自由エネルギー原理」と呼ばれる理論です。 人間や動物の脳がヘルムホルツの自由エネルギーを最小化するように働くことで、知覚、認知、注意、運動などが適切に機能しているという理論です。","text":"脳も自由エネルギー原理\n最近感情を含む脳の多くの機能を捉えるための大統一理論が提案されました。 それが「自由エネルギー原理」と呼ばれる理論です。 人間や動物の脳がヘルムホルツの自由エネルギーを最小化するように働くことで、知覚、認知、注意、運動などが適切に機能しているという理論です。\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E8%84%B3%E3%82%82%E8%87%AA%E7%94%B1%E3%82%A8%E3%83%8D%E3%83%AB%E3%82%AE%E3%83%BC%E5%8E%9F%E7%90%86","updated":1722920899,"position":[-43.7132,-27.6866,78.9608],"cluster":"c28","subgroup":"c28.01","degree":11,"referenceDegree":0,"maxSimilarity":0.58176,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655642c59efbd7001cfe03c9","weight":0.58176,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668261ccb0f3e0001d174a63","weight":0.41652,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66530413e892de001c67d19c","weight":0.20995,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.2083,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31dc4574ef500241dd9a5","weight":0.20728,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d7983f0c730024ad454d","weight":0.20622,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668e25a77c5da7001d3ea051","weight":0.20401,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3092bcd48d001dd05bae","weight":0.20303,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e6b1baac46f001c052de1","source":"ideaofintellection","title":"十字架音程","excerpt":"バッハの平均律クラヴィーア曲集第２巻から、イ短調のフーガです。ジグザグに動く４つの音符を結ぶと、楽譜に十字架が現れます。写真で赤い線で結んだのがそれで、「十字架の音型」と呼ばれています。","text":"十字架音程\nバッハの平均律クラヴィーア曲集第２巻から、イ短調のフーガです。ジグザグに動く４つの音符を結ぶと、楽譜に十字架が現れます。写真で赤い線で結んだのがそれで、「十字架の音型」と呼ばれています。\n[https://scrapbox.io/files/667e6b46ff00ed001d857733.jpeg]\n\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E5%8D%81%E5%AD%97%E6%9E%B6%E9%9F%B3%E7%A8%8B","updated":1722890139,"position":[49.2756,-49.646,34.9293],"cluster":"c02","subgroup":"c02.02","degree":9,"referenceDegree":0,"maxSimilarity":0.24143,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24143,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312744561af50023ac0100","weight":0.21704,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e7f215622001e3f98e1","weight":0.21686,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7434355300001cbfa006","weight":0.21135,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971ad970fe70025ea4a20","weight":0.21084,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971f668d34d0024b0c1af","weight":0.20835,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.20787,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cedf4ce9f5100024deee8b","weight":0.20681,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e6b8fe99e46001dc1a24f","source":"ideaofintellection","title":"連合記憶","excerpt":"つながり暗記は「連合記憶」と呼ばれ、覚えたいことをすでにある脳内の情報と結びつけて覚える方法のこと。 今まで蓄えた脳内にある情報に語呂合わせやイメージなどその記憶と結びつけて覚えるため覚えなければならない情報は激減し、効率的に記憶できるといいます。","text":"連合記憶\nつながり暗記は「連合記憶」と呼ばれ、覚えたいことをすでにある脳内の情報と結びつけて覚える方法のこと。 今まで蓄えた脳内にある情報に語呂合わせやイメージなどその記憶と結びつけて覚えるため覚えなければならない情報は激減し、効率的に記憶できるといいます。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%80%A3%E5%90%88%E8%A8%98%E6%86%B6","updated":1722890120,"position":[-46.8325,48.7677,-108.9544],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07037,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:667e6c2edb42ab001d7bfa3a","source":"ideaofintellection","title":"篤学 とくがく","excerpt":"学問に熱心なこと。","text":"篤学 とくがく\n学問に熱心なこと。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%AF%A4%E5%AD%A6%20%E3%81%A8%E3%81%8F%E3%81%8C%E3%81%8F","updated":1722890101,"position":[-15.4147,23.134,52.302],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10662,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64be4d3dc65cc5001cae6095","weight":0.10662,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e6c6a7c6f31001cf47eea","source":"ideaofintellection","title":"冥冥 めいめい","excerpt":"暗いさま。目に見えないこと。","text":"冥冥 めいめい\n暗いさま。目に見えないこと。\n事情がはっきりしないさま。\n 「―の裡(うち)」（知らず知らずの間）\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%86%A5%E5%86%A5%20%E3%82%81%E3%81%84%E3%82%81%E3%81%84","updated":1722890092,"position":[-15.7113,22.9316,54.3596],"cluster":"c09","subgroup":"c09.02","degree":3,"referenceDegree":0,"maxSimilarity":0.34051,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64be4d3dc65cc5001cae6095","weight":0.34051,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d4566112a80579472f24a2","weight":0.11922,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656cc59f4517980025fdb058","weight":0.09968,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e6cc154f2e1001c21facc","source":"ideaofintellection","title":"素読 そどく","excerpt":"素読（そどく）は、漢文の学習方法のひとつで、意味される内容などの解釈をせずに、ただ書かれている文字を声に出して読むことを繰り返し、文章を暗唱","text":"素読 そどく\n素読（そどく）は、漢文の学習方法のひとつで、意味される内容などの解釈をせずに、ただ書かれている文字を声に出して読むことを繰り返し、文章を暗唱\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%B4%A0%E8%AA%AD%20%E3%81%9D%E3%81%A9%E3%81%8F","updated":1722890075,"position":[-22.2166,-21.1944,-42.2621],"cluster":"c11","subgroup":"c11.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07467,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:667e6ce5ee904f001dd7033a","source":"ideaofintellection","title":"免許皆伝 めんきょかいでん","excerpt":"師匠が弟子(でし)にその道の奥義(おうぎ)をことごとく伝授すること。","text":"免許皆伝 めんきょかいでん\n師匠が弟子(でし)にその道の奥義(おうぎ)をことごとく伝授すること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%85%8D%E8%A8%B1%E7%9A%86%E4%BC%9D%20%E3%82%81%E3%82%93%E3%81%8D%E3%82%87%E3%81%8B%E3%81%84%E3%81%A7%E3%82%93","updated":1722890065,"position":[-67.4886,44.6286,-128.9175],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0952,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:6507a0a7c41ab4001c7d8e74","weight":0.0952,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e6e698dbbdc001d556b26","source":"ideaofintellection","title":"売り家と唐様（からよう）で書く三代目","excerpt":"初代が苦労して築いた財産を、苦労を知らない三代目が家業をおろそかにして遊び暮らした結果、財産を使い果たして家を売りに出すようになる。 財産は三代ともたないことの例え。","text":"売り家と唐様（からよう）で書く三代目\n初代が苦労して築いた財産を、苦労を知らない三代目が家業をおろそかにして遊び暮らした結果、財産を使い果たして家を売りに出すようになる。 財産は三代ともたないことの例え。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%A3%B2%E3%82%8A%E5%AE%B6%E3%81%A8%E5%94%90%E6%A7%98%EF%BC%88%E3%81%8B%E3%82%89%E3%82%88%E3%81%86%EF%BC%89%E3%81%A7%E6%9B%B8%E3%81%8F%E4%B8%89%E4%BB%A3%E7%9B%AE","updated":1722890056,"position":[-40.9325,12.1728,-128.7982],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04409,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:667e6ed0c8aaf3001d766c07","source":"ideaofintellection","title":"早合点","excerpt":"まだよく聞かないうちに、もう分かったつもりになること。早のみこみ。","text":"早合点\nまだよく聞かないうちに、もう分かったつもりになること。早のみこみ。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%97%A9%E5%90%88%E7%82%B9","updated":1722890045,"position":[-65.2244,31.0682,-96.5008],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05646,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:667e6efa93aa40001d87e534","source":"ideaofintellection","title":"灯火親しむの候","excerpt":"とうかひたしむのそうろう","text":"灯火親しむの候\nとうかひたしむのそうろう\n涼しく夜の長い秋は、灯火の下での読書に適している。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%81%AF%E7%81%AB%E8%A6%AA%E3%81%97%E3%82%80%E3%81%AE%E5%80%99","updated":1722890035,"position":[-29.5488,-211.3912,69.6001],"cluster":"c46","subgroup":"c46.01","degree":1,"referenceDegree":0,"maxSimilarity":0.19533,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649be6f6eb729b001c049d61","weight":0.19533,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e6f99d5f660001c67c2ff","source":"ideaofintellection","title":"醱酵","excerpt":"酵母や細菌などの微生物がエネルギーを得るために有機化合物を分解して，アルコール類・有機酸類・二酸化炭素などを生成していく過程。","text":"醱酵\n酵母や細菌などの微生物がエネルギーを得るために有機化合物を分解して，アルコール類・有機酸類・二酸化炭素などを生成していく過程。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%86%B1%E9%85%B5","updated":1722890024,"position":[2.0023,-77.7821,34.0535],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.14043,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678946ee33574ada83fa3478","weight":0.14043,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55b382f54b900254ad660","weight":0.08781,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e6ff1a7b4f5001c0771b3","source":"ideaofintellection","title":"見つめる鍋は煮えない","excerpt":"早く煮えないか、早く煮えないか、とたえずナベのフタをとっていては、いつまでたっても煮えない、あまり注意し過ぎては、かえって、結果がよろしくない。","text":"見つめる鍋は煮えない\n早く煮えないか、早く煮えないか、とたえずナベのフタをとっていては、いつまでたっても煮えない、あまり注意し過ぎては、かえって、結果がよろしくない。 \n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%A6%8B%E3%81%A4%E3%82%81%E3%82%8B%E9%8D%8B%E3%81%AF%E7%85%AE%E3%81%88%E3%81%AA%E3%81%84","updated":1722890010,"position":[-49.7155,10.6899,-141.3797],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.02397,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:667e702593aa40001d87f44d","source":"ideaofintellection","title":"三上　欧陽脩 おうよう しゅう","excerpt":"欧陽脩は、よい文章を考えるには三上、つまり「馬上(ばじょう)」「枕上(ちんじょう)」「厠上(しじょう)」が適していると言いました。馬上とは、馬の上で揺られているとき。枕上とはうとうとしているとき、厠上とはトイレをしているときのことです。","text":"三上　欧陽脩 おうよう しゅう\n欧陽脩は、よい文章を考えるには三上、つまり「馬上(ばじょう)」「枕上(ちんじょう)」「厠上(しじょう)」が適していると言いました。馬上とは、馬の上で揺られているとき。枕上とはうとうとしているとき、厠上とはトイレをしているときのことです。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%89%E4%B8%8A%E3%80%80%E6%AC%A7%E9%99%BD%E8%84%A9%20%E3%81%8A%E3%81%86%E3%82%88%E3%81%86%20%E3%81%97%E3%82%85%E3%81%86","updated":1722890000,"position":[-16.9547,-211.0597,76.1419],"cluster":"c46","subgroup":"c46.01","degree":2,"referenceDegree":0,"maxSimilarity":0.33698,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66825a370c5e700022a720a5","weight":0.33698,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6679b1c2706bb5001db5d31f","weight":0.08533,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e70ce40ed5a001c293868","source":"ideaofintellection","title":"枕上の妙","excerpt":"一晩寝て頭がすっきりしたら良いアイデアが浮ぶこと。","text":"枕上の妙\n一晩寝て頭がすっきりしたら良いアイデアが浮ぶこと。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%9E%95%E4%B8%8A%E3%81%AE%E5%A6%99","updated":1722889989,"position":[98.6733,-54.2548,-47.2359],"cluster":"c38","subgroup":"c38.01","degree":3,"referenceDegree":0,"maxSimilarity":0.1413,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66bdf01eefeb96001d25751b","weight":0.1413,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6760f5d97bb7807f53d08e0a","weight":0.1265,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678940fdc8084a826ca40bea","weight":0.10871,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e715f174976001cb63188","source":"ideaofintellection","title":"機械による小鳥の囀り","excerpt":"https://www.thisiscolossal.com/2012/12/a-120-year-old-mechanical-device-that-perfectly-mimics-the-song-of-a-bird/","text":"機械による小鳥の囀り\n[https://scrapbox.io/files/66b3b486243b62001cafc3c2.png]\n\nhttps://www.thisiscolossal.com/2012/12/a-120-year-old-mechanical-device-that-perfectly-mimics-the-song-of-a-bird/\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E6%A9%9F%E6%A2%B0%E3%81%AB%E3%82%88%E3%82%8B%E5%B0%8F%E9%B3%A5%E3%81%AE%E5%9B%80%E3%82%8A","updated":1723053195,"position":[-8.8597,10.584,10.5332],"cluster":"c07","subgroup":"c07.02","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d4044ab50900240560e7","weight":0.21832,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c8969da4bb2001d7104ba","weight":0.21016,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e71a88a9c13001d16f0ce","source":"ideaofintellection","title":"ロンバード効果","excerpt":"騒音環境下 で発話者が自分の声量を大きくしたり、普段よりも高い声 で発声したりするようになる効果のことである。 このような人間の反応は不随意的に生じる。","text":"ロンバード効果\n騒音環境下 で発話者が自分の声量を大きくしたり、普段よりも高い声 で発声したりするようになる効果のことである。 このような人間の反応は不随意的に生じる。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AD%E3%83%B3%E3%83%90%E3%83%BC%E3%83%89%E5%8A%B9%E6%9E%9C","updated":1722889970,"position":[29.1172,-3.1789,-13.6903],"cluster":"c18","subgroup":"c18.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11567,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64ce15bb57369a001cf5db8c","weight":0.11567,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e7211863754001df743aa","source":"ideaofintellection","title":"カデンツ","excerpt":"一般に、音楽の文章の型のことを、カデンツ（ケーデンス）といいます。","text":"カデンツ\n一般に、音楽の文章の型のことを、カデンツ（ケーデンス）といいます。\n1. カデンツ第1型（K1） T-D-T\n2. カデンツ第2型（K2） T-S-D-T\n3. カデンツ第3型（K3） T-S-T\nTはトニック：\t始まりや終止の和音となります。言葉に置き変えると、主語のようなものです。\nDはドミナント：\t最も緊張状態にある和音です。言葉に置き変えると、述語のようなものです。\nSはサブドミナント：\tD（ドミナント）を飾る和音です。言葉に置き変えると補語のようなものです。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%87%E3%83%B3%E3%83%84","updated":1731514534,"position":[48.6532,-49.9129,35.2413],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.50459,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667e724d7da0d7001ce26ad6","weight":0.50459,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bf3a47448c002598d2f1","weight":0.21085,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee0b940de8e0024e0e41e","weight":0.20863,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6a87107ff40025aea461","weight":0.20758,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f97264ba8bf90023e98a98","weight":0.20642,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee26ee33845002540cc07","weight":0.20634,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e724d7da0d7001ce26ad6","source":"ideaofintellection","title":"カデンツァ","excerpt":"楽曲の休止・終結を形作る旋律や和声の定型。 カデンツ。","text":"カデンツァ\n楽曲の休止・終結を形作る旋律や和声の定型。 カデンツ。 \n楽曲の終結部で、独唱者または独奏者の演奏技巧を発揮させるために挿入される、華美な装飾的楽句。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%87%E3%83%B3%E3%83%84%E3%82%A1","updated":1722889941,"position":[48.8109,-49.529,34.9943],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.50459,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667e7211863754001df743aa","weight":0.50459,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.2243,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663224956855af00258f20bc","weight":0.2178,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312744561af50023ac0100","weight":0.21106,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.20671,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.20585,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e7288aac46f001c0593ca","source":"ideaofintellection","title":"無情報事前分布","excerpt":"[https://scrapbox.io/files/667e72a55eb53e001c840d4e.webp] #physics","text":"無情報事前分布\n[https://scrapbox.io/files/667e72a55eb53e001c840d4e.webp]\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E7%84%A1%E6%83%85%E5%A0%B1%E4%BA%8B%E5%89%8D%E5%88%86%E5%B8%83","updated":1722889926,"position":[-23.9791,-72.7811,66.1161],"cluster":"c04","subgroup":"c04.02","degree":8,"referenceDegree":0,"maxSimilarity":0.21002,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","weight":0.21002,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.20706,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af0e2185b796001de382e4","weight":0.20598,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af12d7b51b23001c1174d4","weight":0.20301,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65413d60f9fd93001c6a0599","weight":0.2,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54ae8708597002535d050","weight":0.2,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c558c327cb5100255ff308","weight":0.2,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a158ad9c8f5001c7e4c9c","weight":0.13075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:667e7434355300001cbfa006","source":"ideaofintellection","title":"音のコールアンドレスポンス","excerpt":"一つの音の開始に音が追従してくる。","text":"音のコールアンドレスポンス\n一つの音の開始に音が追従してくる。\n集まってくる。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E9%9F%B3%E3%81%AE%E3%82%B3%E3%83%BC%E3%83%AB%E3%82%A2%E3%83%B3%E3%83%89%E3%83%AC%E3%82%B9%E3%83%9D%E3%83%B3%E3%82%B9","updated":1722889910,"position":[49.7015,-50.2353,35.7411],"cluster":"c02","subgroup":"c02.02","degree":12,"referenceDegree":0,"maxSimilarity":0.34442,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658c40452516e700229629c6","weight":0.34442,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 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ら\nhttps://www.tokyoartbeat.com/articles/-/shinji-ohmaki-interface-of-being-report-202311\nhttps://www.ntticc.or.jp/ja/exhibitions/2024/icc-annual-2024-faraway-so-close/\nhttps://www.mot-art-museum.jp\nhttps://www.nmwa.go.jp/jp/\nhttps://www.mori.art.museum/jp/exhibitions/earth/\nhttps://www.flickr.com/photos/moriartmuseum/albums/72177720301171224/\nhttps://kemco.keio.ac.jp/all-post/20240603/\n\n#place\n","tags":["place"],"links":["place"],"url":"https://scrapbox.io/ideaofintellection/%E6%9D%B1%E4%BA%AC%20%E7%BE%8E%E8%A1%93%E9%A4%A8%20%E3%82%89","updated":1722889898,"position":[-70.1004,-7.8708,39.6317],"cluster":"c35","subgroup":"c35.01","degree":9,"referenceDegree":0,"maxSimilarity":0.7108,"lowEvidence":false,"neighbors":[{"id":"NextResearch:658afe0781ec8800246e430a","weight":0.7108,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a1533383e00023311a0f","weight":0.5802,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a1759dc20b0023c50fca","weight":0.49421,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d5c4579043e00249e7bd4","weight":0.30389,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683699d244e53d00e7c69c2e","weight":0.26419,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66c04939018ecf001c66bbd0","weight":0.26361,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66552e272f3ba4001d193199","weight":0.2,"type":"similarity","reason":"共通タグ #place / 共通参照 place / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680d3eb109565001d40942d","weight":0.2,"type":"similarity","reason":"共通タグ #place / 共通参照 place / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6680d3eb109565001d40942d","source":"ideaofintellection","title":"恵比寿 bar kingyo","excerpt":"https://barkingyo.com","text":"恵比寿 bar kingyo \nhttps://barkingyo.com\n#place\n","tags":["place"],"links":["place"],"url":"https://scrapbox.io/ideaofintellection/%E6%81%B5%E6%AF%94%E5%AF%BF%20bar%20kingyo","updated":1722889845,"position":[-70.0177,-7.9907,40.5197],"cluster":"c35","subgroup":"c35.01","degree":4,"referenceDegree":0,"maxSimilarity":0.2,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66552e272f3ba4001d193199","weight":0.2,"type":"similarity","reason":"共通タグ #place / 共通参照 place / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e8897a66acb001c19343c","weight":0.2,"type":"similarity","reason":"共通タグ #place / 共通参照 place / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66b0b572eab5f6001cb3c0ec","weight":0.1839,"type":"similarity","reason":"共通タグ #place / 共通参照 place / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6680d2f8202618001d7e2b72","weight":0.09897,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6680dbc6a757a7001c2c1de2","source":"ideaofintellection","title":"椎名林檎　詞曲","excerpt":"https://natalie.mu/music/pp/sheenaringo08/page/3","text":"椎名林檎　詞曲\n[https://ogre.natalie.mu/media/pp/static/music/sheenaringo08/sp_header_min.jpg]\n\nhttps://natalie.mu/music/pp/sheenaringo08/page/3\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E6%A4%8E%E5%90%8D%E6%9E%97%E6%AA%8E%E3%80%80%E8%A9%9E%E6%9B%B2","updated":1722889758,"position":[50.3594,-49.3135,35.0058],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.42661,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d2cef0c204dd00254ffa56","weight":0.42661,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6a4fa06db50024c03a6e","weight":0.26451,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2830c3a7760023fc8ed6","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ccac5b72b201002472a0be","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6680e268afcedd001ca0579b","source":"ideaofintellection","title":"Arisa Kumagai","excerpt":"[https://scrapbox.io/files/6680e28c9a9740001dd7766e.jpeg] [https://scrapbox.io/files/6680e2aac110a4001c38df10.jpeg] [https://scrapbox.io/files/6680e2ebdabd67001d6729ca.jpeg] #visual","text":"Arisa Kumagai\n[https://scrapbox.io/files/6680e28c9a9740001dd7766e.jpeg]\n[https://scrapbox.io/files/6680e2aac110a4001c38df10.jpeg]\n[https://scrapbox.io/files/6680e2ebdabd67001d6729ca.jpeg]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/Arisa%20Kumagai","updated":1722889745,"position":[29.9713,-43.8551,98.4606],"cluster":"c14","subgroup":"c14.01","degree":25,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.4,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5636c6fde0c0026b40334","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c57174a130540025280884","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:668256b4da4fea001d93b683","source":"ideaofintellection","title":"性的二型","excerpt":"[https://scrapbox.io/files/668256e65ce641001df699aa.jpeg] #word","text":"性的二型\n[https://scrapbox.io/files/668256e65ce641001df699aa.jpeg]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%80%A7%E7%9A%84%E4%BA%8C%E5%9E%8B","updated":1722889724,"position":[4.1843,-80.458,36.1716],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09275,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559e40c9ed79f001bdcd155","weight":0.09275,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6682571698e2db001cc2a77f","source":"ideaofintellection","title":"久羅下那洲多陀用幣琉　くらげなすただよへる","excerpt":"くらげのように漂っている　「なす」は「〜のよう」「〜みたい」","text":"久羅下那洲多陀用幣琉　くらげなすただよへる\n　くらげのように漂っている　「なす」は「〜のよう」「〜みたい」\nhttps://kojiki.ys-ray.com/1_1_2_kotoamatsu_1.html\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B9%85%E7%BE%85%E4%B8%8B%E9%82%A3%E6%B4%B2%E5%A4%9A%E9%99%80%E7%94%A8%E5%B9%A3%E7%90%89%E3%80%80%E3%81%8F%E3%82%89%E3%81%92%E3%81%AA%E3%81%99%E3%81%9F%E3%81%A0%E3%82%88%E3%81%B8%E3%82%8B","updated":1722889711,"position":[-54.2827,13.8956,-119.5775],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05103,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:668257502a30c6001c5d54ad","source":"ideaofintellection","title":"It seems to me  から I thinkへ","excerpt":"のように思えるからこう考えるへ","text":"It seems to me  から I thinkへ\nのように思えるからこう考えるへ\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/It%20seems%20to%20me%20%20%E3%81%8B%E3%82%89%20I%20think%E3%81%B8","updated":1722889693,"position":[13.8954,-69.2698,3.478],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.15402,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67893e0a7a1f7df21d8bd313","weight":0.15402,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825794be9c51001d5d5722","source":"ideaofintellection","title":"methinks","excerpt":"(古風, 現代では諧謔的) 私に思われるところでは。","text":"methinks\n(古風, 現代では諧謔的) 私に思われるところでは。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/methinks","updated":1722889678,"position":[0.6116,-73.6234,37.513],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10991,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668257bb01caf1001d2eb21c","weight":0.10991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:668257bb01caf1001d2eb21c","source":"ideaofintellection","title":"諧謔的　かいぎゃくてき","excerpt":"物事や言動などに笑いを誘うようなユーモアがあることを意味する表現。","text":"諧謔的　かいぎゃくてき\n物事や言動などに笑いを誘うようなユーモアがあることを意味する表現。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%AB%A7%E8%AC%94%E7%9A%84%E3%80%80%E3%81%8B%E3%81%84%E3%81%8E%E3%82%83%E3%81%8F%E3%81%A6%E3%81%8D","updated":1722889667,"position":[0.8794,-73.9375,37.2916],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.10991,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66825794be9c51001d5d5722","weight":0.10991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0d2350810b001b1e5c1f","weight":0.09525,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68b3272d4e9be58bdb626b46","weight":0.08592,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6682582249f9b9001d790f92","source":"ideaofintellection","title":"逓伝 ていでん","excerpt":"人から人へ、また宿場(しゅくば)から宿場へと、順々に伝え送ること。また、その宿場人足(にんそく)や車馬。","text":"逓伝 ていでん\n人から人へ、また宿場(しゅくば)から宿場へと、順々に伝え送ること。また、その宿場人足(にんそく)や車馬。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%80%93%E4%BC%9D%20%E3%81%A6%E3%81%84%E3%81%A7%E3%82%93","updated":1722889655,"position":[-59.1042,21.8213,-135.8213],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04826,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6682588ed2ef7d001c5b592c","source":"ideaofintellection","title":"公案","excerpt":"禅宗で、参禅者に考える対象や手がかりにさせるために示す、祖師の言葉・行動。","text":"公案\n禅宗で、参禅者に考える対象や手がかりにさせるために示す、祖師の言葉・行動。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%85%AC%E6%A1%88","updated":1722889618,"position":[-31.1896,14.2151,-115.9362],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05798,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:668258b1e3ac3e001ca95659","source":"ideaofintellection","title":"読書百遍意自ずから通ず どくしょひゃっぺんいおのずからつうず","excerpt":"難しい書物であっても、何度も繰り返して読めば、その意味は自然にわかってくるものである、だから、わからないと思ってすぐに諦めるのではなく何度も読むべきであるとする教え。","text":"読書百遍意自ずから通ず どくしょひゃっぺんいおのずからつうず\n難しい書物であっても、何度も繰り返して読めば、その意味は自然にわかってくるものである、だから、わからないと思ってすぐに諦めるのではなく何度も読むべきであるとする教え。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%AA%AD%E6%9B%B8%E7%99%BE%E9%81%8D%E6%84%8F%E8%87%AA%E3%81%9A%E3%81%8B%E3%82%89%E9%80%9A%E3%81%9A%20%E3%81%A9%E3%81%8F%E3%81%97%E3%82%87%E3%81%B2%E3%82%83%E3%81%A3%E3%81%BA%E3%82%93%E3%81%84%E3%81%8A%E3%81%AE%E3%81%9A%E3%81%8B%E3%82%89%E3%81%A4%E3%81%86%E3%81%9A","updated":1722889605,"position":[-34.7744,-22.0022,84.1893],"cluster":"c28","subgroup":"c28.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10245,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734df6b95f2459b5d1b169b","weight":0.10245,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:668258fb49afdc001d5d80a4","source":"ideaofintellection","title":"転がる石は苔をつけない","excerpt":"《A rolling stone gathers no moss.》職業や住居を変えてばかりいる人は、地位も財産もできないの意の英国のことわざ。 転じて、活発な活動をしている人は時代に取り残されることがないの意でも用いる。 転がる石には苔は付かない。","text":"転がる石は苔をつけない\n《A rolling stone gathers no moss.》職業や住居を変えてばかりいる人は、地位も財産もできないの意の英国のことわざ。 転じて、活発な活動をしている人は時代に取り残されることがないの意でも用いる。 転がる石には苔は付かない。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%BB%A2%E3%81%8C%E3%82%8B%E7%9F%B3%E3%81%AF%E8%8B%94%E3%82%92%E3%81%A4%E3%81%91%E3%81%AA%E3%81%84","updated":1722889586,"position":[-43.3428,21.3647,-130.542],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06459,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66825934743110001d32face","source":"ideaofintellection","title":"従僕に英雄なし","excerpt":"身近になりすぎたものへの関心が失われるのは、人間関係でも見られる現象です。 遠くから眺めていた人が、親しくなってみるとおもしろくなくなることがあります。 これは、「従僕に英雄なし」ということわざに表されています。","text":"従僕に英雄なし\n身近になりすぎたものへの関心が失われるのは、人間関係でも見られる現象です。 遠くから眺めていた人が、親しくなってみるとおもしろくなくなることがあります。 これは、「従僕に英雄なし」ということわざに表されています。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%BE%93%E5%83%95%E3%81%AB%E8%8B%B1%E9%9B%84%E3%81%AA%E3%81%97","updated":1722889564,"position":[-51.0832,38.9583,-97.2703],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04734,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6682595250ddef001cc2fa7c","source":"ideaofintellection","title":"夜目、遠目、笠の内","excerpt":"女性は、夜見るとき、遠くから見るとき、傘をさしているときは、一段と美しく見えることをいう。 かすかにしか見えないとき、ぼんやりとしか見えないとき、人間は想像力をかきたてられて、実際より美しく見せるのであろう。","text":"夜目、遠目、笠の内\n女性は、夜見るとき、遠くから見るとき、傘をさしているときは、一段と美しく見えることをいう。 かすかにしか見えないとき、ぼんやりとしか見えないとき、人間は想像力をかきたてられて、実際より美しく見せるのであろう。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%9C%E7%9B%AE%E3%80%81%E9%81%A0%E7%9B%AE%E3%80%81%E7%AC%A0%E3%81%AE%E5%86%85","updated":1722889548,"position":[-34.7905,-2.0146,-114.945],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07216,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66825978325bcc001c31e648","source":"ideaofintellection","title":"耳学問","excerpt":"他人の話を聞いて物知りになること。また、他人から聞きかじった知識。","text":"耳学問\n他人の話を聞いて物知りになること。また、他人から聞きかじった知識。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%80%B3%E5%AD%A6%E5%95%8F","updated":1722889529,"position":[9.1239,53.874,27.2382],"cluster":"c08","subgroup":"c08.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08681,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b4225d9078e001bc7fe11","weight":0.08681,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:668259ac56a9c5001c295a7c","source":"ideaofintellection","title":"比重の原理 アルキメデス","excerpt":"アルキメデスの原理とは、「流体中の物体は、その物体が押しのけている流体の重さ（重量）と同じ大きさで上向きの浮力を受ける」という物理法則です。 浮力が発生する原理を示した法則ですが、沈めた物体と押しのけられた流体の量が同一になることから体積測定の基礎になっています。","text":"比重の原理 アルキメデス\nアルキメデスの原理とは、「流体中の物体は、その物体が押しのけている流体の重さ（重量）と同じ大きさで上向きの浮力を受ける」という物理法則です。 浮力が発生する原理を示した法則ですが、沈めた物体と押しのけられた流体の量が同一になることから体積測定の基礎になっています。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E6%AF%94%E9%87%8D%E3%81%AE%E5%8E%9F%E7%90%86%20%E3%82%A2%E3%83%AB%E3%82%AD%E3%83%A1%E3%83%87%E3%82%B9","updated":1722889517,"position":[-24.0914,-72.989,65.305],"cluster":"c04","subgroup":"c04.02","degree":7,"referenceDegree":0,"maxSimilarity":0.22225,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.22225,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af891602ab32001dccade0","weight":0.21672,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668261ccb0f3e0001d174a63","weight":0.2152,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ae97085970025360276","weight":0.20868,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55a1d53995700250f62ed","weight":0.20661,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c558c327cb5100255ff308","weight":0.20492,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.20459,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:668259cab11b6d001c53121b","source":"ideaofintellection","title":"叙勲 じょくん","excerpt":"国家や社会において大きな功労や功績のあった人を対象に、国が毎年春と秋に勲等（国家が与える栄典の等級）と勲章を授けることをいいます。","text":"叙勲 じょくん\n国家や社会において大きな功労や功績のあった人を対象に、国が毎年春と秋に勲等（国家が与える栄典の等級）と勲章を授けることをいいます。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%8F%99%E5%8B%B2%20%E3%81%98%E3%82%87%E3%81%8F%E3%82%93","updated":1722889492,"position":[-41.245,17.6717,-94.7335],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04829,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:668259f5d075c7001d9c404d","source":"ideaofintellection","title":"常住坐臥 じょうじゅうざが","excerpt":"座っているときでも、寝ているときでもいつもという意味。 転じて、日常の生活。 ふだんの暮らし。","text":"常住坐臥 じょうじゅうざが\n座っているときでも、寝ているときでもいつもという意味。 転じて、日常の生活。 ふだんの暮らし。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%B8%B8%E4%BD%8F%E5%9D%90%E8%87%A5%20%E3%81%98%E3%82%87%E3%81%86%E3%81%98%E3%82%85%E3%81%86%E3%81%96%E3%81%8C","updated":1722889482,"position":[-7.4212,-193.5964,16.1065],"cluster":"c37","subgroup":"c37.01","degree":1,"referenceDegree":0,"maxSimilarity":0.12596,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649bcb067c1cfc001c4639e5","weight":0.12596,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825a370c5e700022a720a5","source":"ideaofintellection","title":"三多 欧陽脩（おうようしゅう）","excerpt":"11世紀の中国の詩人","text":"三多 欧陽脩（おうようしゅう）\n11世紀の中国の詩人\n１．看多（かんた）：多くの本を、たくさん読むこと。\n２．做多（さた）：多くの文を、たくさん書くこと。\n３．商量多（しょうりょうた）：多くの文を、たくさん工夫し、推敲すること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%89%E5%A4%9A%20%E6%AC%A7%E9%99%BD%E8%84%A9%EF%BC%88%E3%81%8A%E3%81%86%E3%82%88%E3%81%86%E3%81%97%E3%82%85%E3%81%86%EF%BC%89","updated":1722889474,"position":[-16.7054,-210.4255,75.9716],"cluster":"c46","subgroup":"c46.01","degree":1,"referenceDegree":0,"maxSimilarity":0.33698,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667e702593aa40001d87f44d","weight":0.33698,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825be32a30c6001c5da5c9","source":"ideaofintellection","title":"ノーマンズランド","excerpt":"ノーマンズランド（英: no man's land）は、「所有者のいない土地」「無人地帯」「荒地」あるいは「軍事対立の中間の、いずれの勢力によっても統治されていない場所","text":"ノーマンズランド\nノーマンズランド（英: no man's land）は、「所有者のいない土地」「無人地帯」「荒地」あるいは「軍事対立の中間の、いずれの勢力によっても統治されていない場所\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8E%E3%83%BC%E3%83%9E%E3%83%B3%E3%82%BA%E3%83%A9%E3%83%B3%E3%83%89","updated":1722889457,"position":[-29.5815,28.1981,-141.6146],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07455,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66825c85b27f4b001de90d84","source":"ideaofintellection","title":"interdisciplinary","excerpt":"多くの分野の専門知識や経験が必要な研究課題などにあたるとき、さまざまな領域の学者や技術者が協力し合うこと。また、そのさま。","text":"interdisciplinary\n多くの分野の専門知識や経験が必要な研究課題などにあたるとき、さまざまな領域の学者や技術者が協力し合うこと。また、そのさま。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/interdisciplinary","updated":1722889448,"position":[12.4536,-86.0826,20.1245],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10233,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6a05bdda7c52a7cc879cab07","weight":0.10233,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825cfffb9d2a001c57173b","source":"ideaofintellection","title":"インブリーディング","excerpt":"同系交配。 近親交配。 生物の交配のうち、同一系統間の交配。 自家受粉など。","text":"インブリーディング\n同系交配。 近親交配。 生物の交配のうち、同一系統間の交配。 自家受粉など。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A4%E3%83%B3%E3%83%96%E3%83%AA%E3%83%BC%E3%83%87%E3%82%A3%E3%83%B3%E3%82%B0","updated":1722889436,"position":[29.3187,-1.7403,-14.4581],"cluster":"c18","subgroup":"c18.01","degree":7,"referenceDegree":0,"maxSimilarity":0.21607,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c54a82bf88df0025b66dc4","weight":0.21607,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113e0f9e4316916c6b0319","weight":0.1275,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5561c27cb5100255fe98f","weight":0.11863,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65602fa0971d4e001b61e30c","weight":0.10979,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69b10b74c4487c8d76785249","weight":0.10519,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce15bb57369a001cf5db8c","weight":0.09646,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5ec037559050023cc6be3","weight":0.08685,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825d49b27f4b001de92103","source":"ideaofintellection","title":"ルナー・ソサエティ","excerpt":"ルナー・ソサエティ（The Lunar Society of Birmingham）はバーミンガムを中心としたミッドランド地方において有力な学識者、自然哲学者、事業経営者、発明家、化学者、作家らが組織した非公式の交流団体であり、会合が1765年から1813年までの間に定期的にバーミンガムのソーホー・ハウスで開かれていた。当初ルナー・サークルと呼ばれていたが、1775年に正式にルナー・ソサエティとなった。","text":"ルナー・ソサエティ\nルナー・ソサエティ（The Lunar Society of Birmingham）はバーミンガムを中心としたミッドランド地方において有力な学識者、自然哲学者、事業経営者、発明家、化学者、作家らが組織した非公式の交流団体であり、会合が1765年から1813年までの間に定期的にバーミンガムのソーホー・ハウスで開かれていた。当初ルナー・サークルと呼ばれていたが、1775年に正式にルナー・ソサエティとなった。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AB%E3%83%8A%E3%83%BC%E3%83%BB%E3%82%BD%E3%82%B5%E3%82%A8%E3%83%86%E3%82%A3","updated":1722889427,"position":[37.1507,-60.2685,11.9584],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06301,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66825d84da4fea001d942a84","source":"ideaofintellection","title":"孫引き","excerpt":"他の本から引用してあるものを、原典にさかのぼって調べることなく、そのまま更に引用すること。","text":"孫引き\n他の本から引用してあるものを、原典にさかのぼって調べることなく、そのまま更に引用すること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%AD%AB%E5%BC%95%E3%81%8D","updated":1722889407,"position":[-32.822,25.5854,-110.5021],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.08768,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:6592171e21d3410024f14983","weight":0.08768,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825db6031d41001c7cda79","source":"ideaofintellection","title":"ロゲルギスト","excerpt":"1950年頃にはじまり数十年続いた日本の物理学者の同人会である。雑誌の連載企画から、単行本『物理の散歩道』シリーズとなったことで広く知られているエッセイ集は、当同人が毎月集まって身近な物理現象から宇宙や生命現象、さらには社会現象にまで及ぶ広範な話題を取り上げて自由闊達な議論を交わした結果を踏まえて順次交代で執筆・寄稿したものである","text":"ロゲルギスト\n1950年頃にはじまり数十年続いた日本の物理学者の同人会である。雑誌の連載企画から、単行本『物理の散歩道』シリーズとなったことで広く知られているエッセイ集は、当同人が毎月集まって身近な物理現象から宇宙や生命現象、さらには社会現象にまで及ぶ広範な話題を取り上げて自由闊達な議論を交わした結果を踏まえて順次交代で執筆・寄稿したものである\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AD%E3%82%B2%E3%83%AB%E3%82%AE%E3%82%B9%E3%83%88","updated":1722889396,"position":[-4.953,-71.2855,3.7279],"cluster":"c27","subgroup":"c27.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06616,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66825dd26999c5001c0145cf","source":"ideaofintellection","title":"溜飲を下げる","excerpt":"「りゅういんをさげる」と読みます。 意味は、「胸をすっきりさせること。 不平不満、恨みなどを解消して、気を晴らすこと」です。","text":"溜飲を下げる\n「りゅういんをさげる」と読みます。 意味は、「胸をすっきりさせること。 不平不満、恨みなどを解消して、気を晴らすこと」です。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%BA%9C%E9%A3%B2%E3%82%92%E4%B8%8B%E3%81%92%E3%82%8B","updated":1722889380,"position":[51.4512,-49.7295,36.0917],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.08943,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c64cd603e53e001c8b9c6e","weight":0.08943,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.08757,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825e151ac11e001c9872f3","source":"ideaofintellection","title":"ピグマリオン効果","excerpt":"ピグマリオン効果とは、教育心理学における心理的行動の1つで、教師の期待によって学習者の成績が向上することである。別名、教師期待効果、ローゼンタール効果などとも呼ばれている。","text":"ピグマリオン効果\nピグマリオン効果とは、教育心理学における心理的行動の1つで、教師の期待によって学習者の成績が向上することである。別名、教師期待効果、ローゼンタール効果などとも呼ばれている。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%94%E3%82%B0%E3%83%9E%E3%83%AA%E3%82%AA%E3%83%B3%E5%8A%B9%E6%9E%9C","updated":1722889368,"position":[6.7653,-39.8417,77.7429],"cluster":"c14","subgroup":"c14.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1006,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c6427d31de92001c5e94b2","weight":0.1006,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2762d08d30001ce47a0e","weight":0.08622,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825e3e01caf1001d2f2fb5","source":"ideaofintellection","title":"裨益 ひえき","excerpt":"ある事の助け・補いとなり、利益となること。役に立つこと。","text":"裨益 ひえき\nある事の助け・補いとなり、利益となること。役に立つこと。\n 「教育に―するところ大である」\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%A3%A8%E7%9B%8A%20%E3%81%B2%E3%81%88%E3%81%8D","updated":1722889350,"position":[-54.9264,16.1176,-145.7658],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11601,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:65938d38e1137e00238b288b","weight":0.11601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825e622e5575001ce0a3cc","source":"ideaofintellection","title":"述壊 じゅっかい","excerpt":"① 心中の思いを述べること。 意中を述べること。 ② ぐち、不平、不満を洩らすこと。 うらみを言うこと。","text":"述壊 じゅっかい\n① 心中の思いを述べること。 意中を述べること。 ② ぐち、不平、不満を洩らすこと。 うらみを言うこと。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%BF%B0%E5%A3%8A%20%E3%81%98%E3%82%85%E3%81%A3%E3%81%8B%E3%81%84","updated":1722889338,"position":[30.269,2.1674,-13.1408],"cluster":"c18","subgroup":"c18.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13031,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559a62b390d1b001c02ebab","weight":0.13031,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825e868dcb39001c9a0d9e","source":"ideaofintellection","title":"トマソン","excerpt":"存在がまるで芸術のようでありながら、その役にたたなさ・非実用において芸術よりももっと芸術らしい物を「超芸術」と呼び、その中でも不動産に属するものをトマソンと呼ぶ。","text":"トマソン\n存在がまるで芸術のようでありながら、その役にたたなさ・非実用において芸術よりももっと芸術らしい物を「超芸術」と呼び、その中でも不動産に属するものをトマソンと呼ぶ。\n[https://scrapbox.io/files/66825eb48a36e4001d253918.jpeg]\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%9E%E3%82%BD%E3%83%B3","updated":1722889325,"position":[-27.3163,16.8506,-107.1369],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07805,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66825eef01caf1001d2f3f20","source":"ideaofintellection","title":"整然 せいぜん","excerpt":"整って秩序だったさま。","text":"整然 せいぜん\n整って秩序だったさま。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%95%B4%E7%84%B6%20%E3%81%9B%E3%81%84%E3%81%9C%E3%82%93","updated":1722889281,"position":[2.0104,-77.7989,34.282],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.12649,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678946ee33574ada83fa3478","weight":0.12649,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825f0a4594f7001c8377a1","source":"ideaofintellection","title":"一瀉千里 いっしゃせんり","excerpt":"1.物事が速くはかどること。","text":"一瀉千里 いっしゃせんり\n1.物事が速くはかどること。\n2.文章や弁舌がよどみのないこと。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%80%E7%80%89%E5%8D%83%E9%87%8C%20%E3%81%84%E3%81%A3%E3%81%97%E3%82%83%E3%81%9B%E3%82%93%E3%82%8A","updated":1722889270,"position":[-16.2885,45.4843,32.077],"cluster":"c06","subgroup":"c06.02","degree":1,"referenceDegree":0,"maxSimilarity":0.12426,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:667a11829d88bd001d6c4c08","weight":0.12426,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66825f38b27747001dca10d3","source":"ideaofintellection","title":"菓子折り","excerpt":"菓子折りの本来の意味は、お菓子の「外箱」のことを指します。 昔、お菓子が高級品とされていた時代には、お菓子は箱に詰めて売られていました。 「菓子折り」という名前は、その箱が「折り箱」と呼ばれていたことに由来します。 現在では外箱に入った進物用のお菓子全般を指し、感謝や謝罪、ご挨拶の贈り物として使われるようになりました。","text":"菓子折り\n菓子折りの本来の意味は、お菓子の「外箱」のことを指します。 昔、お菓子が高級品とされていた時代には、お菓子は箱に詰めて売られていました。 「菓子折り」という名前は、その箱が「折り箱」と呼ばれていたことに由来します。 現在では外箱に入った進物用のお菓子全般を指し、感謝や謝罪、ご挨拶の贈り物として使われるようになりました。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%8F%93%E5%AD%90%E6%8A%98%E3%82%8A","updated":1722889254,"position":[8.8797,-60.9991,55.7989],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07452,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66825f6466f1b1001c3bfb90","source":"ideaofintellection","title":"多多益益弁ず","excerpt":"たたますますべんず","text":"多多益益弁ず\nたたますますべんず\nなすべき仕事が多ければ多いほど、いよいよりっぱにやってのけることで、豊かな才能と能力をもつ人間をいう。\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%9A%E5%A4%9A%E7%9B%8A%E7%9B%8A%E5%BC%81%E3%81%9A","updated":1722889236,"position":[-38.0101,-4.8767,-125.9742],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0533,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66825fa0aafc12001d4f5c75","source":"ideaofintellection","title":"収穫逓減の法則","excerpt":"しゅうかくていげんのほうそく","text":"収穫逓減の法則\nしゅうかくていげんのほうそく\n\n施用する肥料を増やすと収量が多くなるが、施用量と収量とは平行して増加しない。 次第に収量の増加が少なくなり、ついにはもはや収量が増えない点、すなわち最高収量に達する。\n[https://scrapbox.io/files/66825ff132b480001c693868.jpeg]\n\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%8F%8E%E7%A9%AB%E9%80%93%E6%B8%9B%E3%81%AE%E6%B3%95%E5%89%87","updated":1722889223,"position":[-51.9093,45.4381,-140.8782],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09123,"lowEvidence":true,"neighbors":[{"id":"NextResearch:66d71ed61a41fb001d2a7e25","weight":0.09123,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6682603349afdc001d5dfd96","source":"ideaofintellection","title":"一里塚 いちりずか","excerpt":"大きな目標や遠大な仕事などを達成していく途中の通過点、目印となるもの。","text":"一里塚 いちりずか\n大きな目標や遠大な仕事などを達成していく途中の通過点、目印となるもの。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%80%E9%87%8C%E5%A1%9A%20%E3%81%84%E3%81%A1%E3%82%8A%E3%81%9A%E3%81%8B","updated":1722889168,"position":[-51.9522,25.0254,-123.4543],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11381,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:6679b17b522096001d656ca4","weight":0.11381,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af90a2e41c65001d992674","weight":0.09938,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:668260700b3b61001dfb55bd","source":"ideaofintellection","title":"常套句 じょうとうく","excerpt":"「ある場合にいつもきまって使う文句。 決まり文句」という意味になっています。 「常套句」以外に「常套」がつく言葉には「常套手段（じょうとうしゅだん）」などがあります。 これは、毎回同じ手段や行動を指し示す言葉となり、常套句と意味合い的には一緒ですね。","text":"常套句 じょうとうく\n「ある場合にいつもきまって使う文句。 決まり文句」という意味になっています。 「常套句」以外に「常套」がつく言葉には「常套手段（じょうとうしゅだん）」などがあります。 これは、毎回同じ手段や行動を指し示す言葉となり、常套句と意味合い的には一緒ですね。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%B8%B8%E5%A5%97%E5%8F%A5%20%E3%81%98%E3%82%87%E3%81%86%E3%81%A8%E3%81%86%E3%81%8F","updated":1722889159,"position":[1.9828,-51.6906,41.2048],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.05286,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6682609b49f9b9001d79b117","source":"ideaofintellection","title":"逍遥 しょうよう","excerpt":"あちこちをぶらぶら歩くこと。散歩。そぞろ歩き","text":"逍遥 しょうよう\nあちこちをぶらぶら歩くこと。散歩。そぞろ歩き\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%80%8D%E9%81%A5%20%E3%81%97%E3%82%87%E3%81%86%E3%82%88%E3%81%86","updated":1722889147,"position":[-63.1622,31.2662,-120.6032],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04191,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:668260daea2b1e001de4225a","source":"ideaofintellection","title":"田舎の勉強 京の昼寝","excerpt":"田舎で学問を一生懸命勉強するよりも、都会である京都で昼寝をしながら、のんびりと過ごすほうが“多くの学びを得られて、知識も豊富になること。","text":"田舎の勉強 京の昼寝\n田舎で学問を一生懸命勉強するよりも、都会である京都で昼寝をしながら、のんびりと過ごすほうが“多くの学びを得られて、知識も豊富になること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%94%B0%E8%88%8E%E3%81%AE%E5%8B%89%E5%BC%B7%20%E4%BA%AC%E3%81%AE%E6%98%BC%E5%AF%9D","updated":1722889138,"position":[-43.7791,10.7734,-136.697],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04085,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66826124d2ef7d001c5bec10","source":"ideaofintellection","title":"refreshments","excerpt":"「軽食、飲み物」という意味で、コーヒー、紅茶、クッキーやサンドイッチなどを指します。","text":"refreshments\n「軽食、飲み物」という意味で、コーヒー、紅茶、クッキーやサンドイッチなどを指します。 \n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/refreshments","updated":1722889129,"position":[27.4817,-41.3563,114.235],"cluster":"c14","subgroup":"c14.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14255,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662f686bfb6d2400239ceed0","weight":0.14255,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c632a766428f001ca16b9f","weight":0.1059,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:668261ccb0f3e0001d174a63","source":"ideaofintellection","title":"自由エネルギー原理と能動的推論","excerpt":"「自由エネルギー原理（Free Energy Principle）」とは「能動的推論による自由エネルギーの最小化こそが、人間を含む生き物の心、脳、行動を説明する統一原理である」という主張なのである。","text":"自由エネルギー原理と能動的推論\n「自由エネルギー原理（Free Energy Principle）」とは「能動的推論による自由エネルギーの最小化こそが、人間を含む生き物の心、脳、行動を説明する統一原理である」という主張なのである。\nhttps://note.com/ogatahisato/n/nbf5cfdb39c68\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E8%87%AA%E7%94%B1%E3%82%A8%E3%83%8D%E3%83%AB%E3%82%AE%E3%83%BC%E5%8E%9F%E7%90%86%E3%81%A8%E8%83%BD%E5%8B%95%E7%9A%84%E6%8E%A8%E8%AB%96","updated":1722889118,"position":[-43.9217,-28.7702,79.3225],"cluster":"c28","subgroup":"c28.01","degree":10,"referenceDegree":0,"maxSimilarity":0.52496,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655642c59efbd7001cfe03c9","weight":0.52496,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6a798a9c13001d16966b","weight":0.41652,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655642abf36495001bce5367","weight":0.29331,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a509ee92770025dcee18","weight":0.23683,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c558c327cb5100255ff308","weight":0.23213,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af891602ab32001dccade0","weight":0.23193,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.22691,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.21788,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:668a382db77532001cf876d7","source":"ideaofintellection","title":"（1）落下する水、（2）照明用ガス、が与えられたとせよ","excerpt":"デュシャン","text":"（1）落下する水、（2）照明用ガス、が与えられたとせよ\nデュシャン\n[https://scrapbox.io/files/668a38636858a0001cdde49c.jpeg]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%EF%BC%881%EF%BC%89%E8%90%BD%E4%B8%8B%E3%81%99%E3%82%8B%E6%B0%B4%E3%80%81%EF%BC%882%EF%BC%89%E7%85%A7%E6%98%8E%E7%94%A8%E3%82%AC%E3%82%B9%E3%80%81%E3%81%8C%E4%B8%8E%E3%81%88%E3%82%89%E3%82%8C%E3%81%9F%E3%81%A8%E3%81%9B%E3%82%88","updated":1722889097,"position":[29.4779,-43.0316,102.7498],"cluster":"c14","subgroup":"c14.01","degree":12,"referenceDegree":0,"maxSimilarity":0.30649,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d3114a9c10002e110dbe","weight":0.30649,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf5bf3e1761f10cdcff90","weight":0.28149,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:668a38c6f15cdf001dbafb36","source":"ideaofintellection","title":"デュシャン　網膜的","excerpt":"亡くなる寸前まで新しい表現を模索し続けたデュシャン。 彼はしばしば、主に絵画作品を批判するときに「網膜的だ」という言葉を使っていました。 これは、「目の快楽だけで描かれている」美術、つまり目から入る刺激を楽しむだけの絵画（とデュシャンが思う）作品に対する批判です。","text":"デュシャン　網膜的\n亡くなる寸前まで新しい表現を模索し続けたデュシャン。 彼はしばしば、主に絵画作品を批判するときに「網膜的だ」という言葉を使っていました。 これは、「目の快楽だけで描かれている」美術、つまり目から入る刺激を楽しむだけの絵画（とデュシャンが思う）作品に対する批判です。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%87%E3%83%A5%E3%82%B7%E3%83%A3%E3%83%B3%E3%80%80%E7%B6%B2%E8%86%9C%E7%9A%84","updated":1722889083,"position":[28.7556,-41.3788,106.3194],"cluster":"c14","subgroup":"c14.01","degree":4,"referenceDegree":0,"maxSimilarity":0.43025,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:683bf5bf3e1761f10cdcff90","weight":0.43025,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d95256809cb7b17e869f","weight":0.30241,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668a382db77532001cf876d7","weight":0.16523,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d3114a9c10002e110dbe","weight":0.09884,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:668e25a77c5da7001d3ea051","source":"ideaofintellection","title":"蝸牛 脳幹 聴覚皮質 皮質からの脳幹へのフィードバック","excerpt":"Music training for the development of auditory skills","text":"蝸牛 脳幹 聴覚皮質 皮質からの脳幹へのフィードバック\n[https://scrapbox.io/files/668e25e48c4d15001c248c47.png]\nMusic training for the development of auditory skills\nNina Kraus & Bharath Chandrasekaran \n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E8%9D%B8%E7%89%9B%20%E8%84%B3%E5%B9%B9%20%E8%81%B4%E8%A6%9A%E7%9A%AE%E8%B3%AA%20%E7%9A%AE%E8%B3%AA%E3%81%8B%E3%82%89%E3%81%AE%E8%84%B3%E5%B9%B9%E3%81%B8%E3%81%AE%E3%83%95%E3%82%A3%E3%83%BC%E3%83%89%E3%83%90%E3%83%83%E3%82%AF","updated":1722889062,"position":[-43.2773,-27.2087,78.0754],"cluster":"c28","subgroup":"c28.01","degree":11,"referenceDegree":0,"maxSimilarity":0.22341,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d7983f0c730024ad454d","weight":0.22341,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e1268894910f0025c3f19d","weight":0.21125,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af14395ef4c4001c4416f0","weight":0.20936,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.20463,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3092bcd48d001dd05bae","weight":0.20418,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.20409,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6a798a9c13001d16966b","weight":0.20401,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b7869cfb9a970025f34725","weight":0.13123,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:668e4b32df3b24001ddbe1e8","source":"ideaofintellection","title":"臨界期","excerpt":"臨界期で大切な時期は、言語（0歳〜9歳）・運動能力（0歳〜4歳）・絶対音感（0歳〜4歳）・数学的能力（1歳〜4歳）と言われています。 臨界期に、適切な刺激を与え、脳が記憶をしておけば、その後でもちょっと練習をするだけで、ごく自然に簡単に同じ事が出来るようになります。","text":"臨界期\n臨界期で大切な時期は、言語（0歳〜9歳）・運動能力（0歳〜4歳）・絶対音感（0歳〜4歳）・数学的能力（1歳〜4歳）と言われています。 臨界期に、適切な刺激を与え、脳が記憶をしておけば、その後でもちょっと練習をするだけで、ごく自然に簡単に同じ事が出来るようになります。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%87%A8%E7%95%8C%E6%9C%9F","updated":1722888989,"position":[-24.4993,12.1065,-116.8018],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05919,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66927bc149a749001dc32725","source":"ideaofintellection","title":"邂逅 かいこう","excerpt":"思いがけなく会うこと。めぐりあい。","text":"邂逅 かいこう\n思いがけなく会うこと。めぐりあい。\n 「三十年ぶりの―」\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%82%82%E9%80%85%20%E3%81%8B%E3%81%84%E3%81%93%E3%81%86","updated":1722888968,"position":[-42.4266,-7.3119,-121.7842],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0508,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6699cfad290e04001d778c65","source":"ideaofintellection","title":"animacy","excerpt":"生物・人工物を問わず、その視覚的な印象や動きなどから、生物であると感じてしまうこと。 生物性。","text":"animacy\n生物・人工物を問わず、その視覚的な印象や動きなどから、生物であると感じてしまうこと。 生物性。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/animacy","updated":1722888953,"position":[-41.3023,23.7818,-94.4552],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08036,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6699d9a16b4172001dac48cd","source":"ideaofintellection","title":"poesy","excerpt":"ポエムは言語の一形式だから客観が可能だが、 ポエジーは形がないから個人の主観によるしか ない。」 谷川氏の語るポエムとは、既に音声日本語や 音声英語、あるいは文字という言葉の形をとっ て表されている、いわゆる詩のことである。 言 葉にはもちろん手話も含まれる。","text":"poesy\nポエムは言語の一形式だから客観が可能だが、 ポエジーは形がないから個人の主観によるしか ない。」 谷川氏の語るポエムとは、既に音声日本語や 音声英語、あるいは文字という言葉の形をとっ て表されている、いわゆる詩のことである。 言 葉にはもちろん手話も含まれる。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/poesy","updated":1722888930,"position":[-12.2408,-92.4051,26.8868],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.08296,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6699d9deb71340001c8bab70","source":"ideaofintellection","title":"モナリザ　黄金比","excerpt":"[https://scrapbox.io/files/6699da0884fd75001cc3828a.jpeg] #visual","text":"モナリザ　黄金比\n[https://scrapbox.io/files/6699da0884fd75001cc3828a.jpeg]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A2%E3%83%8A%E3%83%AA%E3%82%B6%E3%80%80%E9%BB%84%E9%87%91%E6%AF%94","updated":1722888909,"position":[30.536,-45.9276,100.9818],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.57989,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659386d203c3060024a3fc5e","weight":0.57989,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ff5690fa80c8001ccbe6e4","weight":0.09785,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669bf22525fddc001d1b19a9","source":"ideaofintellection","title":"キネトスコープ","excerpt":"キネトスコープ キネトスコープは、１８９１年に映画を見る装置としてエジソンによって発明されました。","text":"キネトスコープ\n[https://scrapbox.io/files/669bf25e52d2ff001d0eaed0.webp]\nキネトスコープ キネトスコープは、１８９１年に映画を見る装置としてエジソンによって発明されました。\n当時画期的で現在の映画館のようなものになると言われていた。\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AD%E3%83%8D%E3%83%88%E3%82%B9%E3%82%B3%E3%83%BC%E3%83%97","updated":1722888896,"position":[-10.4489,5.7925,12.987],"cluster":"c07","subgroup":"c07.02","degree":11,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b47afe2cb48b59ed07553","weight":0.24141,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a994ca0654001cba5060","weight":0.21885,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662bd0be50275e002594c30c","weight":0.21768,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669bf2ce9b79ac001c80f225","source":"ideaofintellection","title":"可能的様態","excerpt":"可能的様態とは，「過去に構想されたか，あるいは実 際に存在したものの，後に廃れたり，忘却されたりしたメディアの社会的なあり よう，つまり『ありえたかもしれないメディアの姿』」を指す","text":"可能的様態\n可能的様態とは，「過去に構想されたか，あるいは実 際に存在したものの，後に廃れたり，忘却されたりしたメディアの社会的なあり よう，つまり『ありえたかもしれないメディアの姿』」を指す\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E5%8F%AF%E8%83%BD%E7%9A%84%E6%A7%98%E6%85%8B","updated":1722888887,"position":[-0.4458,-23.933,7.2335],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0823,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:669bf3192516d1001c6a8536","source":"ideaofintellection","title":"artlab soundcreatures 1999","excerpt":"阿部さんがオーガナイズしてた","text":"artlab soundcreatures 1999\n阿部さんがオーガナイズしてた\n\n[https://youtu.be/keSRaaKYj0I?si=jLdniEWiWgQW3vvx]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/artlab%20soundcreatures%201999","updated":1722888871,"position":[-9.748,6.9956,11.8074],"cluster":"c07","subgroup":"c07.02","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a994ca0654001cba5060","weight":0.21132,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa30ebaf031b00246462a4","weight":0.20739,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669c879943f636001d8c4379","source":"ideaofintellection","title":"Blast can you see me now","excerpt":"[https://youtu.be/hX4kZvEllwY?si=wPazbMBK0ACtkNci]","text":"Blast can you see me now\n[https://youtu.be/hX4kZvEllwY?si=wPazbMBK0ACtkNci]\n\n2010\nバーチャル鬼ごっこ\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Blast%20can%20you%20see%20me%20now","updated":1722888862,"position":[-10.3281,11.8021,13.5024],"cluster":"c07","subgroup":"c07.02","degree":8,"referenceDegree":0,"maxSimilarity":0.40794,"lowEvidence":false,"neighbors":[{"id":"NextResearch:651a75f8dcab29001b9bfd21","weight":0.40794,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507923f0360dd001b426133","weight":0.2,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e59a4105ba9c2a89a441","weight":0.12351,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669c88699b79ac001c82bd3f","source":"ideaofintellection","title":"1978 MIT aspen movie map","excerpt":"アスペン ムービー マップは、MIT で開発されたハイパーメディア システムで、ユーザーがコロラド州アスペン市の仮想ツアーに参加できるようにしました。 1978 年に ARPA からの資金提供を受けて、アンドリュー リップマンと協力したチームによって開発されました。","text":"1978 MIT aspen movie map\n[https://scrapbox.io/files/66b3b42804e094001c35be73.png]\n\nアスペン ムービー マップは、MIT で開発されたハイパーメディア システムで、ユーザーがコロラド州アスペン市の仮想ツアーに参加できるようにしました。 1978 年に ARPA からの資金提供を受けて、アンドリュー リップマンと協力したチームによって開発されました。 \n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/1978%20MIT%20aspen%20movie%20map","updated":1723053099,"position":[-11.6927,8.9772,14.144],"cluster":"c07","subgroup":"c07.02","degree":9,"referenceDegree":0,"maxSimilarity":0.28366,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a20676029d00237e6e4e","weight":0.28366,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312ca4fec9c300251787d7","weight":0.20747,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631da4111dbec0023418ebc","weight":0.20654,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669c88b0bba84b001dc985a1","source":"ideaofintellection","title":"Ivan sutherland head mounted display","excerpt":"[https://youtu.be/NtwZXGprxag?si=V1_XVW9IsjbASvh2]","text":"Ivan sutherland head mounted display\n[https://youtu.be/NtwZXGprxag?si=V1_XVW9IsjbASvh2]\n\nhttps://ja.m.wikipedia.org/wiki/アイバン%E3%83%BBサザランド\n1960年代\n[https://scrapbox.io/files/669c8959278662001d6b9b92.jpeg]\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Ivan%20sutherland%20head%20mounted%20display","updated":1722888833,"position":[-10.5113,8.8801,16.1616],"cluster":"c07","subgroup":"c07.02","degree":9,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507923f0360dd001b426133","weight":0.2,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2859bf3c1200238b3429","weight":0.2,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499abbcaf32bb001bf12a45","weight":0.14304,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669c8969da4bb2001d7104ba","source":"ideaofintellection","title":"幻灯機","excerpt":"幻灯機（げんとうき、英語: magic lantern）とは、ランプとレンズを使って、ガラスに描かれた画像を適当な幕に投影するスライド映写機の原型にあたる機械、あるいはその後身であるスライド映写機の古典的呼称である。","text":"幻灯機\n[https://scrapbox.io/files/669c898c157fcc001d9db817.webp]\n幻灯機（げんとうき、英語: magic lantern）とは、ランプとレンズを使って、ガラスに描かれた画像を適当な幕に投影するスライド映写機の原型にあたる機械、あるいはその後身であるスライド映写機の古典的呼称である。\nジョゼフ・ニーダムによれば、2世紀の中国で既に幻灯機が文献に現れているとされている。西洋では、15世紀以前からランタンによってイメージを拡大投影する装置が作り出されていたが、それにレンズとスライドの機構を取り入れた幻灯機の再発明には、イエズス会のアタナシウス・キルヒャーと、オランダ人プロテスタントのクリスティアーン・ホイヘンスが貢献したと言われている。\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E5%B9%BB%E7%81%AF%E6%A9%9F","updated":1722888809,"position":[-10.8009,8.7929,11.1497],"cluster":"c07","subgroup":"c07.02","degree":12,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a7923462cc00257041d8","weight":0.22017,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669bf22525fddc001d1b19a9","weight":0.21763,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a5d1f43bb80024cd8b60","weight":0.21198,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669c8a6213eacf001d18c12b","source":"ideaofintellection","title":"ゼウクシスとパラシオス","excerpt":"紀元前5世紀に活動した画家。","text":"ゼウクシスとパラシオス\n紀元前5世紀に活動した画家。\n[https://scrapbox.io/files/669c8af10fa43d001de19966.jpeg]\n\n大プリニウスの『博物誌』によると、ゼウクシスは、同時代人であったパラシオス（英語版）（エフェソス、後にアテナイで活動した）とともに、どちらがより優れているかを決する競技をおこなったという。ゼウクシスがブドウの絵を除幕すると、それはあまりに写実的だったので鳥たちが飛来して突こうとしたという。しかし、パラシオスがカーテンで隠された絵を示し、ゼウクシスがそれを開くよう促したところ、そのカーテンはそれ自体が描かれただまし絵だった。パラシオスが勝利し、ゼウクシスは「私は鳥は騙せたが、パラシオスはゼウクシスを騙した」と言ったという。この話は、18世紀から19世紀の絵画理論の中で、空間的な錯覚を起こさせる技法を擁護するためにしばしば言及された。同様の逸話には、あるときゼウクシスがブドウを持つ少年の姿を描いていたところ、またもや鳥たちがブドウを突こうとしたため、彼はひどく不機嫌になり、少年の姿をもっと下手くそに描いていれば、鳥たちが怖がって近づいてこなかったはずなのにと言った、というものもある。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BC%E3%82%A6%E3%82%AF%E3%82%B7%E3%82%B9%E3%81%A8%E3%83%91%E3%83%A9%E3%82%B7%E3%82%AA%E3%82%B9","updated":1722888796,"position":[4.1832,-63.676,20.436],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0724,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:669cc275d32fc6001c3745f4","source":"ideaofintellection","title":"Vectorial Elevention 1999","excerpt":"[https://vimeo.com/33988779]","text":"Vectorial Elevention 1999\n[https://scrapbox.io/files/669cc2f3bf6815001c0d7f7b.jpeg]\n\n\n[https://vimeo.com/33988779]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Vectorial%20Elevention%201999","updated":1722888778,"position":[-8.7417,10.472,14.5903],"cluster":"c07","subgroup":"c07.02","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a60820a04b272411f87912b","weight":0.23849,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507923f0360dd001b426133","weight":0.2,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669cc35a5687a2001cf4bc5c","source":"ideaofintellection","title":"light on the net 1996","excerpt":"[https://youtu.be/3RJCap4rB2E?si=7h7mvsYjwQ8DJp6x]","text":"light on the net 1996\n[https://youtu.be/3RJCap4rB2E?si=7h7mvsYjwQ8DJp6x]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/light%20on%20the%20net%201996","updated":1722888766,"position":[-3.4972,9.9123,12.8765],"cluster":"c07","subgroup":"c07.02","degree":12,"referenceDegree":0,"maxSimilarity":0.28473,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686b4dbf040d71b1503a6d9d","weight":0.28473,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655641bcd1de8f001c4ba256","weight":0.2355,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4e07f350fa737335cfcb","weight":0.23345,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669e452006fcfe001d8c0794","source":"ideaofintellection","title":"Telegarden","excerpt":"[https://youtu.be/gbyy5vSg8w8?si=I0iTyZ6LQf5cehRX]","text":"Telegarden\n[https://youtu.be/gbyy5vSg8w8?si=I0iTyZ6LQf5cehRX]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Telegarden","updated":1722888754,"position":[-9.7467,9.1984,12.3876],"cluster":"c07","subgroup":"c07.02","degree":41,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 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題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669e45dfac9157001c976dd8","source":"ideaofintellection","title":"Good morning Mr. Orwell","excerpt":"Nam June Paik 1984","text":"Good morning Mr. Orwell\nNam June Paik 1984\nhttps://www.moma.org/magazine/articles/875\n[https://scrapbox.io/files/66b3b3d762396c001da97df8.png]\n#media\n\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Good%20morning%20Mr.%20Orwell","updated":1723053042,"position":[-9.1126,11.4858,13.8808],"cluster":"c07","subgroup":"c07.02","degree":10,"referenceDegree":0,"maxSimilarity":0.39096,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686a980b040d71b150357084","weight":0.39096,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507923f0360dd001b426133","weight":0.2,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65171387807c09001c31e90a","weight":0.17869,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669e4780f3b507001cc35533","source":"ideaofintellection","title":"Hole in space","excerpt":"Kit Galloway","text":"Hole in space\nKit Galloway\nhttps://www.moma.org/collection/works/120330\n[https://scrapbox.io/files/66b3b3b4808786001ccfde82.png]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Hole%20in%20space","updated":1723052984,"position":[-9.7742,109.8401,5.0855],"cluster":"c13","subgroup":"c13.01","degree":11,"referenceDegree":0,"maxSimilarity":0.43677,"lowEvidence":false,"neighbors":[{"id":"NextResearch:674e971ff2a996507e477b96","weight":0.43677,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a7d5d618adb7495a517b9f4","weight":0.29487,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bb5f47644fd31759611a4","weight":0.28472,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69512132ebe9dc16ade76768","weight":0.28098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669e48e91b0ddb001d180009","source":"ideaofintellection","title":"Water Canvus","excerpt":"鈴木太郎","text":"Water Canvus\n[https://scrapbox.io/files/66b3b3918c539e001d696ae9.png]\n\n鈴木太郎\nhttp://suzukitaro.jp/?page_id=496\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Water%20Canvus","updated":1723052951,"position":[-4.7677,13.3556,12.5094],"cluster":"c07","subgroup":"c07.02","degree":13,"referenceDegree":0,"maxSimilarity":0.32706,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a858c9387a00245facc3","weight":0.32706,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:650771019f6394001baaa6d7","weight":0.29761,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580063966acf0002ddcd739","weight":0.27518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:669e4b3a409e61001c8877fa","source":"ideaofintellection","title":"mobile phone concert","excerpt":"2007","text":"mobile phone concert\n2007\n[https://youtu.be/g1G-YesiBB8?si=5otHB7lZGzzsnf4V]\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/mobile%20phone%20concert","updated":1722888714,"position":[-10.3783,10.7152,15.8415],"cluster":"c07","subgroup":"c07.02","degree":8,"referenceDegree":0,"maxSimilarity":0.48938,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65a8f659f65e1e0023c37a96","weight":0.48938,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c04580b48108002420601d","weight":0.32355,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a078736a749fb72764cf7c0","weight":0.1494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af0cc7a20a59001c12139c","source":"ideaofintellection","title":"自己組織化臨界性","excerpt":"平衡から外れたシナリオや、地震の可能性から森林火災の広がりまで、多様で複雑な動的現象の一般則が、自己組織化臨界現象によって説明される。 この組織化原理によって、系は初期条件と無関係な定常状態に調整され、わずかな摂動だけで臨界応答が起こる。","text":"自己組織化臨界性\n平衡から外れたシナリオや、地震の可能性から森林火災の広がりまで、多様で複雑な動的現象の一般則が、自己組織化臨界現象によって説明される。 この組織化原理によって、系は初期条件と無関係な定常状態に調整され、わずかな摂動だけで臨界応答が起こる。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E8%87%AA%E5%B7%B1%E7%B5%84%E7%B9%94%E5%8C%96%E8%87%A8%E7%95%8C%E6%80%A7","updated":1722888618,"position":[-24.3677,-72.7804,66.4122],"cluster":"c04","subgroup":"c04.02","degree":7,"referenceDegree":0,"maxSimilarity":0.48987,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65413d60f9fd93001c6a0599","weight":0.48987,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:653f149658d106001b4ddb93","weight":0.37464,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cca4fad46066002675f8fa","weight":0.28528,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cca838687865002421d76f","weight":0.21092,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668261ccb0f3e0001d174a63","weight":0.20682,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.2041,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af25b926616b001c28f259","weight":0.20383,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af0e2185b796001de382e4","source":"ideaofintellection","title":"カークウッドの空隙","excerpt":"カークウッドの空隙とは、「メインベルト（小惑星帯）」に位置する小惑星について、その公転軌道の軌道長半径（または公転周期）の分布を図に描いた際、特定の軌道長半径に見られる間隙またはくぼみのこと。これは、特定の軌道長半径を持つ小惑星が存在しない、あるいは極端に少ないことを意味する。","text":"カークウッドの空隙\nカークウッドの空隙とは、「メインベルト（小惑星帯）」に位置する小惑星について、その公転軌道の軌道長半径（または公転周期）の分布を図に描いた際、特定の軌道長半径に見られる間隙またはくぼみのこと。これは、特定の軌道長半径を持つ小惑星が存在しない、あるいは極端に少ないことを意味する。\n[https://scrapbox.io/files/66af0e58f5d102001c925b1b.png]\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%BC%E3%82%AF%E3%82%A6%E3%83%83%E3%83%89%E3%81%AE%E7%A9%BA%E9%9A%99","updated":1722888603,"position":[-24.2364,-73.1135,65.7316],"cluster":"c04","subgroup":"c04.02","degree":11,"referenceDegree":0,"maxSimilarity":0.21579,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c54ae8708597002535d050","weight":0.21579,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.21165,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65caaf34daea0b0024cc77e4","weight":0.21118,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c559e071ec52002340dd47","weight":0.20812,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","weight":0.20744,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55a1d53995700250f62ed","weight":0.20678,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.20655,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7288aac46f001c0593ca","weight":0.20598,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af1261eac4c1001dfced1a","source":"ideaofintellection","title":"ニーチェ","excerpt":"狂気は個人にあっては稀有なものである。だが集団、党派、国家、時代にあっては通例である。","text":"ニーチェ\n狂気は個人にあっては稀有なものである。だが集団、党派、国家、時代にあっては通例である。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8B%E3%83%BC%E3%83%81%E3%82%A7","updated":1722888589,"position":[-57.0364,50.0553,-112.2508],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05757,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66af12b7dd64ca001dc7d9e9","source":"ideaofintellection","title":"Tipping Point","excerpt":"それまで小さく変化していたある物事が、突然急激に変化する時点を意味する語。 臨界点や閾値と言い換えられることもある。 主に、物事が爆発的に流行して社会に広まる際に、その時点を指して用いられることが多い。","text":"Tipping Point\nそれまで小さく変化していたある物事が、突然急激に変化する時点を意味する語。 臨界点や閾値と言い換えられることもある。 主に、物事が爆発的に流行して社会に広まる際に、その時点を指して用いられることが多い。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/Tipping%20Point","updated":1722888577,"position":[-16.9604,-16.4794,-20.661],"cluster":"c11","subgroup":"c11.01","degree":1,"referenceDegree":0,"maxSimilarity":0.24153,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6434eb6201fa6d001bc79aa2","weight":0.24153,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af12d7b51b23001c1174d4","source":"ideaofintellection","title":"弱い紐帯の強み","excerpt":"「弱い紐帯の強み」とは、米国の社会学者マーク・グラノヴェッターが発表した社会的ネットワークに関する仮説です。グラノヴェッターによれば、新規性の高い価値ある情報は、自分の家族や親友、職場の仲間といった社会的つながりが強い人々（強い紐帯）よりも、知り合いの知り合い、ちょっとした知り合いなど社会的つながりが弱い人々（弱い紐帯）からもたらされる可能性が高いといいます。これを「弱い紐帯の強み」の理論と呼びます。","text":"弱い紐帯の強み\n「弱い紐帯の強み」とは、米国の社会学者マーク・グラノヴェッターが発表した社会的ネットワークに関する仮説です。グラノヴェッターによれば、新規性の高い価値ある情報は、自分の家族や親友、職場の仲間といった社会的つながりが強い人々（強い紐帯）よりも、知り合いの知り合い、ちょっとした知り合いなど社会的つながりが弱い人々（弱い紐帯）からもたらされる可能性が高いといいます。これを「弱い紐帯の強み」の理論と呼びます。\nhttps://jinjibu.jp/keyword/detl/599/\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E5%BC%B1%E3%81%84%E7%B4%90%E5%B8%AF%E3%81%AE%E5%BC%B7%E3%81%BF","updated":1722888559,"position":[-24.36,-72.8537,65.4724],"cluster":"c04","subgroup":"c04.02","degree":8,"referenceDegree":0,"maxSimilarity":0.21321,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.21321,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ae97085970025360276","weight":0.20906,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3e5827132e001c2db7a0","weight":0.20768,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c558c327cb5100255ff308","weight":0.20605,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af25b926616b001c28f259","weight":0.2054,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af891602ab32001dccade0","weight":0.20488,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af36b848946e001c028b64","weight":0.20337,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7288aac46f001c0593ca","weight":0.20301,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af14395ef4c4001c4416f0","source":"ideaofintellection","title":"118種類のシナプス細胞","excerpt":"https://www.natureasia.com/ja-jp/ndigest/v18/n4/アストロサイトに見つかった抑制性シナプス制御機能/107008","text":"118種類のシナプス細胞\nhttps://www.natureasia.com/ja-jp/ndigest/v18/n4/アストロサイトに見つかった抑制性シナプス制御機能/107008\n\n三者間シナプスの分子として、118種類を同定することができました(図2c)。その中には、これまでに知られていた三者間シナプス構成分子（ニューロリギン3、ニューレキシン1、カルシウムチャネル補助サブユニット、興奮性シナプス分子、抑制性シナプス分子など）も含まれていました。マウスの大脳皮質で。\n[https://scrapbox.io/files/66af14b2eff2bf001c5ee31e.jpeg]\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/118%E7%A8%AE%E9%A1%9E%E3%81%AE%E3%82%B7%E3%83%8A%E3%83%97%E3%82%B9%E7%B4%B0%E8%83%9E","updated":1722888505,"position":[-43.3869,-26.2026,77.7841],"cluster":"c28","subgroup":"c28.01","degree":9,"referenceDegree":0,"maxSimilarity":0.23527,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.23527,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66552d245f9d58002253cae0","weight":0.2103,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668e25a77c5da7001d3ea051","weight":0.20936,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:664f27b9770624001d2c03f0","weight":0.20729,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dfeb3cbcafdf0025da3dea","weight":0.20601,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658b022086d7a80023dda5fe","weight":0.20558,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa2243af031b002463192b","weight":0.20421,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f0376b98989e0023daf6ab","weight":0.2042,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af179237aaa3001cf705be","source":"ideaofintellection","title":"マウリス・エッシャー","excerpt":"1898年6月17日 - 1972年3月27日）は、木版画、リトグラフ、メゾティントなどの版画制作でよく知られる、オランダ人画家（版画家）である。","text":"マウリス・エッシャー\n[https://scrapbox.io/files/66af17b655fb83001d6ac7e8.webp]\n1898年6月17日 - 1972年3月27日）は、木版画、リトグラフ、メゾティントなどの版画制作でよく知られる、オランダ人画家（版画家）である。\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%82%A6%E3%83%AA%E3%82%B9%E3%83%BB%E3%82%A8%E3%83%83%E3%82%B7%E3%83%A3%E3%83%BC","updated":1722888477,"position":[30.0119,-45.174,99.7464],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d7feb647e70023407592","weight":0.10618,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","source":"ideaofintellection","title":"位相特異点","excerpt":"位相が定義できない点を位相特異点と呼ぶ。 光渦は、その中心周りにらせん状の 位相分布を持つため、中心が位相特異点となる。 電子が原子核等の周りを回転運動しているとみなせる場合、その回転運動から生 じる角運動量(運動量のモーメント)を軌道角運動量と呼ぶ。","text":"位相特異点\n位相が定義できない点を位相特異点と呼ぶ。 光渦は、その中心周りにらせん状の 位相分布を持つため、中心が位相特異点となる。 電子が原子核等の周りを回転運動しているとみなせる場合、その回転運動から生 じる角運動量(運動量のモーメント)を軌道角運動量と呼ぶ。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E4%BD%8D%E7%9B%B8%E7%89%B9%E7%95%B0%E7%82%B9","updated":1722888436,"position":[-24.7039,-72.8617,65.5798],"cluster":"c04","subgroup":"c04.02","degree":14,"referenceDegree":0,"maxSimilarity":0.26853,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55a1d53995700250f62ed","weight":0.26853,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.22644,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af8ff4dc14a4001c88a2d1","weight":0.21535,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af0e2185b796001de382e4","weight":0.21165,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","weight":0.21066,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3dae5f438c001c44252a","weight":0.20886,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7288aac46f001c0593ca","weight":0.20706,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a3e716f69000235f9df8","weight":0.20615,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af25b926616b001c28f259","source":"ideaofintellection","title":"励振力","excerpt":"強制外力または内在するメカニズムによって振動が引起こされることを励振と呼び，振動を引起こす力を励振力という．","text":"励振力\n強制外力または内在するメカニズムによって振動が引起こされることを励振と呼び，振動を引起こす力を励振力という．\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E5%8A%B1%E6%8C%AF%E5%8A%9B","updated":1722888415,"position":[-24.6659,-72.6686,65.5596],"cluster":"c04","subgroup":"c04.02","degree":8,"referenceDegree":0,"maxSimilarity":0.21318,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af8ff4dc14a4001c88a2d1","weight":0.21318,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af36b848946e001c028b64","weight":0.2083,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af12d7b51b23001c1174d4","weight":0.2054,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f67e8d94d9900242299bd","weight":0.20523,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a3e716f69000235f9df8","weight":0.20491,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d6a244e2a60023388bb6","weight":0.20474,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ae97085970025360276","weight":0.20403,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af0cc7a20a59001c12139c","weight":0.20383,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af29640664db001d70a04c","source":"ideaofintellection","title":"蓋然性","excerpt":"蓋然性（がいぜんせい）とは、ある物事や事象が実現するか否か、または知識が確実かどうかの度合いのことである。 「蓋然性」の「蓋」は「蓋し（けだし）」と訓じ、「おそらく」「たぶん」といったニュアンスである。 蓋然性の「然」は「然り（しかり）」と訓じ、肯定や同意を表している。 「性」は「物事の性質や傾向」を示している。","text":"蓋然性\n蓋然性（がいぜんせい）とは、ある物事や事象が実現するか否か、または知識が確実かどうかの度合いのことである。 「蓋然性」の「蓋」は「蓋し（けだし）」と訓じ、「おそらく」「たぶん」といったニュアンスである。 蓋然性の「然」は「然り（しかり）」と訓じ、肯定や同意を表している。 「性」は「物事の性質や傾向」を示している。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%93%8B%E7%84%B6%E6%80%A7","updated":1722888389,"position":[3.2287,-74.0225,38.6747],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08771,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662b2bbece4079002603cae0","weight":0.08771,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","source":"ideaofintellection","title":"ボースアインシュタイン凝縮","excerpt":"ボースアインシュタイン統計に従う粒子系が、ある温度を下回り、すべての粒子が一つの最低エネルギーになった状態。 巨視的な系にもかかわらず、量子力学的な効果や振る舞いが見られ、絶対零度付近の液体ヘリウムが示す超流動のような特異な現象が生じる。","text":"ボースアインシュタイン凝縮\nボースアインシュタイン統計に従う粒子系が、ある温度を下回り、すべての粒子が一つの最低エネルギーになった状態。 巨視的な系にもかかわらず、量子力学的な効果や振る舞いが見られ、絶対零度付近の液体ヘリウムが示す超流動のような特異な現象が生じる。\nフェルミ粒子には電子、陽子、中性子などがあり、スピンは1/2など半整数の値をとる。 ボース粒子は光子、中間子などで、スピンは0、1など整数になる。 スピンが半整数の粒子も、偶数個集まりボース粒子を形づくる。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9C%E3%83%BC%E3%82%B9%E3%82%A2%E3%82%A4%E3%83%B3%E3%82%B7%E3%83%A5%E3%82%BF%E3%82%A4%E3%83%B3%E5%87%9D%E7%B8%AE","updated":1722888277,"position":[-24.9577,-73.8199,65.7147],"cluster":"c04","subgroup":"c04.02","degree":18,"referenceDegree":0,"maxSimilarity":0.35375,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af8f18163b20001c67ca02","weight":0.35375,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:654136c44c9563001c039c49","weight":0.32276,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2b69f12dd2001db4df17","weight":0.32185,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65caaf34daea0b0024cc77e4","weight":0.27957,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af36b848946e001c028b64","weight":0.22833,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.22753,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668261ccb0f3e0001d174a63","weight":0.22691,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2b1b06757a001d4263fa","weight":0.22603,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","source":"ideaofintellection","title":"不確定性原理","excerpt":"1927年、ハイゼンベルグにより提唱された量子力学の根幹をなす有名な原理。 電子などの素粒子では、その位置と運動量の両方を同時に正確に計測することができないという原理のこと。 これは計測手法に依存するものではなく、粒子そのものが持つ物理的性質と理解されている。","text":"不確定性原理\n1927年、ハイゼンベルグにより提唱された量子力学の根幹をなす有名な原理。 電子などの素粒子では、その位置と運動量の両方を同時に正確に計測することができないという原理のこと。 これは計測手法に依存するものではなく、粒子そのものが持つ物理的性質と理解されている。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%8D%E7%A2%BA%E5%AE%9A%E6%80%A7%E5%8E%9F%E7%90%86","updated":1722888288,"position":[-24.3588,-73.285,65.4625],"cluster":"c04","subgroup":"c04.02","degree":15,"referenceDegree":0,"maxSimilarity":0.22753,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.22753,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.22644,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2b1b06757a001d4263fa","weight":0.22583,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668259ac56a9c5001c295a7c","weight":0.22225,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668261ccb0f3e0001d174a63","weight":0.21788,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3e5827132e001c2db7a0","weight":0.21373,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5724d3ce05500249d2100","weight":0.21114,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f67e8d94d9900242299bd","weight":0.21053,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af2ae9ac119a001d952452","source":"ideaofintellection","title":"潮汐固定","excerpt":"自転と公転の同期","text":"潮汐固定\n自転と公転の同期\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%BD%AE%E6%B1%90%E5%9B%BA%E5%AE%9A","updated":1722857200,"position":[-65.0951,44.2836,-105.5087],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.02212,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66af2b1b06757a001d4263fa","source":"ideaofintellection","title":"亜原子粒子","excerpt":"亜原子粒子（あげんしりゅうし、英: subatomic particle）とは、物理学や化学において原子よりも小さい粒子である。亜原子粒子は核子や原子などを構成する。","text":"亜原子粒子\n亜原子粒子（あげんしりゅうし、英: subatomic particle）とは、物理学や化学において原子よりも小さい粒子である。亜原子粒子は核子や原子などを構成する。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%9C%E5%8E%9F%E5%AD%90%E7%B2%92%E5%AD%90","updated":1722888345,"position":[-24.629,-73.2798,65.2775],"cluster":"c04","subgroup":"c04.02","degree":10,"referenceDegree":0,"maxSimilarity":0.22603,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.22603,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.22583,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a509ee92770025dcee18","weight":0.2108,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ce05e83ba0025e0c121","weight":0.20843,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.20674,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55ccd0e4de2002613d6c4","weight":0.20603,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.20601,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3dae5f438c001c44252a","weight":0.20391,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af2caa8b9674001c18e932","source":"ideaofintellection","title":"軌道共鳴 永年共鳴","excerpt":"軌道共鳴（きどうきょうめい、orbital resonance[1]）とは、天体力学において、ある天体の周りを公転する2つの天体が互いに重力を及ぼし合う結果、両者の軌道が変化すること[1]。公転周期と同程度の短い時間スケールで影響する平均運動共鳴[2]と、104 - 106 年の長い時間スケールで影響する永年共鳴[3]がある。","text":"軌道共鳴 永年共鳴\n軌道共鳴（きどうきょうめい、orbital resonance[1]）とは、天体力学において、ある天体の周りを公転する2つの天体が互いに重力を及ぼし合う結果、両者の軌道が変化すること[1]。公転周期と同程度の短い時間スケールで影響する平均運動共鳴[2]と、104 - 106 年の長い時間スケールで影響する永年共鳴[3]がある。\n#physics\n","tags":["physics"],"links":["1","2","3","physics"],"url":"https://scrapbox.io/ideaofintellection/%E8%BB%8C%E9%81%93%E5%85%B1%E9%B3%B4%20%E6%B0%B8%E5%B9%B4%E5%85%B1%E9%B3%B4","updated":1722888301,"position":[-24.1527,-72.7225,65.4446],"cluster":"c04","subgroup":"c04.02","degree":7,"referenceDegree":0,"maxSimilarity":0.19457,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55ae97085970025360276","weight":0.19457,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3676dcfdc9001c38236a","weight":0.188,"type":"similarity","reason":"共通タグ #physics / 共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af0e2185b796001de382e4","weight":0.18372,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af8ff4dc14a4001c88a2d1","weight":0.17456,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.17203,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55a1d53995700250f62ed","weight":0.16581,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2b1b06757a001d4263fa","weight":0.16164,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af3018a6a311001c3ec4c2","source":"ideaofintellection","title":"驚天動地","excerpt":"天を驚かし地を動かすこと。震天動地。","text":"驚天動地\n天を驚かし地を動かすこと。震天動地。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%A9%9A%E5%A4%A9%E5%8B%95%E5%9C%B0","updated":1722857161,"position":[-59.7145,23.0769,-146.2314],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04812,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66af3092bcd48d001dd05bae","source":"ideaofintellection","title":"視交叉上核","excerpt":"視交叉上核は、視交叉の直上で視床下部第三脳室底部にある一対の小さな神経核であり、哺乳類動物における睡眠と行動や内分泌等の生理的現象の概日リズムを支配する最高位中枢である。 視交叉上核の概日時計は時計中枢として他の脳部位や末梢臓器に見られないリズム形成能力を持つ。","text":"視交叉上核\n視交叉上核は、視交叉の直上で視床下部第三脳室底部にある一対の小さな神経核であり、哺乳類動物における睡眠と行動や内分泌等の生理的現象の概日リズムを支配する最高位中枢である。 視交叉上核の概日時計は時計中枢として他の脳部位や末梢臓器に見られないリズム形成能力を持つ。\n#neuroscience\n","tags":["neuroscience"],"links":["neuroscience"],"url":"https://scrapbox.io/ideaofintellection/%E8%A6%96%E4%BA%A4%E5%8F%89%E4%B8%8A%E6%A0%B8","updated":1723052634,"position":[-43.6829,-27.0134,78.7497],"cluster":"c28","subgroup":"c28.01","degree":9,"referenceDegree":0,"maxSimilarity":0.22165,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65dab72416fdc900257ef3b1","weight":0.22165,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6603017e232a7600269e9805","weight":0.20817,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d7983f0c730024ad454d","weight":0.2065,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 neuroscience / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31dc4574ef500241dd9a5","weight":0.20638,"type":"similarity","reason":"共通タグ #neuroscience / 共通参照 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#visual","text":"ラスタープロット\n[https://scrapbox.io/files/66af30d11fd5c2001d413c9c.jpeg]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%82%B9%E3%82%BF%E3%83%BC%E3%83%97%E3%83%AD%E3%83%83%E3%83%88","updated":1722857102,"position":[27.3466,-44.3135,99.8914],"cluster":"c14","subgroup":"c14.01","degree":11,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a26e001020001c6b9326","weight":0.16467,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af34120a8b6d001d37080e","source":"ideaofintellection","title":"瞠目","excerpt":"（感心して）目をみはること。","text":"瞠目\n（感心して）目をみはること。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E7%9E%A0%E7%9B%AE","updated":1722857067,"position":[-51.2082,16.1819,-134.4328],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11151,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:6631bcca0765080024d199c9","weight":0.11151,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af3676dcfdc9001c38236a","source":"ideaofintellection","title":"ランダウ減衰","excerpt":"物理学では、ランダウダンピングは、その発見者にちなんで名付けられ、[1] ソ連の物理学者レフ・ダヴィドヴィッチ・ランダウ(1908-68)は、プラズマまたは同様の環境における縦方向の空間電荷波の減衰(時間の関数としての指数的減少)の効果である。[2]この現象は、不安定性が発達するのを防ぎ、パラメータ空間に安定性の領域を作成します。","text":"ランダウ減衰\n物理学では、ランダウダンピングは、その発見者にちなんで名付けられ、[1] ソ連の物理学者レフ・ダヴィドヴィッチ・ランダウ(1908-68)は、プラズマまたは同様の環境における縦方向の空間電荷波の減衰(時間の関数としての指数的減少)の効果である。[2]この現象は、不安定性が発達するのを防ぎ、パラメータ空間に安定性の領域を作成します。\n#physics\n","tags":["physics"],"links":["1","2","physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%83%B3%E3%83%80%E3%82%A6%E6%B8%9B%E8%A1%B0","updated":1722857019,"position":[-23.9086,-73.288,65.2196],"cluster":"c04","subgroup":"c04.02","degree":9,"referenceDegree":0,"maxSimilarity":0.188,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af2caa8b9674001c18e932","weight":0.188,"type":"similarity","reason":"共通タグ #physics / 共通参照 1・2 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c558c327cb5100255ff308","weight":0.18323,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 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題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af33b8e2cad1001dff2a85","weight":0.1211,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af36b848946e001c028b64","source":"ideaofintellection","title":"蔵本同期モデル","excerpt":"蔵本モデルは蔵本由紀によって提案された同期現象を記述する数学モデルである。特に、相互作用のある非線形振動子集団の振る舞いを記述するモデルである。このモデルは化学的、生物学的な非線形振動子系の振る舞いを示唆するものであり、幅広い応用が見られる。","text":"蔵本同期モデル\n蔵本モデルは蔵本由紀によって提案された同期現象を記述する数学モデルである。特に、相互作用のある非線形振動子集団の振る舞いを記述するモデルである。このモデルは化学的、生物学的な非線形振動子系の振る舞いを示唆するものであり、幅広い応用が見られる。\nこのモデルの前提として、完全に独立（またはほぼ独立）した振動子に弱い相互作用がはたらくこと、そしてこの相互作用は二つの振動子間の位相差の正弦関数として与えられる、という仮定がある。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E8%94%B5%E6%9C%AC%E5%90%8C%E6%9C%9F%E3%83%A2%E3%83%87%E3%83%AB","updated":1722856964,"position":[-24.9579,-73.0681,65.7501],"cluster":"c04","subgroup":"c04.02","degree":8,"referenceDegree":0,"maxSimilarity":0.28476,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af8ff4dc14a4001c88a2d1","weight":0.28476,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.22833,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3dae5f438c001c44252a","weight":0.22634,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af25b926616b001c28f259","weight":0.2083,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3e5827132e001c2db7a0","weight":0.20667,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.2059,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3e952ce788001de41d02","weight":0.20538,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af12d7b51b23001c1174d4","weight":0.20337,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af374a6b9ef6001ce225b3","source":"ideaofintellection","title":"感度関数","excerpt":"感度関数\" は単純に \"感度\" とも呼ばれ、加法的な外乱に対する信号の感度の度合いを測るものです。getSensitivity","text":"感度関数\n感度関数\" は単純に \"感度\" とも呼ばれ、加法的な外乱に対する信号の感度の度合いを測るものです。getSensitivity\nhttps://jp.mathworks.com/help/control/ref/genlti.getsensitivity.html\n#analysis\n","tags":["analysis"],"links":["analysis"],"url":"https://scrapbox.io/ideaofintellection/%E6%84%9F%E5%BA%A6%E9%96%A2%E6%95%B0","updated":1722856948,"position":[-20.0422,-16.4795,-20.7909],"cluster":"c11","subgroup":"c11.01","degree":8,"referenceDegree":0,"maxSimilarity":0.21595,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65e7234ada047f0026479afe","weight":0.21595,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.20241,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1bdaa2083cc002353c730","weight":0.20113,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ec9ff1ba97f200232a72c7","weight":0.20079,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c2a1a00d24130026f0ebc4","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee357eb552a0028561d6e","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee550d29c9c0025c68211","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669a70b6d204fd001d7a3dbf","weight":0.0939,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af3dae5f438c001c44252a","source":"ideaofintellection","title":"ウィーナー過程","excerpt":"学におけるウィーナー過程（ウィーナーかてい、英: Wiener process）は、ノーバート・ウィーナーの名にちなんだ連続時間確率過程である。ウィーナー過程はブラウン運動の数理モデルであると考えられ、しばしばウィーナー過程自身をブラウン運動と呼ぶ。最もよく知られるレヴィ過程（右連続かつ定常な独立増分確率過程）の一つであり、純粋数学、応用数学、経済学、物理学などにおいてしばしば現れる","text":"ウィーナー過程\n学におけるウィーナー過程（ウィーナーかてい、英: Wiener process）は、ノーバート・ウィーナーの名にちなんだ連続時間確率過程である。ウィーナー過程はブラウン運動の数理モデルであると考えられ、しばしばウィーナー過程自身をブラウン運動と呼ぶ。最もよく知られるレヴィ過程（右連続かつ定常な独立増分確率過程）の一つであり、純粋数学、応用数学、経済学、物理学などにおいてしばしば現れる\n[https://scrapbox.io/files/66af3dd85c6484001d1983e5.png]\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A6%E3%82%A3%E3%83%BC%E3%83%8A%E3%83%BC%E9%81%8E%E7%A8%8B","updated":1722856928,"position":[-24.85,-72.79,65.2362],"cluster":"c04","subgroup":"c04.02","degree":9,"referenceDegree":0,"maxSimilarity":0.3795,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af3e5827132e001c2db7a0","weight":0.3795,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af36b848946e001c028b64","weight":0.22634,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66471de9675d91001c2cf435","weight":0.21207,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.21177,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.20886,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55a1d53995700250f62ed","weight":0.2064,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2b1b06757a001d4263fa","weight":0.20391,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a3e716f69000235f9df8","weight":0.20324,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af3e5827132e001c2db7a0","source":"ideaofintellection","title":"調和解析 ウィーナーの定理","excerpt":"数学の一分野としての調和解析（ちょうわかいせき、英: Harmonic analysis）は、関数や信号を基本波の重ね合わせとして表現することに関わるもので、フーリエ級数やフーリエ変換及びその一般化について研究する分野である。主要な周波数（波長）の成分に着目し、問題を分析することができる。","text":"調和解析 ウィーナーの定理\n数学の一分野としての調和解析（ちょうわかいせき、英: Harmonic analysis）は、関数や信号を基本波の重ね合わせとして表現することに関わるもので、フーリエ級数やフーリエ変換及びその一般化について研究する分野である。主要な周波数（波長）の成分に着目し、問題を分析することができる。\n19世紀から20世紀を通じて、調和解析の扱う主題は広く、応用も信号処理、量子力学、神経科学など多岐にわたる。\n「調和 (harmonic)」の語は、もとは物理的な固有値問題から来たもので、（楽器の弦における調和振動の周波数のように）周波数が他の周波数の整数倍となっているような波を意図したものであるが、現在ではその原義を超えて一般化した使い方をされる。\nRn 上の古典フーリエ変換は未だ活発な研究の成されている領域であり、特により一般の緩増加超関数などの対象についてのフーリエ変換に関心が持たれる。例えば、シュワルツ超関数 f に適当な仮定を課すときに、それらの仮定を f のフーリエ変換に関する仮定に翻訳することを考えることができる。ペイリー・ウィーナーの定理はその一例である。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E8%AA%BF%E5%92%8C%E8%A7%A3%E6%9E%90%20%E3%82%A6%E3%82%A3%E3%83%BC%E3%83%8A%E3%83%BC%E3%81%AE%E5%AE%9A%E7%90%86","updated":1722856906,"position":[-24.917,-73.0369,65.6158],"cluster":"c04","subgroup":"c04.02","degree":14,"referenceDegree":0,"maxSimilarity":0.3795,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af3dae5f438c001c44252a","weight":0.3795,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af891602ab32001dccade0","weight":0.22931,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d6a244e2a60023388bb6","weight":0.21963,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.21373,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.21084,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cca4fad46066002675f8fa","weight":0.20843,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c573546f636600259bd567","weight":0.20831,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af12d7b51b23001c1174d4","weight":0.20768,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af3e952ce788001de41d02","source":"ideaofintellection","title":"ルシフェラーゼ","excerpt":"ルシフェラーゼ とは、発光バクテリアやホタルなどの生物発光において、発光物質が光を放つ化学反応を触媒する作用を持つ酵素の総称である。発光酵素 とも呼ばれる。","text":"ルシフェラーゼ\nルシフェラーゼ とは、発光バクテリアやホタルなどの生物発光において、発光物質が光を放つ化学反応を触媒する作用を持つ酵素の総称である。発光酵素 とも呼ばれる。\n[https://scrapbox.io/files/66af3ec51571a2001c511415.jpeg]\n\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AB%E3%82%B7%E3%83%95%E3%82%A7%E3%83%A9%E3%83%BC%E3%82%BC","updated":1722856812,"position":[-24.5295,-73.1849,66.0355],"cluster":"c04","subgroup":"c04.02","degree":8,"referenceDegree":0,"maxSimilarity":0.22317,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cca4fad46066002675f8fa","weight":0.22317,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55be378d68900249e503c","weight":0.2174,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54ae8708597002535d050","weight":0.21576,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af36b848946e001c028b64","weight":0.20538,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.20354,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af0e2185b796001de382e4","weight":0.203,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","weight":0.20269,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c572c752ab3d00268ac57a","weight":0.20237,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af43aaca5069001df74ef2","source":"ideaofintellection","title":"Atlas of Emotions","excerpt":"「悲しみ」「恐れ」「喜び」「怒り」「嫌気」","text":"Atlas of Emotions\n「悲しみ」「恐れ」「喜び」「怒り」「嫌気」\nダライラマ\nhttps://gigazine.net/news/20160513-atlas-of-emotions/\n#analysis\n","tags":["analysis"],"links":["analysis"],"url":"https://scrapbox.io/ideaofintellection/Atlas%20of%20Emotions","updated":1722856784,"position":[-19.7165,-16.7544,-21.1034],"cluster":"c11","subgroup":"c11.01","degree":8,"referenceDegree":0,"maxSimilarity":0.2,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c2a1a00d24130026f0ebc4","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee2fe832e620024bfe99f","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee357eb552a0028561d6e","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee550d29c9c0025c68211","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d33f668aadce00241e0940","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fb7eb66cf90026613b1f","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e7234ada047f0026479afe","weight":0.2,"type":"similarity","reason":"共通タグ #analysis / 共通参照 analysis / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a216999b90f0002374eae1","weight":0.09557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af891602ab32001dccade0","source":"ideaofintellection","title":"音響流","excerpt":"音響流とは、強力な超音波を流体中に照射した場 合に生じる、 流体要素の直流的な流れである。 この 流れの駆動力の発生は、 超音波の伝搬に伴う音のエ ネルギーの吸収減衰に起因するため、周波数が高い ほど駆動力は強くなる。 一般に、 音響流はMHz オー ダー以上の周波数領域で、はっきりと観察される。","text":"音響流\n音響流とは、強力な超音波を流体中に照射した場 合に生じる、 流体要素の直流的な流れである。 この 流れの駆動力の発生は、 超音波の伝搬に伴う音のエ ネルギーの吸収減衰に起因するため、周波数が高い ほど駆動力は強くなる。 一般に、 音響流はMHz オー ダー以上の周波数領域で、はっきりと観察される。\n#physics\n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E9%9F%B3%E9%9F%BF%E6%B5%81","updated":1722856762,"position":[-24.3983,-73.459,65.6242],"cluster":"c04","subgroup":"c04.02","degree":9,"referenceDegree":0,"maxSimilarity":0.23193,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668261ccb0f3e0001d174a63","weight":0.23193,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3e5827132e001c2db7a0","weight":0.22931,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a509ee92770025dcee18","weight":0.21792,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668259ac56a9c5001c295a7c","weight":0.21672,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d6a244e2a60023388bb6","weight":0.21506,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c572c752ab3d00268ac57a","weight":0.21438,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c558c327cb5100255ff308","weight":0.21171,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af12d7b51b23001c1174d4","weight":0.20488,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af8f18163b20001c67ca02","source":"ideaofintellection","title":"アインシュタイン simple","excerpt":"Everything should be made as simple as possible, but not simpler.","text":"アインシュタイン simple \nEverything should be made as simple as possible, but not simpler.\n\nものごとはできるかぎりシンプルにすべきだ。しかし、シンプルすぎてもいけない。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%82%A4%E3%83%B3%E3%82%B7%E3%83%A5%E3%82%BF%E3%82%A4%E3%83%B3%20simple","updated":1722856739,"position":[-25.5928,-74.634,65.7107],"cluster":"c04","subgroup":"c04.01","degree":10,"referenceDegree":0,"maxSimilarity":0.55538,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:654136c44c9563001c039c49","weight":0.55538,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2b69f12dd2001db4df17","weight":0.52282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.35375,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65caaf34daea0b0024cc77e4","weight":0.13893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648afe99828df0001b38ee71","weight":0.12502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640aee5af5acc9001caa985a","weight":0.11388,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6f1fa34a04a4da8c73aa35","weight":0.10927,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559fcb48dc7c9001c8ff6d5","weight":0.10239,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af8f8fe697fc001cdae80a","source":"ideaofintellection","title":"テラ・インコグニタ","excerpt":"未知の領域","text":"テラ・インコグニタ\n未知の領域\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%83%A9%E3%83%BB%E3%82%A4%E3%83%B3%E3%82%B3%E3%82%B0%E3%83%8B%E3%82%BF","updated":1722856551,"position":[-55.1215,51.6584,-117.6043],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08284,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66af8ff4dc14a4001c88a2d1","source":"ideaofintellection","title":"結合振動子系","excerpt":"振動現象をしめすもの（振動子）が相互に影響を及ぼしあうようなモデル． 例えば隣の振動子の位相がその隣の位相に影響を及ぼすといった局所的な結合もあれば，すべての振動子に同様に影響を与える大域的な結合の様式もある","text":"結合振動子系\n振動現象をしめすもの（振動子）が相互に影響を及ぼしあうようなモデル． 例えば隣の振動子の位相がその隣の位相に影響を及ぼすといった局所的な結合もあれば，すべての振動子に同様に影響を与える大域的な結合の様式もある\n#physics \n","tags":["physics"],"links":["physics"],"url":"https://scrapbox.io/ideaofintellection/%E7%B5%90%E5%90%88%E6%8C%AF%E5%8B%95%E5%AD%90%E7%B3%BB","updated":1722856527,"position":[-24.6259,-73.1698,65.7714],"cluster":"c04","subgroup":"c04.02","degree":9,"referenceDegree":0,"maxSimilarity":0.28476,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66af36b848946e001c028b64","weight":0.28476,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d3fac2cc2f270024bd92b9","weight":0.21537,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af1dd2fa551c001c4271ca","weight":0.21535,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af25b926616b001c28f259","weight":0.21318,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af299b409fbf001d82ebe9","weight":0.20629,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af3e5827132e001c2db7a0","weight":0.20486,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66af2a9ed48d52001ca7b007","weight":0.20354,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55be378d68900249e503c","weight":0.20285,"type":"similarity","reason":"共通タグ #physics / 共通参照 physics / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66af9083e0301f001c7e5177","source":"ideaofintellection","title":"海嘯 かいしょう","excerpt":"①海鳴り。 ②満潮時に海水が河川をさかのぼる際、押し寄せてできる高い波。 高潮。 ③地震で起きる津波の旧称。","text":"海嘯 かいしょう\n①海鳴り。 ②満潮時に海水が河川をさかのぼる際、押し寄せてできる高い波。 高潮。 ③地震で起きる津波の旧称。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E6%B5%B7%E5%98%AF%20%E3%81%8B%E3%81%84%E3%81%97%E3%82%87%E3%81%86","updated":1722856456,"position":[-52.0025,25.0146,-147.1072],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07921,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66af90a2e41c65001d992674","source":"ideaofintellection","title":"面目躍如 めんぼくやくじょ","excerpt":"業績や仕事などに、名誉や評価に値するその人らしさがありありと現れているさま。","text":"面目躍如 めんぼくやくじょ\n業績や仕事などに、名誉や評価に値するその人らしさがありありと現れているさま。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E9%9D%A2%E7%9B%AE%E8%BA%8D%E5%A6%82%20%E3%82%81%E3%82%93%E3%81%BC%E3%81%8F%E3%82%84%E3%81%8F%E3%81%98%E3%82%87","updated":1722856441,"position":[-53.254,27.2907,-123.4797],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1675,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:6679b17b522096001d656ca4","weight":0.1675,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6682603349afdc001d5dfd96","weight":0.09938,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66b0b572eab5f6001cb3c0ec","source":"ideaofintellection","title":"#","excerpt":"#word #sound #media #visual #physics #machinelearning #neuroscience #analysis #bio #place","text":"#\n#word\n#sound\n#media\n#visual\n#physics\n#machinelearning\n#neuroscience\n#analysis\n#bio\n#place\n","tags":["word","sound","media","visual","physics","machinelearning","neuroscience","analysis","bio","place"],"links":["word","sound","media","visual","physics","machinelearning","neuroscience","analysis","bio","place"],"url":"https://scrapbox.io/ideaofintellection/%23","updated":1723054361,"position":[31.3476,-44.0718,101.3805],"cluster":"c14","subgroup":"c14.01","degree":9,"referenceDegree":0,"maxSimilarity":0.1894,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55948798207002476f295","weight":0.1894,"type":"similarity","reason":"共通タグ #bio / 共通参照 bio / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5597878d68900249e40c3","weight":0.1894,"type":"similarity","reason":"共通タグ #bio / 共通参照 bio / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.18589,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.18589,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.18589,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.18589,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.18589,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66552e272f3ba4001d193199","weight":0.1839,"type":"similarity","reason":"共通タグ #place / 共通参照 place / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66bdedfedb81b7001da71eff","source":"ideaofintellection","title":"Autopoiesis","excerpt":"オートポイエーシスという言葉は1970年代にチリの神経生理学者ウンベルト・マトゥラーナによってギリシャ語で自己を表す「アウト」と創作・産出を意味する「ポイエーシス」を組み合わせて作られた造語である。 日本語では「自己産出」や「自己創出」、「自己生産」などと訳されている。","text":"Autopoiesis\nオートポイエーシスという言葉は1970年代にチリの神経生理学者ウンベルト・マトゥラーナによってギリシャ語で自己を表す「アウト」と創作・産出を意味する「ポイエーシス」を組み合わせて作られた造語である。 日本語では「自己産出」や「自己創出」、「自己生産」などと訳されている。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/Autopoiesis","updated":1727743232,"position":[1.9057,-77.4569,35.6541],"cluster":"c01","subgroup":"c01.03","degree":4,"referenceDegree":0,"maxSimilarity":0.27512,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678941733d3fe3110a6062bb","weight":0.27512,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454bb0da3a740d43aa695","weight":0.22594,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.13497,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3750e229416001b3b27ef","weight":0.09114,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66bdee2dd01fef001d3cfaff","source":"ideaofintellection","title":"schindler's list","excerpt":"#film","text":"schindler's list\n#film\n","tags":["film"],"links":["film"],"url":"https://scrapbox.io/ideaofintellection/schindler%27s%20list","updated":1727743216,"position":[27.666,-58.5152,-38.5728],"cluster":"c26","subgroup":"c26.01","degree":7,"referenceDegree":0,"maxSimilarity":0.28415,"lowEvidence":false,"neighbors":[{"id":"NextResearch:640afae6bd39a6001c9a21d4","weight":0.28415,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7bf59cfe66001dea2964","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7fb3921c35001c99871e","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee803e392a00001c69ae2a","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee80964bc5c1001cea626e","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee85e96a55e4001cefde73","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeea6c54aafb001c84e0e7","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66bdee7254c624001c084272","source":"ideaofintellection","title":"iit","excerpt":"意識の統合情報理論（いしきのとうごうじょうほうりろん、integrated information theory）またはIITとは、精神科医・神経科学者であるジュリオ・トノーニによって提唱された、意識やクオリアの原理を説明し計測する理論である。","text":"iit\n意識の統合情報理論（いしきのとうごうじょうほうりろん、integrated information theory）またはIITとは、精神科医・神経科学者であるジュリオ・トノーニによって提唱された、意識やクオリアの原理を説明し計測する理論である。\nhttps://www.jstage.jst.go.jp/article/jjsai/33/4/33_460/_pdf/-char/ja\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/iit","updated":1727743205,"position":[-45.9765,-26.6674,79.0589],"cluster":"c28","subgroup":"c28.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10286,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6603017e232a7600269e9805","weight":0.10286,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66bdf01eefeb96001d25751b","source":"ideaofintellection","title":"イデア 渋谷慶一郎＋池上高志","excerpt":"https://prtimes.jp/main/html/rd/p/000000018.000072022.html","text":"イデア 渋谷慶一郎＋池上高志\nhttps://prtimes.jp/main/html/rd/p/000000018.000072022.html\n\n[https://scrapbox.io/files/66bdf05163f423001cc73965.webp]\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A4%E3%83%87%E3%82%A2%20%E6%B8%8B%E8%B0%B7%E6%85%B6%E4%B8%80%E9%83%8E%EF%BC%8B%E6%B1%A0%E4%B8%8A%E9%AB%98%E5%BF%97","updated":1727743190,"position":[-9.277,9.2198,14.9258],"cluster":"c07","subgroup":"c07.02","degree":12,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507923f0360dd001b426133","weight":0.2,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2859bf3c1200238b3429","weight":0.2,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6760f5d97bb7807f53d08e0a","weight":0.1659,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66d71734de1bfe001d5ece9d","source":"ideaofintellection","title":"deepmind AI新素材","excerpt":"https://www.technologyreview.jp/s/323163/google-deepminds-new-ai-tool-helped-create-more-than-700-new-materials/amp/","text":"deepmind AI新素材\nhttps://www.technologyreview.jp/s/323163/google-deepminds-new-ai-tool-helped-create-more-than-700-new-materials/amp/\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/deepmind%20AI%E6%96%B0%E7%B4%A0%E6%9D%90","updated":1727743177,"position":[-9.14,7.7498,10.4077],"cluster":"c07","subgroup":"c07.02","degree":7,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 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b200\nNVIDIA、AI向け新GPU「B200」発表。H100比で最大30倍高速、電力消費も1/25.\n3/29/2024\n\nhttps://news.yahoo.co.jp/articles/4e80bd80c6861bba09c2620a9557aa7f8a1b9759\n\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Nvidia%20b200","updated":1727743156,"position":[-8.4716,8.8403,10.2332],"cluster":"c07","subgroup":"c07.02","degree":7,"referenceDegree":0,"maxSimilarity":0.29063,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64218ef3209bb6001b605ed4","weight":0.29063,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71734de1bfe001d5ece9d","weight":0.22371,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66d71fb7a69682001c52988f","source":"ideaofintellection","title":"babylonian abacus","excerpt":"https://en.m.wikipedia.org/wiki/Abacus","text":"babylonian abacus\nhttps://en.m.wikipedia.org/wiki/Abacus\n[https://scrapbox.io/files/66d71fc2a3d0a1001c24bb79.png]\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/babylonian%20abacus","updated":1727712384,"position":[-9.4548,9.5524,12.3654],"cluster":"c07","subgroup":"c07.02","degree":39,"referenceDegree":0,"maxSimilarity":0.4,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.4,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 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subcellular resolution\n[https://scrapbox.io/files/66d7205e407d80001d18a78f.png]\n\nhttps://news.mit.edu/2024/technologies-enable-3d-imaging-whole-human-brain-hemispheres-subcellular-resolution-0617\n\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/Technologies%20enable%203D%20imaging%20of%20whole%20human%20brain%20hemispheres%20at%20subcellular%20resolution","updated":1727712370,"position":[28.9353,-42.3183,100.5386],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.40287,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6559fdcc2a258a001cb5b554","weight":0.40287,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 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30's\nhttps://www.computerhistory.org/timeline/1939/\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/computer%20history%20from%2030%27s","updated":1727712354,"position":[-13.8602,9.8431,12.1245],"cluster":"c07","subgroup":"c07.02","degree":14,"referenceDegree":0,"maxSimilarity":0.32336,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67600418c1a196a56d3f0e85","weight":0.32336,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b444b4fdfe97cea9298f9","weight":0.28472,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 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deepmind\n[https://scrapbox.io/files/66d723dab8c588001c7c4e2a.webp]\n\nhttps://qiita.com/Ag_smith/items/7c76438906b3f665af38\n\nhttps://alphafold.ebi.ac.uk\n\nhttps://colab.research.google.com/github/sokrypton/ColabFold/blob/main/AlphaFold2.ipynb\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/Alphahold%20%E3%82%BF%E3%83%B3%E3%83%91%E3%82%AF%E8%B3%AA%E6%A7%8B%E9%80%A0%E4%BA%88%E6%B8%AC%20install","updated":1727712341,"position":[-9.9589,6.5654,9.065],"cluster":"c07","subgroup":"c07.02","degree":11,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1337502e3d4eb606226d6c","weight":0.26967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71734de1bfe001d5ece9d","weight":0.26019,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a130b6aa34ff360afaaeed3","weight":0.15022,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66dd388c8eea26001c6a1060","source":"ideaofintellection","title":"arbitrage","excerpt":"違いの受益","text":"arbitrage\n違いの受益\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/arbitrage","updated":1727743117,"position":[-52.6287,19.8512,-114.2036],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05141,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66ee7a6cdc2206001d5e9de5","source":"ideaofintellection","title":"トリプルエクラン","excerpt":"3台のカメラで撮影した映像を3面のスクリーンに映写する〈ポリビジョン〉(または〈トリプル･エクラン(三面スクリーン)〉)と命名された映写方式がこの映画のためにガンス自身によって考案され，あるときは一つのイメージが三つの画面にひろがり，またあるときは三つのスクリーンに別々のイメージが映し出され，ラストのイタリア出撃のシーンをはじめ，いくつかのシーンで用いられて圧倒的なスペクタクル効果を上げた。　しかし，《ナポレオン》と同年にアメリカでは《ジャズ･シンガー》(1927)が公開され，それとともに映画はトーキー時代に突入し，大スクリーン方式への投資は顧みられず，そのため《ナポレオン》はほとんど完全な形で上映されることがなく(アメリカでは上映時間5時間のこの巨編が1時間20分に短縮され，スタンダード版に焼き直されて公開されただけであり，日本でも17.5ミリ版が公開されたにすぎなかった)，映画ナポレオンより。","text":"トリプルエクラン\n3台のカメラで撮影した映像を3面のスクリーンに映写する〈ポリビジョン〉(または〈トリプル･エクラン(三面スクリーン)〉)と命名された映写方式がこの映画のためにガンス自身によって考案され，あるときは一つのイメージが三つの画面にひろがり，またあるときは三つのスクリーンに別々のイメージが映し出され，ラストのイタリア出撃のシーンをはじめ，いくつかのシーンで用いられて圧倒的なスペクタクル効果を上げた。　しかし，《ナポレオン》と同年にアメリカでは《ジャズ･シンガー》(1927)が公開され，それとともに映画はトーキー時代に突入し，大スクリーン方式への投資は顧みられず，そのため《ナポレオン》はほとんど完全な形で上映されることがなく(アメリカでは上映時間5時間のこの巨編が1時間20分に短縮され，スタンダード版に焼き直されて公開されただけであり，日本でも17.5ミリ版が公開されたにすぎなかった)，映画ナポレオンより。\n[https://scrapbox.io/files/66ee7b180fda050022a68c58.jpeg]\n[https://scrapbox.io/files/66ee7b1c10b519001dc5755e.jpeg]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%AA%E3%83%97%E3%83%AB%E3%82%A8%E3%82%AF%E3%83%A9%E3%83%B3","updated":1727712298,"position":[29.2555,-42.2936,96.9517],"cluster":"c14","subgroup":"c14.01","degree":7,"referenceDegree":0,"maxSimilarity":0.44767,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66ee7a2af36b77001c6ef51d","weight":0.44767,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee7ab9392a00001c698d95","source":"ideaofintellection","title":"エスペラント語","excerpt":"エスペラント語は、ポーランドのユダヤ系眼科医であるラザーロ・ルドヴィーコ・ザメンホフが1887年に考案した人工言語です。異なる民族や国の人々が相互理解を目的として使用することを目的とした。","text":"エスペラント語\nエスペラント語は、ポーランドのユダヤ系眼科医であるラザーロ・ルドヴィーコ・ザメンホフが1887年に考案した人工言語です。異なる民族や国の人々が相互理解を目的として使用することを目的とした。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%82%B9%E3%83%9A%E3%83%A9%E3%83%B3%E3%83%88%E8%AA%9E","updated":1727712309,"position":[-33.8211,45.3792,-119.9977],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06998,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66ee7bc5392a00001c69930f","source":"ideaofintellection","title":"nouvelle  vauge","excerpt":"ヌーヴェルヴァーグは、1950年代末に始まったフランスにおける映画運動。ヌーベルバーグ、ヌーヴェル・ヴァーグとも表記され、「新しい波」を意味する。","text":"nouvelle  vauge\nヌーヴェルヴァーグは、1950年代末に始まったフランスにおける映画運動。ヌーベルバーグ、ヌーヴェル・ヴァーグとも表記され、「新しい波」を意味する。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/nouvelle%20%20vauge","updated":1727712287,"position":[19.2843,-73.1785,61.6495],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07042,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:66ee7bf59cfe66001dea2964","source":"ideaofintellection","title":"アラビアンナイト","excerpt":"1974年　イタリア","text":"アラビアンナイト\n1974年　イタリア\n「デカメロン」「カンタベリー物語」に続くパゾリーニの艶笑三部作の一本。美少年ヌレディンの誘拐された恋人捜しの旅を狂言回し的に配し、『千夜一夜物語』の挿話を語ってゆく。ヌレディンは女奴隷のズルムードを買い、二人で幸福に暮らしていたが、彼女は青い眼の男、バルムスに奪われてしまう......。\n作曲　エンニオ・モリコーネ\n\n#film\n","tags":["film"],"links":["film"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%A9%E3%83%93%E3%82%A2%E3%83%B3%E3%83%8A%E3%82%A4%E3%83%88","updated":1727712274,"position":[28.027,-58.7482,-38.5526],"cluster":"c26","subgroup":"c26.01","degree":8,"referenceDegree":0,"maxSimilarity":0.21219,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ee7fb3921c35001c99871e","weight":0.21219,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ef830b753e52001cee9bcf","weight":0.21124,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeeaa9a6581a001ccb977f","weight":0.20731,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee80964bc5c1001cea626e","weight":0.20271,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee803e392a00001c69ae2a","weight":0.2023,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdee2dd01fef001d3cfaff","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee85e96a55e4001cefde73","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeea6c54aafb001c84e0e7","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee7fb3921c35001c99871e","source":"ideaofintellection","title":"アンディオーフォール　エンパイア","excerpt":"アンディ・ウォーホルの最もよく知られた映画作品の1つ、《エンパイア》の制作60周年を記念する上映がエンパイア・ステート・ビルで行われた。8時間を超えるこのサイレント映画で、ウォーホルは何を試みたのだろうか。","text":"アンディオーフォール　エンパイア\nアンディ・ウォーホルの最もよく知られた映画作品の1つ、《エンパイア》の制作60周年を記念する上映がエンパイア・ステート・ビルで行われた。8時間を超えるこのサイレント映画で、ウォーホルは何を試みたのだろうか。\nhttps://artnewsjapan.com/article/2540\n#film\n","tags":["film"],"links":["film"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%83%87%E3%82%A3%E3%82%AA%E3%83%BC%E3%83%95%E3%82%A9%E3%83%BC%E3%83%AB%E3%80%80%E3%82%A8%E3%83%B3%E3%83%91%E3%82%A4%E3%82%A2","updated":1727712255,"position":[27.8793,-58.7632,-38.672],"cluster":"c26","subgroup":"c26.01","degree":8,"referenceDegree":0,"maxSimilarity":0.22248,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66eeeaa9a6581a001ccb977f","weight":0.22248,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeea6c54aafb001c84e0e7","weight":0.21244,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7bf59cfe66001dea2964","weight":0.21219,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ef830b753e52001cee9bcf","weight":0.20718,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee85e96a55e4001cefde73","weight":0.20653,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee803e392a00001c69ae2a","weight":0.205,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdee2dd01fef001d3cfaff","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee80964bc5c1001cea626e","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee803e392a00001c69ae2a","source":"ideaofintellection","title":"ミクロの決死圏","excerpt":"1966年8月24日","text":"ミクロの決死圏\n1966年8月24日\n人間の体内を舞台にしたSF冒険映画の傑作。脳に障害を起した要人を救うべく、ミクロ・サイズに縮小された科学者グループは特殊潜航艇プロテウスに乗り込みその体内に入った...。\n#film\n","tags":["film"],"links":["film"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9F%E3%82%AF%E3%83%AD%E3%81%AE%E6%B1%BA%E6%AD%BB%E5%9C%8F","updated":1727712238,"position":[27.918,-58.607,-38.4467],"cluster":"c26","subgroup":"c26.01","degree":8,"referenceDegree":0,"maxSimilarity":0.21027,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ee80964bc5c1001cea626e","weight":0.21027,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ef830b753e52001cee9bcf","weight":0.20644,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7fb3921c35001c99871e","weight":0.205,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee85e96a55e4001cefde73","weight":0.20463,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeeaa9a6581a001ccb977f","weight":0.20359,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7bf59cfe66001dea2964","weight":0.2023,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdee2dd01fef001d3cfaff","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeea6c54aafb001c84e0e7","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee80964bc5c1001cea626e","source":"ideaofintellection","title":"デレクシャーマン ブルー","excerpt":"鬼才デレク・ジャーマンが、画家イブ・クラインにオマージュとして捧げた異色作。映像はタイトル通り、終始画面に青一色の映像が映し出されるのみ。そこに、エイズに侵され自分の死期を感じたジャーマンの、失明の危機による恐怖心、病を克服した愛について、そして自身の人生などの悲痛なナレーションが被る。","text":"デレクシャーマン ブルー\n鬼才デレク・ジャーマンが、画家イブ・クラインにオマージュとして捧げた異色作。映像はタイトル通り、終始画面に青一色の映像が映し出されるのみ。そこに、エイズに侵され自分の死期を感じたジャーマンの、失明の危機による恐怖心、病を克服した愛について、そして自身の人生などの悲痛なナレーションが被る。\n\n[https://scrapbox.io/files/66ee80ee3d518c001d80fdc7.jpeg]\n#film\n","tags":["film"],"links":["film"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%87%E3%83%AC%E3%82%AF%E3%82%B7%E3%83%A3%E3%83%BC%E3%83%9E%E3%83%B3%20%E3%83%96%E3%83%AB%E3%83%BC","updated":1727712230,"position":[27.5913,-58.7676,-38.3871],"cluster":"c26","subgroup":"c26.01","degree":9,"referenceDegree":0,"maxSimilarity":0.21027,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ee803e392a00001c69ae2a","weight":0.21027,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee85e96a55e4001cefde73","weight":0.20403,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ef830b753e52001cee9bcf","weight":0.203,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeeaa9a6581a001ccb977f","weight":0.20277,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7bf59cfe66001dea2964","weight":0.20271,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdee2dd01fef001d3cfaff","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7fb3921c35001c99871e","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeea6c54aafb001c84e0e7","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee821a53dc94001ca081fb","source":"ideaofintellection","title":"ライトモチーフ","excerpt":"１ オペラ・標題音楽などで、特定の人物・理念・状況などを表現するために繰り返し現れる楽節・動機。 ワグナーの楽劇によって確立された。 指導動機。","text":"ライトモチーフ\n１ オペラ・標題音楽などで、特定の人物・理念・状況などを表現するために繰り返し現れる楽節・動機。 ワグナーの楽劇によって確立された。 指導動機。\n\n(ドイツ)Leitmotiv\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A9%E3%82%A4%E3%83%88%E3%83%A2%E3%83%81%E3%83%BC%E3%83%95","updated":1727712218,"position":[48.9259,-50.3326,35.0853],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.24336,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24336,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f971f668d34d0024b0c1af","weight":0.22682,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d919642dbe00242ef4ff","weight":0.20824,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e7f215622001e3f98e1","weight":0.20696,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31b78044f410025896169","weight":0.20645,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c17225c0310024e2eb6d","weight":0.20638,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a33ce0d53700245258e4","weight":0.20502,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee8293fa4f38001dbb9a18","source":"ideaofintellection","title":"レナードローゼンマン","excerpt":"レナード・ローゼンマンはアメリカ合衆国の作曲家。南カリフォルニア大学教授。数々の映画音楽の作曲で特に知られる。 [https://scrapbox.io/files/66ee831b10b519001dc5a323.jpeg]","text":"レナードローゼンマン\nレナード・ローゼンマンはアメリカ合衆国の作曲家。南カリフォルニア大学教授。数々の映画音楽の作曲で特に知られる。 [https://scrapbox.io/files/66ee831b10b519001dc5a323.jpeg]\n\n\n[https://scrapbox.io/files/66ee82ed26e7dc001d40a515.jpeg]\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%83%8A%E3%83%BC%E3%83%89%E3%83%AD%E3%83%BC%E3%82%BC%E3%83%B3%E3%83%9E%E3%83%B3","updated":1727712201,"position":[49.5036,-50.2527,34.304],"cluster":"c02","subgroup":"c02.02","degree":10,"referenceDegree":0,"maxSimilarity":0.25285,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6633a34b9efee400244825fa","weight":0.25285,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d919642dbe00242ef4ff","weight":0.22323,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b49d9a60d70024bd2795","weight":0.22104,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6a9d1a88a70023c3931d","weight":0.21787,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312744561af50023ac0100","weight":0.21465,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e7f215622001e3f98e1","weight":0.2144,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d67ef2278e36001d08cf5f","weight":0.14249,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee834533d5b5001cd660ae","source":"ideaofintellection","title":"コマ落とし","excerpt":"低速度撮影」とも言う。 フィルムは、通常1秒につき24コマ（ビデオの場合は29.97コマ）で構成されているが、それよりもコマ数を落として、つまりはフィルムを低速度にして撮影する技法のこと。","text":"コマ落とし\n低速度撮影」とも言う。 フィルムは、通常1秒につき24コマ（ビデオの場合は29.97コマ）で構成されているが、それよりもコマ数を落として、つまりはフィルムを低速度にして撮影する技法のこと。\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%9E%E8%90%BD%E3%81%A8%E3%81%97","updated":1727712184,"position":[28.773,-45.7555,98.9824],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6584034c4183fb00239dd357","weight":0.10569,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee83d3cfd62e001d41dd47","source":"ideaofintellection","title":"モンタージュ","excerpt":"モンタージュは、映画用語で、視点の異なる複数のカットを組み合わせて用いる技法のこと。元々はフランス語で「組み立て」という意味。映像編集の基礎であるため、編集と同義で使われることも多い。","text":"モンタージュ\nモンタージュは、映画用語で、視点の異なる複数のカットを組み合わせて用いる技法のこと。元々はフランス語で「組み立て」という意味。映像編集の基礎であるため、編集と同義で使われることも多い。\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A2%E3%83%B3%E3%82%BF%E3%83%BC%E3%82%B8%E3%83%A5","updated":1727712174,"position":[28.4698,-45.1866,97.5533],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.33857,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a113eb0c5aeb29512e83d3e","weight":0.33857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a859149d4ee00241e4bde","weight":0.11007,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee842e76ffb8001c9c2d0b","source":"ideaofintellection","title":"オプティカルサウンド","excerpt":"オプティカル・サウンド 、光学録音とは、音を光学的な信号に変換して記録・再生する方式である。主に映画のフィルムにサウンドトラックとして使われる。","text":"オプティカルサウンド\nオプティカル・サウンド 、光学録音とは、音を光学的な信号に変換して記録・再生する方式である。主に映画のフィルムにサウンドトラックとして使われる。 \n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%97%E3%83%86%E3%82%A3%E3%82%AB%E3%83%AB%E3%82%B5%E3%82%A6%E3%83%B3%E3%83%89","updated":1727712162,"position":[-7.8574,7.9893,13.5028],"cluster":"c07","subgroup":"c07.02","degree":11,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65aa30ebaf031b00246462a4","weight":0.22389,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2859bf3c1200238b3429","weight":0.21544,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b143997fb3a001c71add4","weight":0.13038,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee84779d459b001d8a7d86","source":"ideaofintellection","title":"ファシスト","excerpt":"ファシズムとは、簡単に言うと独裁主義のことです。 大衆動員を積極的に利用し、市民的自由や人権を無視する国家主義をかかげ、反対派を弾圧する、この政治体制や思想がファシズムです。 代表されるのが、ムッソリーニのファシスト党、ドイツのナチ党。 彼らは合法的に自分たち以外の政党をすべて解散させ、一党独裁体制を確立しました。","text":"ファシスト\nファシズムとは、簡単に言うと独裁主義のことです。 大衆動員を積極的に利用し、市民的自由や人権を無視する国家主義をかかげ、反対派を弾圧する、この政治体制や思想がファシズムです。 代表されるのが、ムッソリーニのファシスト党、ドイツのナチ党。 彼らは合法的に自分たち以外の政党をすべて解散させ、一党独裁体制を確立しました。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A1%E3%82%B7%E3%82%B9%E3%83%88","updated":1727712143,"position":[7.8844,-66.8681,37.3066],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.68148,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658ed0ac699dd800242fbef9","weight":0.68148,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893de53d3fe3110a6051b2","weight":0.20717,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee84a69b1ef4001d8f4438","source":"ideaofintellection","title":"弱音器","excerpt":"弱音器とは、楽器の音を弱めるために必要に応じて楽器に取り付けられる器具である。音を弱める目的は、 音楽的表現としてそれが必要な場合 練習の音が周囲に迷惑を及ぼすのを防ぐために必要な場合 の2つがある。弱音器はミュート または変音器とも呼ばれる。","text":"弱音器\n弱音器とは、楽器の音を弱めるために必要に応じて楽器に取り付けられる器具である。音を弱める目的は、 音楽的表現としてそれが必要な場合 練習の音が周囲に迷惑を及ぼすのを防ぐために必要な場合 の2つがある。弱音器はミュート または変音器とも呼ばれる。\n\n[https://scrapbox.io/files/66ee84ff55c717001c90769f.jpeg]\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E5%BC%B1%E9%9F%B3%E5%99%A8","updated":1727712119,"position":[49.4584,-49.9656,35.0222],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ccac5b72b201002472a0be","weight":0.22084,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cedf4ce9f5100024deee8b","weight":0.21597,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d919642dbe00242ef4ff","weight":0.21594,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee19901baf80025e26aa3","weight":0.21515,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bf3a47448c002598d2f1","weight":0.21467,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b33433ca160023df08a1","weight":0.21252,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee855154aafb001c82be6e","source":"ideaofintellection","title":"choros","excerpt":"choros. 古くギリシア語では〈踊りの場〉を意味する語であったが，古典期においては，共同体の祭祀で神々に奉納される合唱歌や，市民の冠婚葬祭に歌われる合唱歌，またそれらを歌う合唱隊を指すものとなった。 英語のコーラスなどはこの語に由来する。","text":"choros\nchoros. 古くギリシア語では〈踊りの場〉を意味する語であったが，古典期においては，共同体の祭祀で神々に奉納される合唱歌や，市民の冠婚葬祭に歌われる合唱歌，またそれらを歌う合唱隊を指すものとなった。 英語のコーラスなどはこの語に由来する。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/choros","updated":1727712110,"position":[35.0225,-61.0484,-39.9223],"cluster":"c26","subgroup":"c26.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13601,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a27a33fd6027001cb7e6d2","weight":0.13601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65224abace56d4001cd91e15","weight":0.09141,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658ed1150051c6002598dd5e","weight":0.08609,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee85baa511ff001c18d07d","source":"ideaofintellection","title":"草創期 そうそうき","excerpt":"物事の始まりの時期、初期。","text":"草創期 そうそうき\n物事の始まりの時期、初期。\n#word\n","tags":["word"],"links":["word"],"url":"https://scrapbox.io/ideaofintellection/%E8%8D%89%E5%89%B5%E6%9C%9F%20%E3%81%9D%E3%81%86%E3%81%9D%E3%81%86%E3%81%8D","updated":1727712092,"position":[3.2383,-74.6519,38.3395],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.19847,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c7380056c7e90025f19eeb","weight":0.19847,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662b2bbece4079002603cae0","weight":0.10612,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ee85e96a55e4001cefde73","source":"ideaofintellection","title":"ジャズシンガー","excerpt":"1927年 アルジョルスン","text":"ジャズシンガー\n1927年 アルジョルスン\n無声映画からトーキーへと移行した第一弾作品。映画史上初めてのセリフ「お楽しみはこれからだ!」はあまりにも有名。ユダヤ教徒で司祭長の息子であるジェイキーは、後を継ぐよりジャズ歌手になることが夢だった。そんな彼は、酒場で歌っているところを見つかって勘当される。\n#film\n","tags":["film"],"links":["film"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A3%E3%82%BA%E3%82%B7%E3%83%B3%E3%82%AC%E3%83%BC","updated":1727712084,"position":[27.7583,-58.9427,-38.6118],"cluster":"c26","subgroup":"c26.01","degree":7,"referenceDegree":0,"maxSimilarity":0.21212,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ef830b753e52001cee9bcf","weight":0.21212,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeeaa9a6581a001ccb977f","weight":0.20907,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7fb3921c35001c99871e","weight":0.20653,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee803e392a00001c69ae2a","weight":0.20463,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee80964bc5c1001cea626e","weight":0.20403,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdee2dd01fef001d3cfaff","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7bf59cfe66001dea2964","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66eee0a3dc2206001d60b8be","source":"ideaofintellection","title":"John Williams","excerpt":"[https://scrapbox.io/files/66eee149f36b77001c712a49.webp] [https://scrapbox.io/files/66eee1059d459b001d8c9978.jpeg] #sound","text":"John Williams\n[https://scrapbox.io/files/66eee149f36b77001c712a49.webp]\n[https://scrapbox.io/files/66eee1059d459b001d8c9978.jpeg]\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/John%20Williams","updated":1727712074,"position":[50.1137,-49.049,35.2887],"cluster":"c02","subgroup":"c02.02","degree":7,"referenceDegree":0,"maxSimilarity":0.62302,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68f7387ffc9873e57d0057a4","weight":0.62302,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686a980b040d71b150357084","weight":0.23552,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2830c3a7760023fc8ed6","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65ccac5b72b201002472a0be","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66eeea6c54aafb001c84e0e7","source":"ideaofintellection","title":"ゴダール passion","excerpt":"1982年","text":"ゴダール passion\n1982年\n[https://scrapbox.io/files/66eeea7d4bc5c1001ceca6fc.jpeg]\n#film\n","tags":["film"],"links":["film"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B4%E3%83%80%E3%83%BC%E3%83%AB%20passion","updated":1727712062,"position":[27.9701,-58.7207,-38.2736],"cluster":"c26","subgroup":"c26.01","degree":8,"referenceDegree":0,"maxSimilarity":0.3041,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66eeeaa9a6581a001ccb977f","weight":0.3041,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ef830b753e52001cee9bcf","weight":0.25274,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7fb3921c35001c99871e","weight":0.21244,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdee2dd01fef001d3cfaff","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7bf59cfe66001dea2964","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee803e392a00001c69ae2a","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee80964bc5c1001cea626e","weight":0.2,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d5f143f318f00230132b3","weight":0.0874,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66eeeaa9a6581a001ccb977f","source":"ideaofintellection","title":"フィルム・ダール","excerpt":"1908年にパリで設立され、1913年まで存続した映画製作会社フィルム・ダール（Film d'art ）。 芸術映画社という名前からもわかるように、大衆娯楽としてしか認知されていなかった映画に高品位な味付けを加え、洗練された客層の開拓を狙った。","text":"フィルム・ダール\n1908年にパリで設立され、1913年まで存続した映画製作会社フィルム・ダール（Film d'art ）。 芸術映画社という名前からもわかるように、大衆娯楽としてしか認知されていなかった映画に高品位な味付けを加え、洗練された客層の開拓を狙った。\nフィルム・ダールは、第一次世界大戦前にフランスで発展した影響力のある映画運動またはジャンルであり、コメディ・フランセーズのシャルル・ル・バージーとアンドレ・カルメッツがソシエテ・フィルムのために監督した『ギーズ公の暗殺』の公開から始まった。\n#film\n","tags":["film"],"links":["film"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A3%E3%83%AB%E3%83%A0%E3%83%BB%E3%83%80%E3%83%BC%E3%83%AB","updated":1727712050,"position":[27.9288,-58.9703,-38.3658],"cluster":"c26","subgroup":"c26.01","degree":7,"referenceDegree":0,"maxSimilarity":0.31292,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ef830b753e52001cee9bcf","weight":0.31292,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeea6c54aafb001c84e0e7","weight":0.3041,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7fb3921c35001c99871e","weight":0.22248,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee85e96a55e4001cefde73","weight":0.20907,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7bf59cfe66001dea2964","weight":0.20731,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee803e392a00001c69ae2a","weight":0.20359,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee80964bc5c1001cea626e","weight":0.20277,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ef830b753e52001cee9bcf","source":"ideaofintellection","title":"サン=サーンス　ギーズ公の暗殺","excerpt":"1908 フランス","text":"サン=サーンス　ギーズ公の暗殺\n1908 フランス\n世界最初の映画音楽。音楽がサン=サーンスに依頼されたのだ。彼は「作品128」として、自作の作品目録にも記載している。\nフィルムダール。\n#film\n","tags":["film"],"links":["film"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%83%B3%3D%E3%82%B5%E3%83%BC%E3%83%B3%E3%82%B9%E3%80%80%E3%82%AE%E3%83%BC%E3%82%BA%E5%85%AC%E3%81%AE%E6%9A%97%E6%AE%BA","updated":1727712019,"position":[28.2566,-59.0583,-38.468],"cluster":"c26","subgroup":"c26.01","degree":8,"referenceDegree":0,"maxSimilarity":0.31292,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66eeeaa9a6581a001ccb977f","weight":0.31292,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66eeea6c54aafb001c84e0e7","weight":0.25274,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee85e96a55e4001cefde73","weight":0.21212,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7bf59cfe66001dea2964","weight":0.21124,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee7fb3921c35001c99871e","weight":0.20718,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee803e392a00001c69ae2a","weight":0.20644,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee80964bc5c1001cea626e","weight":0.203,"type":"similarity","reason":"共通タグ #film / 共通参照 film / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0edee3a7d7001c8d79d5","weight":0.08836,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ef84386b3135001d4447d2","source":"ideaofintellection","title":"フリッツラング 影","excerpt":"[https://scrapbox.io/files/66ef845f0b9c57001c56a62b.jpeg] #visual","text":"フリッツラング 影\n[https://scrapbox.io/files/66ef845f0b9c57001c56a62b.jpeg]\n#visual\n","tags":["visual"],"links":["visual"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%AA%E3%83%83%E3%83%84%E3%83%A9%E3%83%B3%E3%82%B0%20%E5%BD%B1","updated":1727712035,"position":[31.6885,-44.9149,98.9944],"cluster":"c14","subgroup":"c14.01","degree":8,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cede322d037e0025837bb1","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee1e73fb71e002473b525","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f19afecf15480026c4edbf","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66156cb47d53d600263ddbec","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663122c5b962180024597e5f","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312362f6e6ad0023b27d39","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6680e268afcedd001ca0579b","weight":0.28284,"type":"similarity","reason":"共通タグ #visual / 共通参照 visual / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b77e6cac77a80024360037","weight":0.10343,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","source":"ideaofintellection","title":"ミュージックコンクリート","excerpt":"ミュジーク・コンクレートまたはミュージック・コンクレート (musique concrète)は、1940年代の後半にフランスでピエール・シェフェールによって作られた現代音楽のひとつのジャンルであり、音響・録音技術を使った電子音楽の一種。具体音楽とも訳される。","text":"ミュージックコンクリート\nミュジーク・コンクレートまたはミュージック・コンクレート (musique concrète)は、1940年代の後半にフランスでピエール・シェフェールによって作られた現代音楽のひとつのジャンルであり、音響・録音技術を使った電子音楽の一種。具体音楽とも訳される。\n概要\n編集\n人や動物の声、鉄道や都市などから発せられる騒音、自然界から発せられる音、楽音、電子音、楽曲などを録音、加工し、再構成を経て創作される。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9F%E3%83%A5%E3%83%BC%E3%82%B8%E3%83%83%E3%82%AF%E3%82%B3%E3%83%B3%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%88","updated":1727694201,"position":[48.5231,-50.9459,34.3962],"cluster":"c02","subgroup":"c02.02","degree":19,"referenceDegree":0,"maxSimilarity":0.48245,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d62fde0d46d0022cf1d77","weight":0.48245,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d4e9cbd72bdd8cb32c07","weight":0.36992,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd564e384fa00025fa6ad1","weight":0.26383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24106,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","weight":0.23822,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65e9c17225c0310024e2eb6d","weight":0.23699,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66338a723c96cf0024eebca4","weight":0.23517,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c508434a095e00231bf662","weight":0.23241,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66f7a5f561607c001db2ee11","source":"ideaofintellection","title":"Forest Symphony 坂本龍一","excerpt":"https://artsandculture.google.com/story/egURwLvtkRQlTw?hl=ja","text":"Forest Symphony 坂本龍一\nhttps://artsandculture.google.com/story/egURwLvtkRQlTw?hl=ja\n[https://scrapbox.io/files/66f7a6306d25e6001c43294c.jpeg]\n[https://scrapbox.io/files/66f7a64834b3d2001df18158.jpeg]\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/Forest%20Symphony%20%E5%9D%82%E6%9C%AC%E9%BE%8D%E4%B8%80","updated":1727694187,"position":[53.0752,-32.0071,1.8981],"cluster":"c10","subgroup":"c10.01","degree":13,"referenceDegree":0,"maxSimilarity":0.37406,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6582d7e318568700244595f8","weight":0.37406,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6872536612ae09d29cde1ea2","weight":0.35716,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d6db23e64860025a24f80","weight":0.24428,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6874ac339e41f828fe64c172","weight":0.21352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2830c3a7760023fc8ed6","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c5073f2b7d0400261f20c5","weight":0.2,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678203a63042db788625d3f1","weight":0.19689,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66f7a994ca0654001cba5060","source":"ideaofintellection","title":"オープンリール","excerpt":"オープンリール（英: Open ReelあるいはReel-to-reel）とは、磁気媒体（磁気テープや磁気ワイヤーなど）を、オープンな（つまり開放されている、いわゆる「むき出し」の）リールに巻いて使う方式のこと。","text":"オープンリール\nオープンリール（英: Open ReelあるいはReel-to-reel）とは、磁気媒体（磁気テープや磁気ワイヤーなど）を、オープンな（つまり開放されている、いわゆる「むき出し」の）リールに巻いて使う方式のこと。\n[https://scrapbox.io/files/66f7a9b1c7544f001c12a6e3.jpeg]\n#media\n","tags":["media"],"links":["media"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%BC%E3%83%97%E3%83%B3%E3%83%AA%E3%83%BC%E3%83%AB","updated":1727694173,"position":[-11.6467,7.0034,11.1168],"cluster":"c07","subgroup":"c07.02","degree":9,"referenceDegree":0,"maxSimilarity":0.28284,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631d5256faec3002343a28d","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6632246f1595990024f329ab","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a22b88f0be00231d7645","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669e452006fcfe001d8c0794","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66d71fb7a69682001c52988f","weight":0.28284,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669bf22525fddc001d1b19a9","weight":0.21885,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631c03589ba2900244083ae","weight":0.21362,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669bf3192516d1001c6a8536","weight":0.21132,"type":"similarity","reason":"共通タグ #media / 共通参照 media / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66fa64a84653b5001c65831a","source":"ideaofintellection","title":"２声対位法","excerpt":"２つの独立した旋律が、それぞれの旋律が個性を持ちながら、調和をとって形成される音楽に使われる対位法の技術は、２つの旋律の関係において、いくつか注意しなければならないことがある。","text":"２声対位法\n２つの独立した旋律が、それぞれの旋律が個性を持ちながら、調和をとって形成される音楽に使われる対位法の技術は、２つの旋律の関係において、いくつか注意しなければならないことがある。\n２つの声部が進行する場合、\n◯２つの声部が同じ方向に進行することを「並（進）行」と呼ぶ。\n◯２つの声部が反対方向に行くことを「反（進）行」、\n◯どちらかの声部が留まることを「斜（進）行」と呼ぶ。\n◯２つの声部が同時に保留される場合は、「進行」とは言われない。\nhttps://shimazu-takehito.webnode.jp/%EF%BC%92声対位法/\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%EF%BC%92%E5%A3%B0%E5%AF%BE%E4%BD%8D%E6%B3%95","updated":1727694150,"position":[49.3243,-49.1569,34.2725],"cluster":"c02","subgroup":"c02.02","degree":10,"referenceDegree":0,"maxSimilarity":0.27905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d3fbf2cb588d0024bd3cad","weight":0.27905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559fb5f298438001b01e8b8","weight":0.2759,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.24836,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339e7150d15000239418af","weight":0.2278,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65dab5c65d44230025671de3","weight":0.22617,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631be996282470023da80dd","weight":0.21844,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d828a40253002425cfa1","weight":0.21561,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6a9d1a88a70023c3931d","weight":0.21255,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66fa7e60188005001cefb883","source":"ideaofintellection","title":"リズムカノン","excerpt":"リズムカノンは、１小節や２小節などの決まったかたちでリズムを追いかけること。 リトミックの講座で勉強したものをピアノのレッスンで活用しています。","text":"リズムカノン\nリズムカノンは、１小節や２小節などの決まったかたちでリズムを追いかけること。 リトミックの講座で勉強したものをピアノのレッスンで活用しています。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AA%E3%82%BA%E3%83%A0%E3%82%AB%E3%83%8E%E3%83%B3","updated":1727694141,"position":[48.3662,-50.1299,35.8602],"cluster":"c02","subgroup":"c02.02","degree":10,"referenceDegree":0,"maxSimilarity":0.31152,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.31152,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.29531,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31aae6da4d30026c0e46f","weight":0.25868,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31b78044f410025896169","weight":0.23743,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31c78f2b97600256b52c7","weight":0.23683,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b2804538eb00237f7830","weight":0.22399,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f037e20d41a3002544870e","weight":0.21055,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66fa7e7f215622001e3f98e1","source":"ideaofintellection","title":"オスティナート","excerpt":"ostinato イタリア","text":"オスティナート\nostinato イタリア\n音楽で、一定の音型を何度も反復する技法。 低声部でこれを行うバッソ‐オスティナートは、この技法の代表的なもので、「固執低音」「 執拗 しつよう 低音」などとも訳される。\n#sound\n","tags":["sound"],"links":["sound"],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%82%B9%E3%83%86%E3%82%A3%E3%83%8A%E3%83%BC%E3%83%88","updated":1731514451,"position":[48.888,-50.4547,34.7706],"cluster":"c02","subgroup":"c02.02","degree":11,"referenceDegree":0,"maxSimilarity":0.23905,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee29291052e00252acacb","weight":0.23905,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.22574,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6b1baac46f001c052de1","weight":0.21686,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bed65cae4b00239d89e3","weight":0.21558,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.21538,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee8293fa4f38001dbb9a18","weight":0.2144,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.21427,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f668ffb6d2400239ce545","weight":0.21366,"type":"similarity","reason":"共通タグ #sound / 共通参照 sound / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","source":"ideaofintellection","title":"マックスマシューズ","excerpt":"マックス・ヴァーノン・マシューズ（Max Vernon Mathews, 1926年11月13日 - 2011年4月21日）は、アメリカ合衆国ネブラスカ州生まれの科学者、発明家、音楽家で、コンピュータミュージックのパイオニアの一人。","text":"マックスマシューズ\nマックス・ヴァーノン・マシューズ（Max Vernon Mathews, 1926年11月13日 - 2011年4月21日）は、アメリカ合衆国ネブラスカ州生まれの科学者、発明家、音楽家で、コンピュータミュージックのパイオニアの一人。\nコンピュータミュージックの父\n\n来歴\nカリフォルニア工科大学およびマサチューセッツ工科大学にて学び、1954年に科学博士を取得の後、ベル研究所に勤め、音響生成に広く用いられた音楽プログラミング言語MUSIC-Nシリーズ(1957年-)を開発する。その後、デジタルオーディオや音響合成の分野、楽器演奏に付随するマンマシンインタフェースの研究分野において、第一人者として活躍した。\n\n研究\nオーストラリアで開発されたコンピュータCSIRACが1951年によって演奏されたものが世界で初めてのコンピュータによる音響合成であったが、マシューズは、彼の開発したMUSIC-Nシリーズによって、その後の世界のデジタル技術による音楽プログラミング言語、アプリケーションの分野に対し、大きく貢献した。\n\n1961年、同僚であったジョン・ラリー・ケリー・ジュニアによる音声合成の集大成である『デイジー・ベル』に伴奏パートを付け、1962年から1985年までベル研究所の音響・行動研究センターのディレクターを務めた。同センターは、音声コミュニケーション、視覚コミュニケーション、学習と記憶、ロボット工学、組織化された知識、主観の分析、物理音響などを研究している。1974年から1980年まではフランス国立音響音楽研究所(IRCAM)の科学アドヴァイザーを務め、1987年以降はスタンフォード大学にて教授を務めていた。1973年IEEEデイヴィッド・サーノフ賞受賞。\n\n2011年4月21日、肺炎のためサンフランシスコで死去[1]。\n\n備考\n今日、作曲家やメディアアーティストによって幅広く使われるビジュアルプログラミング言語のMaxはマシューズの名に由来している。\n[https://upload.wikimedia.org/wikipedia/commons/c/c0/Max_Mathews_on_80th_birthday.jpg]\n\n","tags":[],"links":["1"],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9E%E3%83%83%E3%82%AF%E3%82%B9%E3%83%9E%E3%82%B7%E3%83%A5%E3%83%BC%E3%82%BA","updated":1728015058,"position":[19.6435,-68.5944,-0.3051],"cluster":"c03","subgroup":"c03.02","degree":13,"referenceDegree":0,"maxSimilarity":0.19785,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ff6b1d0fd00b001db59fbb","weight":0.19785,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a113da5848e89234962c31e","weight":0.14729,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e15b62b8a983e8a4b7a9","weight":0.12938,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c8a7cbbc528b7c41945f8b","weight":0.12055,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67fdb5588f3e74d9e9b838e2","weight":0.11004,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c2159227944f4a38d7cbe","weight":0.10978,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7ac11b71f88001d883399","weight":0.10721,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0781e236ffb38f681c3f28","weight":0.1072,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ff6b1d0fd00b001db59fbb","source":"ideaofintellection","title":"ミラーパケット","excerpt":"1980年にマサチューセッツ工科大学にて数学の学士を、1986年にハーヴァード大学にて数学の博士を得る。1985年から1987年までMITメディアラボにてコンピュータミュージックの研究を行い、その後、フランス国立音響音楽研究所(IRCAM)の研究員となる。1988年、MITラボ以来の研究を元にIRCAMにて4X用コントロールインターフェースPatcherを開発。さらに個人研究としてMacintoshコンピュータに移植開発を行い、1990年にはOpcode社より「Max」名で商用に発売。一方、1989年にIRCAM「ミュージカルワークステーション」チームの研究者としてNeXT、Ircam Signal Processing WorkstationのためにMax/FTSを開発。1994年からはカリフォルニア大学サンディエゴ校(UCSD)音楽部門の教員、研究者となり、1996年、フリーウェアPure Dataを開発。現在は同大学コンピュータ芸術研究センター(CRCA)の副所長を務める。","text":"ミラーパケット\n\n1980年にマサチューセッツ工科大学にて数学の学士を、1986年にハーヴァード大学にて数学の博士を得る。1985年から1987年までMITメディアラボにてコンピュータミュージックの研究を行い、その後、フランス国立音響音楽研究所(IRCAM)の研究員となる。1988年、MITラボ以来の研究を元にIRCAMにて4X用コントロールインターフェースPatcherを開発。さらに個人研究としてMacintoshコンピュータに移植開発を行い、1990年にはOpcode社より「Max」名で商用に発売。一方、1989年にIRCAM「ミュージカルワークステーション」チームの研究者としてNeXT、Ircam Signal Processing WorkstationのためにMax/FTSを開発。1994年からはカリフォルニア大学サンディエゴ校(UCSD)音楽部門の教員、研究者となり、1996年、フリーウェアPure Dataを開発。現在は同大学コンピュータ芸術研究センター(CRCA)の副所長を務める。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9F%E3%83%A9%E3%83%BC%E3%83%91%E3%82%B1%E3%83%83%E3%83%88","updated":1728015208,"position":[20.1538,-68.7588,-0.2407],"cluster":"c03","subgroup":"c03.02","degree":7,"referenceDegree":0,"maxSimilarity":0.19785,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.19785,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d67e74d7ca03001d9d0dcd","weight":0.12502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:671ca74d2797f19fbce4f7e3","weight":0.12322,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69ca3f06898524315e821bc1","weight":0.11295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67026963bbd315001c6c607b","weight":0.10356,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd564e384fa00025fa6ad1","weight":0.09901,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d67ef2278e36001d08cf5f","weight":0.08876,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:66ff6b7953abb2001c5f1148","source":"ideaofintellection","title":"Ignorance","excerpt":"無知","text":"Ignorance \n無知\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Ignorance","updated":1728210686,"position":[-65.7545,25.0319,-99.5809],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.02357,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:67026963bbd315001c6c607b","source":"ideaofintellection","title":"ホケット","excerpt":"*ホケット（ホケトゥス）：中世ヨーロッパで使われた言葉で複数の演奏者がお互いに他が音を出さない時に音を出し、補完的に一つのリズムまたはメロディーラインを編み出す奏法。 語源の意味は「しゃっくり」。 アフリカなどの民族音楽でもみられる。","text":"ホケット\n*ホケット（ホケトゥス）：中世ヨーロッパで使われた言葉で複数の演奏者がお互いに他が音を出さない時に音を出し、補完的に一つのリズムまたはメロディーラインを編み出す奏法。 語源の意味は「しゃっくり」。 アフリカなどの民族音楽でもみられる。\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9B%E3%82%B1%E3%83%83%E3%83%88","updated":1728211311,"position":[20.6586,-68.92,-0.2119],"cluster":"c03","subgroup":"c03.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10767,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65ccac5b72b201002472a0be","weight":0.10767,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6b1d0fd00b001db59fbb","weight":0.10356,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.09248,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67109901413be6001ca2cb0c","source":"ideaofintellection","title":"malleus incus stapes","excerpt":"bone in ear","text":"malleus incus stapes\nbone in ear\n\n[https://scrapbox.io/files/67109931e61e6b001c9ba2ff.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/malleus%20incus%20stapes","updated":1729141046,"position":[-74.7178,11.7559,-103.6123],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:671f1192a5895fbd7f3ac6b2","source":"ideaofintellection","title":"music plays images × images play music","excerpt":"[https://youtu.be/QRHwP82WiK4?si=tiAjGNnWNCOh3xv6]","text":"music plays images × images play music\n[https://youtu.be/QRHwP82WiK4?si=tiAjGNnWNCOh3xv6]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/music%20plays%20images%20%C3%97%20images%20play%20music","updated":1730089448,"position":[20.1661,86.4923,30.4497],"cluster":"c21","subgroup":"c21.01","degree":7,"referenceDegree":0,"maxSimilarity":0.2926,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.2926,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c69b71b6dd400221b1b8f","weight":0.20776,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bd2ee8b327f001c51ec2b","weight":0.18227,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499407cfb9e1d001b2ded0f","weight":0.17692,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afcbc854be5001b641c93","weight":0.1747,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499aaffb7c14a001bff47d5","weight":0.17429,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64f82fd252e65a001ccbdc24","weight":0.17061,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:671f120389304b42220ea738","source":"ideaofintellection","title":"ヴィジュアルノーテーション","excerpt":"https://medium.com/x-music-lab/x-music-lab-22春-人工知能によるビジュアルノーテーションの生成とそれを用いた音楽-映像表現の提示-9090d9127d28","text":"ヴィジュアルノーテーション\nhttps://medium.com/x-music-lab/x-music-lab-22春-人工知能によるビジュアルノーテーションの生成とそれを用いた音楽-映像表現の提示-9090d9127d28\n\nhttps://tokyo.mutek.org/jp/artists/reo-anzai-santa-naruse\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%B4%E3%82%A3%E3%82%B8%E3%83%A5%E3%82%A2%E3%83%AB%E3%83%8E%E3%83%BC%E3%83%86%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1730089516,"position":[97.3346,-53.3986,-48.3767],"cluster":"c38","subgroup":"c38.01","degree":7,"referenceDegree":0,"maxSimilarity":0.83108,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6734cf9dc131604e684dc160","weight":0.83108,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6680d16301bab8001c01ba67","weight":0.20943,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d33aa2485ae3002557bbe3","weight":0.20556,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6760f5d97bb7807f53d08e0a","weight":0.15663,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d65e5606aa0f4ae01ac0","weight":0.14348,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6a546e6315b63d6412ee7147","weight":0.1183,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.09464,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6722eaf581c20958b0ccd40d","source":"ideaofintellection","title":"Charles Darwin quote music","excerpt":"Charles Darwin wrote in The Descent of Man in 1871 that the human capacity to produce and enjoy music is \"amongst the most mysterious with which he is endowed\":","text":"Charles Darwin quote music\nCharles Darwin wrote in The Descent of Man in 1871 that the human capacity to produce and enjoy music is \"amongst the most mysterious with which he is endowed\":\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Charles%20Darwin%20quote%20music","updated":1730341698,"position":[18.9826,90.2694,29.2659],"cluster":"c21","subgroup":"c21.01","degree":7,"referenceDegree":0,"maxSimilarity":0.5381,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:672cc896414c56bbdc6152eb","weight":0.5381,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.16489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c69b71b6dd400221b1b8f","weight":0.12182,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bd2ee8b327f001c51ec2b","weight":0.10518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499aaffb7c14a001bff47d5","weight":0.10316,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:640afcbc854be5001b641c93","weight":0.10026,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6499407cfb9e1d001b2ded0f","weight":0.09993,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6722ed131512b7f62b8bea89","source":"ideaofintellection","title":"グラニュラーシンセシス","excerpt":"グラニュラー合成とは、サンプルを非常に小さな単位へと分割し多重にクロスフェードさせてプレイバックする技術です。 これらの小さな単位（グレイン）は、通常50ミリ秒以下の長さで、個別に聞いてみると短いクリック音のように聞こえます。","text":"グラニュラーシンセシス\nグラニュラー合成とは、サンプルを非常に小さな単位へと分割し多重にクロスフェードさせてプレイバックする技術です。 これらの小さな単位（グレイン）は、通常50ミリ秒以下の長さで、個別に聞いてみると短いクリック音のように聞こえます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B0%E3%83%A9%E3%83%8B%E3%83%A5%E3%83%A9%E3%83%BC%E3%82%B7%E3%83%B3%E3%82%BB%E3%82%B7%E3%82%B9","updated":1730342173,"position":[97.3745,-46.3757,38.0589],"cluster":"c34","subgroup":"c34.01","degree":1,"referenceDegree":0,"maxSimilarity":0.22304,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b070c70a87d001b717e6e","weight":0.22304,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6722ed4e0116bb715842ecdf","source":"ideaofintellection","title":"Philips Pavilion","excerpt":"フィリップス パビリオンは、ベルギーのブリュッセルにあるモダニズム パビリオンで、1958 年のブリュッセル万国博覧会のために建設されました。電子機器メーカーのフィリップスの委託を受け、ル・コルビュジエの事務所が設計したこの建物は、戦後の技術進歩を祝うマルチメディアのショーを収容するために建設されました。","text":"Philips Pavilion\nフィリップス パビリオンは、ベルギーのブリュッセルにあるモダニズム パビリオンで、1958 年のブリュッセル万国博覧会のために建設されました。電子機器メーカーのフィリップスの委託を受け、ル・コルビュジエの事務所が設計したこの建物は、戦後の技術進歩を祝うマルチメディアのショーを収容するために建設されました。\nヤニス・クセナキス、 ル・コルビュジエ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Philips%20Pavilion","updated":1730342280,"position":[-23.138,24.2073,54.0525],"cluster":"c09","subgroup":"c09.02","degree":2,"referenceDegree":0,"maxSimilarity":0.13562,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686b31d6b688fbd2f9a5bdb8","weight":0.13562,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6836995e2e629f324b306254","weight":0.13443,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6722efcd705688d597ad7472","source":"ideaofintellection","title":"sensorium ars","excerpt":"https://www.higraph.com/works/sensorium.html","text":"sensorium ars\nhttps://www.higraph.com/works/sensorium.html\n[https://scrapbox.io/files/6722eff8fedcb8f22ea55811.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/sensorium%20ars","updated":1730342908,"position":[-7.8826,109.6083,2.448],"cluster":"c13","subgroup":"c13.01","degree":3,"referenceDegree":0,"maxSimilarity":0.43483,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6781070555916cb387adb1cc","weight":0.43483,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66efb94651b4f5001d70224d","weight":0.42354,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65c045a878c0bd002454fbcc","weight":0.35537,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6722f19006feb56bffc342e4","source":"ideaofintellection","title":"sine wave orchestra","excerpt":"[https://vimeo.com/286900720]","text":"sine wave orchestra\n[https://vimeo.com/286900720]\n\nken furudate\nThe SINE WAVE ORCHESTRA（ザ・サイン・ウェーブ・オーケストラ）は、古舘健、城一裕、石田大祐、野口瑞希の4人を中心に2002年に始まったプロジェクトです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/sine%20wave%20orchestra","updated":1730343365,"position":[18.3471,46.8674,-33.7795],"cluster":"c15","subgroup":"c15.01","degree":7,"referenceDegree":0,"maxSimilarity":0.15736,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69c88d14b66b8416268e6464","weight":0.15736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e324ff3f8c71001cae43f4","weight":0.1326,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b0c8b8b327f001c48dbe2","weight":0.11348,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65079c4a2165bf001c616fc7","weight":0.11116,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6599494116b5920022d3630a","weight":0.09371,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:691046226affffbfb2406e89","weight":0.09111,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68027ac4c1a5ee9879f6dd9d","weight":0.09077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6722f226571b89794bf86dac","source":"ideaofintellection","title":"レベック","excerpt":"レベックは、今日のヴァイオリンのもとになった弦楽器の一つである。一般的にはアラブ人の楽器ラバーブがもとになっていると考えられており、外観は洋ナシ形をしている。おそらく中世中期にスペイン経由でヨーロッパに広まったとされている。ラベイカとも。16世紀から17世紀のレベックはフレットがなく2～3弦で5度調弦である。","text":"レベック\nレベックは、今日のヴァイオリンのもとになった弦楽器の一つである。一般的にはアラブ人の楽器ラバーブがもとになっていると考えられており、外観は洋ナシ形をしている。おそらく中世中期にスペイン経由でヨーロッパに広まったとされている。ラベイカとも。16世紀から17世紀のレベックはフレットがなく2～3弦で5度調弦である。\n[https://scrapbox.io/files/6722f26987dc35cc2143e7c3.webp]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%83%99%E3%83%83%E3%82%AF","updated":1730343531,"position":[31.0957,-56.9321,17.285],"cluster":"c03","subgroup":"c03.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08094,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6722f5d9d9ed66d32421cece","source":"ideaofintellection","title":"trober","excerpt":"The Old Occitan verb trobar means \"to find\" or \"to compose (verses)\".","text":"trober\nThe Old Occitan verb trobar means \"to find\" or \"to compose (verses)\". \nTrobar clus is a complex and obscure style of writing that was used by some Provençal poets in the 12th century. It was a closed form of poetry that was only truly appreciated by a select few. The style was characterized by intricate rhymes, complex metrics, and words chosen more for their sound than their meaning.","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/trober","updated":1730344422,"position":[3.7508,89.6635,11.3028],"cluster":"c13","subgroup":"c13.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12781,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64be0d48434f92001be97891","weight":0.12781,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686bbbcf395aa2f17a0ea7c4","weight":0.1202,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65cca838687865002421d76f","weight":0.09171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6722f6233e0c394785adb9eb","source":"ideaofintellection","title":"テノール　維持する","excerpt":"ラテン語で保つ、維持するを意味するtenereから派生して、テノールと呼ばれるようになったのです","text":"テノール　維持する\nラテン語で保つ、維持するを意味するtenereから派生して、テノールと呼ばれるようになったのです\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%83%8E%E3%83%BC%E3%83%AB%E3%80%80%E7%B6%AD%E6%8C%81%E3%81%99%E3%82%8B","updated":1730344493,"position":[-5.0401,-53.8981,29.7115],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09527,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67893ebb78d360aa8a7db4bf","weight":0.09527,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6722f6dfcedd7309b0fea328","source":"ideaofintellection","title":"ノートルダム楽派","excerpt":"ノートルダム学校またはノートルダムポリフォニー学校とは、パリのノートルダム大聖堂またはその近くで1160年から1250年にかけて働いていた作曲家のグループと、彼らが制作した音楽を指します。 この時から私たちに名前が付けられた作曲家は、レオニンとペロティヌスだけです。","text":"ノートルダム楽派\nノートルダム学校またはノートルダムポリフォニー学校とは、パリのノートルダム大聖堂またはその近くで1160年から1250年にかけて働いていた作曲家のグループと、彼らが制作した音楽を指します。 この時から私たちに名前が付けられた作曲家は、レオニンとペロティヌスだけです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8E%E3%83%BC%E3%83%88%E3%83%AB%E3%83%80%E3%83%A0%E6%A5%BD%E6%B4%BE","updated":1730344688,"position":[126.7771,-74.5494,-19.3945],"cluster":"c45","subgroup":"c45.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08127,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6722f74a8c2db17f2378c141","source":"ideaofintellection","title":"rarefaction","excerpt":"密度の減少、希薄化","text":"rarefaction \n密度の減少、希薄化\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/rarefaction","updated":1730344801,"position":[-62.9414,49.4349,-114.1408],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05483,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:67247c197aa11e5b2deda5e5","source":"ideaofintellection","title":"オノヨーコ・天井の絵","excerpt":"https://note.com/misaki339/n/n3dd27da45e88","text":"オノヨーコ・天井の絵\nhttps://note.com/misaki339/n/n3dd27da45e88\n[https://assets.st-note.com/production/uploads/images/19905278/rectangle_large_type_2_1be403442c8ab207b8367ca97285a342.jpeg?width=2000&height=2000&fit=bounds&quality=85]\n[https://assets.st-note.com/production/uploads/images/19905882/picture_pc_255602405fa2d68abf8632a8bbd482c1.jpeg?width=2000&height=2000&fit=bounds&quality=85]\n[https://assets.st-note.com/production/uploads/images/19905887/picture_pc_d71ea6a23c9ad4455402a2fd9a88774b.jpeg?width=2000&height=2000&fit=bounds&quality=85]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%8E%E3%83%A8%E3%83%BC%E3%82%B3%E3%83%BB%E5%A4%A9%E4%BA%95%E3%81%AE%E7%B5%B5","updated":1730444387,"position":[-44.7445,-2.1425,-140.356],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05587,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:672cbbcb607a00d463819ee9","source":"ideaofintellection","title":"メトリックモジュレーション","excerpt":"メトリック・モジュレーションとは、楽曲のテンポを変更せずに、別のテンポに切り替わったように聴かせるリズム・チェンジの手法です。前後のテンポに関連性を持たせた上でテンポ・チェンジすることも含まれます。","text":"メトリックモジュレーション\nメトリック・モジュレーションとは、楽曲のテンポを変更せずに、別のテンポに切り替わったように聴かせるリズム・チェンジの手法です。前後のテンポに関連性を持たせた上でテンポ・チェンジすることも含まれます。\nたとえば、16分音符を3つに割って演奏すると、テンポの異なる擬似的なシャッフル・ビートになります。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%83%88%E3%83%AA%E3%83%83%E3%82%AF%E3%83%A2%E3%82%B8%E3%83%A5%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1730984930,"position":[51.1818,-35.0973,1.9321],"cluster":"c10","subgroup":"c10.01","degree":9,"referenceDegree":0,"maxSimilarity":0.23834,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.23834,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af403630705a001c9776f8","weight":0.19218,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e25a085bd685b44768ee","weight":0.15282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499475f165276001bd1b3aa","weight":0.14481,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.14279,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65921638fc909000238ceba5","weight":0.13568,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e7796a14781cdf78f8ac96","weight":0.12804,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf4a5d2889ef385d4b594","weight":0.12044,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cbc720776713b1716d142","source":"ideaofintellection","title":"akg c411コンデンサーマイク","excerpt":"https://www.soundhouse.co.jp/products/detail/item/207484/?gad_source=1&gbraid=0AAAAAD_jRDyzMiQMaC4tggYuom-QiUzMW&gclid=Cj0KCQiA57G5BhDUARIsACgCYnxyBV3r13h_MVtfgZDCgsmsGdtEKifDxTYuYtAZQArPGGd5SM70diYaApIdEALw_wcB","text":"akg c411コンデンサーマイク\nhttps://www.soundhouse.co.jp/products/detail/item/207484/?gad_source=1&gbraid=0AAAAAD_jRDyzMiQMaC4tggYuom-QiUzMW&gclid=Cj0KCQiA57G5BhDUARIsACgCYnxyBV3r13h_MVtfgZDCgsmsGdtEKifDxTYuYtAZQArPGGd5SM70diYaApIdEALw_wcB\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/akg%20c411%E3%82%B3%E3%83%B3%E3%83%87%E3%83%B3%E3%82%B5%E3%83%BC%E3%83%9E%E3%82%A4%E3%82%AF","updated":1730985109,"position":[-27.2737,-71.7443,65.2027],"cluster":"c04","subgroup":"c04.01","degree":6,"referenceDegree":0,"maxSimilarity":0.14516,"lowEvidence":false,"neighbors":[{"id":"NextResearch:656d5ee1df897100253e1938","weight":0.14516,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6572652aef8e7c00235ce4f1","weight":0.12052,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a4d2597e3c0023d44918","weight":0.10411,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a3e716f69000235f9df8","weight":0.09807,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b1931c82750001cb4bf2d","weight":0.08866,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681d9d12a208f2966b96679b","weight":0.08759,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cbf9663ae65950731cf98","source":"ideaofintellection","title":"organum オルガヌム","excerpt":"オルガヌム【(ラテン)organum】","text":"organum オルガヌム\nオルガヌム【(ラテン)organum】\n\n9〜13世紀、ヨーロッパで流行した初期の多声音楽。 グレゴリオ聖歌などの旋律を主声部とし、いくつかの声部を付け加えた楽曲。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/organum%20%E3%82%AA%E3%83%AB%E3%82%AC%E3%83%8C%E3%83%A0","updated":1730985904,"position":[45.6135,-45.5525,33.2817],"cluster":"c02","subgroup":"c02.03","degree":6,"referenceDegree":0,"maxSimilarity":0.13915,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:672cbfef010318b6d93a132d","weight":0.13915,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf68043318b700257a791d","weight":0.1179,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734dea3c1dadde248a0819f","weight":0.10203,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659a67503276650023c2d746","weight":0.10033,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c63c118b78e4001bc5a98b","weight":0.09411,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e445e15e3839001b5d5091","weight":0.09113,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cbfef010318b6d93a132d","source":"ideaofintellection","title":"ネウマ譜","excerpt":"ネウマ譜（ネウマふ、英: neumatic notation）とは、楽曲の楽譜を「ネウマ」と呼ばれる記号を用いて書き表す記譜法のことである。","text":"ネウマ譜\nネウマ譜（ネウマふ、英: neumatic notation）とは、楽曲の楽譜を「ネウマ」と呼ばれる記号を用いて書き表す記譜法のことである。\nグレゴリオ聖歌などで用いられた。\n[https://scrapbox.io/files/672cc00fa1a9e510df3b03b0.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8D%E3%82%A6%E3%83%9E%E8%AD%9C","updated":1730986065,"position":[46.0468,-45.8916,33.5529],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.13915,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:672cbf9663ae65950731cf98","weight":0.13915,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c63c118b78e4001bc5a98b","weight":0.10839,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734dea3c1dadde248a0819f","weight":0.1074,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc093df95107f47186a14","source":"ideaofintellection","title":"コントラプント、対位法","excerpt":"「コントラプント」は、ルネサンス期～バロック期の音楽に見られた「対位法」（複数の旋律を、それぞれの独立性を保ちながら互いによく調和させて重ね合わせる技法。","text":"コントラプント、対位法\n「コントラプント」は、ルネサンス期～バロック期の音楽に見られた「対位法」（複数の旋律を、それぞれの独立性を保ちながら互いによく調和させて重ね合わせる技法。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%B3%E3%83%88%E3%83%A9%E3%83%97%E3%83%B3%E3%83%88%E3%80%81%E5%AF%BE%E4%BD%8D%E6%B3%95","updated":1730986145,"position":[49.8586,-47.7871,33.0955],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.49489,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559fb5f298438001b01e8b8","weight":0.49489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d5b3930bbcbb2a7c2731","weight":0.16063,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa64a84653b5001c65831a","weight":0.13287,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc0c4924cae7c52e36fbe","source":"ideaofintellection","title":"ヘテロフォニー","excerpt":"ヘテロフォニー（英: heterophony）は、音楽のテクスチュアの一種で、モノフォニーの複雑化したもの。 同一の旋律を奏でる様々な奏者や歌手が、任意で別々に動いたり、リズムやテンポを微妙にずらしたりすることで、異なった装飾や音型が生じ、偶発的に瞬間的なポリフォニーを生ずるようになったものをいう。","text":"ヘテロフォニー\nヘテロフォニー（英: heterophony）は、音楽のテクスチュアの一種で、モノフォニーの複雑化したもの。 同一の旋律を奏でる様々な奏者や歌手が、任意で別々に動いたり、リズムやテンポを微妙にずらしたりすることで、異なった装飾や音型が生じ、偶発的に瞬間的なポリフォニーを生ずるようになったものをいう。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%83%86%E3%83%AD%E3%83%95%E3%82%A9%E3%83%8B%E3%83%BC","updated":1730986187,"position":[47.0476,-47.3319,34.0565],"cluster":"c02","subgroup":"c02.03","degree":6,"referenceDegree":0,"maxSimilarity":0.3293,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734dea3c1dadde248a0819f","weight":0.3293,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a2777ecb67e9001b61610b","weight":0.28807,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c56d7ccfeab00249c72c3","weight":0.12821,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0328788a50001c391520","weight":0.11681,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893fccb98e1c7521d00fd6","weight":0.09242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc384f82dbe7d3efb1530","weight":0.08687,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc13eb77583d262fb2283","source":"ideaofintellection","title":"ヘクサコルド","excerpt":"六音音階、ヘクサコルドは、オクターブに6つの音が含まれる音階。 構成音を順にたどると、7つめの音で最初の音のオクターブ上の音に達する音階。言い換えると6つのピッチクラスによって構成されている音階である。 六音音階は、世界各地の民族音楽に見ることができる。","text":"ヘクサコルド\n六音音階、ヘクサコルドは、オクターブに6つの音が含まれる音階。 構成音を順にたどると、7つめの音で最初の音のオクターブ上の音に達する音階。言い換えると6つのピッチクラスによって構成されている音階である。 六音音階は、世界各地の民族音楽に見ることができる。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%98%E3%82%AF%E3%82%B5%E3%82%B3%E3%83%AB%E3%83%89","updated":1730986323,"position":[34.6895,-57.4399,-40.7395],"cluster":"c26","subgroup":"c26.01","degree":4,"referenceDegree":0,"maxSimilarity":0.10832,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bf5faee597210027980d3c","weight":0.10832,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a27b8e43539a001c351457","weight":0.10742,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64b659dbd636b0001c7cbe86","weight":0.09554,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64b65ac8fac342001b98084b","weight":0.09132,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc1954db3e5cd51d5bac5","source":"ideaofintellection","title":"スコラ・カントルム","excerpt":"スコラ カントルムは中世に訓練を受けた教皇聖歌隊であり、教会で音楽を演奏する目的で平聖歌の演奏を専門としていました。 4 世紀に教皇シルベスター 1 世が最初のスコラ カントルムを設立したと言われていますが、学校を確固たる基盤として設立し、寄付をしたのは教皇グレゴリウス 1 世でした。","text":"スコラ・カントルム\nスコラ カントルムは中世に訓練を受けた教皇聖歌隊であり、教会で音楽を演奏する目的で平聖歌の演奏を専門としていました。 4 世紀に教皇シルベスター 1 世が最初のスコラ カントルムを設立したと言われていますが、学校を確固たる基盤として設立し、寄付をしたのは教皇グレゴリウス 1 世でした。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%82%B3%E3%83%A9%E3%83%BB%E3%82%AB%E3%83%B3%E3%83%88%E3%83%AB%E3%83%A0","updated":1730986406,"position":[3.8078,-73.5858,39.4732],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10722,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658000f560c8b100232bf9d7","weight":0.10722,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc1f511c0951ececf3092","source":"ideaofintellection","title":"レスポンソリウム","excerpt":"レスポンソリウム (羅 responsorium) は、独唱者と合唱が交互に歌うキリスト教の聖歌の形式。和訳では一般に「応唱」。","text":"レスポンソリウム\nレスポンソリウム (羅 responsorium) は、独唱者と合唱が交互に歌うキリスト教の聖歌の形式。和訳では一般に「応唱」。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%82%B9%E3%83%9D%E3%83%B3%E3%82%BD%E3%83%AA%E3%82%A6%E3%83%A0","updated":1730986495,"position":[50.7728,-50.6056,36.5757],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.15995,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65e2025da0d001cf19905","weight":0.15995,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:656d5c4579043e00249e7bd4","weight":0.12898,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e7434355300001cbfa006","weight":0.12331,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc24c068e65f05901b63c","source":"ideaofintellection","title":"ガルランディア 1320","excerpt":"Johannes de Garlandiaは、中世音楽の後期アルスアンティクア時代のフランス音楽理論家でした。彼は、リズムの記譜法の実践を探求する最初の論文であるDeMensurabiliMusicaの研究で知られています。","text":"ガルランディア 1320\nJohannes de Garlandiaは、中世音楽の後期アルスアンティクア時代のフランス音楽理論家でした。彼は、リズムの記譜法の実践を探求する最初の論文であるDeMensurabiliMusicaの研究で知られています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AC%E3%83%AB%E3%83%A9%E3%83%B3%E3%83%87%E3%82%A3%E3%82%A2%201320","updated":1730986586,"position":[28.7951,-2.8857,-13.501],"cluster":"c18","subgroup":"c18.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11193,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64ce15bb57369a001cf5db8c","weight":0.11193,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc2c1ad4037943e6f27e8","source":"ideaofintellection","title":"motteto","excerpt":"フランス語「mot（モ）＝言葉」に由来。 元来は聖書の言葉を歌詞とする中世の無伴奏多声部合唱曲。 ただしバロック後期以降は、バッハに代表される、ポリフォニーによる短い宗教的合唱曲を指すようになった。","text":"motteto\nフランス語「mot（モ）＝言葉」に由来。 元来は聖書の言葉を歌詞とする中世の無伴奏多声部合唱曲。 ただしバロック後期以降は、バッハに代表される、ポリフォニーによる短い宗教的合唱曲を指すようになった。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/motteto","updated":1730986697,"position":[46.2658,-46.8922,33.2461],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.14181,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734dc5a3c558f5e1e269af9","weight":0.14181,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a2777ecb67e9001b61610b","weight":0.10785,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.09496,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc327e5a820e36d06b8e0","source":"ideaofintellection","title":"トルバドゥール","excerpt":"トルバドゥール（troubadour）とは、中世の南フランスでオック語で宮廷詩や恋愛の歌を創作した詩人兼作曲家の総称です。11世紀末から13世紀末にかけて活躍し、その多くがメロディのある叙情詩を残しました。","text":"トルバドゥール\nトルバドゥール（troubadour）とは、中世の南フランスでオック語で宮廷詩や恋愛の歌を創作した詩人兼作曲家の総称です。11世紀末から13世紀末にかけて活躍し、その多くがメロディのある叙情詩を残しました。\nトルバドゥールという単語は、オック語で「trobador」と表記され、「trobar（新しいもの（詩、曲）を作る）」の派生語です。\nまた、トルバドゥールに関連する言葉には、次のようなものがあります。\nトルヴェール（trouvère）：北フランスのオイル語による吟遊詩人の総称。南フランスのトルバドゥールが歌った宮廷風の恋愛のテーマが北フランスに移入され、貴族階級に歓迎されて流行しました\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%AB%E3%83%90%E3%83%89%E3%82%A5%E3%83%BC%E3%83%AB","updated":1730986806,"position":[34.8697,-46.3939,93.2771],"cluster":"c14","subgroup":"c14.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12435,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663125a5561af50023abf7e6","weight":0.12435,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659246622520d500246ab550","weight":0.1015,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6584052d8b2b790024dc7bee","weight":0.09941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc361f0240c7f68a769f7","source":"ideaofintellection","title":"モノディ","excerpt":"単旋律音楽一般をさす。 狭義には、17世紀にオペラ・オラトリオ・カンタータなどに用いられた通奏低音を伴う独唱をいう。","text":"モノディ\n単旋律音楽一般をさす。 狭義には、17世紀にオペラ・オラトリオ・カンタータなどに用いられた通奏低音を伴う独唱をいう。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A2%E3%83%8E%E3%83%87%E3%82%A3","updated":1731518087,"position":[12.018,-74.3992,59.825],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09807,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734df00f6d0e599631f9c2c","weight":0.09807,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc384f82dbe7d3efb1530","source":"ideaofintellection","title":"ムシカ・エンキリアディス","excerpt":"Musica enchiriadis は、9 世紀の匿名の音楽論文です。これは、西洋芸術音楽におけるポリフォニーのルール体系を確立するという、現存する最初の試みです。この論文はかつてハッボルドのものとされていましたが、現在は受け入れられていません。","text":"ムシカ・エンキリアディス\nMusica enchiriadis は、9 世紀の匿名の音楽論文です。これは、西洋芸術音楽におけるポリフォニーのルール体系を確立するという、現存する最初の試みです。この論文はかつてハッボルドのものとされていましたが、現在は受け入れられていません。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A0%E3%82%B7%E3%82%AB%E3%83%BB%E3%82%A8%E3%83%B3%E3%82%AD%E3%83%AA%E3%82%A2%E3%83%87%E3%82%A3%E3%82%B9","updated":1730986916,"position":[46.4783,-47.1825,33.9856],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.12039,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a2777ecb67e9001b61610b","weight":0.12039,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc0c4924cae7c52e36fbe","weight":0.08687,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc43bf82dbe7d3efb19a1","source":"ideaofintellection","title":"Trill トリル","excerpt":"トリルとは、装飾音という、音楽を華やかにみせるために、面白く聴かせるために付け加えられた音の一種です。 ある音と、その隣の音を、素早く交互に演奏します。 その聴こえ方から、トリルという言葉は、イタリア語で「鳥がさえずる」という意味の動詞trillareの名詞形trilloからきています。","text":"Trill トリル\nトリルとは、装飾音という、音楽を華やかにみせるために、面白く聴かせるために付け加えられた音の一種です。 ある音と、その隣の音を、素早く交互に演奏します。 その聴こえ方から、トリルという言葉は、イタリア語で「鳥がさえずる」という意味の動詞trillareの名詞形trilloからきています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Trill%20%E3%83%88%E3%83%AA%E3%83%AB","updated":1730987076,"position":[76.5468,-129.41,-15.3508],"cluster":"c40","subgroup":"c40.01","degree":3,"referenceDegree":0,"maxSimilarity":0.62996,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734d2dc8acfd2db75aa267c","weight":0.62996,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64993eb2c52b95001bdbc7f3","weight":0.15563,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a30298707b00238e58ee","weight":0.09906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc46ffd1cf7bda0a920d2","source":"ideaofintellection","title":"カメラータ","excerpt":"貴族や文人などのサロン集会のこと。1573年―1582年ころにイタリアのフィレンツェのバルディ家に集まり，古代ギリシア劇を規範に，初期オペラの誕生に寄与したカメラータが特に有名。","text":"カメラータ\n貴族や文人などのサロン集会のこと。1573年―1582年ころにイタリアのフィレンツェのバルディ家に集まり，古代ギリシア劇を規範に，初期オペラの誕生に寄与したカメラータが特に有名。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%A1%E3%83%A9%E3%83%BC%E3%82%BF","updated":1730987124,"position":[2.9428,-80.5403,36.6203],"cluster":"c01","subgroup":"c01.02","degree":6,"referenceDegree":0,"maxSimilarity":0.20651,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:676d8eb8dcc5674fa73465d9","weight":0.20651,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9f26a2a4ed5e0d4501234","weight":0.18908,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d2aafe72a4fd0025276c66","weight":0.14307,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c0906b5a77e48373e6b93","weight":0.10458,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c7148fa4e760025c2a8c5","weight":0.08707,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631c11d47d15b0024525196","weight":0.08572,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc491e5a820e36d06c4f6","source":"ideaofintellection","title":"ファインアート","excerpt":"ファインアート（fine art）とは、日本語では「純粋芸術」と訳され、美しい以外に特に役に立たない芸術を指します。","text":"ファインアート\nファインアート（fine art）とは、日本語では「純粋芸術」と訳され、美しい以外に特に役に立たない芸術を指します。\nファインアートという言葉は、18世紀後半のヨーロッパで、デザインや建築、工芸などの応用芸術（applied arts）と区別するために生まれました。ファインアートは作者の個人の思いが作品という形で昇華されるのに対し、応用芸術は工業製品の審美性を向上させるためのデザインや装飾に応用される作品を指します。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%82%A1%E3%82%A4%E3%83%B3%E3%82%A2%E3%83%BC%E3%83%88","updated":1730987159,"position":[-40.5237,61.3,15.0439],"cluster":"c06","subgroup":"c06.02","degree":3,"referenceDegree":0,"maxSimilarity":0.39939,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656caf4aef461900232548cb","weight":0.39939,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c214389ded0c00247570d2","weight":0.09404,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d828a40253002425cfa1","weight":0.08833,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc4a3c3292856d4dbfa4b","source":"ideaofintellection","title":"ドレスデン美術大学","excerpt":"ALVA NOTOが教鞭を取っている。","text":"ドレスデン美術大学\nALVA NOTOが教鞭を取っている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%89%E3%83%AC%E3%82%B9%E3%83%87%E3%83%B3%E7%BE%8E%E8%A1%93%E5%A4%A7%E5%AD%A6","updated":1730987203,"position":[-69.5807,-8.6336,38.4939],"cluster":"c35","subgroup":"c35.01","degree":5,"referenceDegree":0,"maxSimilarity":0.19975,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a6498bcb3df4c9da5d30685","weight":0.19975,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a1759dc20b0023c50fca","weight":0.16739,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66ef85161c1d2d001c29f4a0","weight":0.14124,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683699d244e53d00e7c69c2e","weight":0.12935,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6874ac339e41f828fe64c172","weight":0.09518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc6fe4a4354d01cbebfec","source":"ideaofintellection","title":"obec kinect","excerpt":"obec kinectの後継種","text":"obec kinect\nobec kinectの後継種\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/obec%20kinect","updated":1730987824,"position":[-73.1822,42.6917,-113.3131],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.01293,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:672cc7d932e5ff0a642081a5","source":"ideaofintellection","title":"song and dance birds","excerpt":"Tap dancing birds: the multimodal mutual courtship display of males and females in a socially monogamous songbird","text":"song and dance birds\nTap dancing birds: the multimodal mutual courtship display of males and females in a socially monogamous songbird\nhttps://www.nature.com/articles/srep16614\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/song%20and%20dance%20birds","updated":1730988030,"position":[32.97,0.0266,-12.9621],"cluster":"c18","subgroup":"c18.01","degree":7,"referenceDegree":0,"maxSimilarity":0.23353,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64a27d3a116a19001bb7257d","weight":0.23353,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64033840c26182001c2a41c7","weight":0.23068,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64e3821da7822a001cf64077","weight":0.2097,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:669c88b0bba84b001dc985a1","weight":0.1423,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bba2a002fa7001c797e02","weight":0.13617,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64473ad56207a1001ba7c207","weight":0.1261,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64057c24ea64cb001b952f97","weight":0.10455,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:672cc896414c56bbdc6152eb","source":"ideaofintellection","title":"Charles Darwin (1809-1882) wrote that the ability to produce and enjoy music \"must be ranked amongst the most mysterious with which he is endowed\".","excerpt":"Charles Darwin (1809-1882) wrote that the ability to produce and enjoy music \"must be ranked amongst the most mysterious with which he is endowed\". Darwin was a biologist who is best known for his theory of evolution by natural selection. He also proposed a theory that music evolved through sexual selection, and that the voice was originally used as a mating call.","text":"Charles Darwin (1809-1882) wrote that the ability to produce and enjoy music \"must be ranked amongst the most mysterious with which he is endowed\".\nCharles Darwin (1809-1882) wrote that the ability to produce and enjoy music \"must be ranked amongst the most mysterious with which he is endowed\". Darwin was a biologist who is best known for his theory of evolution by natural selection. He also proposed a theory that music evolved through sexual selection, and that the voice was originally used as a mating call.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Charles%20Darwin%20%281809-1882%29%20wrote%20that%20the%20ability%20to%20produce%20and%20enjoy%20music%20%22must%20be%20ranked%20amongst%20the%20most%20mysterious%20with%20which%20he%20is%20endowed%22.","updated":1730988222,"position":[17.8678,91.6918,28.0158],"cluster":"c21","subgroup":"c21.01","degree":2,"referenceDegree":0,"maxSimilarity":0.5381,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6722eaf581c20958b0ccd40d","weight":0.5381,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:663129c7d05c8c0023e392da","weight":0.10677,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67307e927b7c735d59aaa25d","source":"ideaofintellection","title":"ロマン派","excerpt":"ロマン主義は18世紀後半のドイツで起った『疾風怒濤』という文学における運動から始まった。『古典主義や啓蒙主義に異議を唱え、理性に対する感情の優越を主張』したこの運動は、ゲーテやシラーにより進められ、後にはノヴァーリスやグリム兄弟などのドイツロマン主義の文学を開花させる。以下の言葉は初期ロマン主義者の代表の１人とも言える詩人、ノヴァーリス(1772-1801)のものである。ロマン主義者の物の見方をよく言い表していると思ったので引用した。","text":"ロマン派\nロマン主義は18世紀後半のドイツで起った『疾風怒濤』という文学における運動から始まった。『古典主義や啓蒙主義に異議を唱え、理性に対する感情の優越を主張』したこの運動は、ゲーテやシラーにより進められ、後にはノヴァーリスやグリム兄弟などのドイツロマン主義の文学を開花させる。以下の言葉は初期ロマン主義者の代表の１人とも言える詩人、ノヴァーリス(1772-1801)のものである。ロマン主義者の物の見方をよく言い表していると思ったので引用した。\n\nThe world must be romanticized. In this way one will find its original meaning once again. Whenever I give the common a higher meaning, the usual a mysterious aspect, the familiar the dignity of the unknown, the finite and infinite appearance, in this way I romanticize it. \n\n世界はロマン化されなければいけない。そうすることで、人は世界の本来の意味を再び見出す。私が平凡なものに高等な意味を、普通のものに神秘的な外見を、知られているものには知られていないものの威厳を、有限のものに無限の見かけを与えれば、それらをロマン化することになる。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AD%E3%83%9E%E3%83%B3%E6%B4%BE","updated":1731231386,"position":[-28.4127,-69.5449,64.9869],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12462,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6572652aef8e7c00235ce4f1","weight":0.12462,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bd4baef72cf001c4cfc73","weight":0.09871,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734cb1f7d33a8b48492ce8f","source":"ideaofintellection","title":"ジーグ  バロック","excerpt":"ジーグ（Gigue）｜躍動的な動作の舞曲＜イギリス・アイルランド風＞ バロック時代の組曲を構成する第3の舞曲は、「ジーグ」です。 ジーグは、イギリスやアイルランドの「Jig」という踊りが発祥と言われています。 飛び跳ねるような動きが特徴的で、8分の6拍子または8分の12拍子といった複合拍子で書かれています。2019/11/14","text":"ジーグ  バロック\nジーグ（Gigue）｜躍動的な動作の舞曲＜イギリス・アイルランド風＞ バロック時代の組曲を構成する第3の舞曲は、「ジーグ」です。 ジーグは、イギリスやアイルランドの「Jig」という踊りが発祥と言われています。 飛び跳ねるような動きが特徴的で、8分の6拍子または8分の12拍子といった複合拍子で書かれています。2019/11/14\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%BC%E3%82%B0%20%20%E3%83%90%E3%83%AD%E3%83%83%E3%82%AF","updated":1731513167,"position":[5.7442,-78.8139,36.8027],"cluster":"c01","subgroup":"c01.02","degree":5,"referenceDegree":0,"maxSimilarity":0.37602,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658003e060b07300239e99ba","weight":0.37602,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65800897a48ca600243d09aa","weight":0.20633,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582d2d1ae7ee50024a05a67","weight":0.12679,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559e395cd1ca9001b2c7271","weight":0.0966,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582d35529cb2800249efd70","weight":0.09549,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734cb6225fc4474a5acc919","source":"ideaofintellection","title":"ジングシュピール - 魔笛など","excerpt":"ジングシュピール（Singspiel）とは、ドイツ語で「歌う芝居」を意味し、18世紀後半から19世紀中ごろにかけてドイツで上演された音楽劇です。対話形式の地のセリフの間に音楽が挿入され、主に喜劇的な内容が特徴です。","text":"ジングシュピール - 魔笛など\nジングシュピール（Singspiel）とは、ドイツ語で「歌う芝居」を意味し、18世紀後半から19世紀中ごろにかけてドイツで上演された音楽劇です。対話形式の地のセリフの間に音楽が挿入され、主に喜劇的な内容が特徴です。\nオペラとは異なり対話が多く用いられ、分量的には歌のほうが多いのが特徴です。ミュージカルのご先祖様的な存在ともいわれています。\nモーツァルトの「魔笛」や「後宮からの逃走」などがジングシュピールに分類され、モーツァルトの5大オペラに数えられています。また、ベートーヴェンの「フィデリオ」、ウェーバーの「魔弾の射手」、ニコライの「ウィンザーの陽気な女房たち」などもジングシュピールに含まれます。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%B3%E3%82%B0%E3%82%B7%E3%83%A5%E3%83%94%E3%83%BC%E3%83%AB%20-%20%E9%AD%94%E7%AC%9B%E3%81%AA%E3%81%A9","updated":1731513228,"position":[48.1955,-47.5287,35.008],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.11068,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663224956855af00258f20bc","weight":0.11068,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:676d5faf70372a1775c43e81","weight":0.10714,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a81b60234200023464953","weight":0.10033,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734cbd15606aa0f4adfe12b","source":"ideaofintellection","title":"スケルツォ","excerpt":"スケルツォ（Scherzo）には、次のような意味があります。","text":"スケルツォ\nスケルツォ（Scherzo）には、次のような意味があります。\n音楽の形式のひとつで、イタリア語で「冗談」「ユーモア」を意味する言葉\n音楽の形式としてのスケルツォは、バロック時代に発達したユーモラスで軽快な三拍子の楽曲です。音楽史では、1780年代以降に交響曲や室内楽曲の中間楽章に用いられるようになりました。\nスケルツォの特徴としては、次のようなものがあります。\n4分の3拍子や軽快なテンポ\nA-B-Aの3部形式もしくは複合3部形式で書かれている\n中間部のトリオには前後の楽想と対照的な旋律が用いられている\nスケルツォは、フランツ・ヨーゼフ・ハイドンやベートーヴェンなどによって取り入れられ、発展しました。ベートーヴェンはハイドンのスケルツォよりも速く、3拍子なのがわからない曲もあります。また、ショパンやブラームスも独立したピアノ曲のためにスケルツォを書きました。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B9%E3%82%B1%E3%83%AB%E3%83%84%E3%82%A9","updated":1731513334,"position":[49.8461,-48.8773,33.0049],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.1031,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312744561af50023ac0100","weight":0.1031,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582abe8781cc60024698dc5","weight":0.10252,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734cc20e6aff29ac47d9289","source":"ideaofintellection","title":"通作歌曲","excerpt":"通作歌曲（つうさくかきょく）とは、詩の各節ごとに異なる新しい旋律が付けられる歌曲です。詩の内容が発展していくような、劇的または物語風な詩が選ばれるのが特徴です。","text":"通作歌曲\n通作歌曲（つうさくかきょく）とは、詩の各節ごとに異なる新しい旋律が付けられる歌曲です。詩の内容が発展していくような、劇的または物語風な詩が選ばれるのが特徴です。\n歌詞の各節を同じ旋律で歌う有節歌曲と異なり、通作歌曲では同じ旋律を繰り返さずに通して作曲されます。音楽が詩の内容の発展をともに表現するスタイルで、シューベルトの『魔王』が特に有名です。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%80%9A%E4%BD%9C%E6%AD%8C%E6%9B%B2","updated":1731513397,"position":[82.4065,-130.7379,43.7339],"cluster":"c43","subgroup":"c43.01","degree":2,"referenceDegree":0,"maxSimilarity":0.46514,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734df36af3738f1300fff5a","weight":0.46514,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734ded091f647612962994b","weight":0.09604,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734cc43fd1c410b0bec20a4","source":"ideaofintellection","title":"ヴェリズモ","excerpt":"ヴェリズモとは、イタリア・オペラにおいて、現実主義や真実主義を意味する言葉です。宮廷貴族や神話ではなく、日常生活の中で起こる殺人や不倫などのリアルなテーマを取り扱ったオペラを指します。","text":"ヴェリズモ\nヴェリズモとは、イタリア・オペラにおいて、現実主義や真実主義を意味する言葉です。宮廷貴族や神話ではなく、日常生活の中で起こる殺人や不倫などのリアルなテーマを取り扱ったオペラを指します。\n19世紀末から20世紀にかけてイタリア・オペラ界で主流となり、代表作には次のようなものがあります。《ボエーム》（1896年初演、《トスカ》（1900年初演、《蝶々夫人》（1904年初演、《ジャンニ・スキッキ》（1918年初演、 《トゥーランドット》（1926年初演。\n文学のヴェリズモが演劇やオペラにも波及し、社会の底辺で生きる人々の苦しい日常生活や殺人事件などを赤裸々に描くようになりました。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%B4%E3%82%A7%E3%83%AA%E3%82%BA%E3%83%A2","updated":1731513442,"position":[-26.8955,34.1987,15.4313],"cluster":"c06","subgroup":"c06.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08737,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f78cb10f92d9001d513e08","weight":0.08737,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d004d762b8f1a5c781d8","source":"ideaofintellection","title":"園丁","excerpt":"庭つくり。庭師。植木屋。","text":"園丁\n庭つくり。庭師。植木屋。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%9C%92%E4%B8%81","updated":1731514398,"position":[-66.1962,-0.1208,-140.0272],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6734d06294e825eea44c9444","source":"ideaofintellection","title":"オブリガード","excerpt":"オブリガート 【オブリガート】 obbligato 〔伊〕","text":"オブリガード\nオブリガート 【オブリガート】 obbligato 〔伊〕\n\n（1）省くことができない、不可欠な声部のこと。 （2）メロディ・パートをより引き立たせるために、（伴奏にのせて）同時に演奏される別のメロディのこと。 助奏、カウンター・メロディともいわれる。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%96%E3%83%AA%E3%82%AC%E3%83%BC%E3%83%89","updated":1731514499,"position":[-21.9996,-73.8119,12.3771],"cluster":"c27","subgroup":"c27.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13336,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6594f06d8f3c610023cd9ff4","weight":0.13336,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d0b995f2459b5d1ae358","source":"ideaofintellection","title":"カノン","excerpt":"カノン は、複数の声部が同じ旋律を異なる時点からそれぞれ開始して演奏する様式の曲を指す。ポリフォニーの一つの典型である。一般に輪唱と訳されるが、輪唱が全く同じ旋律を追唱するのに対し、カノンでは、異なる音で始まるものが含まれる。また、リズムが2倍になったり、上下もしくは左右が逆になったような特殊なものをも含む。","text":"カノン\nカノン は、複数の声部が同じ旋律を異なる時点からそれぞれ開始して演奏する様式の曲を指す。ポリフォニーの一つの典型である。一般に輪唱と訳されるが、輪唱が全く同じ旋律を追唱するのに対し、カノンでは、異なる音で始まるものが含まれる。また、リズムが2倍になったり、上下もしくは左右が逆になったような特殊なものをも含む。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%8E%E3%83%B3","updated":1731514594,"position":[46.8088,-49.1322,35.9037],"cluster":"c02","subgroup":"c02.03","degree":5,"referenceDegree":0,"maxSimilarity":0.25352,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6594126149456200223c10e9","weight":0.25352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66fa7e60188005001cefb883","weight":0.20622,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734dbec060a796c189c76d0","weight":0.16191,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a2777ecb67e9001b61610b","weight":0.10394,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734df6b95f2459b5d1b169b","weight":0.08618,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d1dbb861b77165183433","source":"ideaofintellection","title":"チャールズアイブズ","excerpt":"実験主義","text":"チャールズアイブズ\n実験主義\nチャールズ・エドワード・アイヴズは、アメリカ合衆国の作曲家。アメリカ現代音楽の開拓者として認知されている。作品は存命中はほとんど無視され、長年演奏されなかった。現在では、アメリカ的な価値観のもとに創作を行なった独創的な作曲家と評価されており、録音もかなりの数が存在する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%81%E3%83%A3%E3%83%BC%E3%83%AB%E3%82%BA%E3%82%A2%E3%82%A4%E3%83%96%E3%82%BA","updated":1731514887,"position":[33.3747,41.2193,11.789],"cluster":"c17","subgroup":"c17.01","degree":6,"referenceDegree":0,"maxSimilarity":0.18307,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312bc02875590023d95a32","weight":0.18307,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659e70565dcb390025b4690b","weight":0.12877,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d85874ef6f249856872e","weight":0.12847,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e9949d323bcd001c9d04e1","weight":0.12467,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ee8293fa4f38001dbb9a18","weight":0.10355,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e468ce51106867ac88ed","weight":0.08824,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d25a25fc4474a5acf031","source":"ideaofintellection","title":"ケークウォーク","excerpt":"ケークウォークとは、黒人コミュニティで発祥したダンスの一種である。このダンスは、2拍子の軽快なリズムを特徴としており、元々はアフリカ系アメリカ人の間で行われていた伝統的な踊りの一つである。","text":"ケークウォーク\nケークウォークとは、黒人コミュニティで発祥したダンスの一種である。このダンスは、2拍子の軽快なリズムを特徴としており、元々はアフリカ系アメリカ人の間で行われていた伝統的な踊りの一つである。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B1%E3%83%BC%E3%82%AF%E3%82%A6%E3%82%A9%E3%83%BC%E3%82%AF","updated":1731515002,"position":[-34.9653,-145.3095,72.4276],"cluster":"c36","subgroup":"c36.01","degree":6,"referenceDegree":0,"maxSimilarity":0.15626,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c215ae79d17b00246cd33e","weight":0.15626,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64b8cfde4b4d29001c3dd603","weight":0.11436,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f969551e677d00260effbe","weight":0.10437,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f956fa8d301000265a677b","weight":0.08954,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bfeccd720f900026c1063a","weight":0.08948,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c216b4a6d6700026c57561","weight":0.0893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d292c8ff819011bbab6f","source":"ideaofintellection","title":"The art of noises ルイージ・ルッソロ","excerpt":"Art of Noisesは、ルイージ・ルッソロが1913年に友人であり、未来派の作曲家であるフランチェスコ・バリラ・プラテラに宛てた手紙で書いた未来派宣言です。その中で、ルッソロは、人間の耳が都市の産業用サウンドスケープの速度、エネルギー、およびノイズに慣れてきたと主張しています。","text":"The art of noises ルイージ・ルッソロ\nArt of Noisesは、ルイージ・ルッソロが1913年に友人であり、未来派の作曲家であるフランチェスコ・バリラ・プラテラに宛てた手紙で書いた未来派宣言です。その中で、ルッソロは、人間の耳が都市の産業用サウンドスケープの速度、エネルギー、およびノイズに慣れてきたと主張しています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/The%20art%20of%20noises%20%E3%83%AB%E3%82%A4%E3%83%BC%E3%82%B8%E3%83%BB%E3%83%AB%E3%83%83%E3%82%BD%E3%83%AD","updated":1731515063,"position":[-27.744,42.764,18.1388],"cluster":"c06","subgroup":"c06.02","degree":5,"referenceDegree":0,"maxSimilarity":0.19857,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f78cd800fb7f001d14ccc8","weight":0.19857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f7a8197c7c31001db0fb5b","weight":0.12935,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649e5b75156dc6001c7f2c90","weight":0.11502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65800044f995ab0024cb1be6","weight":0.11142,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f78cb10f92d9001d513e08","weight":0.09941,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d2dc8acfd2db75aa267c","source":"ideaofintellection","title":"トリル","excerpt":"音楽におけるトリルとは、楽譜の装飾記号で、ある音とその1音上の音を素早く交互に演奏する演奏法です。","text":"トリル\n音楽におけるトリルとは、楽譜の装飾記号で、ある音とその1音上の音を素早く交互に演奏する演奏法です。\nトリルは「tr」と波線で記され、音楽を華やかにみせるために付け加えられます。トリルは、隣り合う2つの音符を交互に持続させる奏法で、浮遊するようなサウンドを生み出し、曲の表現力を高める効果があります。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%AA%E3%83%AB","updated":1731515119,"position":[76.5633,-129.0969,-15.5236],"cluster":"c40","subgroup":"c40.01","degree":3,"referenceDegree":0,"maxSimilarity":0.62996,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:672cc43bf82dbe7d3efb19a1","weight":0.62996,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64993eb2c52b95001bdbc7f3","weight":0.18574,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633a30298707b00238e58ee","weight":0.14587,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d353f6d0e599631f7481","source":"ideaofintellection","title":"アレアトリー 偶然性","excerpt":"偶然性の音楽（ぐうぜんせいのおんがく、英語: aleatoric music, aleatory music, chance music）は、不確定性の音楽をさらに過激に西洋音楽の伝統から逸脱させたものである。創始者はジョン・ケージで、1957年のWinter Musicで初めて偶然性が完全な形で実現した。alea はラテン語でサイコロを意味する。","text":"アレアトリー 偶然性\n偶然性の音楽（ぐうぜんせいのおんがく、英語: aleatoric music, aleatory music, chance music）は、不確定性の音楽をさらに過激に西洋音楽の伝統から逸脱させたものである。創始者はジョン・ケージで、1957年のWinter Musicで初めて偶然性が完全な形で実現した。alea はラテン語でサイコロを意味する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%AC%E3%82%A2%E3%83%88%E3%83%AA%E3%83%BC%20%E5%81%B6%E7%84%B6%E6%80%A7","updated":1731515250,"position":[50.9746,-36.8513,0.7894],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14066,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e1d9bdf592305d580e2f","weight":0.14066,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648af81dabcedc001c17116d","weight":0.1035,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d44429509f3d6a83f0b3","source":"ideaofintellection","title":"ジェルジ・リゲティ フラクタル","excerpt":"1974年から77年にかけて、氏独自の新しく個性的な技法を駆使して作曲されたオペラ《ル・グラン・マカーブル》は、オペラの新しい方向性 を示す20世紀後半最大のオペラとして高く評価されている。1980年代に入る頃から、氏の作風はますます多様かつ豊かなものとなった。故国ハンガリーの 色彩の濃い作品を生み出すかたわら、アフリカ音楽など非ヨーロッパ世界への関心を高め、フラクタル（全体と部分が相互に挿入される自己相似性に関する数 学）の考え方を創作に取り入れるなどして、氏の創造は、ポリリズム（多次元リズム）や、オートマティズム（自律運動性）の独特な開拓とあわせ、豊饒な果実 をもたらしている。","text":"ジェルジ・リゲティ フラクタル\n1974年から77年にかけて、氏独自の新しく個性的な技法を駆使して作曲されたオペラ《ル・グラン・マカーブル》は、オペラの新しい方向性 を示す20世紀後半最大のオペラとして高く評価されている。1980年代に入る頃から、氏の作風はますます多様かつ豊かなものとなった。故国ハンガリーの 色彩の濃い作品を生み出すかたわら、アフリカ音楽など非ヨーロッパ世界への関心を高め、フラクタル（全体と部分が相互に挿入される自己相似性に関する数 学）の考え方を創作に取り入れるなどして、氏の創造は、ポリリズム（多次元リズム）や、オートマティズム（自律運動性）の独特な開拓とあわせ、豊饒な果実 をもたらしている。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%82%A7%E3%83%AB%E3%82%B8%E3%83%BB%E3%83%AA%E3%82%B2%E3%83%86%E3%82%A3%20%E3%83%95%E3%83%A9%E3%82%AF%E3%82%BF%E3%83%AB","updated":1731515503,"position":[50.1056,-51.9456,37.9655],"cluster":"c02","subgroup":"c02.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10306,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bf61fbfc989a0023ed83f6","weight":0.10306,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d4e9cbd72bdd8cb32c07","source":"ideaofintellection","title":"ミュージック・コンクリート フランス GRMC","excerpt":"具体音楽」とも訳されるミュジック・コンクレートは、録音された音を用いて制作した音楽を指し、ラジオ局の技師だったＰ・シェフェールがフランスで1940年代に始めたものである。楽音ではなく、人や動物の声、自然の音や都市の騒音などを録音し、電気的・機械的に変質させ、組み合わせて制作された。44年にシェフェールはラジオ局の片隅に実験スタジオを作り、初めはレコードを用いて音楽制作を開始し、48年には初めてラジオで放送された。シェフェールの活動にＰ・アンリが合流した後の51年には、パリにミュジック・コンクレート研究グループ（GRMC）が設立され、多くの作品が制作されることになった。シェフェールによれば、ミュジック・コンクレートという名称は具体的（Concrète、Concrete）な音を使うからではなく、伝統的で「抽象的な」音楽と対比させるためにつけられた名称だった。「抽象的な音楽」は抽象的な理念や構想から具体的な音楽作品へと向かうものであるのに対し、「具体的な音楽」は、具体的な音響から抽象的な理念や構想の表現へと向かうもの、とシェフェールは考えたのだ。60年代以降のシェフェールは実作から遠ざかり、具体音楽に関する理論的考察に集中し、例えば、音源が見えない状態での音響聴取（「アクースマティック」な聴取）の体系的な考察などを行なったが、晩年には具体音楽に関わった自らの人生を「無駄だった」と総括する","text":"ミュージック・コンクリート フランス GRMC\n具体音楽」とも訳されるミュジック・コンクレートは、録音された音を用いて制作した音楽を指し、ラジオ局の技師だったＰ・シェフェールがフランスで1940年代に始めたものである。楽音ではなく、人や動物の声、自然の音や都市の騒音などを録音し、電気的・機械的に変質させ、組み合わせて制作された。44年にシェフェールはラジオ局の片隅に実験スタジオを作り、初めはレコードを用いて音楽制作を開始し、48年には初めてラジオで放送された。シェフェールの活動にＰ・アンリが合流した後の51年には、パリにミュジック・コンクレート研究グループ（GRMC）が設立され、多くの作品が制作されることになった。シェフェールによれば、ミュジック・コンクレートという名称は具体的（Concrète、Concrete）な音を使うからではなく、伝統的で「抽象的な」音楽と対比させるためにつけられた名称だった。「抽象的な音楽」は抽象的な理念や構想から具体的な音楽作品へと向かうものであるのに対し、「具体的な音楽」は、具体的な音響から抽象的な理念や構想の表現へと向かうもの、とシェフェールは考えたのだ。60年代以降のシェフェールは実作から遠ざかり、具体音楽に関する理論的考察に集中し、例えば、音源が見えない状態での音響聴取（「アクースマティック」な聴取）の体系的な考察などを行なったが、晩年には具体音楽に関わった自らの人生を「無駄だった」と総括する痛ましいインタヴューを残すことになった。このインタヴューは、それまで存在していなかったまったく新しい音楽ジャンルを開拓した人物の言葉としては残念なものでしかないが、とはいえもちろん、創始者が後にその可能性を断念したからといって、録音された音を用いる音楽の可能性を開拓した最初の事例としてのミュジック・コンクレートの重要性がなくなるなるわけではない。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9F%E3%83%A5%E3%83%BC%E3%82%B8%E3%83%83%E3%82%AF%E3%83%BB%E3%82%B3%E3%83%B3%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%88%20%E3%83%95%E3%83%A9%E3%83%B3%E3%82%B9%20GRMC","updated":1731515680,"position":[47.9465,-51.6613,33.9375],"cluster":"c02","subgroup":"c02.01","degree":6,"referenceDegree":0,"maxSimilarity":0.36992,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66f7a425cc931a001c5f3799","weight":0.36992,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65532ebfbba001c2656f0","weight":0.22364,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd564e384fa00025fa6ad1","weight":0.2064,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d62fde0d46d0022cf1d77","weight":0.17984,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683a6a07193decc3b3fa92e3","weight":0.13994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.1327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d52d1a3bf3c9058e00c2","source":"ideaofintellection","title":"ドイツ ケルン ラジオ音楽","excerpt":"ドイツのケルンには、ラジオやテレビ、コンサート、CD制作などで活躍する放送オーケストラや合唱団があります。","text":"ドイツ ケルン ラジオ音楽\nドイツのケルンには、ラジオやテレビ、コンサート、CD制作などで活躍する放送オーケストラや合唱団があります。\nケルンWDR交響楽団\n西部ドイツ放送協会（WDR）に所属する放送オーケストラで、ヨーロッパの重要な放送交響楽団のひとつとして知られています。1947年に北西ドイツ放送の開局とともに発足し、旧称はケルン放送交響楽団です。\nWDRラジオ合唱団ケルン\nWDR交響楽団やWDR放送管弦楽団の「声」として、ラジオやテレビ、スタジオ、コンサート、CD制作などで活躍しています。\nケルン電子音楽スタジオ\n1953年にパリから帰国したシュトックハウゼンが第2代目の所長に就任し、電子音楽の聖地として知られるようになりました。モノコルドなどの電子楽器や録音・編集機器の開発に力を入れており、世界各地の電子音楽施設の発展に大きな影響を与えました。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%89%E3%82%A4%E3%83%84%20%E3%82%B1%E3%83%AB%E3%83%B3%20%E3%83%A9%E3%82%B8%E3%82%AA%E9%9F%B3%E6%A5%BD","updated":1731515723,"position":[45.9579,-51.6072,32.248],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.09991,"lowEvidence":false,"neighbors":[{"id":"NextResearch:682c3ae16f05942e372b791e","weight":0.09991,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657410c64879c50022fbfc27","weight":0.09703,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658e7b24ff147d002572f078","weight":0.09008,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d58179393237bd80c6e1","source":"ideaofintellection","title":"交響詩","excerpt":"交響詩（こうきょうし）とは、詩や絵画、物語などの内容をオーケストラで表現する標題音楽の一種です。シンフォニック・ポエムとも呼ばれます。","text":"交響詩\n交響詩（こうきょうし）とは、詩や絵画、物語などの内容をオーケストラで表現する標題音楽の一種です。シンフォニック・ポエムとも呼ばれます。\n交響詩は、ハンガリーの作曲家フランツ・リストによって確立されました。リストは、音楽外の芸術を音楽で表現することを試み、1854年に序曲として作曲した《タッソー》を「交響詩」と名付けました。リストの交響詩には、ユゴーの詩集『秋の葉』を基にした『人、山の上で聞きしこと』や『前奏曲』などがあります。\nリストの死後、ドイツの作曲家リヒャルト・シュトラウスは交響詩という概念を拡張し、より内面的な表現を重視した交響詩を作曲しました。シュトラウスは自身の交響詩を「音詩」と呼んでいました。\n交響詩の代表作には、次のようなものがあります。\nスメタナ「わが祖国」\nシベリウス「フィンランディア」\nサン＝サーンス「死の舞踏」\nドビュッシー「牧神の午後への前奏曲」\nリヒャルト・シュトラウス「ドン・キホーテ」「英雄の生涯」\nツェムリンスキー「人魚姫」\nデュカス「魔法使いの弟子」","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BA%A4%E9%9F%BF%E8%A9%A9","updated":1731515799,"position":[51.1109,-48.2759,32.1922],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.10328,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6582abe8781cc60024698dc5","weight":0.10328,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a19957c81c3e7fb767a592d","weight":0.10113,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734ded091f647612962994b","weight":0.09526,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d5b3930bbcbb2a7c2731","source":"ideaofintellection","title":"コントラルト","excerpt":"コントラルトには、次のような意味があります。","text":"コントラルト\nコントラルトには、次のような意味があります。\n女声の最低音域、またはアルト\n1885年にフランスのビヨームが発明した大型ビオラ\nコントラルトはイタリア語の「contralto」に由来し、「アルトに対応するもの」という意味です。元々は男性の最高音域を指す「アルト」に対応する声域を意味していました。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B3%E3%83%B3%E3%83%88%E3%83%A9%E3%83%AB%E3%83%88","updated":1731515838,"position":[50.3388,-46.6683,32.0929],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.18174,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c55b15bf88df0025b6a890","weight":0.18174,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc093df95107f47186a14","weight":0.16063,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66f78cd800fb7f001d14ccc8","weight":0.1017,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d65e5606aa0f4ae01ac0","source":"ideaofintellection","title":"オーナメンテーション","excerpt":"音楽で、旋律などに趣を添えたりするために、飾りとして付加された音。 特殊な記号や小音符によって示す。","text":"オーナメンテーション\n音楽で、旋律などに趣を添えたりするために、飾りとして付加された音。 特殊な記号や小音符によって示す。\n前打音・後打音・ターン・トリルなど。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%BC%E3%83%8A%E3%83%A1%E3%83%B3%E3%83%86%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%B3","updated":1731516050,"position":[96.875,-52.7953,-48.5724],"cluster":"c38","subgroup":"c38.01","degree":5,"referenceDegree":0,"maxSimilarity":0.15402,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6734cf9dc131604e684dc160","weight":0.15402,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:671f120389304b42220ea738","weight":0.14348,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d33aa2485ae3002557bbe3","weight":0.13928,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.09682,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.08912,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d6c8fd1c410b0bec5390","source":"ideaofintellection","title":"プレインチャント","excerpt":"Plainsong または plainchant は、西方教会の典礼で使用される一連の聖歌です。プレーンソングという用語を指す場合、ラテン語のテキストで作曲された神聖な楽曲のことを指します。プレーンソングは、9 世紀にポリフォニーが導入されるまでキリスト教の教会音楽の独占的な形式でした。","text":"プレインチャント\nPlainsong または plainchant は、西方教会の典礼で使用される一連の聖歌です。プレーンソングという用語を指す場合、ラテン語のテキストで作曲された神聖な楽曲のことを指します。プレーンソングは、9 世紀にポリフォニーが導入されるまでキリスト教の教会音楽の独占的な形式でした。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%97%E3%83%AC%E3%82%A4%E3%83%B3%E3%83%81%E3%83%A3%E3%83%B3%E3%83%88","updated":1731516127,"position":[50.2735,-52.1648,35.3167],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.09013,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65cee19901baf80025e26aa3","weight":0.09013,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d6ed85ceaaa8914c1ce1","source":"ideaofintellection","title":"トレブル","excerpt":"トレブルには、次のような意味があります。音響機器における高音域の調整機能。","text":"トレブル\nトレブルには、次のような意味があります。音響機器における高音域の調整機能。\n音響機器におけるトレブルとは、人間の可聴域のうち高い音域にあたる周波数をもつ音、またはその音域の調整機能を指します。たとえば、カーオーディオでは、低い方の音の強弱を調整するBASS（バス）と、高い方の音の強弱を調整するTREBLE（トレブル）があります。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%88%E3%83%AC%E3%83%96%E3%83%AB","updated":1731516177,"position":[-36.5712,28.073,-147.6832],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05794,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6734d95256809cb7b17e869f","source":"ideaofintellection","title":"デュシャン 音楽的誤植","excerpt":"マルセル・デュシャンが残した《音楽的誤植》（1913年）はチャンス・オペレーションを実践した実験的な音楽作品で作曲家ジョン・ケージをはじめ数多くのアーティストに影響を与えました。このダダイスティックな音楽パフォーマンスを、日本にケージの音楽を紹介した第一人者である一柳慧、昭和40年会などでも活躍するサウンド・アーティストの有馬純寿、ピアニストの中川賢一らが現代的アレンジのもとに再現上演しました。","text":"デュシャン 音楽的誤植\nマルセル・デュシャンが残した《音楽的誤植》（1913年）はチャンス・オペレーションを実践した実験的な音楽作品で作曲家ジョン・ケージをはじめ数多くのアーティストに影響を与えました。このダダイスティックな音楽パフォーマンスを、日本にケージの音楽を紹介した第一人者である一柳慧、昭和40年会などでも活躍するサウンド・アーティストの有馬純寿、ピアニストの中川賢一らが現代的アレンジのもとに再現上演しました。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%87%E3%83%A5%E3%82%B7%E3%83%A3%E3%83%B3%20%E9%9F%B3%E6%A5%BD%E7%9A%84%E8%AA%A4%E6%A4%8D","updated":1731516780,"position":[29.8124,-41.2489,106.6851],"cluster":"c14","subgroup":"c14.01","degree":6,"referenceDegree":0,"maxSimilarity":0.30241,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668a38c6f15cdf001dbafb36","weight":0.30241,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:683bf5bf3e1761f10cdcff90","weight":0.26969,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d3114a9c10002e110dbe","weight":0.12078,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669e53ccf123a5001c88e942","weight":0.09747,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648af81dabcedc001c17116d","weight":0.09432,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668a382db77532001cf876d7","weight":0.08719,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734d992060a796c189c6f75","source":"ideaofintellection","title":"fluxus フルクサス 1960-1970","excerpt":"1960年代、米国ニューヨークを中心に興った前衛芸術運動。 既存の芸術的な価値を否定あるいは 揶揄 やゆ するもので、美術・音楽・詩作・パフォーマンスなどさまざまなジャンルに波及した。 ヨーゼフ＝ボイス、ナム＝ジュン＝パイク、オノ＝ヨーコらに代表される。","text":"fluxus フルクサス 1960-1970 \n[https://scrapbox.io/files/68f4c05c67d04544b501747e.jpeg]\n\n1960年代、米国ニューヨークを中心に興った前衛芸術運動。 既存の芸術的な価値を否定あるいは 揶揄 やゆ するもので、美術・音楽・詩作・パフォーマンスなどさまざまなジャンルに波及した。 ヨーゼフ＝ボイス、ナム＝ジュン＝パイク、オノ＝ヨーコらに代表される。\n「流れる、広がる、変化する」を意味するラテン語からの造語である＜フルクサス＞は、1960年代初頭にニューヨークで始まり、世界中に波及した前衛芸術のムーヴメントである。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/fluxus%20%E3%83%95%E3%83%AB%E3%82%AF%E3%82%B5%E3%82%B9%201960-1970","updated":1760870495,"position":[-33.4908,20.4768,55.9334],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09854,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68ebc1df3b09a5fd821d219c","weight":0.09854,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734da1778ca0d2f59dbe1cd","source":"ideaofintellection","title":"ジョンケージ １２台のラジオのための心象風景","excerpt":"初めてラジオが楽器として使用された作品は十二台のラジオのための『心象風景第4番』（Imaginary Landscape No. 4, 1951）である。","text":"ジョンケージ １２台のラジオのための心象風景\n初めてラジオが楽器として使用された作品は十二台のラジオのための『心象風景第4番』（Imaginary Landscape No. 4, 1951）である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B8%E3%83%A7%E3%83%B3%E3%82%B1%E3%83%BC%E3%82%B8%20%EF%BC%91%EF%BC%92%E5%8F%B0%E3%81%AE%E3%83%A9%E3%82%B8%E3%82%AA%E3%81%AE%E3%81%9F%E3%82%81%E3%81%AE%E5%BF%83%E8%B1%A1%E9%A2%A8%E6%99%AF","updated":1731516981,"position":[-60.1179,41.4523,-145.1855],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07416,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6734daa1bb41a76cfc6a82ca","source":"ideaofintellection","title":"セリエル音楽","excerpt":"セリエル音楽（ミュジック・セリエル）は、1950年代に盛んに用いられた作曲技法です。","text":"セリエル音楽\nセリエル音楽（ミュジック・セリエル）は、1950年代に盛んに用いられた作曲技法です。\nセリエル音楽は、音高（音の高さ）、音価（音の長さ）、音色、強度（音の強さ）などの音響事象をすべて音列（セリー）化し、順列的に操作して作曲します。この技法は、シェーンベルクの十二音音楽の体系を拡大したもので、総音列主義とも呼ばれます。\nセリエル音楽の年代は、次のとおりです。\n1949年 O・メシアンがピアノ曲《音価と強度のモード》を発表\n1950年代初めにダルムシュタット夏期現代音楽講習会で、L・ノーノ、P・ブーレーズ、K・シュトックハウゼン、B・マデルナらがセリエル音楽を前衛音楽界に浸透させる\n1950年代後半には、理論の煩雑化や偶然性やトーン・クラスター（音塊技法）の導入により、純粋にセリーのみによってつくられた作品は減少\n1970年代にはB・ファーニホウらがポスト・セリエリズムの作曲家としてセリエル音楽を踏襲した作品を発表\nセリエル音楽の考え方は、後にアルゴリズム作曲法に応用されることになります。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BB%E3%83%AA%E3%82%A8%E3%83%AB%E9%9F%B3%E6%A5%BD","updated":1731517124,"position":[50.5557,-53.1698,32.1201],"cluster":"c02","subgroup":"c02.01","degree":3,"referenceDegree":0,"maxSimilarity":0.3717,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66f7a14fecf09c001d26d11f","weight":0.3717,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658007227a6f7e0025df6c47","weight":0.12929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734e074f446ad99c952f07d","weight":0.09522,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734db1775e8959bffa6649a","source":"ideaofintellection","title":"バリトン","excerpt":"バリトンは、男声のバスとテノールの中間の声域およびそれを受け持つ歌手。男声を音域で二分する場合はバスの側に分類される。 典型的なバリトンの音域は概ねG2～G4、合唱ではA2～F4くらいである。記譜はバス記号が用いられることが多く、バリトン記号は現在はあまり用いられない。","text":"バリトン\nバリトンは、男声のバスとテノールの中間の声域およびそれを受け持つ歌手。男声を音域で二分する場合はバスの側に分類される。 典型的なバリトンの音域は概ねG2～G4、合唱ではA2～F4くらいである。記譜はバス記号が用いられることが多く、バリトン記号は現在はあまり用いられない。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%90%E3%83%AA%E3%83%88%E3%83%B3","updated":1731517213,"position":[-35.7639,38.4736,-141.5545],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06553,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6734db9869e416e9c76162a8","source":"ideaofintellection","title":"標題音楽","excerpt":"標題音楽とは、音楽作品に題名や文章がつけられており、その内容を表現しようとする器楽曲や合奏曲です。楽譜とは別にストーリーが用意されており、聴き手や奏者と共有されるのが特徴です。","text":"標題音楽\n標題音楽とは、音楽作品に題名や文章がつけられており、その内容を表現しようとする器楽曲や合奏曲です。楽譜とは別にストーリーが用意されており、聴き手や奏者と共有されるのが特徴です。\n標題音楽と対比される言葉に「絶対音楽」があり、これは絵画や文学などの内容と直接結びつかず、音そのものの構成面に集中した純粋器楽を指します。\n標題音楽の先駆けは、フランスの作曲家ベルリオーズが1830年に発表した『幻想交響曲』です。この作品には「夢、情熱」「舞踏会」「野原の情景」「刑場への行進」「悪魔の祝日の夜の夢」といった標題がつけられています。\n標題音楽は、古典主義音楽時代の形式性に反発したロマン派の作曲家にとって、個人的な世界を表現するのに適した形でした。音楽を言葉で説明することで、作曲者が描こうとした世界をより正確に聴きとってもらえる可能性が拓けたのです。\n標題音楽には、歌曲やオペラ、バレエ音楽などは含まれません。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%A8%99%E9%A1%8C%E9%9F%B3%E6%A5%BD","updated":1731517359,"position":[25.8677,-57.8081,51.3126],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.08077,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6734dbec060a796c189c76d0","source":"ideaofintellection","title":"フーガ","excerpt":"フーガは対位法による音楽形式で,一つの主題を複数の声部が模倣しながら次々に追いかけて演奏する様式 をもつ曲を指す","text":"フーガ\nフーガは対位法による音楽形式で,一つの主題を複数の声部が模倣しながら次々に追いかけて演奏する様式 をもつ曲を指す\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%BC%E3%82%AC","updated":1731517441,"position":[45.0486,-48.7328,36.6391],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.25783,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559f56514703c001cd79439","weight":0.25783,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d0b995f2459b5d1ae358","weight":0.16191,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734dc5a3c558f5e1e269af9","source":"ideaofintellection","title":"モテット","excerpt":"モテットとは、聖書の詩編などを歌詞とする多声の宗教声楽曲で、中世からヨーロッパで発達しました。音楽用語として、曲種（ジャンル）であると同時に書法（スタイル）でもあります。","text":"モテット\nモテットとは、聖書の詩編などを歌詞とする多声の宗教声楽曲で、中世からヨーロッパで発達しました。音楽用語として、曲種（ジャンル）であると同時に書法（スタイル）でもあります。\nモテットの起源は、13世紀以降に発展した世俗的なポリフォニー歌曲と言われています。初期のモテットは聖歌に基づく定旋律の上に二声部をもち、異なる歌詞で歌われていました。ルネサンス期以降はミサ通常文によらない多声の宗教的声楽曲としての性格が強まり、礼拝で演奏されました。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A2%E3%83%86%E3%83%83%E3%83%88","updated":1731517541,"position":[45.6282,-46.2397,32.5808],"cluster":"c02","subgroup":"c02.03","degree":1,"referenceDegree":0,"maxSimilarity":0.14181,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:672cc2c1ad4037943e6f27e8","weight":0.14181,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734dea3c1dadde248a0819f","source":"ideaofintellection","title":"モノフォニー","excerpt":"モノフォニー（monophony）は、音楽において、例えばグレゴリオ聖歌に見られるように、1声部しかないテクスチュアのことである。","text":"モノフォニー\nモノフォニー（monophony）は、音楽において、例えばグレゴリオ聖歌に見られるように、1声部しかないテクスチュアのことである。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A2%E3%83%8E%E3%83%95%E3%82%A9%E3%83%8B%E3%83%BC","updated":1731518135,"position":[46.8273,-46.9681,33.9396],"cluster":"c02","subgroup":"c02.03","degree":8,"referenceDegree":0,"maxSimilarity":0.34716,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64a2777ecb67e9001b61610b","weight":0.34716,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc0c4924cae7c52e36fbe","weight":0.3293,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c56d7ccfeab00249c72c3","weight":0.13497,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0328788a50001c391520","weight":0.12441,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c63c118b78e4001bc5a98b","weight":0.1116,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b272aee29e7001b3a4dee","weight":0.11093,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbfef010318b6d93a132d","weight":0.1074,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbf9663ae65950731cf98","weight":0.10203,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734ded091f647612962994b","source":"ideaofintellection","title":"シューベルト リート","excerpt":"フランツ・シューベルトは、初期ロマン派を代表する作曲家で、600曲以上のドイツ・リートを作曲したことで知られています。詩の雰囲気を損なうことなく、雄弁に、また抑制を効かせて作曲されたリートは、今もなお珠玉の輝きを放ち続けています。","text":"シューベルト リート\nフランツ・シューベルトは、初期ロマン派を代表する作曲家で、600曲以上のドイツ・リートを作曲したことで知られています。詩の雰囲気を損なうことなく、雄弁に、また抑制を効かせて作曲されたリートは、今もなお珠玉の輝きを放ち続けています。\nリートとは、ドイツ語で「歌」を意味し、ドイツの芸術歌曲を指します。中世のミンネゼンガーの時代から発達し、詩に旋律をつけただけでなく、豊かな楽想に富むピアノ伴奏部を伴うのが特徴です。シューベルト、シューマン、ブラームス、ヴォルフ、マーラー、R. シュトラウスなど多くの作曲家がリートを作曲しています。\nシューベルトのリートの歌詞には、ゲーテ、シラー、ヘンデル、マティソン、ハイネ、ミュラーなど8〜9人の詩人によるものが多く含まれています。\nシューベルトのリートを収録したアルバムには、次のようなものがあります。シューベルト名歌曲集 [SHM-CD、 シューベルト: リート・リサイタル。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%A5%E3%83%BC%E3%83%99%E3%83%AB%E3%83%88%20%E3%83%AA%E3%83%BC%E3%83%88","updated":1731518192,"position":[82.0292,-130.0087,43.8825],"cluster":"c43","subgroup":"c43.01","degree":5,"referenceDegree":0,"maxSimilarity":0.12601,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734df36af3738f1300fff5a","weight":0.12601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce09d8f72a76001bf7d1e3","weight":0.10404,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734cc20e6aff29ac47d9289","weight":0.09604,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d58179393237bd80c6e1","weight":0.09526,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0b4f9df423001b4399a5","weight":0.09176,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734df00f6d0e599631f9c2c","source":"ideaofintellection","title":"レチタティーヴォ","excerpt":"レチタティーヴォとは、オペラやオラトリオ、カンタータなどで、話し言葉で語るように歌われる部分です。イタリア語で「叙唱」を意味し、ことばの自然なリズムやアクセントを生かして歌われます。","text":"レチタティーヴォ\nレチタティーヴォとは、オペラやオラトリオ、カンタータなどで、話し言葉で語るように歌われる部分です。イタリア語で「叙唱」を意味し、ことばの自然なリズムやアクセントを生かして歌われます。\nレチタティーヴォは、劇の状況や物語の展開を説明するために用いられ、美しい旋律を歌い上げるアリアとは対照的です。レチタティーヴォは独立した楽曲として存在することはなく、アリアなどに結び付きます。\nレチタティーヴォには、チェンバロ伴奏とオーケストラ伴奏の2種類があります。チェンバロ伴奏のレチタティーヴォは「レチタティーヴォ・セッコ」と呼ばれ、「セッコ」は「乾いた」という意味です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%83%81%E3%82%BF%E3%83%86%E3%82%A3%E3%83%BC%E3%83%B4%E3%82%A9","updated":1731518231,"position":[11.9104,-74.4175,59.5644],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09807,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:672cc361f0240c7f68a769f7","weight":0.09807,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734df36af3738f1300fff5a","source":"ideaofintellection","title":"連作歌曲","excerpt":"連作歌曲とは、全体で大きなまとまりをなすように構想され作曲された一連の歌曲です。","text":"連作歌曲\n連作歌曲とは、全体で大きなまとまりをなすように構想され作曲された一連の歌曲です。\n代表的な連作歌曲には、次のようなものがあります。\nベートーヴェンの『遥かな恋人に寄す』\nシューベルトの『美しき水車小屋の娘』『冬の旅』\nシューマンの『女の愛と生涯』『詩人の恋』\nブラームスの『マゲローネによる歌』\nフォーレの『優しき歌』\nドビュッシーの『ビリティスの歌』\n声楽史上で最初の連作歌曲は、ベートーヴェンの『遥かな恋人に寄す』（作品98）です。アロイス・ヤイッテレスの詩を基に、第1曲と第6曲で愛の憧れを歌い、中間部の第2〜第5曲には丘の上から見た光景という共通した性格が見られます。\nまた、詩の各節ごとに異なる新しい旋律が付けられ、詩の内容の発展を音楽がともに表現する歌曲を「通作歌曲」といいます。シューベルトの『魔王』が特に有名です。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E9%80%A3%E4%BD%9C%E6%AD%8C%E6%9B%B2","updated":1731518291,"position":[82.0887,-130.6844,43.5725],"cluster":"c43","subgroup":"c43.01","degree":4,"referenceDegree":0,"maxSimilarity":0.46514,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734cc20e6aff29ac47d9289","weight":0.46514,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734ded091f647612962994b","weight":0.12601,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582abe8781cc60024698dc5","weight":0.10396,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559fcb48dc7c9001c8ff6d5","weight":0.09003,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734df6b95f2459b5d1b169b","source":"ideaofintellection","title":"ロンド形式","excerpt":"ロンド形式は、楽曲の形式の一つ。異なる旋律を挟みながら、同じ旋律を何度も繰り返す形式。 日本語では、ロンドを「輪舞曲」もしくは「回旋曲」と表記する。","text":"ロンド形式\nロンド形式は、楽曲の形式の一つ。異なる旋律を挟みながら、同じ旋律を何度も繰り返す形式。 日本語では、ロンドを「輪舞曲」もしくは「回旋曲」と表記する。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AD%E3%83%B3%E3%83%89%E5%BD%A2%E5%BC%8F","updated":1731518331,"position":[-35.8034,-22.4406,83.6537],"cluster":"c28","subgroup":"c28.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10245,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668258b1e3ac3e001ca95659","weight":0.10245,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c691a6fd2a4902adbcc93","weight":0.08731,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d0b995f2459b5d1ae358","weight":0.08618,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734dfc000623ce430e3767f","source":"ideaofintellection","title":"新ウィーン楽派","excerpt":"新ウィーン楽派（しんウィーンがくは、独: Zweite Wiener Schule または Neue Wiener Schule, 英: Second Viennese School）は、主に1900年代初頭にかけて、ウィーンで活動した作曲家の集団。","text":"新ウィーン楽派\n新ウィーン楽派（しんウィーンがくは、独: Zweite Wiener Schule または Neue Wiener Schule, 英: Second Viennese School）は、主に1900年代初頭にかけて、ウィーンで活動した作曲家の集団。\nアルノルト・シェーンベルク（1874年 - 1951年）\nアントン・ヴェーベルン（1883年 - 1945年）\nアルバン・ベルク（1885年 - 1935年）\n以上の3人は、シェーンベルクを師とし、ベルクとヴェーベルンはその弟子である。無調音楽および十二音技法を開拓し、クラシック音楽の分野において現代音楽と呼ばれている時代や様式の区分に、最も重要なかかわりを持つ。当時の音楽界において最も前衛的な立場にあり、美術家のワシリー・カンディンスキー、哲学思想家のテオドール・アドルノなどとも関わりを持った。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%96%B0%E3%82%A6%E3%82%A3%E3%83%BC%E3%83%B3%E6%A5%BD%E6%B4%BE","updated":1731518428,"position":[50.1847,-51.4856,32.3159],"cluster":"c02","subgroup":"c02.03","degree":4,"referenceDegree":0,"maxSimilarity":0.84432,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6582e6c83863190023d29c9a","weight":0.84432,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734dff7fbbf25cdda520142","weight":0.20893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658007227a6f7e0025df6c47","weight":0.12348,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b49d9a60d70024bd2795","weight":0.11871,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734dff7fbbf25cdda520142","source":"ideaofintellection","title":"アントンヴェーべルン","excerpt":"クラシックの終わりに位置した人物","text":"アントンヴェーべルン\nクラシックの終わりに位置した人物\nアントン・フリードリヒ・ヴィルヘルム・フォン・ヴェーベルンは、オーストリアの作曲家、指揮者、音楽学者。ウェーベルンとも書かれる。 シェーンベルクやベルクと並んで新ウィーン楽派の中核メンバーであり、なおかつ20世紀前半の作曲家として最も前衛的な作風を展開した。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%83%88%E3%83%B3%E3%83%B4%E3%82%A7%E3%83%BC%E3%81%B9%E3%83%AB%E3%83%B3","updated":1731518507,"position":[50.0725,-51.2562,32.5054],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.20893,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6734dfc000623ce430e3767f","weight":0.20893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582e6c83863190023d29c9a","weight":0.18245,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633b49d9a60d70024bd2795","weight":0.14858,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734e038ca082f606b780c36","source":"ideaofintellection","title":"アンフォルメル","excerpt":"アンフォルメルは、1940年代半ばから1950年代にかけてフランスを中心としたヨーロッパ各地に現れた、激しい抽象絵画を中心とした美術の動向をあらわした言葉である。同時期のアメリカ合衆国におけるアクション・ペインティングなど抽象表現主義の運動に相当する。","text":"アンフォルメル\nアンフォルメルは、1940年代半ばから1950年代にかけてフランスを中心としたヨーロッパ各地に現れた、激しい抽象絵画を中心とした美術の動向をあらわした言葉である。同時期のアメリカ合衆国におけるアクション・ペインティングなど抽象表現主義の運動に相当する。 \n[https://scrapbox.io/files/6734e05a060a796c189c847d.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%B3%E3%83%95%E3%82%A9%E3%83%AB%E3%83%A1%E3%83%AB","updated":1731518558,"position":[36.4247,-40.0208,97.4079],"cluster":"c14","subgroup":"c14.01","degree":2,"referenceDegree":0,"maxSimilarity":0.15528,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:662f66de6a304300254bd9ff","weight":0.15528,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695128449a0923ebde122a13","weight":0.10008,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734e074f446ad99c952f07d","source":"ideaofintellection","title":"クレオール音楽","excerpt":"クレオール音楽とは、カリブ海で様々な人種が混ざり合って生まれた音楽を指します。特に、18世紀にハイチで始まった音楽や、キューバからニューオーリンズに移住した移民の影響を受けた音楽などが該当します。","text":"クレオール音楽\nクレオール音楽とは、カリブ海で様々な人種が混ざり合って生まれた音楽を指します。特に、18世紀にハイチで始まった音楽や、キューバからニューオーリンズに移住した移民の影響を受けた音楽などが該当します。\nクレオール音楽の系譜について、神代麻子のCD「クレオール音楽の系譜～キューバとニューオーリンズ～」があります。マドリード音楽院で首席卒業後、キューバに渡りフランク・フェルナンデス氏に師事した神代麻子が、希少な録音音源を演奏しています。\nまた、アフリカからの音楽はキューバでスペイン音楽と混ざり合ってアフロ・キューバン音楽を作り出し、フランス領ハイチではシャンソン・クレオールが生まれました。これらの音楽はアメリカへ渡り、ヨーロッパ音楽との出会いによってジャズとなりました。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%83%AC%E3%82%AA%E3%83%BC%E3%83%AB%E9%9F%B3%E6%A5%BD","updated":1731518588,"position":[50.1903,-53.4442,33.188],"cluster":"c02","subgroup":"c02.01","degree":2,"referenceDegree":0,"maxSimilarity":0.15435,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658005c61cdb100022f91c0d","weight":0.15435,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734daa1bb41a76cfc6a82ca","weight":0.09522,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734e09ac131604e684df479","source":"ideaofintellection","title":"Brain based theory of beauty","excerpt":"Tomohiro Ishizu","text":"Brain based theory of beauty\nTomohiro Ishizu \n大黒さんの友達\nhttps://pubmed.ncbi.nlm.nih.gov/21755004/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Brain%20based%20theory%20of%20beauty","updated":1731518654,"position":[4.4898,59.4362,48.9877],"cluster":"c08","subgroup":"c08.02","degree":7,"referenceDegree":0,"maxSimilarity":0.18427,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6559fd7672a805001b4ad986","weight":0.18427,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65bf63f5469a2b0025a9a5e5","weight":0.15803,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da48ba208f2966b96f62c","weight":0.15577,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6810cc2539b9f9295f5aef18","weight":0.13597,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67fdb5331d14812d0a74bf31","weight":0.12202,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6454cb906cf1140a789079ee","weight":0.12141,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559fdcc2a258a001cb5b554","weight":0.1164,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6734e1082902b8002be67779","source":"ideaofintellection","title":"Neural representation of awe","excerpt":"Takano Ryota, Nomura Michio","text":"Neural representation of awe\nTakano Ryota, Nomura Michio\n\nhttps://psycnet.apa.org/record/2020-38566-001\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Neural%20representation%20of%20awe","updated":1731518774,"position":[-1.4401,97.3048,0.3973],"cluster":"c13","subgroup":"c13.01","degree":6,"referenceDegree":0,"maxSimilarity":0.32345,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65829d9395e67b0022467c1e","weight":0.32345,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6541ede589f92e001c9e3282","weight":0.20031,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631dc9b017341002598b8ec","weight":0.19983,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69c88cb84bbb638653c6683a","weight":0.15196,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da5f98e2148bc3a8b1824","weight":0.114,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67bedd76d501c9ed095d1bc9","weight":0.08671,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67484a7bd97984950a3d300d","source":"ideaofintellection","title":"フリソソーム","excerpt":"心拍と「ゾクッ」とする感覚（フリソソーム）","text":"フリソソーム\n心拍と「ゾクッ」とする感覚（フリソソーム）\n概要: 美しい音楽や芸術を体験したとき、心拍が一時的に急増する「ゾクッ」とする感覚（フリソソーム）が観察されることがあります。\n研究例:\n「Physiological correlates of chills during aesthetic experiences」\n方法: 美しいと感じる音楽や映像を鑑賞中に心拍数の変化を記録。\n結果: 鑑賞中に感動が高まる瞬間に心拍数が急上昇するパターンが確認されました。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%AA%E3%82%BD%E3%82%BD%E3%83%BC%E3%83%A0","updated":1732790934,"position":[-26.2716,25.2574,-137.2679],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05758,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6752a7a26f724cd99ae22ec1","source":"ideaofintellection","title":"love conquers","excerpt":"","text":"love conquers","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/love%20conquers","updated":1733470145,"position":[-0.0353,95.8484,2.2317],"cluster":"c13","subgroup":"c13.01","degree":3,"referenceDegree":0,"maxSimilarity":0.5587,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65829d9395e67b0022467c1e","weight":0.5587,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c22e72d2fed10025cf72ae","weight":0.38077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b30ccf86c325629309002","weight":0.36258,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6758da5902613d1638b0dc61","source":"ideaofintellection","title":"テンポ・ルバート","excerpt":"テンポ・ルバートは、訳せば「盗まれた時間」という意味であり、本来的には音符の音価の一部を奪い、他の音符に付与することを意味していた。したがって全体のテンポは変化しなかった。19世紀以降ではこの概念は退化して、柔軟にテンポを変えるという意味で用いられるようにもなった。 テンポ・ルバートの記譜された実例は14世紀に遡る。","text":"テンポ・ルバート\nテンポ・ルバートは、訳せば「盗まれた時間」という意味であり、本来的には音符の音価の一部を奪い、他の音符に付与することを意味していた。したがって全体のテンポは変化しなかった。19世紀以降ではこの概念は退化して、柔軟にテンポを変えるという意味で用いられるようにもなった。 テンポ・ルバートの記譜された実例は14世紀に遡る。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%86%E3%83%B3%E3%83%9D%E3%83%BB%E3%83%AB%E3%83%90%E3%83%BC%E3%83%88","updated":1733876332,"position":[31.3421,-2.2607,-15.897],"cluster":"c18","subgroup":"c18.01","degree":3,"referenceDegree":0,"maxSimilarity":0.10503,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e4456ae32972001b5c34ec","weight":0.10503,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c556a03fdde100251d837c","weight":0.10463,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbbcb607a00d463819ee9","weight":0.09207,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67600418c1a196a56d3f0e85","source":"ideaofintellection","title":"Audio-Visual Interaction History","excerpt":"https://paper.dropbox.com/doc/Audio-Visual-Interaction-History--CcipDF2DHEgc0Ek3xVpeatXXAg-j9YB4x5i5brLJlrlWX2BG","text":"Audio-Visual Interaction History\n[https://scrapbox.io/files/6760044c2f4a0398c0f261b4.png]\n\n\nhttps://paper.dropbox.com/doc/Audio-Visual-Interaction-History--CcipDF2DHEgc0Ek3xVpeatXXAg-j9YB4x5i5brLJlrlWX2BG\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Audio-Visual%20Interaction%20History","updated":1734345807,"position":[-18.566,11.108,11.5666],"cluster":"c07","subgroup":"c07.01","degree":4,"referenceDegree":0,"maxSimilarity":0.32336,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66d7227cfaa223001c48dc6f","weight":0.32336,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b444b4fdfe97cea9298f9","weight":0.23494,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af1de6fca707001df9a63e","weight":0.15812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:651a534638baa1001cc67057","weight":0.12426,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6760f5d97bb7807f53d08e0a","source":"ideaofintellection","title":"ビジュアル アイデア","excerpt":"リアルタイム数値の全面羅列","text":"ビジュアル アイデア\nリアルタイム数値の全面羅列\n[https://scrapbox.io/files/6760f5ea0026e357846d3ee8.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%93%E3%82%B8%E3%83%A5%E3%82%A2%E3%83%AB%20%E3%82%A2%E3%82%A4%E3%83%87%E3%82%A2","updated":1735625703,"position":[97.8144,-54.0911,-48.1056],"cluster":"c38","subgroup":"c38.01","degree":9,"referenceDegree":0,"maxSimilarity":0.51647,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6680d16301bab8001c01ba67","weight":0.51647,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6734cf9dc131604e684dc160","weight":0.30332,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6a546e6315b63d6412ee7147","weight":0.26519,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6969c558baf9577296aaa17f","weight":0.18787,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdf01eefeb96001d25751b","weight":0.1659,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:671f120389304b42220ea738","weight":0.15663,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e70ce40ed5a001c293868","weight":0.1265,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559ef6a9f5cc5001b7fac92","weight":0.11988,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67612a88025958f0e456d2df","source":"ideaofintellection","title":"東大 流体研究室 archy","excerpt":"archyのいる研究室","text":"東大 流体研究室 archy\narchyのいる研究室\nhttp://www.ysklab.iis.u-tokyo.ac.jp/research.html#r1\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%9D%B1%E5%A4%A7%20%E6%B5%81%E4%BD%93%E7%A0%94%E7%A9%B6%E5%AE%A4%20archy","updated":1734421166,"position":[22.5835,49.842,-35.3004],"cluster":"c15","subgroup":"c15.01","degree":2,"referenceDegree":0,"maxSimilarity":0.25651,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e124c1d0b6f58fdc9f78","weight":0.25651,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a607f4ccfae424082330a91","weight":0.08938,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67612ac6175bb969ce145d46","source":"ideaofintellection","title":"レントゲンレコード","excerpt":"ウクライナで起きた現象。レントゲンの写真が安価なため一時期レコードのジャケットに現象的に使われた。","text":"レントゲンレコード\nウクライナで起きた現象。レントゲンの写真が安価なため一時期レコードのジャケットに現象的に使われた。\nhttps://vtorma.ua/ua/pererobka-rentgenivskih-plivok/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%83%B3%E3%83%88%E3%82%B2%E3%83%B3%E3%83%AC%E3%82%B3%E3%83%BC%E3%83%89","updated":1734421241,"position":[70.8815,-12.7185,21.3113],"cluster":"c23","subgroup":"c23.01","degree":7,"referenceDegree":0,"maxSimilarity":0.13919,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d71b0513c210001c375ed3","weight":0.13919,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67612b264cc280beb3bb937e","weight":0.13913,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65b790405ccf750026d8488b","weight":0.13267,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658006deed21450023f9589d","weight":0.12994,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d71989de1bfe001d5ee33b","weight":0.12931,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a27bc5c52d97001b12a745","weight":0.10736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659219529372b700238c7e57","weight":0.10055,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67612b264cc280beb3bb937e","source":"ideaofintellection","title":"sopik","excerpt":"archyがおすすめしてたウクライナのDJ","text":"sopik\narchyがおすすめしてたウクライナのDJ\nhttps://www.instagram.com/sopik_music?igsh=a281eWUwNjNqczBr\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/sopik","updated":1734421334,"position":[27.0712,-35.8121,99.0877],"cluster":"c14","subgroup":"c14.01","degree":3,"referenceDegree":0,"maxSimilarity":0.23617,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66312e81938a1d002477e611","weight":0.23617,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67612ac6175bb969ce145d46","weight":0.13913,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a198f639c73c91c0a33a230","weight":0.11353,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:676d5faf70372a1775c43e81","source":"ideaofintellection","title":"rats モーツァルト効果","excerpt":"本当か","text":"rats モーツァルト効果\n本当か\n音楽と脳の授業で紹介されてた\nhttps://pubmed.ncbi.nlm.nih.gov/9664590/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/rats%20%E3%83%A2%E3%83%BC%E3%83%84%E3%82%A1%E3%83%AB%E3%83%88%E5%8A%B9%E6%9E%9C","updated":1735221208,"position":[48.1463,-48.0218,34.7944],"cluster":"c02","subgroup":"c02.03","degree":3,"referenceDegree":0,"maxSimilarity":0.31645,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:663224956855af00258f20bc","weight":0.31645,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734cb6225fc4474a5acc919","weight":0.10714,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0328788a50001c391520","weight":0.08984,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:676d8eb8dcc5674fa73465d9","source":"ideaofintellection","title":"カメラ","excerpt":"ライカ アンリ・カルティエ＝ブレッソン","text":"カメラ\nライカ アンリ・カルティエ＝ブレッソン\nアンリ・カルティエ＝ブレッソンは、フランスの写真家。20世紀を代表する写真家であると多くの写真家・芸術家から評されている。1947年にはロバート・キャパ、デヴィッド・シーモア、ジョージ・ロジャーと共に国際写真家集団「マグナム・フォト」を結成した。 小型レンジファインダーカメラを駆使し、主にスナップ写真を撮った。\n\nスーザン・ソンタグは、アメリカ合衆国の作家、映画製作者、社会運動家。 生涯を通じ、アメリカを代表するリベラル派の知識人として、ベトナム戦争やイラク戦争に反対するなど、人権問題についての活発な著述と発言でオピニオンリーダーとして注目を浴びた。 \nhttps://www.cizucu.com/magazines/2023-11-shooting-mannner-learned-from-susan-sontag\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AB%E3%83%A1%E3%83%A9","updated":1735233324,"position":[2.8534,-80.7121,36.6127],"cluster":"c01","subgroup":"c01.02","degree":7,"referenceDegree":0,"maxSimilarity":0.32668,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9f26a2a4ed5e0d4501234","weight":0.32668,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc46ffd1cf7bda0a920d2","weight":0.20651,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c0906b5a77e48373e6b93","weight":0.179,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631c11d47d15b0024525196","weight":0.13037,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c7148fa4e760025c2a8c5","weight":0.11918,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55b753510f200250a1b9b","weight":0.11501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658005f5c67daf0023fe4708","weight":0.08549,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:676d8f4fe53149d87f70757c","source":"ideaofintellection","title":"Sakamoto 図書","excerpt":"nature 知の創造","text":"Sakamoto 図書\nnature 知の創造\n司馬遼太郎\nthe sense of wonder\n拈華 緒方慎一郎\ndesigning design Kenya Hara\n同じ時の中で スーザンソンタグ\n日本芸能史六講\nスーザンソンタグ　写真論\nジョンケージ 作曲家の告白\n細野晴臣 録音術\n宮本武蔵 五輪書\nthw アドルノ 新音楽の哲学\n文化の臨界 モダニズムアートテクノロジー\n日本語の起源 大野晋\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Sakamoto%20%E5%9B%B3%E6%9B%B8","updated":1735307260,"position":[54.4774,-32.2576,2.0889],"cluster":"c10","subgroup":"c10.01","degree":6,"referenceDegree":0,"maxSimilarity":0.12444,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6559e5973d53fc001be217cf","weight":0.12444,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67810799f1c9f6a6ee69e04b","weight":0.11685,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582a4b160ec1b002494ae3e","weight":0.10997,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68ca72bdd91297c4c541e857","weight":0.10629,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559e69bd7be7b001c8a58d9","weight":0.10177,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695bcd7c2db6383f70ff26b0","weight":0.09048,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678203a63042db788625d3f1","source":"ideaofintellection","title":"坂本龍ー＋伊藤穰一","excerpt":"人間の審美とAI","text":"坂本龍ー＋伊藤穰一\n人間の審美とAI\nhttps://media.dglab.com/2018/01/26-ryuichi-sakamoto-01/amp/\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%9D%82%E6%9C%AC%E9%BE%8D%E3%83%BC%EF%BC%8B%E4%BC%8A%E8%97%A4%E7%A9%B0%E4%B8%80","updated":1736573902,"position":[53.3157,-31.5785,1.5896],"cluster":"c10","subgroup":"c10.01","degree":7,"referenceDegree":0,"maxSimilarity":0.67812,"lowEvidence":false,"neighbors":[{"id":"NextResearch:656d5eff45b6cd002471ecc7","weight":0.67812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a5f561607c001db2ee11","weight":0.19689,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582d7e318568700244595f8","weight":0.14438,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6872536612ae09d29cde1ea2","weight":0.13886,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a52b1c7259d4002447ecae","weight":0.09655,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cee46919c2470026960ed3","weight":0.09655,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a0c1d3ccb3fd0024634447","weight":0.09655,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678203d61e4ed9efb7eb2bd6","source":"ideaofintellection","title":"文化","excerpt":"世の中が開けて生活水準が高まっている状態。文明開化。","text":"文化\n世の中が開けて生活水準が高まっている状態。文明開化。\n 「―生活」\n2.\n人類の理想を実現して行く、精神の活動。技術を通して自然を人間の生活目的に役立てて行く過程で形作られた、生活様式およびそれに関する表現。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%96%87%E5%8C%96","updated":1736573922,"position":[11.9058,44.7678,-34.9795],"cluster":"c15","subgroup":"c15.01","degree":3,"referenceDegree":0,"maxSimilarity":0.1359,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65b38435ff404d0025074fc6","weight":0.1359,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659246f943d3fa00263b5723","weight":0.11692,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a559a40ca8a9001bf336fe","weight":0.08677,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6783eb106464636842339db0","source":"ideaofintellection","title":"salvage","excerpt":"サルベージ（salvage）とは、もともと「沈没船の引き上げ」「遭難した船の貨物救助」などの意味を持つ言葉です。 IT業界では「データを引き上げる」、つまり不具合でデータを読み込めなくなった記憶媒体からデータを取り出す作業のことを指します。 同じ意味を表す言葉として「データ復旧」「データ復元」などがあります。","text":"salvage\nサルベージ（salvage）とは、もともと「沈没船の引き上げ」「遭難した船の貨物救助」などの意味を持つ言葉です。 IT業界では「データを引き上げる」、つまり不具合でデータを読み込めなくなった記憶媒体からデータを取り出す作業のことを指します。 同じ意味を表す言葉として「データ復旧」「データ復元」などがあります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/salvage","updated":1736698740,"position":[26.3067,-35.0993,67.873],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07879,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6783eb9e6464636842339fbf","source":"ideaofintellection","title":"レゾンデートル raison d'être","excerpt":"レゾンデートルとは、フランスの哲学用語だ。 直訳すると「存在理由」や「存在意義」といった言葉になる。 しかしそれは、周囲が認める存在価値という意味ではない。 自分自身が求める存在意義や、生き甲斐のことを指す。","text":"レゾンデートル raison d'être\nレゾンデートルとは、フランスの哲学用語だ。 直訳すると「存在理由」や「存在意義」といった言葉になる。 しかしそれは、周囲が認める存在価値という意味ではない。 自分自身が求める存在意義や、生き甲斐のことを指す。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%AC%E3%82%BE%E3%83%B3%E3%83%87%E3%83%BC%E3%83%88%E3%83%AB%20raison%20d%27%C3%AAtre","updated":1736698817,"position":[19.1023,-65.1828,51.6767],"cluster":"c12","subgroup":"c12.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06161,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6783ebe572f957878ebbd913","source":"ideaofintellection","title":"ambivalent","excerpt":"概要","text":"ambivalent\n概要\nアンビバレンスとは、ある対象に対して、相反する感情を同時に持ったり、相反する態度を同時に示すこと。ドイツ語のアンビヴァレンツに由来する。「両価感情」や「両面価値」、「両価性」などとも翻訳されるが、そのまま「アンビバレンス」もしくは「アンビバレンツ」と表現するのが一般的。形容詞はアンビバレント。 ","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/ambivalent","updated":1736698901,"position":[-53.5024,-90.4789,-70.406],"cluster":"c44","subgroup":"c44.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04739,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6783ec2dd81ddc84586568b3","source":"ideaofintellection","title":"introjection","excerpt":"Introjection（イントロジェクション）とは、心理学用語で、他人の価値観や態度を無意識のうちに取り込むことを意味します。","text":"introjection\nIntrojection（イントロジェクション）とは、心理学用語で、他人の価値観や態度を無意識のうちに取り込むことを意味します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/introjection","updated":1736698934,"position":[-16.2919,-68.7163,23.5604],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07712,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6783ec560ea4b2f95208db9d","source":"ideaofintellection","title":"Homeostasis Transistasis","excerpt":"ホメオスタシスとトランジスタシスは、それぞれ「恒常性」「変転性」という意味の言葉で、生命体の状態を説明する概念です。","text":"Homeostasis Transistasis\nホメオスタシスとトランジスタシスは、それぞれ「恒常性」「変転性」という意味の言葉で、生命体の状態を説明する概念です。\nホメオスタシスとは、環境の変化にかかわらず、体温や血糖、免疫などの身体の状態を一定に保つことを意味します。生態恒常性とも呼ばれ、神経系や内分泌系、免疫系の3つの機能が連携して維持されています。\n一方、トランジスタシスは、現状を打破して新たな展開を生もうとする行動原理を表す造語です。ホメオスタシスと対義語の関係に置かれています。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Homeostasis%20Transistasis","updated":1736699013,"position":[87.7837,-104.566,102.1516],"cluster":"c47","subgroup":"c47.01","degree":2,"referenceDegree":0,"maxSimilarity":0.34754,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c54c333fdde100251d5c33","weight":0.34754,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64ce0fbb76bcb0001c2cf395","weight":0.14347,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893c8e7a1f7df21d8bcbc3","source":"ideaofintellection","title":"ineffable","excerpt":"ineffable（イネファブル）は、形容詞で「言葉で表現できない」「言い難い」という意味です。","text":"ineffable\nineffable（イネファブル）は、形容詞で「言葉で表現できない」「言い難い」という意味です。\nineffable の意味は、次のようなものがあります。\n言葉では言い尽くせないほど偉大な\n言語に絶した\n恐れ多くて口にすべきでない、言ってはならない\n筆舌に尽くしがたい、えも言われぬ\nineffable を使った例文は次のとおりです。\nineffable ecstasy（言い表せないエクスタシー）\nineffable joy（言いようのない喜び）\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/ineffable","updated":1737047213,"position":[91.2797,-104.9708,100.9487],"cluster":"c47","subgroup":"c47.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1116,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c2105bb7135a0024b78d47","weight":0.1116,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893cd743008644046edfaf","source":"ideaofintellection","title":"paradoxicical","excerpt":"意味: 一見矛盾しているように見えるが、実際には真実を含む。","text":"paradoxicical\n意味: 一見矛盾しているように見えるが、実際には真実を含む。\n例: 「急ぐほど時間がかかる」という矛盾の中に深い意味がある。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/paradoxicical","updated":1737047289,"position":[9.0574,-58.6777,-0.1744],"cluster":"c03","subgroup":"c03.01","degree":3,"referenceDegree":0,"maxSimilarity":0.12388,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b0d3509ca92400238c7d2b","weight":0.12388,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893ff4e89464287b5ccc66","weight":0.10737,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55aa17e63bf0025f39478","weight":0.09995,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893d4c407c454bba23ecfd","source":"ideaofintellection","title":"Eudaimonia","excerpt":"意味: 幸福、または充実した生き方（アリストテレス哲学の概念）。","text":"Eudaimonia\n意味: 幸福、または充実した生き方（アリストテレス哲学の概念）。\n例: 単なる快楽ではなく、目的に向かって生きることで得られる深い幸福。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Eudaimonia","updated":1737047392,"position":[0.9153,-76.3023,36.0256],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.24557,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6789437609c4fa271f78b1b7","weight":0.24557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454351bf828eab51092a4","weight":0.12635,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893de53d3fe3110a6051b2","source":"ideaofintellection","title":"Apophasis（アポファシス）","excerpt":"意味: あることについて「触れない」と宣言しながら実際には言及すること。否定による暗示。","text":"Apophasis（アポファシス）\n意味: あることについて「触れない」と宣言しながら実際には言及すること。否定による暗示。\n例: 「私はあなたの失敗については触れません」と言いつつ、間接的に失敗を指摘している。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Apophasis%EF%BC%88%E3%82%A2%E3%83%9D%E3%83%95%E3%82%A1%E3%82%B7%E3%82%B9%EF%BC%89","updated":1737047543,"position":[7.9343,-66.6305,37.3349],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.20717,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66ee84779d459b001d8a7d86","weight":0.20717,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789443333574ada83fa294c","weight":0.10038,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893e0a7a1f7df21d8bd313","source":"ideaofintellection","title":"Antinomy（アンチノミー）","excerpt":"意味: 二つの命題が、どちらも正しいように見えながら互いに矛盾する状態。","text":"Antinomy（アンチノミー）\n意味: 二つの命題が、どちらも正しいように見えながら互いに矛盾する状態。\n例: 「自由意志は存在する」と「自由意志は存在しない」が同時に成立するように思える議論。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Antinomy%EF%BC%88%E3%82%A2%E3%83%B3%E3%83%81%E3%83%8E%E3%83%9F%E3%83%BC%EF%BC%89","updated":1737047581,"position":[14.1327,-69.179,3.2119],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.15402,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668257502a30c6001c5d54ad","weight":0.15402,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678943d8b0851d311e0c708d","weight":0.12129,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893e4f92f45be768bf12db","source":"ideaofintellection","title":"Hypostasis","excerpt":"位格","text":"Hypostasis\n位格\n意味: 抽象的な概念を実体があるものとして扱うこと。\n例: 正義や自由といった抽象概念を、あたかも物理的に存在するかのように語ること。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Hypostasis","updated":1737047658,"position":[-13.1252,27.7769,53.9302],"cluster":"c09","subgroup":"c09.02","degree":1,"referenceDegree":0,"maxSimilarity":0.13299,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d4566112a80579472f24a2","weight":0.13299,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893e9bdf90659bbd113c07","source":"ideaofintellection","title":"ontological","excerpt":"意味: 存在に関する哲学的な問いを扱う概念。","text":"ontological\n意味: 存在に関する哲学的な問いを扱う概念。\n例: 「何が存在するのか」「存在とは何か」という根源的な問い。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/ontological","updated":1737047716,"position":[-24.7321,-63.9397,-8.7437],"cluster":"c27","subgroup":"c27.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06521,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:67893ebb78d360aa8a7db4bf","source":"ideaofintellection","title":"Epiphenomenon（エピフェノメノン）","excerpt":"意味: 主な原因や現象から派生した副次的な現象。","text":"Epiphenomenon（エピフェノメノン）\n意味: 主な原因や現象から派生した副次的な現象。\n例: 人間の意識が脳の物理的活動の副産物である、という仮説。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Epiphenomenon%EF%BC%88%E3%82%A8%E3%83%94%E3%83%95%E3%82%A7%E3%83%8E%E3%83%A1%E3%83%8E%E3%83%B3%EF%BC%89","updated":1737047754,"position":[-4.9352,-54.1542,29.7829],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.09527,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6722f6233e0c394785adb9eb","weight":0.09527,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893efe43008644046ee982","source":"ideaofintellection","title":"Haecceity（ヘクセイティ）","excerpt":"意味: 「このこと」に特有の性質、あるものをそれと特定する特徴。","text":"Haecceity（ヘクセイティ）\n意味: 「このこと」に特有の性質、あるものをそれと特定する特徴。\n例: 風景の「これしかない」独特の雰囲気や特性。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Haecceity%EF%BC%88%E3%83%98%E3%82%AF%E3%82%BB%E3%82%A4%E3%83%86%E3%82%A3%EF%BC%89","updated":1737047826,"position":[19.0692,-96.7321,35.1138],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07201,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:67893f26c8084a826ca406f1","source":"ideaofintellection","title":"Ananke（アナンケ）","excerpt":"意味: ギリシャ語で「運命」や「必然性」を意味し、避けることのできない宿命的な力。","text":"Ananke（アナンケ）\n意味: ギリシャ語で「運命」や「必然性」を意味し、避けることのできない宿命的な力。\n例: 神話で運命を支配する力として語られる概念。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Ananke%EF%BC%88%E3%82%A2%E3%83%8A%E3%83%B3%E3%82%B1%EF%BC%89","updated":1737047865,"position":[1.8833,-76.977,35.949],"cluster":"c01","subgroup":"c01.03","degree":4,"referenceDegree":0,"maxSimilarity":0.23101,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.23101,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580002dc480410023553ee3","weight":0.12809,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d4546bb14b40caf1e067b3","weight":0.1097,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67894402680daed9a3ff24e8","weight":0.10453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893f6509c4fa271f78a54b","source":"ideaofintellection","title":"kantian sublime","excerpt":"意味: 圧倒的で理解を超えたものに触れたときに感じる崇高さ、恐怖と魅力の混ざった感覚。","text":"kantian sublime\n意味: 圧倒的で理解を超えたものに触れたときに感じる崇高さ、恐怖と魅力の混ざった感覚。\n例: 高山や荒々しい海を見たときの畏敬の念。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/kantian%20sublime","updated":1737047935,"position":[-38.1467,13.1883,-120.8587],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09865,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64f35d915cf7ba001c366549","weight":0.09865,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893f96df90659bbd113f28","source":"ideaofintellection","title":"Deconstruction（脱構築）","excerpt":"意味: 言語やテキストの裏にある前提や矛盾を暴き出し、固定された意味を解体する哲学的手法。","text":" Deconstruction（脱構築）\n意味: 言語やテキストの裏にある前提や矛盾を暴き出し、固定された意味を解体する哲学的手法。\n例: ジャック・デリダが提唱した文学批評や哲学での用法。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Deconstruction%EF%BC%88%E8%84%B1%E6%A7%8B%E7%AF%89%EF%BC%89","updated":1737047977,"position":[16.5785,-66.7679,3.3841],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16523,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678941e21e6a947a353d5df1","weight":0.16523,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6532d26a81a5cc001b21aa80","weight":0.12324,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893fccb98e1c7521d00fd6","source":"ideaofintellection","title":"Heterotopia（ヘテロトピア）","excerpt":"意味: 異質な空間や社会的秩序の外に存在する場所を指す概念（ミシェル・フーコー）。","text":"Heterotopia（ヘテロトピア）\n意味: 異質な空間や社会的秩序の外に存在する場所を指す概念（ミシェル・フーコー）。\n例: 図書館、墓地、船など、社会の中で独自の役割を持つ空間。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Heterotopia%EF%BC%88%E3%83%98%E3%83%86%E3%83%AD%E3%83%88%E3%83%94%E3%82%A2%EF%BC%89","updated":1737048033,"position":[32.2125,-1.0699,-8.616],"cluster":"c18","subgroup":"c18.01","degree":2,"referenceDegree":0,"maxSimilarity":0.19848,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6789457b1e6a947a353d660b","weight":0.19848,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc0c4924cae7c52e36fbe","weight":0.09242,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67893ff4e89464287b5ccc66","source":"ideaofintellection","title":"Aporetic（アポリア的）","excerpt":"意味: 論理的な解決が不可能であるように見える問題やジレンマ。","text":"Aporetic（アポリア的）\n意味: 論理的な解決が不可能であるように見える問題やジレンマ。\n例: 「卵が先か、鶏が先か」という問い。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Aporetic%EF%BC%88%E3%82%A2%E3%83%9D%E3%83%AA%E3%82%A2%E7%9A%84%EF%BC%89","updated":1737048068,"position":[8.9118,-58.7666,-0.0029],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.10737,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67893cd743008644046edfaf","weight":0.10737,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55aa17e63bf0025f39478","weight":0.09399,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67894085a7574cc41139d61a","source":"ideaofintellection","title":"Dialectical（弁証法的）","excerpt":"意味: 対立する意見や概念を統合し、新たな結論に至る過程。","text":"Dialectical（弁証法的）\n意味: 対立する意見や概念を統合し、新たな結論に至る過程。\n例: テーゼ（主張）とアンチテーゼ（反主張）の対立から生まれるジンテーゼ（統合）。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Dialectical%EF%BC%88%E5%BC%81%E8%A8%BC%E6%B3%95%E7%9A%84%EF%BC%89","updated":1737048218,"position":[51.9132,-115.7738,-65.953],"cluster":"c41","subgroup":"c41.01","degree":3,"referenceDegree":0,"maxSimilarity":0.24998,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649c0f02940591001b8f4d9c","weight":0.24998,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6507a017eeaff9001c19d237","weight":0.18036,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d6d1e7f31220023c3afc4","weight":0.08997,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678940fdc8084a826ca40bea","source":"ideaofintellection","title":"Hyperstition（ハイパースティション）","excerpt":"意味: フィクションやアイデアが現実に影響を与え、自己実現的に「現実」となる現象やプロセス。","text":"Hyperstition（ハイパースティション）\n意味: フィクションやアイデアが現実に影響を与え、自己実現的に「現実」となる現象やプロセス。\n例: サイバーパンクの概念が現代の技術社会に影響を与えたようなケース。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Hyperstition%EF%BC%88%E3%83%8F%E3%82%A4%E3%83%91%E3%83%BC%E3%82%B9%E3%83%86%E3%82%A3%E3%82%B7%E3%83%A7%E3%83%B3%EF%BC%89","updated":1737048330,"position":[16.3793,-67.5887,1.6802],"cluster":"c03","subgroup":"c03.01","degree":6,"referenceDegree":0,"maxSimilarity":0.175,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559fd1f525602001ce4de1e","weight":0.175,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658288a9f5683400223ac992","weight":0.14041,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e70ce40ed5a001c293868","weight":0.10871,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789434fe0c60caa3c664963","weight":0.10711,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e59a4105ba9c2a89a441","weight":0.08777,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648bb5fbeb1f46001cd6440c","weight":0.08678,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6789411943008644046ef8f4","source":"ideaofintellection","title":"Epistemic Anarchy（認識論的アナーキー）","excerpt":"意味: 知識や科学において、特定の方法論や規範に縛られない自由な探究を提唱する概念（ポール・ファイヤアーベント）。","text":"Epistemic Anarchy（認識論的アナーキー）\n意味: 知識や科学において、特定の方法論や規範に縛られない自由な探究を提唱する概念（ポール・ファイヤアーベント）。\n例: 「どんな方法でも科学的進歩を生みうる」という立場。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Epistemic%20Anarchy%EF%BC%88%E8%AA%8D%E8%AD%98%E8%AB%96%E7%9A%84%E3%82%A2%E3%83%8A%E3%83%BC%E3%82%AD%E3%83%BC%EF%BC%89","updated":1737048361,"position":[-26.3567,-72.9469,7.6897],"cluster":"c27","subgroup":"c27.01","degree":3,"referenceDegree":0,"maxSimilarity":0.08892,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b34de30cc165002471561f","weight":0.08892,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649305669759b5001bf4d6ab","weight":0.08812,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d2859bf3c1200238b3429","weight":0.08661,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6789413743008644046ef92a","source":"ideaofintellection","title":"Transcendental Aesthetic（先験的感性論）","excerpt":"意味: 空間と時間が人間の認識における基本的な形式であり、経験そのものを構成するという考え（カント哲学）。","text":"Transcendental Aesthetic（先験的感性論）\n意味: 空間と時間が人間の認識における基本的な形式であり、経験そのものを構成するという考え（カント哲学）。\n例: 空間や時間を客観的に存在するものではなく、主観的なフレームとみなす議論。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Transcendental%20Aesthetic%EF%BC%88%E5%85%88%E9%A8%93%E7%9A%84%E6%84%9F%E6%80%A7%E8%AB%96%EF%BC%89","updated":1737048393,"position":[-43.781,-152.9387,-46.021],"cluster":"c39","subgroup":"c39.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12529,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649bdefcf14a3e001c00e073","weight":0.12529,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bdfd7d28b62001b000e27","weight":0.11701,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678941733d3fe3110a6062bb","source":"ideaofintellection","title":"Autopoiesis（オートポイエーシス）","excerpt":"意味: システムが自己生成し、自己維持するプロセス（ルーマンやマトゥラーナの社会理論や生物学）。","text":"Autopoiesis（オートポイエーシス）\n意味: システムが自己生成し、自己維持するプロセス（ルーマンやマトゥラーナの社会理論や生物学）。\n例: 生物が外部環境と相互作用しながら自己を維持する過程。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Autopoiesis%EF%BC%88%E3%82%AA%E3%83%BC%E3%83%88%E3%83%9D%E3%82%A4%E3%82%A8%E3%83%BC%E3%82%B7%E3%82%B9%EF%BC%89","updated":1737048448,"position":[2.0392,-77.2906,35.3091],"cluster":"c01","subgroup":"c01.02","degree":4,"referenceDegree":0,"maxSimilarity":0.39782,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d454bb0da3a740d43aa695","weight":0.39782,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdedfedb81b7001da71eff","weight":0.27512,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678946ee33574ada83fa3478","weight":0.14644,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd0d720347cf00259cb7fb","weight":0.08631,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678941a83216fdce2dbe30e3","source":"ideaofintellection","title":"Rhizome（リゾーム）","excerpt":"意味: 根茎のように無中心的、無階層的に広がるネットワーク構造（ドゥルーズ＆ガタリ）。","text":"Rhizome（リゾーム）\n意味: 根茎のように無中心的、無階層的に広がるネットワーク構造（ドゥルーズ＆ガタリ）。\n例: インターネットのように、特定の中心や権威に依存しない分散型の構造。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Rhizome%EF%BC%88%E3%83%AA%E3%82%BE%E3%83%BC%E3%83%A0%EF%BC%89","updated":1737048503,"position":[14.3123,-53.6522,69.6283],"cluster":"c12","subgroup":"c12.01","degree":7,"referenceDegree":0,"maxSimilarity":0.45819,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65ba1506a1b1dc002598fd5c","weight":0.45819,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559f99ec7ba14001baf3c94","weight":0.16518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6593911d13ab1e0024579828","weight":0.12613,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:690b758f5d55db9beed30417","weight":0.12584,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559a5dda0e111001ce3978a","weight":0.1142,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65d79f571b9001b5fbb6c","weight":0.0906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06dfb7c1d021f3cce0fafd","weight":0.08689,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678941e21e6a947a353d5df1","source":"ideaofintellection","title":"Différance（ディファランス）","excerpt":"意味: 言語や意味が常に遅延し、完全には確定されないという考え（ジャック・デリダ）。","text":"Différance（ディファランス）\n意味: 言語や意味が常に遅延し、完全には確定されないという考え（ジャック・デリダ）。\n例: 言葉の意味が他の言葉との関係で定義されるが、それ自体が固定されない状態。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Diff%C3%A9rance%EF%BC%88%E3%83%87%E3%82%A3%E3%83%95%E3%82%A1%E3%83%A9%E3%83%B3%E3%82%B9%EF%BC%89","updated":1737048565,"position":[16.4371,-66.8351,3.37],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.16523,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67893f96df90659bbd113f28","weight":0.16523,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6532d26a81a5cc001b21aa80","weight":0.13485,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6789420e3d3fe3110a606492","source":"ideaofintellection","title":"Immanent Critique（内在的批判）","excerpt":"意味: ある思想やシステムを、その内部の論理や前提を用いて批判する方法。","text":"Immanent Critique（内在的批判）\n意味: ある思想やシステムを、その内部の論理や前提を用いて批判する方法。\n例: 資本主義を資本主義の理論自体に基づいて批判すること。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Immanent%20Critique%EF%BC%88%E5%86%85%E5%9C%A8%E7%9A%84%E6%89%B9%E5%88%A4%EF%BC%89","updated":1737048604,"position":[-42.0869,-154.1101,-47.8655],"cluster":"c39","subgroup":"c39.01","degree":2,"referenceDegree":0,"maxSimilarity":0.15018,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6789474c5b8738af563840f6","weight":0.15018,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a13d1c0f3a18001bc9ca9f","weight":0.12642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67894249c8084a826ca40ea4","source":"ideaofintellection","title":"Nomos（ノモス）","excerpt":"意味: 社会や文化の中での規範や秩序、または法そのもの。","text":" Nomos（ノモス）\n意味: 社会や文化の中での規範や秩序、または法そのもの。\n例: 自然状態（physis）に対する人間社会の規則としての「法」。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Nomos%EF%BC%88%E3%83%8E%E3%83%A2%E3%82%B9%EF%BC%89","updated":1737048668,"position":[16.1738,-55.8675,68.8122],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0862,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c54be120c5c50023c372a9","weight":0.0862,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6789428006e76298a0fb65a0","source":"ideaofintellection","title":"Multiplicity（多様体）","excerpt":"意味: 単一性に還元できない多様な要素の集合体（ドゥルーズ）。","text":"Multiplicity（多様体）\n意味: 単一性に還元できない多様な要素の集合体（ドゥルーズ）。\n例: 個々の異なるアイデンティティを持つ人々の共同体。\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Multiplicity%EF%BC%88%E5%A4%9A%E6%A7%98%E4%BD%93%EF%BC%89","updated":1737048730,"position":[14.857,-68.8561,2.3392],"cluster":"c03","subgroup":"c03.01","degree":3,"referenceDegree":0,"maxSimilarity":0.15987,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c64cd0809274001cf20897","weight":0.15987,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678943d8b0851d311e0c708d","weight":0.12401,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac67a09ea8da5f8a7cf166d","weight":0.0952,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678942edd427d26cd5df89a7","source":"ideaofintellection","title":"Catastrophe Theory（カタストロフィー理論）","excerpt":"意味: 小さな連続的変化が、突然の劇的な転換を引き起こす数学的モデル。","text":"Catastrophe Theory（カタストロフィー理論）\n意味: 小さな連続的変化が、突然の劇的な転換を引き起こす数学的モデル。\n例: 経済や自然現象での突然の崩壊や転換。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Catastrophe%20Theory%EF%BC%88%E3%82%AB%E3%82%BF%E3%82%B9%E3%83%88%E3%83%AD%E3%83%95%E3%82%A3%E3%83%BC%E7%90%86%E8%AB%96%EF%BC%89","updated":1737048827,"position":[2.9323,-78.1875,34.087],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.37387,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6789468a3216fdce2dbe3d45","weight":0.37387,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6789434fe0c60caa3c664963","source":"ideaofintellection","title":"Hyperchaos（ハイパーカオス）","excerpt":"意味: 通常のカオスを超え、複数の不安定な方向性を持つシステムの状態（ジル・ドゥルーズや数学に関連）。","text":"Hyperchaos（ハイパーカオス）\n意味: 通常のカオスを超え、複数の不安定な方向性を持つシステムの状態（ジル・ドゥルーズや数学に関連）。\n例: 時間や因果が一方向に進まない複雑な現象。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Hyperchaos%EF%BC%88%E3%83%8F%E3%82%A4%E3%83%91%E3%83%BC%E3%82%AB%E3%82%AA%E3%82%B9%EF%BC%89","updated":1737048928,"position":[16.5078,-68.4556,0.8557],"cluster":"c03","subgroup":"c03.01","degree":9,"referenceDegree":0,"maxSimilarity":0.16647,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6ac4a3c31d11b636d7cb5a29","weight":0.16647,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4cc943abdb6f0e8ffcc","weight":0.12132,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6559fd1f525602001ce4de1e","weight":0.11377,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2f6604f819b001c6aa9a4","weight":0.11335,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678940fdc8084a826ca40bea","weight":0.10711,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6ac4a4a8f69c2a455680206c","weight":0.10542,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bf5eaacff96a00247aa241","weight":0.10504,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a2e59bf713d6659b1ac880e","weight":0.10388,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6789437609c4fa271f78b1b7","source":"ideaofintellection","title":"Hylomorphism（ヒュロモルフィズム）","excerpt":"意味: 物質（hyle）と形相（morphe）が組み合わさって存在を成すというアリストテレス哲学の概念。","text":"Hylomorphism（ヒュロモルフィズム）\n意味: 物質（hyle）と形相（morphe）が組み合わさって存在を成すというアリストテレス哲学の概念。\n例: 大理石（物質）が彫刻（形相）によって作品になる過程。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Hylomorphism%EF%BC%88%E3%83%92%E3%83%A5%E3%83%AD%E3%83%A2%E3%83%AB%E3%83%95%E3%82%A3%E3%82%BA%E3%83%A0%EF%BC%89","updated":1737048981,"position":[0.9767,-76.5376,36.036],"cluster":"c01","subgroup":"c01.03","degree":4,"referenceDegree":0,"maxSimilarity":0.24557,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67893d4c407c454bba23ecfd","weight":0.24557,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454351bf828eab51092a4","weight":0.12747,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580002dc480410023553ee3","weight":0.11257,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a216059d4d8000230831a8","weight":0.1047,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678943d8b0851d311e0c708d","source":"ideaofintellection","title":"Anomie（アノミー）","excerpt":"意味: 社会規範が崩壊し、個人が目標や価値観を失った状態（デュルケームの社会学）。","text":"Anomie（アノミー）\n意味: 社会規範が崩壊し、個人が目標や価値観を失った状態（デュルケームの社会学）。\n例: 急速な社会変化がもたらすアイデンティティの喪失感。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Anomie%EF%BC%88%E3%82%A2%E3%83%8E%E3%83%9F%E3%83%BC%EF%BC%89","updated":1737049068,"position":[14.4693,-69.0453,2.8136],"cluster":"c03","subgroup":"c03.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12401,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6789428006e76298a0fb65a0","weight":0.12401,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893e0a7a1f7df21d8bd313","weight":0.12129,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67894402680daed9a3ff24e8","source":"ideaofintellection","title":"Aletheia（アレーテイア）","excerpt":"意味: ギリシャ語で「真理」を意味し、「隠されていたものが明らかになる」というニュアンスを含む（ハイデガー哲学）。","text":"Aletheia（アレーテイア）\n意味: ギリシャ語で「真理」を意味し、「隠されていたものが明らかになる」というニュアンスを含む（ハイデガー哲学）。\n例: 本質が現れる瞬間の真実。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Aletheia%EF%BC%88%E3%82%A2%E3%83%AC%E3%83%BC%E3%83%86%E3%82%A4%E3%82%A2%EF%BC%89","updated":1737049109,"position":[2.3668,-77.2145,35.9225],"cluster":"c01","subgroup":"c01.03","degree":7,"referenceDegree":0,"maxSimilarity":0.1967,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.1967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678944a67fa74485b2af7759","weight":0.14728,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580002dc480410023553ee3","weight":0.10906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b7849258bbac002499e18e","weight":0.10585,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65921555ac27b10023aa2a90","weight":0.10513,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893f26c8084a826ca406f1","weight":0.10453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d4546bb14b40caf1e067b3","weight":0.09205,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6789443333574ada83fa294c","source":"ideaofintellection","title":"Apophenia（アポフェニア）","excerpt":"意味: 無意味なデータやランダムなパターンに意味を見出してしまう現象。","text":"Apophenia（アポフェニア）\n意味: 無意味なデータやランダムなパターンに意味を見出してしまう現象。\n例: 雲の形が動物や人に見えると感じること。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Apophenia%EF%BC%88%E3%82%A2%E3%83%9D%E3%83%95%E3%82%A7%E3%83%8B%E3%82%A2%EF%BC%89","updated":1737049161,"position":[8.0285,-66.3302,37.372],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10038,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67893de53d3fe3110a6051b2","weight":0.10038,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67894482a7574cc41139e05a","source":"ideaofintellection","title":"Epistemicide（エピステミサイド）","excerpt":"意味: 特定の文化や知識体系が、他の権力的知識体系によって破壊される現象。","text":"Epistemicide（エピステミサイド）\n意味: 特定の文化や知識体系が、他の権力的知識体系によって破壊される現象。\n例: 植民地化による先住民の知識の抹消。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Epistemicide%EF%BC%88%E3%82%A8%E3%83%94%E3%82%B9%E3%83%86%E3%83%9F%E3%82%B5%E3%82%A4%E3%83%89%EF%BC%89","updated":1737049233,"position":[-26.3602,-72.5724,8.2583],"cluster":"c27","subgroup":"c27.01","degree":1,"referenceDegree":0,"maxSimilarity":0.17556,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649305669759b5001bf4d6ab","weight":0.17556,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678944a67fa74485b2af7759","source":"ideaofintellection","title":"Ontic（オンティック）","excerpt":"意味: 存在そのものではなく、存在の特定の側面や現象を指す概念（ハイデガー哲学）。","text":"Ontic（オンティック）\n意味: 存在そのものではなく、存在の特定の側面や現象を指す概念（ハイデガー哲学）。\n例: 木そのもの（存在）ではなく、木が燃えるという特定の性質。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Ontic%EF%BC%88%E3%82%AA%E3%83%B3%E3%83%86%E3%82%A3%E3%83%83%E3%82%AF%EF%BC%89","updated":1737049270,"position":[3.3981,-77.8012,35.894],"cluster":"c01","subgroup":"c01.01","degree":8,"referenceDegree":0,"maxSimilarity":0.28726,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a8f60e128bf800248478bd","weight":0.28726,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678945246c6b2394574b48f3","weight":0.15641,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c5727635d0d0023383d05","weight":0.15234,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67894402680daed9a3ff24e8","weight":0.14728,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d29a479f55a00240f062a","weight":0.13867,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65921555ac27b10023aa2a90","weight":0.1261,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b7849258bbac002499e18e","weight":0.12029,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659394408cf18d0024dc55fd","weight":0.09171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678944c9452a0a91e6e87be1","source":"ideaofintellection","title":"Anthropocene（アントロポセン）","excerpt":"意味: 人類の活動が地球の地質や生態系に顕著な影響を与える時代。","text":"Anthropocene（アントロポセン）\n意味: 人類の活動が地球の地質や生態系に顕著な影響を与える時代。\n例: 気候変動や生物多様性の喪失を特徴とする現代。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Anthropocene%EF%BC%88%E3%82%A2%E3%83%B3%E3%83%88%E3%83%AD%E3%83%9D%E3%82%BB%E3%83%B3%EF%BC%89","updated":1737049303,"position":[36.364,-63.261,-40.1083],"cluster":"c26","subgroup":"c26.01","degree":2,"referenceDegree":0,"maxSimilarity":0.15915,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a1990c6f818c7e1ad043949","weight":0.15915,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657264cccd71130024fd69d6","weight":0.1017,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678944dea4165b58429ed80c","source":"ideaofintellection","title":"Zugzwang（ツークツワング）","excerpt":"意味: チェス用語で、いずれの行動をしても状況が悪化するような状態。","text":"Zugzwang（ツークツワング）\n意味: チェス用語で、いずれの行動をしても状況が悪化するような状態。\n例: 決断を迫られるが、どちらを選んでも不利になる状況。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Zugzwang%EF%BC%88%E3%83%84%E3%83%BC%E3%82%AF%E3%83%84%E3%83%AF%E3%83%B3%E3%82%B0%EF%BC%89","updated":1737049346,"position":[-22.6292,-130.3485,78.3752],"cluster":"c36","subgroup":"c36.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05976,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:678945246c6b2394574b48f3","source":"ideaofintellection","title":"Thetic（テティック）","excerpt":"意味: 主観が意味を構成する際に、自らの立場や基準を定めるプロセス。","text":"Thetic（テティック）\n意味: 主観が意味を構成する際に、自らの立場や基準を定めるプロセス。\n例: 言語によって世界を意味付ける行為。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Thetic%EF%BC%88%E3%83%86%E3%83%86%E3%82%A3%E3%83%83%E3%82%AF%EF%BC%89","updated":1737049397,"position":[3.5732,-78.1302,35.7895],"cluster":"c01","subgroup":"c01.01","degree":8,"referenceDegree":0,"maxSimilarity":0.17322,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a8f60e128bf800248478bd","weight":0.17322,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658c5727635d0d0023383d05","weight":0.17216,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:678944a67fa74485b2af7759","weight":0.15641,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658d29a479f55a00240f062a","weight":0.15115,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1400e5af070ee9c3be2dad","weight":0.10892,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd0d720347cf00259cb7fb","weight":0.10755,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e19b79da8d001dac207b","weight":0.10505,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659394408cf18d0024dc55fd","weight":0.10365,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678945574b266fff83284d4f","source":"ideaofintellection","title":"Quiddity（クイディティ）","excerpt":"意味: あるものの「本質」や「何であるか」という性質。","text":"Quiddity（クイディティ）\n意味: あるものの「本質」や「何であるか」という性質。\n例: バラの「香り」や「美しさ」といった本質的特性。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Quiddity%EF%BC%88%E3%82%AF%E3%82%A4%E3%83%87%E3%82%A3%E3%83%86%E3%82%A3%EF%BC%89","updated":1737049448,"position":[29.8332,0.9614,-12.5561],"cluster":"c18","subgroup":"c18.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1327,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3716ae32972001b518783","weight":0.1327,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65bf66ad5932db002632f4cc","weight":0.10977,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6789457b1e6a947a353d660b","source":"ideaofintellection","title":"Parrhesia（パレシア）","excerpt":"意味: 危険を承知で真実を語る行為（ミシェル・フーコー）。","text":"Parrhesia（パレシア）\n意味: 危険を承知で真実を語る行為（ミシェル・フーコー）。\n例: 権力に対して正義を訴える行為。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Parrhesia%EF%BC%88%E3%83%91%E3%83%AC%E3%82%B7%E3%82%A2%EF%BC%89","updated":1737049483,"position":[31.944,-1.0473,-9.1536],"cluster":"c18","subgroup":"c18.01","degree":4,"referenceDegree":0,"maxSimilarity":0.19848,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67893fccb98e1c7521d00fd6","weight":0.19848,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64f2eda5eded8a001cc569c4","weight":0.11903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76c0e5308b088f8d02b9c8","weight":0.11049,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a3d5c7c4e3ae4ffb6a169b1","weight":0.08529,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678945eed7802cd77c06366e","source":"ideaofintellection","title":"Speculative Realism（スペキュラティブ・リアリズム）","excerpt":"意味: 人間中心主義を超えて、物質そのものの現実性を再評価しようとする哲学運動。","text":"Speculative Realism（スペキュラティブ・リアリズム）\n\n意味: 人間中心主義を超えて、物質そのものの現実性を再評価しようとする哲学運動。\n例: 人間の知覚を介さずに、物体が持つ固有の存在を考える試み。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Speculative%20Realism%EF%BC%88%E3%82%B9%E3%83%9A%E3%82%AD%E3%83%A5%E3%83%A9%E3%83%86%E3%82%A3%E3%83%96%E3%83%BB%E3%83%AA%E3%82%A2%E3%83%AA%E3%82%BA%E3%83%A0%EF%BC%89","updated":1737049596,"position":[-13.339,14.6516,3.3835],"cluster":"c07","subgroup":"c07.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11772,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6631bd05642dbe00242db8f1","weight":0.11772,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67894613e89464287b5cdcc1","source":"ideaofintellection","title":"Affect Theory（感情理論）","excerpt":"意味: 主観的な感情ではなく、身体的で無意識的な感覚やエネルギーの流れを研究する理論。","text":"Affect Theory（感情理論）\n意味: 主観的な感情ではなく、身体的で無意識的な感覚やエネルギーの流れを研究する理論。\n例: 人混みの中で感じる漠然とした緊張感や興奮。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Affect%20Theory%EF%BC%88%E6%84%9F%E6%83%85%E7%90%86%E8%AB%96%EF%BC%89","updated":1737049635,"position":[-26.4861,-76.446,66.8047],"cluster":"c04","subgroup":"c04.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10027,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648afe99828df0001b38ee71","weight":0.10027,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67894634cd3dfbbf6bc9727e","source":"ideaofintellection","title":"Retroactive Causality（逆因果律）","excerpt":"意味: 未来の出来事が現在または過去に影響を与えるという概念。量子力学や哲学で議論される。","text":"Retroactive Causality（逆因果律）\n意味: 未来の出来事が現在または過去に影響を与えるという概念。量子力学や哲学で議論される。\n例: パラドックス的なタイムトラベルの理論。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Retroactive%20Causality%EF%BC%88%E9%80%86%E5%9B%A0%E6%9E%9C%E5%BE%8B%EF%BC%89","updated":1737049668,"position":[16.1303,-68.598,-0.567],"cluster":"c03","subgroup":"c03.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0876,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a6497cfccd7c877044682d1","weight":0.0876,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6789468a3216fdce2dbe3d45","source":"ideaofintellection","title":"Catastrophe Ontology（カタストロフィー存在論）","excerpt":"意味: 世界の秩序が崩壊し、新しい秩序が誕生するプロセスを研究する哲学的アプローチ。","text":"Catastrophe Ontology（カタストロフィー存在論）\n意味: 世界の秩序が崩壊し、新しい秩序が誕生するプロセスを研究する哲学的アプローチ。\n例: 自然災害や革命がもたらす社会変動。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Catastrophe%20Ontology%EF%BC%88%E3%82%AB%E3%82%BF%E3%82%B9%E3%83%88%E3%83%AD%E3%83%95%E3%82%A3%E3%83%BC%E5%AD%98%E5%9C%A8%E8%AB%96%EF%BC%89","updated":1737049753,"position":[2.89,-78.091,34.3692],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.37387,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678942edd427d26cd5df89a7","weight":0.37387,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd0d720347cf00259cb7fb","weight":0.10626,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789472a6f78ebc36ee93049","weight":0.09052,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678946ca832353e582d22c19","source":"ideaofintellection","title":"Transductive Logic（伝導論理）","excerpt":"意味: 概念やエネルギーが異なる領域を橋渡しし、新たなものを生み出す動的プロセス。","text":"Transductive Logic（伝導論理）\n意味: 概念やエネルギーが異なる領域を橋渡しし、新たなものを生み出す動的プロセス。\n例: 科学と芸術の境界で生まれる新しい視点。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Transductive%20Logic%EF%BC%88%E4%BC%9D%E5%B0%8E%E8%AB%96%E7%90%86%EF%BC%89","updated":1737049820,"position":[-25.9484,-76.1694,67.3694],"cluster":"c04","subgroup":"c04.01","degree":2,"referenceDegree":0,"maxSimilarity":0.11185,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a012f1e5425001b3c841a","weight":0.11185,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648afe99828df0001b38ee71","weight":0.0931,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:678946ee33574ada83fa3478","source":"ideaofintellection","title":"Negentropy","excerpt":"意味: カオスや無秩序から秩序を生成する過程。生命現象や情報理論で用いられる。","text":"Negentropy\n意味: カオスや無秩序から秩序を生成する過程。生命現象や情報理論で用いられる。\n例: 生物がエネルギーを利用して秩序を維持するプロセス。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Negentropy","updated":1737049854,"position":[2.1765,-77.6509,34.672],"cluster":"c01","subgroup":"c01.02","degree":4,"referenceDegree":0,"maxSimilarity":0.14644,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678941733d3fe3110a6062bb","weight":0.14644,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6f99d5f660001c67c2ff","weight":0.14043,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66825eef01caf1001d2f3f20","weight":0.12649,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd0d720347cf00259cb7fb","weight":0.09642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6789472a6f78ebc36ee93049","source":"ideaofintellection","title":"Neuroplasticity Ontology（神経可塑性存在論）","excerpt":"意味: 神経可塑性を、人間の認識や存在の基盤として捉える哲学的視点。","text":"Neuroplasticity Ontology（神経可塑性存在論）\n意味: 神経可塑性を、人間の認識や存在の基盤として捉える哲学的視点。\n例: 脳の構造変化が個人の存在そのものを変容させる。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Neuroplasticity%20Ontology%EF%BC%88%E7%A5%9E%E7%B5%8C%E5%8F%AF%E5%A1%91%E6%80%A7%E5%AD%98%E5%9C%A8%E8%AB%96%EF%BC%89","updated":1737049912,"position":[-42.8567,-24.4003,73.3554],"cluster":"c28","subgroup":"c28.01","degree":2,"referenceDegree":0,"maxSimilarity":0.1008,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a168a72a805001b4bfa47","weight":0.1008,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789468a3216fdce2dbe3d45","weight":0.09052,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6789474c5b8738af563840f6","source":"ideaofintellection","title":"Immanent Transcendence（内在的超越）","excerpt":"意味: 外部の力に依存せず、内部の中に超越的な可能性が潜む状態。","text":"Immanent Transcendence（内在的超越）\n意味: 外部の力に依存せず、内部の中に超越的な可能性が潜む状態。\n例: 日常の中に隠された奇跡や可能性を見出すこと。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Immanent%20Transcendence%EF%BC%88%E5%86%85%E5%9C%A8%E7%9A%84%E8%B6%85%E8%B6%8A%EF%BC%89","updated":1737049946,"position":[-42.9803,-153.9615,-47.3611],"cluster":"c39","subgroup":"c39.01","degree":3,"referenceDegree":0,"maxSimilarity":0.18072,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6559ee63787791001c9af55e","weight":0.18072,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789420e3d3fe3110a606492","weight":0.15018,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:649bdefcf14a3e001c00e073","weight":0.10588,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67b43c96596605208609e2f6","source":"ideaofintellection","title":"Leslie García","excerpt":"ベルリン","text":"Leslie García\nベルリン\nhttps://lessnullvoid.cc/content/about/\nドイツDAAD奨学金\n\nhttps://www.daad.jp/ja/find-funding/scholarships-for-students-and-graduates-from-japan/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Leslie%20Garc%C3%ADa","updated":1739865528,"position":[-27.0026,0.8062,48.4872],"cluster":"c09","subgroup":"c09.02","degree":5,"referenceDegree":0,"maxSimilarity":0.21879,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67bdc6102a17daa854e9ed30","weight":0.21879,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659433959dbf50002382d20c","weight":0.14848,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659243f0b79ab3002315c142","weight":0.10391,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658a8c33157f4f0024ae5890","weight":0.08659,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67bedf4642f53f99e10227e0","weight":0.0857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67b43e0721e28766d4caa7d7","source":"ideaofintellection","title":"熾す","excerpt":"さかん。勢いがはげしい。「熾烈」 ②おき。おきび。燃えて赤くなった炭火。「熾火」. 「熾」から始まる言葉. 熾(おき) · 熾火(おきび) · 熾す(おこ－す)","text":"熾す\nさかん。勢いがはげしい。「熾烈」 ②おき。おきび。燃えて赤くなった炭火。「熾火」. 「熾」から始まる言葉. 熾(おき) · 熾火(おきび) · 熾す(おこ－す)\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%86%BE%E3%81%99","updated":1739865633,"position":[0.5526,-76.1709,35.5253],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.17191,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6679b4d04a90f9001d987ee6","weight":0.17191,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69b0432ccd66f1e7c84aeecb","weight":0.09923,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67b43e73de97868ade641b8f","source":"ideaofintellection","title":"アダム・カドモン","excerpt":"アダム・カドモンは、カバラにおいて、神しか存在しないエンからツィムツムによりエン・ソーフが生まれ、ここにエン・ソーフ・オールが流れ込み創造された最初の原人間、神人。カバラでは世界を4つの階層に分けて考えるが、アダム・カドモンの出現は、アツィルト、ブリアー、イェツィラー、アッシャーの四界に先行する。","text":"アダム・カドモン\nアダム・カドモンは、カバラにおいて、神しか存在しないエンからツィムツムによりエン・ソーフが生まれ、ここにエン・ソーフ・オールが流れ込み創造された最初の原人間、神人。カバラでは世界を4つの階層に分けて考えるが、アダム・カドモンの出現は、アツィルト、ブリアー、イェツィラー、アッシャーの四界に先行する。\n[https://scrapbox.io/files/67b43ea7a2de56f2df30d450.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A2%E3%83%80%E3%83%A0%E3%83%BB%E3%82%AB%E3%83%89%E3%83%A2%E3%83%B3","updated":1739865771,"position":[-78.1119,-44.9526,-17.8126],"cluster":"c32","subgroup":"c32.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10086,"lowEvidence":false,"neighbors":[{"id":"NextResearch:654e6cb4ae85e2001c53a9e7","weight":0.10086,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67b43f422477164b5907984c","source":"ideaofintellection","title":"ガフの扉","excerpt":"ガフの扉とは、アニメ「新世紀エヴァンゲリオン」に登場する用語で、生命の魂が保管されている場所に通ずる門を意味します。","text":"ガフの扉\nガフの扉とは、アニメ「新世紀エヴァンゲリオン」に登場する用語で、生命の魂が保管されている場所に通ずる門を意味します。\n\nガフの部屋（ガフのへや、chamber of guf）とは、ヘブライ人の伝説にある、神の館にある魂の住む部屋のこと。ガフ（guf）はヘブライ語で体を意味する。\n\nガフの扉は、始祖（アダムやリリス）の掌に開く亀裂だと考えられています。\nガフの扉が開くことは、世界の始まりと終局がもたらされることを意味します。\n劇場版では、巨大化したリリスの掌のガフの扉が開くと同時にサードインパクトが発生します。\n人類の魂はこのリリスのガフの扉を通して、ガフの部屋＝黒き月へと導き還されていきます。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AC%E3%83%95%E3%81%AE%E6%89%89","updated":1739865974,"position":[-1.7285,-77.1362,54.2692],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.13424,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3903c5dd16d001bbc1514","weight":0.13424,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67b43f9ee06e24f30f6619c6","source":"ideaofintellection","title":"セフィロトの樹","excerpt":"「セフィロトの樹」とも呼ぶ。 旧約聖書の創世記に、エデンの園の中央に植えられた樹のこと。 アダムとイブはこの樹の果実を食べて、エデンの園を追放になった。 カバラにおいては、10個のセフィラーと22個の小径（パス）を体系化した図として用いられる。","text":"セフィロトの樹\n「セフィロトの樹」とも呼ぶ。 旧約聖書の創世記に、エデンの園の中央に植えられた樹のこと。 アダムとイブはこの樹の果実を食べて、エデンの園を追放になった。 カバラにおいては、10個のセフィラーと22個の小径（パス）を体系化した図として用いられる。\n[https://scrapbox.io/files/67b440122221d06bc33e8e3c.webp]\n[https://scrapbox.io/files/67b440141347b0bc1459b3a7.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%BB%E3%83%95%E3%82%A3%E3%83%AD%E3%83%88%E3%81%AE%E6%A8%B9","updated":1739866135,"position":[-31.0652,20.6542,-134.2816],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07097,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:67b4404c4d289009271fcc26","source":"ideaofintellection","title":"死海文書","excerpt":"死海文書（しかいもんじょ）は、現在のイスラエルとヨルダンの間にある死海周辺の洞窟で発見された古文書です。ヘブライ語聖書の最古の写本を含み、宗教的・歴史的に大きな意味を持ちます。","text":"死海文書\n[https://scrapbox.io/files/67b4408287e89dc300cabed6.jpeg]\n\n\n死海文書（しかいもんじょ）は、現在のイスラエルとヨルダンの間にある死海周辺の洞窟で発見された古文書です。ヘブライ語聖書の最古の写本を含み、宗教的・歴史的に大きな意味を持ちます。\n【死海文書の特徴】\n紀元前250年ごろから紀元70年の間と考えられている\nヘブライ語で書かれたものが多く、アラム語やギリシャ語、ナバテア語の文書も含まれる\n羊皮紙に書かれたものが多く、一部は牛皮やパピルスにも書かれている\nエッセネ派と呼ばれるユダヤ教の宗派の信徒たちによって書き写されたと考えられている\n【死海文書の内容】\nヘブライ語聖書（旧約聖書）正典本文\n旧約聖書外典と「偽典」と呼ばれる文書群\n宗団文書（クムラン教団の規則や儀式書など）\n【死海文書の発見】\n1947年に初めて発見された\n2019年末から2020年初頭にかけて、ナハル・ヘベルのワディにある第8洞窟で新たな断片が発見された\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%AD%BB%E6%B5%B7%E6%96%87%E6%9B%B8","updated":1754924410,"position":[-1.7363,-76.9524,53.8948],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.16173,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64e3903c5dd16d001bbc1514","weight":0.16173,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67b440e487e89dc300cac5be","source":"ideaofintellection","title":"エウアンゲリオン","excerpt":"エウアンゲリオン（福音）は、ギリシャ語で「良い知らせ」を意味する言葉です。聖書では「福音」という言葉が93回使われており、キリスト教の聖典である福音書（ふくいんしょ）の語源にもなっています。","text":"エウアンゲリオン\nエウアンゲリオン（福音）は、ギリシャ語で「良い知らせ」を意味する言葉です。聖書では「福音」という言葉が93回使われており、キリスト教の聖典である福音書（ふくいんしょ）の語源にもなっています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%82%A6%E3%82%A2%E3%83%B3%E3%82%B2%E3%83%AA%E3%82%AA%E3%83%B3","updated":1739866358,"position":[2.0089,-77.1202,36.3502],"cluster":"c01","subgroup":"c01.03","degree":3,"referenceDegree":0,"maxSimilarity":0.14682,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.14682,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d4546bb14b40caf1e067b3","weight":0.09383,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76c16d5e521fede15af99a","weight":0.08676,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67b4413cd0577c603776c68c","source":"ideaofintellection","title":"気韻生動","excerpt":"「気韻生動（きいんせいどう）」とは、芸術作品に気高い風格や気品、また生き生きとした生命感が溢れていることを意味します。 この言葉は、明治の思想家で美術評論家であった岡倉天心が画家に対して求めた境地とされる一方、それは努力で到達できるものではなく、芸術家が生まれながらに持っているものとも言われています。","text":"気韻生動\n「気韻生動（きいんせいどう）」とは、芸術作品に気高い風格や気品、また生き生きとした生命感が溢れていることを意味します。 この言葉は、明治の思想家で美術評論家であった岡倉天心が画家に対して求めた境地とされる一方、それは努力で到達できるものではなく、芸術家が生まれながらに持っているものとも言われています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B0%97%E9%9F%BB%E7%94%9F%E5%8B%95","updated":1739866449,"position":[-29.0232,9.387,-136.4132],"cluster":"c49","subgroup":"c49.01","degree":2,"referenceDegree":0,"maxSimilarity":0.55806,"lowEvidence":true,"neighbors":[{"id":"Test-Object:6a76c306cc64e78eac2d3b29","weight":0.55806,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67b441d9035d0348ef68b4e7","weight":0.22501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67b441d9035d0348ef68b4e7","source":"ideaofintellection","title":"気韻","excerpt":"気品の高いおもむき。","text":"気韻\n気品の高いおもむき。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B0%97%E9%9F%BB","updated":1739866601,"position":[-27.861,12.299,-136.3534],"cluster":"c49","subgroup":"c49.01","degree":3,"referenceDegree":0,"maxSimilarity":0.22501,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:67b4413cd0577c603776c68c","weight":0.22501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a76c306cc64e78eac2d3b29","weight":0.2196,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559ee6fea7722001cba11af","weight":0.10111,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67b442186d126d09db67ab42","source":"ideaofintellection","title":"心琴","excerpt":"「心琴（しんきん）」には、琴線のように物事に感じやすい心情や、琴をひいて相手に心をかよわせること、その心という意味があります。","text":"心琴\n「心琴（しんきん）」には、琴線のように物事に感じやすい心情や、琴をひいて相手に心をかよわせること、その心という意味があります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%BF%83%E7%90%B4","updated":1739866669,"position":[-40.9993,5.8613,-112.3002],"cluster":"c49","subgroup":"c49.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11432,"lowEvidence":true,"neighbors":[{"id":"ideaofintellection:64f35d915cf7ba001c366549","weight":0.11432,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67b4424a0c8a10ce0a272775","source":"ideaofintellection","title":"vorstellung","excerpt":"フォーアシュテルング―/―en 紹介; 面接; 上演, 興行; イメージ, 心像; 想像; 考え, 観念; 〘哲・心〙表象;複、雅 非難, 抗議.","text":"vorstellung\nフォーアシュテルング―/―en 紹介; 面接; 上演, 興行; イメージ, 心像; 想像; 考え, 観念; 〘哲・心〙表象;複、雅 非難, 抗議.\nパフォーマンス\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/vorstellung","updated":1739866805,"position":[12.7624,-34.4282,20.0661],"cluster":"c05","subgroup":"c05.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13544,"lowEvidence":false,"neighbors":[{"id":"NextResearch:69e9e6972f6c93d394023cca","weight":0.13544,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cbf0f9b67ff0023804f2a","weight":0.08624,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0783df78cb89ba348b5ee6","weight":0.08548,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67bde60496fdc0e560c0bfcf","source":"ideaofintellection","title":"なけなし","excerpt":"《「―の」の形で》","text":"なけなし\n《「―の」の形で》\n有るか無いか分からないほどわずかの。\n 「―の金をはたく」（ほんの少ししか持っていない金を、無理して出して払う）","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%81%AA%E3%81%91%E3%81%AA%E3%81%97","updated":1740498457,"position":[-46.7083,36.1754,-128.1246],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05036,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:67bedd76d501c9ed095d1bc9","source":"ideaofintellection","title":"Theory of mind reason","excerpt":"2 Depiction of the neural regions comprising the theory-of-mind network. Though shown on only one hemisphere, research demonstrates that each of these regions is recruited bilaterally for theory-of-mind reasoning in adults and children.","text":"Theory of mind reason\n[https://scrapbox.io/files/67bedd8aeb8c15db83b58103.jpeg]\n2 Depiction of the neural regions comprising the theory-of-mind network. Though shown on only one hemisphere, research demonstrates that each of these regions is recruited bilaterally for theory-of-mind reasoning in adults and children. \n\nhttps://www.researchgate.net/figure/Depiction-of-the-neural-regions-comprising-the-theory-of-mind-network-Though-shown-on_fig1_263734167\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Theory%20of%20mind%20reason","updated":1740561846,"position":[-4.0672,100.0988,1.2294],"cluster":"c13","subgroup":"c13.01","degree":8,"referenceDegree":0,"maxSimilarity":0.19088,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686b3012a2a41e4dd7058b4a","weight":0.19088,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:689c6689f04004d6d2b376e1","weight":0.15555,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a64641e49a7a944940c366d","weight":0.13588,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6541ede589f92e001c9e3282","weight":0.1324,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65829d9395e67b0022467c1e","weight":0.11152,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65413dc0607101001bd18922","weight":0.09936,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631dc9b017341002598b8ec","weight":0.09479,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734e1082902b8002be67779","weight":0.08671,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67bede8223584dc045a3e8b2","source":"ideaofintellection","title":"脳波の初期計測はドイツ","excerpt":"脳波計を使って初めて人間の脳波を測定したのは、ドイツの精神科医ハンス・ベルガー。ベルガーはテレパシーの研究に夢中になっていた。脳波計を「精神エネルギー」を測定するツールとして開発し、研究の初期に、当時10代だった自身の息子に秘密裏に使っていたと、英リーズ大学の認知神経科学者ファイサル・ムシュタク教授は説明する。当時から現在に至るまで、ベルガーは毀誉褒貶のある人物で、これはナチス政権とのつながりが疑われるためだと、ムシュタク教授は指摘している。","text":"脳波の初期計測はドイツ\n脳波計を使って初めて人間の脳波を測定したのは、ドイツの精神科医ハンス・ベルガー。ベルガーはテレパシーの研究に夢中になっていた。脳波計を「精神エネルギー」を測定するツールとして開発し、研究の初期に、当時10代だった自身の息子に秘密裏に使っていたと、英リーズ大学の認知神経科学者ファイサル・ムシュタク教授は説明する。当時から現在に至るまで、ベルガーは毀誉褒貶のある人物で、これはナチス政権とのつながりが疑われるためだと、ムシュタク教授は指摘している。\nhttps://www.technologyreview.jp/s/344309/tech-that-measures-our-brainwaves-is-100-years-old-how-will-we-be-using-it-100-years-from-now/amp/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%84%B3%E6%B3%A2%E3%81%AE%E5%88%9D%E6%9C%9F%E8%A8%88%E6%B8%AC%E3%81%AF%E3%83%89%E3%82%A4%E3%83%84","updated":1740562125,"position":[34.2401,44.514,16.9108],"cluster":"c17","subgroup":"c17.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0979,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659a638134d68e002348ae45","weight":0.0979,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67c291485b244ecc106ac02e","source":"ideaofintellection","title":"modus","excerpt":"「モード（mode）」の語源は、ラテン語の「モデュス（modus）」です。これは「測定」「制限」「規制」「方法」「様式」「形式」などの意味を持ちます。","text":"modus \n「モード（mode）」の語源は、ラテン語の「モデュス（modus）」です。これは「測定」「制限」「規制」「方法」「様式」「形式」などの意味を持ちます。\nファッション用語としての「モード」は、フランス語で「流行」「ファッション」という意味の「モード（mode）」に由来しています。\n【モードの語源と歴史】\n15世紀から16世紀にはイタリアのモードがフランスをはじめ他国に大きな影響を与えた\n17～18世紀にはフランスの宮廷文化の下で独自のモードが形づくられた\n19世紀のフランスではオート・クチュールのデザイナーたちが、貴族社会のモードの伝統を近代化し、一般化していった\n第2次大戦後は世界中に広まった\n1970〜80年代には日本から世界へ進出した「コムデギャルソン」や「ヨウジヤマモト」を始めとするDCブランドの着こなしが「モード系」のファッションとして知られるようになった\nファッションメディアでは、スタイリッシュで洗練された、といったニュアンスを含み、ときにコンサバ（conservative、保守的な）とは対極の先進的なスタイルを表現する語として用いられています","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/modus","updated":1740804441,"position":[42.2616,27.3582,65.0782],"cluster":"c30","subgroup":"c30.01","degree":3,"referenceDegree":0,"maxSimilarity":0.13287,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d6ea392850c0022ed5c92","weight":0.13287,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e3913a78910c001cc604e3","weight":0.09739,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312d83c35528002399b864","weight":0.09236,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67c80910e7aceb215cc2757b","source":"ideaofintellection","title":"形而上学","excerpt":"１ アリストテレスでは、あらゆる存在者を存在者たらしめている根拠を探究する学問。 すなわち第一哲学または神学。","text":"形而上学\n１ アリストテレスでは、あらゆる存在者を存在者たらしめている根拠を探究する学問。 すなわち第一哲学または神学。 \n２ 現象的世界を超越した本体的なものや絶対的な存在者を、思弁的思惟や知的直観によって考究しようとする学問。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%BD%A2%E8%80%8C%E4%B8%8A%E5%AD%A6","updated":1741162772,"position":[-25.1362,-72.2234,8.772],"cluster":"c27","subgroup":"c27.01","degree":3,"referenceDegree":0,"maxSimilarity":1.0,"lowEvidence":false,"neighbors":[{"id":"NextResearch:67c808cdda60c5aa759be379","weight":1.0,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64e31f5fe6ee87001cf28f0b","weight":0.24102,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6493055b76e8d9001c39a6e0","weight":0.20905,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:67fdb5588f3e74d9e9b838e2","source":"ideaofintellection","title":"形式ニューロン","excerpt":"形式ニューロン（けいしきニューロン）の記事では、1943年に神経生理学者・外科医であるウォーレン・マカロックと論理学者・数学者であるウォルター・ピッツが発表したA Logical Calculus of the Ideas Immanent in Nervous Activity[1]で扱われた、モデル化されたニューロンについて述べる（原典では議論の対象であるニューロンについて明確な呼び名を与えておらず、後世の論者からの呼称は formal neuron の他、いろいろある）。人工ニューロン・ニューラルネットワークの研究を発表した先駆として、後のパーセプトロンの提案などに影響を与えた（コネクショニズムも参照）。伝達関数（活性化関数）として、ヘヴィサイドの階段関数を使い、入出力の値は 0 または 1 の二値だけをとるということに特徴がある。","text":"形式ニューロン\n形式ニューロン（けいしきニューロン）の記事では、1943年に神経生理学者・外科医であるウォーレン・マカロックと論理学者・数学者であるウォルター・ピッツが発表したA Logical Calculus of the Ideas Immanent in Nervous Activity[1]で扱われた、モデル化されたニューロンについて述べる（原典では議論の対象であるニューロンについて明確な呼び名を与えておらず、後世の論者からの呼称は formal neuron の他、いろいろある）。人工ニューロン・ニューラルネットワークの研究を発表した先駆として、後のパーセプトロンの提案などに影響を与えた（コネクショニズムも参照）。伝達関数（活性化関数）として、ヘヴィサイドの階段関数を使い、入出力の値は 0 または 1 の二値だけをとるということに特徴がある。\n","tags":[],"links":["1"],"url":"https://scrapbox.io/ideaofintellection/%E5%BD%A2%E5%BC%8F%E3%83%8B%E3%83%A5%E3%83%BC%E3%83%AD%E3%83%B3","updated":1744680293,"position":[19.4908,-68.4786,-0.1237],"cluster":"c03","subgroup":"c03.02","degree":10,"referenceDegree":0,"maxSimilarity":0.58295,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6821df8eb8651a7025e33962","weight":0.58295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65564567d3e12b001c8ef1a0","weight":0.13367,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6572652aef8e7c00235ce4f1","weight":0.13315,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65d79f571b9001b5fbb6c","weight":0.12208,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65828d5d2958ba0023e8dec1","weight":0.11489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66ff6a96ddf23d001ce6a731","weight":0.11004,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e15b62b8a983e8a4b7a9","weight":0.10802,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e877f968620023e548e8","weight":0.10411,"type":"similarity","reason":"共通参照 1 / 題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:680fbeb160ddf1a7895c9fca","source":"ideaofintellection","title":"流体スケッチ Da vinci","excerpt":"[https://scrapbox.io/files/680fbf0d99b76176de4f8b89.jpeg]","text":"流体スケッチ Da vinci\n[https://scrapbox.io/files/680fbf0d99b76176de4f8b89.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B5%81%E4%BD%93%E3%82%B9%E3%82%B1%E3%83%83%E3%83%81%20Da%20vinci","updated":1745862416,"position":[52.0065,-48.1943,34.7754],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.32372,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65d2cef0c204dd00254ffa56","weight":0.32372,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507895e95e1ea001bb5ccd1","weight":0.09571,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:680fbf1a6d2ce3ddf653308d","source":"ideaofintellection","title":"群知能","excerpt":"群知能（swarm intelligence, SI）とは、自然界における生物の群れのふるまいを模倣した人工知能技術です。個々の単純な行動規則を持つエージェントが多数集まることで、自己組織化された高度な行動を創発する仕組みを指します。","text":"群知能\n群知能（swarm intelligence, SI）とは、自然界における生物の群れのふるまいを模倣した人工知能技術です。個々の単純な行動規則を持つエージェントが多数集まることで、自己組織化された高度な行動を創発する仕組みを指します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%BE%A4%E7%9F%A5%E8%83%BD","updated":1745862456,"position":[-23.8909,-72.2798,68.3803],"cluster":"c04","subgroup":"c04.01","degree":3,"referenceDegree":0,"maxSimilarity":0.15611,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:653f149658d106001b4ddb93","weight":0.15611,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c656d71a7f20001b943a41","weight":0.11523,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d38a19c0b80024f7ffee","weight":0.09101,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:680fbf4c256ee4f876ab9b11","source":"ideaofintellection","title":"ナビエ–ストークス方程式","excerpt":"ナビエ・ストークス方程式は、流体の運動を記述する偏微分方程式です。アンリ・ナビエとジョージ・ガブリエル・ストークスによって導かれ、流体力学で基礎的な役割を果たしています。この方程式は、流体の粘性や密度、圧力などを考慮し、流体の速度場を記述します。","text":"ナビエ–ストークス方程式\nナビエ・ストークス方程式は、流体の運動を記述する偏微分方程式です。アンリ・ナビエとジョージ・ガブリエル・ストークスによって導かれ、流体力学で基礎的な役割を果たしています。この方程式は、流体の粘性や密度、圧力などを考慮し、流体の速度場を記述します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8A%E3%83%93%E3%82%A8%E2%80%93%E3%82%B9%E3%83%88%E3%83%BC%E3%82%AF%E3%82%B9%E6%96%B9%E7%A8%8B%E5%BC%8F","updated":1745862492,"position":[16.0508,-70.4988,0.5235],"cluster":"c03","subgroup":"c03.01","degree":6,"referenceDegree":0,"maxSimilarity":0.16958,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65c24f6ed72001b604ca2","weight":0.16958,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e57e036a120024c80f50","weight":0.12334,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65813304871001ced47b5","weight":0.11061,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65c0e47ef16001cdbfd6e","weight":0.10136,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b78bd7c990810025b91dd3","weight":0.09893,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55854798207002476eede","weight":0.08782,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:680fc629358c79fc35d27069","source":"ideaofintellection","title":"エジャートン","excerpt":"ストロボスコープ","text":"エジャートン\nストロボスコープ\n[https://scrapbox.io/files/680fc62e0ecfe930f1572c22.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%82%B8%E3%83%A3%E3%83%BC%E3%83%88%E3%83%B3","updated":1745864277,"position":[-12.1883,-1.3356,14.5607],"cluster":"c07","subgroup":"c07.01","degree":3,"referenceDegree":0,"maxSimilarity":0.11935,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:669bf22525fddc001d1b19a9","weight":0.11935,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b47afe2cb48b59ed07553","weight":0.09461,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:657fffe38bc5c20023210f53","weight":0.09461,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:680fc673460f8604fee5e96f","source":"ideaofintellection","title":"ケルビン・ヘルムホルツ不安定性","excerpt":"[https://scrapbox.io/files/680fc692adbaa6aba67c8625.gif]","text":"ケルビン・ヘルムホルツ不安定性\n[https://scrapbox.io/files/680fc692adbaa6aba67c8625.gif]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B1%E3%83%AB%E3%83%93%E3%83%B3%E3%83%BB%E3%83%98%E3%83%AB%E3%83%A0%E3%83%9B%E3%83%AB%E3%83%84%E4%B8%8D%E5%AE%89%E5%AE%9A%E6%80%A7","updated":1745864354,"position":[16.1603,-68.9866,-1.1482],"cluster":"c03","subgroup":"c03.01","degree":7,"referenceDegree":0,"maxSimilarity":0.41882,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b174b41bc7d001b0773aa","weight":0.41882,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b0ec2db4d01001b9a2015","weight":0.34777,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a6497cfccd7c877044682d1","weight":0.13099,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a5e71d90f853002347f36f","weight":0.11054,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658e7b24ff147d002572f078","weight":0.10882,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6a798a9c13001d16966b","weight":0.09634,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66339f624e34ac0024bc2ed1","weight":0.08784,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6814e9ca515603ad006296c8","source":"ideaofintellection","title":"エムストヘッケル アールヌーボー","excerpt":"[https://scrapbox.io/files/6814e9d6c92d625779628324.png]","text":"エムストヘッケル アールヌーボー\n[https://scrapbox.io/files/6814e9d6c92d625779628324.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%A0%E3%82%B9%E3%83%88%E3%83%98%E3%83%83%E3%82%B1%E3%83%AB%20%E3%82%A2%E3%83%BC%E3%83%AB%E3%83%8C%E3%83%BC%E3%83%9C%E3%83%BC","updated":1746201051,"position":[11.8812,-54.5581,68.0103],"cluster":"c12","subgroup":"c12.01","degree":2,"referenceDegree":0,"maxSimilarity":0.51656,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:655a0049ea7722001cbacb8e","weight":0.51656,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655a0040c75b1f001be99afc","weight":0.20007,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6821df23ee64920c246d5e5e","source":"ideaofintellection","title":"言語相対論","excerpt":"使用する言語がその言語を話す人の思考や認識、世界観に影響を与えるという考え方です。サピア・ウォーフの仮説とも呼ばれます。言語と文化の関係、特に世界観の差異とどのように関連しているのか、を理解する上で重要な視点です。","text":"言語相対論\n使用する言語がその言語を話す人の思考や認識、世界観に影響を与えるという考え方です。サピア・ウォーフの仮説とも呼ばれます。言語と文化の関係、特に世界観の差異とどのように関連しているのか、を理解する上で重要な視点です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%A8%80%E8%AA%9E%E7%9B%B8%E5%AF%BE%E8%AB%96","updated":1747050282,"position":[40.1949,87.2798,19.2779],"cluster":"c25","subgroup":"c25.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13741,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648bb5d6c82750001cb9d8bd","weight":0.13741,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6821df8eb8651a7025e33962","source":"ideaofintellection","title":"ウォーレン・マカロック","excerpt":"形式ニューロン（けいしきニューロン）の記事では、1943年に神経生理学者・外科医であるウォーレン・マカロックと論理学者・数学者であるウォルター・ピッツが発表したA Logical Calculus of the Ideas Immanent in Nervous Activityで扱われた、モデル化されたニューロンについて述べる（原典では議論の対象であるニューロンについて明確な呼び名を与えておらず、後世の論者からの呼称は formal neuron の他、いろいろある）。人工ニューロン・ニューラルネットワークの研究を発表した先駆として、後のパーセプトロンの提案などに影響を与えた（コネクショニズムも参照）。伝達関数（活性化関数）として、ヘヴィサイドの階段関数を使い、入出力の値は 0 または 1 の二値だけをとるということに特徴がある。","text":"ウォーレン・マカロック\n形式ニューロン（けいしきニューロン）の記事では、1943年に神経生理学者・外科医であるウォーレン・マカロックと論理学者・数学者であるウォルター・ピッツが発表したA Logical Calculus of the Ideas Immanent in Nervous Activityで扱われた、モデル化されたニューロンについて述べる（原典では議論の対象であるニューロンについて明確な呼び名を与えておらず、後世の論者からの呼称は formal neuron の他、いろいろある）。人工ニューロン・ニューラルネットワークの研究を発表した先駆として、後のパーセプトロンの提案などに影響を与えた（コネクショニズムも参照）。伝達関数（活性化関数）として、ヘヴィサイドの階段関数を使い、入出力の値は 0 または 1 の二値だけをとるということに特徴がある。\n人工知能の決定的人物。\n[https://scrapbox.io/files/6821e015ccc2eab093168ed6.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A6%E3%82%A9%E3%83%BC%E3%83%AC%E3%83%B3%E3%83%BB%E3%83%9E%E3%82%AB%E3%83%AD%E3%83%83%E3%82%AF","updated":1748759689,"position":[19.6229,-68.4734,0.0601],"cluster":"c03","subgroup":"c03.02","degree":2,"referenceDegree":0,"maxSimilarity":0.58295,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67fdb5588f3e74d9e9b838e2","weight":0.58295,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c65d79f571b9001b5fbb6c","weight":0.12144,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6821e03c07e1bb01232fd4b1","source":"ideaofintellection","title":"AIの歴史","excerpt":"https://www.cis.twcu.ac.jp/~asakawa/2019komazawa/lect02/","text":"AIの歴史\nhttps://www.cis.twcu.ac.jp/~asakawa/2019komazawa/lect02/\n[https://scrapbox.io/files/6821e05129a0dfdc99d9eaf5.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/AI%E3%81%AE%E6%AD%B4%E5%8F%B2","updated":1747050581,"position":[20.961,85.8913,-1.272],"cluster":"c22","subgroup":"c22.01","degree":8,"referenceDegree":0,"maxSimilarity":0.36845,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a60835ebd3723f62126378e","weight":0.36845,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a0c1d3ccb3fd0024634447","weight":0.31269,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:685139ed17dabf4ce423c137","weight":0.31269,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a52b1c7259d4002447ecae","weight":0.29825,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6403345474d8fc001bab29a0","weight":0.27968,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64037822e42771001b38b7ab","weight":0.27968,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6468e12aef9760001c214d42","weight":0.27968,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6633ab9f405b350024108f70","weight":0.12384,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:682aeb0fe804ca1529bc08e0","source":"ideaofintellection","title":"idiosyncrasies","excerpt":"「idiosyncrasies」とは、「奇癖」「癖」「独自性」「特異性」など、個人の行動や思考、あるいは何か特定のものの独特で風変わりな特徴を表す際に使われる言葉です。具体的には、次のようなニュアンスで使われます。","text":"idiosyncrasies\n「idiosyncrasies」とは、「奇癖」「癖」「独自性」「特異性」など、個人の行動や思考、あるいは何か特定のものの独特で風変わりな特徴を表す際に使われる言葉です。具体的には、次のようなニュアンスで使われます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/idiosyncrasies","updated":1747643164,"position":[0.5314,-75.3291,34.8965],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.16985,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69fc45362f4772382d757f41","weight":0.16985,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a212b7259a5300233f7903","weight":0.16166,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:682c20bf8260a5b277db5df6","source":"ideaofintellection","title":"オリエンタリズム","excerpt":"主な内容は、著者がスタンフォード大学の研究員だった1975年-76年に執筆された。従来は美術における東洋趣味などを指す語だった「オリエンタリズム」を、西洋の東洋に対する思考様式として定義し、人種主義的、帝国主義的であるとして批判的に検討した。その検討を通じて、人間は異文化をいかにして表象するのか、また異文化とは何なのかという問題提起も行なった。そのための素材として、学術文献だけでなく文芸作品も含めて論じている。","text":"オリエンタリズム\n主な内容は、著者がスタンフォード大学の研究員だった1975年-76年に執筆された。従来は美術における東洋趣味などを指す語だった「オリエンタリズム」を、西洋の東洋に対する思考様式として定義し、人種主義的、帝国主義的であるとして批判的に検討した。その検討を通じて、人間は異文化をいかにして表象するのか、また異文化とは何なのかという問題提起も行なった。そのための素材として、学術文献だけでなく文芸作品も含めて論じている。\n\n本書で扱う「オリエント」の範囲は主に中東であり、18世紀以降のフランス、イギリス、アメリカ合衆国のオリエンタリズムが分析されている。サイードは、オリエンタリズムを研究することになった動機について、パレスチナとエジプトで育った東洋人（オリエンタル）としての意識をあげている。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AA%E3%83%AA%E3%82%A8%E3%83%B3%E3%82%BF%E3%83%AA%E3%82%BA%E3%83%A0","updated":1747722439,"position":[47.7896,-52.8828,35.0846],"cluster":"c02","subgroup":"c02.01","degree":3,"referenceDegree":0,"maxSimilarity":0.46363,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:658404ff5f392e0025dbf45f","weight":0.46363,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f1c2fc83d75c0025332327","weight":0.1036,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55a68b42dde0024be8115","weight":0.09197,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:683315e5fd40309b02df5ea3","source":"ideaofintellection","title":"Neuroaesthetic exploration on the cognitive processing behind repeating graphics","excerpt":"この実験でわかるのが、作品のデザイン（この場合は図形）秩序の程度でやはり没入間が変わるようで、秩序が高い（わかりやすい）よりも中程度の秩序の方が脳は注目して分類に時間をかけるから、曖昧さ・興味を引く・考えさせるにもっとも適しているぽい。ただ、低い秩序（ランダムでバラバラで難しい）は脳があまり注目しなくて反応薄い-->ノイズになってしまう・無視になるらしい。結果やっぱり中程度が1番”印象を残す”という意味でいいっぽい！","text":"Neuroaesthetic exploration on the cognitive processing behind repeating graphics\nこの実験でわかるのが、作品のデザイン（この場合は図形）秩序の程度でやはり没入間が変わるようで、秩序が高い（わかりやすい）よりも中程度の秩序の方が脳は注目して分類に時間をかけるから、曖昧さ・興味を引く・考えさせるにもっとも適しているぽい。ただ、低い秩序（ランダムでバラバラで難しい）は脳があまり注目しなくて反応薄い-->ノイズになってしまう・無視になるらしい。結果やっぱり中程度が1番”印象を残す”という意味でいいっぽい！\nhttps://www.frontiersin.org/journals/neuroscience/articles/10.3389/fnins.2022.1025862/full\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Neuroaesthetic%20exploration%20on%20the%20cognitive%20processing%20behind%20repeating%20graphics","updated":1748178449,"position":[-27.8818,39.3708,-125.6597],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05433,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:68331632dbeddfd1e4e40183","source":"ideaofintellection","title":"Aesthetic appreciation: event-related field and time-frequency analyses","excerpt":"概要：A study using magnetoencephalography (MEG) employed a 2AFC task where participants judged visual stimuli as “beautiful” or “not beautiful” .","text":"Aesthetic appreciation: event-related field and time-frequency analyses\n概要：A study using magnetoencephalography (MEG) employed a 2AFC task where participants judged visual stimuli as “beautiful” or “not beautiful” .\n\t•\tStimuli were presented for 3 seconds, with participants responding via finger lifts.\n\t•\tThe task revealed theta-band (4–8 Hz) activity over fronto-central regions and gamma-band (30–80 Hz) activity in occipital areas during aesthetic decisions, suggesting distinct neural timing mechanisms for beauty judgments .\nhttps://www.frontiersin.org/journals/human-neuroscience/articles/10.3389/fnhum.2011.00185/full\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Aesthetic%20appreciation%3A%20event-related%20field%20and%20time-frequency%20analyses","updated":1748178508,"position":[26.3731,49.2289,-36.986],"cluster":"c15","subgroup":"c15.01","degree":6,"referenceDegree":0,"maxSimilarity":0.13581,"lowEvidence":false,"neighbors":[{"id":"NextResearch:686bb8e35d2f9603a77659e1","weight":0.13581,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a216f240007e002270f80e","weight":0.12853,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da5f98e2148bc3a8b1824","weight":0.12839,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68513a5a075d5c3f3c460d1d","weight":0.09766,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:681da48ba208f2966b96f62c","weight":0.09473,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b871e31c5323eaf3cf8b6d","weight":0.08964,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:683bf42746f790b32fcc9145","source":"ideaofintellection","title":"hill of the buddha","excerpt":"安藤忠雄","text":"hill of the buddha\n\n\n[https://scrapbox.io/files/683bf462aa2c2ab8ac883ac4.png]\n\n安藤忠雄\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/hill%20of%20the%20buddha","updated":1748759666,"position":[21.675,100.8364,-47.3311],"cluster":"c24","subgroup":"c24.01","degree":5,"referenceDegree":0,"maxSimilarity":0.50644,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:683bf54446f1d4c9d8d7f6f1","weight":0.50644,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683bf73ebd11265adb4075d4","weight":0.33445,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6498e295853e48001cc35b28","weight":0.26813,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b459897f1e06c43e17758","weight":0.24224,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4a488177431ba110eb9d","weight":0.09703,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:683bf4a5d2889ef385d4b594","source":"ideaofintellection","title":"シミュレーショニズム","excerpt":"シミュレーショニズム（英: simulationism）は、1980年代のニューヨークを中心に広まった美術運動である。近代芸術の唯一性（アウラ）に反対し、大衆芸術のイメージを、カットアップ、サンプリング、リミックスといった手法を用いてアプロプリエーション（appropriation、盗用）することを特徴とする。シミュレーション・アート（simulation art）、アプロプリエーション・アート（appropriation art）とも呼ばれる。","text":"シミュレーショニズム\nシミュレーショニズム（英: simulationism）は、1980年代のニューヨークを中心に広まった美術運動である。近代芸術の唯一性（アウラ）に反対し、大衆芸術のイメージを、カットアップ、サンプリング、リミックスといった手法を用いてアプロプリエーション（appropriation、盗用）することを特徴とする。シミュレーション・アート（simulation art）、アプロプリエーション・アート（appropriation art）とも呼ばれる。\n\nその背景には、ジャン・ボードリヤールが『シミュラークルとシミュレーション』で指摘したように、オリジナルとコピーの区別が消失し、コピーが大量に消費される現代社会の様相がある。シミュレーショニズムはイメージを盗用することによって、オリジナリティという概念を問い直し、オリジナル作品の持つ権威や力を批判的に解体し、イメージと社会的システム（ジェンダー、コマーシャリズム、人種とアイデンティティ、制度化された芸術）との新たな関係へ視点を向ける。\n\n映画の一シーンのような情景を演じたセルフ・ポートレイトを撮影したシンディ・シャーマン、ウォーカー・エバンスの写真を複写して自らの作品としたシェリー・レヴィーン、広告写真を複写し自らの作品としたリチャード・プリンス(Richard Prince)、掃除機をガラスケースに入れ作品として発表したジェフ・クーンズなどが代表的な芸術家とされる。\n\n日本においては、美術評論家の椹木野衣が1991年に著した『シミュレーショニズム ハウス・ミュージックと盗用芸術』における論説が、芸術家などに大きな影響を与えた。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B7%E3%83%9F%E3%83%A5%E3%83%AC%E3%83%BC%E3%82%B7%E3%83%A7%E3%83%8B%E3%82%BA%E3%83%A0","updated":1748759753,"position":[51.0829,-35.7902,1.6285],"cluster":"c10","subgroup":"c10.01","degree":9,"referenceDegree":0,"maxSimilarity":0.40704,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6811f6edc919bddc7297bef6","weight":0.40704,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a06e25a085bd685b44768ee","weight":0.26401,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65921638fc909000238ceba5","weight":0.17533,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f6b0c5158ee00258ee836","weight":0.12268,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cbbcb607a00d463819ee9","weight":0.12044,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648af81dabcedc001c17116d","weight":0.10215,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e7796a14781cdf78f8ac96","weight":0.09311,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69e9e2028fcc325bced02340","weight":0.08651,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:683bf4f03903d8a971f84dac","source":"ideaofintellection","title":"一即多、多即一","excerpt":"仏教の華厳宗や禅の思想に現れる、一と多が相互に即しているという考え方です。つまり、個（一）が全体（多）に、全体（多）が個（一）に即しているという、相互関係を指します.","text":"一即多、多即一\n仏教の華厳宗や禅の思想に現れる、一と多が相互に即しているという考え方です。つまり、個（一）が全体（多）に、全体（多）が個（一）に即しているという、相互関係を指します.\n一即多:\n一つのものが、全体を包み込み、その中に全体が具現していること.\n多即一:\n全体が、一つのものに統合され、その中に全体が具現していること.","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%80%E5%8D%B3%E5%A4%9A%E3%80%81%E5%A4%9A%E5%8D%B3%E4%B8%80","updated":1748759819,"position":[26.2833,-74.4815,24.6016],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.08206,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:683bf54446f1d4c9d8d7f6f1","source":"ideaofintellection","title":"安藤忠雄建築 sketches","excerpt":"[https://scrapbox.io/files/683bf57c8a21692226b18ec3.png] [https://scrapbox.io/files/683bf5896e2e118cad58a74e.png] [https://scrapbox.io/files/683bf59613dc6f9d9c94fe9d.png]","text":"安藤忠雄建築 sketches\n[https://scrapbox.io/files/683bf57c8a21692226b18ec3.png]\n[https://scrapbox.io/files/683bf5896e2e118cad58a74e.png]\n[https://scrapbox.io/files/683bf59613dc6f9d9c94fe9d.png]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%AE%89%E8%97%A4%E5%BF%A0%E9%9B%84%E5%BB%BA%E7%AF%89%20sketches","updated":1748759972,"position":[19.9899,102.2967,-49.8645],"cluster":"c24","subgroup":"c24.01","degree":4,"referenceDegree":0,"maxSimilarity":0.50644,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:683bf42746f790b32fcc9145","weight":0.50644,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683bf73ebd11265adb4075d4","weight":0.31892,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66af2bf717b6e8001daa9452","weight":0.13411,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:686b4a488177431ba110eb9d","weight":0.09252,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:683bf5bf3e1761f10cdcff90","source":"ideaofintellection","title":"デュシャン 折れた腕の前に","excerpt":"[https://scrapbox.io/files/683bf5f425f2fa5c8f0d1a86.png]","text":"デュシャン 折れた腕の前に\n[https://scrapbox.io/files/683bf5f425f2fa5c8f0d1a86.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%87%E3%83%A5%E3%82%B7%E3%83%A3%E3%83%B3%20%E6%8A%98%E3%82%8C%E3%81%9F%E8%85%95%E3%81%AE%E5%89%8D%E3%81%AB","updated":1748760055,"position":[29.0415,-42.2429,105.8112],"cluster":"c14","subgroup":"c14.01","degree":6,"referenceDegree":0,"maxSimilarity":0.43025,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668a38c6f15cdf001dbafb36","weight":0.43025,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:668a382db77532001cf876d7","weight":0.28149,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6734d95256809cb7b17e869f","weight":0.26969,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631d3114a9c10002e110dbe","weight":0.16258,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:662f686bfb6d2400239ceed0","weight":0.14438,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bb60b9d7b40025293b26","weight":0.10174,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:683bf636fdd23c168d18b5ee","source":"ideaofintellection","title":"サティ パーリ語","excerpt":"パーリ語でサティ（巴: sati、梵: smṛti：スムリティ）とは、特定の物事を心に（常に）留めておくことである。 日本語では 念 （ ねん ） や、気づき、英語ではマインドフルネス (mindfulness)などと表現する。 漢訳で念。","text":"サティ パーリ語\nパーリ語でサティ（巴: sati、梵: smṛti：スムリティ）とは、特定の物事を心に（常に）留めておくことである。 日本語では 念 （ ねん ） や、気づき、英語ではマインドフルネス (mindfulness)などと表現する。 漢訳で念。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%B5%E3%83%86%E3%82%A3%20%E3%83%91%E3%83%BC%E3%83%AA%E8%AA%9E","updated":1748760129,"position":[8.1688,-87.9015,48.4003],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.41075,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:683bf65f9809830daa3fc9f0","weight":0.41075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:683bf65f9809830daa3fc9f0","source":"ideaofintellection","title":"パーリ語","excerpt":"パーリ語は、南伝上座部仏教（初期仏教）の経典で使われる言語です。釈迦が話した言語として知られることもありますが、実際には、初期仏教の経典が書かれた言語として定着した言語です。パーリ語は、インドのプラークリット語の一種で、サンスクリット語よりも文法が単純化しており、仏教の教えをより簡潔に伝えるために使われたと言われています。","text":"パーリ語\nパーリ語は、南伝上座部仏教（初期仏教）の経典で使われる言語です。釈迦が話した言語として知られることもありますが、実際には、初期仏教の経典が書かれた言語として定着した言語です。パーリ語は、インドのプラークリット語の一種で、サンスクリット語よりも文法が単純化しており、仏教の教えをより簡潔に伝えるために使われたと言われています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%91%E3%83%BC%E3%83%AA%E8%AA%9E","updated":1748760164,"position":[8.1253,-88.0249,48.3943],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.41075,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:683bf636fdd23c168d18b5ee","weight":0.41075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:683bf697e17f1bac6f8ea0a8","source":"ideaofintellection","title":"具体派","excerpt":"1954年8月頃、吉原治良のもとに糾合した関西の若手の前衛作家たちによって、具体美術協会は結成された。結成時のメンバーは機関紙の『具体』創刊号に作品が掲載された17人とすることが多い。吉原を筆頭に、嶋本昭三、山崎つる子、正延正俊、吉原通雄、上前智祐、吉田稔郎、東貞美、船井裕、辻村茂、吉原英雄、山田民子、岡田博、関根美夫、伊勢谷ケイ、岡本一、藤川東一郎である。「具体」という名の提案者は嶋本だった。翌年の1955年、新制作協会展に出展し、「0会」と呼ばれるグループを結成していた白髪一雄、村上三郎、金山明、田中敦子らが合流。同年、元永定正が参加。こうした経緯から、同協会は戦後の美術運動(アート・ムーブメント（英語版）)としてはむしろ例外的に師弟関係を軸としていた。","text":"具体派\n1954年8月頃、吉原治良のもとに糾合した関西の若手の前衛作家たちによって、具体美術協会は結成された。結成時のメンバーは機関紙の『具体』創刊号に作品が掲載された17人とすることが多い。吉原を筆頭に、嶋本昭三、山崎つる子、正延正俊、吉原通雄、上前智祐、吉田稔郎、東貞美、船井裕、辻村茂、吉原英雄、山田民子、岡田博、関根美夫、伊勢谷ケイ、岡本一、藤川東一郎である。「具体」という名の提案者は嶋本だった。翌年の1955年、新制作協会展に出展し、「0会」と呼ばれるグループを結成していた白髪一雄、村上三郎、金山明、田中敦子らが合流。同年、元永定正が参加。こうした経緯から、同協会は戦後の美術運動(アート・ムーブメント（英語版）)としてはむしろ例外的に師弟関係を軸としていた。\n\n近代絵画を継承するのではなく、断絶した表現を挑発する「人の真似をするな。今までにないものをつくれ」という吉原の指導のもと、若い作家たちは炎天下の芦屋公園の松林を舞台とした野外展「真夏の太陽にいどむ野外モダンアート実験展」やデパートの屋上での国際アドバルーン展など、斬新な作品の発表をつづけざまに行う。そして機関紙「具体」の発行、東京（小原会館での具体展(第一回)（英語版））および関西での「具体展」、梅田のサンケイホールなど舞台での発表などの活動をめざましく展開していった。やがて具体はフランスの批評家ミシェル・タピエによって「アンフォルメルの日本における一例」として広く海外へ紹介され、高く評価されるようになった。（その一方、抽象絵画の団体として紹介されてしまったことで以後の活動は平面作品が中心となり、初期の立体作品や舞台を使ったパフォーマンスなどは行われなくなる。）","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%85%B7%E4%BD%93%E6%B4%BE","updated":1748760244,"position":[30.8542,-30.8628,4.0108],"cluster":"c05","subgroup":"c05.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07338,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6851331d6142d592cf305ae4","source":"ideaofintellection","title":"Intervention","excerpt":"介入","text":"Intervention\n介入\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Intervention","updated":1750151985,"position":[-47.1487,-8.3905,-126.0448],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.05916,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:685138a518661a07bd7261c3","source":"ideaofintellection","title":"vava raster","excerpt":"raster-media and portuguese eyewear brand VAVA have teamed up to develop a unique capsule collection of eyewear inspired by the labels works, blending art and design.","text":"vava raster\nraster-media and portuguese eyewear brand VAVA have teamed up to develop a unique capsule collection of eyewear inspired by the labels works, blending art and design.\nthis collaboration is inspired by the groundbreaking works of the label, with the participation of olaf bender, raster-media co-founder and artist known as byetone.\n[https://scrapbox.io/files/685138e4bbe4bb7626f634e5.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/vava%20raster","updated":1750153448,"position":[18.5363,120.8541,68.0877],"cluster":"c31","subgroup":"c31.01","degree":5,"referenceDegree":0,"maxSimilarity":0.23145,"lowEvidence":false,"neighbors":[{"id":"NextResearch:678106d4c37ca9fd14f33ce1","weight":0.23145,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6784e0b53ffda532f6bf73ce","weight":0.15676,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659e703b1d546d0024a1e2f4","weight":0.11445,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64a55b4d11d6fd001b99ca73","weight":0.09159,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a60815f1900d0bc3abcd1b8","weight":0.09112,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6851392c1209664e5607ff69","source":"ideaofintellection","title":"nn terrain","excerpt":"https://forum.ircam.fr/article/detail/latent-terrain-dissecting-the-latent-space-of-neural-audio-autoencoder-by-shuoyang-jasper-zheng/","text":"nn terrain\n[https://scrapbox.io/files/6851395900fa8065ad06650d.jpeg]\n\nhttps://forum.ircam.fr/article/detail/latent-terrain-dissecting-the-latent-space-of-neural-audio-autoencoder-by-shuoyang-jasper-zheng/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/nn%20terrain","updated":1750153564,"position":[-45.8768,-154.4781,-46.4716],"cluster":"c39","subgroup":"c39.01","degree":3,"referenceDegree":0,"maxSimilarity":1.0,"lowEvidence":false,"neighbors":[{"id":"NextResearch:68552e6079b729c013a4bf14","weight":1.0,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68553556e3d393c9411c1bf0","weight":0.3426,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499a309e83f0c001b9158ae","weight":0.32075,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6851398d3970df4d950967e0","source":"ideaofintellection","title":"IRCAM forum","excerpt":"https://forum.ircam.fr/?fbclid=PAQ0xDSwK5CbRleHRuA2FlbQIxMQABpx0xEfSMbEdfOCfagaIXzU9TrHLfNIrcYdNugKlpBKRy9Xv0jekbbYgFwWts_aem_61SS2ipTMHwL5kVx8i9Uvw","text":"IRCAM forum\nhttps://forum.ircam.fr/?fbclid=PAQ0xDSwK5CbRleHRuA2FlbQIxMQABpx0xEfSMbEdfOCfagaIXzU9TrHLfNIrcYdNugKlpBKRy9Xv0jekbbYgFwWts_aem_61SS2ipTMHwL5kVx8i9Uvw\n[https://scrapbox.io/files/685139c5328a9aca04b0ce8f.jpeg]\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/IRCAM%20forum","updated":1750153673,"position":[6.4057,94.2399,56.7966],"cluster":"c19","subgroup":"c19.01","degree":11,"referenceDegree":0,"maxSimilarity":0.44454,"lowEvidence":false,"neighbors":[{"id":"NextResearch:66d678fa1f293d001db4f3e0","weight":0.44454,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c22bf12b641d0ca8b2cc5","weight":0.2791,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:683486b5903130f3f403b41a","weight":0.27906,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68431f73a249d6b90e15177f","weight":0.2771,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"Test-Object:6a6084201900d0bc3abcd35e","weight":0.27112,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6843216e4139c1457020dc56","weight":0.26626,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:682c20f03eb7386f4df57967","weight":0.26282,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69104d5349bc437487670f84","weight":0.25059,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:685139ed17dabf4ce423c137","source":"ideaofintellection","title":"Meshy AI","excerpt":"https://www.meshy.ai","text":"Meshy AI\n[https://scrapbox.io/files/68513a1a570dd9f8cb571078.jpeg]\n\nhttps://www.meshy.ai\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Meshy%20AI","updated":1750153757,"position":[21.7932,86.3014,-0.8388],"cluster":"c22","subgroup":"c22.01","degree":29,"referenceDegree":0,"maxSimilarity":0.68726,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65a0c1d3ccb3fd0024634447","weight":0.68726,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a52b1c7259d4002447ecae","weight":0.67098,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cee46919c2470026960ed3","weight":0.625,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6403345474d8fc001bab29a0","weight":0.61471,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64037822e42771001b38b7ab","weight":0.61471,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6468e12aef9760001c214d42","weight":0.61471,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6492ee90830f0a001b9ceed9","weight":0.61471,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:66d678fa1f293d001db4f3e0","weight":0.4117,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68513a337aec6cf041c22cfb","source":"ideaofintellection","title":"Google AI studio","excerpt":"https://aistudio.google.com/apikey","text":"Google AI studio\nhttps://aistudio.google.com/apikey\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Google%20AI%20studio","updated":1750153795,"position":[-10.8031,81.6774,31.7749],"cluster":"c16","subgroup":"c16.01","degree":8,"referenceDegree":0,"maxSimilarity":0.62763,"lowEvidence":false,"neighbors":[{"id":"NextResearch:642d1de779e782001b2361df","weight":0.62763,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b24e04971d9001c0bc9c0","weight":0.40652,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6951278bd8a8cd93d0704855","weight":0.37457,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:643d1c1f322962001b9127e2","weight":0.33502,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:659c6d85c551db002540b64d","weight":0.31736,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65cee418e385ca00265c9cd6","weight":0.31409,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:65a0c1d3ccb3fd0024634447","weight":0.27695,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65939207d2f00100239c490e","weight":0.08915,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68513a5a075d5c3f3c460d1d","source":"ideaofintellection","title":"40Hz with Myelin","excerpt":"https://biomarket.jp/bioquicknews/study-reveals-ways-in-which-40hz-sensory-stimulation-may-preserve-brains-white-matter.html","text":"40Hz with Myelin\nhttps://biomarket.jp/bioquicknews/study-reveals-ways-in-which-40hz-sensory-stimulation-may-preserve-brains-white-matter.html\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/40Hz%20with%20Myelin","updated":1750153830,"position":[34.1687,-53.904,-39.1178],"cluster":"c26","subgroup":"c26.01","degree":5,"referenceDegree":0,"maxSimilarity":0.24934,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a0c1f2f4affd00239d8b2c","weight":0.24934,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65938737e959090026da3e3c","weight":0.20338,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a55ed811d6fd001b99fdd2","weight":0.16927,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68513a6c3970df4d95096fde","weight":0.13458,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68331632dbeddfd1e4e40183","weight":0.09766,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68513a6c3970df4d95096fde","source":"ideaofintellection","title":"40Hz with Glymphatic system","excerpt":"The glymphatic system is a recently discovered waste clearance system in the central nervous system of vertebrates, acting as a \"pseudo-lymphatic\" system for the brain. It facilitates the removal of metabolic waste products and other substances from the brain's interstitial fluid, primarily during sleep. This system is crucial for maintaining brain health and its dysfunction is implicated in neurodegenerative diseases.","text":"40Hz with Glymphatic system\nThe glymphatic system is a recently discovered waste clearance system in the central nervous system of vertebrates, acting as a \"pseudo-lymphatic\" system for the brain. It facilitates the removal of metabolic waste products and other substances from the brain's interstitial fluid, primarily during sleep. This system is crucial for maintaining brain health and its dysfunction is implicated in neurodegenerative diseases.\nhttps://www.nature.com/articles/s41586-024-07132-6\n[https://scrapbox.io/files/68513c3c17dabf4ce423d7e9.jpeg]\n[https://scrapbox.io/files/68524c67e21648d7aaea1267.jpeg]\nアルツハイマー病患者の脳に蓄積する疎水性ペプチドである。 血中濃度の測定には高感度化が求められる。 本邦での認知症患者数は600万人以上と推定され、世界では約2,400万人、2040年には8,000万人にも達すると考えられている。\nアルツハイマー病患者の脳に蓄積する疎水性ペプチドである。 血中濃度の測定には高感度化が求められる。 本邦での認知症患者数は600万人以上と推定され、世界では約2,400万人、2040年には8,000万人にも達すると考えられている。\nマウスモデルでの研究では、40Hzの光や音の刺激が、脳内のアミロイドβの除去を促進することが示されました.\nこの刺激は、脳のグリンパティック系（老廃物を排出するシステム）の活動を活発化させ、アミロイドβの排出を促すと考えられています.\nまた、40Hzの刺激は、アルツハイマー病による脳の萎縮を軽減し、細胞の損傷を防ぐ効果も期待されています.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/40Hz%20with%20Glymphatic%20system","updated":1750224360,"position":[34.229,-53.1545,-39.1895],"cluster":"c26","subgroup":"c26.01","degree":1,"referenceDegree":0,"maxSimilarity":0.13458,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:68513a5a075d5c3f3c460d1d","weight":0.13458,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:685535b13c086e99ce9757fc","source":"ideaofintellection","title":"vasodilation","excerpt":"血管拡張","text":"vasodilation\n血管拡張\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/vasodilation","updated":1750414785,"position":[50.2957,-37.9069,1.9655],"cluster":"c10","subgroup":"c10.01","degree":2,"referenceDegree":0,"maxSimilarity":0.13122,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c658bb851ecd001bb941f2","weight":0.13122,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659395e0bee55e002532aae1","weight":0.08598,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68677fb8ac2defea1d8c837e","source":"ideaofintellection","title":"Top museum","excerpt":"https://topmuseum.jp/contents/exhibition/index-5071.html","text":"Top museum\n[https://scrapbox.io/files/68677fdf56d71e8aabe7dd2e.png]\n\nhttps://topmuseum.jp/contents/exhibition/index-5071.html\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Top%20museum","updated":1751613412,"position":[-5.6971,105.6578,62.071],"cluster":"c19","subgroup":"c19.01","degree":3,"referenceDegree":0,"maxSimilarity":0.14431,"lowEvidence":false,"neighbors":[{"id":"NextResearch:694fc3eeac9ed6b28d63b9d6","weight":0.14431,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a0c0ca2f2ebc95e8f6407a1","weight":0.1055,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a07845cf8b8681dc304c2bd","weight":0.08903,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:686b32edb7c1b8feff99d386","source":"ideaofintellection","title":"外乱","excerpt":"「外乱」とは、システムやプロセスにおいて、意図しない外部からの影響や干渉のことです。制御工学や機械工学、通信工学など、様々な分野で使われる言葉で、システムの性能や安定性を低下させる要因となります。","text":"外乱\n「外乱」とは、システムやプロセスにおいて、意図しない外部からの影響や干渉のことです。制御工学や機械工学、通信工学など、様々な分野で使われる言葉で、システムの性能や安定性を低下させる要因となります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%96%E4%B9%B1","updated":1751855864,"position":[6.8046,-68.8354,12.315],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.07147,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:686cf78cb273951a91528031","source":"ideaofintellection","title":"三味線 さわり","excerpt":"三味線の「さわり」とは、特定の条件下で糸が棹に触れることで発生する独特のビビリ音のことです。これは、三味線の音色を特徴づける重要な要素の一つであり、意図的にその音を出すように調整されます。","text":"三味線 さわり\n三味線の「さわり」とは、特定の条件下で糸が棹に触れることで発生する独特のビビリ音のことです。これは、三味線の音色を特徴づける重要な要素の一つであり、意図的にその音を出すように調整されます。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%B8%89%E5%91%B3%E7%B7%9A%20%E3%81%95%E3%82%8F%E3%82%8A","updated":1751971725,"position":[-30.9651,34.8581,-139.5997],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.07145,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:68726bc3de354b229e207c21","source":"ideaofintellection","title":"弥栄","excerpt":"「弥栄」は「いやさか」と読み、主に「ますます栄える」「繁栄を祈る」という意味で使われます。特に、お祝いの場や正式なスピーチで使われることが多い言葉です。","text":"弥栄\n「弥栄」は「いやさか」と読み、主に「ますます栄える」「繁栄を祈る」という意味で使われます。特に、お祝いの場や正式なスピーチで使われることが多い言葉です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%BC%A5%E6%A0%84","updated":1752329162,"position":[3.0056,-76.8819,37.034],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.12892,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:648b18a86ddf7f001c1b8f16","weight":0.12892,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695b7d56e9f55224af2679d0","weight":0.10187,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6874a174d87e30ed16d8dde0","source":"ideaofintellection","title":"zeitgeist","excerpt":"「Zeitgeist（ツァイトガイスト）」とは、ドイツ語で「時代精神」を意味する言葉です。ある特定の時代を特徴づける思想や気分、支配的な傾向を指します。","text":"zeitgeist\n「Zeitgeist（ツァイトガイスト）」とは、ドイツ語で「時代精神」を意味する言葉です。ある特定の時代を特徴づける思想や気分、支配的な傾向を指します。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/zeitgeist","updated":1752473986,"position":[2.3918,-77.8788,37.3054],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.11409,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a76c16d5e521fede15af99a","weight":0.11409,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656cc882fbfc570027ead549","weight":0.09961,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6874ac339e41f828fe64c172","source":"ideaofintellection","title":"報酬の中立","excerpt":"坂本龍一とAlva noto","text":"報酬の中立\n坂本龍一とAlva noto\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A0%B1%E9%85%AC%E3%81%AE%E4%B8%AD%E7%AB%8B","updated":1752476778,"position":[52.839,-31.9754,1.9522],"cluster":"c10","subgroup":"c10.01","degree":8,"referenceDegree":0,"maxSimilarity":0.32589,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:656d6db23e64860025a24f80","weight":0.32589,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582d7e318568700244595f8","weight":0.32232,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a6498bcb3df4c9da5d30685","weight":0.21572,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66f7a5f561607c001db2ee11","weight":0.21352,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6872536612ae09d29cde1ea2","weight":0.14636,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:68b328c390e5ba951b555d72","weight":0.10266,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:658b02c09f2c4f002494a648","weight":0.09554,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:672cc4a3c3292856d4dbfa4b","weight":0.09518,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:687fd5d6d6c39e58ae86d9a1","source":"ideaofintellection","title":"決して隷属の関係に在らず調和を重んじながら高次元へと昇華していく","excerpt":"芸術としての存在","text":"決して隷属の関係に在らず調和を重んじながら高次元へと昇華していく\n芸術としての存在\nありがたみ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%B1%BA%E3%81%97%E3%81%A6%E9%9A%B7%E5%B1%9E%E3%81%AE%E9%96%A2%E4%BF%82%E3%81%AB%E5%9C%A8%E3%82%89%E3%81%9A%E8%AA%BF%E5%92%8C%E3%82%92%E9%87%8D%E3%82%93%E3%81%98%E3%81%AA%E3%81%8C%E3%82%89%E9%AB%98%E6%AC%A1%E5%85%83%E3%81%B8%E3%81%A8%E6%98%87%E8%8F%AF%E3%81%97%E3%81%A6%E3%81%84%E3%81%8F","updated":1753208280,"position":[25.6456,-1.73,-13.7937],"cluster":"c18","subgroup":"c18.01","degree":2,"referenceDegree":0,"maxSimilarity":0.14501,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:6679b125cfc7ba001d9d8ea0","weight":0.14501,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65caaafbd4002b0024a3f350","weight":0.10339,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:687fd63db8bda8f7cbf6ed69","source":"ideaofintellection","title":"bileam tschepe (elekktronaut)","excerpt":"https://www.patreon.com/c/elekktronaut/home","text":"bileam tschepe (elekktronaut)\nhttps://www.patreon.com/c/elekktronaut/home","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/bileam%20tschepe%20%28elekktronaut%29","updated":1753208382,"position":[-57.3672,5.8425,-116.7935],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:689c6038c02c291fdd24de74","source":"ideaofintellection","title":"濾す","excerpt":"「漉す」は、液体から不純物を取り除くために、布や網などの目の細かいものを通してこすことを意味します。","text":"濾す\n「漉す」は、液体から不純物を取り除くために、布や網などの目の細かいものを通してこすことを意味します。\n\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%BF%BE%E3%81%99","updated":1755079098,"position":[27.6422,-1.2505,-16.9707],"cluster":"c18","subgroup":"c18.01","degree":1,"referenceDegree":0,"maxSimilarity":0.09816,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:64c65dbff6ed72001b6056b2","weight":0.09816,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:689c678b931ee3e4d900f036","source":"ideaofintellection","title":"川久保玲","excerpt":"[https://scrapbox.io/files/689c67bd09c66a0846da1b2d.png]","text":"川久保玲\n[https://scrapbox.io/files/689c67bd09c66a0846da1b2d.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%B7%9D%E4%B9%85%E4%BF%9D%E7%8E%B2","updated":1755080641,"position":[25.0318,57.7534,39.8765],"cluster":"c08","subgroup":"c08.01","degree":1,"referenceDegree":0,"maxSimilarity":0.11138,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a14056dc004296943192838","weight":0.11138,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68a674aad1f4caaeef784f01","source":"ideaofintellection","title":"ハンス・ハーケ プロセスアート","excerpt":"社会やアート業界の不正をアートで問題提起するポリティカルアートや作品ができるまでの経過を作品の一部として表現するプロセスアートの代表的な芸術家。世界的に知られた人物であり、1993年の第45回ヴェネチアビエンナーレでは金獅子賞（最高賞）を受賞している。","text":"ハンス・ハーケ プロセスアート\n社会やアート業界の不正をアートで問題提起するポリティカルアートや作品ができるまでの経過を作品の一部として表現するプロセスアートの代表的な芸術家。世界的に知られた人物であり、1993年の第45回ヴェネチアビエンナーレでは金獅子賞（最高賞）を受賞している。\n[https://scrapbox.io/files/68a674cc8fb09cf220d477e9.png]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%8F%E3%83%B3%E3%82%B9%E3%83%BB%E3%83%8F%E3%83%BC%E3%82%B1%20%E3%83%97%E3%83%AD%E3%82%BB%E3%82%B9%E3%82%A2%E3%83%BC%E3%83%88","updated":1755739354,"position":[17.0812,-34.9896,20.798],"cluster":"c05","subgroup":"c05.02","degree":7,"referenceDegree":0,"maxSimilarity":0.18042,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:68a674f1d6dd23640f126bed","weight":0.18042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67711f2a3de2ec4d2e79fcd4","weight":0.16077,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648b2feae06522001c170220","weight":0.1548,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67336656ca262583a5a0ff34","weight":0.14011,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507880b07177e001b668fe2","weight":0.09918,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65bd0d720347cf00259cb7fb","weight":0.08967,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659394b55beed80023631631","weight":0.08622,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68a674f1d6dd23640f126bed","source":"ideaofintellection","title":"プロセス・アート","excerpt":"美術作品として完成した最終形態よりも、むしろ作品をつくる「プロセス」を重視し、素材や技法の特性に焦点を当てる表現。1960年代後半から70年代にかけての表現を構成する傾向であるが、ジャクソン・ポロックのドリッピングやモーリス・ルイスのステイニング（染めこみ）など抽象表現主義絵画の要素にも遡ることができる。プロセスや素材の特性を重視した傾向は、ミニマル・アート、コンセプチュアル・アート、パフォーマンス・アートから離合集散してポスト・ミニマルな傾向へとつながっている。主な作家は、ロバート・モリス、リチャード・セラ、キース・ソニア、エヴァ・ヘス、ブルース・ナウマン、ロバート・スミッソン、ゲイリー・キューン、バリー・ル・ヴァ。","text":"プロセス・アート\n美術作品として完成した最終形態よりも、むしろ作品をつくる「プロセス」を重視し、素材や技法の特性に焦点を当てる表現。1960年代後半から70年代にかけての表現を構成する傾向であるが、ジャクソン・ポロックのドリッピングやモーリス・ルイスのステイニング（染めこみ）など抽象表現主義絵画の要素にも遡ることができる。プロセスや素材の特性を重視した傾向は、ミニマル・アート、コンセプチュアル・アート、パフォーマンス・アートから離合集散してポスト・ミニマルな傾向へとつながっている。主な作家は、ロバート・モリス、リチャード・セラ、キース・ソニア、エヴァ・ヘス、ブルース・ナウマン、ロバート・スミッソン、ゲイリー・キューン、バリー・ル・ヴァ。\n\n「プロセス・アーティストたちは、身体、偶然性、即興性や、ワックス、フェルト、ラテックスといった非伝統的な素材の自由開放的な性質にまつわる事柄を扱う。これらの素材を用いて、切る、吊るす、落とすなどの行為や、成長、凝縮、凍結、分解など有機的なプロセスによって生じる不規則な配置で、風変わりな形を作り出している」とグッゲンハイム美術館が解説している。モリスはプロセスと時間の観点や素材の特性を重視する「アンチ・フォーム」 を提唱し、プロセス・アートの独特な理論を展開している。\n\n　この動向を代表する展覧会は、69年にホイットニー美術館でマーシャ・タッカーとジェームス・モンテ企画による「アンチ・イリュージョン：手順 / 素材（Anti-Illusion: Procedures / Materials）」展で、多様な素材を用いて配置したモリス、鉛を撒く「スプラッシング」の作品を展示したセラ、「パフォーマンス回廊」という構造物を展示したナウマン、美術館の外に氷ブロックを展示したラファエル・フェレールなどの美術家が出品、また音楽家のフィリップ・グラス、スティーヴ・ライヒ、映像作家のマイケル・スノウは、音楽や映像での手順や時間性に注目されて参加している。\n\n　また同年には、ハラルド・ゼーマンが、ランド・アート、コンセプチュアル・アート、アルテ・ポーヴェラなどの当時の新しい表現潮流を加えキュレーションした「ライブ・イン・ユア・ヘッド：態度が形になるとき 作品―概念―過程―状況―情報」展が、スイスのクンストハーレ・ベルンを皮切りにヨーロッパ各地を巡回。鋭いキュレーションを展開したゼーマンの企画で、その後の現代美術の動向に大きな影響を与えたことが評価され、2013年に「態度が形になるとき：ベルン 1969/ヴェニス2013」展として再現された。\n\n　またイギリスでは、絵画の制作プロセスをキャンバスに直線、曲線などからなる図形を画面いっぱいになるまで描く画家バーナード・コーエンや、ありふれた文房具を使ってそれらの認識されにくい関係性を描いたマイケル・クレイグ・マーティン、絞り、シャッター・スピードを変えて鏡に映っているカメラが自身を連続撮影するプロセスを写し込んだジョン・ヒリアードなどがいる。\n\nプロセスアートの代表的な作家のひとりが、ロバート・モリスです。\n\nロバート・モリスが1968年に発表した評論『アンチ・フォーム』は、プロセスアートの真髄を伝えています。\n\nアンチ・フォームとは、ミニマリズムに見られる幾何学形態を解体し、重力や自然の力による偶発性を重んじるスタイルです。そのため、ポスト・ミニマリズムの一環とされることもあります。\n\nロバート・モリスは、部屋に散乱する木や金属、壁に垂れ下がるフェルトの布、地面から噴き出す蒸気など、不確定の形を持つものを知覚するというコンセプトを主張し表現しました。\n\nアンチ・フォームの傾向は、ロバート・モリスと同世代のリチャード・セラをはじめとするアーティストにも見ることができます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%97%E3%83%AD%E3%82%BB%E3%82%B9%E3%83%BB%E3%82%A2%E3%83%BC%E3%83%88","updated":1755739417,"position":[17.4995,-35.0839,20.9111],"cluster":"c05","subgroup":"c05.01","degree":2,"referenceDegree":0,"maxSimilarity":0.18042,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:68a674aad1f4caaeef784f01","weight":0.18042,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65f31dc4574ef500241dd9a5","weight":0.09057,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68affd363fedb1b1996c75b3","source":"ideaofintellection","title":"仏意","excerpt":"「仏意（ぶつい）」とは、仏の心、仏の思し召し、または仏の意思や意図を意味する言葉です。仏教用語として、仏の慈悲深い心や、救済の計画などを指す場合に使われます。","text":"仏意\n「仏意（ぶつい）」とは、仏の心、仏の思し召し、または仏の意思や意図を意味する言葉です。仏教用語として、仏の慈悲深い心や、救済の計画などを指す場合に使われます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BB%8F%E6%84%8F","updated":1756364096,"position":[2.9117,-77.9009,36.9932],"cluster":"c01","subgroup":"c01.02","degree":2,"referenceDegree":0,"maxSimilarity":0.12306,"lowEvidence":false,"neighbors":[{"id":"Test-Object:6a76c16d5e521fede15af99a","weight":0.12306,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:648b18a86ddf7f001c1b8f16","weight":0.09215,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68b325d5758df3c7e0aa2aff","source":"ideaofintellection","title":"蓄音機","excerpt":"[https://scrapbox.io/files/68b326005c60aa3c6137c02d.webp]","text":"蓄音機\n[https://scrapbox.io/files/68b326005c60aa3c6137c02d.webp]\n\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%93%84%E9%9F%B3%E6%A9%9F","updated":1756571137,"position":[-79.7623,35.1318,-129.2843],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06878,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:68b326097f8cab8ba860af03","source":"ideaofintellection","title":"フランソワ・バシェ","excerpt":"https://www.amazon.co.jp/音のオブジェの本-バシェの音響彫刻入門-フランソワ・バシェ/dp/484592501X","text":"フランソワ・バシェ\n[https://scrapbox.io/files/68b326333967fb311382032a.jpeg]\nhttps://www.amazon.co.jp/音のオブジェの本-バシェの音響彫刻入門-フランソワ・バシェ/dp/484592501X\nえたにさん\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%95%E3%83%A9%E3%83%B3%E3%82%BD%E3%83%AF%E3%83%BB%E3%83%90%E3%82%B7%E3%82%A7","updated":1756571235,"position":[9.6006,-71.071,59.0082],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.1245,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a113c7b5da1a88f8b6ad17c","weight":0.1245,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68b3272d4e9be58bdb626b46","source":"ideaofintellection","title":"慇懃無礼","excerpt":"「慇懃無礼」（いんぎんぶれい）とは、必要以上に丁寧な態度が逆に相手に不快感を与え、礼儀を欠いているように感じさせることを意味します。本来は丁寧なさまを指す「慇懃」と、礼儀に外れていることを意味する「無礼」が組み合わさった言葉で、相手を内心で見下している、あるいは悪意を持って過剰な敬意を装っている場合に用いられることが多いです。","text":"慇懃無礼\n「慇懃無礼」（いんぎんぶれい）とは、必要以上に丁寧な態度が逆に相手に不快感を与え、礼儀を欠いているように感じさせることを意味します。本来は丁寧なさまを指す「慇懃」と、礼儀に外れていることを意味する「無礼」が組み合わさった言葉で、相手を内心で見下している、あるいは悪意を持って過剰な敬意を装っている場合に用いられることが多いです。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E6%85%87%E6%87%83%E7%84%A1%E7%A4%BC","updated":1756571456,"position":[0.6313,-73.4427,37.3919],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08592,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:668257bb01caf1001d2eb21c","weight":0.08592,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68b328c390e5ba951b555d72","source":"ideaofintellection","title":"ブラームスの「間奏曲 第1番 変ホ長調」","excerpt":"グールドが至った「禅」の境地｜坂本龍一「耳の記憶」","text":"ブラームスの「間奏曲 第1番 変ホ長調」\nグールドが至った「禅」の境地｜坂本龍一「耳の記憶」\n\nhttps://www.fujingaho.jp/culture/column-essay/a65163588/ryuichi-sakamoto-mimino-kioku-250629/\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%96%E3%83%A9%E3%83%BC%E3%83%A0%E3%82%B9%E3%81%AE%E3%80%8C%E9%96%93%E5%A5%8F%E6%9B%B2%20%E7%AC%AC1%E7%95%AA%20%E5%A4%89%E3%83%9B%E9%95%B7%E8%AA%BF%E3%80%8D","updated":1756571877,"position":[53.0672,-31.7042,1.805],"cluster":"c10","subgroup":"c10.01","degree":5,"referenceDegree":0,"maxSimilarity":0.15484,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66f7a5f561607c001db2ee11","weight":0.15484,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:656d6db23e64860025a24f80","weight":0.11745,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6582d7e318568700244595f8","weight":0.11616,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6872536612ae09d29cde1ea2","weight":0.10614,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6874ac339e41f828fe64c172","weight":0.10266,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68f739be3508cea3e26259f0","source":"ideaofintellection","title":"supramodal","excerpt":"supramodal (comparative more supramodal, superlative most supramodal). That transcends sensory modalities, such as vision and hearing.","text":"supramodal \nsupramodal (comparative more supramodal, superlative most supramodal). That transcends sensory modalities, such as vision and hearing.\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/supramodal","updated":1761032654,"position":[19.5212,98.5062,54.4661],"cluster":"c19","subgroup":"c19.01","degree":5,"referenceDegree":0,"maxSimilarity":0.18073,"lowEvidence":false,"neighbors":[{"id":"NextResearch:65eca0cfb4298e00250dd98c","weight":0.18073,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:648bbc606788c0001bb26cd2","weight":0.16165,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6626169616a6ca00263b72de","weight":0.16165,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b10d50c3f7cddd977cd69f","weight":0.14279,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:64884e12c83bdb001c826421","weight":0.08731,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:68ff74ebc4e3e4e4d27d932a","source":"ideaofintellection","title":"天冲殺","excerpt":"天中殺とは、算命学や四柱推命において「天が味方しない時期」とされ、運気が不安定になる期間のことです。これは12年に2年、12ヶ月に2ヶ月、12日に2日間といったペースで誰にでも平等に訪れ、特に年の天中殺は影響が大きいとされます。この時期は「悪いことが起こる」と考えるよりも、新しいスタートを避け、自分を見つめ直す「充電・休眠期」と捉え、生き方を見直すチャンスとすることもできます。","text":"天冲殺\n天中殺とは、算命学や四柱推命において「天が味方しない時期」とされ、運気が不安定になる期間のことです。これは12年に2年、12ヶ月に2ヶ月、12日に2日間といったペースで誰にでも平等に訪れ、特に年の天中殺は影響が大きいとされます。この時期は「悪いことが起こる」と考えるよりも、新しいスタートを避け、自分を見つめ直す「充電・休眠期」と捉え、生き方を見直すチャンスとすることもできます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%A4%A9%E5%86%B2%E6%AE%BA","updated":1761572112,"position":[-27.0782,22.1964,-118.4326],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04937,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:69037dd5b24e2aab69c0c29f","source":"ideaofintellection","title":"ミハイ・チクセントミハイのフローモデル","excerpt":"https://ja.wikipedia.org/wiki/フロー_(心理学)","text":"ミハイ・チクセントミハイのフローモデル\n[https://scrapbox.io/files/69037df5c8c1fa20aa38c074.png]\n\n\nhttps://ja.wikipedia.org/wiki/フロー_(心理学)\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9F%E3%83%8F%E3%82%A4%E3%83%BB%E3%83%81%E3%82%AF%E3%82%BB%E3%83%B3%E3%83%88%E3%83%9F%E3%83%8F%E3%82%A4%E3%81%AE%E3%83%95%E3%83%AD%E3%83%BC%E3%83%A2%E3%83%87%E3%83%AB","updated":1761836536,"position":[15.2996,42.234,-41.2237],"cluster":"c15","subgroup":"c15.01","degree":1,"referenceDegree":0,"maxSimilarity":0.10775,"lowEvidence":false,"neighbors":[{"id":"NextResearch:659a64abd7ed7a00220fd368","weight":0.10775,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69b0432ccd66f1e7c84aeecb","source":"ideaofintellection","title":"thaumazein","excerpt":"古代ギリシャ語で「驚き」「驚嘆」「不思議に思うこと」を意味し、哲学や知的探求の原点とされる言葉です。プラトンやアリストテレスが「哲学は驚きから始まる」と述べたように、日常の些細な出来事や存在の不思議に驚き、疑問を持つ感性を指します。","text":"thaumazein\n古代ギリシャ語で「驚き」「驚嘆」「不思議に思うこと」を意味し、哲学や知的探求の原点とされる言葉です。プラトンやアリストテレスが「哲学は驚きから始まる」と述べたように、日常の些細な出来事や存在の不思議に驚き、疑問を持つ感性を指します。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/thaumazein","updated":1773159234,"position":[1.3221,-76.3935,35.7215],"cluster":"c01","subgroup":"c01.03","degree":7,"referenceDegree":0,"maxSimilarity":0.14656,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d454a385c6102a339ba085","weight":0.14656,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.14245,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454351bf828eab51092a4","weight":0.13544,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67b43e0721e28766d4caa7d7","weight":0.09923,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d45400dfbadf0bee7e7428","weight":0.09833,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454bb0da3a740d43aa695","weight":0.09747,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556424d8fc53f001b0d5656","weight":0.09408,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69b10b74c4487c8d76785249","source":"ideaofintellection","title":"エルヴィンシュレーディンガー","excerpt":"「宇宙における心の総数は一つである。実際、意識とはあらゆる存在の中に位相を移す特異点なのである。」","text":"エルヴィンシュレーディンガー \n「宇宙における心の総数は一つである。実際、意識とはあらゆる存在の中に位相を移す特異点なのである。」","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%AB%E3%83%B4%E3%82%A3%E3%83%B3%E3%82%B7%E3%83%A5%E3%83%AC%E3%83%BC%E3%83%87%E3%82%A3%E3%83%B3%E3%82%AC%E3%83%BC","updated":1773210487,"position":[29.6716,-2.2997,-14.5942],"cluster":"c18","subgroup":"c18.01","degree":4,"referenceDegree":0,"maxSimilarity":0.38285,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65a5ec037559050023cc6be3","weight":0.38285,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:69b7d85874ef6f249856872e","weight":0.12171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66825cfffb9d2a001c57173b","weight":0.10519,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c54a82bf88df0025b66dc4","weight":0.09761,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69b10e23c3aa611f2e66eaaf","source":"ideaofintellection","title":"小清水漸","excerpt":"小清水 漸（こしみず　すすむ、1944年10月19日 - ）は、日本の彫刻家・インスタレーション・アーティスト。","text":"小清水漸\n小清水 漸（こしみず　すすむ、1944年10月19日 - ）は、日本の彫刻家・インスタレーション・アーティスト。\n京都市立芸術大学名誉教授\n\n1960年代後半から70年代にかけて台頭した「もの派」 グループの中心メンバーとしても知られている。「もの派」とは、作家の干渉を最大限に排除し、主に石、砂、木、綿、ガラスや鉄といったありのままの物質をそのままの形で配置した彫刻やインスタレーションで主に構成された反モダニズム的な作品を発表していた作家達のゆるやかな集まりのことを指す。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E5%B0%8F%E6%B8%85%E6%B0%B4%E6%BC%B8","updated":1773211208,"position":[15.6328,-33.785,18.9946],"cluster":"c05","subgroup":"c05.01","degree":2,"referenceDegree":0,"maxSimilarity":0.12125,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a06e2a4785d2caf9787bf33","weight":0.12125,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6559f75a420a78001c45fe38","weight":0.09817,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69b10e6838a554a22a4389bc","source":"ideaofintellection","title":"pluralism","excerpt":"多元、多元主義、多元的共存","text":"pluralism\n多元、多元主義、多元的共存\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/pluralism","updated":1774860730,"position":[-52.8655,23.2415,-105.7685],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.02389,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:69d45400dfbadf0bee7e7428","source":"ideaofintellection","title":"energeia エネルゲイア","excerpt":"エネルゲイア（Energeia）とは、古代ギリシャの哲学者アリストテレスが提唱した「現実態（げんじつたい）」「現実活動」を意味する哲学的概念です。可能性の段階（デュナミス）にあったものが、目的を実現し、まさにその「働き」を行っている状態を指します。英語の「エネルギー（Energy）」の語源でもあり、現代では「過程そのものを楽しむ活動」としても解釈されます。","text":"energeia エネルゲイア \nエネルゲイア（Energeia）とは、古代ギリシャの哲学者アリストテレスが提唱した「現実態（げんじつたい）」「現実活動」を意味する哲学的概念です。可能性の段階（デュナミス）にあったものが、目的を実現し、まさにその「働き」を行っている状態を指します。英語の「エネルギー（Energy）」の語源でもあり、現代では「過程そのものを楽しむ活動」としても解釈されます。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/energeia%20%E3%82%A8%E3%83%8D%E3%83%AB%E3%82%B2%E3%82%A4%E3%82%A2","updated":1775522855,"position":[1.5431,-76.0007,36.1223],"cluster":"c01","subgroup":"c01.03","degree":8,"referenceDegree":0,"maxSimilarity":0.27406,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d454351bf828eab51092a4","weight":0.27406,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d45486438a7ac15b40d15f","weight":0.23585,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a559a40ca8a9001bf336fe","weight":0.16063,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454a385c6102a339ba085","weight":0.14443,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d456b6ea6fc067accbd203","weight":0.11931,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d4546bb14b40caf1e067b3","weight":0.10569,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:655642c59efbd7001cfe03c9","weight":0.10173,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69b0432ccd66f1e7c84aeecb","weight":0.09833,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d454351bf828eab51092a4","source":"ideaofintellection","title":"Dunamis デュナミス","excerpt":"「デュナミス（Dunamis）」は、古代ギリシャ語で「能力」「力」「可能態」を意味し、アリストテレス哲学における「現実態（エネルゲイア）」の対義語として、将来的な可能性を秘めた状態を指す概念です。","text":"Dunamis デュナミス\n「デュナミス（Dunamis）」は、古代ギリシャ語で「能力」「力」「可能態」を意味し、アリストテレス哲学における「現実態（エネルゲイア）」の対義語として、将来的な可能性を秘めた状態を指す概念です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Dunamis%20%E3%83%87%E3%83%A5%E3%83%8A%E3%83%9F%E3%82%B9","updated":1775522889,"position":[1.4026,-76.2969,35.9153],"cluster":"c01","subgroup":"c01.03","degree":11,"referenceDegree":0,"maxSimilarity":0.27406,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d45400dfbadf0bee7e7428","weight":0.27406,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d45486438a7ac15b40d15f","weight":0.2107,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.15144,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454a385c6102a339ba085","weight":0.14296,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69b0432ccd66f1e7c84aeecb","weight":0.13544,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6789437609c4fa271f78b1b7","weight":0.12747,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893d4c407c454bba23ecfd","weight":0.12635,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d456b6ea6fc067accbd203","weight":0.10171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d4546bb14b40caf1e067b3","source":"ideaofintellection","title":"Ergon エルゴン","excerpt":"Ergon（ギリシャ語：ἔργον）は、古代ギリシャ語で「仕事」「労働」「行為」「作品」を意味する名詞です。単なる物理的な労働だけでなく、成果や機能、役割という意味合いも含み、現代のエネルギー（Energy）やエルゴノミクス（人間工学）の語源となった非常に重要な語幹です。","text":"Ergon エルゴン\nErgon（ギリシャ語：ἔργον）は、古代ギリシャ語で「仕事」「労働」「行為」「作品」を意味する名詞です。単なる物理的な労働だけでなく、成果や機能、役割という意味合いも含み、現代のエネルギー（Energy）やエルゴノミクス（人間工学）の語源となった非常に重要な語幹です。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Ergon%20%E3%82%A8%E3%83%AB%E3%82%B4%E3%83%B3","updated":1775522931,"position":[1.7026,-76.7049,36.0028],"cluster":"c01","subgroup":"c01.03","degree":10,"referenceDegree":0,"maxSimilarity":0.24423,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.24423,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6580002dc480410023553ee3","weight":0.13542,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64957154471894001bb6a8f3","weight":0.13146,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64c478ea87951d001c228898","weight":0.1235,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:67c3f3e64f77ac468e10c6eb","weight":0.11398,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454a385c6102a339ba085","weight":0.11203,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:67893f26c8084a826ca406f1","weight":0.1097,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d45400dfbadf0bee7e7428","weight":0.10569,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d45486438a7ac15b40d15f","source":"ideaofintellection","title":"entelecheia エンテレケイア","excerpt":"エンテレケイア（entelecheia）は、アリストテレスが提唱した哲学用語で、潜在的な能力（可能態/デュナミス）が完全に現実に現れ、そのものの機能を十分に発揮している「完全な現実態」「完成態」を意味します。単なる変化や活動を示すエネルゲイアとは異なり、目的が達成された「終局的な状態」を指します。","text":"entelecheia エンテレケイア\nエンテレケイア（entelecheia）は、アリストテレスが提唱した哲学用語で、潜在的な能力（可能態/デュナミス）が完全に現実に現れ、そのものの機能を十分に発揮している「完全な現実態」「完成態」を意味します。単なる変化や活動を示すエネルゲイアとは異なり、目的が達成された「終局的な状態」を指します。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/entelecheia%20%E3%82%A8%E3%83%B3%E3%83%86%E3%83%AC%E3%82%B1%E3%82%A4%E3%82%A2","updated":1775522961,"position":[1.2955,-75.9919,36.0838],"cluster":"c01","subgroup":"c01.03","degree":2,"referenceDegree":0,"maxSimilarity":0.23585,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d45400dfbadf0bee7e7428","weight":0.23585,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454351bf828eab51092a4","weight":0.2107,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d454a385c6102a339ba085","source":"ideaofintellection","title":"theoria テオリア","excerpt":"「テオリア（theoria）」は、古代ギリシャ語で「観想」「観察」「見ること」を意味し、物事の本質を深く見つめ、理解しようとする態度を指す言葉です。アリストテレスが人間の最高至福の活動と位置づけた概念で、理論（theory）の語源でもあります。","text":"theoria テオリア\n「テオリア（theoria）」は、古代ギリシャ語で「観想」「観察」「見ること」を意味し、物事の本質を深く見つめ、理解しようとする態度を指す言葉です。アリストテレスが人間の最高至福の活動と位置づけた概念で、理論（theory）の語源でもあります。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/theoria%20%E3%83%86%E3%82%AA%E3%83%AA%E3%82%A2","updated":1775522989,"position":[1.511,-76.1815,35.5634],"cluster":"c01","subgroup":"c01.03","degree":12,"referenceDegree":0,"maxSimilarity":0.14993,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.14993,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69b0432ccd66f1e7c84aeecb","weight":0.14656,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d45400dfbadf0bee7e7428","weight":0.14443,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454351bf828eab51092a4","weight":0.14296,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:68d11bb22555d97be86e3c31","weight":0.14134,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65c55a68b42dde0024be8115","weight":0.13447,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6556424d8fc53f001b0d5656","weight":0.11558,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d4546bb14b40caf1e067b3","weight":0.11203,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d454bb0da3a740d43aa695","source":"ideaofintellection","title":"Poiesis ポイエーシス","excerpt":"ポイエーシス（Poiesis）は、ギリシャ語で「創り出すこと」「制作」を意味する概念です。プラトンは「非存在から存在へ移行させる原因」とし、アリストテレスは「目的を持った制作行為」と定義しました。芸術や技術、あるいは生命の自己生産的な側面（オートポイエーシス）を指す、創造的かつ本質的なプロセスです。","text":"Poiesis ポイエーシス\nポイエーシス（Poiesis）は、ギリシャ語で「創り出すこと」「制作」を意味する概念です。プラトンは「非存在から存在へ移行させる原因」とし、アリストテレスは「目的を持った制作行為」と定義しました。芸術や技術、あるいは生命の自己生産的な側面（オートポイエーシス）を指す、創造的かつ本質的なプロセスです。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Poiesis%20%E3%83%9D%E3%82%A4%E3%82%A8%E3%83%BC%E3%82%B7%E3%82%B9","updated":1775523017,"position":[1.7749,-76.839,35.6063],"cluster":"c01","subgroup":"c01.03","degree":7,"referenceDegree":0,"maxSimilarity":0.39782,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:678941733d3fe3110a6062bb","weight":0.39782,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66bdedfedb81b7001da71eff","weight":0.22594,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d456b6ea6fc067accbd203","weight":0.1201,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.11971,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69b0432ccd66f1e7c84aeecb","weight":0.09747,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454a385c6102a339ba085","weight":0.08857,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454351bf828eab51092a4","weight":0.08829,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d454d5d574afd31a3bf724","source":"ideaofintellection","title":"Praxis プラクシス","excerpt":"Praxis（プラクシス）は、ギリシャ語由来で「実践」「実行」「行動」を意味する言葉であり、理論を行動に移すことや、知識を実際に応用することを指します。英語のPracticeの語源でもあり、哲学、教育、ビジネスなどの文脈で、単なる知識ではなく「実際に行うこと」を強調する際によく使われます。","text":"Praxis プラクシス\nPraxis（プラクシス）は、ギリシャ語由来で「実践」「実行」「行動」を意味する言葉であり、理論を行動に移すことや、知識を実際に応用することを指します。英語のPracticeの語源でもあり、哲学、教育、ビジネスなどの文脈で、単なる知識ではなく「実際に行うこと」を強調する際によく使われます。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Praxis%20%E3%83%97%E3%83%A9%E3%82%AF%E3%82%B7%E3%82%B9","updated":1775523039,"position":[1.7331,-76.2937,36.0685],"cluster":"c01","subgroup":"c01.03","degree":2,"referenceDegree":0,"maxSimilarity":0.18422,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d456b6ea6fc067accbd203","weight":0.18422,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b0d1263864830027f5e20d","weight":0.09478,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d454ec7afccc50824197dc","source":"ideaofintellection","title":"Artes in Effectu アルテス・イン・エフェクトゥ","excerpt":"「アルテス・イン・エフェクトゥ（Artes in Effectu）」は、主に美術史や美学、特にジョルジョ・アガンベンなどの哲学的な文脈において、古典ギリシアにおける技術や芸術の分類に使われる用語です。ラテン語で「結果として生じる芸術」「作品として完成される技」を意味します。","text":"Artes in Effectu アルテス・イン・エフェクトゥ\n「アルテス・イン・エフェクトゥ（Artes in Effectu）」は、主に美術史や美学、特にジョルジョ・アガンベンなどの哲学的な文脈において、古典ギリシアにおける技術や芸術の分類に使われる用語です。ラテン語で「結果として生じる芸術」「作品として完成される技」を意味します。 \n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Artes%20in%20Effectu%20%E3%82%A2%E3%83%AB%E3%83%86%E3%82%B9%E3%83%BB%E3%82%A4%E3%83%B3%E3%83%BB%E3%82%A8%E3%83%95%E3%82%A7%E3%82%AF%E3%83%88%E3%82%A5","updated":1775523064,"position":[49.1877,-52.5682,39.4735],"cluster":"c02","subgroup":"c02.03","degree":2,"referenceDegree":0,"maxSimilarity":0.15515,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65bf5eaacff96a00247aa241","weight":0.15515,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:695128919429e9af437fb073","weight":0.09453,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d45513438a7ac15b40d807","source":"ideaofintellection","title":"Banausos バナウソス","excerpt":"バナウソス（Banausos）は、古代ギリシャにおいて肉体労働や専門的な手工芸に従事する職人を指した言葉で、自由人（市民）からは一段低く蔑視される階層でした。機能性や効用のみを追求する姿勢や、技術的な仕事に従事する者を指し、真の「卓越性（アレーテー）」には及ばない存在と見なされていました。","text":"Banausos バナウソス\nバナウソス（Banausos）は、古代ギリシャにおいて肉体労働や専門的な手工芸に従事する職人を指した言葉で、自由人（市民）からは一段低く蔑視される階層でした。機能性や効用のみを追求する姿勢や、技術的な仕事に従事する者を指し、真の「卓越性（アレーテー）」には及ばない存在と見なされていました。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Banausos%20%E3%83%90%E3%83%8A%E3%82%A6%E3%82%BD%E3%82%B9","updated":1775523106,"position":[-19.6833,-85.189,31.3479],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.06236,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:69d4554d2122564c001b0db2","source":"ideaofintellection","title":"ボロミアン環","excerpt":"ボロミアン環（ボロミアンかん、英: borromean ring）、もしくはボロメオの環、ボロミアンリングとは、どの輪（結び目）を外しても他の輪が分離可能となる、結び目理論における絡み目である。 どの2つの輪もホップリンクにはなっていないにもかかわらず、分離不可能な絡み目となっている。 また、ボロミアンリンクの最も単純な例である。","text":"ボロミアン環\nボロミアン環（ボロミアンかん、英: borromean ring）、もしくはボロメオの環、ボロミアンリングとは、どの輪（結び目）を外しても他の輪が分離可能となる、結び目理論における絡み目である。 どの2つの輪もホップリンクにはなっていないにもかかわらず、分離不可能な絡み目となっている。 また、ボロミアンリンクの最も単純な例である。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%9C%E3%83%AD%E3%83%9F%E3%82%A2%E3%83%B3%E7%92%B0","updated":1775523155,"position":[16.0361,-55.8905,69.1769],"cluster":"c12","subgroup":"c12.01","degree":1,"referenceDegree":0,"maxSimilarity":0.0988,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:65c54be120c5c50023c372a9","weight":0.0988,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d45561ecbd14001345298d","source":"ideaofintellection","title":"作品-芸術家-行為","excerpt":"","text":"作品-芸術家-行為","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BD%9C%E5%93%81-%E8%8A%B8%E8%A1%93%E5%AE%B6-%E8%A1%8C%E7%82%BA","updated":1775523171,"position":[-33.968,-1.1957,56.0612],"cluster":"c09","subgroup":"c09.02","degree":7,"referenceDegree":0,"maxSimilarity":0.20296,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:659394b55beed80023631631","weight":0.20296,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6507a173fcf575001becbe52","weight":0.19022,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582d947eaae7400220fb3f2","weight":0.13056,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6631bd7e1713f80025b427c2","weight":0.12665,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6499a83dcb734c001c90753f","weight":0.0949,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65d2ab365a53600024e49f11","weight":0.08704,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6582d79bf6a2b00023ad96e7","weight":0.08612,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d4557da206af8706affceb","source":"ideaofintellection","title":"エレウシスの秘儀","excerpt":"エレウシスの秘儀は、古代ギリシャのエレウシスで約2000年間にわたり行われた、農業の女神デーメーテールと娘ペルセポネーを崇拝する最大の密儀宗教です。死と再生をテーマにし、入信者に幸福な来世を約束したこの儀式は、秘密が厳守されたため正確な内容は謎に包まれていますが、古典古代において最も神聖な祭儀として崇められました。","text":"エレウシスの秘儀\nエレウシスの秘儀は、古代ギリシャのエレウシスで約2000年間にわたり行われた、農業の女神デーメーテールと娘ペルセポネーを崇拝する最大の密儀宗教です。死と再生をテーマにし、入信者に幸福な来世を約束したこの儀式は、秘密が厳守されたため正確な内容は謎に包まれていますが、古典古代において最も神聖な祭儀として崇められました。 ","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%A8%E3%83%AC%E3%82%A6%E3%82%B7%E3%82%B9%E3%81%AE%E7%A7%98%E5%84%80","updated":1775523212,"position":[-17.463,-89.135,41.6472],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.06876,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:69d456205548884e8ebfa558","source":"ideaofintellection","title":"メディウムスペシフィック","excerpt":"メディウム・スペシフィシティ（Medium Specificity）は、絵画の平面性や彫刻の立体性など、芸術媒体が持つ独自の性質を追求する美術・批評用語です。C・グリーンバーグがモダニズム芸術の自律性を強調するために提唱し、他ジャンルと共有しない「本質」を重視しました。","text":"メディウムスペシフィック\nメディウム・スペシフィシティ（Medium Specificity）は、絵画の平面性や彫刻の立体性など、芸術媒体が持つ独自の性質を追求する美術・批評用語です。C・グリーンバーグがモダニズム芸術の自律性を強調するために提唱し、他ジャンルと共有しない「本質」を重視しました。\nhttps://artscape.jp/artword/6857/\nＣ・グリーンバーグ\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%83%A1%E3%83%87%E3%82%A3%E3%82%A6%E3%83%A0%E3%82%B9%E3%83%9A%E3%82%B7%E3%83%95%E3%82%A3%E3%83%83%E3%82%AF","updated":1775523395,"position":[-27.1123,-73.1936,10.646],"cluster":"c27","subgroup":"c27.01","degree":2,"referenceDegree":0,"maxSimilarity":0.22271,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6a133b4638667c303f237bd8","weight":0.22271,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6a1406049958bbfbe9b87eb8","weight":0.08642,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d4566112a80579472f24a2","source":"ideaofintellection","title":"現前化","excerpt":"現前化（げんぜんか）とは、目に見えないものや過去の出来事、抽象的な概念を、あたかも今ここにあるかのように明確な「現象」や「実体」として出現させることです。哲学や芸術表現において、対象を意識の前面に呼び出し、強いリアリティを持って知覚させるプロセスを指します。","text":"現前化\n現前化（げんぜんか）とは、目に見えないものや過去の出来事、抽象的な概念を、あたかも今ここにあるかのように明確な「現象」や「実体」として出現させることです。哲学や芸術表現において、対象を意識の前面に呼び出し、強いリアリティを持って知覚させるプロセスを指します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E7%8F%BE%E5%89%8D%E5%8C%96","updated":1775523431,"position":[-15.1024,25.0079,54.1672],"cluster":"c09","subgroup":"c09.02","degree":3,"referenceDegree":0,"maxSimilarity":0.13299,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:67893e4f92f45be768bf12db","weight":0.13299,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64be4d3dc65cc5001cae6095","weight":0.12219,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:667e6c6a7c6f31001cf47eea","weight":0.11922,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69d456b6ea6fc067accbd203","source":"ideaofintellection","title":"hexis ヘクシス","excerpt":"ヘクシス（hexis）は、ギリシア語で「所有」「状態」「性質」を意味する概念。アリストテレス倫理学において、繰り返しによって獲得された徳（性向、習慣）を指す重要な言葉です。単なる一時的な様子ではなく、行為の根底にある「心と体の定着した状態」を表します。","text":"hexis ヘクシス\nヘクシス（hexis）は、ギリシア語で「所有」「状態」「性質」を意味する概念。アリストテレス倫理学において、繰り返しによって獲得された徳（性向、習慣）を指す重要な言葉です。単なる一時的な様子ではなく、行為の根底にある「心と体の定着した状態」を表します。 \n徳の定着・習性: アリストテレス倫理学で、良き行為（徳）が一時的なものではなく、人の性質として定着している状態を指す。\n「持つこと」「状態」: ギリシャ語の「持つ（echein）」から派生し、ある性質を身につけている状態を意味する。\n慣習: 「ハビトゥス（habitus）」の語源でもあり、何度も繰り返すことで獲得された傾向性。 \n\n関連\nフロネーシス（思慮）: ヘクシス（欲望の性向）が、ロゴス（理性）に基づく適切な行動の規準と合致すること。\nハビトゥス (habitus): 社会学（ブルデュー）で用いられる、社会的に内在化された身体的な傾向。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/hexis%20%E3%83%98%E3%82%AF%E3%82%B7%E3%82%B9","updated":1775523535,"position":[1.679,-76.0483,36.0449],"cluster":"c01","subgroup":"c01.03","degree":7,"referenceDegree":0,"maxSimilarity":0.18422,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:69d454d5d574afd31a3bf724","weight":0.18422,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a559a40ca8a9001bf336fe","weight":0.12018,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454bb0da3a740d43aa695","weight":0.1201,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d45400dfbadf0bee7e7428","weight":0.11931,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454a385c6102a339ba085","weight":0.10716,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454351bf828eab51092a4","weight":0.10171,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65b34d9fbef2c60026911cfe","weight":0.09234,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69e720fd51097fb51ba12bd4","source":"ideaofintellection","title":"クリエイティブコネクトーム","excerpt":"beaty et al","text":"クリエイティブコネクトーム \nbeaty et al\n\nBeatyら（Roger E. Beaty et al.）による「クリエイティブ・コネクトーム（Creative Connectome）」の研究は、創造的な思考が単一の脳領域ではなく、複数の脳ネットワーク間の動的な相互作用によって支えられていることを明らかにしました。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E3%82%AF%E3%83%AA%E3%82%A8%E3%82%A4%E3%83%86%E3%82%A3%E3%83%96%E3%82%B3%E3%83%8D%E3%82%AF%E3%83%88%E3%83%BC%E3%83%A0","updated":1776754964,"position":[-36.1736,9.3473,55.445],"cluster":"c09","subgroup":"c09.02","degree":2,"referenceDegree":0,"maxSimilarity":0.316,"lowEvidence":false,"neighbors":[{"id":"NextResearch:648b4084d241df001cbb672e","weight":0.316,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:659396130f4a210024c41d1f","weight":0.28252,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69fc45362f4772382d757f41","source":"ideaofintellection","title":"衒学的","excerpt":"「衒学的（げんがくてき）」とは、学問や知識を必要以上にひけらかす様子、またはその態度を指す言葉です。知っていることを誇示し、ペダンチック（pedantic）や「知ったかぶり」「学者ぶる」といった、やや批判的なニュアンスで使われます。","text":"衒学的\n「衒学的（げんがくてき）」とは、学問や知識を必要以上にひけらかす様子、またはその態度を指す言葉です。知っていることを誇示し、ペダンチック（pedantic）や「知ったかぶり」「学者ぶる」といった、やや批判的なニュアンスで使われます。","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%A1%92%E5%AD%A6%E7%9A%84","updated":1778140480,"position":[0.8086,-75.5835,35.088],"cluster":"c01","subgroup":"c01.02","degree":3,"referenceDegree":0,"maxSimilarity":0.16985,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:682aeb0fe804ca1529bc08e0","weight":0.16985,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:65a212b7259a5300233f7903","weight":0.11029,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:69d454a385c6102a339ba085","weight":0.08731,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:69fc4569a0e27ebd2b82d3c9","source":"ideaofintellection","title":"Eudaimonic","excerpt":"快楽主義（ヘドニック）と対比される概念で、潜在能力の開発や生きがい、自己実現の追求による幸福を指します。","text":"Eudaimonic \n快楽主義（ヘドニック）と対比される概念で、潜在能力の開発や生きがい、自己実現の追求による幸福を指します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Eudaimonic","updated":1778140531,"position":[4.5765,-89.4345,15.0806],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.08929,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:649bd14acfdd4e001b28662d","weight":0.08929,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6a042bd84e86ead9078eac88","source":"ideaofintellection","title":"AQ","excerpt":"1. 逆境指数（Adversity Quotient）ビジネスや心理学の用語で、困難やトラブルなどの逆境に直面した際に、どのように対応し乗り越えるかを数値化した指標です。意味: 困難な状況から逃げ出さず、前向きに解決策を見出そうとする「心のレジリエンス（回復力・適応力）」を指します。関連: 知識の指標であるIQ（知能指数）や、感情コントロールの指標であるEQに並ぶ能力として、ビジネスや人材育成の分野で注目されています。","text":"AQ\n1. 逆境指数（Adversity Quotient）ビジネスや心理学の用語で、困難やトラブルなどの逆境に直面した際に、どのように対応し乗り越えるかを数値化した指標です。意味: 困難な状況から逃げ出さず、前向きに解決策を見出そうとする「心のレジリエンス（回復力・適応力）」を指します。関連: 知識の指標であるIQ（知能指数）や、感情コントロールの指標であるEQに並ぶ能力として、ビジネスや人材育成の分野で注目されています。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/AQ","updated":1778658267,"position":[-35.0299,44.628,-131.6849],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.06871,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6a05bd7ed55327cd7cb89e98","source":"ideaofintellection","title":"contemplative","excerpt":"「瞑想的」とは深く静かで真剣な思考や内省の状態それはしばしば、穏やかで物思いにふける気分、あるいは瞑想、祈り、自然の中で過ごす時間など、行動することよりも理解したり観察したりすることを目的とした活動を指す。瞑想の重要な側面深い思考：それは、ある主題に思考を集中させ、多くの場合、長期間にわたって深く考えることを指します。静けさと静止：しばしば沈黙、静止、そして穏やかで思慮深い態度と関連付けられる。精神性と宗教：歴史的には、修道会などで見られるような、精神的な瞑想に専念する生活を指す。存在感：それは、現在の瞬間に完全に存在し、即座に判断や分析をすることなくそれを受け入れることを意味します。","text":"contemplative\n「瞑想的」とは深く静かで真剣な思考や内省の状態それはしばしば、穏やかで物思いにふける気分、あるいは瞑想、祈り、自然の中で過ごす時間など、行動することよりも理解したり観察したりすることを目的とした活動を指す。瞑想の重要な側面深い思考：それは、ある主題に思考を集中させ、多くの場合、長期間にわたって深く考えることを指します。静けさと静止：しばしば沈黙、静止、そして穏やかで思慮深い態度と関連付けられる。精神性と宗教：歴史的には、修道会などで見られるような、精神的な瞑想に専念する生活を指す。存在感：それは、現在の瞬間に完全に存在し、即座に判断や分析をすることなくそれを受け入れることを意味します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/contemplative","updated":1778761094,"position":[-7.0999,-68.4028,14.8146],"cluster":"c01","subgroup":"c01.02","degree":0,"referenceDegree":0,"maxSimilarity":0.06332,"lowEvidence":false,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6a05bda0f7291afa5d970fb4","source":"ideaofintellection","title":"Amends","excerpt":"修正は損失、損害、または傷害に対する補償、満足、または賠償一般的に、それは間違いを正すために取られる行動、特に行動上の間違いを正すために取られる行動を指し、「ごめんなさい」と言うだけでなく、積極的に関係や状況を修復することを指します。","text":"Amends\n修正は損失、損害、または傷害に対する補償、満足、または賠償一般的に、それは間違いを正すために取られる行動、特に行動上の間違いを正すために取られる行動を指し、「ごめんなさい」と言うだけでなく、積極的に関係や状況を修復することを指します。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/Amends","updated":1778761126,"position":[-24.8868,28.5491,-132.0579],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04334,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6a05bdda7c52a7cc879cab07","source":"ideaofintellection","title":"erudition","excerpt":"博識とは実践経験だけでなく、徹底的な読書、研究、学習を通して得られた、深く広範な知識。それは学問的な知識や学術的な洗練さを意味し、人文科学、文学、歴史などの分野における深い専門知識を表すことが多い。","text":"erudition\n博識とは実践経験だけでなく、徹底的な読書、研究、学習を通して得られた、深く広範な知識。それは学問的な知識や学術的な洗練さを意味し、人文科学、文学、歴史などの分野における深い専門知識を表すことが多い。\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/erudition","updated":1778761189,"position":[12.58,-86.2347,19.9017],"cluster":"c01","subgroup":"c01.02","degree":1,"referenceDegree":0,"maxSimilarity":0.10233,"lowEvidence":false,"neighbors":[{"id":"ideaofintellection:66825c85b27f4b001de90d84","weight":0.10233,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6a5468f0873e0f1bd6e3aae1","source":"ideaofintellection","title":"他由","excerpt":"","text":"他由","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E4%BB%96%E7%94%B1","updated":1783916792,"position":[-76.8144,40.3472,-117.9012],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.0,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6a546d7ffbdebad49e4ca639","source":"ideaofintellection","title":"topical 3 brother kh940","excerpt":"https://ible.cadain.fit/item-0h6fi7l83o.html","text":"topical 3 brother kh940\nhttps://ible.cadain.fit/item-0h6fi7l83o.html\nおりき、ジャガード、ラズパイ操作かのう\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/topical%203%20brother%20kh940","updated":1783918164,"position":[44.4638,30.7003,63.5405],"cluster":"c30","subgroup":"c30.01","degree":2,"referenceDegree":0,"maxSimilarity":0.35489,"lowEvidence":false,"neighbors":[{"id":"NextResearch:64f86251d4d22b001b7fcbf1","weight":0.35489,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:64a55d13f74422001bd24380","weight":0.22808,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6a546e6315b63d6412ee7147","source":"ideaofintellection","title":"side fx houdini","excerpt":"https://www.sidefx.com/ja/","text":"side fx houdini\nhttps://www.sidefx.com/ja/\n高精度3dビジュアル\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/side%20fx%20houdini","updated":1783918225,"position":[97.4197,-54.256,-48.714],"cluster":"c38","subgroup":"c38.01","degree":7,"referenceDegree":0,"maxSimilarity":0.48348,"lowEvidence":false,"neighbors":[{"id":"NextResearch:6680d16301bab8001c01ba67","weight":0.48348,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:669a711d5928ec001c4847e1","weight":0.41794,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6969c558baf9577296aaa17f","weight":0.28394,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:6760f5d97bb7807f53d08e0a","weight":0.26519,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"NextResearch:6734cf9dc131604e684dc160","weight":0.23528,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:671f120389304b42220ea738","weight":0.1183,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"},{"id":"ideaofintellection:66312e81938a1d002477e611","weight":0.10817,"type":"similarity","reason":"題名・本文・タグ・参照の共有特徴"}],"fetched":true},{"id":"ideaofintellection:6a8d2b32f35e58f55262a75e","source":"ideaofintellection","title":"薪に臥して天を諭す、これすなわち雌雄を決する鍵となる","excerpt":"苦しい状況に耐えて力を蓄えるだけでなく、自ら運命や形勢を大きく動かす主体的な準備こそが、勝負に勝つための決定打になるという意味","text":"薪に臥して天を諭す、これすなわち雌雄を決する鍵となる\n苦しい状況に耐えて力を蓄えるだけでなく、自ら運命や形勢を大きく動かす主体的な準備こそが、勝負に勝つための決定打になるという意味\n","tags":[],"links":[],"url":"https://scrapbox.io/ideaofintellection/%E8%96%AA%E3%81%AB%E8%87%A5%E3%81%97%E3%81%A6%E5%A4%A9%E3%82%92%E8%AB%AD%E3%81%99%E3%80%81%E3%81%93%E3%82%8C%E3%81%99%E3%81%AA%E3%82%8F%E3%81%A1%E9%9B%8C%E9%9B%84%E3%82%92%E6%B1%BA%E3%81%99%E3%82%8B%E9%8D%B5%E3%81%A8%E3%81%AA%E3%82%8B","updated":1787636552,"position":[-38.1405,29.6345,-105.9107],"cluster":"c49","subgroup":"c49.01","degree":0,"referenceDegree":0,"maxSimilarity":0.04812,"lowEvidence":true,"neighbors":[],"fetched":true},{"id":"ideaofintellection:6abf30bfab116b04b7ef59a4","source":"ideaofintellection","title":"ニッチ選択 Niche picking","excerpt":"「ニッチ選択（Niche picking）」および「sxarr 1983」は、心理学者のサンドラ・スカー（Sandra Scarr）とキャスリーン・マッカートニー（Kathleen McCartney）が1983年に発表した、遺伝と環境の相互作用（遺伝子環境相関）に関する発達心理学の理論モデルを指しています。","text":"ニッチ選択 Niche picking\n「ニッチ選択（Niche picking）」および「sxarr 1983」は、心理学者のサンドラ・スカー（Sandra Scarr）とキャスリーン・マッカートニー（Kathleen McCartney）が1983年に発表した、遺伝と環境の相互作用（遺伝子環境相関）に関する発達心理学の理論モデルを指しています。\n※ご入力の「sxarr」は心理学者「Scarr」のタイポ（誤入力）と推測されます。\nこの理論における核心的な概念である「ニッチ選択」について解説します。\n理論の概要\nスカーとマッカートニーは、人間の発達において「遺伝子が個人の経験する環境を方向づける」という遺伝子環境相関（Gene-Environment Correlation）のモデルを提唱しました。\n子どもは単に与えられた環境を受動的に受け入れるだけでなく、自身の遺伝的素質（表現型）に適合するような環境（ニッチ）を自ら選択し、構築していくとされています。\n遺伝子環境相関の3つの段階\nこの1983年のモデルでは、子どもの成長に伴って環境への関わり方が以下の3つの段階で変化していくと説明されています。\n1. 受動的相関（Passive）\n\t• 時期： 乳幼児期\n\t• 特徴： 親が子に遺伝子を伝えるだけでなく、親自身の遺伝的傾向に基づいた環境も提供します。たとえば、音楽の才能がある親が家の中に楽器を溢れさせ、子も自然とその環境で育つようなケースです。\n2. 誘発的相関（Evocative）\n\t• 時期： 児童期など（年齢とともにやや低下）\n\t• 特徴： 子どもの持つ遺伝的特徴や行動（表現型）が、周囲の他者から特定の反応を引き出します。たとえば、いつもニコニコして活発な子は大人から好意的な関わりを誘発し、結果としてより刺激的で社会的な環境が作られます。\n3. 能動的相関 ＝「ニッチ選択」（Active / Niche picking）\n\t• 時期： 青年期・成人期以降（成長とともに最も支配的になる）\n\t• 特徴： 行動範囲が広がり自立するにつれ、自らの遺伝的気質や能力（遺伝子型）に最も心地よくフィットする特定の環境（ニッチ）を能動的に選び取り、自ら作り出すようになります。たとえば、内向的で読書が好きな遺伝的傾向を持つ人は、成長すると自ら図書館や静かなサークル、研究職などの環境を選択します。\nこの理論が示す結論\nScarr & McCartney (1983) 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