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LATENT REFERENCES / TAG2

Triple Screen — Polyvision

This reference note belongs to Tag2 in Latent References, an archive curated by Keigo Yoshida. Its archive region is Visual. The note preserves its source text and links so that readers can trace the material behind the 3D map.

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Tag2
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Visual

Archived reference note

English translation of the archived note. JP shows the original text. Source links and literal code are retained; the translation does not update or independently verify the source claims.

For this film, Gance himself devised a projection system called “Polyvision” (or “triple écran [three screens]”), projecting footage shot with 3 cameras onto 3 screens. Sometimes one image spread across the three screens, and sometimes separate images appeared on each of the three; used in several scenes, including the final departure for Italy, it achieved an overwhelming spectacle. However, “The Jazz Singer” (1927) was released in America in the same year as “Napoleon,” and with it cinema entered the era of talkies. Investment in large-screen systems was neglected, and consequently “Napoleon” was almost never screened in its complete form (in America this epic, with a running time of 5 hours, was merely shortened to 1 hour 20 minutes and released reprinted in a standard version; in Japan, too, only a 17.5-millimeter version was released). From the film Napoleon. https://scrapbox.io/files/66ee7b180fda050022a68c58.jpeg https://scrapbox.io/files/66ee7b1c10b519001dc5755e.jpeg #visual

Source updated 2024-09-30 · Snapshot 2026-10-08

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