LATENT REFERENCES / TAG1

πTon/2, cod.act

Archive curator and editor: Keigo Yoshida

This reference note belongs to Tag1 in Latent References, an archive curated by Keigo Yoshida. Its archive region is Motion · Mechanisms · Art. The note preserves its source text and links so that readers can trace the material behind the 3D map.

Collection: Tag1
Archive region: Motion · Mechanisms · Art

Archived reference note

English translation of the archived note. JP shows the original text. Source links and literal code are retained; the translation does not update or independently verify the source claims.

https://codact.ch/works/%CF%80ton2-2/ https://scrapbox.io/files/686b48d224a2a3e4a65e78b5.png https://scrapbox.io/files/686b48e07991043bb05ef8f2.png πTon/2 is a sound installation that intervenes in the continuity of the researches of Cod.Act on mechanical and sound organicity. It results from an experience on the deformation of an elastic form and its incidence on the evolution of a musical work. The object is a flexible ring closed on itself. It is set in motion by torsional engines located inside its body. πTon, by twisting and waving on itself, moves in a very natural and unpredictable way. The origin of the music created by πTon is a deep sound of bass clarinet. It evolves according to its movements and is diffused by loudspeakers located inside its body. When πTon moves slowly, its contractions and dilatations produce deep sensual sounds that evolve like deep breathes. When the movements become fast, nervous and brutal, the creature develops acid and sharp sound along the tube, like a nervous flow.

Source updated 2025-07-07 · Snapshot 2026-10-08

Why this topic?

The text describes twisting elastic rings, unpredictable movement and bass-clarinet sound responding to their speed.

This source-reviewed classification is an editorial interpretation. It does not replace calculated similarity or original source links.

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