LATENT REFERENCES / TAG1
László Moholy-Nagy
Original title: モホイナジ
This reference note belongs to Tag1 in Latent References, an archive curated by Keigo Yoshida. Its archive region is Media art timeline. The note preserves its source text and links so that readers can trace the material behind the 3D map.
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Archived reference note
English translation of the archived note. JP shows the original text. Source links and literal code are retained; the translation does not update or independently verify the source claims.
https://www.nikkei.com/article/DGXZQOUD2526F0V20C26A2000000/
Recently, many “immersive” exhibitions emphasize immersion in images extended into space. In the 1960s, a movement called “environmental art” sought to consider art, architecture, and design comprehensively. It can be regarded as the origin of elements such as extending works into space and active audience participation, preceding contemporary media art.
From 19, taught at the Bauhaus, the German educational institution that became a source of modern design,
https://www.nikkei.com/article/DGXZQOUD2526F0V20C26A2000000/
昨今では、空間に拡張された映像への没入体験をアピールにした「イマーシヴ」な展示が多く行われている。1960年代には、「環境芸術」と呼ばれた、美術と建築やデザインを総合的にとらえようとした動きがあった。現在のメディアアートに先立つ、作品の空間への拡張、観客の能動的な参加といった要素の起源ともいえる。
19年からモダンデザインの源流となったドイツの教育機関バウハウスで教鞭（きょうべん）をとっていた、
Source updated 2026-05-29 · Snapshot 2026-10-08
Source links and calculated neighbors
Cosine values measure shared lexical features, not truth, agreement or identical meaning. Original reference links are labeled separately.
- Media Art History TimelineComputed lexical cosine similarity 0.142 · shared title, text, tags and references
- BauhausComputed lexical cosine similarity 0.115 · shared title, text, tags and references