LATENT REFERENCES / TAG2
Twelve-Tone Technique
Original title: 12音技法
This reference note belongs to Tag2 in Latent References, an archive curated by Keigo Yoshida. Its archive region is Sound. The note preserves its source text and links so that readers can trace the material behind the 3D map.
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English translation of the archived note. JP shows the original text. Source links and literal code are retained; the translation does not update or independently verify the source claims.
The twelve-tone technique is generally a compositional technique fully systematized by Arnold Schoenberg in “Five Piano Pieces,” Op. 23, in 1921, also called dodecaphony, row technique, or serialism. In fact, like “atonal music,” “noise music,” and “electronic music,” it was explored separately and independently by multiple composers of the same period.
十二音技法は、一般にはアルノルト・シェーンベルクが「五つのピアノ曲」作品23で1921年に完全に体系化した作曲技法であり、ドデカフォニーや音列主義、セリエリズムなどとも呼ばれる。実際は「無調音楽」や「雑音音楽」「電子音楽」と同様に、同時代に複数の作曲家によって別々に独立して模索されてきた作曲技法である。
Source updated 2023-12-18 · Snapshot 2026-10-08
Source links and calculated neighbors
Cosine values measure shared lexical features, not truth, agreement or identical meaning. Original reference links are labeled separately.
- Arnold SchoenbergComputed lexical cosine similarity 0.159 · shared title, text, tags and references
- Serial MusicComputed lexical cosine similarity 0.129 · shared title, text, tags and references
- Second Viennese SchoolComputed lexical cosine similarity 0.123 · shared title, text, tags and references
- Serial Music and Total SerialismComputed lexical cosine similarity 0.105 · shared title, text, tags and references