LATENT REFERENCES / TAG2
3:3:2 Rhythm
Original title: 3:3:2 リズム
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The 3:3:2 mode was strongest among dancers in the village of Sagere, Mali (Figs. 5b and 7e). Recording a representative corpus of their musical repertoire revealed that 46% of the excerpts recorded in the corpus contained a prominent 3:3:2 pattern (see “Methods” for details). Similarly, strong weights for 3:3:2 were found in all other groups of musicians and dancers from African and Afro-diasporic traditions (musicians in Botswana, Mali, Uruguay, and Brazil, and jazz musicians in both the US and UK). Fig. 7f, significantly higher.
https://www.nature.com/articles/s41562-023-01800-9
#sound
マリのサゲレ村のダンサーでは 3:3:2 モードが最も強かった (図5bおよび7e )。彼らの音楽レパートリーの代表的なコーパスを記録したところ、コーパスに記録された抜粋の 46% に顕著な 3:3:2 パターンが含まれていることがわかりました (詳細については「方法」を参照)。同様に、アフリカおよびアフロ・ディアスポラの伝統に由来するミュージシャンとダンサーの他のすべてのグループ（ボツワナ、マリ、ウルグアイ、ブラジルのミュージシャン、および米国と英国の両方のジャズミュージシャン）でも、3:3:2という強いウェイトが見つかりました。図7f、大幅に高かったです。
https://www.nature.com/articles/s41562-023-01800-9
#sound
Source updated 2024-08-06 · Snapshot 2026-10-08
Source links and calculated neighbors
Cosine values measure shared lexical features, not truth, agreement or identical meaning. Original reference links are labeled separately.
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