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LATENT REFERENCES / TAG2

Biological Constraints, Culture and Rhythm

This reference note belongs to Tag2 in Latent References, an archive curated by Keigo Yoshida. Its archive region is Sound. The note preserves its source text and links so that readers can trace the material behind the 3D map.

Collection
Tag2
Archive region
Sound

Archived reference note

English translation of the archived note. JP shows the original text. Source links and literal code are retained; the translation does not update or independently verify the source claims.

Given that music exists in every known society yet differs greatly by culture, it must arise from interactions between biological constraints and culture-specific experience. Suggests that music as combinations of separate elements is not merely an invention of Western scholarship and musical traditions, but a basis of human musical experience worldwide. The particular categories we observed were not arbitrary either. Categories existed at rhythms with small integer ratios in all tested groups and are thus considered a widespread characteristic of human mental representations. May reflect an innate bias favoring integer-ratio rhythms. 1 difference from other cross-cultural category-perception examples is that rhythm categories are usually nonverbal, consistent with the idea that discrete representations do not necessarily depend on language labels. #sound

Source updated 2024-08-06 · Snapshot 2026-10-08

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